Tumgik
#original fiction
2kmps · 2 days
Text
Tumblr media
BOUNTY
Tumblr media
hot outlaw x engineer!reader | 2.8k
Tumblr media
story summary; shortly following the death of your mother, you come to learn that you're the illegitimate offspring of a railroad tycoon with insurmountable wealth and power meant to inherit it all. after a hasty departure from home to begin your journey across the continent of san-am, your train is stopped and boarded by a mysterious man in black tatters who claims to be there kill you.
story warnings; mentions of death, mention of bodily fluids and excrement, heavy worldbuilding, mentions of conspiracy to murder, kidnapping, neo-western setting, old-west slang used, usage of unique slang, not really proofread or edited, concept piece for a much larger project.
if you enjoyed, please interact & reblog this post!! ❣️
Tumblr media
Mother died a week before the lawyer showed up on your doorstep with an inheritance letter and half-hearted condolences for your absentee father’s poor prognosis. A day after that, your life was stowed into a pair of suitcases and a heavier hard case that you barely justified bringing aboard the train. In three weeks and three layovers, you would be across the continent in St. Corpus, the industrial heart of San-Am, where your father awaited you on his deathbed.
Horace Grissom had fathered a new age of industry and outward expansion in lands once believed to be sprawling metropolises centuries long gone. They had been left behind as skeletons of steel and rust from a time of global war, reclaimed in totality by the roots of elder trees, the decay of salt and sea, the precarious will of mountains, and the great sinkholes and corrosion of sand and time.
Traces of that old world had survived thanks in part to the rigorous efforts of archaeologists and conservationists at the University of San-Am in Grimerise. With each new discovery, opportunistic vultures like your father blotted their pens to their tongues to their pocketbooks and readied themselves to own the patent of it like history had a price and could only belong to them. Indeed, anything could be bought, because with those fragments of history, he built the San-Am Continental Railroad which crossed through each of the five territories and was considered the premier way to travel. 
You were never allowed to ask questions about Horace under Mother’s roof as the very mention of his name would set her ablaze in some pettish, garrulous tantrum that, oftentimes, ended with you going to bed before dusk without dinner until the next day. She loved that bitterness up until the very moment she died, clawing your clothes, your skin, her nightgown, her own throat because she couldn't breathe and there was nothing you could do to save her from succumbing.
“Go in peace, Mother.” you said, kissing the back of her sun-speckled hand even as she tried digging her nails into your face. “I love you.”
She did not waste peacefully, nor did she end by staring up rapturously at the ceiling as though something else waited for her beyond it. Mother passed in blood, vomit, excrement, and all her hatred while you bade her farewell and considered who was best to call to have her body carted away to burn with all the others that had also succumbed that day. You made sure to label that as the cause of death on the official paperwork.
After that, you had made quick work of piling all of her things into boxes to be incinerated as well, certified the house was safe and in a liveable state (besides her old mattress, which was the first thing you disposed of because of the smell) for another family to move into. 
Once all of that had been finished and you gained the time to rest, you got a knock at your door, a bald, sinewy man with a round hat claiming to be Joseph Whitwald—estate planning lawyer, he made sure to specify more than once—and that you needed to leave post haste to your father's estate in St. Corpus before he perished.
“You have significant placement in his will, illegitimate or not. This is what he wanted, this is what shall be done,” said Whitwald assuredly as he rooted through the pockets of his pants and white suit vest for something. He found it and made a sound and a flourish, revealing to you a red ticket. “Take this. It's for one of the elite cabins in first class. Your father wanted you to have the best amenities that the San-Am Continental has to offer.”
Even with such luxuries available to you with the sound of a bell on string, you eventually found yourself exchanging tickets with a young woman traveling solo for the first time. She went red in the eyes, asserted her appreciation, and scooped you into a hug before taking the ticket and her belongings to the first car. 
The passenger car was considerably noisier with children running amok, drunks and musicians belting tunes while dancing in the center aisle—doing poorly to keep their balance as the train navigated the terrain beneath the rails, and ladies in bustles and fashionable blouses screaming like hens over fresh gossip. The stewards were frustrated that they couldn't get their trolleys through all the bodies, whereas some passengers let their stomachs roar through their mouths as they assailed anyone nearby (especially the poor lads just trying to deliver food) with complaints.
You liked everything happening around you; it was a good distraction from the way life had twisted your arm behind your back. The cacophony of laughter and anger felt like home, a comfortable companion to sit there with you on the empty, thinly padded benches while you stared uselessly at the inheritance papers—uncomprehending.
A gasp shot up your throat and made you bite your tongue as you were launched forward onto the adjacent bench (also empty) when the train suddenly began to slow—brakes engaged with such quickness that the wood beams under your feet vibrated up through your soles into your bones and teeth and skull until you became lightheaded and collapsed back into your seat. 
The squeal and grind of steel worsened your confusion, turned the fuzz in your head into dull drumming—aches that pulsed to a beat you couldn't figure out, but it deadened the screams all around you and bodies hitting the floorboards in thunderous heaps. 
And then, there was silence. 
The other passengers kept their voices low as they climbed back into their seats, children were smothered deep into their mother’s bosoms as they wept, and no one dared to investigate what had brought the train to such a violent stop.
“Mummy, what's happening?” asked a girl from the benches behind you. She couldn't have been older than ten, from the sound of her. “Mummy, why—”
“Lottie!” the mother hissed at her daughter, “Shhh! Say nothing else, child.”  
From a few seats away, closer to the front, you recognized the gruff, muddled voice from one of the drunkards who had been dancing in the aisle a while ago. Now, he had a bloody nose and a nasty knot growing on his forehead.
