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#lol that was looooong
lesbian-space-fish · 1 month
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to be loved etc etc
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mem-fr · 4 months
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revisiting an old idea ! i think it's pretty cute ?
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toohottohoot · 1 month
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Quick prompt!
Villain shifted, and embraced Hero. But it wasn’t a hug, was it? It was too empty, too loose, too wrong to be called something so nice as a hug. “I’m sorry for your loss,” Villain cooed, and Hero tried not to punch villain in their face then and there.
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itswilliamleonard · 1 year
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the hit new series!!
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parentsday · 2 months
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Hiii! Since you asked about headcanons/analysis stuff:
There's a common interpretation on the fandom about Max's treatment of David in the early episodes coming, at least partially, from trust issues regarding adults/authority figures. And I've seen push back against it, too. People who say it's just because David is annoyingly positive. Nothing else.
And sure, I can see that. But Nikki also acts in a cheerful manner and mostly enjoys camp, and Max doesn't treat her with the level of rudeness he treated David in season one. This could be due to her being his little partner in crime, but idk. I always interpreted it as him thinking that David is some fake nice adult who will just let him down if he allows it.
And, while I was thinking about this, I realized how this interpretation of Max's behaviour towards David adds another heartbreaking layer to Parents day.
Max's perception of David started changing after Order of the sparrow, specifically after the "Somebody fucking has to" moment. For just a moment, the annoying, overly positive persona drops, and Max is able to see a nuanced human being. And it's clear that he starts understanding David a little more, because in Cult camp (literally the next episode), he allows himself to be brainwashed and trusts that David will save the camp (btw, we as a fandom don’t talk about this aspect of this episode enough).
So yeah, his perception of David changes for the better.
But then, parents day happens.
And David spends most of the episode being an absolute jerk, even if he doesn't realize it.
He pushes SO HARD to try and make the day perfect, basically ignores Max when he states that his parents aren't coming, gets way too serious about playing the role of Max's dad for the day, forces Max into the activities and then, at the end of a day that was already shitty for Max, he yells at him.
I think the context of Max's opinion on David finnaly becoming more positive makes this episode so much sadder.
Because it ceases to be just about Max's neglectful parents.
Now it's also about the closest thing he has to a trustworthy adult making him uncomfortable, ignoring his feelings and then yelling at him and telling him that he "has a bad attitude" and "brings everyone else down instead of trying just a little bit to have fun".
(Which are things he must have heard from adults before, if he behaves the way he does at camp in school and other places)
Remember in Friends like these when he said "Life's just one dissapointment after another. I can't belive I let myself forget it"? I think he might have had the same train of thought here: "I can't believe I let myself forget David is an asshole that only cares about impressing Campbell and making this stupid camp look good". Or: "I can't believe I let myself forget that every single adult thinks I'm a bad kid and a lost cause."
And I know it gets fixed quickly, with David apologizing shortly after, but still. I think the idea of Max being dissapointed at David in Parents day, even if it was just for some moments, is so good.
I also think this is the episode that comfirms to Max that David is genuinely a good person trying his best. He spent the entire day having to think about the fact that his parents suck, and then there's David, who is kind, apologizes for upsetting him and takes him to eat pizza and have a little heartfelt talk.
When was the last time his parents apologized to him, or cared about what he wanted/needed, or talked to him so gently?
The contrast between his parents and David is so big, and I think that's what makes Max finnaly go "Yeah, this guy isn't actually that bad."
(Sorry for rambling, omg.)
hi first of all thank u for an ask and such insightful one at it too !! this was an incredibly pleasant read and a lot of the stuff you say i personally find very good analysis of the show and agree with, however i do have some stuff to say abt it soo here we go ^-^ (this will be a long one so sorry about this in advance)
as i said in some previous reply, max is an incredibly peculiar guy when it comes to the way this show treats his trauma and the way he himself behaves as a result of it, and that’s by design! a lot of the thing he says and does in the first two seasons when it comes to david are there for reasons of narrative set up, and are later masterfully recontextualized by parents day later, leaving very little room for interpretation when it comes to how and why he operates. im gonna go out on a limb and say that i don’t think it’s a stretch to assume that most of his actions towards david in the early show stem from the childish born-from-trauma need for attention and also from his need for societal reinforcement of his own ego’s right to exist. when it comes to the first one i see most people agree (bc it’s a basic child psychology fact), but turn their noses in reference to the second one.
