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#if the manga doesn't go this way i will be surprised
sweetbottletops · 17 hours
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Often finding your little (queer) friend group takes until college so in a way Mitsuki is ahead of schedule.
Ch 85
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I'm somewhat surprised Mitsuki felt scared by the festival masses even tho music is her special interest and that's most likely the same for everyone else there. Not being able to feel togetherness even there among fellow fans feels really extreme...and lonely.
But she is a headphones kid after all and when at their little concert date earlier it had been Aya freaking out in a more normal way and Mitsuki was more chill and grading their English ability. Maybe she's been one of those distant, cerebral stand-still-and-stare concert goers before this trip.
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It's starts off with your hat. Then she'll have your Netflix password, take a couple of your dresser drawers, and before you know it you locked in your Ikea-instructions-plus-one for life and are surprising her with a refrigerator you didn't properly discuss.
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I'm bothered that Mitsuki's past festival experiences that she talked fondly about were still her feeling alone, locked in her head, and out of sync. Do something, Aya! She's becoming that depressed fish again!
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*tangent* There's that MA (18+) Mitsuki midriff that's going to cost Yen Press manga sales.
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"Hello! Kooooga-san!" It's Aya there to snap her out of mental drifting. And she's literally being a physical anchor now too. Someone mentioned skinship elsewhere like it was 2008 again and yes. Aya has gotten comfortably handsy.
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Not just pinky promises anymore.
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While getting out of sorts Mitsuki specifically picks out Aya in the crowd. It can feel settling to have someone to emotion check against when you don't know how to feel.
At the aquarium it hadn't worked out quite like this. Aya took a few steps away from her and Mitsuki immediately emo fished herself into the void. This time she doesn't have that othering hit so strongly and instead seems to finally latch onto the collective atmosphere.
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For someone who likes to be overstimulated with music and headphones alone she's come a long way from that to sharing earbuds with Aya, playing her own music, and now actually feeling plugged into the collective live music experience. Imagine how that'd feel looking down from the stage.
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Facing the same way and together in a Mitsuki sandwich.
What a nice found community/family chapter for Mitsuki on Mother's Day. I wonder if we're ever going to find out what happened with her parents or if it's, for she and Joe, past news and not in the top ten of their current concerns.
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morporkian-cryptid · 2 years
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I’ve rewatched Episode 0 – Jidai (Eng: The Times) recently. It hits very differently in light of Kiyoshi Kobayashi’s passing.
It's weird to think that in the last few years, several of the people who defined the Lupin III franchise have passed away. There was Yasuo Yamada (Lupin's first VA) nearly thirty years ago; and more recently Yasuo Otsuka (one of the key animators who helped define the series’ art style) two years ago, now Kiyoshi Kobayashi... and most importantly, Kazuhiko friggin' Kato aka Monkey Punch, the guy who invented Lupin in the first place, passed away in 2019. All the big names are disappearing one after the other.
And, well... that's sad, but also that's bound to happen in a franchise that’s 50 years old (55 including manga) and counting. And to me, it puts into light a happier thought: that this franchise has grown beyond what it originally was, and that it's continuing even without these people.
It's not like their passing were great tragedies striking an unprepared franchise and leading it to a crisis. Both Yamada and Kobayashi had trained a successor, and the passing of the flame happened smoothly. And Monkey Punch hadn’t had a hand in the franchise for years when he passed away. They all got to see Lupin III grow, and they passed away with the knowledge that it would keep going on after them. Kind of like parents would shape their child in his first years, but ultimately watch him evolve on his own, in a direction they couldn’t have predicted.
And that's exactly what Jidai was about, right? "When times change, I adapt. That's how I've always lived. But Daisuke Jigen is the only person who never said a thing, who always accepted me the way I was. He's the only stable thing in my life. And I think that's why I've always been able to stay true to myself."
It's about the passage of time and the gentle shift from one era to another, as things and people that we thought were essential disappear, but what matters about them, the things they created, live on and stay true to themselves. I’ve talked about it at length when Jidai aired, through the lense of Kobayashi’s retirement, and it’s still true, maybe even more so, in light of his passing.
Lupin III, as a franchise, is incredibly different today from what it was in its beginnings, in the manga or even in Green Jacket. But that evolution was gradual, and at its core it's still the same characters, with the same values, the same relationships, and that's what make Lupin Lupin. What Kazuhiko Kato, Yasuo Yamada, Kiyoshi Kobayashi and the others built is strong enough to outlive them. And I think that's beautiful.
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prettyboykatsuki · 1 month
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I can just imagine fujo neet reader practicing different sex position with rin to make sure she gets the proportions right.
✮ tags ; fem!reader, sexual tension, rin's pov, RIN IS KIND OF MEAN TO HER BUT HE WANTS HER SO BAD FDKJJS, reader is a fujoshi and bl mangaka, pre-relationship, they work together, part of a ficverse i haven't written yet Sorry, ONE JOKE ABOUT RIN WANTING TO OFF HIMSELF, SUPER SUGGESTIVE LOL 18+
✮ wc ; 3.5k (WHAT THE FUCK!!!!!!!)
✮ a/n ; i had to do this for my sanity. i promise i will write them a proper fic with them i promise.
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You never text Rin.
Not really. Not first at least. It's a new... friendship. Kind of. Sort of. Most of your communication thus far has been through meetings and random in-person chance encounters. Outside of that, Rin will call you since it's faster. If you do "text", it's mostly through twitter DM's.
There's a discord server your fans run, and you pop in there often enough. He's had the invitation extended but declined unilaterally, since he'd rather not see himself fucking Isagi anymore than he already has in his short, miserable career.
It surprised him this morning, seeing your message flash across the top of his screen. Asking, specifically, for him to come over and help you with something related to the new manga you were writing. He had it in his right mind to decline, but after learning it wasn't a doujin for him, he semi-reluctantly agreed.
Rin doesn't know when exactly your relationship to him grew this...comfortable. Inviting him over to your house, begging him for favors, not wincing every time he talks to you. Rin isn't an extrovert but compared to you he's a social butterfly. And your aversion to people in general, Rin thought, would prevent you from doing anything more than squeak at him forever just like you did when he met you.
(Though nothing in his life has been normal since your arrival in it. He's not sure why you would remain unchanged when he certainly hasn't.)
