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wombywoo · 7 months

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Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

#tutorial #my art #art tutorial #since people have been asking #I remembered to save my process from this latest work~#enjoy 🙆‍♀️

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lolli-popples · 4 months

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The Missing Link in Scott's Characterization

(Wrote this in a random document and I think it's good so I'm loosely transcribing it here)

These are some of my thoughts on a crucial facet of Scott's character in the Life Series that I think is overlooked by the fandom.

From my personal viewpoint, people put a lot of emphasis on Scott's caring about his allies over everything else. I think this is an important characteristic. However, I think this being shown as the most central trait is a detriment to how people read his involvement with the overarching narrative. It might be less of a problem if he wasn't directly involved with the final fight of nearly every Life Series.

Because of this combination of things, his main interaction with fans' reading of the final fight is being willing to do anything to make sure his friends win. It gives people the tendency to attribute some victories partially to him, which upsets people who want main read of the story to focus entirely on the winner. But this also has meant that one of Scott's main traits is overlooked.

Just as much, and often, more than Scott values his allies, he values fairness. To showcase this, let's look at Limited and Last Life, where he had the most control on how the final fight took place.

In Last Life, when it's down to the final four, Scott *could* have teamed up with Pearl, his ally all season, to kill Martyn and Ren. That aligns with wanting either your or your allies to win, no? But he doesn't. He suggests they split to the 4 corners of the map and have a fair fight on equal footing. Very fair.

With Limited Life it's even more apparent. Scott and Martyn have an impressive amount of time. They could both still die multiple times. Impulse is running out, and there's a numbers advantage. They could have killed Impulse and Scott could have let Martyn win, or Scott could have given Martyn his time to fight Impulse alone. But instead, he suggests they all go down to the same amount and have a fair fight.

In both situations, Scott puts fairness *over* an alliance victory. Even though Limited Life didn't end up ending fairly, that had nothing to do with Scott.

Double Life certainly has the strongest claim on Scott "letting someone win". That his death is an apology for abandoning Pearl.

But if you listen to what Scott says in the finale, he never apologizes. He says he didn't think they'd get this far, he says she deserves this more than him, and then he says the iconic "Tilly death do us part."

Scott didn't fight Pearl. But I don't think it came out of remorse. I think that too, came from a sense of fairness. Which is that Pearl, by all accounts, DOES deserve this win. If they fought it would basically be up to a draw. To chance. Scott has every chance of winning. But if you go over the events of Scott's final episode, he mostly runs. He survives. While Pearl 1v2'd two separate pairs and won! The only reason Pearl hasn't killed Scott already, who has been her enemy all season, is because they were randomly assigned to be soul-linked. A concept Scott has fought since the very beginning. He knows that while he never hurt their chances, Pearl is the reason they are here, and Pearl is the reason he is here. It wouldn't be fair for Pearl to lose to what is basically a coin flip. So, he doesn't leave it up to random chance.

So yes, Scott is loyal and does care about his allies, he proves that again and again. But the way he is involved in how the series end shows that his sense of order and fairness are equally important. Also, I think viewing his contributions from this angle help remedy some of the reasons people don't like his usual characterization because of how it effects the agency of other characters.

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rogueddie · 4 months

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Famous Steddie Au Recs

Important: READ THE TAGS! Also, leave a comment and kudos! These fics are amazing and I love them and I hope y'all do too 📸

Help I'm Alive

ChaoGarden

Eddie reached a hand out and gently tucked his fingers under Steve’s chin, tilting it upwards and turning Steve’s face just a little to the side as he observed something on Steve’s face with a look of intense speculation. Steve couldn’t say for certain, but there was almost a tiny bit of anger there just along the edges, like he was stifling away anger at whatever it was that he was looking at.

Surely he wasn’t looking at the-

“Somebody put their hands on you, sugar?”

Words : 65,581 Chapters : 9/9 Rating : Explicit

AO3 : x

Somebody To You

tears_for_years

@ bisexual_disaster: i would let eddie munson make me bark like a dog

Words : 4,714 Chapters : 3/3 Rating : Teen and Up Audiences

AO3 : x

you smile that beautiful smile and all the girls in the front row scream your name.

antithetical_dreamgirl

Eddie has three major rules when it comes to working with celebrities: 1. don’t flirt with the talent; 2. don’t hang out with the talent; 3. don’t, under any circumstances, fuck the talent.

He’s had enough rockstars’ managers kick him out of hotel rooms after waking up to an empty bed with cold sheets to have learned his lesson ten times over by now.

He doesn’t even think of adding a fourth rule: don’t fall in love with the talent. Has never even come close to needing a rule like that. Not until he meets Steve Harrington.

Words : 4,510 Chapters : 1/1 Rating : Teen and Up Audiences

AO3 : x

Consensual Catfishing

foresthearts

When Eddie gets a message on instagram from an account claiming to be the famous pop-star Steve Harrington, he knows immediately it's a catfish. He's not dumb. The account has no pictures and people like Steve Harrington don't just randomly DM guys like Eddie.

Still. What would be the harm in letting it play out? It's not dangerous if he knows he's being catfished. No, if he knows about it, then it's basically like a fun little roleplay. No harm, no foul.

Words : 32,108 Chapters : 4/4 Rating : Mature

AO3 : x

abstract

a_little_unsteddie

The break-up had been messy, and long overdue by the time it happened; Eddie had spent the better part of two years avoiding everything in the news including Steve's name, half convinced that Steve hadn't ever loved him at all. So, why was Chrissy sending him an interview that Steve had done at some talk show?

Words : 1,107 Chapters : 1/1 Rating : Teen and Up Audiences

AO3 : x

the night breeze carries something sweet

asbealthgn

Eddie is used to getting recognized in public, but it doesn’t mean he likes it.

That is, until the most beautiful man he’s ever seen in his life sits in the seat next to him, unfurling a giant map that easily shields both of them. Eddie’s fucking savior.

“Hey, you wouldn’t happen to know how to get to Japantown, would you?” the guy asks.

Words : 4,898 Chapters : 1/1 Rating : Explicit

AO3 : x

Your Life, Framed on the Wall

orphan_account

A scrapbook of interviews and articles following Eddie Munson’s rise to fame as the frontman of Corroded Coffin, and his relationship with one Steve Harrington.