contrary to popular belief, max being in need of constant affirmation that he, as a person with little self value, deserves to exist next to other people is something that we see examples of constantly and is not a terrible part of his character that needs to be ignored. max is a neglect victim who from our knowledge is given very little attention by his parents, as a result of it he is a pessimistic asshole kid whose ego suffers from the very thing that made it this way. its in his strained relationship with nikki and neil, its in him arguing with david to put himself in the position of an adult, its him putting himself above others when it’s not needed and its in him putting his own egos safety first when time comes to accept that things are moving forward (two final episodes from both s3 and s4 are good examples of this). its not an inherently positive trait, but it is one okay for him to have by the virtue of being a young abused child with no support system, and denying it will leave him devoid of this characterization. in freudian (ugh) terms, we cannot separate his character’s superego from his id in a way that won’t harm the way he was intentionally written. Id, ego and superego are all influenced by our relationship with our parents, the amount of nurturing of a child's emotional and psychological needs parents does will result in the child’s psychological state forming a certain way, max as a character who is heavily reliant of his lackluster relationship with his parents is not devoid of this and it affects his relationship with david too. and the reason i’m saying all of this is exactly due to this.
david, when put in most simple terms, is a character who’s an adult figure present and mature enough in max’s current social position that it allows him to treat max as a child, something max is not used to. not used to to such an extent that it puts a strain on his ego in the process. david feeds his need for any form of attention, positive or not, just as much as he clips away at max’s need to be seen as socially important and in a position of an adult. it’s arguable if both of these are good or not but the main thing they are in relation to is obvious: max feels that being an adult who meets both of his psychological needs in ways that are unfamiliar to him makes david an untrustworthy person, thats exactly where you interpretation comes in clutch.
max and his behavior towards david cannot be separated from david being an adult, that is made clear with the way he treats nikki as an equal just because she is a person his age, despite her sharing a lot of david’s traits. going through the episodes you mentioned, order of the sparrow episode lets max see david perspective for the very first time. max is allowed to peek into the reason why david acts the way he does, however it alone doesn’t make him see david in a good light, if anything it makes him appear genuine in his actions. it also lets max have something for david that he didn’t have before: trust. it ends up being used in cult camp as a confirmation of it being something david can live up to (you are absolutely right, we really don’t talk abt this episode and it’s narrative weight enough). all of this has been adding onto the way max himself perceives david, parents day, however, lets both of them internalize the sentiment of mutual understanding towards each other together. parents day does this by lampshading max and david parallelism, making this whole episode consist of max seeing his parents in david just as much as david sees himself in max through the whole show and putting them in each others shoes by the end of it. the episode ends with david choosing max as a priority, he is still acting selfishly (once again david is an asshole) but choosing to do so towards max because the situation allows him to understand max the way s1 finale let max understand him. and with the final turning point in their dynamic, max understands that both his ego and need for attention can exist without them being reinforced by an adult treating him like he is an adult too. max was chosen as a priority for the very first time and that alone made him feel of more value than the treatment he initially yearned for would have. above all else parents day makes max see david as someone he can look up to as a person in emotional way, not only in a life or death situations, the shot of david from his perspective in the end making sure that we don’t miss it.
most of this is not me disagreeing with you, on the opposite i think a lot of the arguments you make are nice and are mindful interaction with the media. gold star for enjoying meta analysis to both of us i guess ⭐️. my main problem is, however, the fact that using all of this to basically say ‘maxs parents suck so he has a distain for david because of it’ is a heavy oversimplification that you somehow go against in your initial statement too and that i, personally, just don’t enjoy. this alone does not make your interpretation wrong though, if anything just reinforces your general idea into a more concrete argument rather than a collection of bits and pieces of evidence pointing to it. hope all of this made sense
tldr; man idk no summing up this one as to not take away from the overall statement im making with this. read the post 🫶
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justplainmels · 1 year
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5.05 | Red Sky
“Actually, you’re absolutely correct, sir.”
“I am?”
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thatonebirdwrites · 6 months
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Compliation of fic I wrote
So for the Holidays, here's a masterlist of Fics I've written:
On AO3:
TLOK: How Was Those Three Years?
TLOK: Asami's Hidden Box of Letters and Poetry
TLOK: Is This A Romance?