“What the hell is the big idea of them scarin’ the piss outta us like this? Do you see my face? They gonna do somethin’ to fix it?” he complained, then swigged liquor from a flask he had smuggled on. “I should go up there and give ‘em a piece of my mind. Bastards.”
“Peace, friend,” soothed a musician with an unfamiliar accent and stringed instrument. “Don't be hasty. I'm sure there’s a good reason why they had to stop. Let them find a solution, we’re just here for the ride.”
Just as the chatter was rising up again, commotion from the first class car stifled it hard, prompting some folks to abandon their seats near the door separating the cars to crowd into the rear. You were tempted to flee with them, join their pack so if they were going to find a way off the train, you'd be mixed up in their stampede and have a better chance to get away.
Except, you simply packed away your inheritance paperwork and sat there with your chin tucked to the collarbone, the visor of your baseball cap pulled lower over your sunglasses to seem as nondescript as possible. Meanwhile, the sounds from first class grew intense; glass shattered, passengers screamed and shuffled around, something you knew to be true because you felt the floor rumble under your feet again.
And then, the passenger car door slid open without the ferocity you had expected. The door scraped along its metal rail, allowing the body to pass through in heavy, languid steps. You paced your breaths to hear it all; the boots and clinking spurs striking wood with dull thuds, a baritone hum that you were convinced you could feel reverberate in your own chest as it came closer, the scuff of thick fabric and creaking leather. 
You waited for it all to pass, to move on like a slow-moving rain cloud amidst a humid summer day, but it stopped at you instead. The tips of the man's boots were within view, as were slithers of tattered, black fabric from a long duster that fell short of his shins. 
And then, there was the barrel of a gun. The breaths you had been holding shivered out of you, cold dread sank deep into your stomach and bones as the gun flicked upward a few times.
You obeyed and raised your head up to look at the man—tall, broad-shouldered, a rugged face with dark features mostly obscured by the shadow of his wide rim. 
He tilted his head, gun higher as he flicked it down and you understood that to mean to take off your sunglasses. When you did so, offering him a full view of your face, his lips lifted crookedly into a half-smile.
“Well then,” he took the bench adjacent to you before holding something up to your head, seemingly a piece of paper, and shifted his gaze between you and it just twice. “Aren't you something special? Found you, darlin’.”
“What?” you frowned. “Found me?”
“Yeah, the resemblance is uncanny. You're definitely his kid. It's all in the eyes, really.” He said, turning the paper around to reveal a photograph of a man who you did share an eerie likeness to. It was the sameness in the eyes—the color and shape and emotion they evoked through a simple still image. “Horace Grissom had an illegitimate kid a long time ago. Turns out, not everyone is so pleased for that to become public knowledge. Turns out, someone wants you to bite the ground.”
“I've done nothing wrong!” you bristled.
He settled on the bench and hiked an arm up across the back of it. “That's usually how it goes, hun. Puttin’ holes in types like you really ain't my favorite thing to do. You'd be surprised how many people get put in your exact situation. Well, eh, not quite. ‘Cause not everyone is Horace Grissom’s kid.”
“Who hired you?” you demanded. 
His lopsided smile remained. “Can't tell you that, darlin’. Confidentiality an’ all that.”
“So, then, you're a bounty hunter?” At this point, you weren't sure if you were trying to stave off an inevitability, or he had just riled you up that badly. “How much are you getting?”
“Enough to live the high-life for quite a while, I'd say.” He continued, “but I ain't no bounty hunter. Them folks gotta play by rulebooks an’ a bunch of codes and whatever. Not my thing.” 
“A criminal, then,” you said. “An outlaw.”
He shifted the rim of his hat away from his eyes and leaned towards a pillar of golden, midmorning sunlight that came in through the window. “Sure, if that's what'll make you feel better about this entire thing.”
You could actually see him now—the contrast between the ambery hue in his rich complexion and pale green of his eyes. His skin had some weather to it, enough to prove that he had seen the worst of every season for years on end without it wearing him thin, along with thoroughly kempt hair on his face and loose waves that draped slightly beyond his shoulders. 
“I…” the longer he stared at you, the less you were able to think. That was ridiculous considering you had survived the soul-crushing burden of engineering school and all of the personalities therein. “I can offer you something better than what you were hired for.”
He did a fast sweep of the colossal heaps of fabric hanging from your frame, a style you preferred to keep eyes off of you on the best and worst of days. It didn't do much to deter him as it did others. 
“Oh, yeah? Whaddya got, hun?” 
You lifted your shoulders and stacked your bones right. “I've got a vast inheritance that I'm not interested in. Horace is dying and I’m in his will to receive half his properties, along with his shares in the San-Am Continental Railway and Subsidiaries. If you can get me to St. Corpus, you can have the inheritance—every last gris.”
A shrill whistle echoed around your head, tuneful and mocking. The sound of it whittled your confidence back down to nothing, filling the space of your throat with a vise that you couldn't seem to swallow around. That same great unease you had felt before weaseled around in your chest, coiled your ribs and then plunged straight down into your gut. 
“Good offer, but it ain't on the table.” The way he spoke was easy and slow, a thick drawl that suited every bit of him up to even now. He acted as though he weren't essentially holding a gun to your head, threatening your life in the name of money—or something else. “Gris is always good to have lyin’ around, but, honey, it don't really mean a lot to a man like me. Why, then, d’ya think I take on work like this? Why do ya think I trek halfway across the five territories time and time again? What really keeps a man goin’ out here in this godforsaken place?”
You felt yourself shrink in your seat as he leaned forward over his thighs, coming closer still like he had a secret to keep. “It's for the thrill. The hunt. The challenge of it all. Now, don't get me wrong, I don't actively seek out men to shoot or… nice types like you, but part of the fun is trackin’ down, the other part is just havin’ a chat—just like this.”
