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areislol · 5 months

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"would you kiss me for $10 or the hottest person in the world for $1000?"

ft— blade, gepard, dan heng, jing yuan, luocha, welt, sampo, luka, argenti, dr. ratio

warning — none, just fluff! might be ooc, established relationship, gn! reader, no yanqing for this ;( mentions of kissing, might be cringe..? chinese names are simplified. not proofread.

a/n— y'all i apologize if they're ooc (can't justify it i haven't even played hsr yet) so yes. ENJOY as this is my second time writing for 'em

wordcount. 4.2k

刃 blade

✧ .... he knew it was one of those.. silly media questions that couples do to one another. and he hates you for actually doing them (not really he loves you too much)

✧ he continued to stay silent as he sat on the bench, watching as you sat beside him—anticipating for his response that will decide whether or not he will sleep on the couch or not.

✧ "ugh you big bum just answer the question!!" you groan, slumping down on the bench.

✧ blade cocks his head and raises his brow, smirking at you. "you mean the complex question that will probably lead you unhappy if i don't say the answer you were hoping for and then not talk to me for the next couple of hours as you're petty and—"

✧ you quickly shut him up with your palm over his mouth, you were now mad at him for being too god damn right. warmth spread to your cheeks as you stared at him, completely flustered.

✧ "you better shut that mouth of yours baldie." you threaten, still keeping your palm over his mouth when you felt the icky, wet and textured feeling gliding across your palm, it was his tongue.

✧ wasting no time you pulled your hand back and stared at your palm before vigorously wiping it on your shirt, absolutely disgusted. "ewwww!! and you still haven't answered my question!!" you pout.

✧ blade huffs (he's very sassy), "yeah not after calling me baldie. i'm not even bald." he was so serious about it, it was very amusing to you.

✧ you pout even more, scooching closer to him. "okay i'm sorry for calling you baldie.. and yes you aren't bald. now will you please answer my question?!" blade continues to glare at you, thinking about his answer. well, he was only pretending to anyway.

✧ he already knew his answer the second the question slipped out of your mouth, obviously, kiss you for $10 (credits). even if it was for $1000 he could easily get that amount of money in a day and plus, you are the most hottest person in the entire universe.

✧ but he decided to tease you, he put on his thinking face, tapping his finger on his chin. "hm... i really don't know it's so hard to choose..." he hums, looking down at your face as he smirks in amusement at your silly little mad face.

✧ "so hard? SO HARD FOR WHAT????" you asked, leaning in closer. oh you were for sure getting irritated now.

✧ blade chuckles before engulfing you in a tight hug as you sat on his lap, face buried in his chest. "of course kiss you for $10, i don't need $1000 anyway."

✧ "what about the pretty part?" "you are the hottest of them all, y/n."

✧ you hummed in content, happy with his answer before speaking again. "see, it wasn't a trick question at all." blade rolls his eyes. "uh huh... so you weren't going to quote-on-quote, 'ground' me if i said the wrong answer?"

✧ "....no...."

✧ (btw he was still a lil hurt when you called him baldie. like wow, it really hit him deep)

杰帕德 gepard

✧ the second you asked him the question he did not hesitate and answered within 1 billion light speed.

✧ "you of course! i don't want to a random stranger who i don't know for $1000, i don't need that money when i have you."

✧ "oh— gepard—" yeah, you almost burst into tears at his answer. it was so geniune, sweet and adorable. even his face said it all!! he looked at you with such sincere eyes as he told you his reply!!

✧ gepard almost freaked out thinking he said the wrong thing when he saw the tears welling up in your eyes, he immediately held onto your shoulders, apologizing if he did anything wrong.

✧ you shake your head no and wipe away your tears dramatically, "n—no i'm fine gepard i'm just— i didn't expect you to say your answer so quickly! when i saw other couples doing it the other person is always hesitating or something."

✧ gepard is confused, was this a test or something? (poor baby doesn't know) and so you have to explain to him what the trend is all about and all that jazz.

✧ he doesn't think that it's a bad trend or anything, if anything he encourages you to ask him more questions!! anything you ask, he will reply asap 100%!!

✧ and so you asked more questions.

✧ "you don't care about the money gepard? that's a lot though, $1000!" you exclaim, gepard shakes his head and smiles, "i already said why i don't need that money, love, i don't need the money when i have you, you're priceless."

✧ EUGHHHHHHHHH HE JUST HAS TO HIT YOU WITH THAT. you smiled back and gave him a kiss on his cheek before backing away. "that's so sweet of you... okay next question, who is the hottestperson in the world?"

✧ gepard only stares into your eyes, mesmerized by your face, his eyes are trained on you and only you as his thumb caresses your cheek. "you, of course, you're the most hottest.. although i'd rather use prettiest instead, you are the most prettiest and amazing person in the entire universe."

✧ safe to say his face was peppered with kisses after that, not that he minds it.

丹恒 dan heng

✧ "what kind of question is that?" is the first thing he says, looking at you in confusion as he closes the book he was reading.

✧ you had just entered his room, phone in hand before asking him the question out of the blue so he assumed you saw something from the media which now... lead to this.

✧ you shrug, going back to your question. "don't be trying to change the topic, what would you do? kiss me for $10 or kiss the hottest person in the world for $1000?" you repeated, your brows furrowing. to dan heng, it was crazy scary how you looked right now, so desperate for his answer.

✧ "well obviously the hottest person in the world for $1000, that' so much money!" he replied, knowing what this was going to lead him to. "......so... you would kiss the most hottest person in the world for more money?"

✧ dan heng cringes as he nods his head slowly. your eyes narrowed as you began to glare at him, soon, you stormed out of his room, pissed, and with a right as well.

✧ dan heng sighs in defeat before getting up from his seat and following you to where you always went when you were mad, to the kitchen.

✧ and he was right, you were in the kitchen just snacking on food you just bought the day before, when you spotted him you turned around, your back facing him. "baby c'mon im sorry i was just joking.."

✧ hearing him call you "baby" did something to you but you didn't want to give in just yet. you were mad at him still. you pout (not like he can see you but still) and continue to munch on your food angrily.

✧ "i didn't mean to, i promise i was just joking. i would much rather kiss you for $100 i pinky swear." .... "pinky swear?" "pinky swear."

✧ safe to say you accepted his apology as he absolutely peppered your face with millions of kisses before engulfing you in his arms.

✧ "you're ridiculous..." dan heng sighs, resting his eyes. "yeah well you love me so" well, he can't deny that.

景元 jing yuan

✧ jing yuan is definenetly doing the mathematical calculations in his head right now. because what in tarnation are you talking about?!

✧ he stares at you like you're crazy for a second before sighing, looking down and closing his eyes shut (he reminded you a lot like a disappointed dad...)

✧ "what do you mean? why are you asking me this out of the blue..." for one, he is a tad bit afraid that if he says the wrong thing you will sentence him to three (3) days to sleep on the couch, yeah, you banish him from your SHARED bedroom multiple times when he said the "wrong thing".

✧ you repeat your question again, waiting for his answer. "what a silly question, i would kiss you of course, with or without the $10." he breathed, planting a kiss on your forehead before pulling away and smirking, he knew that that was what you wanted to hear and the kiss was the cherry on top.

✧ for a few seconds you just sat there, too flustered to do anything. YES YOU KNEW IT WAS JUST A FOREHEAD KISS BUT IT'S JING YUAN OKAY

✧ "hm? is something the matter, my love?" he questions, leaning in closer to your face, he was much more taller than you (obviously) so he was quite literally towering over you, his face was so close to yours.

✧ you shake your head before going in for a small and chaste kiss and closing your eyes, you can feel the smile on his lips as he pulls you closer to him by your waist and deepens the kiss. your brain was starting to get fuzzy as you felt more and more delirious. jing yuan just knew how to make you fold.

✧ "hey! this isn't an excuse to make out with me you know?" you pull away breathless, looking quite dazed just for this "simple" kiss. jing yuan hums, resting his head on your shoulder before speaking up.

✧ "you know you love it." at his words you sigh and shake your head, "well i can't deny that..." you reply with a smile as you run your fingers through his soft hair.

✧ a few minutes go by in silence, you assume that jing yuan was asleep by how calm and quite he was, when the silence was broken. "does this mean i can sleep in our shared bedroom?"

✧ your brows furrowed at his words, was that all he was thinking about? "mmmmmmm now that you mentioned it..." "no." you chuckled, patting his head. "i know i know, yes, you get to sleep in our shared bedroom."

罗刹 luocha

✧ "what an odd question.." luocha replies, observing your very serious face. he found it amusing how you looked so serious after asking such a silly question.

✧ you whine and shake his arm, "just answer the question luocha it is very serious!! i need to know your answer!!" .... okay yes apparently it was very serious as you literally called him by his name and not some cute nickname.

✧ luocha offers you a soft and tender smile, the one he always does every time he spots you and or is with you (it never fails to make you swoon), "of course you, i don't need the money when i have you, are you doubting something my dear?"

✧ you shake your head at his words, happy with his answer. "no, everything's fine don't worry! thanks lychee." luocha then engulfs you in a hug all of the sudden, the scent of flowers filled your nose as his hair tickled your face.

✧ "your hair's in my face babe—" you mumble, moving the strands of hair off your face. luocha quickly apologized before pulling away, he cups your cheeks and stares deep into your eyes, which confused you.

✧ luocha continues to stare at you for a good hot minute, he was thinking about something. "say, did anything happen to you that prompted you to ask me that question? did someone do something? did i do something wrong?"

✧ he's so cute. anyway, you shake your head. "no, why?" luocha sighs in relief before taking his hands off your cheeks. "i don't know i assumed something happened that made you question me with that.. question. thank the lord i didn't do anything."

✧ kissing his cheek, you sighed dramatically, "well actually something did happen.. a certain somebody hasn't given me any attention for the past couple of hours"

✧ luocha playfully rolls his eyes, "my fault, princess/prince" and that's how he ended up peppering and littering you with kisses all over your face and no, you couldn't escape him even if you wanted to.

瓦尔特 welt

✧ if you keep asking him such questions he's only going to age more, physically, you're going to give him too many wrinkles if you keep on making him furrow his brows and frown.

✧ all you can hear is him heaving a great big sigh as he sets his mug down on the table, staring down at you. "the hottest person in the world?" he asks, you nod your head while smiling, you somewhat knew his answer already.

✧ "well it's you of course." he replied without any hesitation, you hummed and gave him a peck on his cheek. "right answer."

✧ "but why $10 only? you're worth more than that you know." he added, you only shrugged your shoulder. "i don't know it's what the text says" "the text?" "yeah, look!" you held your phone up and pointed at the screen where there was a couple, one of the partner asked a question—the same one you asked him.

✧ the other partner states that they would kiss the most hottest person in the world for $1000, it then showed a clip of the person sleeping on the couch. the answer was easy really, welt didn't understand how bad one person can mess something up.

✧ "well he was stupid, answer was easy." you agreed and put your phone away. "simple right? i knew you would say the right thing" you continued, welt only smiles in pride. "of course, i know what you want to hear, but i hope you know i would never kiss a random person, even if they were the hottest."

✧ your heart melts as he speaks, his words really sinking into you. "awwhh welt~" next thing he knows you're absolutely hugging the shit out of him (and rubbing your face in his chest), not that he minds.

桑博 sampo

✧ "well would you kiss me for $10 or kiss the hottest person in the world for $1000?" sampo repeated your own question back in a somewhat sassy tone. you were a bit shocked to say the least, i mean, how dare he not answer your question but answer your question with the same exact question!! (same energy ykyk)

✧ but obviously, you're used to his antics as you roll your eyes playfully, closing your phone. "seriously, shampoo. answer the question." "woah woah—shampoo? i said to call me anything but that!" he whines as he uses his hands to talk (as usual), very much exaggerating everything.

✧ you shrug your shoulders with an unamused "hmph" and don't reply any futhur. sampo dramatically sighs in defeat. "but babes, if you really think about it $1000 is a lot of money.." you raise your brow at his answer. "you're only thinking about the money?"

✧ sampo shakes his head, he grabs a hold of your hands while looking at you so sincerely it kind of scared you as he was always so... non-serious. "no, of course not. but just think about all the things i can buy for you...and me...food, flowers, more food, clothes and so much more! wouldn't you want all of that?"

✧ you think about it for a second and replied, "well although those are nice, wouldn't you much rather kiss me instead for $10? we can.. still buy something with $10, plus my kiss is unlike any other!"

✧ "yeah, i know." sampo snickers, upon his reply you narrow your eyes at him, your unamused face screamed "what do you mean by that?" in a menacing type of way. sampo quickly clears his throat before you could get any ideas (you had already gotten a few).