TLOK: Spirit World Vacation
TLOK: Shared Moments Series: Book 1, Book 1.5, Book 2, Book 2.5, Book 3, and Book 3.5
Supergirl: Supercorp Endgame Series: Confession and Unraveling Realities
Supergirl: Terminal Velocity, Texts, and Cats
Supergirl: You Are the Only One Who Sees Me, Trusts Me, and Believes in Me
Supergirl: Reach For The Sky
Supergirl: Tear Apart the World To Save You
Supergirl: Lena's Grimorie
Supergirl: Books of Destiny (where most of my oneshots will be posted)
Supergirl: You Call This Archaeology?
On Tumblr (Slowing porting to AO3):
Supergirl: Boardgame Practice
Supergirl: Kara crashing Lena's Date
Supergirl: Reach For The Sky (Hiking and Recovery)
Supergirl: Indiana Jones AU Idea for Supercorp
Supergirl: Sam Confronts Kara Over Her Hurting Lena
Supergirl: Kara's Love of Misshapen Pumpkins
Supergirl: Confession
TLOK: Rain and Thunder AU
Supergirl: An Analysis of Risk (my continuation of FazedLight's ficlet)
TLOK: Endless Autumn
Supergirl: Balcony Scene
Supergirl: She Wants Me For Me
Supergirl: Medieval AU
Supergirl and TLOK: Crossover Shenanigans
Supergirl: Color Out of Space
Supergirl: Building Inspection and Lava
Supergirl: Happy and Carefree
Supergirl: Some of Lena's Handmade Spells
Supergirl: The Food Stand
Supergirl: Secret Wedding
Supergirl: The Golden Potato
Supergirl: Lena Regrets Reading Supergirl Smut (But not really)
Supergirl: Matching Tattoos
Supergirl and TLOK: A tale of Two Gentle Moments Supergirl: Cold of Death, Warmth of Love
My Original Fiction (characters from my Elivera world): A Short Trip
Supergirl: Memories
Supergirl: Fallout AU
Supergirl: Nia's Lessons on Intuition
Korrasami: Alternate Start to Book 3.5
Supergirl: Shattered
Essays:
Ethical Problems With DEO
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harrytheehottie · 6 months
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LOOKING BACK (a snapshot of moments in harry’s pov)
Harry woke up from a nightmare. Or maybe it wasn’t a nightmare, just a really vivid dream. Whatever it was. He was now up in the middle of the night. The private plane was still above the Atlantic Ocean. Harry tapped on the screen on the seat in front of him. The map of the plane's journey, only three and a half hours left until he’s back home. He couldn’t wait.
The last few months, honestly years of his life have felt out of his control. He spent a year working on an album that he was only able to promote for three months before the entire world shut down and he was unable to leave Los Angeles for months although it felt like years after day 14 of living in the same house as his friends. He loved them but he was going crazy. So, he did what he always does in moments of crazy, he called up his friends Tom and Tyler, booked the studio in Malibu for a month and got all his emotions out for his next album.
And then. His life went a little like this.
Album. Movie. Relationship. Grammy. Another Movie. Tour. Album. More Tours. More Tours. Another Tour. Breakup. More Tours. Final Round? Yes. Done.
And now, he was three and a half hours from the one place he wanted to be most.
With you.
Harry has always thought the ‘you’ll find love where you least expect it’ was a cliche. He was always set up somehow or just happened to be in an environment where a relationship may naturally occur for most. He was single for the first time in a long time and didn’t want anything serious. His focus was finishing up the tour - the only date in his mind was July 22, 2023. The last time he would be on stage for at least a full year.
And then, one late night when he was in bed somewhere in Asia he found himself tapping through Instagram stories. He was on a strict schedule and wasn’t one to party during tour - unless it was a very special occasion. And he was letting himself have a few more of those doing his days off. But tonight, he was in bed with some music documentary in the background as he tapped through Instagram.
A picture of his old classmates' new child. A selfie. A picture of the sunset on the beach. A repost about the ‘Sunday Scaries’. And then a video of one of his friends from back home in London at a party of some sort. Something was telling him to linger on these next few slides. He recognized some faces. London was a fairly small city and when you’ve lived there for a little over a decade - it gets smaller and smaller. He hasn’t seen you around. He replayed the same 15 second video over and over again. He was mesmerized by the way your bright smile and shy laugh cut through the video even though you weren’t the center of attention. Your presence is what got him to go back to the story over and over again.
