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215-luv · 8 months

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AKAASHI & TSUKISHIMA WHEN YOU’RE IN AN UNCOMFORTABLE SITUATION

(tw: cursing, attempted assault)

AKAASHI

it was really unexpected of him to act this way—not when everyone sees him as a composed person especially with the way he handles the volleyball team’s team captain, bokuto kotaro. so, when people saw the way his calm demeanor drops the moment his eyes take sight of some third year dude being handsy with you, it’s over.

keiji was in the middle of volleyball practice with the team and as usual, you were there to watch him from afar. your peace, however, was interrupted when a senior who you were kind of familiar with approaches you out of the blue. you recognized him as the student council president, however, you couldn’t recall his name. since you were the only person in the gym who seemed approachable, he asked about the coach and told you he was practically there to talk to the team captain about some collaboration for all clubs in the school. since almost everyone in the school knows that you frequently visit the gym, he knew you were someone who was familiar with the ropes of the team, so he initiated a conversation with you.

to be honest, the whole interaction with him didn’t stain you with a bad feeling at all. he was actually really polite and didn’t show any ulterior move towards you. soon enough, the initial topic of the conversation regarding the clubs slipped away as it turned to a talk about your similar interests. he was an easy going guy, and he introduces himself to you with his name, kento, and to your surprise he already knew yours before you could introduce yourself.

too basked in your conversation with the council president, the both of you seem to didn’t get a hold of the time. you were pulled out of your conversation when you hear the cheers of the team, signaling the end of practice, and you were oblivious to the unusual look your boyfriend has been giving you from across the court.

and, well, it seems the team has noticed the distant look on keiji’s face as he eyes the seemingly fun interaction you’re currently having with kento. he swears it’s been like that the whole duration of the practice—but it’s not like he’s jealous about it, of course. there’s no way he’ll act irrationally about some little conversation you’re having with the student council president. he might have approached you about something related to school, of course, he wouldn’t think of any other reason why kento would approach you other than that. but why are the two of you laughing so much? why are you smiling so brightly? oh dear god, this is driving him crazy. the gears on his brain were rapidly functioning with a feeling of discomfort in him that he couldn’t fathom why he’s feeling that way. his overthinking was eating him alive and he so desperately wanted to push it all away because he feels like he doesn’t have any reason to feel uncomfortable at all.

“isn’t that yamazaki kento? the student council president?” keiji hears konoha murmur to komi, who was nodding in response, eyes suspiciously eyeing the boy you were still talking with.

bokuto’s eyes practically widens, “yamazaki kento? so his last name is yamazaki? i swear i heard him introducing himself by his first name to keiji’s s/o a while ago.”

what?

keiji didn’t hear that right, did he?

“huh? they’re that close already?”

no, what the fuck—because why is keiji feeling this way? why does he feel his stomach churning in discomfort. he shouldn’t feel this way at all. you were simply talking to someone, let alone making new friends. he didn’t want to make you feel like he’s stopping you from doing so simply because he’s getting a bad feeling about all of this.

the side glances and stares from the team doesn’t make things much better for keiji. his mind is full of endless thoughts, but the blank look on his face tells another story.

he tries to keep his composure, he swears. he’s calm, he promises. he’s okay, you’re okay. he trusts this yamazaki kento, he’s the student council president for pete’s sake.

everything felt so odd for keiji that he could barely register his feelings or how he should feel about the situation. from the look of his teammates, however, this was a bad thing. and honestly, he already knew it was from the beginning.

“well..” bokuto trails off, eyes pointing towards you and yamazaki kento with a frown, “not sure what to feel about that, but it looks like they’re having fun so i guess there’s no harm in that.”

konoha snorts, “psh, yeah, too much fun.”

“konoha, shut the fuck up.”

yeah, konoha, shut the fuck up. keiji practically screams in his mind—an unusual thing of him to do. a bitter taste lingers in his mouth as he glares at the wing spiker.

moments of awkward silence passes, as if the team is waiting for any reaction from the setter. and finally, keiji sighs, thinking that he should put an end to this conversation before things get worse.

“i have no idea why all of you are making unnecessary comments about this. it’s really nothing to make a fuss about, honestly.” he says, eyeing the team with a cold gaze that greatly hides the uneasiness he’s feeling deep inside.

“gee, he’s a good actor” komi murmurs next to konoha with an amusing look. bokuto hears it and hardly nudges his torso in panic.

bokuto clears his throat with a dry laugh, “well, yamazaki kento is an honorable council president, after all! it’s no doubt he’s talking to your dear s/o because of their amazing and outstanding role in this school—“

“yeah, well, you might want to think about that again,” konoha cuts him off with a cough, lowly pointing a thumb at the other end of the court where you’re located at. everyone swiftly turns their head towards that direction.

and as if keiji is met with his worst nightmare, to his horror, he sees the so-called honorable student council president subtly holding your arm, his body stepping closer towards you—as if the distance between you isn’t enough.

okay, what the hell? keiji is damn sure that you and this guy just met, so why is he being so touchy with you? why is he letting you call him by his first name? is he that dense? is his head okay? doesn’t he know that your boyfriend is literally standing a few distances away, eyeing him with a glare?

and there, keiji sees it. he swears it’s his breaking point.

you took a step back, trying to put some distance between you and yamazaki kento.

but then this prick takes a step forward, knowing damn well you’re trying to distance yourself from him.

there it is. keiji notices, you’re uncomfortable. your body language says it all. now, the endless thoughts in his mind is replaced with pure anger.

keiji’s pissed.

“okay, what the fuck?” bokuto comments, “first, he’s on first name basis with akaashi’s s/o, now, he’s being all handsy wi—wait, akaashi, where are you go—oh, shit. holy shit! it’s happening. he’s pissed alright. konoha, go get your damn camera!”

from the other side of the court, resided you and yamazaki kento.

you swore things were going well. you and the guy had a lot of things to agree on. but why is he suddenly being all handsy with you? what’s the purpose of him holding your arm as if he’s known you for years? you just met him! hell, you didn’t even know who he was before he introduced himself.

also, it was so weird of him to know your name beforehand. the feeling of ease has been eaten away by anxiety as you did your best to kindly give yamazaki the hint of your discomfort.

your lips forms into an uneasy smile, “u-uhm, would it be alright for you to move away a bit? we’re too—“

“too close?” yamazaki kento continues with a smirk plastered on his face and your stomach churns.

the guy now raises both his hands, subtly holding the sides of your arms while he eyes you intensely and you panic.

your breathing turns uneven, “w-what are you do—“

as if the air was knocked out of your lungs, an arm aggressively pushes the guy away from you, creating as much distance between you two. the air suddenly feels lighter—all the more when you see your boyfriend standing infront of you, his warm hands replacing themselves on the sides of your arms. his hold on you was much more gentle, more comforting and warm. you never felt so relieved your whole life.

“keiji,” you breathed out with a relieved look on your face. and keiji was quick to pull you in his arms to an embrace, not giving a damn about the student council president on the floor from the impact of his push.

“it’s okay,” he whispers, his lips lingering on your forehead, “you’re okay. i’m here. you’re safe with me, darling.”

thank god keiji’s intuition was always right.

TSUKISHIMA

kei is always one who has a lot of things to say—most especially the mean things. it’s simply who he is and he doesn’t give a damn if he attracts a lot of enemies because of that trait of his. when it comes to you however, he doesn’t seem to get himself to act mean towards you—his significant other. he’s head over heels for you, it’s a fact. and it’s sure as hell that the whole school knows about that. the infamous, cold-hearted guy falls inlove with a down to earth, kind person. how cliché—but it’s cute, isn’t it?

it was training camp, and karasuno, along with other teams from different regions in japan were present. you were one of the people who volunteered to help with the team since this year’s training camp would involve more schools to join, therefore they needed the help.

and so, as the kind person you are, you willingly joined the team for their training camp. plus, you would be able to see kei more. the idea of traveling afar and meeting a lot of people gave you the feeling of excitement—the complete opposite of your boyfriend, who thought of everyone else but you a nuisance.

you barely were able to recover from shock when you’ve arrived at the destination. the gym was huge, filled with so many faces that some you were familiar with, but most of them you don’t recognize at all. kiyoko was snickering at the shocked look you and yachi had while some of karasuno had their jaws on the floor.

you were too busy gaping at the huge gym in awe that you weren’t able to register a tall presence approaching you. his fingers raises to flick your forehead with a tiny sound—the action nearly scaring the wits out of you.

you tilt your chin up to meet eyes with your boyfriend. you give him a glare and he replies with a tiny smirk.

“are you surprised?” he asks you, his tone giving off the vibe that he’s teasing you.

you huffed, “of course i am, kei. it’s my first time after all.”

“well, you’re going to be met with even more surprises the longer you stay.” your boyfriend says, raising a hand to place it at the top of your head, “good luck with that.”

“yeah, sure. thank you for your concern, kei.”

you have your regrets.

a day has passed and you realized you wanted to take back your insincerity when you thanked him for wishing you a good luck.

“what’s a ‘lil mouse like doin’ you here? are ya lost?”

fuck. scratch all that, you needed to escape. now.

it’s a funny situation, really. kiyoko has instructed you to fill up the team’s water bottles. and you’ve successfully done so, your mission was done. everything was going so well. you thought you wouldn’t come across any problem along the way because you were just simply told to fill the bottles with water.

however, as you were on your way back, you bumped into an unfamiliar face—a tall guy who you assume to be one of the players from some school based on the shirt he’s wearing.

you apologized for bumping into him, and the basket filled with bottles that you were holding were so heavy you wanted to rush back to the gym as much as possible.

the guy, on the other hand, had other plans.

as soon as you were about to walk past by him, he raises his arm to block your away, and your head swiftly faces him in surprise. suddenly, the basket on your grip feels heavier.

you gulp, “y-yes?”

“what’s a ‘lil mouse like doin’ you here? are ya lost?” the guy smirks, eyes moving up and down your body. suddenly, you feel sick in the stomach.

you try your best to get out of here as soon as possible, making sure not to offend the guy because god, he looked like he could do something to you any second.

you released a forced laugh, “haha, just doing some duties for the team. i have to go now—“

“hol’ up. why are ya leavin’ so soon, darlin’?” the guy now blocks your way with his whole body, his tall figure blocking the light from you as you’re covered with his shadow. you wanted to cry, why is he being so persistent? you should have asked kiyoko or yachi to come with you.

you sure are met with a surprise. kei was absolutely right and you’re surely damned. dear god, where’s kei when you need him?

“where are they?”

kei agitatedly questions the team managers as soon as the team gets back to the bench after ending another match. it has been nearly twenty minutes and you haven’t returned—which worried kei although he tried his best not to cause a huge fuss about it.