✧ "what i'm tryna say is that yes, i would rather kiss you for $10 but.. i think—" you immediately cut him off with a solemn face. "sh. i don't want to hear anymore of you." sampo can see that you're visibly upset at his answer. shit. he didn't mean to say the wrong thing.

✧ his grip on your hand tightened as he moved in closer to you. "no, wait babe i didn't mean that. i was just playin' i promise i would rather kiss you, your kisses are a one in a billion and i really don't care about the money and—" once again, you cut him off, but for a good reason this time.

✧ you giggle softly and shush him up with your index finger pressed up against his soft lips. "i know what you mean sampo, don't go on a big rant now you aren't in trouble." a clear sigh could be heard from sampo. "thank the stars.."

✧ " but babe! you haven't even answered my question." you gawk at sampo. "... oh well..."

✧ and now it was your turn to tease him, be prepared for a pestering and probing sampo!

卢卡 luka

✧ luka is quite stunned at first because for one, the question was out of nowhere, and two, WHAT DID HE DO THAT MADE YOU QUESTION HIM (you have a habit of asking him random questions out of nowhere)

✧ "did i do something wrong?!" is the first thing he says, he says it like it's urgent it caught you off-guard. you shake your head no and chuckle. "no, why? it's just a question don't worry."

✧ as you both were beside each other, sitting down on your couch, luka leans in closer to you where his nose is just barely touching yours. "well.." he whispers before giving you a long and tender kiss on your lips, it was soft and delicate, it wasn't intense or hot—just simple.

✧ "you, obviously." he begins as he pulled away slowly, his deep, sparkling blue eyes staring down at yours so softly and genuinely. "plus in my eyes you're the most prettiest person in the entire world, actually—no, in the universe!" the way he beamed at you as he spoke his words made your heart flutter. he was so sweet.

✧ luka's sweetness and innocence of a child (not quite literally) never failed to make you tear up, his charisma and optimistic personality pulled you in. but back to the moment. "awww luka you're too sweet ☹️" your cute lil pout made luka's head jump out of his chest and right back in, you were all too adorable.

✧ "oh you know it's nothing.. just stating the facts!" he chuckles, wrapping an arm around your neck and pulling you closer to him where your hips touched each other.

✧ luka rested his head on top of yours, his chest heaving up and down calmly. "wait, so you would kiss me even if you only got $10 other than $1000?" you asked, not bothering to move your body to face him.

✧ "yup! i would still kiss you for free too, money or not. if you still don't believe me.." luka lifted his head off yours as he faced you, you mirrored his actions and turned to face him. "hm?"

✧ luka began to kiss your face, first your cheeks, then it was your nose, then your forehead and finally, you're lips. this time he pressed his lips onto yours for longer as he used his left hand to cup your cheek. everything about this moment was wonderful.

✧ when he finally lets go, you both are left breathless and yet still yearning for more. "do you believe me now?"

银枝 argenti

✧ argenti is quick with his response, catching you off-guard. he was just standing out in the public (well more like posing to you and other people as he always looks like he's a model posing for his pictures) when you came running to him with your phone in hand, looking quite excited. which got him excited as well.

✧ but despite the silliness of the question he quickly answers your question with no hesitation. "why, you of course. i would kiss you any day, anytime and anywhere." he spoke with such sincerity and calmness it instantly made you fold. his soft and luminous grey eyes boring into yours.

✧ argenti moves in closer to you where his chest is looming over you. but even if he was taller than you, you were quite used to him doing that so you weren't afraid at all. "why do you ask?" you shake your head and smile up at him, happy with his answer. "nothing special!!"

✧ argenti stays silent for a couple of seconds before cupping your cheeks with his hands, your hands reaching to hold his with yours, the cold, hard metallic texture. you stare up at him, confused, but don't speak. you wait for him to do whatever he needed to do.

✧ before you knew it he had leaned down, his lips barely touching yours, his hooded eyes staring down at your lips. a kiss. his lips were so warm and soft, they did not part whatsoever, it was just soft, slow, gentle and sensual kiss. his lips were softly pressed against yours for a good hot second when he gradually pulled away, the tingling and exciting sensation still lingered on your lips.

✧ when both of your lips parted, it seemed like you two had forgotten that you were out in public, unaware of the many stares that were coming your way (i mean can you blame them? they are witnessing a very gorgeous couple passionately kissing. but not in that way.)

✧ after argenti pulled away and observed your face for any signs of discomfort the corners of his lips began to pull up after seeing you smile shyly. you were so adorable. "and that would be $1010." he whispered, gently pinching your cheeks.

✧ a cheerful and tender grin grows on your face at his words. but before you could utter a word or sound your eyes land upon a rose being held right in front of you by argenti. his signature rose.

✧ "a freshly picked flower for you, my rose." he breathed, his other hand pressed against his chest as he slightly bows. what a gentlemen he is. you smile in embarrassment before gratefully take his flower and slightly bowing before thanking him and smelling the rose. "thank you so much! it's breathtaking...."

✧ "just like you."

真理医生 dr. ratio

✧ "be completely and utterly serious with me with me right now." you added, using big words to really make him think about it. not like he ever does (he's always thinking logically).

✧ ratio sighs, yes, he gave you that sigh. "what? don't give me that sigh. just tell me your answer and then go on with your life again!" you said, doing your sigh this time. ratio is clearly and visibly thinking about his answer.

✧ "wow. are you really thinking about your answer?" you spoke, raising your brow in complete confusion. ratio shoots you a stare and shakes his head. "yes, really, but the answer is simple, you." although his answer was what you wanted to hear you wanted to know why. i mean, he was your boyfriend after all but still.

✧ "i thought you said you would let me go on with my life after answering your non-sensical question." he replied bluntly, cocking his head to the side. you mumbler under your breath as he was right. "yes well just one more thing, please?" and of course, he could never say no to you.

✧ "simply because i love you. i don't need to kiss anybody, especially a random stranger that is quote-on-quote, extremely attractive, for $1000 or more. even if somebody offered me a million i wouldn't take it, simply because they are not you. your kisses are different and have a different feel compared to theirs. and i am 100% positive that their lips are probably not the best unlike yours. not only that but it would be completely unreal for me to meet someone extremely attractive in the world as nobody is. but to me, you are the most wonderful and amazing person i have ever met. and not only that but—"

✧ you roll your eyes playfully before shushing him up with a finger pressed up against his lips. "okay okay i get it smarty pants" you giggled, removing your finger from his lips. ratio only grinned upon your words.

✧ "hm, well that's a good response. you're the best!" you beamed before kissing his temple and pulling away, heat rushing to your cheeks.

✧ as you were about to walk away you stopped in your tracks, causing him to stop what he was doing and looking your way. you turned around, facing him. "did you mean everything you said?" you questioned softly. the corners of ratio's lips curled up. "of course, i promise."

note: if you would like to be added to the honkai star rail taglist pls just ask me!! dont be shy

taglist 🏷️ : @sanestlyneyfan @akhiran @elenasstxarr @irantoyouwithoutthinking @stygianoir (if i forgot to tag you i apologize! dm me/send an ask to be in the taglist if you want.

liking + following + reblogs are very much appreciated!!

another note: second hsr post YAY I HOPE Y'ALL ENJOY THIS

#hsr x reader #honkai star rail x reader #blade x reader #dan heng x reader #jing yuan x reader #gepard x reader #luocha x reader #welt x reader #sampo x reader #luka x reader #argenti x reader #dr ratio x reader #honkai star rail x you #hsr x you #—✧ · . fandom: honkai star rail

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creatingblackcharacters · 2 months

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Lesson 1: "White Man Painted Black"?

Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!

You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.

Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!

I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!

(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)

(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)

You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?

It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.

And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!

Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:

Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?

Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)

What if, instead of just changing her palette, we changed her:

Hair?

There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?

Lips?

I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.

Nose?

One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!

Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.

I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!

#creatingblackcharacters #black characters #black artists #black writers #black art #character design

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flowerflowerflo · 1 month

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౨ৎ ⋆｡• vogue beauty secrets 🐰 ๋࣭ ⭑

🎀𓂃 ࣪˖ hair

don't wash your hair every day! i think everybody knows this but i know a couple people who still dont wash their hair only 2-3 times a week. obviously it depends on ur hair type but only wash your hair when it needs it!

don't wash your hair with scalding hot water either. its not only bad for your body and face but its also bad for your hair as it ruins the natural oils and damages cells etc

if you have frizzy or easily knotted hair i recommend keeping a comb on hand in the shower and using it to detangle before putting in any products

i've been emulsifying my shampoo for only a couple of weeks but my hair is sooo much fluffier afterwards so i definitely recommend that!!

now i'm torn on this one but apparently shampooing twice is better for your hair than doing it once? i tried it one time and it did not end well for my hair type but i know it works for a lot of people so if you wanna give it a try then go for it ♡

i squeeze excess water out of my hair before i put in my conditioner so i can completely get it in there without

also change your pillow case often! this is for your face too, as the oils will build up and thats not good for ur hair or face. i change it once a week but 2x a week is good too if you're able 💓

don't go to bed with wet hair. stop doing that. its super bad for your hair and keeping it pretty & fluffy & cute

airdrying is my holy grail, been doing it since i was little and dont regret a thing. its a billion times better than blow drying & makes ur hair so fluffy too ♡

🎀𓂃 ࣪˖ body

DO NOT. HAVE. THE WATER. BOILING HOT. i am guilty of this and have been for years but it has such a bad impact and you shouldnt do it! cold showers are better but i prefer warm showers so theres a middle ground (& its always cold in england, so id freeze to death.)

using body lotion after the shower has been such a game changer for me its incredible. makes you smell nice, feel nice, look nice, and its so relaxing and i feel like a princess after i do it <3

exfoliating is really important if your aim is for soft skin 💓 i have been doing it for months and as somebody with super rough skin its SO soft now

partake in some form of exercise. i hated hated hated sports and exercise when i was younger but i did do dance up until i was eleven and have been doing pilates consistently for months now, and my mindset towards it has changed drastically over the years to finally a healthy one. it can be a difficult thing to get into but make it something you enjoy. it doesn't have to be sports. ill make a post on this soon but it can be pilates, kpop dances, running, hot girl walks, anything! and most importantly, do it for mental health and physical health, not losing weight.

make sure you're eating properly. remember that 2000 - 2500 calories a day is the MINIMUM. please do not stress over things like that. your body is so important & is there to be nourished and not neglected

change your bedsheets every week if you wanna smell good, this is so important bc sweat and odour will build up if u dont and thats icky and wont make u smell good & probably isnt the best for your skin either!

i also put two similar body washes on in the shower that i get SO many compliments on & its really helpful if one of your priorities is smelling good

dont just wash body wash straight off, let it sit for a few moments so the scent can actually sink into ur skin

🎀𓂃 ࣪˖ face

skincare every morning & every night. if ur tired or just not feeling it today then simplify it, just make sure you never leave it out because its super important! no. skipping. no work = no reward.

on this note, try not to have a too complicated skincare routine, as this can backfire and make ur skin worse than before. your skin isnt meant for 18 different products and 200 chemicals every morning!

never wash your face with hot water... this is also a given but just in case... it strips your skin of its natural oils and does more harm than good

stop touching ur face... just for those who need a little reminder

make sure ur sleeping enough. seriously disney princess movies meant it when they talked ab beauty sleep; it seriously makes a difference, so please try make this a priority, especially if you already have dark circles like myself! (like girl did you see aurora's face? my girl's skin was so clear i could see my reflection)

pay attention to what makes ur face puffy or irritated or makes you get break outs. i keep a little break out log in my skincare page in my journal (little teaser for an upcoming post 🤭) and this has helped me go over what helps or hurts my skin! i recommend this especially if ur prone to acne or breakouts 💖

cold spoons in the morning to depuff your eyes; ive only been doing this a handful of times but im making it a habit seeing as it really helps! (as someone who can get vv puffy eyes 😭)

hydration is so important, for everything in this list, but most of all (from my experience) your face! i drink A Lot of water every day. probably a bit too much. but its so worth it, my skin has been absolutely amazing ever since i started actually making hydration a priority. (and this is coming from a girl who didnt touch a drop of water when she was younger & had to go hospital for dehydration several times.)

i'd recommend scrubbing ur lips too in the morning when you brush your teeth, i saw this on pinterest aaages ago bc i had super dry lips and i do it every morning & every night RELIGIOUSLY. its so so good and i definitely recommend

i have super dry lips in the morning so lip balm in the mornings w my skincare is absolutely essential for me

i also put perfume behind my ears & on my neck so its the first thing people smell when they hug me! im a very touchy person and i love hugs and i love showing love to people so this is essential for me but its optional, just makes you smell good ♡

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two-white-butterflies · 6 months

Text

is it over now? | c16

Description: You reminisce about a relationship that was never meant to be. Charles moves on - but you stay there.