Words : 9,379 Chapters : 9/9 Rating : Teen and Up Audiences

AO3 : x

Make Them Feel It

camouflagedlove

Steve Harrington has acted in many romance movies over the years but finds himself yearning for that same kind of love in real life. He struggles to make those connections but feelings start to boil up for him when his co-star, Eddie Munson, wants to rehearse the love confession scene from their movie. It's just a scene...isn't it?

Words : 2,835 Chapters : 1/1 Rating : Teen and Up Audiences

AO3 : x

We're Going The Distance

stevelovers

Steve doesn't know where Dustin got this little idol crush. After seeing world famous Olympic Gold Medalist “Medal” Munson- a geek who has set world records in snowboarding, he begs Steve to take him and the kids to watch him compete in an amateur charity tournament at Mad River Mountain’s Mad Dog snow race. Too bad he's a complete asshole.

Words : 14,732 Chapters : 1/1 Rating : Teen and Up Audiences

AO3 : x

i'll find my soul as i go home

oakenorcrist

Eddie Munson has had a rough go of it -- broken-hearted and uninspired, he decides to leave everything behind in San Francisco and spend some time with his uncle in a small town in the mountains. Little does he know that there he will find not only the peace and rest he's so desperately needed but also everything he never knew was missing from his life up until this moment.

Words : 31,868 Chapters : 5/5 Rating : Teen and Up Audiences

AO3 : x

#stranger things #steve harrington #eddie munson #steddie #fic rec #ficrec

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salvadorbonaparte · 1 year

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How to set up a research journal

This is just one way you can set up a research journal but it's helping me tremendously so maybe it also works for you. My set-up is partially inspired by this video by Answer in Progress and I suggest you check out their curiosity journal.

Preparation

First you need a notebook. The trick is to find a notebook that you're not afraid to "ruin". We all want a really neat, aesthetic research journal, but the reality looks more like hasty scribbles, but that's okay, that's where the research breakthroughs happen.

I personally bought a cheap lined notebook from Søstrene Grene that I thought looked cute and put a sticker on it. That way I feel good about using it but I also don't mind when my handwriting gets messy because it was only like 3€.

You should also stock up on pens you like writing with. Different colour highlighters and post-its are also a good idea but not a must. Keep it cheap but comfortable.

Title Page

Here you should put down all the really important information: year, title, deadlines, word count, supervisors. Maybe add an inspirational quote to spice it up but keep it simple and relevant.

Key

This should either be your next or your last page. I personally use the last pages of my journal so I can add thing and find it easier. Your key is there to list abbreviations and symbols.

For example, I have different symbols for statistics, dates, new terminology, questions, breakthroughs, important notes and abbreviations for the most important terms in my field. It's shorter to write T9N than Translation.

The trick here is to have enough abbreviations and symbols to save time and effort but not so many that you constantly have to look back and forth between your page and key. They should be memorable and not easy to confuse.

Topic Mind map

If you hate mind maps you can skip this of course or use a different method but what helped me is to visualise all the topics that connect to my research project in a mind map. I then colour-coded the main groups of topics with my highlighters. It helps me to keep an overview on how many topics I need to do research on.

Proposal

If you're writing a thesis/dissertation it can be helpful to have a page set aside for your proposal and take some bullet point notes on methodology, chapter structure, research context, aims and objectives and think of some titles. You can also do this for your lit review and a list of works to include.

Hypothesis and Question Pages

I set aside four pages for this but you can adjust this to your needs. The first page is my hypothesis. It doesn't have to be fully formed yet, it can just be bullet points with five question marks. You can always revise and update it but it is important to keep an eye on what you're actually trying to find out.

The next idea is basically just stolen from Answer in Progress: a section for big questions, medium questions and little questions. These aren't necessarily hypotheses you aim to answer but questions you have about your topic that might be good to look into (maybe they lead somewhere, maybe they don't).

Research Notes

Now comes the big, fun part. Research notes are allowed to be a little messy but you should have some sort of system so you can actually find what you're looking for afterwards. I'm currently just looking at books and articles so that's what my system is based on. You can totally adjust this to include other forms of research.

What I do is that I put down and underline the author and title of my source. Underneath that I use my highlighters and mark the topic of the paper based on how I colour-coded them in my mind map. You might have to do this after you've finished reading. For example, if a text talks about censorship and dubbing in Germany, three of my topics, I will draw three lines in light blue, dark blue and red, the colours I chose for those topics. This way you can easily browse your notes and see which pages are talking about which topics.

When it comes to the actual research notes, I include the page number on the left and then take bullet point notes on whatever is relevant. These are often abbreviated and paraphrased but if something is especially important I will write down a full quote.

As mentioned earlier, I have a key of symbols I use so I can simply put down a '!' in order to differentiate a research breakthrough from a normal note. You can insert your own thoughts much more easily when you know you'll be able to tell them apart later on. At the end of each article, book or even chapter I write down my main takeaway.

Other Notes

This is your research journal and you can do with it what you want. I also added lists of films that might be relevant for my research, a list of databases and publishers to check for papers and tips on research strategy.

If you're working with interviews or surveys you could write down your questions. If you're nervous about your research you could include a list of reasons why your research project is important or why you're doing it. You can include a to-do list or a calendar to track meetings with supervisors. Anything that helps you with your research.

#gradblr #studyblr #studyspo #study tips #research #research journal #dissertation #thesis #thesis writing #academia #academic research #academic writing #journal #bullet journal

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arabellas · 2 months

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about the tutorial: just one about dark scenes in general would be great :)

sure :) here's a tutorial on how I work with dark scenes:

before we start, it's important to mention that working with dark scenes is so much easier when your video/ screencaps are high quality. I personally refuse to gif dark scenes unless I have 4k quality footage lol.

my general coloring tutorial is here in case you want check it out!

alright, let's start! after resizing and sharpening my gif, here's what we're working with:

STEP 1: levels. I use the pipette tool to select the lightest and the darkest parts of my gif, it's a great guide that helps to neutralize the overpowering color:

in this case, the lightest part is the little white dot in the corner of his eye and the darkest one is around his hair (if there are many dark shadows in my gif, I just click on a few darkest looking spots and see how it adjusts the coloring and lighting of the gif and just pick the one I think looks the best). basically, this layer is a good guide on how to make the overall look more natural if there is one obvious dominant color and we want to get rid of it (for example, my gif has quite a lot of blues, but it's not too crazy, so I won't need to adjust that much):

and this is what we've got just after using the levels adjustment:

the gif is lighter and the blue was reduced a little bit, the scene now has more green and red undertones. sometimes I mess with the settings myself if I don't like the way it looks, but in this case I'm pretty happy with the automatic adjustments and I didn't even have to do that much!