He thought about messaging the mutual friend. His thumb hovering over the ‘send a message’ button at the bottom of the screen. Would it be too full on? Too desperate? What would you think? It’s the tricky part about being himself. He doesn’t want to come off too full on and confident. Maybe he thinks he should try to sleep on it. But something keeps making him go back to that story, over and over and over again. So, he does the second best thing. He sends a text to the friend who posted the story - asking them to hangout when he’s back home and introduce you to him.
&&
When Harry first met you, he swore it felt straight out of a movie. He was a romantic. He always has been that way. His therapist thinks it comes from growing up solely around women and watching his parents separate. You long for the things you didn’t have or something like that. But he knows that this, whatever he is feeling is different. His friend did him a favor and instead of just inviting solely you to hangout, he had a game night at his house. Harry was nervous the entire day, unable to figure out what to wear, how to style his hair, if he should arrive on time or a little late. He was working himself up so much he almost had to call his older sister, Gemma to help him get ready but decided not to. He didn’t want to involve anyone just yet. So, he put on an outfit he’s worn dozens of times before. A blue button down and some black trousers, ran his hands through his hair a few times and headed out the door.
The minute he made it to his friend's apartment. He swore he heard your voice. The laugh that was replaying from that same fifteen second clip. He felt his desire to be near you grow stronger throughout the night. It was almost embarrassing. The way he was so desperate for your attention. Every smile and laugh you shared felt like another success under his belt. He really liked you and needed you to know that. So, when you finally sat next to him during a game of charades, Harry decided to do something. You were both engaged in the game happening right in front of you. Everyone was. Which gave Harry an opportune time to lay back on the couch and move his right hand from his own leg to yours. He had his hand on your thigh right above the knee. He could almost feel his body tensing up and getting red as seconds went by without a reaction from you.
He felt like he was holding his breath in. Until, you also began to slowly lean back on the couch. Smiling at Harry the same way he knew he was looking at you. A shy laugh between the two of you and you stayed like that through the majority of the night. The game night was useless because he got what he initially came for.
And damn did he feel very lucky.
&&
Your first date started off not well. Harry planned to take you to one of his favorite restaurants which ended up being closed for maintenance. He was scrambling for another location and settled on a picnic in the park. You talked for hours about everything. Where you’ve from, what brought you to London, your favorite things to do. And Harry was intently listening to every detail asking questions he never did before. He really wanted this to work out. The feeling of that pull towards you growing the more you spoke.
By date number four, he was already thinking of asking you to be his girlfriend. You were walking back to the car after a nice meal at your favorite hole in the way Chinese restaurant. To some it would be too soon, honestly, to himself a few months ago it would feel too soon. But right now, on this walk back to the car, after sharing endless amounts of dumplings and feeling like your conversation was effortless, he knew he wanted to bottle this feeling up and experience it every single day for as long as you’d allow him.
So, he did something that the two of you laugh about now.
You were a couple feet from the car when Harry stopped dead in his tracks. And as soon as you realized he wasn’t still walking beside you and you turned around to see what he was up to. He was about to kneel down on one knee.
“What are you doing?” You asked immediately, laughing at the situation he put you in. He didn't know it at the time but there was a tiny part of you that thought this was something he always did.
“I know this is crazy.” Harry began to speak, “and we’ve only been seeing each other for a couple of months…”
“Are you going to propose to me because I’ve not run away after date number two?” Harry loved how much shit you gave him. “But seriously you need to stand up before people think you’re being serious.”
“Okay okay,” he slowly got up, “I was going to say that… you can tell me if it’s too soon or too early but if I could’ve asked you this back when we first met I would’ve…”
You had a puzzled look on your face. He knows the face now, you pull it when you’re unsure, hesitant.
“Will you be my girlfriend?”
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mastersoftheair · 2 months
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"Masters of the Air details. Part 6-Bombsight and bombing.
"[...] I was brought in to Masters of the Air to teach actors how to look like they knew what they were doing, and the bombardier work would certainly be important to the series.
"[...] The Norden bombsight was being developed in the 1920’s by Carl Lucas Norden, a Swiss engineer, who worked for the US Navy. He developed this sight (eventually the Mark 15 series for the Navy and the M series for the Army) and the autopilot system that goes along with it. The autopilot was needed as it could fly the aircraft more precisely on the bomb run than the pilot could. Just don’t tell the pilot this!