Pairing: charles leclerc/short!reader

(not really that short, more like 4'11 - 5'3)

yournamelovely: 1989 (Taylor's Version) is out now! I had so much fun being the only feature in the remastered album. Please listen to 'Is It Over Now?' 💙🦋 Thank you for this beautiful opportunity Tay!

liked by 2,382,012 others

>comments

theraindrops4: I'm so proud of you 😭

taylorswift: 💙

nickdevries: Don't forget us when you're famous. - yournamelovely: Who are you again??

There were many different ways to get over a breakup; some of them included healing, traveling and finding yourself - but how could you get over Charles fucking Leclerc? He was everything that you wanted in a man - dimpled cheeks, monegasque accent, and a perfect family that you adored. He was everything you needed.

When he decided to call things off three months ago. You haven't been the same. "Congrats on your new song with Taylor! I listened to it and I can't believe you both kept it hidden for 6 years?" Selena chuckled while handing you one of Taylor's famous mocktails.

"It was supposed to be in my debut album - but it didn't make sense. Now, I think - it makes absolute sense." you chuckled, staring off to the side. Yep, Charles' new fling was a Slovakian model - who by all means, looked beautiful. Blonde hair and blue eyes, you couldn't find it in yourself to hate her. How could anyone hate an angel?

"Oh come on, we have to catch up soon. You still haven't told me about the thing with Charles." Blake's eyes narrowed, she leaned on the door-frame - eyes trailing back and forth between you and her kids that were running around the backyard. "What is there left to say? Our relationship was amazing - it ended and we're going in separate ways." you simplified, leaning on the chair.

Blake took a deep breath, finally settling down in between Selena and Ryan. "I always thought that you'd end up together," she admitted - although she sooner realized that it wasn't the proper thing to say. "Charles, ending up with someone? He's not the guy that dreams about marriage. Maybe in another life, I'll want something less." you looked in the deep horizon.

"Maybe it was for the better that things ended - you obviously didn't agree on big things. You deserve to be happier." Ryan butted in the conversation, sensing that you were in deep thought. "I guess," you agreed with a hum.

yournamelovely: quickie mart mwahaha

liked by nickdevries and 1,239,120 others

>comments

yournamelover: WHAT IS THIS HUMOR? HAHAHA

charlos92: please get back with charles

destinyshanggggee: I WOULDN'T MARRY ME EIGHTER

olenna_markiz: Congratulations lovie! @Charles_Leclerc

liked by 81,203 others

>comments

hollyshit2: YOU LOOK SO GOOD TOGETHER

bolld6: the look of pure love omg

charlesandy/nforever: real eyes realize that she was the one ...

liked by 712 others

>comments

derivativeofx: The way that he threw it all away 😭

leftovers8: WE NEED AN EXPLAINATION

yournameleclerc: huhuhuhu

You thought that having the internet hate Charles' new girlfriend would make you feel better - but it honestly made you feel worst. The entire fucking world fucking hates her, thinks that she's better than you - but it wouldn't change the fact that he chose her. It wouldn't change the fact that you didn't blame her.

You would risk the world for Olenna Markiz too.

"There has been a flurry of hate in social media directed towards your past relationship and his new girlfriend. What do you have to say about that?" the interviewer cornered you. The grip on your hoodie tightened - you wanted to buy food, but the Paps found you. "This is about Charles and Olenna, right? I'll be blunt - our relationship did end on a sour note but it's not an excuse to be mean towards her."

"- at the end of the day, we're separately happy. Please stop making rumors about us or about her. Especially her - because umm she wasn't the reason for our breakup. Judging from the posts I see on social media, they're really in love. I wish nothing but the best for them." you smiled bitterly, walking away as your manager suddenly rushes to your side.

ynandcharlesuniverse: 1 year ago, (Your Name) wrote 'Timeless' for Charles Leclerc. I believe that we were supposed to find this, cuz even in a different life you still would've been mine.

liked by 827 others

comments have been restricted.

Charles_Leclerc: With the beautiful girl 💞

liked by yournamelovely and 1,283,930 others

>comments

romanempire3: beautiful pair omgg

carlandodestroyer: OLENNA MARKIZ IS LITERALLY MOMMY

obladioblada: does it ever drive you crazy, just how fast the night...

yournamelovely: World Tour EP ... featuring three songs: lacy, nonsense and vicious.

liked by 3,283,012 others

>comments

nickdevries: LACY >>>

danielricciardo: LACY >>>

chickenpozes34: WE ARE FED

"Hey!" you waved at the girl beside you.

It was a charity gala - benefiting the orphans of Europe. To your surprise, you were seated beside Olenna Markiz. The girl's shadow seemed to haunt you all the way to Texas. "Hi, it's nice to finally meet you. I'm such a big fan," she gives you a firm handshake.

There was cautiousness in her posture - like she was trying to determine if you were nice or bad. "Likewise, I love your work with Bottega and Mugler." you named, oblivious to the cameras that were pointed in your direction. "Really? Not a lot of people recognize me, to them we're just girls wearing clothes." she chuckled.

"It's hard to be a woman in this economy, but I assure you - there are lots of people who know how to appreciate art." you complimented. It was your dream to be a model - ever since you were little, you were always fascinated with supermodels. Alas, God didn't grant you with the suitable height required. "I just hope that I meet them soon enough," she whispered to herself, before returning her attention to the man on the stage.

Olenna didn't know what to expect with her boyfriend's ex-girlfriend. A lot of people in reddit spoke about her bluntness, that she was unapologetically human - often lashing out in her childhood star years. There weren't a lot of posts to go along. His ex valued her privacy, rarely even attended any interviews.

To her surprise, she was pleasant company. Often making jokes that she understood and found hilarious. It was easy falling in love with (Your Name) (Last Name), what Olenna couldn't understand was how Charles fell out of love. "It was nice hanging out with you, maybe we could grab some coffee in the future?" she offered, a foot inside her luxury car. "Sure, I'll give your agent my number." Lena agreed.

Happy to have made a friend.

LET'S NOT PIT WOMEN AGAINST EACH OTHER

WILL FOREVER BE A GIRL'S GIRL

#charles leclerc x reader #c16 #charles leclerc imagines #formula one imagines #formula one fanfic

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hattiestgal · 1 month

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SHAKES YOU how do you draw taurs. i need help i genuinley cant wrap my head around the anatomy of it. optionally i need help with fat taurs but any kind of taur is okay

Ooh, I love these sorta questions!!!

So there are two main things folks usually struggle with when it comes to drawing taurs as a whole. 1, they struggle with quadrupedal anatomy and 2. connecting the humanoid upper body to the quadrupedal lower body. Obviously there's no shame in either of these things, drawing four legged animals, especially if you're more used to the anatomical structure of something more humanoid is quite tough! And finding the sweet spot where humanoid and quadruped meet to make a taur is a bit of a struggle for folks who're still figuring it out.

So! The first thing you wanna do really is just familiarize yourself with quadrupedal anatomy. Look at the skeleton of the creature you're trying to taur and see how things like their limbs bend differently or how they're just differently naturally posed as compared to someone who walks upright.

This is a very simplified skeleton of a cat, but you can pretty immediately see how differently everything bends. And I'm not saying it's something you have to perfectly master to know how to draw a taur (especially when you get to drawing fat taurs), but i highly recommend becoming familiar with how a quadrupedal body is structured, the silhouette of most animals is quite misleading! And absolutely use reference!

Heck, our first go at drawing taur Riley was super heavily referenced (I'll even share the ref image if anyone is interested!), and this still came out real jank. Practice makes perfect!

As for connecting the upper body to the lower body, this is a little more subjective and up to you, but I'll lay out some general guidelines.

Generally speaking, you wanna put the humanoid torso where the base of the neck is, the front of the torso kinda merging with the rest of the taur body just after the tummy, basically just before the crotch starts.

As for the back, you're gonna want to shoot for just shy of where the butt starts, waist having curved back outwards. It gets a little awkward if you go higher or lower than that. And obviously, you wanna make sure the torso is firmly planted in the center of where the neck should be, ehehe.

That's pretty much the basics though! As always, i recommend looking at how your favorite taur artists draw the creatures and studying off of that! Familiarize yourself with quadrupedal anatomy, and use reference!! You will absolutely get it down with time. I will absolutely cover fat taurs if there's interest in it, and ofc, lemme know if there's anything I missed or need to go over! I hope this helps!

#hat answers #my art #my ocs #Riley Foxglove #design talk #tutorials #taurposting #i imagine this one'll find a much more niche audience but i really do hope its helpful!#these are the two things that definitely gave me grief when i was first figuring out how to Taur #but im sure theres plenty more i missed!#never be afraid to ask about stuff!!!!!!

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shuttershocky · 5 months

Note

There's a thread on the arknights reddit asking why is Eyja so resistant to powercreep. About half the answers were because the devs virtually give no other casters the amount of res ignore she has and she was just made right from the start and casters past her are either meh or Goldenglow.

It's a fun problem to talk about and these answers are correct, but I would argue that fully understanding the issue of Eyjafjalla's effect on Arknights' design and why she's so hard to powercreep comes down to understanding the combination of four things:

Arts damage is calculated by reducing the initial damage by a percentage given by the target's RES

Arknights is a Tower Defense game

Eyjafjalla was first and with a very overloaded S2

Closely related to #3, Arknights is a live service (gacha) game

I'm not sure if I can explain this very cohesively, but I'll try. This is going to be a very long post going over all 4 points in detail, after the cut

I'll go over info you definitely already know to explain Point#1, but please be patient.

Arts damage in Arknights is calculated like how Magic Resistance works in many games—it's reduced by a percentage of the target's RES, vs Physical damage being a flat reduction by DEF or ATK - DEF. Let's explain Physical first.

The flat reduction from DEF means that while Phys damage does almost nothing if it's below an enemy's DEF, slowly slowly increasing the phys damage being outputted will get over the enemy's DEF until it starts being effective. The higher you boost the phys damage over the initial DEF, the more effective the attack becomes. 2000 DEF may be extremely tanky, but if you deal 10,000 damage per hit in one second, you're still dealing 8000 DPS. On the other hand, if you deal 1000 damage per hit 10 times in a single second, you're doing basically nothing (a minimum of 5% damage per hit) to a 2000 DEF target despite having the same DPS.

Meanwhile, Arts damage being reduced by a percentage dictated by enemy RES means that the actual damage per hit doesn't matter. If you make a 10,000 damage Arts attack hit an 80 RES target once per second, you do 2000 DPS. Do the same thing where an attack does 1000 damage Arts hits 10x in 1 second to the same 80 RES target, and you do 200 x 10 or 2000 DPS. This means Arts damage ultimately only cares about DPS, no cares about whether it gains it from boosting ATK or ASPD, it will be the same in the end.

Moving on to Point #2, other games that calculate magic resistance in this way aren't Tower Defenses, but Arknights is. Being a tower defense means that the objective in any stage is to beat all AI enemies in a stage before they finish their set path to your goal, and no matter what strategy you go with the only approach to victory involves killing all enemies in some manner. This foundation means that DPS is inherently king (as in many games, but with Tower Defense's especially), as your only form of gameplay involves destroying the AI enemies with set patterns, everything else only serves that purpose. The hypothetical ultimate Arknights unit is not the one with the best utility or versatility or strategic potential, it's the unit that can kill the most number of enemies onscreen more efficiently than everyone else. So when it comes to units that deal Arts damage, Arts units that can kill the most enemies the most efficiently are the most valuable.

In other games in completely different genres but with the same approach to magic resistance (a very big logical leap I know but hear me out I swear), DPS numbers cannot be the end all-be all. For example, Dota 2's magic resistance works the same way, and they even have heroes with similar approaches to the game, but being a human player vs human player game and actually being unable to win by killing all enemies alone creates nuance.

Lina and Skywrath for (an extremely simplified and obviously overlooking many, many more nuances) example, are both squishy magic damage nukers whose goals are to surprise one enemy and then destroy them as fast as possible with very high magic damage. However, they are usually incomparable, because they're not just fighting set AI enemies walking on pre-determined paths, but human players who will react in different ways to the smallest differences between the two characters (ex: Skywrath has no way to completely stop enemy movement so he'll have a partner nearby to watch out for, Lina has a stun so she's more likely to be alone, but there's no dodging her homing Laguna Blade like you can with Skywrath's ground-targeted Mystic Flare so kill her before she fights back). Also, you can only win in Dota by destroying the enemy's base, so a team with 100 kills can actually lose to a team with 30 kills if the team being beaten up constantly dodges fights but manages to destroy the enemy base still. The ability to kill your enemies must actually be in service of your ability to destroy buildings (which are normally magic immune), meaning a caster that can annihilate enemy players is the blink of an eye but is useless at breaking buildings or defending may become a liability if they don't help their team at pushing faster than the enemy or can't help defend their buildings. To put it short: in other games, the non-linearity of both the objectives and combat encounters means increasing raw magic DPS cannot always be a solution

So now we go into Point#3 and 4, Eyjafjalla was the first 6 star Caster, and Arknights is a live service game meaning it must change over time.

