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#literally love the fight scene in this episode a little too much
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X-Men '97, Post-Episode 7, ~2500 words Morpherine established relationship, missing scene (unless the show actually does explore what happened during that fight, in which case boy is there egg on my face).
I follow established show canon by referring to Morph as he/him in diegetic works (fanfic and fan art) and they/them in non-diegetic works (my episode analyses and reblogs), because that's the stupidest option and, like Morph, I am also an enby with a terrible sense of humor.
Now come watch me struggle to write two whole lines of dialogue for one of my favorite characters in the series, Beast, because Me Too Stupid to Write Smart Talk Good.
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“You wanna explain what the hell happened back there?”
Although he considers pretending he didn’t hear the question, Morph reluctantly glances across the center aisle of the Blackbird to see Logan glaring back at him with an expression as hard as the adamantium underneath it. Although it’s a look he’s seen plenty of times before as an innocent bystander, Morph has only been the target of that glare on a handful of occasions. Usually when he’s severely fucked something up. Or when Logan is completely out-of-his-mind, cuckoo-bananas worried about him.
Morph suspects that this time, it’s a little Column A, a little Column B.
A wiser person might realize they were in a hole and stop digging; Morph smirks and asks, “What, the Summers Family Reunion? Well, you see, when a man and the clone of his wife love each other very much…” Morph chuckles. “By the way, this might be a bit creepy to say as one of his honorary uncles, but Baby Nathan grew up to be a serious hottie—emphasis on serious.”
No laugh. Okay, maybe that wasn’t his best material, but not even a lip twitch? Logan must be pissed.
Morph sighs and slouches in his seat. God, he doesn’t want to talk about this right now. Or maybe ever. He can feel his throat literally closing up to stop the words from coming out.
When enough time has passed that what little patience Logan had left in the tap completely runs dry, he goes right for the jugular: “I thought you were dead. Again.”
Morph winces.
“I saw that… ‘Trask Sentinel’ blow your goddamn head off. Then, next thing I know, you’re up and walkin’ around like nothing happened.”
“Not that you’re complaining, right?” Morph asks with a weak attempt at a laugh. “You know what they say about gift horses. Although, you’d think the lesson from the Trojan War would be that you should look gift horses in the mouth.”
From the seat behind him, Morph hears: “Although it’s a common misconception, that phrase actually has nothing to do with the Trojan Horse. The proverbial ‘gift horse’ is a literal, living horse, and to look it in the mouth—”
“With all those books you read,” Logan grumbles, “I thought at least one of them would've taught you it's rude to eavesdrop.”
“It would be difficult not to overhear, given the two of you are speaking quite loudly in a confined space while surrounded by people,” Beast points out. “Have you considered that this perhaps isn’t the best venue for a private conversation?”
“He is a super-genius. We’d better listen to him,” Morph tells Logan. “We’ll talk later, okay big guy?”
The stubborn set of that heavy jaw says Logan knows damn well ‘later’ means ‘never,’ and he isn’t gonna let Morph weasel out of this that easy. “If you ever want me to let you off this plane, you’ll talk now.”
“Let me?” Morph scoffs. He transforms into Quicksilver, puts on his best smug speedster grin, and says, “Just try and stop me, slowpoke.”
To his shock, Logan actually flinches. It’s a subtle thing, Morph might not have even noticed if he didn’t know Logan so well. The cause eludes him, however—until Morph remembers that he looked like Maximoff when the Thrask Sentinel… when everything went dark and quiet for a few seconds.
Funny. There was a time when Morph, blinded by youthful naivety and hero-worship, would have insisted Wolverine wasn’t afraid of anything.
Returning to his default form, Morph mutters out an apology. He tries to imagine what it would be like to see Logan die, only for him to get up a few seconds later and act like nothing happened. With that healing factor of his, they’ve gotten damned close to that exact scenario more than a few times.
How much worse would it feel, if Logan had kept his quick-healing abilities secret and Morph had to find out the hard way?
Morph takes a breath, looks out the window at the black clouds rushing by, and starts from the beginning.
“You know how most of us don’t know we’re mutants until we hit puberty, and our powers manifest? Well… I didn’t have to wait that long. Problem is, since I was just a baby, I had no idea how to control my powers—no more than a normal baby is born knowing how to walk or talk.
He holds out his hands with his palms cupped together to form a shallow, makeshift bowl.
“When I was born, I looked like a wriggling lump of white clay, about yay-big. No arms or legs, no face, no ears, no eyes. Just a mouth that would appear somewhere on my body whenever I was hungry or wanted to cry.”
Whatever Logan was expecting to hear, from the look on his face, it clearly wasn’t that.
“But even at that tender age, someone clearly recognized my star potential. I was only two days old when I made my media debut: Severely Deformed MUTANT Born In Pittsburgh Hospital.” Morph shrugs. “Not the most positive review, I’ll admit, but you know what they say: all publicity is good publicity. After all, that’s how the professor found me.”
Logan’s frown returns, more confused than angry. “You told me you didn’t meet Xavier until you were thirteen—after your mom passed.”
“That’s when I moved to the Institute. Turns out we actually met quite a lot earlier than I remembered, which is pretty embarrassing. Ideally, you don’t want to meet your future high school principal, college instructor, mentor, and world famous civil rights leader while wearing a diaper. Even worse, I was wearing a diaper, too—and I told him, mister, one of us is going to have to go home and change his outfit and it sure isn’t going to be me.”
That gets him a smile and a huff of a laugh, which would be an encouraging sign if he didn’t know how the story ends.
“So Xavier talked to my parents, explained the whole ‘mutant thing.’ Dad wasn’t happy. Then again, I’m not sure he ever was. He would have been disappointed to have a girl—a sentient lump of polymorphic biomass was right out. Thankfully, Xavier was able to use his telepathy to coach me through my very first transformation. He showed me how to turn into a normal baby boy, who would eventually grow up to look like this.”
Morph transforms into his old default, the one he still uses whenever he wants to pass: pale (although not that pale) skin, brown eyes, brown hair, hooked nose, pointed chin, gaunt cheeks, arched brows. Not exactly Fabio, but it’s the face Logan used to know him by—the face he sometimes worries Logan might secretly still prefer.
“Then he put some psychic blocks in place to limit my powers to something a bit more… manageable. Don’t give me that look. It sounds shady, but the professor messing with my head was the only reason I got to have a normal, happy childhood with my parents. God only knows what would have happened otherwise—if I’d even be alive now.”
The worry and suspicion that appeared on Logan’s face at the mention of psychic tampering grudgingly fade away. “When did you find out?” he asks instead.
“A couple months after the professor… y’know,” Morph sighs. “I hacked his personal files. Since he wouldn’t be around anymore to help you recover your memories, I hoped that maybe I could find something small he overlooked, some clue that might give us an idea where to look next.”
Logan’s eyes widen and his mouth goes slightly slack. “Morph…”
“I didn’t find anything, before you get excited. Not about you, anyway. Sure found out a lot about myself, though—a lot more than I was bargaining for.”
“That’s when your default form changed,” Logan realizes.
“Yeah. It was kind of hard to think of this,” Morph replies, gesturing at the face of his human-passing form, “as my ‘real’ face after that. Not that my new look is any more real, of course.”
“Who else knows?”
“Other than our friends listening to this conversation right now?” Morph asks pointedly, causing an entire plane full of X-Men to each make their best attempt at looking busy. Nightcrawler’s method of peering thoughtfully at the radio controls with one hand on his chin is particularly masterful—Logan mentioned he used to perform in a circus, so it’s no wonder he’s got such a good instinct for stage-business. “I told Hank and Moira not long after I found out. Seemed like a bad idea to keep that information from my doctors. Especially when one of them is also my therapist.”
At receiving a glare from Logan, Beast develops a sudden and convenient fascination with the view through the Blackbird’s window.
“But you didn’t want anyone else to know.” Logan could accept that, even if he doesn’t like it. Nothing personal. A man’s business is man's business, after all—even for a not-quite-man like Morph.
Too bad it wouldn’t be the truth; no more ‘real’ than any face that Morph wears.
“I didn’t want you to know.”
Morph can handle Logan’s anger, no problem. That’s almost charming, after all these years. But it’s the flicker of hurt, just like that little flinch earlier, that really cuts him to the quick.
“Not because I don’t trust you, or want to keep things from you or anything, it’s just… I didn’t—I couldn’t—”
He sighs and looks away again. He transforms back into his new default: smooth white skin, mask-like face. Obviously inhuman.
Still a lot more human than he looked when he was born, though.
“So, yeah. That’s why I’ve apparently gained the ability to survive having my head blown off. It sure would have been handy to know that my organs were optional the last time a Sentinel put me down. Now, instead of being out of commission for two years I’ll never get back, I can just squish myself back together and keep on keepin’ on.”
Logan doesn’t respond, and slowly, the mutter of other conversations step in to fill the void. Morph stares at nothing, sick with nerves. It’s deeply unfair that he can still feel nauseous even though he doesn’t have a stomach anymore.
He would say it’s all in his head, but if he can survive without one, maybe he doesn’t have a brain, either.
Badum-tch.
Good line. Hopefully he’ll remember it after the existential horror wears off, in the brief window when things will be funny again before the heartbreak sinks in.
Because there’s dropping a bombshell on a relationship—then there’s dropping a fucking nuke.
Oh God. There isn’t going to be a window, is there?
“Morph. Look at me.”
Although he considers pretending he didn’t hear the command, Morph reluctantly glances across the center aisle of the Blackbird to see Logan looking back at him with an expression as soft as the heart he usually tries to hide.
“No matter what you look like, there’s one thing you’ve never been able to change,” Logan tells him. “That’s real enough for me.”
A wiser person might realize they were in a hole and stop digging; Morph can’t stop himself from opening his big stupid mouth. No wonder that was the one feature even Baby Morph knew to give himself. “There are more blocks Xavier left behind that I haven’t pushed through, yet. Maybe I’ll even figure out how to change my scent, someday.”
From the look on his face, Logan clearly hadn’t considered that possibility. Morph immediately wishes he could take it back, feeling like he’s just tarnished something sacred.
It’s always been strangely intimate, the way Logan can recognize him by scent alone. Even from the beginning, when Morph decided to pull a prank on the grumpy new recruit, only for Wolverine to sniff him out mere seconds into his planned routine—it was as if, like the Emperor’s New Clothes, he suddenly realized he had been naked the entire time.
Another, smarter shapeshifter might have avoided Logan after that; Morph couldn’t get enough.
One-sided pestering turned into an unlikely friendship, turned into friends-with-benefits, turned into… whatever they have now. That which dares not speak its name.
The thought of losing that connection, the idea that someday he may be able to change himself so thoroughly that even Logan won’t be able to recognize him anymore… It’s too awful. Cursed knowledge. Like learning about the solar cycle when he was a kid, and suddenly having the horrible realization: if even the sun is going to die someday, what makes him so sure Mom will get better?
Out of the corner of his eye, Morph sees Logan’s hand start to move, stop, then start again, reaching across the aisle towards him. For a insane, terrifying moment, he thinks Logan’s about to hold his hand, outing them in front of God, the other X-Men, and everybody—but of course, that enormous, rough mitt lands on his shoulder instead. Perfectly platonic, approved for all audiences by S&P.
Though they’re shooting through the air at supersonic speed, under the heavy weight of that hand, Morph feels rooted to stable ground. He closes his eyes and takes a few slow breaths he doesn’t actually need, with lungs he only has when he remembers to make himself some.
If there are any people left when the sun finally burns out in a few billion years, they’ll still be telling each other jokes as they go into that endless good night. Just think of the money we’ll save on sunscreen. Maybe, but you know the light-bulb companies are gonna take us to the cleaners. Ha ha, freeze frame, theme song, end credits.
Even as her body slowly wasted away under the combined onslaught of cancer and chemo, Mom always laughed at his jokes, no matter how many times she heard the one about the chicken who crossed the road. His most appreciative audience, to the very last curtain call.
The world is pretty fucking scary right now, and only getting scarier. Sinister. Genosha. Losing Gambit. Sentinels again, in all new and even more monstrous forms. Even worse: total war between humans and mutants looming over the horizon, shaking the ground with each step, getting closer and more inevitable every time someone mentions it, like a demon whose power grows every time you says its name.
But just because things are scary doesn’t mean the world's turning into a horror movie, and just because things are sad doesn’t make it a tragedy. Everyone gets to choose the genre of their life story—and Morph will always pick comedy.
He gives the hand on his shoulder a friendly pat, and uses the motion to disguise a slightly more-than-friendly squeeze. “I’m alright, just a little airsick. I think it’s making me maudlin.”
As he pulls his hand back, Logan frowns a little in confusion—he knows Morph is experienced enough in the air that he shouldn’t be getting nauseous over what are, for the Blackbird, barely above pleasure-cruise speeds.
“How unfair is that, by the way?” Morph asks. “I don’t even have a stomach right now.”