He doesn't know what to feel when you ask him for a favor, and he doesn't know what force of nature compels him to go. If it's morbid curiosity or annoyance or something else even worse.
It was compelling enough to take the train all the way out to Machida - an hour long trip from his own place. His manager hounded him to take you something, so he has a bag of ginseng energy drinks and snacks with him as a gift. He took the bus with his mask on, and then walked all the way to your building.
Your apartment is tucked somewhere classically suburban - attached at the far end of a residential street and behind concrete support beams for a highway just overhead. Cherry blossom trees and other shades of white flowers grow around it in thick patches, making the entrance hard to find. Rin would've had trouble if you didn’t give him details on exactly where to go.
It's an older building, stone walls worn and grass-stained from age. At the gate are groups of old people talking amongst each other as they sort through recycling and trash. All visor hats and sunspots, they fawn over Rin for a long while before he goes in and interrogates him with questions. None of them know him, which is relieving. It quickly graduates to them asking who he's there to visit, if he has a girlfriend or not.
All of them ooh and aah when he mentions your name, say something about being relieved she's found a man so handsome and that Rin should marry you because even though you're a little strange you're a good girl. Rin does not have the time nor energy to correct them - only nods and bows his head and leaves.
On the elevator ride up to your floor, he can't help but think repeatedly that this isn't the kind of place he'd expect you to live. He thought it'd be out in the middle of nowhere, maybe in a damp and broken building.
But this is a nice place with nice people, vibrant and colorful. Totally opposite from what he considers your personality.
Suitable or not, Rin manages to make it to your floor without a hitch.
He finds you, then, as he'd expect. Down a long hall, behind an unassuming white door. When you open it, you're a mess. Your hair completely unkempt, face greasy, a wild look in your eyes and complete surprise in your expression as if you didn't invite him over. You do, however, manage to invite him in without stuttering or stumbling over your words foolishly like you did the first time you spoke to him.
Another surprise is how... clean your living room is. It's lived in but he was expecting more mess in there. Your bedroom is in a similar state, undoubtedly messy but not terrible. Your NEET tendencies finally end up showing when you drag Rin into your office where you draw your manga.
It's not dirty but it's cluttered. There's a pull out sofa on one wall, with a blanket and pillow littered about and pages upon pages of paper sheets with scrapped panels about the floor. One wall has a bunch of post-its with several notes in both English and Japanese, and another has tacked up pieces of art. Both yours and other peoples. He chooses to ignore the ones of him and Isagi, The walls themselves are cream colored and uninteresting and the wood floors are slippery. At the far end of the room is a spread of desks, a PC set-up and a professional looking tablet among various art supplies in stacked boxes.
It's this room you bring Rin into without explaining yourself at all, mumbling and muttering as you give him a place to sit and go back to your work for fifteen silent minutes.
When you're finally finished doing whatever the fuck you were doing, you turn yourself back towards Rin. Bluelight glasses fall down the bridge of your nose as you swivel around in your chair - your sweatpants half pulled up your leg with the other pulled down. You're wearing fuzzy socks with Naruto characters on them.
You stare at him, pulling your glasses off and rubbing your eyes - dark circles under them.
"Uhm," Your voice is clipped and thick with exhaustion. "You came."
Rin deadpans. "You asked me to come."
"I thought you'd say no."
He did too. He doesn't respond back. You chew your lips, already anxious and Rin resists the urge to say something about it.
"Okay. Uhm. Please don't get mad," You start with and then explain, looking away. Your hands pull your sleeves over your palms. "So. Like. For my new series, I'm finally getting to the sex scene but I've never drawn characters with an intense height difference like this. And I need... new reference photos.... and uhm," You rub your feet together on your chair where you sit "Well our height differences and size is the exact one my characters have. So."
Rin stares at you. "So?"
"SoIwaswonderingifyou'dtakereferenceimagesforsexpositionswithme,"
Rin feels his jaw lock. "Slower."
You frown and look away, tucking your chin with embarrassment. "I was uhm, like, wondering if you'd take... take the uhm, sex position reference photos with me, please."
"What?"
You clasp your hands together, immediately prostrating yourself by throwing yourself down the ground. He flinches back, wondering if you're gonna hold onto his leg next.
"Please, please help me. You're the exact height of my seme and you uhm have similar builds and he's doing the most of the legwork. The poses are a little bit hard but I want them to look good or Minami-san will eat me and I'm scared of her, please help me."
"Who is Minami-san?"
You sniffle, on the verge of tears just thinking about it. "My editor. She used to be my fan. She's scary. Please, Rin-kun, please."
"What the hell did you do before?"
You frown at him, big wet puppy-dog eyes.
"It was hard. Sometimes I'd pose with my big stuffed animals and make up the proportions. Oh and usually watched porn and stuff. Sometimes I'd get lucky with stockphotos. But I don’t get the angle exactly right unless I have good references."
Rin wonders if anything you have ever said has processed in your mind before saying it. He doubts it for some reason.
"So," Rin pinches the bridge of his nose and shakes the image of you humping your stuffed animals out of his head. "You're asking me to.. pose with you?"
You nod and chew your lip. "Please, I promise I'd never ask you for this if I wasn't s-scared of Minami-san! Please?"
"I should make you pay me for this," He sneers. You flinch back and close your eyes.
"I'm sorry." You whine wetly, but then open your eyes again anyway. "Please help me."
Rin doesn't know why he helps you. Maybe you're just too pathetic for him to ignore. Maybe he's a masochist. Maybe inhaling the same air as Bachira last week turned him stupid.
He pinches the bridge of his nose.
"Fine."
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If Rin didn't believe you before when you told him you make your own references, he'd definitely believe you after you take him to your bedroom.
Your bed is in the center of your room, instead of being pushed against a wall. Large stuffed animals laid in one corner. On both sides of the room, are makeshift digital camera stands and remote-controlled lighting among another remote for said cameras. There's about 4-6 angles from what you explained to Rin, and a few adjustable lights. It's an elaborate set-up and takes the kind of dedication Rin can only imagine a hardcore fujoshi freak like yourself thinking up.
All of this to mostly draw porn of him and his rival. He tries not to think about it too hard because he thinks it's going to give him an aneurysm. Rin sits at the edge of your bed as you adjust each of the cameras individually.
"What do you do if it's not on a bed?"