Eyjafjalla having an automatic and powerful skill with RES shred, multiple charges, and even AOE on her S2 spelt doom for the entire Caster class, even more than her infamous S3. With S2, Eyja was cheaper than Casters with AOE, dealt more DPS than them while having their AOE, didn't require any manual input from the player, and even shredded enemy RES.

Now Eyjafjalla's S3 could be competed with, as it was a long cd multitarget DPS skill. Ceobe came with her own machine gun on S2 that could scale off enemy DEF, while Carnelian came with true AOE rather than a 6 target limit (though Eyja's S3 was still better in the end lol). However, her S2 being so easy and so powerful in a tower defense where efficient and strong DPS is the most valuable trait you can possibly have means HyperGryph either have to directly powercreep it with a similar skill, or work around it, which is where Point#4 being closely related comes in.

HG's approach was trying to work around it, which is why other Casters have clearly tried to stay out of her way either via utility or new features. Goldenglow has global range, Ebenholz sacrifices DPS for instant burst (but then eventually got a DPS module anyway), Mostima has big slows, Dusk creates summons to block enemies, etc. But even with all the utility or features being put into other Casters, if Eyjafjalla kills enemies just as quickly and easily as she did at release, then there's no real reason beyond your own fun to use anyone else. Eyja's S2 is still killing everything. That means enemies also have to change.

If Eyjafjalla killing enemies so easily with either S2 or S3 is a problem, then the only solution without being able to nerf her is make enemies harder for her to kill alone. This is why Patriot Phase 1 had 90 RES, so Eyjafjalla couldn't just kill him like she did all other bosses while Amiya's S3 had True Damage. Later enemies would also try other gimmicks, like the enemies in Lonetrail starting with very high DEF and RES that would lower after multiple hits, so strong DPS casters like Eyja can't instantly kill them with S2 (although her S3 will kill them from rapidfire lol).

However, unlike someone like Exusiai who had low ATK but monstrous DPS from multihits and ASPD, simply raising the floor of enemy RES will negatively affect ALL Casters, because of point#1— Arts only cares about DPS because of how it's calculated, damage per hit doesn't really matter. While Exusiai players can still play around with her by attempting to boost her DPH above the enemy's DEF threshold (and run the math on whether they should just try to lower enemy DEF instead), Casters will react the same to boosting ASPD and ATK, while lowering enemy RES will become more and more efficient the higher enemy RES gets, and hey, guess who comes with a RES shred? Eyjafjalla's S2.

Eyjafjalla trapped Hypergryph's design team. Keep raising RES and other Casters quickly become more and more useless without RES ignore / RES shred of their own, becoming a second support class when Supporters already exist for the idea of "Casters but supports". In fact, as RES gets raised, Eyjafjalla and other casters like Ifrit become more and more valuable as DPS units (in a tower defense where DPS is king), since they can ignore / shred RES when most cannot. Keep the game playable for other Casters however, and it means Eyjafjalla will continue to reign supreme.

HG tried to do a balancing act. This is how we got enemies start to get more RES over time, which weakened Casters overall enough that HG made a module for Core Casters to ignore 10 RES (that Eyjafjalla also got LOL). This is also how we got into the current state where Eyjafjalla is still comfortably killing 90% of the game and seen as near impossible to powercreep, because if she can't then people without her (and there WILL be people without her, because it's a gacha game and she's not guaranteed) would be totally screwed. Try to directly powercreep her by making a second Eyjafjalla with bigger numbers, and not only will you be pissing off people that rolled for Eyjafjalla, but you'll be creating an even bigger problem instead of fixing the first one.

So to tie it all together

Point # 1 means that Arts damage is a lot less nuanced than Physical damage, leading to raw DPS by any means coming out on top

Point # 2 means that if the only way to win is to destroy all enemies, then the ability to destroy enemies with damage faster and more effectively will always be the strongest solution

Point # 3 means that since Eyja was first and also very overloaded with features, everyone else was created with the knowledge of that they'll be competing against her, meaning you either had to directly powercreep her, or stay out of her way. HG chose the latter

Point # 4 means that while Arknights tried to address her, by either making tankier enemies or by event game mechanics, they were trapped by their own design. Because of Points #1, #2, nullifying Eyjafjalla too much would be screwing over everyone else because of the end result of Point #3, which is everyone tried to stay out of her lane when it came to DPSing. Not everyone can have Eyjafjalla because it's a gacha game and who you get is all RNG, and while you want new units to be attractive to make money, directly powercreeping old characters screws over your own players and makes them angry, while powercreeping Eyjafjalla directly will not even fix the problems created by points #1 and 2, it just makes an even more problematic, second Eyjafjalla.

Thanks for reading this far! If anything wasn't clear just ask and I'll try to explain it again

#Arknights

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comicaurora · 3 months

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These have been pent up for a while, so there's a whole list lol. Some are Aurora, some are not.

1) Can lacrimas carry out multiple purposes at once? Or will they blend them? I'm assuming that this is possible, considering that the automaton in the ruins was using a lacrima as a brain

2) Has anyone tried to make tools or weapons out of lacrimas? I'm talking like chisel that needs no hammer. Or maybe a Fire lacrima on a bow that sets your arrows on fire

3) Can you engrave runes on lacrimas to make them affect themselves?

4) Where can I read more about the Twins? If I'm not wrong they're the creator gods, aided by the Light dragon and the Void dragon to create life, but I might be getting a wrong read on that

5) Since we see Erin successfully become the first Void mage, does that now mean there's potential for him to make a Void lacrima? The dragon probably won't allow it, but still

6) What exactly does elemental corruption of each element do? Fire literally burns you up, as we saw in Arc 1. I can infer that Life likely makes you a chimera. Void corruption makes you a cave crawler. But what do the other one do? Does Earth make you a statue? Does Wind disintegrate you, Thanos style?

7) Now onto the non-Aurora questions, is your art vector or raster? I believe it's vector, but it's always better to confirm

8) What are your opinions on reading into the environment and the character design to infer things about the character themselves? In any type of media

9) Have you played Baldur's Gate 3?

10) Do you have any music that you'd recommend? I've listened to every song I liked so many times that I hate them now.

11) I'm new to Tumblr, anything that I should know? You don't have to answer this one if you don't wanna. I think I know some of the basics already. Reblog what you like, and avoid the terfs, right?

You might be able to tell that I like the idea of the lacrimas a little bit. Just a teensy bit. The artificer in me definitely isn't obsessed. I appreciate any answers you can give :3

Cheers!

Ooh, lots of stuff!

Yes, it's possible. A lacrima can be engraved with multiple spells, set in a casing engraved with commands, or some combination of the two. Typically, all spells engraved directly on a lacrima will activate at once when the lacrima is "switched on", but a spell can be quite complex, and conditional activations are possible - "if-then-else" statements, basically.

Yes, magic items exist.

Generally no. If the lacrima is disrupted or broken, the spell generally stops functioning, so a self-affecting lacrima will run only as long as it takes for the lacrima to distort or break.

There's an extra lore page about them!

He probably could if he wanted to (and the Dragon allowed it) but Void energy is very dangerous, so he likely doesn't want to.

Each form of elemental corruption agitates the presence of the element in the mage's body. Earth corruption can damage or alter bones, encourage unhealthy petrification of soft tissues, etc. Wind corruption can have physical effects but it often most obviously produces breakdowns in the person's ability to speak or understand language. Lightning damages, numbs or intensifies a person's physical senses.

Raster, I draw with CSP's digital pens. I've only very briefly experimented with vector art - I don't like how it simplifies the lines.

I think it's a fun school of analysis but, like all literary analysis, it runs into trouble if it tries to lock down exactly what the writer was thinking or intending (which is an objective fact that one can be incorrect about) rather than trying to analyze the story on its own and what meaning might, intentionally or unintentionally, be factoring into it.

Nope

don't trust my taste in music it's 90% nu metal and sonic OSTs

Like what you like, reblog what you want, generally it's considered dubious form to add a comment to a reblog unless you have something profound to contribute (commenting in the tags is fine), steer clear of discourse and callout posts and generally the sectors of the site that are constantly on fire, blocking someone for any reason is 100% fine

#asks #aurora #not aurora

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mikelogan · 3 months

Text

gif tutorial

i was asked to make a tutorial for this set i made, so let's get right into it!

first things first, i downloaded the music videos from youtube in 1080p using 4k video downloader. unfortunately, the quality of youtube videos always seems... not great, to put it simply. plus these music videos are from the 90s, so they've been upscaled to 1080p after the fact. all of this works against us, but i've definitely worked with videos of lesser quality than these, so at least there's that!

when i gif, i import video frames to layers rather than screencapping. this comes down to personal preference. after everything has loaded, i group all my layers together and set the frame delay to 0.05. i then cropped my gif to 540x500.

the next step in my process is sharpening. i did play around with my settings a bit given the quality of the footage and the dimensions of the gif. i compared both @hellboys low-quality video gif tutorial to my regular sharpening action and my vivid sharpening action and in this case, i preferred my normal vivid sharpening action. i used this tutorial to create the action for myself, and you can find other sharpening tutorials here. this action converts my frames to video timeline and applies sharpening.

once my gif is sharpened and i'm in timeline, i begin coloring. i wanted to simplify the amount of colors used in these gifs, again because of the video quality -- i knew it wasn't going to have the crispness i would normally like for my gifs. here are my coloring adjustment layers and their settings (not pictured: my first layer is a brightness/contrast layer set to screen) (explanation in alt text):

all of these layers and their settings will vary depending on your footage and its coloring (and obviously, feel free to make the gradient map whatever colors you like if you aren't going for this exact look).

pretty basic coloring, especially with just slapping a gradient map on top (my beloved), but at this point, i still didn't like the quality of the gif, so i added a couple textures/overlays.

i put the left one down first and set the blending mode to soft light and the opacity to 8%. depending on what look you're going for, you could increase or decrease the opacity or play around with different blending modes. i like using this texture with lower quality footage because even when it's sized up a bit, it adds some crispness and makes things feel more defined. for the second texture, i set it to overlay and 75% opacity. we love and respect film grain in this house.

now for the typography! sometimes i really enjoy typography and other times it's the bane of my existence for the sole reason of just how many fonts i have installed. anyway, here are the settings i used for this set:

make sure the color of your font is white and then set the blending mode to either difference or exclusion. i can almost never see a difference between the two, but for this set, i used exclusion. below are the blending options (double click on your text layer to bring up this menu or right click and select blending options).

now we have to add the warp effect. with your text tool still selected, click this icon at the top of your screen:

from the dropdown menu, select twist. these were my settings, but feel free to play around with different warp options and their settings. the ones i use most often are flag, fish, and twist.

this last step is completely optional, but it's an effect i use in most of my sets with typography. duplicate your text layer (select the layer and ctrl+j), turn off the layer effects (click the eye icon next to effects), and set the blending mode to normal. right click on the layer and select rasterize type. right click on the layer icon itself and choose select pixels.

at this point, you should see the moving black and white dotted line showing that only your text is selected. then go to edit > stroke. here are the settings i almost exclusively use.

this is what your text should look like now:

using ctrl+T, move the layer off the canvas so you can't see any of the text anymore. you should be left with only your outline. click anywhere on your canvas to de-select the text we just moved. use ctrl+T again as well as your arrow keys to nudge the outline over to the left 2px and up 2px. this is personal preference as far as the positioning, but i almost never move it any other way. you can leave it like this, which i sometimes do, or you can set the blending mode to soft light like i did for a more subtle effect.

and that's it! rinse and repeat for each gif in your set or use a different warp effect on each gif to switch it up! if you have any questions about this tutorial or would like me to make one for anything else, please feel free to ask any time!

#gif tutorial #my tutorials #gifmakerresource #completeresources #dailyresources #chaoticresources #userdavid #coloring tutorial #typography tutorial #tutorial #photoshop tutorial

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fantasy-anatomy-analyst · 3 months

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Making Humanoids Less Human

I did make a small post on this, but now I've got the art for a much bigger and more detailed post! so here we go.

I had several anonymous asks that all came in quick succession weeks ago. Every single one of them was basically just a variation on "how would you take (typically humanoid) fantasy being, and make them look less human?"