Logan chuckles. Nah, baby, don’t give it up for me that easy, Morph thinks, fighting a grin. You gotta make me work for it a little…
He needn’t have worried, though. When he does make it to the punchline, Logan laughs so hard that he snorts, the laugh-lines Morph has personally carved into that seemingly indestructible face creasing and growing deeper still. And as their friends who Definitely Weren’t Eavesdropping join in—even Rogue, so teary and congested that her laughs would sound like sobs if she wasn’t smiling—Morph knows all their attempts to hide their relationship have been for nothing, because there’s no way that all the love he feels for Logan in that moment isn’t writ large all over whichever face he's wearing right now.
That’s real enough for him.
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dearmrshudson · 1 day
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The post of saddest(?) supernatural moment gave me the idea to maka a list of my own... You know, an honest list which will not push any agenda or exclude one of the main character completely to forcefully feed to a romantic pair which does not even exist.
so here it goes-
10. Dean's reaction after Sam's death in 13x21 :
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This one is so nominal and insignificant to be in this list and not one of top moments for a lot, but this scene ripped my heart open when I saw it for the first time. It manages to show us how Dean's whole world will literally fall apart and make him an empty vessel if Sam is gone and he can do nothing about it - and Jensen manages to portray it with just a walk, two blank eyes and then one drop of tear. Kudos.
9. Church Scene in 'Sacrifice' (8x23):
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Anyone who has not cried in this scene? Perfeftly shows the core of the show, the deep love between two brothers- despite all the reasons, all the idiological differences, all the mature discussion and all- Sam is the baby brother of Dean; at the end he needs Dean to be there as a big bro, to tell him to let it go, to clutch him in his chest. Ultimately they will always choose each other and nothing else will come between them.
8. Dean's death in 9x23:
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One of the saddest death of Dean, and perhaps it comes to this list because of the build-up and drama follows this. Both had their own reasons for the tension they had this whole season, but when the tragedy comes it hits so hard that all those logics fell apart. It scares to peep in Sam's headspace at this time of dean's dying- imagine you discarding the person you love the most as you are reasonably angry with him, and in a few days he is dying in your arms when you have hardly talked out your differences.
7. Why don’t you believe in us too (14x12) :
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Probably should come much later in this list, but this scene stood out in my eyes because it was such a fresh air in the terrible plotless mimicry that SPN had become in later seasons. The scene after ages which sums up Sam and Dean, the codependent brothers whom we had forgotten. Such a long time after we see Sam the little brother, witness the emotional turmoil he was going through silently and how it exploded. The only scene which makes season 14 worth remembering. Also Jared just nailed this scene!
6.) Dead or Alive (3x16):
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This scene breaks my heart in pieces. Dean bravely going for the last fight before the horrible death he will be facing. And he trying to cheer up baby bro, he wants the last memory with his brother to be in this car- singing along together... How his face slowly glooms at the end and his eyes full of fear... Early seasons really were gems!
5. Sam in Mystery spot (3x11) :
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Undoubtedly one of the best SPN episode with perfect blend of mystery, fun, laughter, tragedy and emotion... The funny vibe of the episode ends in a moment when we see Sam is not waking up from the nightmare loop. Then we see a robot- a scary robot who only wants to get his brother back at any cost. This episode is yet another example of how Sam loves Dean just as fiercely as Dean does, and he is not any less codependent.
4. Barn scene and alone Sam (15x20) :
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God! What can I say about this!
Just want to add, Sam wandering alone in the bunker after creamating Dean hurts me equally.
3. John's death (2x01):
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Cannot forget this one. This episode happens to be another favourite of mine, and the way John sacrifices himself for his son proves that a father can go to any extent for his children. The farewell scene of John - where he asks for forgiveness and goodbye to dean without him understanding brings tears to my eyes. Such a beautiful acting by JDM and so realistic portrayal of a flawed, helpless and loving father.
2. End of Season 5 (5x22)
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The ground was set, the battle was about to begin, the ultimate faceoff between Lucifer and Michael was going to start- then what happens? A stubborn idiot boy with a muscle car and hellbent attitude comes in between- knowing that he cannot survive this- just because one of these celestial entities have captured his brother as a vessel and he won’t leave his brother alone. Till his last drop of blood he keeps on trying- trying to reach his brother who is trapped under something much bigger- keeps on telling that It's okay, he is not alone, his big brother is here. And guess what, he succeed. His brother broke free the bind of one of the strongest entity of universe and fought. The climax scene gives me goosebump always followed by a bunch of grief and saddness the ending carries. Had season 5 been the last season of SPN, and this be the exact way the series ended, I would absolutely have no regret!
1. Sammy's first Death (2x21):
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No matter how many sad scenes are perfectly executed in SPN, nothing can exceed the emotion of this one. Jensen will also not be able to exceed the level of performance be set in this particular scene. Period.
So this is it... I must have excluded many. And turns out my list is full of Sam and Dean only and I am also not unbiased 🤣🤣 Well, there are sad scenes that do not involve only the brothers and I still like them, but not my top 10. Maybe have to make list of top 11 to 20 in order to include them. 😁
Please share your favourite saddest top 10 as well.
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dovelywind · 1 year
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ꕥ| Matt Murdock || Daredevil S3E3 ‘No Good Deed’
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itsheartbeat13 · 2 years
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Something I don’t think enough people recognize when it comes to making shows more diverse, there is so much going on behind the scene that you literally can’t “just add them.” 
Alex Hirsch had to wait until the end of Gravity Falls to show that Sheriff Blubs and Deputy Durland were in love so that way the show didn’t get prematurely cancelled. And even still, that was censored in other countries. 
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The Owl House has a bisexual afro Latina protagonist that falls in love with a white lesbian. They kiss several times on screen and say “my awesome girlfriend.” It also has Disney’s first nonbinary character (Raine Whispers), their bisexual love interest (Eda Clawthorne), and an aro/ace woman (Lilith Clawthorne). However, because like five people said that TOH wasn’t the “Disney brand” the show is prematurely cancelled. So even with everything that TOH did, it only won battle but lost the war. 
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The art crew for Encanto had to fight to make Luisa buff. And when they were finally able to make her buff, Disney didn’t make as much Luisa merchandise because they thought little girls would want Mirabel or Isabela’s since they’re more “feminine.” (I think the same thing happened with Namaari when RATLD came out but I’m not sure. So don’t quote me on that.)
*Also, Luisa out preformed. So that’s a win. 
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Bubblegum and Marceline couldn’t kiss until the series finale of Adventure Time because it would’ve been cancelled. So throughout the entire series, the crew always just had to imply undertones about their past. Since HBO produced Obsidian, they were able to kiss on screen.
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Korra and Asami’s relationship had to tempt down so that way Nick could continue airing the show and they weren’t allowed to kiss until the comics. 
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Turning Red got so much unwarranted criticism because not only did Mei’s mom say “pads” but she showed them on screen. (I’ve said it before and I’ll say it again, if that made you uncomfortable, that’s a sign that we need to do this more and not less.)
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Some countries marked She Ra as 18+ because Catra and Adora kissed on screen. (Once again, I’m not sure if this completely true but Nate Stevenson had to fight to actually show them kissing on screen instead of a fade to white.)
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Steven Universe is the gayest show I’ve ever seen in my life which was both good and bad. It was good for obvious reasons. Example being that it was the first show that introduced to me nonbinary people in a way that wasn’t “haha, look, she uses they/them pronouns. She’s so funny and quirky.” 
And it’s bad because it put a target on it’s back. SU has been censored so much that it’s honestly a miracle that we got an ending. And in most of the countries that censored SU, they usually portray Ruby as a man. So I can’t imagine how bad the censors were when the wedding happened and Ruby wore a dress and Sapphire wore a suit. 
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Also, you have to remember the outdated idea that gay/trans topics are “too mature” for kids to handle (there’s an episode of Adam Ruins Everything that talks about this). So it’s easier for shows with an older audience (like Arcane) to have queer/trans rep.
Not to mention, if you ever go on Insider’s website to look at the queer/trans characters in cartoons [here], most of the characters are revealed to be queer only online and not in the actual show.
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All of this BS because God forbid that kids find out that other people exist. 
Representation is important but please, just be aware of the actually struggles that go on that you don’t see and be thankful that this is where we are now because even though it might seem like it at times remember that this is actual progress. We need to keep pushing studios to do more. I’m sure that there’s millions of untold stories that would be made if not for this prejudice. 
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ireneaesthetic · 15 days
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Pointing out little moments and details of my fav s3 scene.
choir practice scene • episode 2
this scene caught me so off guard, in the best way possible.
it only took simon's "you should do an activity you actually like" for wilhelm to drop everything and choose getting to spend more time with him!
simon's reaction at wille joining the choir was also mine: he can't believe his eyes and keeps looking back at him with the brightest smile on his face. and simon shifting wille's attention to where the song lyric is bc it's all new to him is adorable.
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wilhelm's little proud smirk between the kisses while simon is so into it: he knew and imagined simon's surprised and happy reaction to all this, but i bet he was thriving to see it up until this very moment. so he might just be thinking that he made the best choice of his life.
having to practice and wait for everyone to leave was probably torture for simon, when all he really wanted to do since wille came in was this (simon's main love language is clearly acts of service btw *cough*). he felt important, cared for, loved - and couldn't wait to reciprocate it.
also, he's holding the key chain and happens to do the middle finger with the same hand. if you look at it as a way of saying 'mind your own business' to us is quite funny.
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simon setting the rhythm and wilhelm fully going along with it. they don't even separate their lips before leaning in for another kiss - melting into it. they literally said 'no need to catch air bc we're already breathing each other in'.
simon not breaking physical contact even once. his hands are the third main character in this scene: they act like a glue for their bodies and carry so much passion. it is peak chemistry.
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going on his tiptoes to push himself as close as possible and clinging to wille for dear life is the most simon thing he's ever done. love really brings out the cuddliest version of him.
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smiling into the kisses and out of the kisses? insane of them if you ask me (i support it) (keep doing it lovers).
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wille smiling and biting his lip bc he's the one overwhelmed by simon's presence now. physical touch is his love language and he's flooded with simon's - he must feel the luckiest boyfriend on earth.
one of their greatest proofs of love has always been to provide each other's comfort by being exactly what they lack receiving from other people or what they need most of the times - it's a constant learning of how to give and take.
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they can't get enough of it: it's not even only about the kissing but more about their need to just keep pulling the other closer, leaning into each other, slowing their movements to not leg go yet but take time to touch and deeply feel instead - wille's face speaks for itself. this hug is so intimate ugh.
it's finally shown a glimpse of wille's hand on simon's back! it was always there obv but it's nice to see it more properly.
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wilhelm obsessing over simon's neck and simon who tilts his head back to make it more accessible. wille could've done it all and trace the path with kisses - simon wished - but the boy knew what he was doing!
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the way simon looks up at him and wille rubs their noses back and forth, keeping his eyes on him, gives me butterflies.
they're super affectionate and it's the easiest thing for them to do. the intimacy that comes with their whispering, their own personal space becoming one for both of them to share bc it's safer, warmer, a lot more comfortable. everything is such a manifesto of how much they genuinely adore each other - it's what makes this the it scene for me.
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their bottom lips touching are sooo *internally screaming*.
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wilhelm stands still to let simon's lips brush past his own and simon's cheek resting against wille's lips to enjoy the feeling a little longer. they look so peaceful.
it happens after wille's "i like listening to you sing": they went from "he likes it when i sing" / "i do too, don't i?" (locker room's fight in s2) to wilhelm actually telling him that listening to his voice is one of the main reasons he joined the choir. it has to be extremely special for simon to finally hear it.
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idk if it's just my mind making this up but let's pretend simon is kissing wille's neck here!
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wilhelm picking simon up by the waist to carry him elsewhere and keep the thing going more privately. that's my wille.
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can you believe this is the face of someone who's saying that he needs to go? to not miss the bus? he just looks crazy in love to me.
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wille's laugh is cute! and simon throwing his stuff on the floor bc the priority was to push his boyfriend against the lockers to make out will never not be funny.
also, @allthefakepeople once said the only thing that could've made this scene even more perfect is if simon paused when walking away and ran back to wille to steal a quick goodbye kiss - ahhh i'd have been so here for it!