STEP 2: curves. I do the same thing that I did with the levels, using the pipette tool to select the lightest and the darkest parts and also pull the rgb curve to the middle to brighten my gif even more:

and here's the result after setting the curves layer opacity to 37%:

STEP 3: brightness and exposure layers. next up, I just want to brighten the character a little bit more, but not the background, so I'm adding a brightness/contrast layer and an exposure layer, here are my settings:

but since it adjusts the whole gif and I don't want that, I select the mask on my brightness layer and pick the eraser tool. I erase the part of my gif that I don't want to be affected by this adjustment, I colored that part bright pink so it's obvious:

and then I do the same with the exposure layer.

in my gif the character is not moving that much, so it looks pretty natural when I brighten just him. here's where we're at:

STEP 4: selective color and gradient map. I'm happy with how bright it is, but I do want to deepen the shadows here and just mess with the coloring itself, so next up I'm gonna use a couple more layers.

here are my settings for selective color layer, opacity set to around 40%:

and here are my settings for a gradient map to deepen the shadows:

and here's the result:

ADDITIONAL STEP: I sometimes like to add another layer and just put some soft color gradient to one side of the gif.

in this case I used a soft blue color, set to lighten, 62%:

I'm not very good at tutorials and I put this together pretty quickly, but hopefully this was somewhat helpful, let me know if you have any questions! <3

#ask #anonymous #tutorial #gif tutorial #tutorials #coloring tutorial

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mythicalviper-fr · 4 months

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hi! Thank you for making your guide, it’s been so helpful as a new skin artist. I’m still confused about how to make good festival submissions (?) I thought my submission for Rockbreaker’s Ceremony fit all the conditions you talked about but no one seemed interested in my skin. Do you have any advice on how newer artists can make a good entry?

I'm happy the guide's helped! It is less of a checklist and more on how I personally approach the contest. There are a lot of things I don’t think I described well technique-wise, so I’ve considered making step-by-step tutorials to approach each contest that would better encapsulate the win conditions I described. But for now, here’s one way you can approach a contest, particularly if you’re a new artist.

1. Pick Your Breed (and Battles)

Breed variety, as I stated in the guide, is the Number One reason I win any contest. This is where I think I should’ve gone more into why I favored the Ridgeback F base - it’s important to pick a canvas that will not impede your ability to create and more importantly, a canvas that makes you comfortable as an artist. Ridgeback F has a big wingspace that serves as a good canvas and the anatomy is easy (for me) to design on, which is why this is the canvas I default to.

Here are some of the best “starter” canvases for new artists, in my personal opinion:

Wildclaw M and F: these bases, particularly the F pose, don’t get many submissions (look at their submission rate in the Gala!) They have a standard dino anatomy that’s easy to understand and work around.

Fae M: Fae rarely get entries. The big wingspace is a great canvas, and more importantly, the M Fae canvas is pretty small compared to the others, so it’s less daunting. The shrimp posture can be a bit hard to grasp, but you can honestly just do a wingcent.

Coatl M and F: Coatl is a great base for new artists if shadows and lines are disrupting your creative process, because they don’t have as much of those. (You can also turn shadows/lines off while you’re drawing. I usually have shadows off and lineart at 30% opacity. Just remember to turn them back on when you submit!)

2. Theme Your Skin: Canonical Elements

August goes into this better in his guide, but you generally want to stick closer to canon. Think of skin contests like an art contest for a fandom. If you were submitting to, say, a Percy Jackson art contest, you’ll probably draw inspiration from Greek and Roman mythology, not Aztec or Chinese mythology. Flight Rising is the same. So, here are canonical places you can draw inspiration from:

Past festival familiars and apparel

Existing vistas, scenes, and World Map locations

Artistic interpretations of the canonical lore

If you do want to go outside of canon, my suggestion is to pick a neutral element. This means something that doesn’t have any religious/otherwise connotations, and is still related to the flight. I.e.: icy mountains for the ice flight, different types of minerals for the earth flight, different types of plants for nature. You are making an official item for the site, so work with that in mind.

3. Skin Composition: Balance

Composition is how the elements in an art piece work together. I struggle a lot with it, so I am not the best person to speak on this. What I’ve found that works for me is focusing the canvas on one big thing and putting small elements around it. That big item is usually wings, which is a great neutral component that can take on attributes of different elements. If you look at my skins, they usually follow the equation of skin = 1 big element (wings, bones, crystals) + 2 small elements (gradients, sparkles, butterflies, leaves, flowers).

[RBC 2023 = bones + crystals + rocks] [TC 2022 = wings + gradient + wispy shadow things]

4. Skin Execution: Actually Drawing the Thing

The best part of festival contests is the skill bar is quite low. I am going to contradict myself slightly by saying you do need a basic understanding of how to draw, but aside from that, contests are forgiving if you aren’t an experienced artist. I had six months of experience when I won my first contest and more recently, I was drawing with zero wrist mobility. These are some of my recent skins that were created when I could not render the way I usually do or use line weight.

[TCC 2023 & ROR 2023]

In comparison, here are skins when I could render and line weight.

[WS 2023 & GG 2023]

Importantly, all of these skins won. So that’s why, from my perspective, whether you’re an experienced artist or not, whether you know how to render or not, is not the point.

I don’t want to imply that you don’t need any skill to win a contest… it is a contest, after all. I think what I’m trying to say is: to make the best entry you can, you need to know the skills that complement YOUR art style. It isn’t necessarily the skill difference between artists that determines who wins, it’s how you use the skills you have to bring out the most in your piece.

There is no one way to making good art. And the hardest obstacle as a new artist is finding out what enhances your art style. You may not even have an art style yet, and that’s okay. That’s why it’s vital you continue exploring - which contests are great for.