This blog does not exist for me to just give people original designs for free, my goal is to show off my own personal thoughts about fantasy design and help people figure out how to adjust their own designs to fit their vision better. That means when people ask me questions about how to do something, I want to give them things to think about so they can come to their own conclusion. I don't mind making original designs to illustrate concepts, but a whole flood of "show me how to make this specific thing look different" all at once like that was too much. I'm not answering them all individually, it's just not what I want to do.

But what I can do is show my own thoughts and ideas about how to take any fantasy design and push it further away from "human", and you all can look at my ideas and figure out your own way to do things!

So here are the main 4 methods I've come up with to make humanoids look less human.

(image description: a simplified drawing of a humanoid face surrounded by four altered versions of the same face. clockwise starting from the top left, they are:

Speculative, drawn as a cat person. Additive, drawn with horns, pointy ears, sharp teeth, and a second pair of eyes. Subtractive, drawn with blank eyes, no nose, and no eyebrows. Exaggerative, drawn with a long face and huge eyes, as well as a wide mouth, narrow nose, and big ears.

end description)

I am personally a fan of the speculative route, which means exploring an alternate root of evolution to create a new design. Through this method, I've created monkey elves, frog goblins, and pig orcs.

the additive option is the most common, I think. adding new feature or doubled features to a humanoid form is a very intuitive way to change the design and make it look less human. you see this in most fantasy and scifi designs, like star trek aliens and the dnd player races.

subtractive and evaggerative are the most common options for people that like the uncanny valley. it's really easy to make uncomfortable designs by removing or exaggerating recognizable features, and they're often used together. Slenderman, for example, removes all facial features and skin color but also exaggerates the limbs and body.

Combining the four methods will give you a really interesting design as well! So for practice I decided to explore an alternate design for Tieflings, the part-demon player race in dnd.

(image description: four examples of differnt tiefling designs using the previously described methods. the additive example is just offical dnd art of a tiefling woman with purple skin, horns, and a long tail.

the subtractive sketch looks very alien, with a bald head, empty eyes, and no other facial featuers aside from a small mouth. it has three fingers per hand and two toe per foot.

the exaggerative sketch shows a hunched humanoid figure with huge eyes and big ears. the neck, limbs, and digits are all long with claws at the ends of the fingers and toes, and the limbs are also quite muscular.

the speculative sketch shows a bipedal figure with features similar to a giraffe, including a long neck, ossicones, and hooves.

end description)

now, because tielflings have such a distinct look to them, obviously my new sketches don't really look like tieflings, do they? the only one that comes close is the giraffe. relying only on one type of alteration to the human form has left the designs rather empty and lacking in the more iconic traits of the original concept. so i tried a sketch that combined my ideas! it came out looking like a completely different creature lol, like it could be a kobold or something, still not really a tiefling.

(image description: a sketch of a creature with a giraffe-like head, long tongue, and sharp teeth. it appears to be roaring at something and stands in a half-crouch. it has long limbs with hoof feet and clawed hands, as well as a long tufted tail curled behind it. end description.)

didn't work out. too far into the animal side of the speculative evolution, I think. so I tried again and got a design I liked much better!

(image description: a digital painting of a tiefling leaping back and casting a glowing orange spell. she is wearing a tunic with a corset and detached sleeves, as well as several pieces of jewelry. Her skin is purple with dark patches like a giraffe's spots, and she has a giraffe's ossicones as well as hoof-like hands and two-toed hoof feet. Her tail is long with a tuft at the end. She has glowing eyes and a flat nose, and there is a single sharp tooth visible poking out of the side of her mouth. end description.)

Brought the face back into slightly more human proportions and that helped a lot. Sometimes designs just take a few tries! that's normal.

and hopefully this is helpful to all of you! there are so many ways to alter humanoid designs to come up with something original and unique to you!

#humanoids #making humanoids less human #altered humanoids #non primate humanoids #tiefling #long post #my designs #and btw ai cannot do this #does not matter how detailed you prompt it #it can't really get things to look this original and unique #it can't really blend different features like this in a way that makes sense #you have this power #the computers cannot replicate it

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septembercfawkes · 16 days

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How to Write Stakes that Aren't Life vs. Death

Writing strong stakes is critical for any story. But a question that often comes up for newer writers is, "How do I create stakes other than life vs. death?" Or essentially, "How do I write stakes that aren't life or death, yet are still effective?"

"Stakes" refer to what your character has to lose, what is at risk in the story. And obviously, potentially losing one's life, is a pretty big risk.

To address the questions, let's first look at why life vs. death stakes are so effective.

I know, it sounds obvious, like common sense even, and you may be rolling your eyes.

But understanding why they almost always work, will help you see how to create other similar stakes.

The thing about death is, it has a finality to it that almost nothing else has.

No one can come back from the dead.

That's it.

Death is the end of the road.

Done.

Gone.

Game over.

. . . Except that unlike "Game over," you can't restart the game.

In storytelling, this is one of the main reasons many of us want to grab life vs. death stakes. Everyone reading the book innately understands this. Death is final, you can't come back from that. It's a "point of no return." It can't be undone.

Great stakes will create a similar effect.

It's not literally life or death. But to some degree, there exists a figurative life-or-death situation.

For example, in The Office, after Michael accidentally hits Meredith with his car, he organizes a fun run on her behalf. Michael is driven by the desire to be liked by others. And after he hits Meredith, people don't like him. (I am simplifying the actual story just a bit.) With the fun run, he's hoping to redeem himself. He wants to be liked (or even admired) by others. To Michael, that hinges on his success with the fun run. If it's a success, people will like him again. If it's a failure, they won't (or they will dislike him even more).

There are seemingly only two outcomes: Success = liked. Failure = (forever) disliked.

From Michael's perspective, he can't have both.

Whichever path the fun run takes, the other path "dies."

You can't go back in time and change the outcome of the fun run.

It's final.

End of the road.

Done.

Gone.

The situation also, to some degree, feels like figurative life or death to Michael. He's driven to be liked, and that makes him feel alive. If he's disliked, it feels like "death." It mars him psychologically, and he feels like he can't come back from that. It feels like the end of the road.

The Office is not a high-stakes story (which is one of the reasons I'm using it), but it still has effective stakes that convey why what's happening (the fun run) matters (liked vs. disliked), which is something all good stakes do.

This example also shows two components related to crafting effective stakes: plot and character.

Let's dig a bit deeper into each.

One of Two Paths Forward

If you've been following me for a while, you may know that I like to define stakes as potential consequences. It's what could happen, if a condition is met. As such, any stake should be able to fit into an "If . . . then . . ." sentence.

If the fun run is a success, then Michael will be liked.

If the fun run is a failure, then Michael will be disliked.

Others may argue the stake is only what is at risk in the story--and that's fair.

But notice when we lay out potential consequences, they convey (directly or indirectly) what is at risk. In the example sentences above, we see that Michael's popularity (or the lack thereof) is what is at risk.

Potential consequences convey what will happen if a specific outcome is reached. And this lays out at least two possible paths forward.

If X happens, then Y happens.

Which also implies, if X doesn't happen, then Y doesn't happen.

Or, we may be more specific and say, if X doesn't happen, then Z happens.

In any case, by laying out the potential consequences, we lay out two paths forward.

I like to imagine it as laying down railroad tracks, which shows the paths the train could go.

But notice the train can't travel down two paths at the same time.

It's an either-or situation.

That's what we want to set up in our stories, when it comes to stakes.

Covering every aspect of this topic is beyond the scope of this article, but at the basic level, it works like this.

The character has a goal (of which there are three types). Something opposes that goal (antagonist). And this creates conflict, which escalates.

There should be consequences tied to getting or not getting the goal.

If the character gets the goal, Y happens.

For example, if Harry successfully stops Voldemort from getting the Sorcerer's Stone, the Wizarding World will be saved.

If the character doesn't get the goal, then Z happens.

For example, if Harry fails to stop Voldemort from getting the Sorcerer's Stone, then Voldemort will return to power and the Wizarding World won't be saved.

These are potential consequences that the writer should convey before, or at least near the start of, the conflict.

Notice they also convey what's at risk (the Wizarding World's safety).

So these are the pathways the story could go.

But we can only travel down one.

We can't go two directions at once.

This creates a sense of either-or, similar to life or death. (Although admittedly, in my example, if Voldemort returns to power, there will eventually be death involved, but, generally speaking . . . )

This will also create a sense of finality, in the same way death does.

Figuratively speaking, the path we don't travel on "dies," because it is no longer an option. We can't go back and get on that train track. We've passed it. (We now have to deal with the consequences.)

When we hit an outcome--a condition--the pathway is selected.

Harry successfully stops Voldemort, so the Wizarding World is saved.

Harry successfully stopping Voldemort is also a turning point (a.k.a. a plot turn). It turns the direction of the story, it turns the story onto the path we laid out (since its condition was met).

With this, I like to think of the turning point as being the track that switches the direction of the train.

This switch also creates what some in the community call a "point of no return." (We can't go back and go down a different path. It's done. We are on a different trajectory now. (And yes, I am simplifying a bit.))

Stakes don't literally have to be life or death. But you need to set them up so that the pathways the story could go, look like either-or pathways. You need to set them up, so that outcomes can't be easily, foreseeably undone.

So let's look at a less dramatic example.

Your character needs to deliver an invitation to a royal wedding (goal). This isn't a life-or-death situation. In fact, it arguably sounds a little boring.

But when we tie potential consequences to it, not only does it become more interesting, but whether or not the character successfully does this, matters, because it changes the path, the trajectory of the story.

So, maybe we say . . .

If Melinda successfully delivers the invitation, then she'll be able to go to the royal wedding as well, which is where she'll have the chance to meet her hero.

I would need to communicate more contextual info to make this more effective. I would need to explain more about the stakes. Let's say her aunt said she'd take Melinda as her +1, if Melinda does this task for her (because the aunt really doesn't want to, because she has some high-priority things she needs to get done). Melinda's hero is from another continent, and she'll likely never have the opportunity to meet this person again. We could build it out more, so that she wants to get feedback on a project from her hero, and doing that could change Melinda's career path for the better.

We could even make her vocational situation more dire. If her current project isn't a success, then she'll be doomed to work for her father as his secretary (which she'd hate).

Now a lot hinges on successfully delivering this invitation.

If she successfully delivers the invitation, then Melinda can go to the wedding and get feedback from her hero, which will result in her not having to work for her father.

If she fails to deliver the invitation, not only will she not get to meet her hero at the wedding, but she'll have to work a job she can't stand.

Two paths forward.

She can't travel down both.

Now, we give her a lot of obstacles (antagonists) in the way of her delivering this invitation, so we have conflict (which should escalate).

Whether or not she delivers the invitation, is a turning point, because it turns the direction of the story, it turns her pathway. (Simplistically speaking, I could get more complex.) It's in some sense "a point of no return."

You can make almost any goal work, even a boring one, if you tie proper stakes to it.

The goal to survive (life vs. death stakes) is innately immediately effective, because we already understand it holds a "point of no return." If you die, you don't come back from that. There will also eventually be a point where, if you reach your goal, you won't be at risk of dying (at least, simplistically speaking, you won't die right at that moment.)

For other situations, you often need to build out and explain the stakes, for them to feel meaningful. You may need to provide contextual information, and you may need to walk the potential consequences out further so the audience understands everything that is at risk.

Let's talk about this from a character angle though . . .

Putting the Right Thing at Risk

One of the reasons the fun run Office example works, is because the writers put at risk what Michael cares about most: being liked. It's what motivates the majority of his actions on the show. It's what drives him. It's the want that he holds closest to his heart, his deepest personal desire.

Because it matters so much to him, the personal risk feels greater.

Michael feels, on some level, he will "die" psychologically, if he isn't liked or admired. (Which is also why he feels he will "die" if he is alone. (Even if he, himself, isn't fully conscious of either of these points.))

When the character cares about something that deeply, whether or not the character gets it, matters more.

Main characters should have at least one major want that drives them--something they want desperately, something they keep close to their hearts and deep in their psyches. It's often their most defining motivator. Michael wants to be liked. Harry wants to be where he belongs and is loved (the Wizarding World). Katniss wants to survive. Barbie wants to maintain a perfect life. Luke wants to become something great. Shrek wants to be alone so he can avoid judgment.

When we put any of those at risk, it raises the stakes.

. . . Because the characters not getting their deepest, heartfelt desires, has big personal ramifications on their psyches.

If what matters most to Shrek in his world is to be alone, and other fairytale creatures are being sent to his swamp, then the potential consequences are threatening what he holds most dear to his heart. Life as he knows it will figuratively "die" if he doesn't put a stop to it. (Of course, in order to complete his character arc, he has to be willing to let that part of him "die" so he can become something greater, someone more "whole.") It feels figuratively like "life or death" to him.