“i asked them to fill the bottles for the team,” kiyoko answers, “however, i’m not sure what’s taking them so long. i’m starting to get worried.”

kei immediately furrows his eyebrows, “they went there alone? you mean to say no one accompanied them?”

fuck, he’s mad. the whole team screams in their heads. they all inwardly panic. all of them stood there stiff while glancing at one another, unable to say anything as it might fuel the anger inside kei even more.

yachi shudders, “w-what if—“

“don’t.” kei glares at her, stopping her from whatever she’s about to say because he’s sure it would only make the discomfort he’s feeling even worse. poor yachi squeaks at the glare he sent her, but he couldn’t care—not when you’re taking too long to go back. he swears his heart begins to beat rapidly every second he doesn’t see you.

“tsukishima..” sugawara tries to console him, he had an uneasy look on his face while slowly approaching the middle blocker.

“we’ll find them right now, we don’t have any matches lef—ah, and there he goes,” suga trails off, watching as the blonde walks out of the gym without a word to find you.

“no need to tell him what to do, i guess.”

the rest of the team then decides to split up to find you, hoping that you’re safe and sound.

back to where you were, near the area of where the water fountain was—you still stood there frozen, holding the heavy basket of water bottles.

the guy who’s practically towering over you lowers himself so he could get a better glimpse of you—the action making you take an immediate step backward as the close distance between you two made you uncomfortable. you gulped, refusing to look at him in the eye. he was so close that you could feel the sensation of his warm breath, making you feel nauseous.

“pretty bird.” the guy chuckles.

from the corner of your eye, you could see his hand raising itself to the side of your head. you flinch when his fingers were close to hover themselves over your hair strands.

and then, in a swift motion, a hand grabs the guy’s wrist, halting him from touching you. you jump in surprise.

“wh—“

“touch even a strand of their hair, and i’ll make sure you won’t have the hands to do so.”

that voice. your eyes widens, the uneasiness in your stomach dissipating as soon as you see your boyfriend standing close next to you.

kei quickly squeezes himself between you and the guy so he’s blocking sight of you from the weirdo. he grabs hold of your hand from behind, giving it a tight squeeze in assurance—then he takes the heavy basket from your grip. you couldn’t help but breathe out a sigh of relief. you were practically shaking, and you hadn’t realized that until kei came to the rescue.

“you’re here.” you whisper quietly under your breath, only for your boyfriend to hear, “thank you, kei.”

once again, you feel your boyfriend squeezing your hand, the action giving you the right amount of warmth and comfort. despite his gentle advancements towards you, it was evident that he’s practically fuming.

kei was overflowing with anger.

the veins on the side of his neck were popping and evident. his eyes were narrowed and his lips were turned to a tight frown.

“so?” kei looks at the guy infront of him, his golden eyes piercing and cold, “do we have a deal?”

and just like that, the guy walks away with a huff.

#haikyuu x reader #haikyuu fluff #akaashi x reader #tsukishima x reader #haikyuu comfort #akaashi fluff #tsukishima fluff #haikyuu imagines #haikyuu scenarios

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buckybarnesandmarvel · 8 months

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𝐒𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐔𝐧𝐞𝐱𝐩𝐞𝐜𝐭𝐞𝐝

pairings: chris evans x vet!reader

warnings: a whole bunch of fluff

summary: an ordinary day at the shelter turns into something... unexpected

a/n: trust chris to get me out of writers block. also holy fuck that outfit has a fucking chokehold on me ithinkiforgothowtobreathelohmygod

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You weren't told about this. Well... you were told someone was coming in for a collaborative video linked to the dogs... but you definitely weren't expecting this.

Chris-fucking-Evans.

You watched as he walked in, his broad figure hugged by a too-tight shirt, a small chain peeking through the collar, his hair messy under his cap and his blue eyes sparkling through his glasses. A large grin adored his face as he clapped his hands excitedly. You couldn't help discretely looking him up and down and your thoughts took over, momentarily distracting you. You took a deep breath and walked into your treatment room.

You were the resident vet at the shelter, looking after all the dogs that were brought in. You loved your job, being able to hang out with the dogs all day, it was both fun and rewarding. You knew them all at this point and made it your habit to see all of them first thing in the morning and last thing at night.

You had actually adopted your pup, Buzz, from the shelter, a beautiful baby chocolate lab. To be fair, you would've gladly adopted them all if your landlord hadn't forbade you and you had enough money and space. Now you just brought him into work, letting him run around and socialise as you did your thing.

You were doing a checkup on a dalmatian that had been brought in the week before when the camera crew came in, Chris-fucking-Evans tailing along behind them with a large smile. You momentarily paused, your eyes widening slightly before you put on a smile and made more room. You introduced yourself and the dog, Coco and they asked you a couple questions then let you work, filming you doing the checkup. Chris stood to the side watching intently as you worked with the dalmatian, wearing the scrubs and gloves you had leant him. You were glad Coco was calm throughout the checkup, not getting spooked by the amount of people in the room.

You smiled as you deemed everything fine with her and stepped aside as Chris came forward to give her a treat. Your heart almost burst when you saw how soft he was with her, raising his voice a couple octaves higher as he pet her gently. Once your piece was over, the crew left as you got ready to take Coco back to her room. You clipped on the leash as you looked for anything you had maybe left, when you saw Chris standing by your equipment, a smile still on his face.

"Hi?"

"Uh hey! Hey. I'm Chris." He looked at you and stepped forward, extending his hand for a handshake. You took his hand in yours as you smiled shyly.

"Yeah, I know. It's really nice to meet you sir."

Chris gave out a breathy laugh as his cheeks became dusted with a slight pink.

"Please no need for that, just call me Chris."

"Okay... Chris. Was there anything you needed?"

"Nah, I just wanted to say that's it's great y'know... what you do for the dogs here."

Your cheeks heated at the compliment as you smiled wider.

"Thank you! But honestly, it's not much. I love what I do."

"Still, it's exceptional.... hey... i was wondering if you're free after this?"

You froze slightly as your eyes widened a fraction. Your jaw almost dropped as you took in the man in front of you. He couldn't possibly want to go out with you..? You mentally shook the thought off and heat rose to your cheeks as you realise you kept him waiting.

"Y-yep! I'm free."

"Great! What time do you get off?"

"7."

"I'll be waiting..."

He winked and walked out of the room, leaving you slightly flustered and confused, but it a good way. And you couldn't help thinking that was something... unexpected.

*********************************************************************** first time writing in a long time, guys. don't judge lol x

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tagging: @xioriae @chrisevansdaughter @newgirlintheneighborhood @boredum7865 @hulkstacos @dhoruwolfie @scorpiolystoned @smoothdogsgirl @bubblessunshinehoney @youralphawolf72 @littlebluestone @friskyfisher @hallecarey1 @nana1000night

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sitp-recs · 7 days

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Thank you so much for your recs—they are fantastic! I wondered if you had any for Draco and Harry becoming friends at (and eventual lovers) at Hogwarts (doesn’t have to start with 1st year, but can!). Thank you!!

Hi there! Happy you’re enjoying the recs 😊 I got a couple recs, the majority is 8th year since I don’t really read canon rewrite AUs. I hope you enjoy these!

Thermodynamic Equilibrium by DorthyAnn (T, 5k)

Harry's far too hot. Draco's always cold. And somehow against all odds, together they create a perfect equilibrium.

Good Company by Greenflares (T, 8k)

With Hermione and Ron always together, Harry's return to Hogwarts to complete his education isn't exactly fun. Somehow, it's his unlikely friendship with Malfoy that keeps him sane.

Stand Back: I'm About to Perform Archaeology by Blowfish_Diaries (E, 10k)

A new Muggle Studies professor takes the Eighth Year students to work on an archaeological excavation. In which Draco is lazy, Harry is sweaty, Hermione is drunk, and Ron turns red.

Nice Things by aideomai (M, 22k)

The first thing that happened was Theodore Nott came back from France.

Makes Me Stronger by Lomonaaeren (E, 29k)

Rita Skeeter’s Harry James Potter: An Unnatural History is a best-seller, mostly due to the fact that Skeeter’s collaborated with a photographer who’s infused the pictures in the book with Harry’s actual memories. As Harry struggles to survive the storm consuming his eighth year at Hogwarts, Draco Malfoy becomes an unexpected ally.

On Our Way by evils (E, 30k)

Draco is trying to spend the summer keeping his head down, but a repair project and a certain snowy owl have other plans for him.

Eager for the Sky by @oknowkiss (E, 35k)

It was announced, just as the Triwizard Tournament had been, at the start of term feast. A year-long, international Quidditch varsity match — the inaugural Wizarding Academy Cup. In which Harry is Hogwarts' star Seeker, Draco is on the bench, and they both have a thing or two to learn about playing for the same team.

Like Lightning at Your Fingertips by potterwatch (T, 43k)

The problem with living with another insomniac is, eventually, they find out you’re one, too. When Harry and Draco return for their eighth year, they think they’ll see very little of each other. Then McGonagall assigns them to room together. And the castle starts breaking. And there’s that thing with Potter’s magic.

The July Tree by @oknowkiss (E, 51k)

Neither rain, nor snow, nor sleet, nor hail… nor well-meaning friends, nor questionable communication skills, nor seven years of hating each other’s guts can keep Harry Potter and Draco Malfoy from falling in love.

The Promise of Summer by Omi_Ohmy (M, 67k)

How was Harry supposed to know that coming back for eighth year would be so confusing? Everything is the same, and yet not the same. And nowhere is this more obvious than with Draco Malfoy. Harry finds himself once more watching and following Malfoy, trying to work him out. When they are drawn together to heal the castle, Harry doesn’t just find Malfoy - he also finds himself.

Azoth by @lol-zeitgeistic (E, 88k)

Now that Harry is back at Hogwarts with Hermione for eighth year, he realises that something’s missing from his life, and it either has to do with Ron, his boggart, Snape, or Malfoy. Furthermore, what, exactly, does it mean when one’s life is defined by the desire to simultaneously impress and annoy a portrait? Harry has no idea; he’s too busy trying not to be in love with Malfoy to care.

Helix by Saras_Girl (E, 93k)

Seven months after the end of the war, Harry is feeling lost. Fortunately, he is about to be offered an unexpected and sparkling chance to find himself again.

Changing Tides by carpemermaid (E, 109k)

Draco has spent half of his life spouting the things his father has taught him without much thought about how he feels about what he says. When he unexpectedly comes face to face with the Dark Lord, he grapples with the harsh realities of the world and struggles with his changing views on life.

Written on the Heart by who_la_hoop (E, 114k)

Unnerved by the attention he’s attracting from everyone – the Slytherins are the least of it, to be fair – and struggling with a raft of changes to Hogwarts itself, Harry wishes he could be happy that one constant remains: Draco Malfoy really fucking hates him.

Twist of Fate by Oakstone730 (T, 300k)

Draco asks Harry to help him beat the Imperius curse during 4th year. The lessons turn into more than either expected. A story of redemption and forgiveness.