Again, everything in this post is only what I have personally observed. This approach will not work for everyone, since everyone’s creative process is going to be different. But I hope this is a good bare-bones, structured, guide as to what I personally focus on – and I hope that it’s good for reference, even if the specific steps aren’t helpful for you ^^

#flightrising #flight rising #fr skins and accents #skins and accents #fr guides

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loriache · 2 months

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Notes on the World Map: Melini

I'm kind of annoyed the complete World Bible doesn't have a version of the World Map with Melini filled in... unless it does and I missed it, but I literally bought it and looked at the relevant pages for this post! Anyway, I think this is the closest we have. I'm looking at this and -- Kahka Brud literally doesn't have a coast anymore. No wonder they're pissed!! Any industry involving the sea, trade, fishing, etc. is basically impossible now - you'd have to get to the coastline on the west side of the continent. That's probably miles!

Speaking of miles... how big is Melini?

This is where I got... really unwell. So first off, let's assume the official Dunmeshi World Map is a Mercator projection. I think the stage cartography in the Dunmeshi universe is at, it's going to be most important that maps are useful for marine navigation. So we can't just drop an approximate scale onto the grid and leave it at that; we have to work out where the equator is.

The way I've done that is via two places that seem like they have a close(ish) real world equivalent - in terms of climate and culture - Utaya and the Island of Wa (Toshiro's home). The Island of Wa is obviously Japan, and I've seen plausible arguments that Utaya is probably a climate/location similar to Nepal.

So, here's the (approximate) location and latitude of those places on a Mercator map of Earth:

If we arbitarily superimpose the two maps, asssuming they're the same size, we can draw a theoretical equator line that puts the two places at the same latitude, though on a different side of the equator. Putting them on the same side as Earth made the equator really low. I feel like that's ... unlikely, so we're going with this.

That puts Melini at a rough latitude of .. ~55? which would, using the same scale as the previous map, make two squares (at that latitude) about 600 miles. Very roughly calculating the size as given on the map based on that, that gives a width of (approximately) 250 miles and a length of 400, coming in at a bit less than 100,000 miles² due to the shape. Probably it's between the sizes of the UK and Aotearoa.

That really helps me visualise what Laios is working with here when I think about post-canon. Though I reckon what I've done here is "Just enough research to really annoy an expert". Sorry if you're that expert. I really don't know much about cartography <3 It's like that xkcd comic:

On distances, as someone who lives in the UK; with a car, you can get almost anywhere in a day if you're prepared to drive until late. But they don't have cars, so getting from one end to the other would take multiple days of travel. It'd take about 7 days to walk the approx "length", 400~ miles (from the top of Scotland to Liverpool) (according to Google Maps) and 2 days cycling, so probably 3-5 days with horses, depending on how you pushed them. That'd vary a bit depending on terrain, of course.

#og post #dungeon meshi #dunmeshi #world map notes #dungeon meshi meta #melini #if anyone DOES have the knowledge to work this out better than i have #please do! please tell me the answer!#but i just couldn't rest until i had an approximate area to work with #when i'm imagining the characters dealing with administration of remote territory #populating and partioning out land; crop failures and ensuring central storage of grain and other staples; collecting taxes and so on #kahka brud is literally a port. this is such a diplomatic nightmare. lmao. not even getting started on the monsters!#good luck with that kabru honey #dungeon meshi manga spoilers #dunmeshi spoilers

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sanctus-ingenium · 3 months

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I'd looove to hear a little about your worldbuilding process if you don't mind sharing. How do you go about it? I know you have shared in a few posts already but just wanna know moree. Also where did it all begin? What inspired you? (eating it all uppp!!!)

hi!! I know I wrote a big long thing like last year or the year before about the process to making a setting but I cannot be arsed to find it rn so here's some disconnected thoughts

Overall I don't really make Headworlds or Worldbuilding Projects the way a lot of people do (which is why u keep hearing me say 'setting' over and over) because mainly what I make are stories in the order of characters -> plot -> world. those three things have to serve one another in that order of importance, so the world itself bends to serve the narrative. for example, ultimately idgaf where the holy beasts' skeletons come from, that is not important because the beasts are basically just a big plot device to serve the story. i can make some post-hoc justifications for their existence (and i did) but at the end of the day it will not and does not matter how they work or where they come from. the world is full of mysteries that will never be solved because the characters are not in a position to solve them. aside from a single border conflict, the world outside the mezian empire is nebulous and unimportant.

I don't enjoy working in a world -> narrative order because what I want to produce isn't just a series of info posts or artpieces about a setting, but a closed and self-contained story which is the justification for the entire world's existence. Headworlds that are all world and no character don't interest me.

So basically in the process of worldbuilding, I have to serve the story. A while back I made a post about continental history around Inver, all these wars and occupations and schisms and so on. All of those exist solely to provide a particular political climate, justification for Aquitan's theocratic structure, and the spread of the southern church north into Inver. I already had the idea of this church, that it would be integral to the country as a main political faction, so now I have to figure out how it got there and the political ramifications of that. It's all worldbuilding for sure, but it's a support structure underneath the story about how that church eventually changes world history, because i wanted to write a story about a church lol.

I guess if I wanted to explain The Process for a world -> characters setting i'd just be giving you How To Write A Story 101 lol. But basically: I think of a concept which interests me (big mechs yay). Then I think of a conflict that might arise (where does the fuel come from? who controls that supply? what might that do to the concentration of power in this area?). Then I put a character in what I consider to be the most interesting position to observe the effects of this conflict (a knight, an enginesmith, an exile), and honestly the main plot generally writes itself after that. I extrapolate the hook from that.

In terms of characters, I try to avoid calling them 'ocs' because in my mind 'oc' tends to be a very static stand-alone thing. Like I couldn't make a useful ref sheet of my characters because they are all changed by the story. I couldn't say 'he has a carefree personality' because in a few chapters no he fucking won't. in the same way i struggle a LOT to talk about my Siren setting which as close to a specbio 'headworld' as i'm ever gonna get, because I am worldbuilding in vastly different time periods at once in a world which is always changing, i can't make a post about for example a map of Siren because that's just a map from one era, I'd need to make a dozen maps to show how things change, how time affects it all, etc.