Ironically, putting the character's deepest desire at risk, can often be more effective than life or death stakes, because if you handled this right, you made sure to give the character a want that he will do almost anything to try to fulfill--even risk death for. Harry is willing to risk death to save the place where he is loved. Barbie is willing to risk death (well, at least her "life") in the real world to get her perfect life back. Luke is willing to risk death to become or be part of something great. Shrek is willing to risk death to get his swamp back (facing a dragon).

Recently I saw another great example of this while rewatching The Umbrella Academy. Hazel and Cha Cha kidnap Klaus and torture and threaten to kill him (to try to get information from him). But the torture and threats have no effect on him. In fact, Klaus gets off on it. Hazel and Cha Cha are at a loss as to how to break him.

While this is going on, Klaus eventually comes down from a drug-induced high. His superpower is that he can see and talk to the dead, but he hates that he has this ability--in fact, he's been traumatized by it (in a literal "ghost" story). It's actually the reason he's a drug addict to begin with. When he's high, he can't see or hear ghosts. Avoiding them is his deepest desire.

Torture and death don't break Klaus. What breaks Klaus is being unable to get away from the ghosts. It's only when Hazel discovers his stash of drugs and starts destroying it, that Klaus gets desperate. Not only are the drugs expensive (and he's broke), but worse, without them, Klaus has to face his greatest fear. He has to be surrounded by the dead. This is the exact opposite of his deepest desire.

In fact, to Klaus, this is something worse than death.

Some things are worse than death. And often, those things include your character's deepest desire, the want he holds closest to his heart.

Now sometimes, those things may overlap (like with Katniss being driven to survive), but most of the time, they will be different things. If you think about yourself, there are probably some things you would risk death for. Your first thought is probably your loved ones, and that is another risk you could consider for your characters, but I also bet, if we took that away as an option, you could think of a few other things, like a belief or way of life. Something you would uphold or defend when it's threatened. Something that would get you to do what you wouldn't ordinarily do, if it was at risk.

From there we create pathways again. Barbie can choose to risk the real world to get her perfect life back, or she can choose to remain in Barbieland and have her perfect life continue to deteriorate. She can't have both. Klaus can give up any information he has to try to save his remaining drugs, or he can resist and suffer a plague of ghosts. Shrek can let the fairytale creatures "kill off" his way of life, or he can go on a quest that could get rid of them.

This is still simplistically speaking, but the point is, you've put what the character cares deeply about at risk, and have laid out two paths forward, and the character can only choose one. She can't go in two directions at once.

Stakes don't literally need to be life vs. death to be effective, and in fact, as I've pointed out, some things are worse than death. One of those things is whatever the character wants most.

The idea is to lay out potential consequences--different pathways that appear as either-or trajectories. Either the story goes down path Y or it goes down path Z. The character then has to deal with the consequences of the path; she can't travel in reverse. She can try to diminish or compensate for the consequences (if they are undesirable), but she can't go back and change the track her train is on.

For most stakes that aren't life vs. death, you will need to convey to the audience what those potential pathways are, because they won't be built in like they are for life-or-death situations. One way to do this, is to literally write "If . . . then . . . " sentences into the story ("If X happens, then Y happens"), but you can convey them indirectly as well. The point is that you do communicate them to the audience, because if you don't, the audience won't see or feel the stakes, and so they won't be effective. And in that case, they will never be as impactful as life vs. death stakes.

Also, if you're interested in learning more about my take on stakes, I'm teaching a class on it at the Storymakers conference this May (virtual tickets are available for those who can't attend in person). I also get more into stakes (and plot) in my online writing course, The Triarchy Method (though the course is currently full, I'll offer it again in the future, so I still wanted to mention it. 😉).

Happy Writing!

#writeblr #writers on tumblr #writing tips and tricks #writing tips #Let's Write #Writing Help

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txttletale · 7 months

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omg is this about that post that goes "the superhero myth is about using the gifts you’ve been given to enrich the people around you, never asking for payment, never advancing an ulterior motive" and how that's the fantasy readers want? To help people??? I admit, it made me feel a little tingly inside, but then I remember that most people reblogging that post enjoy the stories because they care about the relationships and dynamics between the named, reoccuring characters, not about nameless victim of the week, if that. idk, i'm still learning leftist things, but that post, it makes me roll my eyes a bit. No hate to any comic fans or reblogs or anyone-- just saying.

yeah i mean it's correct in identifying a core element of the emotional appeal of -- not all superheroes, perhaps not even most superheroes, but superman et al. at least. and obviously "you should help people who need help" on, like, an interpersonal level, is one of the most unobjectionable stances you could have or promote. but attempting to draw the line between that and "leftist" (whatever that means) politics is just total nonsense. like the exact same ethos is present in and central to chivalric knighthood stories, which are literally propaganda for feudalism so effective that people still romanticise feudal aristocracy to this day.

that post also vastly misrepresents / simplifies to inanity the leftwing critiques of the superhero, which are not just the on its face false "superheroes are an authoritarian¹ power fantasy". although in their modern incarnations many depictions of superheroes are in fact blatant right wing power fantasies of unlimited extrajudicial violence against a criminal underclass (e.g. the nolan batman films), there are much more substantive critiques to be made in the naked individualism baked into the premise and into the fact that superheroes serve near universally to forcefully uphold the status quo (and quite often the actual law)

¹ like "leftist", a meaningless word

#ask

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ponett · 11 months

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imo the most annoying thing about the zelda timeline is the fact that you can't even mention it casually without people crawling out of the woodwork to complain about it and tell you how they think they made the whole thing up on the spot to troll fans

like, i get it. it's silly to care all that much about where four swords or oracle of ages or whatever takes place in relation to the mainline games. the exact placement of the NES games is kinda arbitrary. it doesn't particularly matter. there has been lots of pointless nerd rage over these things. but literally every mainline zelda game since the '80s has been openly presented as a sequel or prequel to another previous game. lttp was called a prequel. skyward sword was always framed as the origin story. the opening of wind waker recounts the story of ocarina of time. they wouldn't keep doing things like this if the stories were never supposed to be connected at all, if they didn't think it mattered a little. it's easy to get lost in the weeds of the timeline stuff and overstate it's importance, but it's there

on the flip side, i actually do think breath of the wild's approach of saying that it's so many thousands of years in the future that all prior events are treated as legends containing some mixture of truth and fiction, with references to all three timeline branches to drive this ambiguity home, was really cool! that's a clever way to wipe the slate clean and simplify things without doing a full-blown reboot

but then totk is like "okay now let's talk about the imprisoning war and the founding of hyrule." and i go on twitter to wonder out loud what the game is trying to make me think about this. whether it's trying to do a big reveal about the imprisoning war that was referenced in previous games, or if this is all still just the story of a new version of hyrule in an era after all the old games had faded into legend. and i'm immediately inundated with replies saying the timeline is stupid, they made it all up for hyrule historia, they never should've published a timeline, OBVIOUSLY they've always just been doing unrelated retellings of the same legend, etc. etc. just for trying to engage with the story and figure out what it's trying to tell me in these lore dumps that the entire plot centers around. it's insufferable

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buginateacup · 2 months

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Thoughts on the new Megamind movie and series

Hello friends it is Bug review time!

I have watched the new movie and show all of one time each. I'm gonna talk about what I liked, what I disliked and some thoughts on the new characters and places where there are cracks in the story to drive a roadtrain worth of fanfic through

A disclaimer before we begin, I am thirty or forty years old and I am not the target audience for this shit. I love Megamind and am a hardcore Megarox shipper and also a world building focused fiend. The original definitely had a broader age bracket appeal but this is a show aimed at something like 6-12 year olds. Therefore for better or worse they had to simplify and audience surrogate the shit out of a lot of this.

Megamind vs the Doom Syndicate

To be honest I think you could skip this and go into the new series cold. It's not a movie its a movie length pilot. It was fine and it definitely smacked of Studio Interference going "But you have to explain and set everything up!" (spoilers you don't). The Doom Syndicate is fun if very kid friendly and I'm looking forward to seeing more of them. Behemoth and Knighty Knight are my pals and Pierre Pressure and Lady Doppler are my catty bitches.

The dialogue was good but the pacing felt lopsided. It really felt like they were retreading things that happened in the original movie, especially Minion's entire arc which he just went through two days ago? They did a good job with it but still!

Stuff I loved

FAKE EVIL DATING - I wish they'd shown them actually having to pretend to evil date. But of all the things I thought I was going to get it certainly wasn't that! (So much fanfic y'all. So Much Fanfic).

All of the Doom Syndicate calling out that Megamind and Roxanne obviously have A Thing and neither of them dealing with it well.

Roxanne just casually hanging out in the Lair and also taking charge. that's my girl! Also she's a complete morosexual and she and Megamind deserve each other.

Mayor Roxanne. I didn't adore HOW they did it, I think you could tease a whole season (or an exceptional fanfic) out of Roxanne finding herself not only bored of her job but dealing with the trauma of "Every time I look at the camera I see Hal beyond it and maybe I have some issues with that" and wanting to make changes.

Megamind's Bedroom! There was a sound like a million fanfic writers crying out in glee.

Minion and Roxanne being bros!

Minion out of his suit! It was creepy yet adorable!

The Mayor being useless. When you are used to having a hero who solves every problem, why wouldn't you have a useless Mayor? (I like that he comes back in the show)

The Doom Syndicate in general. They had a good range of designs and were at their most fun when bickering together.

Mr Cuddly Snuggles.

Stuff I didn't love

It felt like a retread of a lot of things that happened in the original movie. Which it has been 14 years so fair, but also if you're going to set something two days after the events of the movie, why make it a photocopy of the original?

Everything that Keiko was doing in the movie that could or would have been done by Roxanne if we were still going via the original characterisation (Roxanne broke into an entire villain's lair right after Megamind took over the city but Keiko's the one with the bat???).

Megamind just spent a whole movie going on about how he didn't share the spotlight and it caused a rift with his oldest friend (again) but sure, we couldn't do this without you small child we just met an hour ago. Its pure audience surrogate and YoU CAn'T bE mEaN to CHiLdrEn! but it makes the pacing feel even more lopsided that this can be so rushed when the whole Minion thing (and not even touching on the whole Bernard issue) got all the attenion and sure we'll just shove this in as well.

(This is the part where I admit parentification of characters is a MASSIVE squick for me and anytime I read about people wanting to make Megamind and Roxanne Keiko's new parents it makes me want to throw up in my mouth.)

Also Exposition voicing the "I was bad but you showed me I didn't have to be" is sooooo not for me. One thing the original movie was extremely clever about was showing how privilege and wealth played a part in Megamind and Metro Man's eventual roles. Megamind wasn't just a bad guy, he was raised in a prison, totally othered, looked different to everyone else on the planet and sent to the naughty corner even when he tried to do things right. While Metro Man was a white western male fantasy who landed in the lap of luxury and even his bunker is a monument to himself.

This was totally discarded for the new movie and I think its the poorer for it, simply because it was such a SMART and SUBTLE thing that is actually relevant.

Again, for kids. Not aimed at me. But I still think it does a disservice to kids not addressing that whole very important aspect.

End result: It's been 14 years since we got any content and I will take it for what it is, a movie length pilot of Baby's First Megamind for a superior tv show. An opportunity for a thousand gifsets and Roxanne running somebody over with a firetruck. If you're watching to get something out of it you probably will. I will be writing 12394393487 fanfics about Megamind and Roxanne actually having to prove they are dating to the Doom Syndicate.

Megamind Rules

Definitely better quality than the movie (I'm not going to talk about the animation etc because frankly the answer should always be pay your animators better and give them more time).

LOVED Megamind just breaking into Roxanne's office. Nice to seee some things never change. LOVED the Bodyswap episode (again, so much fanfic). LOVE LOVE LOVED Megamind and Roxanne laying on the kitchen floor together. We did not get enough scenes of them alone together.

LOVED Christina Christo, tired adults just trying to get their jobs done is my JAM and CREAM and SCONES and I love her (also why I loved Roxanne in the original). Loved her and Minion hanging out in episode 5. They need to be buddies more.

LOVED Roxanne wanting metal tickets for Megamind, everything about them having a shared history and interests filled my heart with glee.

LOVED the shot of Roxanne aiming the degun, Mucho sexy.

Loved Roxanne and Lady Doppler havign a history. How come we got more about tha than we did Megamind and Roxanne?

LOVED Megamind and Roxanne bonding over old kidnappings.

Ep 3 was heaps of fun. Doctor Doughnut was silly yet joyful. and I appreciate the Go Fish gang appreciation of his evil laugh.