#asks #magtops #Drarry reclist #8th year friends to lovers #slow burn

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astroamorsworld · 5 days

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Part of Fortune in the houses part 2

If you guys would like to support me, you can buy me a coffee here :)

If you would like a reading you can DM me or contact me through my fiverr page here or my ko-fi page here

Want a chance to win a free solar return reading? Click here to enter! (Closed)

I hope you guys enjoy!

Part of Fortune in the 5th house

With this placement, your luck will be most apparent through your hobbies, with your flings and through expressing yourself, being creative and embracing your fun side. You're likely a naturally creative and expressive person. You might have a strong sense of joy and enthusiasm for life, and expressing yourself creatively can bring you a sense of fulfillment and good fortune. You might also have a knack for connecting with others on a playful and romantic level. You may thrive in fields that require creativity and self-expression, like acting, writing, music, or visual arts, could be particularly fortunate for you. You might also find success in careers that involve working with children or in the entertainment industry. If you want to get the most out of this placement, Pursue your creative passions and find ways to express yourself authentically. Embrace your playful side and don't be afraid to have fun. Nurture your romantic relationships and cultivate a joyful spirit.

Part of Fortune in the 6th house

Part of Fortune in the 6th house suggests that good luck and a sense of fulfillment can be found in areas related to routine, service, and taking care of yourself and others. You likely have a strong work ethic and a natural ability to be helpful and service-oriented. Taking care of yourself and others can bring you a sense of fulfillment and good fortune. You might be particularly good at creating healthy routines and habits. Careers in healthcare, wellness, fitness, or any field that involves helping others could be particularly fortunate for you. You might also find success in roles that require organisation, efficiency, and a detail-oriented approach. If you want to get the most out of this placement, then prioritise your health and well-being. Develop healthy routines and habits. Offer your help and service to others. Find work that allows you to contribute and make a positive impact.

Part of Fortune in the 7th house

Part of Fortune landing in the 7th house suggests that partnerships, collaborations, and close relationships can be a powerful source of good luck and success in your life. You likely have a natural ability to attract strong partnerships and collaborations. You might be a skilled communicator and negotiator, and you value fairness and balance in your relationships. These strengths can bring you good fortune and success. Careers that involve working with others, like law, diplomacy, counseling, or public relations, could be particularly fortunate for you. You might also find success in business partnerships or ventures that require collaboration. If you want to get the most out of this placement, cultivate strong communication and negotiation skills. Seek out partnerships that are balanced and mutually beneficial. Invest time and effort in nurturing your relationships.

Part of Fortune in the 8th house

Having the part of fortune in the 8th house is an interesting placement to have as it suggests that hidden potential and transformation can really help you in finding success and good luck. By being open to change and personal growth, you can unlock opportunities for success. Don't shy away from challenges, as they can be stepping stones to your goals. You might have a knack for managing finances, investments, or inheritances effectively. Collaborations and partnerships can be particularly fortunate for you. Having an interest in the occult, psychology, or deep personal exploration can lead to unexpected opportunities and insights that bring you good luck. If it’s something you are really drawn to, then persue it. It can lead to unexpected discoveries and enrich your life. You wanna get the most out of this placement? Then don’t be afraid to delve into self-reflection and explore your shadow aspects. This can lead to personal breakthroughs and greater self-awareness. Be mindful of financial decisions and partnerships. Your intuition can be a powerful tool in managing shared resources.

Next part

#astro #astrology #astro posts #astrology community #astro community #astro notes #astrology notes #astro observations #astrology observations #astrology posts #astrology placements #astrology help #part of fortune #lot of fortune #pars fortuna

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mirai-e-jump · 8 days

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Animage May 2024 Issue ft. Sakai Taisei x Higuchi Kouhei Interview (translation below)

Publication: April 10, 2024

A battle between the Kings and Dons?!

Everyone in King-Ohger and Donbrothers have died?! The series two most unique Super Sentai perform together in a dream collaboration! Both Reds talk about the unexpected turn of events that await in the V-Cinext!

Standing up to the danger that threatens Chikyu is Ohsama Sentai King-Ohger. Exterminating monsters born from human desires is Avataro Sentai Donbrothers. The members of these two Sentai, for one reason or another, have lost their lives, and have gathered in the Land of Death, Hakabaka!

King-Ohger VS Donbrothers, which is a crossover between "Ohsama Sentai King-Ohger" and "Avataro Sentai Donbrothers," will appear on screen as a double feature with King-Ohger VS Kyoryuger.

King-Ohger is characterized by its fantastic worldview set in six kingdoms, while Donbrothers focused not only on the heroes battles, but also on everyday drama. The one thing in common with both shows, which are completely different in style, is that all of the Sentai members have really strong personalities. Even though the members clash with each other, there's no way they could get away with it if it were any other Super Sentai…

It begins with a life or death struggle set in Hakabaka! From there, what unexpected things will happen to them? We hope you'll come to the theater to see the story unfold between the Kings and Avataros, who are guided by a strange fate.

We're the "only ones" at full power!!

-The chance encounter between two major Super Sentai that "wouldn't be interesting even if you imagined it"-

"When you heard about the details of this film, what kind of story did you expect it to be?"

Sakai: I honestly had no idea what would happen if "Ohsama Sentai King-Ohger" and the unique "Avataro Sentai Donbrothers" were to get involved with each other. I was looking forward to seeing how the script would turn out, and after seeing that, among other things, everyone dies, I thought it was quite an interesting story (laughs). While the setting of the story takes place on the King-Ohgers side, it was more like we had entered the world of Donbrothers, so it was exciting to film.

Higuchi: I couldn't imagine what would happen either, and thought it wouldn't be interesting even if I did try to imagine it. It's the same case with the current "Bakuage Sentai Boonboomger," but I thought that because the staff are thinking about various things and taking on new challenges, they'd produce a work that our minds couldn't imagine. When I actually read the script, it turned out to be as troublesome as ever (laughs). I once again felt that this was the quality of Donbrothers, and there were alot of lines that made me feel, "This is how I felt back then." It was both fun and nostalgic, and made me look forward to filming.

"What were your impressions of each other's team after working together this time? In particular, Gira and Tarou had alot of scenes together."

Sakai: I felt that there were quite a few similarities between them and the King-Ohger team. Kouhei told me that the Donbrothers team had gotten along well for a whole year without any major problems, and just like us, they're very close. I thought that Kouhei must've been a wonderful leader for Donbrothers. Kouhei usually has a playful image, but he's very stoic in his performance. In the scenes where we interact with each other, we were trying to match the emotion the other was feeling, so it was really fun to play.

Higuchi: Since everyone in the King-Ohger cast is alittle older than the Donbrothers cast, I felt that they gave off an extremely relaxed vibe. I got the impression that they fit the colors of King-Ohger, and that there was alot of enthusiasm among them. Also, there was a feeling of "moving forward together," and I felt that it must've been Taisei, who served as leader for a year, who created that atmosphere. Taisei's a cheerful person who's straightforward in his acting, so I think all the cast members in King-Ohger also found him very easy to work with. In the scenes where we performed together, I could feel that Taisei had been thinking alot about Gira over the past year and what he's been fighting for, and that he enjoyed playing him.

"You seemed to also enjoy talking during the photo shoot, but was there anything that brought you closer together?"

Sakai: Kouhei approached me, which was helpful since I'm not really that talkative, and thanks to him, I feel like it made things much easier.

Higuchi: But, that was because I liked Taisei's humanity and wanted to get along with him. As I started talking to him, we became as we are now.

"So you naturally hit it off."

Sakai & Higuchi: That's right.

-Looking at the dialogue and battles of our overpowered heroes-

"Higuchi-san, which character from King-Ohger interested you, and Sakai-san, which character from Donbrothers interested you?"

Higuchi: I thought all six of them were pretty cool, but…..it's still Gira. We're both Red, and I was impressed by the strong appeal of his eyes. I think there are many scenes that were captured well thanks to Gira's eyes.

Sakai: It's Don Momotaro. We're both fellow Reds, and just as I was able to do my best with the support of the people who've been with me for the past year, I feel that Kouhei experienced the same thing as he passed the baton to me, so I respect him for it. Also, Don Momotaro is simply the coolest.

Higuchi: He's cool, huh!

"Please tell us about some of the most memorable moments from filming."

Higuchi: The difference in vibe of the costumes that I felt in the scenes where we performed together was striking. The costumes in Donbrothers have a sense of realism, so when someone like Saruhara Shinichi enters the world of King-Ohger, he really looks out of place (laughs). It was interesting to feel things like the difference in flavor these two productions have.

Sakai: The scene where the King-Ohgers and Donbrothers confront each other was memorable, because while this was our first time meeting them, I felt like we were united. Also, I enjoyed the fact that Gira was able to get into situations that were very Donbrothers like.

"Sakai-san, is there anything you'd like to ask Higuchi-san, your Super Sentai senior?"

Sakai: What would it be……in our case, Kaku So-san is a very caring person who became the center of the six of us and connected us all together. I'm alittle curious on how the members of Donbrothers, who are very close, came to have the relationship they have now.

Higuchi: It probably wasn't just any guy, but everyone in Donbrothers. Everyone had a strong desire to get along with each other, and since no one was putting up any barriers, I felt like we were able to close the distance pretty quickly.

"Conversely, is there anything Higuchi-san would like to tell Sakai-san?"

Higuchi: This is speaking from personal experience, but from now on, when you go to other sets, I think you'll experience not being able to remove yourself from the role.

Sakai: Yeah, you told me about that.

Higuchi: This phenomenon happens only because you've been seriously and straightforwardly tackling the role for more than a year. Taisei, I hope that you'll move on when playing a new role, and to be conscious of, "Is this too similar to Gira?"

"Once again, please tell us some highlights of the film."

Higuchi: Transformation scenes are the real thrill of tokusatsu productions, and I personally look forward to watching their transformations after such a long time. In 10 or 20 years, we might return, but for now, this'll be the last time you'll see the Donbrothers transformation scene. I definitely want you to watch our transformation.

Sakai: As Kouhei said, I want the transformation scene to be burned into your eyes, and I hope you'll pay attention to the dialogue and struggles between our strong characters. Both King-Ohger and Donbrothers are full of characters with strong personalities. I'm also looking forward to seeing the completed footage to see what the two Super Sentai will look like when they unite.

"Finally, a message to the fans who have supported Momoi Tarou and Gira Husty."

Higuchi: I was saved by the line, "We've formed a bond," and experienced a year that made me feel the importance of bonds. The words, "We've formed a bond" also appear in this film, so please come to the movie theater to search for that "bond".

Sakai: I personally think that the character of Gira was created by Scriptwriter Takamina-san taking into account both my own personality and the opinions of the fans. In other words, I feel that this is a character and production that we've created together with everyone, and for that, I'm very grateful. Thank you for your support over the past year!! _

Q: What other heroes would you want to do a VS with?