Then, he had the picture of Horace held out to you between two fingers. “Tell ya what, I see that hard case you brought aboard. I know what it is, but I want you to offer me somethin’ more interesting than a bunch of gris.”
You scrunched the photograph against your palm once you had it, hoping the sweat off your skin would ruin his face and make the ink run, but looked to the aforementioned hard case instead. 
It was made of a hard plastic shell with strips of rubber outlining the odd shape of the thing. Inside was your handheld welding gun—one of many—that you had decided to bring along for little reason besides thinking it could be of use at some point during your time away. It wouldn't be enough to handle larger jobs such as the ones you were accustomed to in the workshop back in Grimerise, but it could fix a wagon or two, glue some pipes together, and do some damage if need be.
“C’mon, darlin’, sell yourself to me.” he pressed, gesturing his impatience with winding fingers. “What do you do for a living, huh?”
“I'm an engineer,” you continued hastily, “I-I can solder, weld, braze, cut, and saw. I can do anything if I have the right equipment.”
In turn, he asked, “Does that mean you can cut open a safe?”  
“If you give me what I need, I can do anything.” you said. 
A new sort of look overcame his features, one of great fondness and admiration that made the green of his eyes take on the milky luster of jade. You had the hope that this unique softness would gain you freedom from a shallow, empty death; a chance to go forward to seize the assets sworn to you by a man you'd never known.
His hands came forward to take your wrists, the weight of them first heavy and then cold as a pair of handcuffs were locked around you, knocking bone when you lunged back into your seat and fought against them. 
“I've got myself quite boon!” In the next moment, he had hauled you up across his shoulder, retrieved both your suitcases, and called one of the stewards to carry your welding gun after him. “Time to go. Gotta introduce you to the crew and get ya settled in.”
“Wait, I don't even know your name!” you shouted and thrashed from shoulder.
He grinned. “Jericho, darlin’.”
Tumblr media
a/n: so, this is a concept piece to a very large neo-western project I'm currently in the process of outlining and fleshing out. most things mentioned in this little oneshot will not be present in the final piece, the quality will, of course, be substantially better.
jericho is an outlaw with an extremely complex background story and will definitely be one of the more interesting characters I've ever written. he's not necessarily the sort of man you want entangled in your life, but he's loyal to a fault once you have his trust. his personality tends to revolve around "taking things as they come", which is a great nuisance to those around him. he likes a good challenge, strong liquor, and good medicine.
here's a brief glossary if you're interested:
san-am: the continent where events take place. no one knows what it used to be called because most historical documents have been lost. it's divided into five territories with a "capital".
grimerise: the central hub of commerce, home of the governing bodies. it's a large city dead center of the other four territories. mc was born and raised there. the university of san-am is also here.
st. corpus: the industrial heart of san-am, found down south near the seaboard. mc's father lives there.
"gris": currency in this world. its components are coins and bank notes. it is a relatively new thing to come about because the bartering system is still the preferred method of trading.
103 notes · View notes
whereserpentswalk · 2 days
Text
You sell items to adventurers for a living. It's relatively easy to get business in a frontier city like the one you live in. You were planning on becoming an adventurer yourself but an injured leg when you were young prevented that. But because you already know how to find items, and how they should be fairly priced, so it's a good living.
Not everyone who thinks of themselves as adventurers actually are adventurers. You sometimes have to sell weapons to naive groups of kids, who have no idea what they're doing. Useally you humor them, they tend to go off into useless places with no gold to be found, an old mineshaft that's been explored a thousand times over has become famous for such things. If they seem like they'll go somewhere way more dangerous than they should, you point them to the mineshaft.
Of course, most of your business is from actual adventurers. They tend to be wanderers, foreigners, a lot of ex merchants or ex millitary, or children of nobility who cant inherent, the type of people who never had the chance to make a safe living. Most of them are nice to you, and if they're not you know how to get them to leave.
You also know how to become a protecter for the adventuring parties who need it. Your shop is basically the center of their community in this part of the city. If a spellcaster is part of an illegal religion, or performing banned practices, you know what symbols to sell them to help them hide themselves. If someone is clearly a runaway slave or serf, or from a race that's considered a monster in this part of the world, you know how the forge the right documents. There was a hobgoblin who frequented your shop for a long time, who you sold weapons to, who you had to testify in front of the city sherif was not a hobgoblin but was infact a member of a rare subrace of elf that you made up to protect him. You may have also recently made an entire fictional category of magic legally real for the sake of protecting some necromancers you know.
There are some people you never sell to. It's not considered good principle to sell to people who would gladly kill your other clients. There was a group of warriors weilding holy magic who talked a lot about punishing sinners, they came back with the heads of goblins and hobgoblins a lot, and vampires, and humans of religions other then theirs. After they started bringing in more of their freinds you cut them off.
There are people who you wished you hadn't sold to for other reasons. There was this human noble girl who you sold a suit of armor to, she had run away from an arranged marriage and joined an adventuring party so she could be as far from her parents as possible. She seemed so excited to be in a big city, to be out in the world, she chatted with you for hours about an epic poem from ages long gone that she liked. When she came back to your shop after her first quest she had turned undead, something happened in her first dungeon that changed her, her skin was pale, and her teeth had turned sharp, you just remember her shivering and trying to cry, and muttering about how cold she was. Her other party members said they were happy she was more durable like this, they didn't seem to care about her outside of that.
And of course, there's the fact that every adventurer you know, useally doesn't come back eventually. When a full party goes you can assume they left town, but when just one or two from a party is missing there tends to be one explanation. Most adventurers don't have long careers, and mortality especially high for rookies. But you don't tend to ask if anyone is dead, it's better to just assume they went home, as implausible as it may be.