The move from news reporting to streaming is actually a reasonable thing to happen, but I wish they'd delved into it better from Roxanne's side of what the shift away from traditional reporting and media meant for her. Social media and news have changed A LOT since the original movie. Again its one of those rich seams that fanfic exists to delve into.

LOVED the cockroach episode, but a missed opportunity for YOU RAISED A CHILD (TWO CHILDREN!) IN JAIL HOW ABOUT WE EXPLORE THAT A LITTLE MAYBE??

I guess we just...have a giant Minion in the lake now?

LOVED the Doom Syndicate just hanging out. Lady Doppler is me, sitting on a bench drinking tea.

The cliffhanger is a cliffhanger because they wanted a cliffhanger. But so help me if Roxanne isn't working from the inside in the next 8 episodes I will riot.

Characters

Megamind. Learning to be a person is right. Every time he got to be one on one with another character he became more himself. Every time he was one on one with Roxanne I was riveted.

Roxanne. My girl! They sidelined the shit out of her in this series! Sure she went off and got herself top job (Megamind and Minion calling her "Your majesty" was for me specifically) but so much of what made her a fun character in the movie (complete lack of fear in the face of villainy, her banter with Megamind, her willingness to just break into a villain's secret lair to find shit out got pushed onto Keiko and it left Roxanne with nothing to do. I don't know what they're planning for the future but I could see Christina taking over as Mayor eventually and Roxanne joining the crime fighting crew.

I HATED every time they called her Roxie, that was set up as an unwelcome nickname in the movie so I don't know why they backflipped on it here. HOWEVER I am prepared to accept it on the basis it made Megamind saying "Roxanne" in episode 8 that much more impactful (though they still could have used Miss Ritchi).

Keiko. I love Keiko as a character? But I hate her role in the show. She's the audience surrogate and the "Kid Relatable" for the kids to latch onto and they had her Exposition Voice in the DS movie what was actually much more cleverly crafted and characterised in the original movie. As a person she's cool and I like having her in the show I just wish it wasn't at the expense of Roxanne. They could have kept her as streaming socials girl and still left the investigation/danger to Roxanne and it would also have meant more time to explore what the Megarox relationship could be building towards/developing from.

I cringed all the way through Keiko dealing with the Doom Syndicate because it was telegraphed from a mile away such a tropey Kid Approved plot. I LOATHE making the tension about characters who have fucked up needing to admit they fucked up when its way more impactful to have them fess up immediately and put all the tension into how to solve the problem.

Machiavillain. He looks like a cunty Barbie villain and I love that for him. I assume we have to be getting the other 8 episodes at SOME point because otherwise that's a lot of Adam Lambert for not a lot of payoff.

Minion/Chum. ALSO learning to be a person and I have always had a soft spot for him. Showing that he has about as much sense as Megamind is a delight.

Christina Christo. I love her and I love that she and Megamind are constantly arguing for Roxanne's affection. Probably my favourite new addition.

End result: It's very Studio Approved For Kids! Enjoyed the show a lot more than the movie length pilot. Needs more Roxanne. Needs 10000 more game nights with Minion's electroshock orgasm ball.

Megamind was and is a PARODY of the superhero genre, break more rules! Don't just plod through the studio approved plot points! Having the original movie be all adults was actually really refreshing because you could get a lot more out of subtle shit without having to spell it out. One of my biggest peeves and the cause of a lot of fanfic is why is shoving Megamind into the hero role any better than shoving him into the villain role? Let him go be a mad inventor without having to save the city! Let him be a crime fighting villain!

And finally, so help me if Roxanne isn't front and centre beside Megamind where she belongs in the next season I will start biting.

FUTURE FANFIC I AM LOOKING FORWARD TO READING/WRITING

All of the evil fake dating. Make them have to fooool the Doom Syndicate. Make Roxanne need to stay over. make it only one bed. Make kisses with Megamind where they haven't even talked about the Bernard thing yet and they are both so messed up about it. (Fun fact! I wrote a fic with this premise way back before the show was even announced.

We're still fooling the Doom Syndicate and oh no they want to help plan the wedding.

We're still fooling the Doom Syndicate and oh no now we're actually getting married.

Roxanne actually dealing with her issues after the movie and why and how she goes into campaigning for Mayor.

Megamind and Roxanne breaking in the mayoral office (obviously).

Filthy sexy bodyswap shenanigans

How did Roxanne figure out Megamind's ticklish spots?

10 thousand character driven Roxanne hanging in the Lair moments

10 thousand Megamind hanging on the couch in Roxanne's office moments

A highly charged Roxanne and Lady Doppler bitter evil exes interaction (just for you @ejga-ostja)

Doom Syndicate shared public workspace office. Or just some random person going in to use the printer and constantly getting dragged into lackeying for them.

Metro City Meme War

An actual introspection on the move away from traditional news media and how it impacts Roxanne's decision to seek a new career.

Christina and Roxanne eat doughnuts and bitch about municipal planning

A Christina POV watching Megamind and Roxanne flirt/have awkward moments/dance around the Thing via a crack in the office door

A Christina and some other person in city hall epsitolary fic told via emails reporting on Megarox developments to the person running the pool and slowly getting more invested in these morosexuals getting together.

Megamind coming to find Roxanne for game night and finding her sacked out on the couch because being Mayor is HARD and napping on the floor beside her because being a hero is hard too

An absolute fuckton of hypnosis kink

Roxanne using her mayoral powers to address the fact that Megamind and Minion were raised in a prison and NOT ON MY WATCH THERE WILL BE REPERCUSSIONS AND WE ARE GONNA ADDRESS SOME SHIT

#Megamind #Megamind rules #megamind vs the doom syndicate #bug thoughts #someone save my girl she doesn't deserve to be sidelined for a kid character #Keiko is fine she is just IN THE WAY #shoo child the adults need to have nasty sex on the control desk

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cr0cutacr0cuta · 1 year

Text

Loving Darius Deamonne: A LONG tumblr essay about my favorite character from The Owl House, and why I think his potential was missed but hinted at.

Hey heres an edit: forgot that Gus existed, my bad. :sob: I love him too just not as much.

Darius Deamonne is a great character and you should love him too and here's why.

It goes beyond me just loving him for being black and pretty obviously gay (at least some sort of mlm) in my eyes. Which is good! He's black and somewhat feminine and it's never played for laughs. He's still treated like a threat and like a very powerful and influential person. Which I wholeheartedly appreciate it.

Which is the first thing I wanna touch on I guess?

I also want to say that some of this is based off of interviews that Dana Terrace has done for the show, as well as piecing theories together based on the information we DO know about Darius.

And no I won't proofread this because I have anxiety about re-reading anything I write, so sorry for the typos in advanced. :,)

I was going to do this in parts but everything is bleeding together so much that I can't. I'll sum up all the most important things in bullet points at the end!

This will probably be my shortest section here. Darius is very reminiscent of effeminate Disney Villains such as Scar or Gaston. He's very into fashion and self pampering. He even has a menacing sounding French/Greek roots last name that DOES invoke demons. Even if that's not the true meaning behind the name, but we'll get back to that later in this section.

Darius is first hinted at in Season 1 Episode 13, "The First Day". His simplified visage appearing on the Abomination Coven banner.

Man, look at how sinister and mysterious they made him look. He also appears to MAYBE be wearing a different outfit than he does in the rest of the series proper. There's not a lot to say or analyze here, I just think his banner is super neat.

The second time we see Darius is in the flashback segment of "Young Blood, Old Souls". We see his younger design first before we even get a glimpse of his present one. I just really like that detail and the implication that Darius was a character that was very heavily on the writer's mind from the jump.

Now his real, first proper appearance is very wild. Very important. I don't know too much about cinematography and framing, but I do know a little bit of the basics.

Let's look at his first true appearance in Season 2 Episode 6, "Hunting Pailsmen".

We do see his shadow in the shot before this, but I just want to point out that Darius is straight up the first coven head we see in the introduction to all of them. (We do see Mason in an earlier episode but it was in a more comedic role and he doesn't speak.)

This framing putting Darius front and center doesn't stop here.

In the first proper serious group shot of the coven heads, Darius is in the middle. Firstly, the perspective frames Darius as the biggest person in the shot. Maybe besides Hettie, but she's also pretty tall and scaled down because of the perspective. He's also the one in the center of the shot, in the center of some of the most powerful people and most influental people in the isles.

This does imply importance.

It even goes further in the next shot.

Darius is at the side here, sure. But he's put next to Mason who probably has the plainest design out of all the coven heads. (I'm sure he's fine.) But it almost feels like he was put next to Darius to make Darius' framing look more important. With the rest of the more uniquely designed coven heads smaller, at the back, and rendered in less color because of the light from the cauldron (?) in the shot.

Even in the storyboard, Darius seems ot have a bit more detail than everyone else. And if not that, his expression is more clear and intense than the other's.

This makes me wonder how important Darius was to the narrative before the show got canceled. Like yes, Raine ended up being the most important person here in the end. Rightfully so. I still just wondered what was there intention with the compositions of these scenes. Was Darius meant to be more important, or was this a misdirect?

He's in such a unique spot in the story, that I doubt it was unintentional. Darius was supposed to be explored much more according to Dana.

Snippet of the interview from TV Tropes.

So we know Darius was supposed to be explored more as a character in a hypothetical, fully realized season 3. I really would have done anything to see that, honestly.

That's all I have to really say for this section. I'm just bummed that all this foreshadowing and planning was destroyed because of Disney's mismanagement of the show. It also sucks that the main black character we see in the show is one of the biggest causalities from it. Moving on.

So back to Darius being like renaissance era Disney villains...He's vain, he's powerful, and quite possibly...He's manipulative. Mainly, it seems, towards the other coven heads.

Remember what Hunter says in "Any Sport in a Storm" about the coven heads...

This is very much speculation on my part. But I think Darius has been in the rebellion game for a while. I can't say he's a direct leader and I can't say he has an entire group behind him until Raine comes along. But I wouldn't put it above him to use mind games to help slow Belos' progress. I think Darius may have been purposely sowing discourse between the other coven heads.

Mind you, a lot of them are already conniving on their own. But I don't put it past him to stoke the flames to cause chaos for Belos' plans.

This does beg the question, how long has Darius been at this? How long has he been TRYING to dismantle the Emperor's hold on the Isles?

Again, speculation warning, but I do think Darius may have been at least skeptical of Belos and looking into what he was doing since his mentor died.

Imagine, your mentor is the leader of the Emperor's Coven. The Emperor's personal right hand man. Then he just...dies one day. And since Belos says that all the previous guards had in fact, betrayed him, what's to say that the previous Golden Guard didn't tell Darius he was going to betray Belos?

Like yes, he could have not told Darius in an attempt to protect him. Darius obviously meant a lot to him and he obviously meant a lot to Darius. Though I also think that he would want to save Darius and everyone else. And if he couldn't, he would want Darius to save himself and everyone else. I can't prove that Darius was told anything, but I wouldn't be surprised.

So Darius may have just...Straight up been in the trenches for years at this point. He does say that he rebelled because he found "The Day of Unity suspicious"...But Darius has exaggerated on screen before. He's also been straight up lying to a lot of peers for possibly years. He can be an unreliable narrator here.

This also means he is a stereotypical renaissance villain turned on it's head. He looks very evil, but my mans is just semi goth, loves fashion, and is an anarchist. He's not a villain, just an anti-hero.

With that said, let's talk about his relationship with Hunter, which seems to be pretty complicated.

Darius starts out seemingly looking at Hunter with distain. I think about what Dana says about Darius' main motivations not only being to help people, but to care about the ones that he loves. The implications that Darius' main driving force is love, not only for people personally in his life, but for his community, the people of the isles, seems pretty significant.

I think love maybe Darius' main, true character trait.

Love, especially when it ties into grief, can really make people lash out. Not everyone reacts this way, but we've already established that Darius can be pretty full of wrath when he wants to be.

To me it's very clear that Darius is projecting the anger he feels from his grief onto Hunter. Which yes, is messed up. There's no excuse for it. He eventually seems to grow and change at least, and that's good.

I can definitely see WHY he would feel the way he does towards Hunter at first though. Your mentor is murdered one day and you get little explanation, he also may have hinted at something deeper and darker happening within the leadership of your community before he does. Then he's replaced by some kid that, probably to you, came out of nowhere. He's the emperor's nephew. Didn't his family die a long time ago? Did his mentor have a child that he didn't even mention?

Which does beg the question...Does Darius know that Hunter is a grimwalker? I don't know? I don't think so. I think he's very suspicious of the whole situation at the very least. You're also frustrated with the kid about being a follower, about not looking at the bigger picture, about just being a soldier and not his own person. Because you're sure that being a follower, being subservient, is what lost your mentor his life.