It'd be ShinkenRed and GokaiRed. Tarou has an arrogant personality, so it'd be better for him to clash with the types of Reds who bring everyone together, as I feel like it'd create some fresh drama and make things more interesting. (-Higuchi)

It's not Sentai, but I loved "Kamen Rider Kuuga" when I was a kid, so I'd love to work together with Kuuga. He's also a stag beetle hero like Gira (laughs). (-Sakai) _

(page 116, bottom first) Encountering Warriors A highlight is the joint performances of the two major Sentai members! Pay attention to the combination of those appearing together, such as Gira and Tarou, whose common point is royalty, and Kijino, who faces off against Suzume and the lovey dovey Racules.

(bottom second) Why?! Face to Face Confrontation! Why are the King-Ohgers and Donbrothers even fighting? The differences in the members personalities are also evident in the way they fight. Don't miss a single moment of this unbelievable super battle!

(page 117, top right) Great Gathering! The Invincible Super Stars In "King-Ohger VS Kyoryuger," which will be screened at the same time, Ohsama Sentai King-Ohger will reunite with Zyuden Sentai Kyoryuger, who they fought together with in episodes 32 and 33. This time, all members, including Kiriyu Daigo/KyoryuRed, played by Ryusei Ryo-san, miraculously come together. What will happen to Daigo and the others who set off in pursuit of the Uchu King Dagded? Can they restore the history of the Royal Sentai that's been changed? Don't miss the fierce battle for the fate of Chikyu and Earth!

(middle left) Golden x Golden = The Strongest! During battle, they acquire new forms, with KuwagataOhger becoming GolDon KuwagataOhger, and Don Momotaro becoming GolDon MomotaroOhger. What will their abilities be?

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ask-the-crusaders-of-stardust · 2 months

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Hello and welcome, trainees and newcomers to the foundation!

It's time to put on your training wheels and get on the wagon, as we speed through Southeast Asia and the Middle East with our dear friends, the Joestars and co.

- The Speedwagon Foundation

Read the introduction comic here.

Keep reading for info and TOS down below (Do not interact with the blog if you have not read the TOS! It's at the very end.)

This is Project Ask the Crusaders of Stardust! An ask blog dedicated to the main cast of JoJo's Bizarre Adventure: Stardust Crusaders. What can you and can you not expect from this blog? For one we will not have a set schedule for posting. "We" is right, we're two people running this blog. Namely @starplatimoon (Mod Moon) and @kuttblueberry (Mod Blueberry). We're very passionate about these guys and the story of part 3, and we have our own AU and RP we will pull inspiration from when it comes to moving the story forward on this ask blog. So expect the unexpected when it comes to what may happen... We will both be drawing and writing for this blog, but one of us may have more responsibility for writing certain characters than the other. Specifically, Mod Blueberry writes more for Joseph, Avdol, and Kakyoin while Mod Moon writes more for Jotaro and Polnareff. It's just the way we like to do it. This blog is fully a collaboration! We'll be putting credit where credit is due at the end of posts, we may forget sometimes or simply choose not to, however. There may be room for ships such as Avpol and Noritaro to develop down the line. And while that may be the case, we don't want this blog to revolve around ships, but the character's general dynamics and story! And to just goof off and have fun. That too. While the blog is "sponsored by the SPWF" and you're welcome to commit to the bit, you really don't have to pretend to be a newbie SPWF employee. Treat this like you would any other ask blog, there are no rules in that regard. But we will be touching on actual rules for a TOS at the end of this post that we implore you to check out before interacting with this blog or sending asks! And lastly, roleplay-themed asks and magic anons (AKA stand users) are allowed but we might not indulge in it regularly. But there may be events in the future that touch on more fun ways to interact with us, whether that be "a sudden influx of stand users!" or whatever. We do what we want.

!!!TOS BELOW PLEASE READ BEFORE SENDING ASKS/INTERACTING!!!

Don't spam the same question/message, we will get to you. And if we don't, it's probably because you broke one of the other rules OR it's already been answered in one form or another. (Although we may revisit similar themes, time will tell).

No s*xually explicit questions (Or the ghost of Erina Joestar will come back from the afterlife to whack you across the head with her ghostly cane).

No proshippers or proship themed asks. (For you who don't know what that means: Proshipping includes ships that have inc*stial/p*dophilic/abusive themes. This also includes aiming suggestive comments or asks towards Kakyoin and Jotaro, do not do that)

Related to the above, do not send in asks if you indulge in proshipping, in fact, do not interact with this blog.

We are not looking for more mods. Just the two of us, we can make it. If we try <3

Do not repost our art without credit (this does not include reblogs here on Tumblr). But if you want to use our art as say a profile picture or header, you can WITH credit. This also goes for if anyone wants to dub over our comics or such, that is allowed too, with credit.

Do not badger us if we decide to take breaks or go on a hiatus, we have our own lives. This goes for literally any ask blogs out there, do not stress the mods out!!!

If you break any of these rules, you may earn a block, be mindful of that.

On a happier note, aside from abiding by our rules, have fun! This blog was made for fun and we hope you will have fun, we sure will. (If we don't, read bullet point 7.... just kidding.... or am I.....)

Thank you for reading all the way to the end!

Credits:

Blog header by mod Moon and mod Blueberry. Joseph, Avdol, and Kakyoin were drawn by mod Blueberry. Jotaro, Polnareff, and the background was drawn by mod Moon.

Profile picture by mod Moon.

Crusader chibis by mod Moon and mod Blueberry. Joseph, Avdol, and Kakyoin were drawn by mod Blueberry. Jotaro and Polnareff were drawn by mod Moon.

#jjba #jojo's bizarre adventure #stardust crusaders #jojo part 3 #jotaro kujo #noriaki kakyoin #joseph joestar #jean pierre polnareff #muhammad avdol #mohammed avdol #ask blog #fanart

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earthtooz · 2 years

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you've always wanted to know what it was like to fly but ideally not in the arms of the man you've been avoiding for two weeks.

in which you've been avoiding hawks and he figures it out - prohero!y/n x hawks

it was a beautiful day to have a day off.

the weather was perfect: sunny with a hint of breeze. not too warm for it to be uncomfortable but warm enough for a short-sleeved shirt, you didn't run into any unexpected incidents that suddenly required you to perform any hero work, just wasted the day away doing absolutely nothing but unwinding by yourself. the lunch you had was amazing too, you really ought to go back and try out their other dishes, maybe bring a few friends from the agency too.

it’s just a shame that you have to end the day in the arms of the man you've been avoiding for the past two weeks, feeling your feet dangle helplessly in the air as he carries you securely, albeit, uncomfortably.

"never knew hawks kidnapped people off the streets during patrol," you muttered, squinting as to combat the wind that was slightly drying your eyes.

"depends what your meaning of 'random' is because judging by your definition, you mean strangers-" he stops talking when you approach the top of fukuoka tower and the prohero sets you down carefully, although you still stumble.

your heart thumped heavily in your chest, the exhilaration of soaring through the air was slowly seeping out of your bloodstream. although you really couldn't tell if it was flying at the ridiculous height that was freaking you out or if it was just the natural effect hawks seemed to have on you. damn that pretty bastard.

he continues his previous statement "-you and i both know we're not strangers. so what gives? why are you acting like we are all of a sudden?"

you cling on to the hand rails of the tower. heights wasn't much of a challenge but with the man you've been pining over ever since you first met him? you might need a second.

you met hawks when your agency and his had formed an alliance and it just so happened that your assistants assigned your patrol times to align. hawks was the number 2 hero and you were eager to learn how he went about his day-to-day, hoping for some help on how to boost your own rating up whilst learning how he manages an agency at his young age. he entered the prohero industry not too long before you but given your similar ages, he definitely had a headstart so when the opportunity to collaborate together came, you jumped at the chance.

what you hadn't taken into consideration however, was the extent of his charming personality and how easy it was to get along with the wing hero.

patrols were fun, full of laughter and jokes whilst competing in friendly competitions in who could save more civilians and apprehend more villains. sure, you shouldn't be goofing around on the job but nobody had to know.

adding in hawk's good looks, it did not take long for you to fall ass first for him.

your first instinct was to keep about your interactions but eventually the pining got too much that you figured out ways to avoid him where possible. meetings were meetings, but patrol times? your sacred little pockets of moments together? those could be minimised.

you took on late nights, all the way into the early morning unlike the usual afternoon schedule you'd established for the longest time.

and the act worked! for two weeks that is because now you're standing in front of hawks who has swept you off the street and brought him to his favourite place in the city.

this sucked.

he looked perfect in the golden hour too, honey illuminating his skin with a gentle glow that only enhanced how irresistible of a man hawks is.

"i don’t know what you’re talking about, nothing gives," you try to reply as nonchalantly as possible, excusing your nervous movements by pretending it was the wind blowing in your eyes uncomfortably.

hawks scoffs, "yeah sure, just like how you're giving me nothing."

you can't resist the pout from creeping on your lips. "is that why you kidnapped me off the street? to ask what's wrong? you could've just stopped me instead of flying off like i'm some worm for you to feed your baby chicks."

"haha, real funny. bird jokes," he rolls his eyes, a hint of a smile ghosting his lips.

"you know you like them."

"not as much as i'd like it if you told me what was actually up with you. taking patrols at midnight? seriously? i know you like your sleep."

"personal matters," you lie. although, it wasn't really a lie - it was personal, the way he made you feel was absolutely personal.

"what about today? why didn't you tell me you were off today because we could've hung out and visited that farmer's market i know you like."

you shrug, "thought never occurred to me."

he narrows his eyes in suspicion. "okay, then why wouldn't you tell me your hours were changing? i wouldn't mind picking up some nights," he asks, bottom lip poking out a little as a he furrows his brows.

you put your head in your hand, "no- that would've been, nevermind."

"tell me," he pleads. "it would've been what?"

you hate the way he's looking at you with so much passion and intensity that it wants to make your heart lurch out of your chest and right into his hands. this would be so much easier if he just-

fuck it. "it would have defeated the purpose."

"so you’re avoiding me on purpose then. did i do something wrong? cause if i did-"

"no!" you exclaim suddenly, tone full of exasperation and desperation, conveying the frustration you've been feeling the past two weeks into one sudden syllable. it actually takes hawks by surprise because he stumbles back a little and there's a moment of silence where you're just gauging for each other's reactions. "i mean- no, you didn't do anything wrong, and that's the frustrating part."

you continue with little space for him to intercept, "it's just, oh what the fuck, i know i shouldn't be saying this because it's totally unprofessional and-"

"out with it, y/n."