101 notes · View notes
Text
VH - Turn over
A menacing silhouette stepped into the prison and stared at the hero in silence. Behind the bars, the prisoner raised his shining eyes, looking very frail and helpless.
“Oh no,” he whimpered, twisting his hands. “I’ve done nothing wrong. I beg of you, Villain, I’m-”
The other cut across him, shaking his head:
“You can stop.”
“But-”
“I know who you are. You’re the hero who’s an invincible vampire, aren't you? You don’t have to pretend. I surrender.”
“Ah.”
Hero slowly grinned, showing his pointed teeth, looking a lot less helpless:
“Good.”
Villain nodded slightly and sat on the chair in front of the cell, his eyes fixed on the ground, his hands clasped in front of him. The other tapped on the bars to get his attention:
“I gotta ask, do you imprison every guy who you surrender to?”
“I know this can’t hold you for long-”
“Nope. Absolutely not.”
“-but I wanted to talk.”
Vampire Hero groaned:
“We’re not doing that. If you think I have time for listening to how amazing or blameless you are, I’d rather drink you until you collapse.”
“No, I have a question.”
“Shoot.”
Villain hesitated for a moment, then said, avoiding his gaze:
“When did you realize you were on the bad side?”
“Uh?”
“Before you switched, I mean. When did you realize you were...well, evil?”
Vampire Hero tilted his head, intrigued:
“Since the beginning? I mean, I liked to cut animals and make my whipping boy suffer when I was a toddler. That wasn’t really hard to put two and two together. I'm an asshole, not an idiot.”
“A whipping boy, you mean-”
“A literal whipping boy, yeah. Father offered me one and punished him every time I misbehaved. That was a good birthday gift, a long time ago.”
“So being a vampire hasn’t corrupted your soul or-”
“Nah. Can’t corrupt what’s already rotten.”
“I see.”
There was a moment of silence. Villain didn’t move. Vampire Hero huffed a little, his patience growing thin.
“How can you look so lost in your own prison?”
“It wasn’t like that for me.”
“Oh there we go, the monologue. Keep going, and I’ll rip off the bars of the cell and come for you next.”
“Go ahead, I won’t use it anymore.”
A bar creaked in answer. Villain didn’t look up once.
“I thought my work was for the best,” he said after a while. “I thought us with powers deserved more of society. Don’t you think so?”
“I don’t care.”
“Surely you must have. A little.”
“We’re not from the same time, remember? I had a castle and servants and human toys. Society never bothered me much.”
“It must have been nice, not having to care.”
Vampire Hero shrugged.
“I’m not sure,” he admitted. “Didn’t work out that great for me, did it?”
“I had to care. I had to cling to life every day to survive. I was nearly killed by people thinking I was a freak because I had powers.”
“It doesn’t look like they did a great job, then.”
Villain raised his head a little:
“I just wanted a place where we weren't bullied all the time, so I created my own group. As it grew, so did our ambitions-”
“Aw man, that is gonna take a while.”
Sulking, the vampire threw himself on the ground and began to fidget with the bar he had ripped off. While he bent it as easily as it was clay, Villain kept on, barely giving him a glance:
“I thought that no one listened to us, you see? So we had to make people listen.”
“Except that it doesn't make sense. Since when are powers a problem here? I don’t know much about the outside world, but even I know that heroes are adored and stuff. They have fanclubs and everything.”
“But you have to be a hero, that's the problem. If you can teleport and want to be anything else, like a baker or something, you’re shamed by society unless you hide who you are. If you’re born with powers, the hero agencies are already breathing on your neck.”
“I find this expression offensive. Look, I’ve made a noodle!”
Villain glanced at the twirled bar the vampire was playing with:
“Very nice.”
“Thank you. I used to twist any iron bar that I had in my hands. It makes so much more damage when it pops out of the body.”
Villain stared at the wall for a second and cleared his throat:
“...Anyway, we were building a community. I met my first friends and my lover there.”
“Congrats. I don’t care.”
“As with all communities, tensions grew. I wanted to take more action. I thought that protests weren’t enough.”
“Yeah, I’ve read your file. Killed a lot of humans and exploded a lot of stuff. Classic.”
“I wanted to be heard! Our group went from inefficient to dangerous, but where is the limit? Where is the perfect middle spot?”
“No idea.”
“Me neither. My husband tried to bring me back to protests, but I wouldn’t listen to him. We argued until the moment when I- when he-”
Villain turned his head away:
“I tried to keep on, but it doesn’t make sense without him. Our community is riffled with conflicts. None of it makes sense anymore. So I surrender.”
He stood up and pulled out the key of the cell from his pocket. Vampire Hero squinted at him, curious despite himself:
“So, how did you kill your husband?”
Villain looked at him, horrified:
“What? I didn’t! He left me.”
The door opened. Vampire Hero jumped on his feet and burst out of his cell, chirping:
“Let’s go!”
He passed next to Villain and went through the exit, leaving the latter staring at him:
“Are you- Aren’t you going to drink me or something-”
The hero shrugged and patted his arm, a little smile on his face:
“Eh. I’m not hungry.”
*
Vampire Hero is a recurring character. His job is to troll current villains. Check the Vampire Hero Masterlist or Tag for more snippets with him.
Or back to Hero x Villain Masterlist.
30 notes · View notes
johannestevans · 1 day
Text
Flower
Doing short requests (<500w)! Request for all-the-way-through.
Feel free to drop requests in the replies or into my askbox. If you’d like a leave a tip for your own request or someone else’s, my tip jar is here.