Darius definitely could have handled this better. He could have not projected his grief onto Hunter. He could have been more open about what he wanted him to do. He could have told him to go be a kid and make friends. But he let his grief get in the way of it all. He's flawed, and that's relatable.

Seeing Hunter make friends and show some sort of autonomy seemingly broke him from seeing Hunter as just a replacement. He started seeing Hunter as his own person as Hunter did. I think that's a very important step in their growth together. I find that super interesting and very poetic.

There's also the fact that Darius probably couldn't tell Hunter about the scope of everything because he wanted to protect him from it all. I don't think Darius ever wanted Hunter to get hurt. Even if he was cruel to him initially. He was so upset in "Hollow Mind" that he shoves Raine out of the way when hears about Hunter being stuck in Belos' mind.

He also may have been scared of what Hunter would see if he had known that the Emperor had something to do with his mentor's death.

Also I guess I should mention it here because of it all tying into Darius being part of the rebellion but...There's a scene in "Eda's Requiem" where Darius is more angry about his clothes getting messed up than the fact that Raine has committed treason...Which is great foreshadowing, actually. I love the fact that Eberwolf has to remind him of the treason part so their cover doesn't get blown, probably.

Let's keep the ball rolling on the most important relationships in Darius' life.

We've covered Hunter and his mentor, so let's move onto Eberwolf.

Eberwolf is pretty heavily implied to be like a sibling to Darius. There's a lot of unexplored territory here and it makes me really sad. So this'll probably be the most sparsely talked about relationship here despite the fact that Darius and Eberwolf spend almost all of their screen time together.

I think the thing I want to point out was that Darius was not willing to let Eberwolf harmed or possibly killed during their fight with other coven heads on the day of unity. I feel like this may elude to a few things.

Darius cannot bare to lose someone in his life again. Or can't bare to see it, possibly again. He backs off immediately and the fear in his eyes is real.

Which shout out the animators for making that very apparent.

It's also very apparent in Eberwolf's expression as well. The expressions just say so much and tell so much of the story between the two that we don't get to see. We get shown and not told...Even if we weren't shown in a more direct way.

Saw this in another post but the scenes following where Eberwolf and Darius appear, also imply pretty heavily that when the spell started working, Eberwolf wanted to run to Darius. But he was in too much pain himself to make it over to him.

Darius knew they were all going to die if he didn't do anything but he chose not to anyway because the pain of losing Eberwolf right in front of him in such a terrible way stopped him. Darius let his fear of loss of someone he really cared about potential damn everyone on the isles. Another flaw, but another important note to tack onto his character.

Like yes, he would have saved everyone else but he probably would have caused him more heartache that he couldn't handle. He'd already been through a lot losing his mentor (and his best friend/possible love interest, but oh we will get to you, Alador Blight.), and this kind of implies that he probably couldn't do it again.

Though Darius acts smart and kind of logical, he's very driven by his emotions, his love and grief in particular, seemingly.

That being said, let's move on from Eberwolf. We're going to skip the obvious for now, and go onto why Darius is probably the best coven head or at least in the running next to Raine.

I'd like to let you all know that the abomination coven is pretty consistently stacked. Not only do they have Principal Bump, who has been shown to be a powerful which in his own right from his debut episode, but Alador, who's Darius' rival yes...But it's pretty lightly implied that Darius and Alador had shared their innovations and interests in abominations when they were younger. Alador probably knows some of what he knows from Darius. Though you could probably say the same the other way around, Alador didn't end up becoming the coven head. Darius is obviously the more skilled abomination user of the two.

Then you have up and coming prospects like Amity who's consistently been shown to be pretty powerful.

Willow even says in "I Was A Teenager Abomination":

"There are better opportunities on this track." when referring to the abomination tract at school.

Now don't get me wrong, coven system = bad. But I don't think the sense of community the coven system provides for witches is ALL bad.

I think the implication here, though subtle, is that Darius is fostering probably the most powerful coven in the entire system.

He's investing and nurturing new prospects. He's providing opportunities for witches in his coven that other covens are not. Darius truly cares about his community. He truly cares about his craft and furthering it through communal growth. He even wrote a book to show his knowledge with the people of the isles.

Darius has been shown to be on of the few characters who can change his form. He does this at will (seemingly) without the help of a curse of any kind. Darius is just powerful enough to change into an abomination monster and he's the only character who can do it. Which is impressive considering how stacked the rest of the abomination users in the show are.

Even Alador has made pretty rad innovations to the craft, even if Darius doesn't completely agree with them.

I also want to say that this points to Darius maybe being a engineer like Alador...but to contrast Alador being a mechanical one he's a genetic engineer, and that might be what's going on with his form. But that's again, pure speculation just from his seemingly opposite theming to Alador.

So it seems like Darius is also a good leader. One with a sense of duty and nurturing towards his community.

Now last but not least...

Let's fucking talk about.

AlaDarius.

Man I have so much to fucking say about these two HOLY SHIT.

They are literally only on screen together like 4 times and it's in the epilogue but just the implications we get from the little breadcrumbs we do have...Oh man.

So Darius and Alador were friends. We can prove that. They seemed to be on good teams in "Thems the Breaks, Kid." Alador talking to Darius and laughing once he flicks some abomination goo onto his face. With Odalia observing, unfortunately.

There's a lot that can be inferred by this. I don't think Odalia was always like she is now. But power, and maybe the prospect of it, corrupts. There's a lot that could have happened between these three.

Some theories:

It's possible that Odalia didn't have as many prospects as Darius or Alador coming up. Which might be why she pursued Alador in the first place. Alador's family has money, Odalia has a manipulative business sense, Alador is socially awkward and probably can't conduct business as well so that maybe got her in good with his family.

Maybe she even manipulated Alador into loving her over Darius by whispering lies in his ears and fueling the rivalry between them. Maybe she got Alador to push Darius away.

There's also the prospect that Alador's marriage to Odalia was arranged for whatever reason. Maybe his parents also told him to push Darius away because of that because they knew Alador and Darius were catching feelings for each other. Alador could have thought that this was normal and had a sense of duty to his family that he put over his love for Darius.

This could also be why he was okay with Odalia telling Amity to cut ties with Willow. Alador may have been forced to do the exact same thing.

And we've already established that when Darius cares about someone, he cares about them very hard. He loves and he loves deep. He already lashed out at Hunter because he loved his mentor so deeply, so why wouldn't he lash out at Alador for essentially abandoning him?

I think it's very clear that Darius loved Alador. Maybe he still does after all these years considering how he acted in the epilogue.

I mean look at him.

He shakes Alador in excitement and pride and pulls away all embarrassed. Pretending he still doesn't have feelings. He even like, touches his chest it's insane and insanely cute. Alador not knowing how to feel is also funny because he probably thinks Darius had either let go of his feelings or he's just surprised that he'd show him any kind of affection after everything.

I also have a theory that Darius possibly been wanting to reconnect with Alador for years. I think the rebellion and wanting to protect Alador from possibly getting threatened if he himself got caught might be a reason. It also might be anxiety. Maybe he's scared Alador might find a reason to abandon him again. Maybe he's actually actively traumatized by that prospect and he has work through it (god I wish this show had more time). Maybe it's all habit at this point too. He's just used to pushing Alador away at this point. Hell, maybe he even thinks that Alador should just be focusing on his children considering their mother is no longer in the picture and they're all healing as a family and he feels like that has nothing to do with him.

There's a lot of speculation.

I'm willing to bet SOME of this is right.

I also don't think this should be downplayed considering that Darius never mentions Odalia when seeing the abomaton in "Eda's Requiem." He didn't have to say anything at all but he's so hurt and so petty about being hurt by Alador SPECIFICALLY that he tells Kikimora to tell him that he's a hack.

There's something going on and I want to know what it is and I'm 80% sure that it's romantic.

I also want to also point out that we see Alador and Darius standing together in the very last shot of the show.

Like they do genuinely look like a family unite here and I truly appreciate it. It might take some time but but that's alright. I think they can figure it out. I think they genuinely can mend their relationship with each other since Darius was able to mend his with Hunter and Alador with his children.

They're both so flawed and had to grow in similar aspects. They're both so different but have these little bridges that truly connect them. Their love for abominations. How they both weren't the best father figures at first but learned to be better for their kids.

There's a lot of undertones with this relationship I truly enjoy.

NOW LET'S TALK ABOUT HIS DESIGN.

I've been writing this essay for over 3 hours so I'm going to try to make this fast.

I won't go into how Darius is very effeminate Disney villain again, so I'll jump straight into his color palette.

Darius has 5 basic colors/shades in his design.

Black: Black invokes a few things. They all kind of pertain to Darius. Black can mean mystery. His past is very mysterious. He's basically a spy, which are mysterious. Black can also mean elegance and power. He loves fancy clothes and is very powerful.

Purple: Darius has a few shades of purple on him. This can be a nod to his craft as the abomination coven head. Purple also invokes regality which might be a nod to his influence in the witch community at large. Though not a ruler, he does have a presence that does seem almost like royalty. It's also the color of imagination. The abominations are somewhat like living sculptures, like art, eluding to imagination. He also sews, probably making his own outfits, which is a very creative endeavor. Purple also invokes compassion, enlightenment, and encouragement. It's also attached to those who are emotional and sensitive and sometimes immature.

Green: Green is a fantastic contrast to purple. I'm guessing this is why Darius' eyes were changed from purple to green. It made more sense with his design and gave it a bit more pop. While green is the color of envy (possibly eluding to his possibly jealousy of Odalia and Alador's relationship), it's also the color of judgement (again, looking at Alador) and materialism (my man loves his clothes). The positive side to this is green representing healing and growth as well. They represent things that Darius needs to let go and things that he actually needs.

Gold: Gold represents luxury, success, triumph, and loyalty. I feel like that's all pretty self explanatory considering all I've discussed so far. Darius studied hard under the olden guard to be successful, he triumphant and became the coven head, he's loyal to everyone he loves and his community. And he does enjoy a bit of luxury, too. :)

White: White actually means a lot of things. The ones I think pertain to Darius most are actually cleanliness, coldness, and purity believe it or not. Obviously he likes to be clean. Coldness because of how distant he starts towards Hunter, and how he maybe pushing away certain people because he doesn't want them getting hurt if he gets found out in the rebellion. This cold also be why his gloves are white. They're a symbol of his coldness over his hands. His coldness keeps him from touching other's, literally. It keeps him distant. Now purity maybe the surprising one here, but it's most so about his intentions, and his sense of duty, and his need to protect. Those things all come from a pure place, a pure good. Even if he himself isn't pure good. It's still in him. Also shout out to perfection as a meaning too but it's not confirmed but he seems like the type who would be a perfectionist.

Overall, his palette actually tells you everything you need to know about him. His silhouette is also pretty memorable. You can look at just that and know, yeah THAT'S Darius Deamonne. You can also tell little things about him from his silhouette through his posture and shapes of his clothes.

I'll also briefly mention his name.

Darius is a name of Persian/Greek/Latin Origin. It means "possessing goodness". And man that feels like a dead giveaway for him not being a bad guy once I type it now. The name can also mean "rich/king like" which...TRUE. And also it can mean "he who holds firm to good". Which is also true. It's also a very popular name among Black folks in the US.

Deamonne is... A little more complicated. It's both French and Greek oddly enough. There's not a lot about this name out there, honestly. Usually when you look it up on google most of the results pertain to well...Darius himself.

Deamonne might be a reference to the word daemon, itself a previous form of the word "demon"...But Daemons themselves are pretty different. The Greek meaning of the word seems to be "A divinity who or supernatural being of a nature between gods and humans." I wonder if MAYBE it's a nod to his status of being able to transform into abomination matter, making him maybe a hybrid or somewhere between being a witch or abomination? Who knows? Hard to say with this one.

I guess that's it! Maybe I'll reblog with an update if I can think of more. But this is my genuine exploration of why Darius means so much to me and why he deserved way better than he got.

These are all breadcrumbs really, and that's what makes his story so, so alluring. Because if they could tell this much with this little, I wonder what the could have showed us if he had even just a full episode to himself.

Here's the tl;dr with all the important points:

Darius probably had a bigger part to play in the Owl House's plot that got cut because of it's cancelation.

Darius' main driving emotion and motivation seems to be love.

Darius may have been planning to betray Belos for longer than we thought.

Darius is probably very scared of losing someone he loves again.

Darius come off as a little cold and distant because of those fears.

He'd lay down his life for people he loves.

He might be the best coven head in terms in leadership.

His color scheme and name lay out his character pretty bare.

I'm sure there's more here but thanks for reading. Sorry this ran long. I actually probably forgot some things in the summery above because I've been writing this for hours.

Have a good day and remember:

I'd give my soul and all my money for a Darius Deamonne spin off.

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