"-i like you.”

the air choked at your sudden confession and hawks’ expression says it all, morphing into one of shock - wide eyes and a slightly parted mouth before transforming into a wide smirk. you look away and cross your arms, which was a defense mechanism that hawks definitely picked up on. after spending so much time with you, how could he not have?

he leans against the pole of the tower, suaveness oozing off him as if he wasn’t just frantically asking you what was wrong with you, “how much do you like me?” he asks, smugness evident in his tone.

you cover your eyes, “if i do not see, i do not perceive, go away.”

his laughter rings through your ears and you peek at him by separating your fingers slightly, “oh come on, there’s nothing to be embarrassed about-”

“yes there is! i have a crush on you and you’re literally the most embarrassing person in the world! being associated with you is embarrassing enough!”

he clenches his chest in faux-pain, “that one hurt, you should consider your words more carefully y/n, it’s a wonder how you won a bachelors like me.”

you give him a look of defeat as the words he just uttered registers in your head. “stop playing, this is serious.”

“you just called me embarrassing to be around!”

“because you are!”

hawks raises a brow at you, “number two hero not good enough for you? i’ll shoot for number one next time, then will you finally not be embarrassed enough to go on a date with me?”

oh god, this was a mess. “no, no, i suppose a date with you now is good enough.”

“good enough?” hawks parrots before sighing with a shrug, “i’ll take it.”

“that came out wrong because i’m still seriously trying to believe that you’re not pulling my leg,” you point your finger in his chest, “you seriously like me back?”

“and i want to take you out on a date. tonight.”

“yes, let’s do it. tonight it is then.”

“even if i’m the number two hero?”

“because you’re the number two hero. it’s the only impressive thing about you.”

“you’re the one who has a crush on the number two hero.”

you laugh heartily, wrapping an arm around him whilst doing so. he hugs you back instinctively with a big, warm smile plastered on his face. if you weren't so nervous you would've seen how smitten the look in his eyes were, “i guess i am. can you bring me back to the ground now, number two? i think the civilians should see that their local hero didn’t just kidnap a stranger from the ground.”

“they’ll know when they recognise you as their favourite, local hero. besides, it lets them know you’re off the market now, so good."

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su-itca-se · 7 months

Text

Dear Brother (Oniisama e…) LaserDisc scans and machine translations

These past few years I have fallen in love with the work of director Osamu Dezaki. Alongside Tomorrow’s Joe (Ashita no Joe), I hold Dear Brother in the highest regard.

It was a 1991 anime based on Riyoko Ikeda’s 1974 manga. You should watch the anime. It’s on Tubi for free. But really, just trust me. Buy the Blu-Ray from Discotek.

This anime came and went. There isn’t any merchandise besides some phone cards. Decaying fan sites and discourse is out there, but it’s a bit of a hunt.

Some time ago I saw a fan letter written by Hideaki Anno, apparently from the LaserDisc releases. From what I could tell, the LaserDisc packaging featured a treasure trove of notes from the staff that I just had to read. But I couldn’t find them!

If you’re not aware, LaserDiscs are one step above burnable trash in Japan — often on sale for 200 yen or less in heavy boxes shoved into the corner of second-hand anime stores. So I bought all five volumes of the 1993 Dear Brother LaserDisc release, was thrilled to notice unique letters from staff and industry luminaries in the interiors, and I scanned everything! And machine translated them.

I hope this (long, comprehensive) post brings fans of Dear Brother the same pleasure it brought me to compose it!

Note: I cannot read Japanese. I’ve used Google Lens for OCR, and GPT-4 for translation. My scans are good (and you can get them on Archive.org in high res) but these translations are not archive-quality and should not be depended on without verification. I’ve done my best to make corrections and have attempted to wrangle the correct tone and meaning out of the AI, but they’re essentially just for fun. Corrections of the most egregious stuff would be welcomed, email me: [email protected].

Volume One

Each disc is themed after a character and colour. The back is peppered with screencaps and notable quotes (“Anata wa dare?” says little Nanako) as well as series credits. The two notable parts to translate are the disc synopsis, and the subheading (seen here in pink on the far left.) Maybe it’s a pull quote? Not really. So I called it a subheading.

Volume One Subheading

A forbidden cult anime masterpiece born of satellite broadcasting is finally available on LD.

Volume One Synopsis

Private Seiran Academy. A story of beautiful love and deep hatred unfolds at this prestigious all-girls high school steeped in tradition. The protagonist, Nanako Misonoo, who is thrilled to enroll in the high school division of her dream academy, encounters three stunning individuals: Miya-sama, Sanjust-sama, and Sho no Kimi. She also gets introduced to the glamorous world of Seiran Sorority, a society that only the chosen few are allowed to join. As a freshman granted unexpected membership in the Sorority, Nanako begins to take a deep look at love, friendship, and the essence of being human, all while being surrounded by envy and jealousy. She confides her various experiences at the academy, along with unspeakable worries and hardships, in letters to her elder “brother” and a young man named Takehiko Henmi… A masterpiece anime born of satellite broadcasting. It is a work by Riyoko Ikeda that the Dezaki-Sugino duo took on for the first time in 11 years since “The Rose of Versailles.” It is considered a unique work that brings a fresh, unprecedented shock by transcending the framework of TV anime with its aesthetic world.

The disc looks like this:

An “obi” (sash that covers the spine) is included. Of course, it says “My tears won’t stop!” in huge text, sells it as the latest Dezaki/Sugino collaboration, and describes it as tanibi na sekai — a poetic concept of a romantic, sublime world of aesthetic beauty.

There are two paper inserts in each volume. The first one looks like this, and is an index of LaserDisc chapter markers based not on plot developments, but notable character quotes.

There’s also a form you can fill out to get a telephone card. Simply cut out a coupon from each volume to prove you bought the full set. Be quick, entries are due end of March 1994.

The interior is the best part. Here’s the spread for Volume One.

I haven’t translated episode synopses, but I’ve attempted to translate both the staff letter and the “letter to dear brother” from someone external to the production. There’s a bio for each author.

Volume One’s “From the staff to all the fans”

Bio:

Osamu Dezaki Joined Mushi Production in 1963. After directing series like “Astro Boy” and “Goku’s Great Adventure,” he was selected as the general director for “Tomorrow’s Joe” in 1970 at the young age of 26. Born on November 18, 1943, and hailing from Tokyo, he has received high praise as a director. Subsequently, he has brought numerous masterpieces into the world, including “Aim for the Ace!”, “The Adventures of Ganba,” “Nobody’s Boy,” “Treasure Island,” “The Rose of Versailles,” “Space Adventure Cobra,” “BB,” and more. He is also referred to as “Sakimakura” and “Mataba Sakimakura.”

The letter:

This is my second time working on Ikeda-san’s work since “The Rose of Versailles.” Her works have a unique aroma, whether you call it a theme or a world. They seem to pursue the literary aspect of the story. When I read the original work of “Dear Brother,” I was very drawn to these aspects, and at the same time, I felt a sense of anticipation that it would be difficult, but perhaps various images could be created. It’s not just about being cool or intense; it’s about creating images that resonate more and more with people’s hearts. Fundamentally, there is an original story, but when the characters start to move, and each begins to live, the story could go anywhere. I always had that sense of tension. So, rather than sticking to the original work, I placed more emphasis on the directorial focus of the reality of the characters who had started to move. As for the techniques, it was not something I was particularly conscious of, but I used a lot of completely black shots simply because I honestly felt they needed to be black. Whether or not it was successful, I wanted to effectively overlap the visuals with the characters’ psychology by delivering such physiological shocks. The psychological fluctuations of the people are indeed the overall aroma of this work. How the audience perceives that aroma is something I want to leave up to each individual’s free sensitivity. - July 8, 1993, at Tezuka Pro

Volume One’s “Letter to Dear Brother”

Bio:

Mutsumi Inomata Born on December 23 in Kanagawa Prefecture. After working with Ashi Production and Kaname Production, she is currently freelance. After going through Ashi Production and Kaname Production, she is now a freelance artist. Mutsumi Inomata is her real name. She was born on December 23 in Kanagawa Prefecture. She is active in both the fields of anime character design and illustration. In the realm of animation, she served as the character designer and chief animation director for works such as “Plawres Sanshiro” and “Genmu Senki Leda,” and as the character designer for “Future GPX Cyber Formula.” As an illustrator, she has also provided numerous illustrations for novels, including titles like “Prince of the Universe,” “Dragon Quest,” and “Continent of the Wind.”

The letter:

Comics are way hard to translate without actually knowing Japanese. Here’s my best effort to uncover some meaning.

For several years, I had stopped watching anime and stuff… Living a hectic life, it’s been like this for a while now. Having a set day and a set time to watch a specific program (not just limited to anime), had become impossible for me. Recording videos is also a hassle, and first and foremost, I just don’t feel that “I must watch the next episode!” kind of emotion anymore. Ah well, I was thinking maybe I’ve just become an adult. Heh heh heh. I’m such an idiot. No, that’s not it.

The blonde guy in the bottom-right is labeled as her friend, and she’s saying something about “Poupee-chan”. I think in the second panel he’s yelling saying “But that doll is supposed to be a girl!”

The final monologue starts with:

By the way, I have a container for “dangerous items” at the corner of my work desk. I keep things like cutter blades in it, so that I don’t accidentally drop them on the floor and cut myself or something. The “dangerous items” container I’m using now has a sticker with Saint-Just-sama’s “Nanako’s Eyes,” heh heh heh ♡

That’s about all there is to note about Volume One, besides the fact it comes with an enormous poster (it’s the same art used on the cover of the Discotek Blu-Ray.)

Volume Two

Volume Two Subheading

Those eyes of that person, mysteriously and beautifully shining. Why these feelings? Why...? The increasing heartbeat, the endless tears of adolescence. A masterpiece of forbidden cult anime born from satellite broadcasting! The second installment on LaserDisc!

Volume Two Synopsis

Nanako’s life at school, after being chosen as a sorority member, was not all glitz and glamour. There were misunderstandings with her best friend Tomiko, and jealousy and slander from other students, including Misaki Aya. And then there was the obsessive love from her fellow sorority member, Nobuo Mariko. “What is a sorority? Is it really that important?” Nanako began to question the very existence of sororities. Yet, she tries to look straight into herself, even while confused. Always before her were the mysteriously beautiful and shining eyes of Saint-Just. Drawn to those eyes that seemed to peer into a distant past, Nanako attempts to uncover their secret. Then, by chance, she finds out about the special relationship between Fukiko and Saint-Just. Could it be that Miya-sama and Saint-Just-sama are…? The complicated interplay of relationships and the previously enigmatic characters start to become a little clearer in “Volume 2: The Chapter of Freezing Rain.” The subtle breaths of the people surrounding Nanako can be heard.