Aven struggles in the bonds surrounding him, the vines as they curl and curve around his shoulders, around his neck, coiling around his breast, his belly. His pecs stick out with the pressure, his nipples feeling unusually sensitive as he breathes in more of the shimmering silver pollen that swirls on the air before his eyes.
The apothecary had said they would respond more aggressively if you struggled, and they do, coil around him very tightly as he shifts and moves in his place. When the first tip of the vine sinks into his arse, slick and immediate and pressing so deep into him he can’t believe it for a second, even though this is the point, even though he knew—
Aven can feel the apothecary’s eyes on him as the vines pull at his wrists and ankles and spread him wider against the wall, at the same time the two tentacles sink further into him, writhing as they find their way into his guts and at the same time thicken wider, another of them curling around his cock and squeezing at it, pulling at him. His skin is throbbing more and more, hot all over, even before two of them grasp his nipples and tug on each of them, pulling them out more. It’s making his chest throb, and he can feel his chest swelling, feel the skin stretching as his pecs plump up into tits.
Elf milk, the apothecary had said he wanted, that he’d pay for, elf milk, and to let his vines flower into the bargain, and when he’d laid the money on the table Aven hadn’t even hesitated before he’d started stripping off his clothes.
He doesn’t know the apothecary’s name, he realises, but he’s a handsome sort, has big dark eyes, pretty lips, a well-groomed beard, and Aven opens his mouth to ask, but what comes out is a moan as his tits flop forward, fattened up with milk and throbbing, heavy, aching, before the apothecary comes forward and attaches a little bottle with a suction cup onto each nipple and sets them to work. Aven howls out a noise, arching his back into the hard suck on each side, hearing the trickle and drip of the new milk out of his new tits, his cock bobbing hard between their bodies with the vine wrapped tight around it, its tip teasing the opening of his hole as if it’s going to sink inside him.
At the same time, he can feel the vines writhing in him, feel pre dripping out of his cock and his balls drawing up, feels so fucking full—
“Hey,” he manages to say through the haze of pleasure, “I don’t know your—"
He chokes, gagging, as the vines force their way up and out of his stomach, slide easily up his throat and pop out from between his teeth. He whines, writhing in place now entirely involuntarily, not because he means to.
“It’s alright, some of the vines are hollow – they’re designed to let you breathe. And when you breathe…”
Aven heaves in a wet gasp, tears on his cheeks, and then lets out a sharp howl as he feels the vines shift in his mouth, shift outside of his mouth, feels the buds widen and spread as they flower. His mouth feels like it’s been made into a fucking bouquet as the vines keep working their way through him, his gut a mess of shifting vines, moving under the skin.
“Can I suck you off?” the apothecary asks, and Aven gags again on the vines that are working through him, his thighs twitching, his arse and belly so full he feels like he might burst. “I’ll pay extra,” he adds.
Aven nods, which makes the vines in his throat bulge and shift more, and then groans as the apothecary drops to his knees and sucks Aven into his mouth in one smooth, easy motion.
19 notes · View notes
surroundedbypearls · 3 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Characters of Homebirds!
Denise Perez Acosta; ability of invisibility and shapeshifting
Elijah Kravitz; ability of healing and energy projection
Logan Reid; ability of heightened speed/strength and senses
Isaac Evans; ability of telepathy and telekinesis
Catherine King; ability to mimic and influence animals
Dean Yamazaki; ability to transfer and absorb energy
Margot Bishop; ability to manipulate technology
Hari Salzano; ability to manipulate plant life
In the Evergreen City, eight teenagers live, study, fight, and fall in love. Things come to a head at Margot Bishop’s 18th birthday party, when midnight strikes and they’re attacked by a creature from another world. They discover their home is not their home at all; they’re from all over the universe. And they have special abilities not found anywhere else on earth.
More on Homebirds here! Leave a comment or an ask to be added to the taglist.
17 notes · View notes
atimodeus · 1 day
Text
HEY.
tell me about your OCs. tell me about your badasses, and your little meow meows, and your pathetic groveling guard dogs. your pompous twats and prissy pretty boys.
talk shit to me about your own creation.
please :)
(this is for writers and artists, btw. don't care what kinda character. GIVE ME UR SHIT)
17 notes · View notes
a-kind-of-merry-war · 2 months
Text
A guy doing marine research into phytoplankton is far out to sea and waiting for the samples to be ready when he spots a fast-moving ripple in the water up ahead.
Fully aware that this spot is home to a migratory orca pod, he assumes he's stumbled across an orca hunting a seal and settles against the railing to watch, because it's not every day you get to see that.
The ripples get closer, the shadows in the water more defined, the water choppier, and suddenly the orca and its unfortunate prey are zooming directly towards the boat and he's waiting, breath held, for them to duck right underneath--
When the water breaks, the ocean sprays, and he's suddenly smacked fully in the face by a very wet, very confused, and very pretty merman, throwing them both down onto the deck while the boat rocks as a confused and now quite hungry orca dives beneath it.
The merman, it turns out, thought that the boat was an ice float and didn't realise his mistake until it was too late. But he's very thankful for the impromptu rescue, and wow don't you have nice arms, and holy shit you've got legs, can I touch them? Is that weird? Can I touch them anyway? And your hair--
So of course they get to talking because they're both utterly fascinated with the other, and soon the sun has set and the samples are long-since ready and the moonlight is making the ocean look black and they part with the knowledge that they'll never meet again, and a kiss, and a lingering look over the shoulder for all the things that can't be...
And the researcher gets back to land, moors his boat, readies his samples. He packs up his things, shoves them into his bags, and prepares to go home. He steps onto the jetty boards and thinks of the merman and the solid wood beneath his feet seems to sway for more than one reason.