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saerotonins · 4 months
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actor!yuuji & actor!sukuna headcanons
ft. itadori yuuji and ryomen sukuna 
content warnings: fluff, itadori twins au, overall cuteness, implied x reader (separated), jjk manga spoilers, characters are aged up to 20+
wc: 2.3k (jesus christ lol)
note: i miss my little actors so much lol. also, i think this is a bit too long, my bad 😭
jjk actor au masterlist
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as twin actors:
believe it or not, jjk is like one of the roles that had them cast together 
both of them usually like to play different roles in different shows because they just don't want to be known as each other's twins
love that for them, they're so real for that
but when they were cast, they accepted it since the script and plot were interesting 
yuuji is a sweetheart inside out and sukuna is the quieter one between the two, sukuna is soft for his brother though so don't get fooled by his tough persona
yes, he is the older twin LOL and always holds it against yuuji just to be petty
"dude can you get me that can of soda?""why are you ordering your older brother around? have some shame"
yuuji just rolls his eyes but before he gets up and get it himself, sukuna will wordlessly stands up and does it anyway
checks on yuuji whenever he does intense fight scenes
both of them do the stunt themselves since they ate both so physically active
education wise, yuuji graduated as a marketing major and sukuna has a degree in physical therapy 
which explains why him and his brother always practice fight scenes together and he helps yuuji with his stance and warm ups!
it's adorable really and he's so tsundere about it too
"no not like that, put your legs this way dumbass" like that typa stuff
sukuna started off as a model but was later on casted because casting agencies thought he has that great villain face
yuuji started off as a side character and really likes acting (he is the theatre kid between the two and sukuna is the quiz bee kid, their mom is BOOKED and busy) and later on recognized because he's just THAT good
yuuji is usually a romance lead or 2nd lead and a slice-of-life guy so when fans found out he will be in an action show, they are excited!
sukuna on the other hand has been casted as a tsundere in romance shows, sometimes a bully and an antagonist in action shows, but a villain that is literally so powerful??? that is so new so his fans are anticipating 
both of them usually arrive on the set together (sukuna is the one driving btw and yuuji just sleeps during the trip)
yuuji prepares both of their bento boxes btw
sukuna loves it
he can cook, but that's it LMAO
he won't admit it but yuuji is the better cook
lowkey a picky eater so yeah
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ACTOR!SUKUNA HEADCANONS:
sukuna is the intimidating one (obv) so when him and the other casts first met + the first few readings, it was sooo awkward 
turns out he's lowkey a goofy guy
has fun with his costars and helps them with fight scenes too, gotta put that physical therapy degree into good use
both him and nanami have this silent bond because whenever they're together they just don't talk and bask in the silence as they sit, they just peace amidst their crazy schedule
also an avid toji fan so when this guy found out he's in the same show with his idol he's almost shitting bricks
let out a really loud cheer when he found out and only yuuji knew about it LOL
has a deep-rooted respect towards him and it's sooo obvious whenever toji is around
he is such a fucking fangirl
he just thinks he's so badass and feels so honored to be casted in the same show as him
feels bad that he has to beat up almost everyone 😭 he is also a sweetheart deep inside
deep inside, he's such a caring and protective brother for yuuji because even though he doesn't have any scenes to be filmed, he still joins him on set whenever time allows him
he may not show it but he's sometimes lowkey terrified about fans tearing him up into shreds whenever he kills their favorite character 
imagine sukuna dripping big sweats by the time THAT episode with [redacted] aired oh my GOD he was so fucking nervous considering their fanbase is so big
yuuji has never seen his brother THIS nervous before and he's enjoying it
luckily though, not much hate happened and most of the time it's just memes and playful banter
his ass is barely on social media LOL
in the years of his instagram existing he only has like 90+ posts or even below 😭 usually it's just promotion, being an ambassador, magazine shoots— very lowkey 
doesn't have much digital footprint and i love that for him
whenever he posts, his fans are EATING IT UP since it happens every once in a blue moon lmfao
ACTOR!SUKUNA AS YOUR PARTNER:
as tough as he looks, he actually can be quite clingy, just behind closed doors though
lowkey feels bad when he has to beat up children (LMAO) and his co-actors and asks for cuddles from you for comfort
it's actually kind of adorable 
sometimes if his schedule doesn't allow him to have time to visit you, you'll get messages like "babe i just beat up megumi :(" 
since he's not active on social media, he knows some stuff online through you or yuuji
kind of a sad reason why he doesn't go online as much is because as tough as he looks, he's just a guy scared of the hate he's going to have just because he plays a villain or antagonist most of the time
he knows it's not his fault, he just knows that some people just don't know how to separate reality from acting
especially when that scene where he had to off a certain jujutsu sorcerer actor with a huge fanbase
oh boy was he so fucking scared and ran into your arms for comfort :(
he's a softie deep inside ok
when they have to go out of town or even overseas to film, he gets incredibly homesick and misses you so much 
expect a lot of "i miss you" messages, including selfies and candid pictures that he took around the set to
practicing his lines with you is close to impossible, this guy gets all blushy and shit because you're in front of him
and since most of his lines are mean as hell, he just doesn't want to be mean to you
he wants to impress you so bad but when you're around he just becomes a little high school boy with a big crush LMAO
he's such a sweetheart deep inside oh my god
when he decides he wants to post a new photo in his ig, you're the first and only person he'll ask for opinions
so this just means that most, if not all of his posts were handpicked by you
wears your matching stuff like accessories on set and gets sad when he has to take it off while filming
when he learned that his character would have face tattoos, the first thing he did was come home to you with his face makeup on (he had to ask his makeup artist to let it stay) and imitate it on your face
i have this headcanon that sukuna knows how to draw (and is very good at it) so it takes almost no effort to draw the tattoos on your face
you two then have a mini photoshoot (aka just taking a lot of selfies) with the both of you with sukuna marks on the face
it looks so cute that he made it his lock screen
he's lowkey such a sap don't let the character he's playing fool you
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ACTOR!YUUJI HEADCANONS:
THE MAN THE MYTH THE BABY
he is literally a sunshine in or out of acting
so polite and so kind it's hard to hate him (not that he is even worth hating on)
so naturally, everyone on set loves to work with him!
unlike his brother, before acting, he doesn't really know a lot of fighting stance (he's a marketing major ffs lol) BUT ever since he was casted, he doubled up on his working out routine with the help of sukuna
even invested his time learning boxing which later on paid soooo much
can literally make everyone on set "aww" whenever his script requires him so cry or even witness a gruesome death scene *cough* nanami and nobara *cough*
during breaks, him and nobara do tiktok challenges and even those kpop challenges all the time and the crew enjoys watching them do it and the fans like it too
he does it too with choso and todo
this guy literally has 3 older brothers who are protective of him it's so cute
this man is so talented, he can cook, sing, dance, act, and is pretty smart too during his university days, it's so hard not to be in love with him
the greenest of the green flags (just like nanamin!) the girls the guys the folks LOVE him so much, literally the standard 
just like sukuna, he was fangirling so hard when he found out he's going to be in the same drama with THE nanami kento
he's such a big big BIG fan 
has a fan account of him on twitter that is pretty popular but you didn't hear that from me
it's so cute when they're together because they're literally THE father and son duo EVER
has the time of his life whenever he visits nanami and his wife's house and just chill there, sometimes brings his first-year trio besties too (both nanami and his wife don't mind at all)
aside from sukuna, he sometimes practices fight scenes with nanami too!
he is so active on social media 😭 interacts with as many fans as he can and posts all the time on ig and twitter 
has a lot of cute interactions with fans too
by extension, his account is sukuna's behind the scene account LOL
since his brother doesn't post a lot, sukuna's fans tune in to his posts and stories of sukuna behind the scenes or even just some pictures of him that he doesn't post
some of it are just pics of the brothers chilling or going out
yuuji is literally the sukuna fan's saint because of the amount of sukuna content he's giving them LOL
ok but don't get fooled by yuuji's sunshine personality, because he knows how to bite too
whenever he saw hate tweets his brother is getting for playing a villain, he is quick to respond and defend his brother
lowkey a nightmare for the PR team but they know where he's coming from
and despite sukuna telling him to just ignore it, he appreciates his little brother more than anything 
ACTOR!YUUJI AS YOUR PARTNER:
one word: ANGEL
he's literally so lover coded oh my goodness
leaves you some post-it notes on the fridge every single day before he leaves to film
if the trip goes on for days he will leave at least three long love letters for you to read when you miss him and he's busy
creates personal vlogs JUST FOR YOU so if the both of you can't facetime, you'll still know what he is up to
when he was contacted to be the main character of the show, he confided in you whether or not he should accept the offer
don't get him wrong, he is beyond grateful the people think he's capable enough to be the main lead but it makes him nervous 
this is his first main character role and the pressure of it all is heavy on his shoulders 
he asked for his brother's opinion too but he trusts you enough to talk about his feelings regarding this
of course, when you said that you'll be there with him in every step and support him all the time and do everything to keep the communication between the two of you going despite his soon-to-be hectic schedule, his heart is finally set on accepting the role
you are so proud of him! your baby finally getting the recognition he deserves? hell yeah
his busy schedule was never a barrier between the two of you, yuuji never forgets to update and call you whenever his time permits and he always appreciates every cheer you have given him
type of actor boyfie to show you off his social media platform!
he posts your dates and even hangouts with each other
his fans find it quite adorable and is in love with your whole relationship 
likes to do those couple tiktok challenges with you and post them online, you guys even have shippers lol
of course, if you're the lowkey type, yuuji would respect that and will only include you in his online shenanigans when you feel like it or allow him to post it
practicing lines with you is always exciting but never productive LOL
you both just end up giggling and laughing 
in the end you just both opt to cuddle instead (or even make our LMFAO)
yuuji just feels so lucky to have his ever-supporting partner along the way
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Text
Episode 10: The Couch
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Wow @lurkingshan, it’s like you really know me! This scene is exactly what I was going to talk about for Episode 10 because the fucking TENSION put so much weight in to the air when I was watching that I could hardly breathe. 
CHRIS CHIU
THE ACTOR THAT YOU ARE
Scene Breakdown time!
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First of all, I love the little couple dynamic moments we get between Lili and San Pang, where Lili has to tap San Pang in to Yuan and Qian’s fight. San Pang arrives and in a very strategic move informed by knowing Qian and Yuan for a significant amount of their lives, he arrives with food he knows will go over well with Qian and will test Yuan’s ears (he comes down the stairs from his room to throw the food away after all). 
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Which, let’s just acknowledge that when Yuan comes downstairs and takes all the alcohol and greasy food away, the moment Yuan approaches the coffee table, Qian looks back towards the TV screen pretending he is disinterested in the situation at hand. But his eyes give him away because he keeps glancing at Yuan when he thinks he can steal a second. And stealing is what he is trying to do because he keeps his head pointed directly towards the television, while looking for half a second at Yuan out of the corner of his eye when Yuan leans over to collect the food. After that moment, Qian does not look towards Yuan again until Yuan has turned around and Qian can stare at his back. 
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It must be said. Chris is a phenomenal actor, because even without seeing his face, just the top of his head, you can kind of tell the mood that Qian is in as Yuan walks away, because he turns towards Yuan. We see Yuan look in Qian’s direction, Qian moves his head further back to look at San Pang, then looks away shaking his head. I acknowledge I’m probably reading too much in to it, but I can feel the incredulity radiating off of that head shake. 
Yuan heads up the stairs, and Qian looks towards the staircase only after Yuan has disappeared. His head movement is so much more obvious than his previous motions that it literally looks like Qian is breaking character, or like he was previously frozen and had only now been allowed to breathe. Qian’s eyes look up towards the staircase (towards Yuan’s absence), then downward as he thinks about his next move, then back towards San Pang, then down once more as he makes a decision about whether or not he wants to Start The Conversation. 
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gif by @wanderlust-in-my-soul (my savior)
Qian here is trying to check that Yuan is out of earshot because he Will Not have the The Conversation about His Feelings if there is a chance that Yuan will know about it. 
With the heaviest of sighs, Qian gives San Pang an opening: “Did you buy those for me, or for him to throw away?”  Qian asks, and once again looks out of the corner of his eye, getting serious “Or for him to throw away?” 
And there is no doubt in my mind that it is the latter. San Pang bringing food that would trigger Yuan’s care instincts towards Qian, cause Yuan to intervene, and San Pang to bear witness to the tense and angry energy from Yuan towards Qian and force the issue. I think it’s partially why Qian does not deliberate for long in starting the conversation despite his hesitancy. 
San Pang scoffs and says in response “He wouldn’t have done that if he didn’t care about you. Xiao Yuan can’t bear to leave you alone.” holds up the salad as a physical example of the care that Yuan has for Qian. 
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gifs by @wanderlust-in-my-soul
Qian gives another giant exhale and looks contemplative. Something that I do find really important in good acting is the use of internal monologue. Qian always has something on his mind that he is sitting with. And the benefit of a scene like this is that the production team, and the camera trust the strength of their actors to hold the silence that settles over the room as Chris runs the gambit of Qian’s internal thoughts. 
Qian is well and truly sitting with the acknowledgement of Yuan’s feelings from San Pang. Maybe I am wrong because I am not an actor, but I do not have the kind of intentional and conscious control over my face to have the kinds of lip twitches that Chris has when Qian is thinking about Yuan’s care for him. They may have twenty seconds of silence on screen, but that does not mean the scene isn’t still in motion. There are so many little things happening in the span between San Pang’s comment about Yuan and his next reflection on sending Yuan away. 
“Xiao Yuan can’t bear to leave you alone,” Qian turns that over in his mind, to me it’s like he’s feeling the weight of it on his tongue, in his body. Qian looks up, and then around, and tosses the remote to the side, breathes heavily again. That feels like a begrudging acceptance of the statement. At the very least it is permission from Qian to proceed with the difficult conversation. 
“Before I had Yuan leave the country, I had been thinking I was doing the right thing for you two. But seriously, be honest, did you feel empty when Yuan was away?”