Because nothing is ever static and everything is in flux, pretty much the only way I can handle a setting like this is, again, just to focus on a few small stories centered around a cast of characters separated by time (i have... 4 distinct stories in Siren. maybe more). this is actually a frustrating barrier to me sharing any information at all about this place lol i'm the struggler

Where did it all begin? When I was 11 I used to write stories in my copybooks in class. There has never been a time where I was not making stories and where my stories were not the only important thing at all to me, superseding literally everything else. I learned how to draw digitally in 2011 because I wanted to draw my characters.

What inspires me? Everything lol. I actually don't have time to Consume Media much, I struggle watching movies or tv and I mostly hate video games because I would much rather be productive and sitting and watching a screen feels like a waste of my time. but I like reading books because I can take them with me on my phone. I get ideas from all sources but mostly non-media sources, like obviously mythology but also my history with the church and my scientific education. Usually nonfictional sources interest me the most (i was going to write a whole story that was a post-apocalyptic plague plot based on canine transmissible venereal cancer haha and even to this day that's where "the Immortal Hound" title comes from, little easter egg in inver)

#sorry this is barely coherent

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thesherrinfordfacility · 10 months

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what does aziraphale know?

i wanted to have another look through the pre-fall scene because there was something that wasn't feeling Quite Right to me about it, and honestly the below is just a stream of consciousness rather than any coherent theory, analysis or otherwise - so read at your own peril.

so the school of thought for many reasons has been that the Angel Who Crowley Was (AWCW) was a powerful angel, and i don't think that can be argued sufficiently given what we have seen so far from s1 and s2. but after rewatching the pre-fall scene i do wonder if crowley's importance in the Grand Scheme of Things has been overestimated, possibly by noone more than AWCW/crowley himself, and if aziraphale was actually the one with status, however quiet and modest.

when we open with the pre-fall scene, we see crowley alone, and he calls at a passing angel for some help with the map/plan. now this angel seems to rocketing past at the literal speed of light, and i cant help but feel that they were actually intending on going somewhere. and at the below specific angle, that angel looks like they were heading in a downward trajectory.

given that AWCW points up when referencing "Upstairs", we can infer that whilst heaven may not be bound by concepts like upstairs or downstairs, it does seem to have a concept of a higher placement for a higher being (ie god). this is also going on the assumption that in this scene, AWCW and the angel are even in heaven-space (which arguably, they're not), but regardless the angel seems to be heading down, indicating that they've just come down from the Up.

in any case, when aziraphale arrives, has helped AWCW with the cranking, he then says, "was that it?". and the way he says it, his body language, indicates to me that he is being polite, but in a perfunctory way. to me, it almost feels like he has things he needs to get on with - not in any frustrated or impatient manner, but just simply, 'is there anything else you need from me?', because he has things To Do.

(gif quality does not display this lmao but it's the impression i got anyway)

but AWCW puts out there that that was just the starting the ignition, and gleefully says that the next bit is where the true magic happens. which, i think is obvious, is where aziraphale actually reacts in any of the same manner - he begins to really smile, and offers up his name, even going so far as to say hi for the first time in the conversation. and i do think this is because he's just gotten a slam dunk of 'oh shit this angel is cute', but that's almost immaterial.

the part of the dialogue that struck me however is that AWCW says, "ive been waiting for this since... well, always!". it's not particularly revelatory, but to me basically says that AWCW has literally been working on this since he was formed from the firmament, having concept and design meetings with god, but this has been his entire "life"'s work, and he has never known anything else. he could just be being hyperbolic and i could be reading into it, but it would make sense for this starmaker to have only ever been a starmaker.

and heaven is certainly portrayed as being the most desolate place ever conceived, whether its in the dreaded High Rise Penthouse office building or in this vast, empty, dark space (presuming of course that the latter is in fact part of heaven, which it may well not be - and instead be in the space between planes before the universe was actually created)

regardless it gives the distinct impression of being very Lonely. so can we surmise from this that AWCW is not only a starmaker, but The Starmaker? working entirely in a team of one (thinking about the ep6 line of a "team... of the two of us") to create this nebula, possibly even most of the universe? crowley is described as being the only demon with an imagination, and his weapon of choice is literally the same instrument with which he cranked up this nebula... was his imagination in heaven also that revered and that's why he was entrusted with this project? and other similar ones? possibly.

but that spells for loneliness - single genius can be lonely. so it stands to reason that AWCW would be eager to have someone around to get dizzy with him about the wonder that is this new nebula and appreciate him for his creation. but it's not out of it being aziraphale being the one to appreciate it - we can surmise that in the way AWCW brushes him off. is this a case of self-importance? feeling he has status and should be recognised for this achievement? i feel like this is potentially a likely scenario.

in any case, AWCW seems pretty set on creating not only for himself, which he evidently finds fun and self-rewarding - going so far as to preen at the heartfelt but small praise that aziraphale gives him, but because its part of gods plan, and he's doing it for her.

he's even given perhaps one of the most famous lines from the bible, "let there be light". do we even trust that in GO it was god that originally said it - was it in fact AWCW? well either way, he completely believes in her vision, as far as he understands her vision to be.

so imagine how it must have felt then, in this instance, to have this stranger angel tell him that hes fairly certain that god is planning to destroy it in the next few millennia. AWCW, who is entrusted with creating parts if not all of her universe, isn't even clued in on the full facts, but aziraphale seems to be.

aziraphale is even seemingly part of the team (or is the whole team?) that seems to be entrusted with the plan of god's ultimate creation - earth and people built in her own image... but in kind doesn't seem to quite understand the true purpose of the nebula AWCW has built, at least according to him.

do we take this as an indication that god doesn't readily share her plans between angels, or that the nebula doesn't actually have as much importance as AWCW believed it to have? in any case, aziraphale seems to have been entrusted with god's plan, and AWCW - a creator whose creation the plan directly threatens - isn't.

aziraphale then goes on to describe the people they are currently designing; if we went with the notion (ie not sure how true this is in GO!verse) that humanity is god's ultimate creation, aziraphale has been trusted to help with that. i can't imagine just any angel would be, so there must be something in aziraphale that god sees as being fundamental in helping her with building them. from what we know of aziraphale's characteristics even this early on in his arc, he seems to be a kind and selfless person, and these may be the qualities that in building humanity god considers instrumental.