There's a splash. He turns, pulled as if by the tide, and there's a ripple in the water. A face. A pair of eyes made black by the moonlight.
And this is how the researcher acquires a merman boyfriend who helps him find samples and the merman acquires a human boyfriend who rescues him from whales.
2K notes · View notes
biscuitsandspices · 2 years
Text
Encouragment for writers that I know seems discouraging at first but I promise it’s motivational-
• Those emotional scenes you’ve planned will never be as good on page as they are in your head. To YOU. Your audience, however, is eating it up. Just because you can’t articulate the emotion of a scene to your satisfaction doesn’t mean it’s not impacting the reader. 
• Sometimes a sentence, a paragraph, or even a whole scene will not be salvagable. Either it wasn’t necessary to the story to begin with, or you can put it to the side and re-write it later, but for now it’s gotta go. It doesn’t make you a bad writer to have to trim, it makes you a good writer to know to trim.
• There are several stories just like yours. And that’s okay, there’s no story in existence of completely original concepts. What makes your story “original” is that it’s yours. No one else can write your story the way you can.
• You have writing weaknesses. Everyone does. But don’t accept your writing weaknesses as unchanging facts about yourself. Don’t be content with being crap at description, dialogue, world building, etc. Writers that are comfortable being crap at things won’t improve, and that’s not you. It’s going to burn, but work that muscle. I promise you’ll like the outcome.
24K notes · View notes
jonahmagnus · 1 year
Text
In world where there are two types of tower-dwellers, a Princess is locked in a tower.
There are two types of tower-people: A Princess, put there to remain pure until marriage or until rescued, and a Wizard, put there by choice to study and learn in isolation. Princesses are defined by their beautiful long hair, and Wizards are defined by their beards and impressive 'stache.
There is a Princess, and she lives in a tower. She was put there recently by her mother and father, to keep her pure and untouched until they can secure the marriage to another kingdom and a prince shes doesn't love. She has long, almost brown sandy-blonde hair, pale green eyes and a slim, tender build. She is not the fairest in the land, but she is tall and pretty. If compared to a rose, she would be the humble yet graceful willow tree, slender and long. She has wanted to be a wizard since a young age, but there is no way for a princess to become a wizard. Princesses are delicate girls to be protected and sold off until their either dead or Queens or have found True Love, unsuited to the life of experimentation and study of a wizard. That is what her mother tells her, in a quiet scolding that is far more forceful and cruel then it has any right to be. And the princess, terrified, believes her.
She used to run the castle halls, stick in hand, robe fashioned out of a delicate silk bedsheet, shouting fake spells at birds while her servants chased her. But as she grew older, her restraints became tighter, and more and more often, she was confined in her room to embroider in solitude with barely the comfort of a window or a maid. The life she is forced into makes her hang her head low, makes her hands be paper-soft, and demands her hair be long and beautiful and perfect like all other princesses. The world she longed to be a part of was a world of study and experimentation, and as the kingdoms princess and tool, she could not even dare to hint at her desires into adulthood. She could become a witch, she knew, flee the castle barefoot and sink into the loving embrace of the swamp. But witches don’t live in towers, and they make potions instead of spells, and they don’t grow the flowing whimsical beards that wizards do.
But that does not mean she has to be bored in her tower. Fascinated by magic as she always has been, she arranges with a long string of bribes for books on spells and forbidden potions to be smuggled along with her meals. She studies them while the clock ticks down for either a prince to arrive or her marriage to be finalized. Either one will doom her, and she wants to enjoy herself as much as possible until her marriage. She pours over the books long into the night by candlelight, and all day, she rests her pale, tired eyes. She experiments, and she reads, and she studies non-stop, barely stopping for meals and littering her books with an assortment of food stains. She cuts off her hair to use in bubbling gold potions, her skin becomes scarred with a rainbow of the consequences of failed experiments, and her dresses turn into makeshift cheesecloths and fire-fuel. She washes late into the night after she is done with her work for the day in the darkness, not glancing into the mirror that has become cracked and dusty. When her eyesight starts to fail from strain and working in darkness, she fashions for herself bottle-round glasses, blown by herself in the depths of her tower. Engrossed as she is in her studies, she does not notice the tower warp, and the meals stop rotting, and how she started out in one circular room but now has a loft and a second floor and the fact that the tower seems much much taller then it was originally.
What she DOES notice though, is when brushing crumbs from her face she feels facial hair on her upper lip.
She rushes to the bathroom and thrusts a candle into the holder as she looks at herself. In the dusty mirror, she sees the beginnings of a bushy mustache sit on her upper lip, much further along in growth then be logically possible without her noticing. It’s a pale blonde, like her hair, and she notices faintly that there are streaks of grey in it, a very familiar shade of classic wizard grey. She brings a trembling hand to her upper lip.
Much, much later, a prince rides up to the tower. It is tall, and warped, and very clearly belonging to a wizard, despite the royal family claiming their daughter lives here.
He shouts up, a bit nervous because of the thorny vines wrapping the beautiful stonework.
“Hey! Does a Princess live here?”
A young man with large bottle glasses and a rather impressive mustache leans out of the tower, his short, sandy-blonde hair spilling lightly in the wind. He starts to say something, then glances back into his house. A smile breaks out on his face as he seems to realize something.
“No!” He shouts back, after a moments hesitation. “But a wizard does!”
12K notes · View notes
the-modern-typewriter · 5 months
Note
I love love all your writing and jealous villains / possessive villains always make me kick my feet!! Can I request a hero that’s been under appreciated by the city and getting hurt / almost killed by civilians they were meant to protect? And the villain finds the aftermath? ╰(*´︶`*)╯♡
"My god." The voice was strained. Familiar. Them.