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gif by @wanderlust-in-my-soul
Qian blinks twice and we cut to a flashback of a lovely little isolated frame of Qian feeling Yuan’s absence. We cut back to a close up of Qian’s face and his lip twitches. Which I love because it feels like an involuntary admission. We know Qian, we know that boy is stubborn and stoic, that he muscles through all the pain, that he does not let many people see his weaknesses. San Pang asks Qian if he felt empty and Qian does. not. move. He holds exactly the same position, lounging on the couch with his hand behind his head like he is unmoved, unaffected by San Pang’s question. But that little twitch of his lip gives him away. San Pang has struck a nerve. San Pang has forced Qian to hold a spotlight to the feelings he’s been trying to numb for the last four years. 
“Let me tell you something. When Lili and I first got together,” 
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I don’t know about anyone else, but I snorted at the way Qian turned his head to look at San Pang in warning. We still have not seen Qian approve of that relationship. And San Pang knows that he’s staring at the precipice of some truly hot water, which is why he follows up with a “hear me out.” 
Qian relaxes and once again turns to look away from San Pang. From San Pang’s position very little of Qian’s face is visible. So Qian keeps holding a position that will give San Pang as little of a chance of reading him as possible. 
“I’ve struggled too. I…I always wondered what happiness could I bring her? Was I doing the right thing? How could I face you? And then…I felt it wasn’t right. Life is too short.”
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gif by @wanderlust-in-my-soul
Again, I just have to say. CHRIS CHIU IS A PHENOMENAL ACTOR. He does not move a muscle, but you know Qian is locked in on what San Pang is saying because of how he moves his eyes. When San Pang says “life is too short” you can actually see the moment where Qian starts paying more attention to San Pang’s words, because he looks away from the TV and more downward in thought. 
“Getting hung up over it for years, would it be worth all the lost time?” 
Chris changes how he breathes here. You can see Qian take in a deep breath, but he holds it for a few seconds, he lets his nostrils flare, and then you see a large release of breath in the movement of Qian’s chest. This is really really getting to Qian. That nostril flare was not because he was breathing in. Because he’d already taken a breath. It was not because he was breathing out, because we see that happen a few seconds after the nostril flare, without his nose moving again. When Qian flares his nostrils, he is holding his breath, for a rather noticeable amount of time too. 
I love Chris because he embodies Qian so well, I can almost feel the way Qian is feeling internally in all the subtle little ways Chris plays with how Qian holds and releases tension and attention. 
“Who’s been good to me?”
Qian blinks twice, letting the question hit him, and only then does he finally release his breath. 
“Who put me before themselves?” 
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San Pang looks at Qian after he finishes asking these hypothetical questions. But Qian is still looking ahead towards the TV, trying to come across as disengaged in the conversation as possible. And San Pang notices that, and that is why he continues to talk. Because Qian is hearing him, he’s listening and processing, but he isn’t engaged. He hasn’t put his body in to the conversation yet, he hasn’t responded to anything that San Pang has said to him. So San Pang keeps pushing. 
“A lot of things are only between you and Yuan. Unless you really have something against being with a guy, Yuan’s the only one who will be by your side, no matter what. Are you really not going to confront it?”
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And I love that we pull away from that question to Qian looking like he is lying in a therapist’s chair. And Qian holds that position he has been maintaining throughout the conversation for a few seconds longer. The number of times he blinks the only indication that what San Pang has said is getting through and that Qian is mulling it all over. 
And only then, after San Pang has said all these things about Qian and Yuan’s relationship, in a way that is not judgemental or against the idea of these brothers becoming romantically involved. Only after San Pang has said that Yuan would be by Qian’s side no matter what does Qian set his jaw and push himself up in to a sitting position to continue the conversation. 
San Pang does not know what happened at Le’s gang beyond them being beaten up. So while it is highly likely that he is aware saying that Yuan would follow Qian anywhere is opening a can of worms, he does not understand how much ammunition he has just given Qian to talk about the danger that loving him too deeply has put Yuan in.
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We do not give enough credit to film actors for maintaining continuity across scenes, because this man sits up and the first thing Chris has Qian do is massage the back of his head, where the pain of his blood clot sits. I could probably sit here all day trying to talk about all the little facial expressions he does as Qian sits up and starts preparing himself to be vulnerable with San Pang. But we can leave it as merely that. Qian is getting ready to talk to San Pang about some deeply personal stuff.
Personal stuff that Qian usually does not typically get in to. Like, San Pang says he knows what Qian went through, but I do not think he does. I do not think Qian has told him about the sexual assault, or San Pang would not have been trying to throw women at Qian. 
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gif by @wanderlust-in-my-soul
“San Pang.” He pauses, and you can see the way he is still noodling, thinking about whether or not he wants to talk to San Pang about all this. And notably, he does not meet San Pang’s eye when he begins “Do you know…” Qian looks to the side, he frowns a little bit, he taps the palm of his hand against the top of the couch arm. It feels so childish and small of him in a way that really struck me. Qian is nervous, he is redirecting that energy in to his motions. In to the tapping, in to looking away, in to not having to reveal deep personal truths sitting that close to another soul. “Do you know what my biggest wish in life is? My biggest wish in life is for them to be happy,” 
Ohhhhhh how that breaks my heart. Qian has suffered so much, he has done so much, he has survived so much. If you were to ask me, I would bet that Qian has never been happy. He was forced at a very young age to take over the role of caregiver. He is both a brother and a father to Yuan and to Lili. And it is a testament to Qian’s love for his family, and the pain he is willing to put himself through that Lili is so bright and vibrant and naive about some of the workings of the world. I believe that Lili is happy. I believe that Qian has succeeded in at least that much. But that is not something he has had a chance to do. “Even if the world comes down, I’ll hold it up.” I have not forgotten that line from last episode. Qian would hold the world together if it meant ensuring his sister’s happiness. 
I do not know what it is, but there is something in the way Chris moves his mouth after he says “My biggest wish in life is for them to be happy,” that just absolutely destroys me, because he makes himself look like this is such a huge confession. 
“Mine is the same.” 
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gif from @wanderlust-in-my-soul
“I just want them to grow up healthy and happy, because I’m their big brother.” Qian’s words become so breathy and he’s jabbing his finger straight in to the arm of the couch to drive home his point. These are the words that matter, this is the wish that matters. Qian’s feelings, Qian’s happiness have nothing to do with it. If he’s empty so be it, as long as his siblings are happy and healthy he will wound himself a thousand times over. His fucking face here, once again is just…When Qian takes in a breath, it is shaky. You can tell by the movement of his jaw, which looks like it is moving from side to side a little bit. As he approaches the end of his sentence, it feels like he is trying not to cry. 
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gif by @wanderlust-in-my-soul
Yuan’s life might be summed up in two words: Wei Qian 
But Wei Qian’s life is summed up in five: 
Because I’m their big brother. 
“We grew up together. You think I don’t know how hard life’s been on you? But you know that Yuan’s feelings for you are different.” 
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Qian looks away incredulously, and there is something else there too, I think. Something in the way that Qian’s eyebrows furrow, the way his mouth hangs open, the way he breathes out. I don’t know that he can really believe that this conversation is happening right now. That San Pang would let these words reach the light of day, that he would acknowledge them so openly, so matter-of-factly. 
“We’ve tried everything. We even sent him abroad for years. You were miserable every day. You love him and he loves you.”
We get more of Qian’s thinking face here as San Pang says these words, his mouth agape, his breath quickening, his eyes moving back and forth as he sorts through his own thoughts. 
But I need to acknowledge San Pang. He has such an intriguing connection to Qian and his family. San Pang has power of Qian, because his parents are Qian’s landlords. He and Qian have been best friends for a very long time, and even though I think it is true that San Pang likely knows the most about Qian’s life history, he does not know it all. He is still, in many facets of his life, acting like a kicked dog and backing down every time he tries to push back against Qian now that Qian knows that he and Lili are together. But when push comes to shove. When Qian’s happiness is impeded, when Qian’s health is at risk, he will tell Qian what Qian needs to hear. 
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Whether or not Qian is truly having a hard time parsing through his feelings for Yuan doesn’t matter to me as much as Qian getting permission from multiple people to actually pursue the relationship. In acknowledging all of this, San Pang, the man who at one point told Yuan he could like anyone but Qian, the man that sent Yuan away for four years, is telling Qian that it is okay for Qian and Yuan to be together. He is the external judge that is finally accepting this taboo relationship, because he knows that if he does not show Qian that it is okay for him and Yuan to change from brothers to lovers, that neither Qian or Yuan will have any chance in hell of long term happiness. 
“Even if you’re not together, he’ll be sad to see you sad.” 
Off come Qian’s glasses. Shit is getting serious now. Qian rests his head on his hand, he looks away from San Pang. He really sits with it, you can see the emotions rising up in him, in the way he breathes, in the way his nostrils move, in the way his lips tremble for a second before he speaks. 
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gif by @ueasking
“I’m scared, you know?” he turns to look at San Pang, and he sucks in a huge breath through his nose. It’s the first time we’ve seen him breathe so obviously that way throughout the entire scene. GOD, QIAN KILLS ME. 
“You haven’t even tried. What are you scared of?” 
And this is the fascinating thing for me, right? Outside of Yuan, San Pang is Qian’s best friend, but they do not have conversations like this that often. San Pang has tried time and again to start the more serious conversations, to act as an emotional support for Qian, but Qian brushes those conversations off as much as he can. San Pang knew the medical issues, he knows the history, he knows about the pieces of Qian’s life that Qian can’t hide. But he does not know everything, Qian does not usually let himself be this vulnerable with San Pang, hell he hasn’t even told San Pang everything that happened with Le’s gang. He’s about to, but that is only because he is trying to make a point. 
I think he is only having this conversation with San Pang, only admitting he is scared, and confused about his feelings for Yuan because he has literally no one else to talk to about it, and he’s starting to break down to the point that he can’t hold it all in by himself. And San Pang keeps pushing. 
“You know he went to find Le by himself that day?”
“I know.” 
“He was surrounded and beaten by six people, and in the end…”
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gif by @wanderlust-in-my-soul
He sucks in a breath. It takes him a moment to find the strength to form the words, so he forms a gun shape with his hand, which he points quickly a few times to fill the silence and the stillness in the room as he finds the shape of the admission on his tongue. He accentuates the severity of the memory with one final large motion. 
“...they pointed a gun at…” 
Ah, and there it is. The real reason behind Qian’s comment about wanting Lili and Yuan to be happy and healthy because he’s their big brother. Qian will not act on his feelings for Yuan, especially not right now because he is feeling guilty. Not just for sending Yuan away, not just because of the letter, but because Yuan’s unwavering loyalty, protectiveness, and love for Qian got Yuan hurt. Nearly got Yuan killed. Again. 
Qian’s whole world, his entire drive was shattered the day Yuan confessed, when Yuan told Qian that he was suffering. Yuan’s love for Qian was hurting him. But Qian just wants Yuan to be happy and healthy. The chance at having that world again was nearly destroyed with the realization that Yuan almost died abroad. His world was made complete again when Yuan returned home. And it was very nearly destroyed once more when Yuan walked in to that gang in hopes of protecting Qian. 
There is pain in witnessing the kind of love someone would die for. 
Qian can put himself in danger for the sake of his siblings, because from my perspective, Qian never thought his life had much worth. His formative years were filled with horrific abuse, assault under the guise of love, pain, suffering, doing terrible things just to survive. But this is all because he cannot see the forest through the trees, of the life that he has built, of the home that he has built, of the safety that he has built for his siblings. 
Yuan is not allowed to believe his life is less important than Qian’s because no one has ever thought that Qian’s life was more important than theirs. 
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“Fuck, you- you’re telling me that now? Then, you…Right now, you…So, you’ve lost…”
Another quick shout out to San Pang, and moreso to the writing for San Pang that they don’t always let him have these brilliant speeches. He was able to navigate the beginning of this conversation because he knew mostly what he was walking in to, but with the reveal of Yuan and Qian’s near death experience, he is fumbling. 
The camera cuts back to Qian. I’d say Qian is listening to San Pang, but not fully present. Chris is doing so many things with his face in that moment. His nostrils are flaring, his lips are tightening like he’s trying to hold something back, he’s rocking his jaw from side to side. 
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gif by @ueasking
“So, this isn’t a decision I can make so lightly.” He is almost crying now, he won’t cry, I think the only time we’ve seen him cry is when he was staring the prospect of Yuan’s death directly in the face during Russian Roulette and when he was hugging Yuan afterwards. But you can see the growing frustration and the threat of the tears very clearly on his face. Qian emphasizes the statement by once again jabbing his finger into the couch. 
“I have to consider the future.”  
“Do you want him to have a future without you?”
Let me tell y’all the way I collapsed under the weight of that question…it is no wonder Qian, notoriously quiet Qian, immediately shuts his mouth. I appreciate how much San Pang is willing to be the sacrificial lamb, because that is exactly the question that Qian needed to hear. That is exactly the reality that Qian, Yuan, Lili all face if Qian does not get his blood clot treated. A future without Qian in it. 
Qian needs to know exactly what he is doing to the people he loves by continuing to delay this medical treatment, but San Pang had to know that in asking it, it would only make Qian retreat back in to himself. Which is what Qian usually does. It was a miracle in it’s own right that San Pang was able to get Qian to voice this many of his concerns, to tell him the entire truth, to talk to him about the fear. 