"The Mk 15 Norden sight was a beautiful hand-built and fit device with an analog computer that would calculate the point in space at which to drop the bombs. The Bombardier would input information to the sight in the form of altitude, air speed and the ballistics of the bomb. On the bomb run he would pick up the target with the crosshairs in the optics and engage a motor drive that would keep the crosshairs synchronized on the target during the approach. On the run he would also make fine adjustments to be sure the crosshair stayed on the target for range and drift. When the sighting angle reached the predetermined dropping angle the sight sent an electrical signal to the intervalometer that would drop the selected bombs at the specified interval.
"The mission order would define what bombs were to be used and what the nose and tail fuses were to be used and their delay settings, if any. The order would also specify the aiming point and the interval to be set in to the intervalometer. This would space the bombs across the ground as desired. Maybe you wanted the bombs dropped quickly, right next to each other, to try and put a hole in the roof of the hardened sub pens. Or maybe you wanted to walk them down a long runway. The intervalometer would be set for your ground speed and how many feet apart you wanted the bombs to hit on the ground.
"If you wanted to drop a string of bombs all down a line, like a runway or a front line, then you would want the center bomb of the stick to hit in the middle so you would adjust the trail plate on the bombsight the right amount to drop the first bomb early and have the center bomb right in the middle. This center bomb spot would be the mean point of impact or MPI.
"When I arrived on set at MoTA they had several nose sections with varying amounts of the bombardier’s equipment and controls. They had one real Norden sight head called the hero sight in the hero fuselage. The hero label was attached to the best props where special or close up filming with lead actors might take place.
"The stabilizer is the lower half of the bombsight and contains the yaw gyro for the autopilot. The bombsight head sits on the stabilizer and pivots to keep pointed at the target.
"The hero sight was sitting on a prop stabilizer, and it needed more accessories and work to look as good as the real sight head. I asked if they had a better stabilizer around and they thought so, but where it was seemed to be uncertain. It was eventually located and cleaned up for mounting in the hero nose. It was still missing some items namely the directional panel and an Automatic Bombing Computer or ABC. The ABC was used on the bomb run so they could perform evasive maneuvers and not have to do the run and drift calculations again. I was told that a Norden Bombsight expert in the UK said that they didn’t use the ABC early in the war, if at all. I had to differ with that opinion as it was most certainly used throughout the early war and almost all the way through. Its use dropped off later in the war if anything.
"The ABC is quite visible on top of the stabilizer so I thought the hero sight should have the ABC not only for authenticity but for eye candy too. I asked my daughter, Sydney, to send out the directional panel and ABC set from our museum’s bombsight back home in California.
"[...] Like with the pilots and their own preference for hand positions on the throttles, the bombardiers were given the options of the two different hand configurations bombardiers often used to adjust the sight on the run. The more uncomfortable two-handed method or the single hand. Which eye to use while looking through the eyepiece was also their own decision as this would have been a preference item as well.
"We also taught them how to look over the sight to pick up the target then transition down to the eye piece and to uncage and adjust the gyro for leveling the optics in case this might be of interest to the directors. We went over the control sequence for the bomb bay doors, bomb select and intervalometer adjustments and the bomb run itself.
"[...] The standard procedure for the bomb run was developed early on by the 8th AF which was to navigate to a point where the bomb run would begin. This was called the Initial Point or IP. From the IP it was either a straight line into the target, or evasive maneuvers along this line to the target.
"At the IP, the bombardier would open the bomb bay doors. This would change the drag and the airspeed accordingly. It was up to the pilot to adjust power to maintaining a specific airspeed and altitude which was critical to accurate bombing. The pilot would also re-trim the aircraft so it would fly hands off at which point he would engage the servos of the autopilot and turn control of the aircraft over to the bombardier. The Bombardier would fly the aircraft through the bombsight and its connection to the autopilot.
"The main bombardier actor, Elliot Warren, portrayed James R. Douglass. Elliot was a quick learn and did a great job. He was a pleasure to work with and I really enjoyed his scenes.
"[...]Props made several Norden sights. Rubber ones and some with more detail. One was set up with squibs to detonate when the sight was shot by the actor with his 45 cal M1911 pistol. They were wired and the squibs went off with the sound of the pistol. It looked pretty good on camera.