when we further consider that aziraphale then ends up being guardian of the eastern gate, and seems to have gone unpunished in giving away his sword (spelling its own implications for humanity as concerns war, cruelty, and death) and lying to her about it, this really does indicate to me that aziraphale is literally one of - if not the - favourite. given his qualities that it seems the other angels seem to lack (yes, even AWCW to a certain extent), it might just be that aziraphale was god's perfect angel. that would make sense.

the other thing that struck me is that aziraphale warns crowley against questioning god. the fall hasn't happened yet, so what gives aziraphale the foreboding sense of doom if crowley were to directly question her and her motives? "if i was the one running it all, id like it if..." strikes me as being the foreshadowing that it's this exact phraseology that AWCW puts before god and spells for disaster; that crowley intimates that if he were in charge, he would do things better. which is eerie when you again take into consideration the bookend that is aziraphale, "if im in charge, i could make a difference".

i would take the context of this being set pre-fall to indicate that there isn't any concept of actual punishment in heaven just yet (other than what a supervisory angel might order another angel to do, or a general reprimand). so what exactly is aziraphale afraid of? why is he scared for AWCW? doesn't he trust god to be understanding and kind if AWCW were to ask questions? what is it that aziraphale knows that AWCW doesn't?

so this is where i come to wondering if crowley was indeed prince of hell (okay yeah, fuck it, this is now a theory). what if it was actually aziraphale? god's perfect angel, entrusted with creating and guarding her ultimate creation? would it really be implausible that aziraphale went back to god and mused on what AWCW had said to him?

that it would perhaps be beneficial to have further input on how things were being created, especially when all the hard work, the creativity and genius, that was going into making her plans a reality, was just going to be wiped out in a snap? AWCW had 'friends' that fanned the flames of questioning god, doubled down on his resolve, and aziraphale tried to forestall the punishment that would inevitably come for him... but in doing so was punished himself?

but because aziraphale is her Favourite, instead of making him fall, she wiped his memory of it? he evidently remembers crowley as an angel, but beyond that? especially his remark that he's never killed anything (when, even if indirectly, aziraphale actually has? s1 with the french guard and the airfield soldier (perhaps not taking book canon into account here re: soldier) and the demons in s2) - does aziraphale not remember being a soldier? had a hard factory reset and is back to the unblemished, untainted angel he was before?

what if crowley did indeed bargain for aziraphale to be spared? that it was his fault that god was going to make him fall, it was his questions not aziraphale's? i think narratively it could make sense in the way that aziraphale and crowley are put as two halves of the same whole; that crowley did a selfless thing and was damned for it, whereas aziraphale wanted something selfish for crowley but was spared from the consequences. it would also go some way to explaining why crowley always has to protect aziraphale - its literally been his way since the beginning, in recompense for what happened to aziraphale?

i realise that this is completely batshit, but i do like the idea (im a huge fan of a bait and switch), and poetically speaking i think it could work - that instead of crowley being the original fallen angel, it was actually aziraphale? borne out of kindness and fondness for his new friend, the friend that actively seemed to welcome his company and wanted to show him the stars, and wanting to make heaven and the world a better place?✨

#the above almost directly contradicts the lucifer theory but hey look im a wildcard a loose cannon i contain multitudes #good omens #the fall/the great war spec #pre-fall aziraphale spec #AWCW spec

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weird-hoodie-kid · 7 months

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one of my many goals in life will always be making children's horror

i dont think there has been any cartoon recently that really touches on horror topics, takes itself seriously and its directed at children, the last ones i can think of are genuinely Monster House(2006), Coraline(2009), Frankenweenie(2012) and ParaNorman(2012) and all of these are from when I was a child, the absolute DROUGHT in horror directed at children specifically is awful

there is a reason children are so attracted to horror topics and it's because children are curious of all this horrific things that happen to people and horror allows them to explore these topics in a safe way, from the safest point of view of things that never happened, fiction is the safest way to explore this kind of topics from

that's why things like fnaf, poppy playtime, rainbow friends(roblox map) and doors (also roblox) are so popular, because they can absolutely disengage from this in the blink of an eye, you can stop seeing this stuff by shutting off your electronics

you know what is the most popular thing among 7 year olds that i know??? fucking. siren. heads. why??? i have no fucking idea

and meanwhile i contribute a lot of things to the recent popularity of The Amazing Digital Circus (the animation lay offs, the fact that it has integrated audio switch for different languages and the fact that it just fucking slaps) we cannot ignore the fact that its becoming popular with the same public that fnaf was getting popular in 2014, children

do i think TADC is necessary horror? nope, it is a dark comedy, but holy shit that the concept is absolutely horrifying, it is a scary thing to happen and children would believe it could happen, like, back in 2014 i was 10 and i believed the purple guy was real and lived in my little latin american town

this and the fact that TADC looks so nice, has this amazing lovable characters, the acting is amazing and the bright colors that basically yell at you to look at it, children feel invited to watch it, even if they dont understand it

yk who of the kids i babysit liked it the most?? the six year old, she didn't understand shit and she loved it

and its because its an unlikely scenario and its safe to explore it, its safe to think about putting on a headset and end up in a game from before they were born

that's what has contributed to the rise of things like this through all this time, dark AUs of MLP, TMNT, TAWOG, etc, the idea of creepypastas, whatever the FUCK are ARGs the fact that its a safe place where you can explore horrible and scary subject from a curious stand point with nothing happening to you

TL;DR: children's horror is important because children need to satisfy their curiosity without being in danger

#children's horror #horror #the amazing digital circus #fnaf #poppy playtime #siren head #long post #if this was 2009 murder drones would be a movie that disney would put on tv during Halloween after monster house and before hocus pocus

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wishjacked · 13 days

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Happy #WebcomicDay!! :D

This year we're celebrating the process of making pages... so below the cut I've got a bunch of pictures sharing how I go about making pages of my evil post-apocalyptic workplace sitcom, Cargo!! :D

So! My process!!

Writing-> I think sometimes there's pressure to "write" your comic a certain way, I see people talking about script format and stuff a lot. That really doesn't work for me, though! I write my "first draft" script in short scenes on scrap paper, in whatever order they come to me. Sometimes a scene will just be one or two lines, and then a little description of what I want to happen in the rest of the scene.