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gif by @ueasking
Qian closes his eyes, he lets the blow of the question absorb in to him, and he nods his head. Which, in my opinion, is a brilliant choice because the way he nods does not read to me as a confession that yes, Qian does want Yuan to have a future without him in it, and more so is an admission of defeat from Qian. But because we don’t get verbal confirmation either way, we do not, San Pang does not, Yuan does not get any confirmation one way or the other about what Qian is thinking. 
Qian just nods, lets the silence hang one moment longer, and kicks San Pang out. 
“Go home.” He says. But there is a more promising follow up “Let me think about it.” 
Which feels like the only thing Qian has really been doing for the last four years, but we’ve already established, that boy is about as moveable as a brick wall, and he and Yuan both serve to lose a lot if this goes wrong. 
And there you go @lurkingshan! 4103 words on the mouth twitch, nervous body language, and tears in this scene :D
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ladyriot · 2 months
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Once upon a time, I used to believe that the reason I read Rizzoli and Isles' Dean arc as queer was the way he came up in the fight that Maura and Jane have in the first episode of season 3, wherein Maura directs specific vitriol at Jane's "boyfriend" in her anger at feeling betrayed when Jane shoots Paddy. I've realized recently that it all starts much earlier. As in... the literal first episode. And it's actually, subconsciously, been one of the major reasons I ever interpreted Jane and Maura as potentially queer for each other.
In Jane and Maura's first scene on screen together, Dean makes an appearance that reveals a tension between the two women and plays off of their earlier intimacy.
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First, Maura and Jane display their close, intimate relationship as they survey the crime scene. Both Maura's immediate defence of Jane as she chastizes Korsak for not warning her it was a Hoyt-like crime, and Maura setting Jane's broken nose present them as intimate.
This is placed almost immediately next to their meeting Dean for the first time, reinforcing him as a stranger, even an interloper onto that scene of intimacy. Maura indicates her interest in Dean non-verbally (which reads as intimate too), and further, she reads the potential for Jane's territorial behaviour to emerge and both gives a little warning and phsyically steps between them.
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Because of Maura's displays of intimacy and knowledge of Jane, Jane's response of outright aggression becomes more meaningful. Her posture shift does not only indicate a desire to threaten Dean's intrusion onto her crime scene but also Dean's intrusion into her intimate connection with Maura. Jane slants herself as if she's offended she's not an option.
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Um... what is that thing about how you point your feet at the person you're most engaged with in a social situation? There has to be some meaning about where you point your pelvis...
Anyway, later scenes show us what Jane looks like when she's inviting romantic attention from men, and that involves her making herself smaller, making herself look less sure and aggressive, and leaning into traditional femininity. It's quite the opposite of what she's doing here, which I read as laying a claim... on the crime scene but also on Maura.
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This is fascinating because, at first, I'd mistakenly believed it was Maura's queer jealousy that cropped up first, but this reading actually presents the opposite scenario.
This kind of framing comes up again, in this same episode, when Jane flees her apartment to stay at Maura's for the night. In Maura's guest room, Jane spies to see who Maura's nighttime visitor is, and then they have that exchange on the bed. The question of Maura's potential attraction to Jane comes up in the same brief span as the question of whether or not Maura has ever had a crush on the same guy as her best friend, intermixing these two potential attractions in such an interesting way.
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It's almost like Jane is giving mixed signals here. She's asking Maura if she's attracted to her only in joking terms... because for some reason she doesn't feel like she can ask it seriously. But as their conversation turns towards Dean, and their supposedly shared attraction to him, I'm instantly reminded of the concept of some of Eve Sedgwick's work on homosociality and erotic triangles and how those theories have impacted my own understandings of love triangles in media. I'm going to way oversimplify it here, but essentially when two people of the same gender are vying for the attention of the same different gendered love interest, I'm more interested in the bonds presented between the two of the same gender — whether it's rivalry, intimacy, potential sexual attraction (especially when it's wrapped up in taboos, social norm violations, and repression), or some complex mix of the three. And just, wow, this connection between Jane and Maura is ripe for that kind of reading. It becomes really easy to read Jane's "pursuit" of Dean as a way of attaining conventionality through a connection that also engages her potentially unconventional attraction to Maura (and a resistance to admit that) by being with someone Maura finds attractive. Jane isn't really showing attraction to Dean, but she is very much going for the closest conventional relationship she can that partly expresses her repressed, "taboo" attraction. (I wonder now if this contributed to my reading Jane specifically as a lesbian, rather than bisexual, through most of the series, but that's a bit besides the point).
Doesn't this just make it so interesting how Maura had physically insinuated herself between Jane and Dean?
It's also significant for me that when Jane does pretty herself up with lipstick to go see Dean, she rebuffs him and is consistently iffy about him despite the so-called attraction she admits to Maura. It's also very much giving that repressed queer experience of having a crush on a girl and being so jealous of her relationship, but not being able to conceive of yourself as queer, so mistaking that for a crush on her boyfriend. You know?!
Later on in the show, when Jane is with Dean, there is still so much to this dynamic. Maura calls Jane on a date with Dean and she immediately runs to meet her, choosing her, prioritizing her. It's what makes it so sick-inducing when, after Maura reveals that she doesn't know if she wants Jane to catch Paddy, Jane goes on to tell Dean the FBI agent with a hard-on for catching criminals at all costs about his presence in Boston in a specifically romantic scene. You know, which then causes a chaotic scene that requires Jane to shoot Paddy after feeling up his daughter to set her up on a sting... There was so much wrong with that, I'm honestly surprised there was a moment in Maura's tirade for her queer jealousy to slip in, but it does.
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Hell if they're not in big fat queer love with each other, whether they admit it or not.
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bluginkgo · 5 months
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Another Nuzi rant. Don't mind me
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Spoilers, duh
Since I've already done a quick character study/nuzi rant from N's side. Here's one from Uzi's side!
This is probably gonna be just me repeating things people have already said... again. But I love Uzi. (Just like every other character in Murder Drones, honestly.) But Liam did a wonderful job of making an angsty, emo girl, borderline maniac that we know as Uzi. Her character, to me at least, never became the annoying overdramatized and overused stereotype that follows her style. She has real reasons for being the way she is.
A loner, whose dad loves nothing but doors. School is not different, as her classmates pretty much forget about her existence on a day to day basis. No one to talk to, no one to connect with, gives her the angsty side that I absolutely adore. Because underneath all of that toughness is just a lonely little drone who was left by herself since early age. But guess who comes in and busts down those walls (literally and figuratively)?
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Our good boi N! Despite their rough start, N never really gave Uzi a reason not to trust him. Their chance encounter, and a broken sensor, allowed them to have the talk that might have never happened. Their beginning might have been a lucky accident, but for the rest of the season, we can see how both sides had to work to make well... Nuzi work!
For Uzi, asking for help is like asking for a death sentence probably. After being on her own for so long, she doesn't expect anyone to help. With that information in mind, the first time she let's that wall crumble was episode 2, Heartbeat.
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"Uzi, shoot! Or give it to me!"
Granted, we all know that was not our N. But in that moment, when Uzi was in an enough distressed state, she sought help in N. We all know how that ended, though. Absolute Solver took advantage of that and almost killed her, before N once again sweeped in to save her. The one and only notorious Nuzi misunderstanding was, for better or for worse, cleared up pretty quickly. Seeing as glitchproduction only has so much money at their disposal, they can't really drag this ordeal out. Personally, I'm glad that it didn't. The long drama that is just a misunderstanding after misunderstanding gets quite tedious to follow.
So, moving forward in The Promening, Uzi once again seeks out N when she's in distress. When she sees and hears about what Doll and Lizzy were gonna do, she books it to the only person she knows can help her.
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N! Now don't get me wrong. Uzi, by herself is plenty strong. She's shown off her fighting and capabilities, and would have probably been able to take V on. She's taken J down before, aaaand Uzi does technically also take V down in Cabin Fever. But she still went out of her way to go find N. So they could work together and get this mess sorted out.
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And then there's this. God I love Cabin Fever, and surprisingly no, not for the Falling.... for you? scene. No, I loved the entire Uzi going on murder spree because she can! The music was such a banger too. But back to Uzi. She recognizes V and briefly snaps back to her usual self. Curious isn't it? N and Uzi both tried reaching out to V, but because V is so untrusting (and we all understand why from ep 5, Home). Here Uzi tried to ask V for help... in form of N.
I find it interesting how ever since Uzi met N and V, she's been getting better at asking for help. Sure, V shot her down because, once again, V was scared. Uzi was turning into the monster that only Cyn has been capable of creating. This soon leads to N yeeting Uzi into the f*cking stratosphere and the two have a chat.
I love how the animators included Uzi hiding behind her bat wings.
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Her metaphorical walls were back up. And guess who broke them yet again.
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The bestest boi N! And ever since this moment, N and Uzi are way more open.
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Episode 5 was taking place in N's memories. But episode 6 is where their trust and care shines. Yeah, sure, there was the hand holding. And it was a big moment! But I enjoyed the little things more. Uzi checking in on N, nodding at his little comments and jokes.
Summary: I love Nuzi. Send help they're on my mind 24/7.
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alicerosejensen · 14 days
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I love your page so much omg. I‘m literally obsessed with your work😭🙏🏻🙏🏻🙏🏻
Also I have this imagination in my mind going on about how Leon would try to help his girlfriend from recovering from her mental health issues since she’s always helping him. I was recently thinking about how he would react finding her not moving on the bathroom floor and trying to bring her back! I rewatched American horror stories and the scene with tate and violet in the first season episode 6 (ig?) is always in my head. I‘m still recovering from my past and my unhealthy habits and tbh recovery never felt better.
If this is too much for you or triggering please ignore this.🫶🏼❤️
I had a terrible period in my life when I was a few steps away from doing something like this in my life and unfortunately this shit often comes out. I'm not sure that such texts help me work through my psychological traumas, which were, in fact, inflicted on me and continue to be inflicted by close people who do not consider me a person, but at least such works help me to vent my pain, which I cannot permanently bury in myself.
I have been postponing this request for a long time because I was probably waiting for the right moment to write this text.
There are mentions of suicide, psychological trauma, severe self-doubt and anxiety, so if this is not acceptable to you, then please just block it.
Perhaps there is a similarity with my previous texts, but I am writing this with strong emotions now that I am trying to cope with it again.
the text is chaotic, I repeat, written while I was under the influence of strong heavy emotions. Maybe I'll delete it later, when my brain gets back to normal a little bit.
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If a songbird doesn't sing well, they wring its neck.
Maybe it was the costs of Leon's profession and the result of his constant missions, after which something human is gradually dying in him despite the constant struggle to save everyone. Raccoon City was supposed to teach, if not to survive, then make him begin to understand that some are doomed to die.
Leon Kennedy was taught not to offend, but to protect the weak, especially weak women. But it is difficult to calm the flow of disordered thoughts and put aside the fear that has seized him in order to clamp bloody wrists and apply something to them to stop the blood. Leon knew many strong women: Ada was perhaps the first among them, he did not know either her past or her real name, only the present that pushed their foreheads against each other; Claire, a fighting friend of misfortune that he met in that ill-fated city; Ashley, who turned from a baby eagle into a proud eagle; Angela Miller and others…
Your strength dissolves in the water, coloring it scarlet while your heart stubbornly still beats, let the rhythm noticeably shorten.
In truth, over the past few months it became clear that this was the only way out. When even your loved ones considered you an expired product and did not hesitate to remember this and remind you every time. In the end, their words turned into an obsessive worm that settled in your head, slowly day after day, month after month, devouring you and the circumstances seemed to be not in your favor. Instead of support, you somehow faced reproach, as if the universe was screaming that you were an wrong person, nature's mistake who had no right to live.
Escape attempts were doomed to failure. At first you tried to suppress it in yourself, helping Leon, because, in your opinion, he was the only one who had the right to complain about life, although he did not do this in front of you, because everyone said that you had no problems: you have everything limbs, there are no fatal diseases, all loved ones are healthy and there is a roof over your head, as if this is enough to not fall for nonsense and not walk around forever with a sad face.
This was the last time you shared your experiences. You didn’t even bother telling Leon, but everything inside was torn from constant pain. The feeling was as if you were being beaten by two extremes that led you to the edge of an abyss where you ultimately voluntarily jumped.
no, you really loved him, it was just other people’s words and your own speculation that convinced you, despite your strong relationship with him, that Leon would find someone better, someone more confident in himself, someone who would not be you because you had already missed the chance for a good life because it moved too slowly. Ultimately, a couple of sips of alcohol with sleeping pills and a sharp blade in his hands simply promised to correct the mistake in the form of you with your own hands.
You didn't have the courage to do it any other way.