Volume Two’s “From the staff, Dear Nanako”

Bio:

Hideo Takayashiki Born in 1947, native of Iwate Prefecture. After passing through Osamu Tezuka’s Mushi Production, became a scenario writer. Known for scripts of theatrical anime films such as “Hang in There, Tabuchi-kun!”, “Barefoot Gen”, and the “Phoenix” series. Also worked on numerous TV anime scripts like “Gutsy Frog”, “Gamba’s Adventure”, and “Tomorrow’s Joe”. Additionally, wrote scripts for original videos and TV dramas like “The Laughing Target”, “One-Pound Gospel”, and has written many novels, actively contributing as a versatile scriptwriter. Member of the Japan Broadcast Writers Association.

The letter:

Dear Nanako Misonoo, How are you? How is university life? It’s hard to believe that three years have passed since then. I was involved with you and those around you for just one year, but in retrospect, it was a very intense year. In any case, I did something terrible to you. It may have been the extreme form of “bullying” in some sense. My work as a scriptwriter involved probing and expanding the uncharted worlds between the frames of original works, constructing new narratives. In a sense, it was a painful job. And for you, it was excruciating. But now it’s a wonderful memory. I am filled with the feeling that I did some real work after a long time. How is your best friend, Tomoko? What about Mariko? I assume Fuki is becoming more and more beautiful? Do you occasionally receive letters from Kaoru? This summer marked the third anniversary of Saint-Just-sama’s passing. Thinking back, it was an unusually hot day. Your anguished form, waiting alone at the platform while listening to the chirping cicadas and the sound of the sea, is still etched in my memory. I hear that there has not been a single day without flowers at the electric pole where Saint-Just-sama fell. I am grateful for the chance to have met you and the people around you. Autumn, 1993

Volume Two’s “Letter to Dear Brother”

Bio:

Kazuhiko Shimamoto Born April 26, 1961 From the hinterland of Hokkaido After being selected as an honorable mention in the 9th Shogakukan Newcomer Comics Award Debuted with “Hissatsu no Transfer Student”. His masterpieces include Gyakkyo Nine’ and Moeyo Pen. Examples include Flame Transfer Student’ and Kamen Rider ZO.”

The letter:

Another piece directed by Osamu Dezaki and supervised by Akio Sugino has become a permanent edition (converted to LaserDisc)! (Hooray!) From the anime “Ashita no Joe” (1), the unique and beautiful way of life portrayed in anime is so intense that it has consistently given us dreams, hopes, despair, loneliness, friendship, love, perseverance, and revival! These works have even surpassed the original works in the emotional impact of their final episodes. I continue to be captivated by the atmosphere conveyed by these works. The reason I enjoy drawing the final episodes of my own works is entirely due to Director Dezaki’s influence! Currently, Osamu Tezuka and Ikki Kajiwara, the two individuals whom I revered as gods in the manga world, are no longer with us. Even now, these works, which possess added charm, continue to provide us (even those who have become professionals) with anticipation for the next episode, life lessons, and motivation for creating works. Seagulls, dance! Liquids, shine!! Wind, blow and then, “Why go to such lengths?” Charafo! Go as far as you can go! Mariko, somehow you’re really scary, Mariko.

Then the words scribbled next to the drawing of Mariko:

You are the protagonist of this work! I’m paying the most attention to you. You’re not alone! That’s right! Make me Mariko’s ‘older brother’… ‘older brother’…

Mariko is saying (OCR mangling here, sadly):

Thank you… I just feel… that’s special… Why not? If I had to say, maybe it’s a ‘woman’s world’…

(Clearly a reference to Rikiishi Toru of Dezaki’s earlier anime Ashita no Joe, who intensely speaks of a “man’s world”. He and Mariko love a good starvation diet!)

The little chibi version of Shimamoto(?) in the bottom left is saying:

But everyone, don’t easily become someone’s ‘older brother.’ It’ll be troublesome later!

GPT-4 noticed a cute reference it couldn’t include in its translation. Its note:

The text seems to be OCR scanned partially, and hence some meanings might be missing or distorted, such as “マンガ界のジョン・シルバーだ!!”, which appears to compare Dezaki and Sugino to a ‘John Silver’ of the manga world.

Volume Three

Volume Three Subheading

It’s not too late; our beautiful time can still be preserved, forever unspoiled, just like this white snow… A forbidden masterpiece of a cult anime born from satellite broadcasting! The fourth release on LD!

Volume Three Synopsis

Suddenly summoned to the sorority house, Nanako is pressured by Fukiko to end her relationship with Hemimi. Upon hearing this, Saint-Just confesses her complicated relationship with Fukiko. The shocking truth behind why “Miya-sama” wanted Nanako in the sorority unfolds, leaving her deeply shaken. Meanwhile, Saint-Just is tormented by the realization that the stronger her feelings for Fukiko, the more she ends up hurting her. The complex relationship between Saint-Just and Fukiko has a tragic past involving a near-suicidal event. On another front, Mariko causes an incident by attacking Misaki, motivated by slander about her parents’ divorce, which leads to a movement spearheaded by Kaoru to abolish the sorority. Amid the crumbling sorority, Fukiko remains composed. The fourth volume, “Chapter of Snow Dance,” captures her frightening yet noble confidence and deep sorrow. In the snow that never melts, remains the sad yet beautiful promise of Saint-Just.

Volume Three’s “From the staff to all the fans”

Bio:

Tomoko Konparu Born on March 13, 1956, in Nara Prefecture. Pisces. Blood type AB. A fan of both manga and anime, she became a screenplay writer and debuted during her university days with “Ikkyu-san.” Anime works include “Urusei Yatsura: Only You,” “Urusei Yatsura: Remember My Love,” “Touch 2: Farewell Gift,” “Phoenix,” “Cat’s Eye,” “Hime-chan’s Ribbon,” and more. Novel works include “Mystery at the Tower of London,” “Mystery at Nara’s Great Buddha” (published by Kobunsha Bunko), among others.

The letter:

When I heard that this work was going to be turned into an anime, I was shocked. I’d known about the series since its serialization, so my reaction was something like, “What!? Are they really going to do it!? And on NHK of all places!?” Expanding on the original work and filling in the parts that hadn’t been depicted was incredibly challenging, but also enjoyable. What surprised me was that, around the midpoint, the characters started to assert themselves, taking actions that were entirely different from what I had planned. The princess would say, “My pride isn’t so easily swayed,” San Just would insist, “I’m not going to commit suicide,” and even the older sisters of the sorority were like, “We can’t back down now.” Every time this happened, I had to rework the composition. This phenomenon of “characters moving on their own accord” was a first for me in an anime series, and it was an incredibly fresh and pleasant experience. That being said, it’s rare to be so emotionally invested in characters while working, to the point of even role-playing their lines. To be honest, this was a work that got my inner anime fan excited. Ah, I want to do work like this again!

Volume Three’s “Letter to Dear Brother”

Bio:

Keiko Fukuyama Born on September 7. From Tokyo. Currently, she is working as a manga artist, authoring works like “Ruru-chan of Star Island” and “The Tale of Appfelrant.” She also illustrates for children’s stories, including the “Mama Ghost Series.”

The letter:

It appears to be titled “To the Unforgettable Older Sister”. Much of it is too hard to OCR. It opens with this caption:

“To My Older Brother…” is so melancholic and sentimental that it instantly takes us back to our student days where we felt we were tossed around by fate for no fault of our own…

Here’s some of the text beside the character drawings:

Fukiko/Saint-Just: Reputed as the most beautiful sisters in school Mariko: The most popular Mariko-san who lured our tears. There’s a lot to think about! Tomoko: A straightforward, kind friend Nanako: So there I was, fully embracing my Nanako persona, reaping all the sorority perks you could imagine. (I mean, they even say they’ll hook me up with a dreamy guy!) 💧 And just when I’m soaking up that sorority vibe, guess who’s set to make a surprise appearance right after the teaser for the next issue!

Text coming out of the TV:

It was “Oniisama e”!!!! Poor Mariko-san, right~ Misaki-san also, there was no need to say that much, you know.

Volume Four

Volume Four Subheading

It’s not too late yet, our beautiful time can still last forever, unspoiled by anyone, just like this white snow… A forbidden cult anime masterpiece born from satellite broadcasting! The fourth installment on LD!

Volume Four Synopsis

Suddenly summoned to the sorority house, Nanako is pressured by Fukiko to end her relationship with Hemmi. Hearing this, Sanjust is compelled to confess his relationship with Fukiko. The shocking truth makes Nanako reel in disbelief. He deeply ponders that the stronger his feelings for Fukiko, the more he ends up hurting her. The unusual relationship between Sanjust and Fukiko reveals a tragic past of a failed double suicide. Meanwhile, in the school, an incident occurs where Mariko, slandered for her parents’ divorce, attacks Misaki, leading to an anti-sorority movement centered around Kaoru. Fukiko still acts nonchalantly in front of the crumbling sorority. The volume unfolds displaying Fukiko’s terrifying yet noble confidence and deep sorrow. A beautiful yet sad promise lingers in the snow that never melts.

Volume Four’s “From the staff to all the fans”

Bio:

Kenichiro Haneda Born on January 12, 1949. Graduated from Toho Gakuen College of Music in the Piano Department. An accomplished concert pianist, Kenichiro Haneda has a broad range of experience, including composing and performing music for movies and TV themes, as well as acting as a musical director for musicals and commercials. He has worked on numerous soundtracks such as NHK’s morning drama “Youth Family,” TBS’s “Women Work Hard” and “Life Is Full of Demons.” With his genre-defying approach to music and his bright, humorous personality, he is a sought-after multi-artist in various fields.

The letter:

I’ve worked quite a bit with Music Director Seiji Suzuki in the past. Suzuki gives me the music menu, and I’m the one who creates it. We’ve had some pretty detailed discussions about it. Of course, I’ve read the original work as well. When I read it at home, my daughter gives me a puzzled look, as if to say my interests have changed quite a bit (laughs). I think I wrote around 40 songs in total. The music is meant to have a Baroque sound while also feeling contemporary. The order was for something classical yet with a pop atmosphere. The image that immediately came to my mind was a rhythm section, with a harpsichord playing the melody. String instruments intricately marking the rhythm, much like Vivaldi’s Four Seasons. And on top of that, a flugelhorn playing the melody… Regarding the scenes where the piano is played, I played all of it myself. I often compose and perform my own pieces. It’s less about talent and more like playing two roles; maybe I contribute quite a bit to cost-saving (laughs). In any case, this work has a unique atmosphere. If the music I created successfully captures that, then I must again express my gratitude to Suzuki for coordinating everything. October 28, 1993, aired on NHK

Volume Four’s “Letter to Dear Brother”

Bio:

Hideaki Anno Born on May 22, 1960. Originally from Ube, Yamaguchi Prefecture. Height is 180 cm; weight is a secret. Debuted as an animator during his time at Osaka University of Arts, working on the TV version of “Macross.” Later worked on “Nausicaä of the Valley of the Wind,” the film version of “Macross,” “Royal Space Force,” and others, before directing “Gunbuster” and “Nadia: The Secret of Blue Water.” Currently planning new projects.