You flinch like you aren't expecting him to talk. "Uhm. I either simulate as best I can o-or move my things and bed around. It's why I moved my desk to my office."
Rin stares at you. "You take it seriously."
You nod meekly. "Producing high-quality doujin is what made me money, so I have to work hard. Being poor is tough."
If Rin didn't find you so unbearable he might find that awe-inspiring in his own fucked up way.
"Okay. Everything is set-up. Now for the poses," You say, suddenly sparking back to life. Rin sits and watches. "They're having sex on a public beach so the bed and the way the seme sort of sinks into the sand will be good... I think the bridge one is the one we'll do first."
"The bridge?"
You nod, talking in short sentences. But Rin can tell this is where you're comfortable, doing things for this... hobby. Your usual constant embarrassment and shame seem to disappear when it comes to it. It's fascinating like a car crash. "Uhm. You have to stand on your knees and then, I'll lay on my back and arch my back up to meet your... y'know. It'll emphasize the height difference."
Rin stares at you agape. You take the remote control for your cameras in your hands and look at him expectantly.
Rin doesn't know whats wrong with him. Why the hell did he agree to this?
"Do you want me to take my jacket off?"
You nod, surprised. He shrugs the thing off of his shoulders and tosses it onto the floor.
Rin, per your instruction, gets into the position in the middle of the bed. He stands on his knees waiting for you. You join him a minute after, squinting at your phone screen beforehand. He isn't sure what he's expecting as a result of your ask, but he sure is shocked when he finds you placing your feet flat on the bed next to his knees and pushing yourself up for your crotch to meet his.
He knows that’s what you said but your shamelessness proves to be… shocking.
He tries not to let it show. His jaw ticks. His face feels warm but his expression remains neutral all the same. You shift and adjust and don't seem concerned at all - like it doesn't occur to you that this is in any way socially unacceptable. Or it's unfathomable Rin would take advantage of this. That this is weird, or could be interpreted in less than innocent ways. Rin knows you're so out of touch that it probably isn't. That this is, to you, just considered a favor which is partially why he even agrees.
But you're mid-brushing up against his bulge. The angle of your back forms a triangle, your arms laid flat at your sides as you squirm and push. And your expression shifts, deep in thought.
"Uhm, like, would you mind p-putting your hands on my hips? Kind of squeezing tight like it's," You flush this time, but Rin harbors doubt it's about him. "Like it feels good I guess? Like hard, and stuff so you can see the indent."
He's so astonished, he does it on autopilot. Neutral and even. He lets his hands grab your hips and holds tight just as you ask. Your long, loose sweatshirt falls down revealing the soft skin of your tummy. He can see the tops of your underwear, the thin cotton kind that come in 6-packs with a single bow in the middle in a grey color.
You don't seem to care about it. Rin shouldn't either, but his body does seem to care. His brain does. Something is happening in his gut. Anger maybe. Some cheap, frustrated desire to make fun of you.
Instead the words he's been wanting to ask since you proposed this tumble out of his mouth. He stares at you.
"Is this the first time someone's done this with you?"
You jump with a start, but remain in position. You take the pictures first, six clicks in a row before answering.
"H-huh? Why-why are you asking that?"
He doesn't know. Really. And he knows how it sounds. Rin doesn't say anything and you fold under the immense pressure of his gaze.
"S-stop staring," You say, and take a few more pictures, lowering your back just a little but still staying up right. "And no. No one tall enough or with the right physique."
There is another gnawing question, another burning curiosity. He makes his voice as even and unaffected and apathetic as he can. As mean as possible.
"Have you ever even had sex?"
Your eyes blow wide, but you seem to fall for the persona of apathy, curious boredom and cruelty. Worse, you seem a little used to it. You squirm this time and Rin holds you firmly in place. Your voice is small.
"Uhm, like, once I guess. I-it was with a guy, I didn't really date him but he seemed interested in me and I didn't think I'd ever have the opportunity again s-so I did it and I didn't uhm, it wasn't very good or anything." You reply, and he can feel your toes curl in your socks next to him and his brain feels like it'll melt from out of his ears. "Sorry, I don't-don't think you care about that, just uhm, felt like I should explain."
"Yeah," Rin feels dizzy. "Do you need another pose?"
You blink and then nod. "Yeah! Another one kind of like this, but with the legs like uhm, on your chest and my feet closer to your head. With you leaned back a little. Does that make sense? The butterfly position, I think."
Rin swallows something at the back of throat.
He nods, pulling you into position so easily he can heard you gasp. Your legs straighten against his clothed chest, and your sweatshirt falls far enough to let him see your bra. A fabric sports kind, a little worn - just the logo visible. He doesn't say anything about it, your feet resting near his neck. You make a little soft noise.
"This feels a little difficult to be in. Poor uke. Sorry if this one is kind of weird, but can you put your hands, I dunno, on my ass, I guess? I know that's probably too much but I think it'll be a good detail, so please? I'll pay you"
Rin stares at you, teeth gritting so hard he feels the back of his skull throb. "Fine."
Rin, per your request, puts his hands on your ass. It's easy enough, and he doesn't hold too tight. But it's too intimate, too stupidly fucking intimate, and he can feel you. You're hardly paying attention, caught up in your own head with whatever else. Rin is paying too much attention. Like how your sweatpants aren't thick enough to cover the outline of your frumpy cotton panties and how your soft all over. He's going to kill someone. Maybe himself.
Six more clicks and a little noise of satisfaction.
"Okay!!! I think these will turn out so great, and I can use them later too. Just one more. I have a lot of refs for this position, but uhm - I want to see if I can get the proportions correct, so if you'd please lay down," You tell him with such genuine excitement he can't find it in himself to say anything horribly cruel. "I'll be doing most of the work this time. I just-just need to see how uke will compare..."
You mutter something to yourself as Rin lets you down and lays himself down on your bed. You sit next to him for a long while, squinting at your phone. Rin stares at you as you. Wonders if he's gone completely insane, and tries to ignore the doom of the impending hard-on cozying itself in his pants.
Unceremoniously, you find yourself perching over Rin's lap. Not bothering to give him any pretense, it's the one thing about today that's really getting him.
"Oh, I need my hands for this," You give him the remote and stare down at him wide-eyed, over his lap. This has to be hell. "Could you take the photos this time?"