But you really didn’t think that if you could try to open up to your loved one, you would meet support and not condemnation. Perhaps in a mad world he would be the only one who would heal your wounds as you healed him in your time. Leon clenched his teeth, feeling tears flowing down cheeks, seeing these crimson stains, when he pulled your body out of the bath, holding you close to him, repeating “I’m holding you. It's allright"
He so carefully laid you on his lap, managing to pull out a first aid kit and then bandages to tightly, albeit carelessly, wrap them around your wrist in order to somehow stop the bleeding. At least you were still breathing, thereby giving him hope that everything could still be fixed. the darkness and emptiness came to life, calling in a whisper to dissolve into eternal silence where there is no pain or condemnation. Your body will be in a grave under a gray stone, while the remains of your soul will float like a small grain of sand in infinity.
For Leon, everything happens in a fog; he tried more than once to save people, but he had no right to lose in this battle, even if you yourself surrendered to death. Shaking his head, brushing away the tears, he wrapped your body in a large terry towel, kissed your temple and picked you up, trying to somehow warm you, pressing you closer to him. the ability to provide first aid in the field and pull suicides out of the other world is not the same thing. Leon would have thanked God if he had believed in him, convinced that blood loss was the least of the evils that you had caused yourself, until he saw the remains of some substance at the bottom of the glass that stood on the table along with an almost full bottle of alcohol.
You really didn't give him a chance.
The ambulance took several minutes, which seemed like an eternity. In fact, Leon wasn't sure if it was worth trying to make you vomit when you'd already lost so much blood that it was already seeping through the bandages. Surely you would need a transfusion and Leon is ready to give you all his blood if only you would wake up. Holding his breath, he carefully looked at your chest, watching whether you were breathing and fortunately, your heart was still beating, slowly, but it was still fighting for life.
He stroked you on the head, kissed you, promised that he would take you somewhere else, quiet, where no one would dare to offend you, even if it was your family. You could have just asked him for help, just cuddled up to him and he would have protected you from other people’s attacks, but you preferred to remain silent. Kennedy was tired of waiting for the medical staff to let him in, although relatives should be allowed to see the patient first, but the position of a government agent sometimes had its advantages, and they concerned not only the high salary. When he was let in to you, it seemed to him that you had become half your size while you were lying on the bed, curled up under the blanket. It didn’t work out to pull off a beautiful suicide, which meant that soon angry relatives would come here with new sweat of bile especially for you. They won’t care about your feelings, but Leon sat down next to you, trying not to intrude too much into the space in which you imprisoned yourself, as if this blanket cocoon could be a separate world where you could hide. He spoke to you carefully, hating himself for not being able to understand in time what was wrong with your behavior; perhaps if he had been more attentive to you, the incident could have been avoided. You would see a psychotherapist, take a course of medication, and your environment would definitely be taken care of.
You cry, not letting him come to you, hating how you weren't just left to die and how much you hate this world. Hysteria after hysteria, nervous breakdown after nervous breakdown, in the hospital you repeatedly tried to commit suicide, but the attentive staff managed to prevent this before you inflicted fatal injuries on yourself, and if after some time Leon still managed to carefully break through your armor, then your loved ones This did not concern relatives in principle. You only allowed one person to visit you while you were undergoing psychological treatment and you behaved calmer and calmer, listening to the velvety words that soon all this would be behind you.
“We’ll go home soon,” Leon smiled, gently holding your hand and kissing your forehead, just glad that you’re alive, that you’re breathing and that your psycho-emotional state is slowly but improving. “You know, I have a surprise for you, I think you’ll like it when we get home.”
Soon what happened will become another nightmare in his life, a blessing with a good ending, but for the sake of this happy ending, Kennedy is ready to descend into hell at least every day.
You nod at him and smile a little, fearing that the gift is some kind of party on the occasion of your discharge. In fact, the last thing you want is to see someone’s faces, especially those who diligently hammered into your head how insignificant you are. Why do you even hope that the doctor will postpone your discharge, but the plans for your further treatment were completely different.
On the other hand, after taking antidepressants and psychological help in a special medical institution, how many men are ready to stay with their girlfriends who have been there for several months? For Leon, it seems this was not a significant problem, or he simply carefully did not show it. However, there were no parties, no calls, you simply returned now to his home where there were new interior items. it became somehow more comfortable... but something else surprised you.
Puppy. A small puppy of a couple of months old ran towards you and Leon to meet both of them, but stopped and began sniffing your shoes, while something thawed in your heart.
“Animals seem to help us well, They feel when we feel bad, it seems to me a good idea to get us a little companion,” Leon said quietly, stroking your back while you were busy with the puppy, rejoicing at the little living soul who will love you with the same pure and devoted love.
Ultimately it should have a happy ending too. Leon is ready to go to great lengths so that his beloved songbird starts smiling and singing happy songs again, even if it is necessary to remove other birds from her family who sleep and see how to pluck all her wings again.
You and he also have a chance for a happy ending.
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heartsoji · 1 year
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omg hello! since requests are open and all, I want to request kenma, Suna and atsumu and Oikawa with a reader who gets happy over the most childish thinsg
I got a shadow the hedgehog plush backpack from one of my brothers and I was so happy for like a week straight
HQ BOYS WITH AN S/O WHOS LOVES CHILDISH THINGS
a/n: THIS IS LITERALLY ME. i still watch disney movies and kids shows bcs they're just so nostalgic and wonderlicious
warnings: suna's is a little ooc but wtv im in a fluffy duffy mood
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suna, atsumu, and oikawa x reader (separate)
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S. RINTARO
he finds it so cute
he loves how he can give you something like a plushie or a lollipop and you get all happy and smiley
he just loves it. he loves you!
he's addicted to the way your eyes light up and brighten the room when a funny scene comes on in the kids show you're watching
literally anyone could see the way his eyes soften whenever you get all happy over something childish
he just finds it so stinking adorable
but ofc, he also has to tease you about it
its all in good fun, he loves it so much
you giggled happily and twirled around with the cute little plushie that rin had just given you. it was soft and fluffy and warm and had the cutest ears and just made you so happy.
unbeknownst to you, rin was staring at you lovingly with a tender gaze, wondering to himself how he got someone so cute.
you were the light rin needed. when he got down and dark, you were the light that pulled him back up. and he found the fact that you loved stuff like this SO CUTE
contrary to what he was thinking, he smirked and began to tease you about it. "it makes you that happy? what are you, a baby?"
you beamed. "your baby!"
he cringed slightly, but then let out a loving sigh as he curled an arm around you.
"i guess so."
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M. ATSUMU
he loves everything about you, and that includes your love for childish things
whenever you have a cute reaction to something childish, he has to fight the urge to spin you around in a tight hug and pepper your face with kisses and tell you how cute that was
he fails most of the time
he doesn't really think its weird or tease you about it or anything
i firmly believe that atsumu still sleeps with his childhood stuffie, so he thinks its cute that you guys are kinda similar in that aspect
also, hes just a ginormous child, so uh
it was a peaceful sunday afternoon, and you guys were watching bluey together. then, during the magic xylophone episode in the scene where bluey's dad played bluey like a piano and tickled her silly, he paused the show and quickly pounced on you and dug his fingers into your ribs.
"you're MY magic xylophone! ping ping ping! ping ping! pururururuing!" he shouted, kneading and knocking at your ribs
"tsuhuhumu, stahahap!" you giggled trying weakly to fight his hands off
"hmm.. i think that i should get some more practice in, don'tcha think?" he teased, continually prodding at the sensitive area.
"NAHAHA TSUHU- *HIC!*"
you both paused at the little hiccup you gave. it was silent for a moment before atsumu grabbed you and spun you around, laughing as you giggled and "wheee!"'d.
"yer so freakin' cute im gonna die!" he laughed as he peppered your face with kisses.
you giggled as you two settled back down on the couch together, cuddling up with each other and your favorite stuffies.
he sighed contentedly as he leaned his head on you, melting into your warmth as you did the same.
he honestly loved moments where he could be childish without being judged like this with the person he loved most in the world. (he internally apologized to his ma)
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O. TOORU
little brat but its ok
he really likes bubbles, as do you
sometimes when its nice out, the two of you will just blow bubbles and just watch in mesmerization
(sometimes in the shower too!)
hes also really into disney
he hid it before, but once he started dating you, one of his favorite at-home date activities is watching disney movies together!
frozen is his fav
he knows all the lyrics to all the frozen songs and sings along everytime
hes your little princess
"LET IT GOOOO" tooru screeched in your ear. "LET IT GOOOOOOO! CAN'T HOLD IT BACK AAAANYMO-O-ORE"
"LET IT GOOOO" you screeched in his ear. "LET IT GO-O-O, TURN AWAY AND SLAM THE DOOOOR"
"I DON'T CARE"
"WHAT THEY'RE GOING TO SAY"
"LET THE STORM RAGE OOOOOOOOON" tooru held the high note, his voice cracking a couple times.
"the cold never bothered me anyway" *hairflip*
you two plopped your butts back down on the couch heavily, tired and out of breath from the karaoke session.
"you did really well, princess" he complimented, voice breathy.
"you... you, too." you replied, "princess."
"HEY" he cried, clinging onto you. "i'm your PRINCE, remember?"
you grinned. "i think princess suits you better."
"y/n-chaaaaaaan!" he whined, shaking you, "you're so mean!"
you couldn't help but laugh at his childish antics, hiding your face slightly with your olaf plushie
"i love you."
you stopped short, giving him a curious look.
"you're the one for me."
you simply smiled in return. "as are you for me."
"Y/N-CHAN LOOK! ITS THE PART WHERE THEY MEET OLAF!!"
"OH MY GOD I LOVE THAT PART"
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𝐋𝐈𝐊𝐄𝐒, 𝐑𝐄𝐁𝐋𝐎𝐆𝐒, 𝐀𝐍𝐃 𝐂𝐎𝐌𝐌𝐄𝐍𝐓𝐒 𝐀𝐑𝐄 𝐆𝐑𝐄𝐀𝐓𝐋𝐘 𝐀𝐏𝐏𝐑𝐄𝐂𝐈𝐀𝐓𝐄𝐃
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Text
Round 1 - Side B
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Propaganda below ⬇️
Matt
Matt's faith in the show is really important and well explored; one of the first scenes of the show is Matt going to confession (or, well, talking to his priest since he's not really confessing at that point). Matt struggles a lot with what he's supposed to do; everyone's telling him to kill the villain and he kinda wants to, but he literally says: "I know my soul is damned if I take his life". He struggles with his faith and goes with his doubts to his priest, and it's beautiful—also when he finally gets a costume for his vigilanteing he chooses to dress as the devil, lol. (His priest tells him that nothing makes people run to Church faster than the feeling of having the devil on their heels.)
a lot of the show is about how he justifies his vigilante actions with his faith, and whether he's doing the right thing in trying to help people or just using it as an outlet for his anger. the literal first scene of the show has him in a confession booth talking to his priest (who is a really interesting character too). this is not the scene I was talking about but it's such an excellent scene with matt talking to his priest: https://youtu.be/XHZ3NbEIDdw
canonically catholic but dresses like a demon to be quirky
honestly i dont wanna type too much but i feel that matt is a great example of someone who battles with his faith because he rarely loses his faith but rather fights with why he was made the way he was and put through what he was. He believes himself to have the devil inside him but believes that God put him there
ok in the comics barring the most current run matt has Mostly been a non-practicing Catholic that very rarely actually does any catholic Activities but ends up falling back into the Mindset and very occasionally dramatically taking confession (ex. in that one issue where he takes confession, basically tells the father that he is uniquely terrible and is thinking about violently murdering someone and when the father says "you can be forgiven" hes like "AUGFH-- NO!!!!!!!!!!" and runs out) when he's gone through some shit. and i love that its so relatable
hello its me cct organizer. i have to come clean, i made this tournament because i need matt to win something. i dont think hell win the sadboy and he lost the ginger tournament and >:( hes my favoritest guy ever. Also @ who said he has religious trauma is wrong and i will fight u about it (nicely) on my main @usaigi
This guy so catholic he spends an ungodly amount of time just chilling in the church. And goes there whenever there is a moral conundrum about killing people being Bad even though it would solve a lot of problems and stop said people from killing other people. This happens every other episode. Matt is the Catholic Guilt Guy. There's actually a lot of catholic stuff in the show as a whole. Just a compilation would be like three whole episodes long.
Hes great hes catholic enough to not outrught murder people but not catholic enough to not fuck before marriage hes a bisexual disaster at all times hes besties with a priest might i add hes great hes my special little guy
his catholicism is a huge piece of his characterisation he was raised by nuns in a catholic orphanage, the first scene we ever see him (as an adult and not a flashback) is him going to confession, he is good friend with his priest and has regular debates with him, etc also in s3 he has a huge crisis of faith after he lost A Lot where he stops believing for a while and it's linked to his identity crisis where he actually wants to kill another person (a hard line he previously chose never to cross) and wants to be only daredevil and not matt murdock, when he is both and needs both to exist also when he was a kid his grandmother used to say "watch out for the murdock boys, they've got the devil in them" and it created a surprising lot of his issues
So he's both catholic in the comics and the show but he's More Catholic in the show. Like, raised in a catholic orphanage by nuns (ONE OF WHICH IS HIS *MOTHER*), second scene in the show has him in a confession box kind. Matt Murdock goes out and gets the shit beaten out of him nightly and also beats the shit out of other people and purposefully leaned into devil iconography as his theme. When his nurse friend says, he takes a lot of punishment without one complaint he says "That part's the Catholicism." It is a Core Aspect of his character (at least in the show). He makes me insane. Also the same chemicals that blinded him created the teenage mutant ninja turtles and everyone should know that.