The letter:

Way to go!! Oniisama e… Wow!! The long-awaited, tumultuous Volume 4!! This volume shows us the peak of the series, from Mariko-san’s stabbing incident to the dissolution of the sorority. Amazing, this is really amazing!! Yes. Especially the heartbreaking breakdown of Nobuo’s family, and the portrayal of the sorority’s downfall reminiscent of the French Revolution, are things that are indescribable with words. Yes. The highlights this time are– Brilliant! Highly sophisticated direction and high-quality animation in Episode 27! Tear-jerking! In Episode 28, Mr. Nobuo Hikawa’s soul-stirring outcry!! Upon hearing those lines, my tears really wouldn’t stop. Seriously. Amazing!! Oh, so moving! The heartfelt words of Miya-sama at the end of Episode 32. The sight of Miya-sama waiting alone in the Sorority House and those lines really hit me hard. Moreover, as always– Incredible!! The world that reminds me of ‘Aim for the Ace!’ and ‘The Rose of Versailles’!! Impressive!! The drama unfolds only in limited settings, like homes, trains, buses, crossings, schools, and other familiar places!! Very Sophisticated!! The direction, composed of stillness and motion, light and black, feels so mature. As expected, Dezaki-san! And, Powerful!! Nanako-san is turning into an adult right before our eyes. Moreover, the music is also great!! I wish the BGM CD would come out soon. The use of chimes and telephones remains clever as ever!! Ah, the only thing missing is a bit more on the background elements… by H. ANO ‘93 10/27

The tiger is saying “It’s awesome, isn’t it!”

Written above the drawings of Mariko and Saint-Just: “These two are definitely the ones. Yes.”

Volume Five

Volume Five Subheading

The summer full of light ends, the eventful summer ends… And then the cherry blossoms bloom again… Brother, I am now… A satellite broadcast-born forbidden cult anime masterpiece! The final chapter on LD!

Volume Five Synopsis

Finally, the petition to abolish the sorority has garnered signatures from over two-thirds of all students. As the campus is in a state of upheaval, Saint-Just is lost in thought alone. One day, he calls Nanako out and promises to take her to the beach where he used to go often with his mother when he was younger. However, on the promised day, Saint-Just never shows up. His sudden death plunges many people, including Nanako, into the depths of sorrow. Among them, Kaoru, who is battling cancer and fearful of its recurrence, takes the news of Saint-Just’s death most seriously. She finds comfort in the warmth of Takahiko Henmi, but continues to stubbornly refuse his love, thinking about his future. Love, friendship, bonds… The fifth volume, titled “Chapter of the Fireflies,” explores the dignity, beauty, and value of human life. Seasons turn, and the cherry blossoms bloom again, bringing back familiar scents to Nanako. All of this is accompanied by the most beautiful “love.”

Volume Five’s “From the staff to all the fans”

Bio:

Riyoko Ikeda Born December 18, Showa 22 (1947). Native of Osaka City. Blood type AB. Graduated from Tokyo Metropolitan Hakutsuru High School and went on to the Philosophy department at Tokyo University of Education (now Tsukuba University). Began drawing manga during her time in school and debuted with “The Girl in the Rose Mansion.” In 1972, she achieved great success with “The Rose of Versailles,” acquiring a broad fan base that transcended the realm of girls’ manga. Known for her keen historical perspective and deep insight into human nature. Active as a writer and essayist as well. Her hobbies include Nihon buyo (Japanese traditional dance), oil painting, movie appreciation, vocal music, piano, cooking, and knitting. Her work has been selected for the 76th Nika Exhibition. Major works: “The Rose of Versailles,” “Window of Orpheus,” “Empress Catherine,” “To My Brother,” “At the Ends of the Sky,” “The Blue Pomegranate,” “My Manga” Books: “If Only Life Could Be Lived Once,” “Women of the French Revolution,” “Women Who Wrote Masterpieces” Currently writing “Eroica” and “Prince Shotoku.”

The letter:

As one who has journeyed far from that radiant chapter called youth, a time that shone with an almost awkward brilliance, I find myself in a peculiar blend of bewilderment and nostalgia. Seeing my old ideas of high school life come to life as animation almost 20 years later is surreal, to say the least. Still, it’s exciting: hearing voices given to these characters, seeing them talk, laugh, and get angry. Watching them come alive is truly a thrilling and satisfying experience. Ah, adolescence — everyone’s inescapable stairway to adulthood. Some people take each step slowly and carefully, while others rush ahead, ending up out of breath or even lost. And then, there are those who may lose their direction, standing still, contemplating each step. Wrapped in the love of family, meeting various people, nurturing friendships, experiencing love, and going through the ups and downs of hurt and forgiveness — it would be wonderful to climb those steps in such a way.

Volume Five’s “Letter to Dear Brother”

Bio:

Rumiko Takahashi Born in Niigata Prefecture. Debuted in 1978 with “Katte na Yatsura,” submitted while still in college, in Shonen Sunday. Famous works include “Urusei Yatsura,” “Maison Ikkoku,” and others. Currently serializing “Ranma 1/2” in Shonen Sunday.

The letter:

A masterpiece infused with the creator’s soul. When I heard from the staff that “Oniisama e…” was getting the anime treatment on satellite TV, I was surprised. I’d delved into the original comic before and it’s quite an eccentric story. “How are they going to pull this off?” I thought. But learning that the script was in the capable hands of my acquaintance Tomoko Konparu, I was very excited. In fact, the anime that aired was genuinely captivating. The characters are so larger-than-life that they electrify the screen the moment they step into frame. It’s been a long time since an anime had that kind of presence. I believe the animation is done by the same people who worked on “Tomorrow’s Joe 2.” The scenes are so visceral that you can almost feel the punches land and see the fighters hit the mat. I kept asking myself, “Why isn”t a mouthpiece flying out?” (laughs) My favorite character in the work is Nobuo Mariko. The scenes where she bites her lip until it turns a flushed red, I find it really cute. But what blew me away was the show’s emotional intelligence. Just when the heroine seems on the brink of breaking, a lifeline is thrown her way. This nuanced touch prevents the darker, more harrowing elements from overwhelming the viewer. It’s as if you can feel the sincerity of the creator throughout the piece.

And that’s it. Again, check out the full scans on Archive.org, and remember to encourage all your friends to experience this beautiful anime!

#oniisama e #dear brother #osamu dezaki #riyoko ikeda #laserdisc #anime #おにいさまへ…#出﨑統 #池田理代子

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esilher · 5 months

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Collaborative December klaine challenge 2023 between @esilher and @mynonah

"How did this happen?"

Despite his best efforts, even Kurt could hear the desperation in his own voice. It took so long for the answer to come that he flinched at the unexpected sound.

"I... I really don't know, Kurt."

"Shh! Keep your voice down! You don't want to wake her, do you?"

"Are you kidding? She'll probably sleep for a week after this."

"You wish. But look at her. She's so tiny and peaceful."

...

"Popcorn." Blaine murmured.

"You don't really think we're going to eat that, do you?" Kurt turned to him in disbelief.

"No. I mean, it's so close... but no. I think this is where it all began. She thought she could fly, but got distracted by gravity and upset the bowl by landing gracefully in the middle of the coffee table. That's... that's how it started."

"Hm. I think it started with ‘Kurt, how FUN it would be if we had a dog!’ "

"It was your idea."

"Certainly not. I would never have said it was a good idea."

"You said, and I quote: "If we can take care of a cute little puppy first, maybe we can take care of a kid later." Ring any bells?"

"...She really is cute."

"Yeah, I know. Do you regret it?"

Kurt turned his head toward Blaine so quickly that pain shot up his neck, but he didn't dare move to rub it.

"Are you crazy? How can you ask such a thing?"

"Neither do I." Blaine admitted with a smile as he carefully reached for the popcorn.

#december klaine challenge 2023 #upset #klaine #puppy #klaine fanart #klaine fanfic #esilher’s drawings #myno's stuff

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onlydylanobrien · 6 months

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Dylan O’Brien Was in the Audience of ‘Watch What Happens Live With Andy Cohen’ — and Us Has Questions

By Yana Grebenyuk October 18, 2023

Dylan O’Brien has all of Us wondering what his favorite Bravo shows are after his surprise audience appearance on Watch What Happens Live With Andy Cohen.

Host Andy Cohen kicked off the show on Tuesday, October 17, by introducing guests Real Housewives of Salt Lake City star Monica Garcia and comedian Heather McMahan. He then pointed out that O’Brien, 32, and producer Tommy Alter were both in the audience. Cameras switched to O’Brien who did a thumbs up for viewers while sipping a drink.

“I want to welcome our friends Dylan O’Brien and Tommy Alter to the Clubhouse. Great to see you! Dylan being a huge Vanderpump Rules fan, I found out tonight. I love it,” Cohen, 55, said as the audience cheered.

O’Brien was not mentioned again, but he did get fans talking about the unexpected cameo. “This feels random. Dylan O’Brien is in the #WWHL audience tonight!” a social media commentator wrote via X.

Meanwhile, another viewer poked fun at O’Brien enjoying himself in New York City, writing, “Just dylan o’brien in his natural state (sipping on his drink) in the audience of wwhl tonight.”

O’Brien was photographed hours prior showing his support for the ongoing SAG-AFTRA strike on the picket line. He wore a hoodie that referenced the actors’ union, which he paired with green sweatpants and a red baseball hat.

The actor rose to stardom after playing fan-favorite character Stiles Stilinski on MTV’s hit series Teen Wolf from 2011 to 2017. O’Brien went on to score the role of Thomas in the Maze Runner film franchise. He has since also appeared in movies including Deepwater Horizon, American Assassin, Bumblebee, Love and Monsters and Not Okay.

O’Brien’s collaborations with Taylor Swift, however, have been our favorite part of his filmography so far. In 2021, O’Brien starred opposite Sadie Sink in Swift’s short film All Too Well. He was also credited as a drummer on Swift’s song “Snow on the Beach,” which was featured on her 2022 album Midnights.

After All Too Well scored five nominations at the MTV Video Music Awards, O’Brien praised Swift, 33, as an artist.

“She sent us the news first thing in the morning,” he told Entertainment Tonight in July 2022. “She’s genuinely just someone who’s so involved and just proud of her work and is so grateful for any accomplishment or recognition for something that she just poured herself into. Talk about a special human.”

According to O’Brien, he has been in a “group chat” with Swift and Sink, 21, since working on the music video together. “[Taylor] would make a really, really good director. If it’s something that her heart’s in, Taylor can do whatever she wants,” he added. “She could easily direct a feature and it’d be something I’d sign up for, for sure.”