He closes his eyes and counts to ten and wonders if a concussion has made him insane. "Hm."
You brighten and Rin feels his chest go tight. "Thanks!"
Rin just nods, his mouth drying as you start to move and pose. A picture with your hands next to his head, and anothe r where you're sat up - your hands at your sides. Rin obediently takes pictures when you ask, his entire body tensing every single time you move.
"Okay, last one," You say. This time, you put your hands on his chest. Just the one. You must have something specific in your head that you're wanting to recreate. You bend down close, looking down at him as you do - your other hand clenched.
Rin looks up at you. He should not be thinking about you in any way. He's looking at the way your lips curve and plump and at your bare skin and your dark circles and your stupid licensed anime hoodie. He just gapes at you in confusion and mystique. He's around so many weirdos. It's not like there's anything special about you. You’re just another freak who makes porn of him. Plenty of people do that.
A loser and an idiot with no sense of self-preservation. There's nothing special about this, but Rin hasn’t been able to convince himself of that.
You stare down at him.
"Take a picture?"
Rin looks at you. Studies your expression. You seem like you're thinking. It's the only oppurtunity he has to pry.
"Did you want to ask something?" He says first. “You’re not hard to read.”
You startle, then nod. Your hand is on his chest. It's warm, and smaller than his.
"Oh, I-I guess I was wondering about what you asked me earlier. And uhm, like, I don't know. If you ever did anything. Your relationships aren't in the media and fans speculate but," You fall flat on your words. "I guess I was just curious."
Rin hates this question. It's why he never answers it. Why he hates being called a hearthrob, always too shallow and too personal for his taste.
"Nothing long term or serious. It was most for physical relief." Rin says, almost on autopilot. “Not that’d you know what that’s like.”
Your eyes widen. Rin feels his hands twitch, watching your expression finally grown conscious of him. Lust spreads through you like honey and Rin can see it in how you look. You squirm in his lap. He's not usually so aggressive, not usually one to care about sex in any important way. Not one to brag about something so unbelievably inane and trivial.
But it's bothering him, just how much he's fighting the urge to pin you down and fuck you. You of all people. It's not like him. Rough sex is whatever, but it's bothering him how little any of it seems to register in your head anymore like it once did. You could barely breathe the first time you met.
He doesn't know why he cares that you don’t anymore. He doesn’t give a shit about anything related to you
But the thought nothing seems to bother you anymore bothers him.
"Oh... I see. That's uhm, interesting. I b-bet you have a lot more experience than me. Maybe it'd be a good thing to keep you around for that kind of refernce too," You joke.
Rin lets his hand slip up to your hips without asking, not bothering to hide it anymore. His head feels with nothing but stupid useless thoughts. Thoughts of fucking you in your old, worn clothes and stained shirts and comfortable cotton underwear. Thoughts of your hands clutching at his shoulder all weepy with desire and need and stupidity - your big wide eyes bleary and sensitive. It's cruel how relentlessly he thinks about taking advantage of all your differences. Of how unathletic and awkward and unused to everything you are.
It's horrible just how much he's staving off his own arousal about it. Maybe you're strange habits are infecting him, making him strange too strange. All Rin can think about uselessly is how easily he could put you in your place. Fix you in some strange way. You’d be his to fix and you’d cry and weep and want to run away. Rin wouldn’t let you, keep you pinned and caged like an animal.
His throat feels tight. What is fucking wrong with him today?
Is he that pent up? He stares at you, and gets some passing feeling that there is more to it than that. He closes his eyes.
"Whatever," He says, letting go. You don't seem to notice it again, how thick his voice is getting "Are you almost done?"
You nod and smile. "Yes. Thank you."
Rin feels his heart tug and seethes. “You're welcome."
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linkspooky · 8 months
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Are You Satisfied?
As you might have heard chapter 236 of Jujutsu Kaisen ends with the death of Gojo Satoru. The fandom is making a pretty big deal about it. As someone who predicted from the beginning that Gojo was going to lose against Sukuna, the reaction is fascinating to me. This is perhaps the most controversial chapter of Jujutsu Kaisen I've ever seen. So I've decided to throw my hat into the ring.
The central theme of Jujutsu Kaisen is death, so the death of one of the main characters isn't too surprising, but what does Gojo's death mean for the story? What does it say about his character?
As I said above I am a little bit shocked by the extreme controversy over Gojo's death. Gojo was never going to win the fight in the first place, because Jujutsu Kaisen is a story and the story would be over if he defeated Sukuna. He'd easily be able to take care of Kenjaku afterwards and the main conflcit would be resolved. Would it really be an interesting story if Gojo one shotted the villains while the kids just wathced on Television?
The story is also not about Gojo, it's about the students. Gojo may think he's the protagonist of reality but he's not the protagonist of the story.
Once again, Jujutsu Kaisen is a story and stories have themes. We may grow personally attached to characters, but characters are just narrative tools to convey the themes of a story, no different from prose, dialogue, and art. Characters are a tool to be used well or used poorly, and sometimes yes that means killing them. Whether Gojo's death was naratively satisfying though isn't the purpose of this post though we're only asking what does it mean?
Finally, Jujutsu Kaisen is not only a fictional story, it's specifically a tragedy. Full disclosure, it's a manga about death.
The Protagonist of a Tragedy
So, number one shout out to me for making this post 4 months ago where I called the way Gojo would end the fight.
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Excuse me while I fist pump for calling it!
The question on everyone's minds is why does one of the most powerful characters in the manga die offscreen in a pretty humiliating way, cut in half and helpless on the ground just like Kaneki. The reason Gojo didn't get a more heroic (or cooler) death is because we're not reading My Hero Academia, this is not a story about heroes or even a typical Shonen manga it is a tragedy.
In poetics Aristotle defines tragedy as:
"an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions" (51).
To paraphrase a tragedy is about human action, actions characters make in a tragedy often have dire consequences. One of the most common consequences if the reversal of a hero's fortune, a hero of a tragedy usually starts out on top and ends up on the bottom because of the bad choices they make. If in normal shonen manga characters overcome their flaws through effort and persistence, in Jujutsu Kaisen we see characters more often than not lose to their flaws.
The reason I posted that Kaneki panel specifically is because it was a brilliant moment of narrative punishment for Kaneki's central character flaw. Kaneki the hero's main flaw is that he always fights alone, and he constantly makes that same choice over and over again to fight alone. One of the characters helpfully explains it as well.