"It was AAF policy to try and destroy the bombsight so it would not fall in to enemy hands. Some of the manuals actually discuss what should be done to destroy it. I would hope that the large gyro in the sight head was not spinning at its normal 25,000 RPM when the bullet hit the 2-pound rotor, as I would imagine that it would come apart and potentially send shrapnel back at the guy holding the gun!
"The lighting folks would control the instruments and lights throughout the fuselages, like the bomb bay door open light on the bombardier’s panel. We put in a lag between the bomb door handle operation and the door open light coming on. Not an accurate lag as we obviously will not be filming for the actual 20 seconds or so needed to open the electric bomb bay doors. It was a delight to work with the lighting crew and they did magical work especially with the custom made instrumentation.
"[...] Here is a full-on rant about the Norden so you might want to skip out!
"Keep in mind that this is my own opinion. An American who is discussing the Norden sight. Your mileage may vary.
"Recently there has been, what I call a ‘revisionist historians’ view of the Norden Bombsight. In short, this modern interpretation, pretty much lead by Malcolm Gladwell’s TED Talk on YouTube and his book Bomber Mafia, calls in to question the usefulness of the Norden. Basically, saying it was not effective and some of his followers have even been using the term ‘useless’ recently.
"Just keep a few thoughts of this rant in mind.
"The bomb sighting systems we had going into WWII were based on technology left over from WWI. They were simple sights with wires to sight down. They were meant for aircraft speeds and altitudes from WWI. Now skip ahead to the new bombers flying two to three times as fast and at altitudes up to 30,000 feet instead of 3000 feet.
"An all-new system was needed to solve this new complex bombing problem. Sperry was working on it and Norden, who had left employment at Sperry, started his own effort.
"The Sperry and Norden sights were the leaders of synchronous sights going in to WWII. They both were good sights which were constantly being improved. They had each also developed a highly advanced autopilot that the bombardier used to fly the aircraft on the bomb run.
"These were visual sights, so it was necessary to see the target in order to be effective. Not so easy in Europe all year long. Radar and other methods were coming online to help with all weather bombing but there were many limitations in play.
"Results would certainly vary from target to target, and it was a brand new technology made up of gyros to keep the optics level, a mechanical computer to make the calculations, motors to drive the optics. Lots of parts needed to be able to work at 200 degrees F to 50 below, not to mention the complex autopilot system.
"So, my main question is: If this new technology was so bad then what exactly was it that brought the German war effort to its knees?
"The RAF was going after cities and targets at night and the AAF was trying to hit specific strategic targets like submarine production, aircraft and weapons plants, fuel and machine parts to make the weapons work. The very things the Germans needed to wage war.
"What brought this production essentially to a halt?
"I submit that it was the bombing campaign.
"If it was the bombing campaign, then it was likely the Norden and Sperry sights that made it possible. Mostly the Norden as it was chosen as the primary system and the Sperry S-1 sight was discontinued.
"The invasion of fortress Europe was certainly needed to push the Germans all the way back to Berlin, but I would also submit that these efforts were made easier by the results of the bombing campaign.
"There were certainly mistakes and errors all throughout this campaign as there was a massive learning curve in doing something that had never been accomplished on such a scale before. How to amass hundreds to a thousand plus bombers to rally together to attack a target effectively and then get home. The attrition was unbelievably steep in the early years as so beautifully depicted in Master’s.
"Just how do you get back in that bomber the next day and face near certain death once again like they did. Again, as seen in Master’s. Just a few of the wonderful aspects of this series and the history behind it.
"Having a PR campaign about the weapon that would help win the war, like Harold T. Barth created for Norden, was not such a bad thing. If it rallied the troops and home front to keep up morale, then I think it was a good thing. Just open any wartime magazine and look at the full page ads all throughout. Each ad promoting the companies contribution to winning the war effort. BF Goodrich with their new Rivnut or Seeger Refrigerator building bomb racks and feed chutes for the 50's. It was a nationwide industrial and personal team effort to wage this war against the Axis. Norden was one of them.
"Barth said that the sight could hit a pickle barrel from 20,000 feet. When the press asked if this was true Norden replied ‘sure if you tell me which pickle you want me to hit’. Some folks nowadays are taking this literally and complaining that it really couldn’t hit a specific pickle. No kidding. Say it isn’t so. Those bastards!