They went to confession to a priest who they had saved as their costumed counterpart and the guy recognized them by the voice, proving that it's possible and everyone else is just dumb
he takes "i wanna fight god" to new and incredibly violent levels, while also being a sweetheart and a goofball
Actually strictly WILL NOT kill criminals. Goes wayyy out of his way to avoid it. Fights with the Punisher about it. Goes to confession booth after nightly vigilante excursions. Feels so much guilt. "How have you been holding up?" "Like a good Caltholic boy" "that bad huh" - actual conversation with his priest
So Daredevil struggles with his mission as a crime fighter because killing criminals goes against his faith. He makes it a point to not kill criminals, believing that even bad people deserve a second chance. This philosophy puts him at odds against The Punisher, who is a relentless killer. As a Catholic myself, while I love the concept of a morally conflicted superhero, I think the worldbuilding around Daredevil is lacking. If he struggles with violence and killing, why doesn't he pray to warrior saints like Saint Michael, Saint Ignatius of Loyola (a former knight), or Saint Joan of Arc? Why isn't there a community of other Catholics he can turn to for guidance, considering New York City has a sizeable population of Catholics? And why are the churches he goes to always empty? Doesn't he know that the Catholic Church supports the just war theory? I think that would have made his burden more bearable.
He goes to church and confesses to punching people and says "imma do it again can i apologize in advance" and the father dude says "no you're meant to stop now" and Matt says "no" and they do this everyday. I'm not remembering it properly but this is a canon interaction i swear
HELLO HI YES I LOVE HIM AND WILL INFOR DUMP ok so. he is a vigalantty and he got named daredevil and he is an orphan and after the age of 12 was raised in an orphanage at a Catholic church and his therapist is his priest via confession abd. also his mother is a nun he has a whole mental breakdown over god and called Job a pussy because he liked god until he got better and liked god again he said "I'm dearedrvil and not even god can stop that now" and he's so cool
matt is a freakish little babygirl who was raised by nuns and definitely has religious trauma. i hate him so much (affectionately)
he’s literally fucking insane about it i don’t know what to say here. he thinks he’s chosen by god to go on some sort of holy quest to save hell’s kitchen. joan of arc ass.
i already know hes in by default j just wanted to give him a personal shout out i love this angsty catholic dweeb
how practicing he is depends on the run, but in my favorite he is quite literally confessing to a member of the last extant order millitant who happens to be a priest at a church in hells kitchen.
i love him for having the funniest version of a trope i usually hate (person gets into confession booth and asks forgiveness not for what they've done, but for what they're about to do). usually this trope just looks silly to me bc like. the priest would just say "i can't do that" and you would have to either awkwardly explain yourself or just Leave. it's funny when matt does it because fr. lantom is probably like "what are you gonna do???" and matt's like "lol. lmao. 😊 hehehe." anyway we love this angry catholic man who dresses up like the devil to beat people up in hell's kitchen
Harrowhark
I'm pretty sure you've already got plenty of submissions for her so I'll just say she was raised in what is basically a cult (technically a nunnery but let's be real) dedicated to keeping the body of the thing that will kill God behind the rock. One of their prayers is actually "I pray the rock is never rolled away". Harrow is extremely devout as penance for her earlier heretical actions in the tomb as a child (spoiler!) so the Catholic guilt really comes through
imagine being a catholic nun and you meet god, but it turns out he’s a twitch streamer from new zealand who became god because everything got a little bit out of hand. and just before you met him you gave yourself a diy grief-fuelled lobotomy with the help of your best frenemy. imagine how insane you’d be. now multiply that insanity by nine. that’s the fictional love of my life right there.
she meets god. she’s not inspired
she’s number one practitioner of space Catholicism. The locked tomb is chock full of Christian (catholic) imagery themes metaphors etc. just look at her she’s got a bone rosary
They're Catholicism with extra bones. Everyone is a nun. They have what is basically a rosary made from knuckle bones. They technically worship the same God as everyone else, but they're waaaay more focused on The Body in the Tomb (Mary) and we get a moment where we find out that while everyone else prays the equivilent of The Lords Prayer, they're doing the equivilent of Hail Mary. And they paint their faces with skulls.
She thinks leaving dry bread in a drawer is taking care of someone. She's in love with a 10,000 year old corpse (the same one they worship). She spent ALL NIGHT digging with her bare hands to make sure a field had bones every 5 feet so she could fight her girlfriend - I mean, greatest enemy. Spoiler territory: She's been puppeting her parents corpses since she was 8 years old. Instead of grieving her dead girlfriend, she gives herself a lobotomy. She makes soup with bone in it so she can use the bone IN THEIR STOMACH to try and kill them.
The author is/was Catholic and the entire series had heavy Catholic overtones. https://www.tor.com/2020/08/19/gideon-the-ninth-young-pope-and-the-new-pope-are-building-a-queer-catholic-speculative-fiction-canon/ A good breakdown of how it's Catholic
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foiledbyvoile · 3 months
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HEAD EMPTY, ONLY SILLY DEMENTED DEER MAN.
The last two episodes really got me over here pondering and shit. Didn't think my 2019 Alastor phase would make a comeback, but here we fuckin' are. Seriously though, what is his deal? I love that you can't quite make sense of him, but also I NEED to make sense of him.
SPOILERS AHOY.
Clearly he's somewhat emotionally invested in all this, that little (cute as fuck) scene with nifty the night before the battle showed us a sentimental softness in him, but he's also definitely cozying up to Charlie to use her powers for something big.
Something like breaking a deal he'd made, and I've got money on Lilith. That bad bitch seaside moment was too iconic, she's pulling strings and catching rays, living her best life.
But I need DETAILS, man. I wanna know what the stipulations of the contract are, I wanna know why it was made, what was gained and what was lost, if this deal gave him the power he wields in the first place. What does Alastor need to do to fulfill his end of the deal? I want the nitty gritty of it, man.
Speaking of deals, Alastor and Charlie??? I know we're probably meant to sweep it under the rug, Alastor says not to worry about it, it's not for Charlie's soul, the whole scene was just brushed aside...but what about the desperation he fucking reeked of?? He was beyond eager to make that deal.
Alastor held onto that information for months, waited for the perfect moment, when Charlie was backed into a corner and desperate, and he used that groundbreaking leverage for a favor. That could be anything! Like breaking a deal only someone with her power could, or, since he clearly likes playing the long game, it could be something far less definitive, easier for Charlie to get behind. Something like helping him make his next move.
(Then the next, and the next, and the manipulation continues--ideally, I'm sure. Narrative folly and character development will almost definitely nip that evil scheme in the bud.)
You gotta love that classic Alastor guile when he tells her it's not for her soul. What it really is is a foot in the door for him, and a show of good faith for Charlie. It's a chess move, and if Alastor is as conniving and methodical as I hope he is, it's the equivalence of moving a pawn.
But then he backs up that dubious display of altruism by introducing Charlie to Rosie and the cannibals. Would Alastor really implicate a close friend and her community for something he wasn't truly invested in? That's a genuine question at this point. It's pretty much confirmed in the song that Alastor is choosing to help Charlie, that he sees the potential in her, but again, for his own benefit.
Which brings us to the radio tower, post fight. The vibes I picked up were immaculate. He's incredulous, desperate, shaken and very clearly trapped in circumstances that drive him absolutely insane.
Alastor's all about control. I think back on his spiel to Charlie about maintaining that control with a smile, but even now, when Alastor is cracking under the realization that he doesn't have that, he continues to smile.
I'm really under the impression that Alastor literally cannot stop smiling. (I'm not counting the single-frame-debacle.) It's either that, or he's forcing himself to smile, desperately vying for some semblance of control in a moment where he well and truly has none.
Then there's the line, "Great Alastor Altruist died for his friends". It feels sardonic. Bitter, like he regrets putting himself in that position, but was it really a choice to begin with? Because he let himself get too involved, too comfortable, and realized that that sentimentality he'd developed has become a weakness?
I think he really was forced to protect Charlie and the hotel (it would explain the seven year coincidence, and Alastor appearing at Charlie's doorstep so serendipitously). This is almost cemented by the following line, "I'm hungry for freedom like never before, the constraints of my deal, surely you have a back door."
He almost died (again), for the sake of Charlie and her hotel. That's a helluva fucking thing for a being who's toppled overlords and held power like he has. No amount of entertainment is worth his own life, there's just no way he willingly pits himself against Adam for anyone's sake.
Assuming that the source of his power is also the source of his subjugation, and considering how Alastor openly strives for control--yeah, he's having a bit of a moment™.  
I do hope that there's some genuine conflict in him in regards to his relationship with Charlie and the gang. That everything he's doing isn't inherently selfish anymore, but he veils that 'weakness' under his perpetual guise of deviant mirth. Bonus points if he's tormented by the good Charlie brings out in him. He deserves the angst, the fuzzy-fucker (/affectionate).
Couple of side notes here:
Thoughts on the way Alastor's mouth is sewn up when he strikes the deal with Charlie? Was he made to smile all the time, is it just a design choice? Personally, I'm hoping there's some angsty lore there, like maybe it's part of his contract as some twisted joke, idk.
I have a love/hate relationship with the Alastor vs Adam smackdown extravaganza. Yes, it was rad as fuck. Yes, of course Alastor was going to lose. But the way it was handled felt like a bit of a disservice, Alastor's reaction felt ooc. But then again that could just be me projecting my perspective of Alastor unto the character.
ALSO, having a character who is well known for not swearing dropping some casual, outta pocket f-bombs was a bit trite. it's supposed to feel like a reward, y'know?
ANWAYS. Yeah. Good shit. I'm losing my goddamn mind.
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Sword gays showdown, round 4 of bracket one
Propaganda:
For Yasha:
Big somft goth Viking barbarian lesbian who fights with a zweihander (and other big swords)
She's huge, she fights with a giant sword, looks intimidating but loves her friends and (eventual) gf so so much
For Zoro:
Literally training to be the greatest swordsman in the world. Has a special three swords technique (one blade in each hand plus one with the handle held in his teeth). I haven't read the manga or watched the anime but the live action adaptation gives me extremely gay vibes and based on the fandom things I've seen I'm not the only one
bro uses three swords. has one in his mouth. dont ask how the HELL he manages that. one day he will be the worlds greatest swordsman....after he beats the current greatest for both the titles of greatest swordsman and fruitiest swordsman. he's dramatic as FUUUCK like bro what the hell. has homoerotic fights with the local twink like everyday. directionally challenged, can and will get lost in a paper bag, doesnt know left from right...he probably cant read, too. hes too silly ngl
First of all, im in like episode 250 and so far he hasnt been shown attracted to any woman at all during the whole show so far, not even when one changed clothes in the same room as him and this is anime so you know there were other characters with bloody noses and shit. With that out of the way he wields three swords at once [two in his hands, one is his goddamn mouth dude. Its cool af trust me.] When he was little he made a promise to his best friend that he'd be the best swordsman in the world. Later she died in a tragic accident and left her sword which he still uses today. He also carries a cursed sword but he overpowers the curse with a combination of skill and sheer luck. He got stuck in a chimney. While his crewmates sail their ship he takes naps. He learned how to cut through metal by fighting a guy who could turn his body into metal blades. That's metal. He refuses to fight this liberal marine officer because she looks like his childhood best friend and its just understandably really awkward for him. He's autistic. He's a he/him bisexual lesbian. He's a gay man. He's ace/aro. He's whatever you want him to be babey!!
he has 3 swords, wields one in his mouth sometimes, his dream is to be the greatest swordsman in the world
three swords and big aroace-spec gay vibes
He not only has a sword he has *three* swords. He's absolutely gay there's no way to see this man as straight. Also one time he licked his sword for no reason and that was really funny to me so I had to mention it
Look, this man thinks about three things: Swords, His Captain, and Booze. He’s on a quest to be the worlds greatest swordsman. The Live action has a scene where he declares his undying, unwavering loyalty to his captain WHILE reaffirming his promise to be the worlds greatest swordsman. At this point His dream and his Captain are so intertwined it’s crazy. Man is so sword-y he’s got three of them. When one of his swords broke he carried its empty scabbard until he was able to give it a SWORD FUNERAL. He hears a sword is cursed and takes that as a challenge. He will literally tell his swords off for “bad behavior” when they “act up” due to being straight up cursed. He tests one by throwing it in the air and sticking his arm out to see if it is so blood thirsty and ill tempered that it will cut him. Even though he’s literally the first mate if you ask him what his role is he’s going to answer Swordsman.
He's dedicated his life to two things: becoming the greatest swordsman in the world and his captain, Luffy. 