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Stories are primarily about change. If a character doesn't change they're not serving the plot, unless that specifically is the point. People have pointed out how abrupt it is for Gojo to get sealed in Shibuya, get let out, and then immediately die afterwards but that's kind of the point. Gojo made more or less the exact same choice (he asked for Utahime's help for a buff but otherwise fought the entire battle himself). The definition of insanity and what not, why would doing the same thing over and over again net him a different result?
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Not only did Gojo choose to fight alone, but as I've been hammering on and on about in previous meta the entire fight Gojo cared more about fighting a strong opponent then he did saving Megumi, the child he was responsible for.
Jujutsu Kaisen is not a typical shonen manga where everything is resolved by beating a strong villain in a fight. That's specifically why I used the Tokyo Ghoul reference, because the reason Kaneki is defeated offscreen like that is because he thought the world worked like a shonen manga. He has a fantasy sequence where he's fighting Juzo in a shonen battle tournament like this is Yu Yu Hakusho right before it snaps back to reality and he's limbless on the ground.
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Gojo is a major character in the manga Jujutsu Kaisen, literally "Sorcery Fight" and he is the best sorcerer in the whole world. His entire identity revolves around being a sorcerer. Since he is so good and beloved at what he does, he thinks that everything is resolved by exorcising a curse or defeating a strong opponent. He has basically no identity outside of that. Which is why when he's fighting the possessed body of his student, a person he's been mentoring since childhood his priority is not to save Megumi but to beat a strong opponent. Gojo is a sorcerer, before a human being. That's who he is, that's who he always has been since day one.
I think part of the negative fan reaction comes from fans being really attached to this scene in the manga and deciding Gojo's entire character revolves around being a good mentor figure to children.
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Which is just incorrect, Gojo's entire character revolves around being the strongest. On top of that though, Gojo can care about children and also care about being the strongest he can care about multiple things at once and have those things contradict each other because humans are complicated. I'd point out even in this panel where he's stating motivation he's not trying to raise these kids up into being healthy adults, he wants them to be strong Jujutsu Sorcerers. Even when he's raising kids, his intention is to turn them into Jujutsu Sorcerers because everything in Gojo's mind revolves around Jujutsu Sorcery. Gojo does not exist outside of the world of sorcerers. Gojo may be the chosen one but he'd never be able to hold down a job at Mcdonalds.
I think in general readers put more investment in the things characters say out loud, rather than their actions. You can say one thing and do another. I can say "I should never eat sweets again I'm going to improve my diet", and then go and eat ice cream five hours later. Gojo can state out loud his intention to foster children and protect their youths, but then fail to properly do that in the story. Characters are not always what they say they are, that's why they're interesting to interpret. This isn't me calling the readers stupid, just pointing out that Gojo is made up of contradictions. He wants to get rid of the old guard and replace them with something new, but Gojo IS THE OLD GUARD.
If the culling games arc has shown us one thing, it's that ancient sorcerers brought to the modern age do not care that much about human life on an individual level, they are all of them egoists. There's a reason Gojo resembles someone like Sukuna more than he does any other character in the manga. I'm not saying Gojo is exactly like Sukuna, he's far more altruistic and uses his genuinely noble ideals but at the same time Sukuna is a shadow archetype to Gojo he represents Gojo's flaws. The flaws that Gojo succumbs to in tragic fashion.
Which if you believe that Gojo genuinely does love his students, and the ideal he's fighting for is to raise up a better generation and allow them to live out their youths, then Gojo throughout the entire Sukuna fight is acting against those ideals. He cares far more about fighting Sukuna then he does saving Megumi, it's shown over and over again in the battle, Megumi is an afterthought to him. If Gojo care moredefeating the big bad and saving the world is more important than helping a child that Gojo is responsible for then Gojo is acting against his stated principles. Why should Gojo win the fight when he's fighting for all the wrong reasons?
Tragedies are like visual novels, if you make the wrong choice the novel will give you a red flag. If you ignore the red flag then you get locked into the route with the bad ending. Gojo always fights alone. Gojo only ever fights for himself, even if he's using that selfishness in support of a more noble ideal like creating a better generation of sorcerers. If Gojo consecutively makes the same changes then in a tragedy he's not going to be rewarded for it.
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Gojo wants the old generation out and the new generation in, but Gojo resembles the old generation too much. Old sorcerers like Hajime and Sukuna respect him, Hajime argues that Gojo being able to fight for his pride is far more important than him living to the end of the battle when Yuta wanted to interfere and help him.
Gojo's death isn't a surprise curve ball that Gege is throwing us for shock value, it's a result of his choices throughout the manga. A manga about change, and the change between generations is not going to punish a character for remaining roughly the same. Of course you might find it disappointing that Gege didn't give Gojo the chance to grow and change and experience a character arc like Megumi or Yuji, but Jujutsu Kaisen is a tragedy, and the way Gojo's arc ended is consistent with what Gege wrote.
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Jujutsu Kaisen is not just a tragedy though, it's a manga about death. The manga begins with Yuji's grandfather warning him not to die alone the way that he did. His grandfather's dying words are what motivate Yuji throughout the beginning of the manga as he's searching for a "proper" death.
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One of the major themes of Yuji's character is a contemplation of death. He accepts that death is inevitable, so he wants to save them from the gruesome deaths they'd experience if they became victims to curses and allow them to have a more satisfying death. Yuji's grandpa died an unsatisfying death because he died alone in a hospital room. Yuji even tries to make his own death a satisfying one because he believes by dying to seal away Sukuna he'll reduce the total number of casualties to curses.
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Jujutsu Kaisen keeps investigating the theme of death and what exactly would make for a satisfying death. At one point it's all but stated that death is the mirror that makes humans analyze their lives.
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When Yuji fails to save Junpei from the "unnatural death" it calls into question whether or not his goal of saving people from unsatisfying deaths and the gruesome deaths caused by curses is even feasible. Nanami even says that Yuji might not be able to accomplish his goal and warns him away from the path.
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We see repeated unsatifying deaths in the manga, each time someone reflecting on their deaths that they weren't able to get what they wanted out of life. This list comes via @kaibutsushidousha by the way I'm quoting them.