Later I type the scene up, and write the "connective tissue" that fits between the disjointed scenes so they all flow together like they ought. I don't do page breaks or even character tag or action notes hahahaha I like it to be as BASIC as POSSIBLE so it's easy to edit. And since I'm the person drawing it I can almost always remember who's supposed to be saying what lmao

I edit a lot, but the most major editing is also probably the last bit... when I letter my pages usually I realize "they would never say that" and so I end up rephrasing everything. My art brain is sometimes waaaaay better at phrasing hahaha. Like you can see in the finished page for this script I rewrote like basically all of it, and actually went back to the original "sketch" script in a lot of places.

Thumbnailing-> my thumbs are really big, I draw them with markers on printer paper and keep them in a binder!! I like to thumb scenes in batches and I also usually write my dialogue on them, just so I can read through them before (and while) I draw to get a feel for how the pacing works. :)

youtube

Sketching-> OH sketching is also really hard for me! I don't have a good visual imagination so it's really important for me to make sure I have good references. Last year I was especially focusing on setting.

My comic is set in Florida. I'm lucky in that I used to live there and still go back to visit sometimes, so sometimes I can gather my own reference images! But more often I start on Google Maps or Zillow, trying to find buildings that have interesting features or the right kind of "look" for what I want. I'll also look up other interesting elements, my comic is set in a post-apocalypse and I'll research home gardening and things like that which people would probably have.

For example, in this set in chapter 7, I used Google Maps images, photo references of indoor hydroponic gardening, and like, 90's-00's hacker computer setups haha. Also my BFF Roomstyler.com, where you can make 3d house interiors haha!!

Lineart-> I LOVE lineart it is my favorite!!!! I sketch and ink two pages at a time, and it usually takes somewhere between 10-12 hours to do both steps.

I actually think my art looks best when it's just lineart... but I think my STORY is better with color, like it makes it clearer and easier to read and it has a better atmosphere HAHA.

Colors-> I think it usually takes me 4-6 hours to do 2 pages (I haven't timed myself as consistently as I time my lineart and sketching). I have a big file with small copies of my previous pages that I color drop from, and my characters are all flats only. The limited palette that I use is also really handy, it streamlines coloring a LOT.

Finishing Touches-> aka I steal mercilessly from my one true love, my internet home, the beautiful and blessed Wikimedia Commons

I put lots of overlay layers on my art! I like textures so having some strange little textures or pictures on things makes my art feel a lot more finished to me.

And finally my very most favorite ✨finishing touch✨ is the bright colored/patterned gutters that I use. Here are some of my favorites that I've made and used in the past!

And that's all!! I hope you guys have a very happy Webcomics Day and find lots and lots of wonderful new things to read!!!

#WebcomicDay #Webcomic Day #my art #webcomics #webcomicsday

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leafofkudzu · 10 months

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Hello again! The first Saturday of a new month approaches once more, which means it's time for another art party hosted by my guild, [VS] Verdant Shield! The poll has run its course, and our location winner by a narrow last-minute victory is Hoelbrak!

For those who have no idea what these art parties entail, they're an idea carried over from Final Fantasy XIV - in-game get-togethers for artists/writers/creatives of all kinds to hang out, chat, and create together! Get a nice outfit together, find someone that inspires you, and create! Then afterwards, everyone posts their creations under the same tag (ours is #VSArtParty) so others can see, interact, and share! There is no off-site discord server or anything for art parties (well, these ones at least), since the idea is to encourage community creativity and interaction! Simply put, there's one thing I always say in every one of these posts, which will forever hold true: the 'goal' of an art party isn't to be drawn, but to draw others, and share with the community!

Now, those who have been to previous parties know the basics about times and /squadjoin stuff by now, but for those who don't know or would just like a refresher, details about location and other such things are under the cut!

Location:

Lake Mourn is absolutely massive and basically impossible to miss since it takes up the entire West side of the map. If you head to Hero's Compass Waypoint and hop off the edge down onto the ice, that's the spot! I expect people will spread out a lot with this much room, so you may have to wander a bit to find where people have decided to set up shop!

Time & Squad Details:

As always, the party will consist of two separate events, technically with an hour in between though people with multiple accounts often hop from one to the other immediately.

The first party will be on EU servers and begin at 9pm Central European Summer Time (aka 3pm Eastern Daylight Time or 5 hours before in-game reset). I’ll be hosting on my EU alt account, so to join either /squadjoin or whisper Runa Gravemourn for an invite.

The second party will be on NA servers and begin at 7pm Eastern Daylight Time (aka 1am Central European Summer Time or 1 hour before in-game reset). This one I’ll be hosting on my main account, so to join either /squadjoin or whisper Valdis Kogrunner for an invite.

IMPORTANT NOTE RE: POTENTIAL MAP CLOSURES: Last time we were in Hoelbrak we had issues with very frequent map closures. To try and keep us together as much as possible, I'm actually going to suggest everyone join and stay in squad unless absolutely necessary so when we jump together we're more likely to end up in the same place. Ideally the map doesn't close every 15min but who's to say? We'll keep our fingers crossed. Should the squad cap out I'll enlist the help of another guildmate to get a second one going for further cat herding, so if you attempt to join my squad and it's full, please whisper me and I'll have the second squad's commander invite you to theirs instead!

Closing Words:

I may have been spending the last few parties quietly watching without much input, but these really are one of the highlights of my time in game, and of my month in general! I love seeing everyone come out and have fun making memories together, and I hope to see many new and returning faces this time around as well! Thank you all for making these events so special, and I'll see you all on Saturday! ♥

#hoelbrak and rata sum were in an exact tie an hour before the end of the polling period #i reblogged the poll in a desperate attempt to get a few last-minute votes to swing it to one side lol #if they'd tied i probably would've gone with hoelbrak anyway since we just did rata sum but like still #gw2 #guild wars 2 #obnoxious tourist simulator #vsartparty #📢🎨

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darkspellmaster · 5 days

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So I was on Reddit reading ways to improve the Savanaclaw arc. This got me thinking of another way to improve it. What if Ruggie and Leona kidnapped Yuu during that arc? Hear me out.

Like Yuu sees Ruggie use his unique magic on someone. Either Ruggie takes off and Yuu goes after him or they follow him alone into Savanaclaw. But no matter what direction, Yuu gets caught and is held hostage in their dorm so they don't spill the beans. If Yuu is a girl, those two would still treat her well by putting her into her own room in Savanaclaw like how Jamil did in Scarabia, giving her high quality food and even having some hapless student from that dorm play housekeeper for her.