He mastered the three sword style. Its his style. It would've been more swords but he could only fit one sword in each hand and one in his mouth. He wants to be the world's greatest swordsman, a deal he made with his childhood best frenemy (before she died falling down the stairs). He thought he was All That at the start and was almost completely decimated by the actual Worlds Greatest Swordsman. Now, after two years forced training with that guy, he's probably in the top tier no-doubt, and honestly could already be the best but we just don't know for sure yet. Also, did I mention: he's got the whole demon/devil imagery going on at times. And he has absolutely no sense of direction! plus is a total softie when it comes to Chopper and all the children who somehow gravitate towards him. And he loves naps!
One of the guy's main goals in life is to be the best sword fighter and he fights with three swords which I think is telling enough of his skill.
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eirenical · 2 months
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Mysterious Lotus Casebook | Lian Hua Lou | 莲花楼 | Episodes 3 & 9 - The Letter
There is so much we don't know about what happened ten years ago between Sigumen and Jinyuanmeng.  A lot of it gets unraveled as the show goes on, but one thing remains true: there is a hell of a lot of unreliable narration to pick through to get to the truth.  And when it comes to the particular truths of what happened between the individual people involved, that becomes even more true.
And one of the little mysteries that always bothered me was this letter that Qiao Wanmian wrote to Li Xiangyi to break up with him.  Because I absolutely could not figure out when he actually got that letter.  Anyway, I finally caught a few details that helped me to tease that apart and my first realization was that he fucking LEFT HER ON 'READ' for about a month (Li XIangyi, PLEASE OTZ) and the second realization was that we get two different versions of these events YET AGAIN, but this time both from Li Xiangyi's POV in flashbacks, and I'm CHEWING GLASS OVER IT, so naturally I have to share.
So the first time we get this particular flashback is in episode 3.  Li Lianhua is remembering the aftermath of the Donghai Battle, how he fell into the ocean and washed up on the shore... a husk of what he had once been.
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He wakes up and makes his way into town and to Sigumen's steps, overhearing all this terrible news as he walks.  People injured, homes destroyed, people killed, and so much of the blame being placed on all the sects, and on Sigumen in particular.  And as he walks, you can see it all starting to weigh him down, until he's literally bent over from the weight of it on his back.
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And then the final betrayal.  His people, his friends, want to disband the sect.  They want to walk away.  They blame him and his hubris for this disaster.  And the coup-de-grace is Xiao Zijin asking Qiao Wanmian... "You don't like this place either, right?"
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And the sad look on Qiao Wanmian's face finally breaks Li XIangyi of his paralysis and he turns away, back to the scene unfolding on those steps and drifts back to the shore, where he ultimately collapses.
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And that's all we get.
We know he returned to Sigumen.  We know he overheard them wanting to disband the sect.  We know he left without a word.  And that's the end of the story as far as Episode 3 is concerned.
But this makes sense.  Li LIanhua is mid-Bicha attack and has just left Fang Duobing on the side of the road when this flashback comes on.  He's fighting his own body in a desperate bid for survival to complete the one task he's set himself and Fang Duobing has just dredged up all this stuff and gone off on a tear about how he's Li Xiangyi's disciple.  A road Li Xiangyi never got a chance to walk.  Another person he failed along the way.  And so he's focused on all the ways in which he is a failure in that moment, all the ways he doesn't live up to Fang Duobing's hero, Li XIangyi, all the ways that he is no longer that man.  So he zeroes in on the moment he lost it all: his reputation, his sect, his health, his power.  So that's the part of the flashback that we get.
But in Episode 9, we have an entirely different set of circumstances.  He's just saved his A-mian.  He's focused on helping her let go of the man he thinks she still loves.  He's putting himself aside to focus solely on her (or so he thinks—that's honestly a question for later, but bear with me, we'll get there ;D) and what she needs.  And we get dumped into this flashback again.
Only this time it doesn't start on the beach.  It starts here:
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It starts with Li Xiangyi seeing his sect disbanded again.  Only this time, he remembers the words that come from Xiao Zijin differently:
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There's no speaking out load of "you hate it here too, don't you?" or any similar sentiment.  Because at this point, Li Lianhua knows this isn't true.  She can't hate it there.  She lives there.  She didn't leave.  And she doesn't hate him because she very obviously misses him and mourns him.  So in his mind, he gives this moment a little less abrasiveness.  A little less fierceness.  But because he's so focused on A-Mian in this memory, we finally find out that there is an entire piece to this incident that we haven't gotten until now.
A-Mian's grief.
A-Mian's recognition that he was there.
And the letter.
The letter she wrote a month ago.
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A letter Li Xiangyi NEVER READ.
We get to see A-Mian's regret.  We get to see her grief: both for her own sense of shame at being unable to keep up with the man she loved, and her sense of loss over her own innocence and the opportunities that they'll never have now to make amends.  And we get to see her break from her grief for just a moment to rush down those stairs because some instinct in her just won't quit.
Li Xiangyi had returned.
And she knew.
But it was too late.  She no longer trusted herself.  And Li Xiangyi, having heard her outpouring of grief, had already decided that he owed it to her and to everyone else to just… walk out of their lives for good. 
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And he did. 
But he owed her one last thing first.
He owed it to her to read the letter that she'd written him a month ago and he'd never opened.
So before he goes back to that beach, he returns to his rooms in Sigumen to retrieve that unopened letter and read it.
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On first watch, I had assumed this was after his healing with Monk Wuliao.  That he was RE-reading that letter, not reading it for the first time.  But these are clearly his rooms in Sigumen.  The desk he conducts business from is at the bottom right and the table he confronts Shand Gudao from is on the left. But unlike when we usually see these rooms, brightly lit during the day, they're now mostly in darkness, the sun clearly setting given the angle of the light coming into the room. This is the sunset of Li Xiangyi. The last moments of his life, in a way.
And the letter is very VERY obviously unopened when he first takes it out:
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And reading that letter is the final nail in Li Xiangyi's coffin, I think.  Final proof that he'd failed in every aspect of his life: being a brother, being a lover, being a sect leader, being a friend, being a student.  After this, he leaves Sigumen and goes back to that beach to lay down where he washed back up initially, ready to let the death he temporarily escaped take him away.  And when the monk saves his life anyway, he still manages to kill off the part of him that was Li Xiangyi.  Li Xiangyi is dead, he insists over and over and over again, until he believes it himself.
Because in that letter—a letter he left unread FOR A MONTH—Qiao Wanmian manages to show him that he never really saw her at all.  That he never saw one of his dearest loved ones in pain right in front of him—pain that he finally witnessed on the steps of Sigumen as she poured out her grief and regret in sending this letter to begin with.  How ironic then, that a letter she'd sent intending to set him free of her to fly up to the heights on his own, was the final arrow that brought him down.  I don't think that's what she would have wanted at all.
But I really feel for her.  I do.
Just imagine sending this letter and knowing that it's sitting in Li Xiangyi's mail pile somewhere… and assuming that he read it and that's what spurred him on to this last desperate fight.  Because in that outpouring on the steps that clearly what she thought she did.  She thought this letter sent him to his death.  And in that moment she's wrong, because HE NEVER READ IT.  Not until long after that.  Not until after this moment.  And fucking HELL, but that just hurts me.
Maybe it wouldn't have changed anything if he hadn't witnessed that moment.  Maybe it wouldn't have changed anything if he hadn't read that letter.  Maybe he still would have felt that he'd failed enough to warrant death of some kind.
But maybe not.
I guess we'll never know.
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My Commentary on Rob and Rich Reviewing (4x14) Sex and Violence
I was listening to the latest Supernatural Then and Now Podcast (The Siren Episode) and I had to stop it after the Rob and Rich review to write down my thoughts because it annoyed me so much.
The guys both thought the episode was okay, but a bunch of things “bumped” for them. This is fine, and everyone is entitled to their own opinion about an episode, but some of the things that “bumped” for them “bump” for me.
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My thoughts under the cut …
Bump # 1 - The Siren turning out to be a man
So, both Rs had an issue with the siren being a man since the lore showed them as women, and I think, because in real mythology they are women. Though they conceded that the a male siren could be a thing too, it seemed to really bother them that the siren ended up not being about a sexual connection with the brothers (though Rich saw the flask sharing scene as flirtatious … because no guys have ever shared a flask, including, Dean and Bobby).
I’m sorry, but the siren targeting the brothers, and using a version of an ideal brother to get to Dean isn’t a plot hole or a “stretch” or something, it’s an interesting choice and it’s exactly the point of the episode. While many men are vulnerable to a pretty woman who is into them, Dean just wants Sam. He wants his relationship with Sam to be better. In particular, he’s so worried about Sam and insecure in their bond that he wants a Sam who likes what he likes but, more importantly, one who listens to him and doesn’t hide things from him. And I know I’ve written about this before on a previous post, but Dean doesn’t NEED the siren to be a hot girl; he can find one of those easily. He needs a Sam he can trust. That’s the whole point. The show is drawing the comparison between sexual intimacy/romantic companionship (usually one of the most desired things in literature/media) to the brothers relationship to show how much brotherhood matters to Dean in particular (in this case).
The way the male siren actor portrays its interest in the brothers, to me, is very much like it’s intrigued and excited that it found a high even better than the sexual desire that it usually feeds off of. When the siren feels how desperate Dean is for the bond with Sam to be fixed, it finds him more interesting than it’s usual target. Dean’s longing for Sam (not sexual) is even stronger than the sexual desire or romantic companionship that the siren usually feeds off of, so much so that the siren changes its entire MO to go after the brothers.
Bump # 2 - The Doctor sleeping with Sam (when she isn’t the siren) is weird
So, the Rs disagreed on the “bumpiness” of this one. Rob thought it was weird that the doctor would just decide to sleep with Sam (at work), while it didn’t bother Rich because … Jared Padalecki. Sound argument (in this case), Rich.
Still, the doctor is a little unusual, and her behaviour is clearly intended to be a misdirect, but the show does a good enough job of suggesting she had a bad breakup (or worse) and is now just sort of living in the moment, so her behaviour doesn’t bother me. Also, Sam is hot.
What is stranger than the doctor’s behaviour, for the audience who knows him, is Sam having sex with her I that moment. Not only that, but Sam is very chill when she’s hitting on him, where in the past, Sam has often been a little shy or awkward with women that he’s been attracted to or interested in. So no, this is not Sam’s usual MO to sleep with the doctor, especially when we know he and Ruby are or were also sleeping together. Sam is not acting entirely like his usual self. And he hasn’t been acting entirely like himself for a while now.
Bump # 3 - The Siren telling the boys to fight each other and saying the winner can “be with” him
I don’t know why they had an issue with this. The siren literally explains that it loves the rush of having people willing to do anything for it, even kill people they love. What the siren tells the brothers doesn’t matter because it’s not like it’s really planning to have a relationship with the brother who wins the fight. And the boys are already infected at this point, so it’s just giving them incentive to fight. It’s not sticky about the sexual-ness of people’s need for the siren, it’s about the desperation they have to be with it (in whatever way).
Bump #4 - Sam dismissing the Doctor after sleeping with her.
The guys were both bothered by Sam not bothering to say goodbye to the doctor, and they mentioned that it seemed sort of old-school (womanizing?). Rob said that Sam dismissing her was more like something Dean would do than Sam. I know that I already said this, but this is the whole point. Sam hasn’t been acting like his old self. This isn’t an accidental writing mistake, where the writer accidentally wrote Sam more like Dean. Sam is different now.
It also isn’t like Sam to call Dean weak, or ridicule him for being messed up from his experience in hell. Season 2 Sam would never, and Season 3 Sam wouldn’t either. Season 4 Sam has changed from the trauma of losing Dean, drinking demon blood, and having Ruby in his ear.
Also, to play devils advocate on myself, Sam has actually left towns before without saying goodbye to the girl he had a connection with, maybe not after sleeping with her, but it’s not wholly out of character for him to leave without saying goodbye (I’m not criticizing him for this). Also, I really don’t think that doctor was looking for anything more from Sam beyond hooking up in her office, so this doesn’t bother me much.
Final thoughts
Anyway, I’m not arguing that everyone has to love every episode, or even like all the ones that I do. I’m not even arguing that people need to like Sex and Violence because it really can be a little uncomfortable, and there is a bit of a sexual undercurrent to it all, even though that’s not the sirens intention with the brother. That’s also not exactly new on Supernatural. However, it’s weird to me that so many of the things that “bumped” for Rob and Rich seem to me like very deliberate choices by the writers, not careless mistakes or pointlessly out of character. This episode reveals a lot about where Sam and Dean are at this point in the season, both individually and in their relationship.
Granted, I have the benefit of watching the episode and knowing where it’s all leading, but this is what sort of bothers me about hearing people discuss the show who are doing it for a purpose and are probably only half-invested in the story. They miss things that seem like they should be really clear. Also, it’s funny when they find things uncomfortably sexual in relation to Sam and Dean (they didn’t outright say that, but I think it was implied in what they said) and act like it’s a surprise or out of place. Again, this isn’t new. They obviously listened to too many hellers if they didn’t realize that Sam and Dean are weirdly close at times or that the show makes some pretty blatant parallels between them and couples or makes quasi-incestuous connections between Sam and Dean.
I have nothing else to add here. This was mostly just a rant, but feel free to add your two cents if you made it this far.
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