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Nanami's a character who chose to work as a sorcerer because he didn't want to evade the responsibility of doing all you can to help people, he wanted to believe he's somewhere where he's needed. He never runs away from responsibility like Mei Mei does so he quite literally works himself to death, living and dying as a sorcerer. Nanami or Gojo's dying hallucination of Nanami even says as much, his death is the result of him choosing to go south and returning to be a sorcerer.
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Maki chose revenge against the Zen'in over her sister, and as a result Mai is dead. Maki has all the power in the world now, her revenge complete but she's left with a sense of "now what?" She's as strong as Toji now but she failed to protect her sister, and it's the result of the choices she made. Maki's reflection isn't triumph, it's "I should have chosen to die with her."
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Even Yuji himself is robbed of his narrative purpose. The manga began with Yuji saying he wants to choose how he's going to die and he'll die taking out Sukuna with him so he can reduce the number of people killed by curses in the world. Both of those things are thrown in Sukuna's face. Number one the amount of people Yuji can save by permanently killing Sukuna is now a moot point because he let Sukuna rampage in Shibuya.
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Number two, Sukuna isn't even in Yuji anymore. To build on what Comun said though, this repeated tragedy has a purpose to it and understanding requires understanding that Jujutsu Kaisen is an existentialist manga. Existentialism is basically a school of philosophy centered around the question of "Why do I exist?"
There's nothing about the invetability of death to make you question why you're alive in the first place. In the myth of Sispyhus, Albert Camus boils down all of philosophy to one question.
"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. "
All of philosophy is should I shoot myself in the head or should I keep living? Everything comes after that question, which is why in Jujutsu Kaisen a lot of the characters motivations revolve around them contemplating death. Sorcerers exist in a world where they can die any moment, and as Gojo says most of them die alone. It might be the nature of sorcery itself that causes so many people to die, not only are they dying because they are trapped in an uncaring system, but the characters themselves aren't really attempting to live outside of it. They live and die as sorcerers, replaceable cogs in the machine.
All of these unsatisfying deaths may just be the result of all these characters making one choice, to live as sorcerers rather than people. Because to exist means to live in the world.
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Even in Mechamaru's case, his goal is deeply existentialist by what I defined, all he wants to do is live in the world with everyone else rather than be stuck in his hospital room but his actions contradict that goal. Instead of letting his friends come and visit he's obsessed with the idea of getting a normal body because he feels that's the only way he can exist with everyone else, he makes a deal with the devil, he lies and goes behind their backs. He wasn't living with everyone else in the world and he could have chosen to, he chose wrong and his death is the result of that choice.
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Jujutsu Sorcerers aren't living in the world. They're living in a little snowglobe far removed from the world with its own rules, most of them regressive and disconnected from the rest of society. If you define existentialism as just "living in the world' then a lot of these characters aren't, because they only exist in the world of sorcery.
INVISIBLE BUFFY: What are you talking ab- SPIKE: The only reason you're here, is that you're not here. (drinking) INVISIBLE BUFFY: Right. Of course, as usual there's something wrong with Buffy. She came back all wrong. (moving around on the bed) You know, I didn't ask for this to happen to me. SPIKE: Not too put off by it though, are you? (drinking) INVISIBLE BUFFY: No! Maybe because for the first time since ... I'm free. She tosses the sheet aside. Spike looks around, trying to figure out where she's going. INVISIBLE BUFFY: Free of rules and reports ... free of this life. SPIKE: Free of life? Got another name for that. Dead.
Not living in the world with everyone else is the same as being dead.
A lot of these characters either make the choice to act alone, or be a jujutsu sorcerer rather than a person and because of that they die as sorcerers, b/c sorcerers die that's what they do. Mai didn't want to keep living as a hindrance to Maki so she kills herself. Maki didn't want to be anything other than a sorcerer, so her little sister dies and she's not a big sister anymore. Nanami chose to leave his job behind and become a sorcerer again, he dies as one.
Of course I don't think the manga is punishing characters for being too egotistical, but rather too unbalanced. If anything Mai is too selfless and that is why she died, she didn't want to live for herself and chooses self sacrifice for her sister. An unbalance between selfishness or selflessness results in an underdeveloped ego. Jujutsu Kaisen doesn't punish individualism per se, moreso if you're not a fully developed individual you won't last long. Because it's also a manga about growing up in the world, and a person who doesn't have a healthy, mature, well-balanced sense of self is not a grown up.
This twitter user det_critics points out that Gojo (and also Yuki + Yuji's) failures in the manga can be attributed to the fact they don't have real senses of self.
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Gojo has an identity crisis as outlined by Geto, "are you Satoru Gojo because you're the strongest, or are you the strongest because you're Satoru Gojo?"
It's a challenge for him to find some reason to live outside of being the strongest, and in tragic fashion Gojo just doesn't find it in time. Gojo lived for fighting others, and proving to himself that he's the strongest, and that's how he dies.
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There's something I like to say about narrative punishment in stories. There are two ways to punish a character, you either don't give them what they want, or you give them exactly what they want. This is the latter, Gojo wanted to find someone stronger than him because deep down he believed that nobody could understand him unless they were on his level. He wanted to be surpassed, and that's why he focused on creating stronger young sorcerers, but he never shook himself of the belief that only someone as strong or even stronger than he was could ever be emotionally attached to him so he made a deliberate choice to draw a line between himself and others.
Gojo's essentially gotten what he wanted from that choice in the worst way possible. The student he picked to succeed him Megumi, has his body stolen and kills him. Gojo is surpassed, but it's not by one of his own students it's by an enemy that's not only trying to kill Gojo but is going to massacre his students afterwards.
Gojo's spent his entire life believing that because he's more powerful that makes him inherently different and above others, and being lonely because he himself believed he couldn't relate to ordinary people and he dies like an ordinary person, an unsatisfying death where he wasn't able to bring out Sukuna's best, where he gets unceremoniously cut in half offscreen but yay he's no longer the strongest. He's gotten exactly what he wanted. Megumi is still not saved, Sukuna's probably going to kill more people because Gojo failed to stop him here, but hey at least he stopped to compliment Gojo.