It really wasn't the hero's day, was it? They released a slow, pained breath, pushing themselves gingerly off the grimy, rain-puddled street. "Enjoy the show?"
"What show? You could have taken them. You should have taken them."
The hero grunted. They straightened. They wobbled.
The villain appeared out of the shadows, at their side, in an instant. It took the hero a moment to realise that the villain had placed a steadying hand on their arm.
The villain's face was harsher in the streetlight; all firelit edges, beautifully demonic, orange pinpricks glinting almost red in their furious eyes. Rain spat down, soaking into the villain's hair and clothes. They didn't seem to care.
The hero did a double-take. The flippant comment they'd been about to make died in their mouth.
"How much did you see?" the hero asked.
The villain's jaw clenched. "I just got here."
It was an unexpected confession. On closer inspection, the rapid rise an fall of the villain's chest suggested they'd been running.
"Huh," the hero said.
The villain's gaze raked over them, taking in every bruise and scrape and bit of blood. "You didn't fight back. Why didn't you fight back? You could have pulverised them. Made them fear ever hurting someone again. That's what you do if I attacked you."
The hero shrugged, awkwardly. They eased their arm free of the villain's grip.
"That's not an answer," the villain snapped.
"I would have killed them. Normal people can't deal with my powers."
"So better to let them nearly kill you?"
The hero shrugged again. Everything ached; they weren't especially in the mood for hearing about how wrongly they'd handled getting the flying spit kicked out of them, they weren't in the mood to explain how the villain was different. Even at war, it was easier with them.
"You're in uniform," the villain said. "They knew who they attacked."
"Oh." The hero hadn't realised. The truth of it struck them like a low blow and their shoulders slumped, as if it wasn't already far too late to brace and curl into a foetal position to guard the heart of them. "Right. Yeah. Well, bold move on their part!"
They tried for chipper. They failed completely.
The whole time, they'd been so preoccupied, they'd thought the strangers had no idea. A wave of stupidity, prickling with humiliation, washed over them. Their eyes felt hot.
The hero swore under their threat.
"I'm going to kill them." Possessiveness threaded low and heated through the villain's voice.
"I don't need you to do that."
"I know. It will be my absolute pleasure." The villain grabbed the hero's arm again as the took a step and stumbled. "They shouldn't-"
The hero could feel themselves beginning to shake, a myriad emotions welling up inside them, threatening to explode, as they listened to the villain's insistence that really no one else should be allowed to touch what was theirs.
"I said, I don't fucking need you to do that."
The villain went quiet. Still.
The hero closed their eyes again, already regretting their sharpness. A treacherous tear rolled down their cheek. Christ. That was all they needed, wasn't it? Cherry, meet the top of the garbage pile. They swiped furiously at their face and didn't say sorry. They couldn't say sorry. They'd never stop, they were sure of it.
"What do you need?" the villain asked.
The hero glanced up at them, startled.
It wasn't that the possessiveness was gone from the villain's face, only that the burning of it had finally cleared enough for the hero to see what lay beneath it.
The care, the sincerity, in the villain's question felt like a knockout blow. They didn't know what to do with it. They had no armour for it, no shield.
"What do you need?" the villain asked again, softer, when the hero said nothing. Their other hand rose, cupping the hero's cheek. "You want me to get you home? Your leg's screwed. You can't walk."
"I can walk." The hero looked down at their leg. They could...well, it wouldn't be fun walking. They eyed the villain. "Seriously?"
"Well, I'd prefer to hunt the bastards down and kill them, but I also do an incredible taxi service, yeah."
"Thank you."
The villain looked almost as uncomfortable as the hero felt. They shrugged. Their jaw worked, eyes narrowing when they caught sight of the hero's injuries again. The hero could feel the villain's fingers flexing against their skin with barely leashed violence - and, yet. It was leashed.
The villain dropped their hand.
"My car is this way. Can you - can I - I can help you get there. If I'm allowed."
"You're asking permission to touch me?"
The villain glared at them.
Despite everything, the hero managed a weak smile back. "Yeah," they said. "You're allowed."
The villain nodded, wrapping an arm around the hero, before pulling them up into an unexpected bridal carry. They were strong. All lean muscle and warmth against the hero's frozen body.
"I'm going to get blood on you," the hero said.
"Because nobody has ever bled on me before ever."
The hero huffed.
They let the villain walk them out of the alleyway, brain still sluggishly working its way through all of the implications of the villain's sudden appearance.
They'd come running when - what? When they learned the hero was in trouble? When they learned that the hero wasn't fighting back to the full extent they were capable of?
Thoughts were hard and the villain's car was warm, the heating soon on full blast.
Thank you. It welled in their throat again. The hero choked on it.
They didn't think they'd ever been as well looked after as they were that week.
1K notes · View notes
cipheramnesia · 3 months
Text
Sorry everyone I was thinking about the lonely werewolf tgirl and her friend the sentient intergalactic magic warship again. 🥺
852 notes · View notes
whereserpentswalk · 3 days
Text
There's a city built around an ancient skeleton of an eldritch nightmare, some sort of giant serpent with many heads. They say the skeleton used to have metal armor, but back when metal was harder to come by it was stripped to make spearheads and armor.
The skeleton doesn't do much, and it acts as a natural fortification, so most people don't really question it. Some of the residents of the city, especially from the older and more secretive noble families, worship the skeleton as a spirit of the land. The local priests don't like that they do that, but it's not heresy as long as it's not considered more important then their gods.
Ancient myths have a lot of strange explanations for the skeleton, from it being a dragon that was struck down by the sun god and moon goddess. To it being a servent of the underworld worshiped by the people who lived in this land before its current residents. To it being a patron of the current people of the land, who died protecting them from an army of demons.