"To Mr. Gladwell and his followers, I'll ask again: What was it, in your mind, that allowed all of those bombs to take out the German AND the Japanese war efforts? If it wasn’t Sperry’s S-1 and Norden’s M series bombsights, then just exactly what was it?
"Rant over. Flak vest, with crotch protector, and helmet, on."
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endlessfuckup · 2 months
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i had the most bizarre and extremely vivid nsfw dream about dan and phil
aaaand
i have no idea how to even begin to feel about it
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ventresses · 3 months
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Domino Twins Dance-Off
Original video here by @squidsponge
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laora-ryn · 1 year
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Anyway so we watched Promare for the first time Sunday, I went into it with zero knowledge beyond "blue haired titty man and small green haired person of indeterminate gender" and turns out I loved it
And the world they built is so interesting to me and tbh that was the thing that caught me the most at first? I think Lio's still my fave BUT I had some emotions about Galo just now and @ninthfeather told me to post them here, so
Like I feel like the defining Thing about galo in the movie, like obv he's a dumbass and embraces the dumbassery, and wraps it all in So Much Compassion and pours that into his work as a rescue firefighter
But the thing that hit me most in the movie is that in the cave. When lio's ko'ed him and ties him up and he's surrounded by people who are by all accounts his enemies. He sees a lady dying on the ground, a lady who according to the OVAs I haven't seen yet, who badly burnt him on his very first day on the job, and he begs lio to set him free so that he can help her
And the whole "I didn't think burnish ate food" (paraphrasing) "what the fuck, we're still human, don't be a shit head" followed by an immediate "oh fuck you're right, that was a shitty thing to say and think, I'm sorry"
Like that's not a thing that most people are willing to do?? Admit they fucked up and apologize for it??
And then afterward, lio, who he met like yesterday, who has been an ass to him the whole time, who is undeniably hostile to him and basically his enemy, tells him that the most important person in his life has been lying to him for twenty years, and that he's a horrible person and has done all sorts of horrible things
And I kind of expected galo to go full denial and/or existential crisis over it? But instead he listens to what lio says, and then goes to kray and asks him if what he said was true. And then when kray says that it is, he doesn't take up screen time with his breakdown or denials or anything. He immediately just goes "okay so turns out you're a shithead, we're no longer okay, I'm going to try and punch you and help the people you're hurting"
And like, X amount of time passes while he's in jail/lio's in the volcano and he almost definitely had a breakdown/crisis during that time since we see him crying in his cell. But it doesn't take screen time?
Like it happens but the next time we see him he's 100% on board with helping the burnish, and has no qualms about going up against kray, and just. Idk galo's just willingness to trust what people say and accept that his own worldview is wrong, and no matter how hard it is for him, to put aside his own feelings when other people's lives are at stake, idk I feel like that says a lot about him as a person
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solradguy · 1 year
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HELIOGENOMS 4.0 - Denki Akiba (Zanzibar circle)
Has a story with Ky and Axl and then another with Sol and Johnny where Sol licks Johnny's throat before ripping a chunk out of it. Spicy! Not actually NSFW though.
PDF ON NEOCITIES
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simspaghetti · 4 months
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A few weeks in the life:
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The girls brought a friend home from school, but forgot that some sims might find their ghost-dad a bit spooky, so he spent the whole time passed out in fear and had to be picked up by his parents lol
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Torgo got a promotion all the way to Lieutenant! Which gives him a cop-car that I'm sure Poppy definitely won't be 'borrowing' to go on heists...
He also picked up a 'Mysterious Mr Gnome' during an exploration of the catacombs - Finally getting started on our (hopefully) extensive future gnome collection!
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Poppy finally completed all her goals for the 'Where Evil Grows' challenge, by mastering the logic skill! She also got the 'celestial explorer' skill challenge achievement
Torgo mastered the Athletic skill! Giving him another tick on his challenge requirements as well :D
☑️ Master the Logic skill +1 ☑️ Heir completes a Skill Challenge +1 ☑️ Master the Athletic skill +1 Current Total Points: 38
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gilded-ghosts · 2 years
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Oasis Springs, 1959 ♫
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sea-buns · 6 months
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the only bit of fantasy high that I have not watched is the 6+ hour behemoth that is the sophomore year finale and even after all this time it still makes my adhd brain want to shrivel up and die
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