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It's empty, but it's empty because of the choices Gojo made in life to just not bother connecting to people or develop any kind of identity besides being a sorcerer. Gojo lives and dies as a sorcerer, and his dying dream is returning to a teenager being surrounded by everyone he was with during his school days, because that's the happiest time in his life. Ironically he was happier before he became the strongest, because that was the only time in his life that he allowed himself to connect to people.
However in the eyes of others, he is someone who has it all. That's why he is always alone. There was no one who could hold the same sentiments and mutually understand him. Geto was the only one who could understand what he was trying to say, and the only one who could communicate well with him.
It's no coincidence Gojo and Geto die exactly a year apart on the same day, if anything I'd say the reasons they die are similiar to at least thematically. They both die because they don't want to live in the world. Geto thinks the world is too corrupt and GOjo doesn't want to be anything other than a sorcerer, both of them fail to adapt.
「 'It's just. . .' It's just that it was what Geto had to do. [...] To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '. . .that in a world like this, I couldn't truly be happy from the bottom of my heart.'」
They can't be happy in a world like this from the bottom of their hearts, so narratively they both die. The things they chose to live for at the end of their life they fail to accomplish, Gojo is no longer the stronget, Geto fails to wipe out mankind or make major changes to the world and they die as normal people unsatisfied because they weren't trying to live in the world and make connections to others. They die almost karmically a year apart because their main connection for both of them, the thing which made them feel connected to the world and other people was each other.
Which is why this panel breaks my heart and is so narratively satisfying because of how unsatisfying it is...
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"If you were among those patting my back... then I might've been satisfied."
Gojo reflects that he's not satisfied dying against Sukuna, not because he failed to give him a good enough challenge but because Geto wasn't there to pat him on the back. The one thing that would have satisfied him he couldn't have, because he didn't live to connect to people he lived to be the strongest and he died alone as the strongest. There's just something deeply upsetting about Gojo's dying dream fantasy just him being there talking with all of his dead friends who he never appreciated or connected to properly when he was alive. Knowing that if something had just gone a little differently, that even if he had to die no matter what he could have died happier if Geto was among the people saying goodbye to him because that connection with Geto is what gave his life meaning.
Dazai Osamu: "A life with someone you can say good-bye to is a good life, especially when it hurts so much to say it to them. Am I wrong?" -Bungou Stray Dogs Beast
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yumeka-sxf · 1 month
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Japanese Linguistic Observations in Spy x Family - part 2
Part 2 - Anya's "Anya-isms"
I think Anya has one of the most interesting ways of speaking out of all the SxF characters. But like with Twilight's dialogue that I previously discussed, it can only be fully appreciated in the Japanese version. Probably the most noticeable thing about her dialogue is how it's written compared to the other characters.
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Written Japanese is comprised of three different alphabets: ひらがな (hiragana) and カタカナ (katakana), which together are referred to as "kana," and 漢字 (kanji). Kanji are the characters that hold the meaning of words, while kana simply represent the various Japanese syllable sounds and don't have any meaning on their own (much like the letters of the English alphabet). There are only about 100-ish total unique kana symbols, however, there are over 2,000 kanji in common use today. So Japanese children will start out learning kana and then learn kanji gradually during their school years. This is why Japanese children's books are typically written only or mostly in kana. This is also why manga and books aimed at a younger audience will have kana "translations" of kanji written above kanji characters, which are called furigana.
With that in mind, it's not surprising that all of Anya's dialogue in the Japanese version of the SxF manga is written entirely in kana. Even though using kanji in her dialogue wouldn't necessarily mean she knows kanji, reading a character's dialogue only in kana definitely gives off childish vibes – it conveys feelings of youthfulness and innocence, like "they're speaking only in kana because they don't know the kanji for these words…they're just a little kid, after all." At least, that's the feeling I get when I read Anya's dialogue. Though I haven't read enough manga in Japanese to say for sure, it seems like this concept of making little kids speak only in kana is not unusual, as there's at least one other example I know of: a manga from the mid-2000s called Yotsuba also has a titular 5-year old whose dialogue is written only in kana.
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What's also interesting is that all of the other Eden kids speak "normally," using kana and kanji properly in their dialogue. This helps to convey the fact that, despite Anya being roughly the same age as them, their "rich family" upbringing has forced them to grow up faster. In the below panel, you can see how Damian's dialogue uses kanji (with furigana translations) while Anya's uses only kana, even for words that have kanji.
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Interestingly, I found at least two cases where Anya does use kanji in her dialogue: when she's calling out the name of her big "Arrow of Light, Seize the Star" move during the dodgeball game, and when she calls out her "Lighting Bolt, Deliver my Aid" move when she tries to throw Yor's weapon back on the deck in the cruise arc. As you can see in the below panels, the names of these "moves" is written in kanji (with furigana translations). This makes sense not only because this is parodying shonen series where the characters shout out the names of their moves, but because it emphasizes how determined Anya was at these moments.
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But going back to how Anya's speech compares to the other kids, another thing that stands out is that she speaks very "plainly." Her grammar is (mostly) correct, except for a few mistakes you'd expect a little kid to make. But she uses pretty much no colloquialisms, almost as if she knows the language but lacks the experience for using it in normal social interactions. I don't think this is unusual for a kid her age who's still learning, but it definitely stands out when compared to her classmates. For example, in the below panel, Becky uses normal interjections and other colloquialisms in her speech, like "ne" (ね), "wa" (わ), and "yo" (よ), which are all standard Japanese linguistic devices for softening or emphasizing your sentences. However, Anya doesn't use things like this in her speech. Again, this makes her speech come off as very plain and abrupt, almost like she's not a native speaker.
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She also refers to herself in third person all the time in the Japanese version. In fact, I don't recall her ever using an "I" or "me" pronoun. I don't know why the English version of the manga doesn't keep this characteristic of her speech. I think it's very important in highlighting the childish aspect of her personality.
Putting all this together – the fact that she doesn't use typical colloquial speech and refers to herself in third person – really emphasizes the childish, naive, and almost baby-like nature of her character. I'm curious if Endo made her speak this way simply to show what a little kid she is compared to her classmates, or if it will somehow tie back to whatever roots she has in classical languages that he keeps hinting at. Regardless, as I mentioned in my full Anya analysis, what she lacks in speech and school smarts, she makes up for in empathy and resourcefulness.