For one, it would show their cunning and intelligence. One big issue that I and a lot of others have with that arc is that Leona and Ruggie boast about their plans and how they are so evil like telenovela villains. But by doing this, it makes them make a seemingly clever decision that would prevent them from getting caught instead of being so cocky that they blab their plans like dumbasses. It would also show how low Leona and Ruggie sank for pulling this. Savanclaw is survival of the fittest, but I don't think even Leona would resort to taking hostages. If the fic is Yuu/Leona or Yuu/Ruggie, it could get some interesting interactions and bonding moments.

Not gonna lie, I'm kinda tempted to go in this direction in my fic series, because I can see them pulling this if those two retained their intellgence. But either way, I would love to see a fic about this.

Its an interesting idea. A few changes i would make though.

Leona would know kidnapping is a big deal so he would be way more sneaky about that. He'd make Yuu think they are not being held by basically giving them an incentive to come speak with him. This way its of Yuu's own volition rater than him or her being kidnapped.

Second, I'd put the Yuu outside of Savanaclaw. Yes to their own room but Leona wouldn't leave evidence in his own house. So maybe either on the grounds of the dorm (pride rock like place in the map background or the playing field) or on the school grounds (coliseum, castle or other buildings).

Last. I'd have him try to convince Yuu to be on his side. Tell them about why he's doing this, play up to their sympathy. Pull a bit of Zira from Simba's pride, and have Yuu have to out wit Leona to escape.

There's a game called Code Realize where one character kidnaps the lead and puts her in a house that matches the home she's staying in. Girl is a dooms day weapon so kidnapping is actually warranted to keep people alive, but not important her. Point being, she talks with him, he tries to convince her to side with him, she refuses. Then ends up busting out of the place showing she's smarter than him.

I'd try for something like that with Yuu. Play with Leon's pride, get his guard down, then escape to show Yuu's cunning for survival.

#twisted wonderland #leona kingscholar #ruggie bucchi #disney twst #twst wonderland #twst leona #twst yuu #savanaclaw #savanaclaw arc #twisted wonderland book 2 #asked and answered #twst ruggie #disney twisted wonderland

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ember-amber · 6 months

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Time for a souls opinion that I haven't seen anyone have yet.

I think the really scary insufferable enemies are fine. I'm talking about the Royal Revenants, Pus of man,the bloodborne sharkmen, and even those skeleton dogs(I couldn't think of an example from ds2, maybe those temple knights in the dragon area?).

I think it's pretty cool to have one kind of monster that you see and go "oh SHIT. I CANT FIGHT THAT", and you immediately want to run away.

The Royal Revenant is a beautiful example of this because when I see it I immediately want to be on the other side of the map, and I have to run for specially long because it can and will teleport on top of me. Really puts me in my place as a player.

Another thing that helps in the later iterations of these enemies is them having a counter. A very effective way of killing them,but it requires you to have a specific build, or to go out of your way for it. Fire damage for Pus of Man and any healing spell for Royal Revenant. Pyromancers and faith builds immediately have an advantage against those two, but its not like you can't find fire bombs or reach the stats for the basic heal with tallismans.

Cool little moments where ingame knowledge and preparation are more important than skill and reflexes.

You want them gone from your game because they are annoying and unintuitive to fight, I want them to stay because I would like to still feel something while playing these games.

#dark sousl 3 #dark souls #elden ring

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fishfingersandjellybabies · 8 months

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I noticed that as fandom we don't talk much about how Damian technically doesn't have a civil persona anymore. Basically every Damian adventure comic is just enemies and allies find out his secret indent (Colin, Maps, Maya for example and his enemies on that island), and the best part of this is HIS FAMILY HAVE NO CLUE ABOUT THIS

For some heroes the public persona and hero identities are important to protect who they love and also give them the opportunity to live a normal life. Clark is a human by heat, but he can't stay quiet see the people who his love being hurt, because of that he becomes superman

Bruce also takes care of his public persona (Brucie), he give lecture after lecture to his children about this (Dick and Bruce arguments a lot in the past because of this) then we have Damian, who fights without a mask, everyone knows his mom, he doesn't ever try to change his way to talk and participate in the family tradition in being a "pretty idiot to journalists"

This boy basically lives in the Danny Phantom situation where everyone knows his name and where he lives but no one goes to confront him in his house

What is the funniest thing about this boy to me. Also it's really nice because few superheroes don't care for their public persona, and also put him together with Kon El in somehow. Let's explain, Kon in his origins doesn't have a civil identity, because he is truly a superhero by heart. He was made for this and he is this, a superhero (I know how important it is to him being "El" but I want to focus on his hero life) and Damian slowly approximate himself from that status

Don't get me wrong he understands the necessary evil of public persona and hero persona, but he can't do it. Then he slowly destroyed this barrier and became a superhero as one and only identity

Idk if he doesn't do this consciously or unconsciously, but this is funny because no other batkid did that before him (even Terry have a civil persona and a hero one)

Bonus because I can't stop thinking about this:

random boy from school: Damian, if you're the Robin this means your dad is the batman, no?

Damian, lying to protect Brucie persona: my father is barely a man

In conclusion Gotham knows two things: 1. Batman is truly Bruce Wayne's sugar baby and 2. Damian Wayne really deserves being called Wayne Brain Cell

(I'm sorry for bringing all of this in your ask box but I feel that as a fandom we don't talk much about this)

it is true, his relationship to being a 'normal person' is pretty warped.

I feel like it all kinda started when he died to the Heretic. I wonder what Bruce told the public. And then I wonder if, when he came back, Damian pushed for his father not to mention it. Makes Damian's personal missions that much easier after all. He's already a recluse. Leave him a mystery. The rest of them can go galavant around.

I still think Damian wouldn't outright say it to THAT many people, if any at all that he doesn't know on a traumatic level like he does his friends/enemies. So becomes like...the cosplay kid at school. Because his Robin costume is SO realistic. Then Damian shows it off a little bit. Bruce is a bit concerned. Alfred is just proud about how Damian is showing off his expert craftsmanship to others. Proud Grandpa.

#damian wayne #also batfam headcanons #asks #anon

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