There are some residents who live within the bones because there's nowhere else in the city they can go. Foreigners, petty criminals, sex workers, people who've been disowned by their families. Their apartments and houses are in-between an uneven forest of strange an unknowable bones.
And sometimes, for the people who only the bones protect, the outcasts within the skeleton, an old ghost whispers to them, and an image of a many headed serpent in their minds. It calls for them to keep their spirits high and their blades sharp, when the city guards come stalking through the skeleton it calls for them to defend their honer, and when it comes time, it will call for revolution, and the bones many grow their skin again.
44 notes · View notes
halfbit · 8 months
Text
ok the last post was infodump friendly. this one is NOT.
i expect you to explain your/something about your magic system as badly as possible. i want to be confused. i want to lack context.
i'll start:
big wyrm gives off radiation that is also magic. ohhh no gas.
1K notes · View notes
girlfromthecrypt · 2 months
Text
Tumblr media
Such Happy Campers is an interactive horror/romance novel made in Choicescript.
DEMO / COG FORUM POST
status: demo consists of three chapters + prologue, sitting at 64.385 words [excl. commands]
You are an employee of the Cloverleaf program. Your job is to organize and oversee their seasonal vacation for kids from low-income backgrounds and troubled homes. This summer, said vacation will be hosted at the rustic Camp Solace, a cabin campsite situated right next to the picturesque Lake Solace and flanked by acres of woodland.
Camp Solace is idyllic, calm and far removed from the bustle of civilization. 
V̵̲̂e̶̝͆ŕ̸͍y̷͎̏ ̷͚̎f̵͈̀ā̸̦r̵̀͜ ̸͓͘r̴̜̂e̴͉̕m̵̺̎o̷̢̓v̶̒͜è̴̘d̴̳̐ ̴̀͜i̵̡͊ñ̷̘d̸̼̀e̷̪̽ȇ̵̯d̴̜͒.̷̰̚
It'd take you quite a while to reach the nearest town in case of an emergency…
Ý̷̭ö̸͎́u̷̘͗'̴̘͘d̸̛̰ ̶̢̐ḇ̸̌ẻ̸̦t̴̝̅t̷͚̒e̷͓͑r̸͔̿ ̷̱̆m̸̜̔a̸̳̍k̵̰̍ě̸̖ ̸̦̚s̷̛̺ṵ̴̔r̵̘̅e̸̝̽ ̸͈̑n̴̡̛o̶̬͑t̶̺̊h̸͖̋i̵͎̽ṅ̵̜g̸̗̽ ̴̹̿ḧ̵̘́ā̷̦p̸̖̎p̵̻̑e̴̗͌n̵̡̒s̶̜̈.̶̥͂
But you're not alone in this! Working alongside you are Basil Laurier, the free-spirited scion of the wealthiest local family, Anita Merrick, the smart but skittish university student intern, and the Malak siblings, both skilled and experienced teachers. 
Now go take care of those happy little campers.
Tumblr media
Customize your MC’s name, appearance, outfit and apartment!
Be a good camp counselor and protect the kids in your care!
Romance a charismatic heir, a chronically sleep-deprived psychology student, a temperamental musician or a reserved martial arts instructor!
Get to know your team and form lasting friendships!
Uncover the lakes long-forgotten secrets and save Camp Solace from the horrors that are slowly closing in on you.
TW: mentions of bullying, troubled childhoods, mental illness. Non-graphic.
615 notes · View notes
mayakern · 10 months
Text
i wonder if there’s people out there who have read spitfire but don’t know me as an artist so they see all the art i’ve done and are just like “wow this queer horny dragon book has one really passionate fan”
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
1K notes · View notes
mendingbone · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
River— ᴀᴇsᴄʜʏʟᴜs, ᴛʜᴇ ᴏʀᴇsᴛᴇɪᴀ//@ɢᴏᴏsᴇᴋɪᴅ ᴘᴏsᴛ//ɴɪᴋᴏʟᴀʏ ᴅʏʙᴏᴡsᴋɪ ᴀɴᴅ ᴀʟᴇxᴀɴᴅʀᴀ ɢᴏʟᴜʙᴇᴠᴀ, ᴘᴀᴛʜᴏʟᴏɢɪᴄ 𝟸: ᴛʜᴇ ᴍᴀʀʙʟᴇ ɴᴇsᴛ//ᴡɪᴋɪᴘᴇᴅɪᴀ, ᴘʀᴏᴘʜᴇᴛɪᴄ ᴘᴇʀғᴇᴄᴛ ᴛᴇɴsᴇ//ʀɪᴄʜᴀʀᴅ sɪᴋᴇɴ, ᴘʟᴀɴᴇᴛ ᴏғ ʟᴏᴠᴇ//ᴄᴏɴᴏʀ ᴏʙᴇʀsᴛ, sᴀʟᴜᴛᴀᴛɪᴏɴs//ғʟᴏʀᴇɴᴄᴇ ᴡᴇʟᴄʜ, ɪ’ᴍ ɴᴏᴛ ᴄᴀʟʟɪɴɢ ʏᴏᴜ ᴀ ʟɪᴀʀ//ᴄʜᴀʀʟᴇs ʙᴜᴋᴏᴡsᴋɪ, ʀᴀᴡ ᴡɪᴛʜ ʟᴏᴠᴇ//ᴀᴍʏ ᴡᴏʟʟᴀʀᴅ, ʟᴀᴜʀᴀ ᴘᴀʟᴍᴇʀ ɢʀᴀᴅᴜᴀᴛᴇs//ᴅᴀᴠᴇ ᴍᴀʟʟᴏʏ, ᴛᴀɴɢᴏ ᴅᴀɴᴄᴇʀ.
2K notes · View notes