Source: usmagazine.com

#dylan o'brien #wwhl with andy cohen #news

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earphone-jacks · 8 months

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My Hero Academia Class 1-A Music Headcanons

I've been catching up on the manga and thinking a lot about Jiro making a collaborative playlist to help her really connect with her classmates lately. Anyway,

Deku listens to soundtracks, like bombastic instrumentals from old superhero movies, and I like to think he enjoys some fantasy adventures too. He also likes J-rock, including some openings and endings from the anime. He's pretty open to recommendations no matter the genre, but generally prefers more mellow stuff to help him relax and study or just unwind after a long day, and tends to listen to the same small handful of his favourite songs anyway.

Bakugo listens to heavy metal, particularly extreme metal. He loves the blast beat drumming and harsh vocals. A lot of the lyrics are incomprehensible upon listening, but if you took the time to look some of them up, they'd give more insight to his more vulnerable side that he's too prideful to show. I also like the idea of him having a softer private playlist that nobody lives to speak of.

Ochako didn't really seek out new music on her own before high school and formed her taste mostly from the radio or recommendations from friends. She has a lot of fun going through the playlist and she's happy to listen to anything from bubbly J-pop to heavy metal. I think she'd be a big fan of Babymetal.

Iida also likes instrumentals for studying, but more classical, and with faster tempos that he can take his morning runs to as well, like allegro. Something like hardcore techno would be funny, maybe some sport anthems, and a few more mellow rock songs that he picked up from his brother for when he needs to cool down.

Todoroki was very isolated and had a really limited musical library before high school. He'd also just listen to some classical, traditional Japanese music, or whatever was on the radio, if anything at all. He later gravitates to edgy alternative rock, or anything with relatable lyrics that help him vent his emotions. I think he could use that.

Tokoyami likes goth, modern classical, anything mellow, dark and ethereal-sounding with poetic lyrics. His music is oddly calming and haunting at the same time. He doesn't like anything too loud or harsh-sounding, partially because it can excite Dark Shadow too much.

Tsuyu and Koda both listen to cozy movie soundtracks, like from Disney or Ghibli, folk, lo-fi, ambient nature sounds, anything grounding and soothing, or "cottagecore".

Momo listens to classical, traditional pop, or modern music with elements of either, like baroque/chamber pop.

Jiro is already confirmed to have a preference for rock, probably alternative rock, and punk. I'd like to think some metal as well, but she'll listen to almost any genre and has impeccable taste in everything. She was largely influenced by her parents, and maybe grandparents, so her library spans a few decades as well.

Mina and Toru both listen to upbeat J-pop, and I like to think one of them introduced the others to Little Glee Monster. Maybe some sappy or wistful love songs more in private. Mina also likes 70s pop, disco and hip-hop, the kind of music that just compells you to dance and sing at the top of your lungs, maybe some psychedelic space rock and sci-fi horror soundtracks.

Kirishima is also confirmed to like 80s rock, like Eikichi Yazawa and Tsuyoshi Nagabuchi. I'd also think he likes stuff from as far back as the 50/60s as well, since Yazawa is the closest thing to Elvis from Japan that I know of, and that he picks up some more modern hard rock and metal mostly from Bakugo and Tetsutetsu as well.

Kaminari and Mineta both listen to J-pop, mostly from female idols that they think are cute. Besides that, Kaminari likes pop rock/punk and a lot of English music, and seems to have formed a lot of his taste from whatever was popular on the radio or social media with the occasional unexpected banger. He also had a dubstep, Vocaloid and hyperpop phase.

Sero is almost as adventurous as Jiro with music. He has a talent for finding underrated indie bands, and songs in a few different languages as well.

Aoyama also listens to some classical, but more opera, as well as French pop, some disco and house that he can vogue to. It's mostly upbeat but there's some sad-sounding songs in there as well that the others can't translate.

Shoji doesn't have much to contribute, being a minimalist, but he generally likes the more mellow indie stuff. He can get overstimulated easily.

Sato and Ojiro both like upbeat stuff, and enjoy music more as background noise for training, or baking in Sato's case. I also think Sato would enjoy the girls' bubbly pop music, and Ojiro would like some traditional stuff. Idk man they're nothing characters

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ranchstoryblog · 14 days

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Let the Funtimes Poll!

Oh, I guess I've been slacking on thinking of ideas for the monthly poll. Uh, well, I guess EVO Japan is coming up, and they announced a really unexpected collaboration with Sesame Street, and there's been this weird push to get Waffle House as a stage in Tekken 8 so... Besides the obvious choice of "Pete/Claire/Sara in Smash Bros",

#story of seasons #harvest moon #rune factory #poll

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deus-ex-mona · 2 months

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yeah it's them again, ✨izumo edition✨

Aizo: Cheerful and athletic. During their visit to Izumo Shrine, he said “I will definitely become an idol who’ll not lose to anyone else, so please cheer me on.” when he was making his prayers.

Q: What feature(s) of Izumo made the biggest impression on you?

Aizo: It goes without saying that the shrines and temples were impressive, but I also climbed to the top of a lighthouse known as the Hinomisaki Lighthouse. I heard that it’s the tallest lighthouse in Japan, and the view from the observation deck at the top was amazing. You can see the entire Sea of Japan from up there. I hope that everyone would be able to give climbing to the top of the lighthouse a try.

Yujiro: Mild-mannered and polite. During their visit to Izumo Shrine, he said “Thank you for watching over me every day. I’ll continue to devote myself to my work.” when he was making his prayers.

Q: What feature(s) of Izumo made the biggest impression on you?

Yujiro: I guess it’d be Izumo soba, their local delicacy. It’s known as Warigo Soba, and the soba is served in three stacked tiers of round bowls, along with condiments and dipping sauce on the side. It was the first time that I had ever eaten this style of soba, and I found it to be delicious. This style of soba seems to have been perfected back when people started to eat soba as a packed meal. The origin story of the meal was also really interesting to listen to.

The Tourism Ambassadors of Izumo: Up Close and Personal with LIPxLIP!

Congratulations on being appointed as the tourism ambassadors of Izumo! How do you feel about it?

Yujiro: Through this collaboration, I learned that Izumo City has a very deep connection to the history of Japan, with the famous Izumo Shrine and numerous historic shrines and temples being found within the city. As such, I feel that it’s a great honour to have been appointed as the tourism ambassadors of Izumo City.

Aizo: You know, Izumo City is where shito, our producer from HoneyWorks, spent his youth, so I wonder if that connection to him led us to our appointments as its tourism ambassadors thanks to the Matchmaking shrines in the area. I’d like for us to show off the charms of Izumo City to many people as LIPxLIP, its tourism ambassadors.

What are your plans for this collaboration event in Izumo? Also, how did your voice recording go?

Aizo: Starting on the 26th of January, “Izumo Day”, we will commence a digital stamp rally called “Touring Izumo City with LIPxLIP” via an app, which will play our voices as you visit famous spots in Izumo. The recording was a ton of fun too. We learned a lot as we voiced our introductions about each of the featured spots.

Yujiro: There are many stories about places and people that are straight out of Japanese History textbooks, so I think there are things to be enjoyed about the tour, aside from our dialogue. Of course, there are snippets of our personal conversations included in the recordings. Like when I went into a footbath with Aizo. Right, Aizo?

Aizo: You mean that time when you chased me all the way to the edge of the footbath, huh?!

Yujiro: Is that what happened? Ahahaha (laughs).

I heard that the two of you reunited with an unexpected person while you were sightseeing in Shimane, while you were there for a tour?

Aizo: Yup, we did. We bumped into him by chance. His name’s Nagisa. You know about him, don’t you?

Yujiro: Nagisa came to our concert too. I think he became a fan of LIPxLIP too, don’t you?

Aizo: Yeah. He definitely became our fan. No doubt about it.

Yujiro: We’ll confirm it with him when we see him again.

HoneyWorks’s 6th album, which is set to be released in March, will include a recording of the Special Sunny Party (SunnyPa) Live on a bonus disc. You guys performed Shin Jidai for the first time at SunnyPa. How was it?

Aizo: Shin Jidai was a song that our seniors, Full Throttle4, invited us to collaborate on. It felt like a brand new challenge to us, as it was a song that we would not usually get the chance to sing or dance to as LIPxLIP. As such, I got the sense that we were performing it with a rather fresh feeling.

Yujiro: Our seniors were singing and dancing fairly seriously, so we were desperately doing our best so as to not fall behind them. Just like Aizo had said, I, too, felt like we had performed with a fresh feeling. And, through this performance we got to experience a sense of something that we didn’t yet have, which we are hoping that we would be able to apply in our next performance.

Aizo: The Julieta who watched the concert loved it. They said that their hearts pounded when they saw Yujiro acting all aggressively confident, since he doesn’t do that often. Right, Yujiro?

Yujiro: Weren’t there comments about how scary my face looked? I haven’t watched the recording yet, but I wonder if I did alright.

Aizo: They sure were honest, huh (laughs). Please do check out the recording, okay?

During the emcee portion with Full Throttle4 (FT4), you guys imitated each other again, didn’t you? What are your thoughts on FT4’s imitations of you two, and how did you feel about trying to imitate them again?

Aizo: Let’s not talk about the imitations! We were just swept up in FT4’s bad vibes, really. We didn’t even agree to do that beforehand, and yet they suddenly sprung it on us…

Yujiro: That's the one thing I wish they’d stop asking us to do. It’s embarrassing, regardless of whether we succeed or fail at imitating them, and it’ll destroy LIPxLIP’s image, you know? (laughs)

Aizo: Wait, don’t tell me that emcee portion was recorded too?

Yujiro: It seems to be so.

Aizo: Seriously…? I wonder if it’ll appeal to our Julieta, though…

Lastly, LIPxLIP, please give a message to your Julieta who support you!

Yujiro: We’re truly happy to have been granted the opportunity to bring happiness to all of you Julieta, right from the start of the year, in the form of our collaboration with Izumo City. I’d like us to continue to expand the scope of our activities as LIPxLIP and meet lots of you along the way, Julieta.

Aizo: This year has only just begun, and I hope to make it a fun year with all of you Julieta. Please look forward to seeing a different and more mature LIPxLIP as compared to how we were like last year. See y’all around, Julieta!

Yujiro: See ya!

Yujiro: I’d like us to expand the scope of our activities as LIPxLIP and meet lots of you along the way, Julieta.

Aizo: I'll be really happy if our feelings of gratitude to our Julieta have been conveyed properly.

#aighttttt goodbye lxl im not tling any more of your nonsense for the rest of the month im all lxl-ed out #ngl i had to stop and rewatch the shinjidai performance for a bit bc of how they were describing it #y e a h it still isn't as cool as how they're making it seem here lmaoooooooo #but with each passing second of watching the vid... i found myself thinking with increasing certainty that...#...dai moved just like one of those wacky inflatable arm tube men in that dance i m s o r r y #anyways it's midnight so im queuing this for a more reasonable time of day goodbyeeeeeeeeee #染BODY ONCE TOLD ME—#lxl tl things

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