Besides all this, Anya does make typical speech mistakes a normal kid would make, like mishearing words or saying things wrong. She mostly uses casual speech, but does try to use keigo (polite speech) on occasion, though not always correctly. For example, she says "ohayaimasu" (おはやいます) for "good morning" instead of "ohaiyou gozaimasu" (おはようございます).
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But the most consistent "mistake" she makes (though it's not really a mistake) is what she calls Loid and Yor – "chichi" (ちち) and "haha" (はは) respectively.
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Japanese has many different words for relatives depending on whether you're talking about your own relatives or someone else's, and whether you're talking to them or about them. "Chichi" and "haha" are the general, neutral terms for "father" and "mother," and are also used when talking about your parents to someone else. However, they're not used when talking directly to your mother and father. There are many other words for that, the usual ones being "o-tou-san" (お父さん) and "o-kaa-san" (お母さん), or some variations of these with different honorifics. Damian refers to his dad as "chichi-ue" (父上) which is very formal, while Becky calls her dad the actual English word "papa" (パパ) which is very informal and normal for kids to use. But again, "chichi" and "haha" are typically only used when talking about your parents, not to them the way Anya uses them. This started from the very first chapter where Loid asks her to call him something that sounds "elite." He originally suggests the very formal "o-tou-sama" (お父さま), but when Anya says "chichi," he doesn't bother to correct her.
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Hearing a little kid call her dad and mom "chichi" and "haha" is kind of like calling them "my father" and "my mother" even when speaking to them directly – it's not wrong necessarily, just strange. But again, this serves to further emphasize the childlike nature of Anya's character.
<- Return to Part 1
Continue to Part 3 ->
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luvring · 2 years
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— clingy boyfriends
gn!reader | oikawa, kenma, akaashi, suna, atsumu, timeskip!sakusa
warnings: mention of sakusa being drunk
technically all of them are aged up but sakusa's has manga spoilers!
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OIKAWA is lying on top of you when you try to push him off. “i will literally die if you try to leave me.” you groan to try to hide your laugh. “really, tooru?” “yes,” he says, getting up so he’s in a planking position above you. “i’d get up just to drop dead on the floor. it’s always the spouse, you know.” the both of you stare at each other. it’s the perfect opportunity, really, if you tried to roll out of the way. but oikawa’s quicker than you, and he drops back down before you can shuffle even half a foot. his arms wrap around you as he rolls onto his side, pulling you against his chest. “you’re so annoying,” you laugh. he grins as he presses kisses on your shoulder, “but you love me. and you’re stuck with me until i’m ready to get up.”
KENMA groans, his hold tightening, when he feels you try to shuffle out of bed. “ken, ‘m hungry,” you whine. he only nuzzles closer into your neck before responding, “order food then.” you stare at him even though you know he can’t see you. “then what? tell them to somehow unlock the door and find us upstairs?” he hums in return, letting out a deep breath against your skin. “you know where the spare key is.” the thought gets a surprised laugh to escape you and you can feel kenma try to stop his own. “we can go down together in a few minutes. please?” you huff lightly and let your fingers start to brush through his hair. “okay, but if you fall asleep i’m going without you,” you say, knowing full well he’d wake up just to cling onto you longer.
KEIJI stretches and yawns before looking over at you beside him. “g’mornin’,” he greets you before placing his arm around your waist. and you know what's happening when he nuzzles his face into the crook of your neck. “keiji—” he hums, leaving a kiss against your jaw. “we have to get up,” you whine. he huffs a breath against your skin. “no we don’t, and you know it. it’s saturday.” “you don’t want breakfast?” “we can get brunch,” he replies easily. “i’ll cook our favourites.” there isn’t much to argue with when he’s warmer and more comfortable, and the sun is peaking through the blinds just enough. and keiji knows he’s won when he looks up at you with a soft smile. “stay with me?” you breathe out and mumble an “okay,” before letting yourself cuddle further into him and the blanket. he kisses your face once, twice, three times before pulling away. "love you."
SUNA frowns and looks up at you, his head still nuzzled into the crook of your neck, as soon as he doesn't feel you playing with his hair. “why’d you stop?” you spare a glance before waving your phone slightly. “‘cause i was typing?” “type with one hand then." he grabs the hand previously putting him to sleep and places it back on his head. “rin—god, okay,” you laugh. slowly, you start to comb through his hair again and feel his deep breath against your skin. “clingy baby.” he hums and smiles before placing a lazy kiss against your collarbone. “i don’t know what you’re talking about.” “oh yeah? so you’d let me leave right now?” suna pulls away from you, only to bump his nose against your cheek. his breath is warm as he whispers, “you wouldn’t dare.”
ATSUMU swings your arms side to side and whines, “baby, please?” you respond with a light but drawn out tone, “i can’t come with you to practice, babe.” he frowns, pulling your hands up so he could play with them in front of you. “i’ll quit my job then.” “wh—” your sentence is cut short by a snort as you suddenly let go of him. he pouts at the lost contact, pouting more at your reply. “sure you will, tsumu. i couldn’t take you from volleyball even if i had a billion dollars.” but atsumu sighs, knowing you were ultimately right. so he takes a step closer and leans his forehead against yours. his voice is softer now. “but ‘m gonna miss you.” slowly, you pull him into a hug and let him wrap his arms around you. “i’ll see you after, okay?” “fine, but i’m not letting ya go until tomorrow morning,” he says. your lips twitch into a smile at his promise. “okay, tsum.”
SAKUSA wishes his teammates would leave his house right now only half-jokingly. “if only fans could see how clingy yer boyfriend is,” atsumu sighs as he sits across from you in the living room. you look down at your boyfriend at the mention and smile as he pouts against you. maybe he drank a little more than usual, his face flushed as his arms trap you against the couch. “ooh, it’d probably help with publicity,” hinata teases. sakusa only moves further into you as he groans. deciding to have a little mercy, you finally reply. “cuddly ‘omi’s for me only, actually.” at the sound of your voice, he tilts his head to glance at you before kissing your collarbone. sighing, he mumbles quietly, “thank you.” “gross.” at that, sakusa finally lets go for a second, turning around to shoot a glare at his teammate. “get out of here, atsumu.”
🏷️ couldn't tag | @devilgirlcrybabiey @lordbugs @smiithys @xfangirl-trashx @passionateuchiha @scaramouchesfootstool @fifteenshadesofpinkk @lotus-sukimono @chloee0x0 @kenmaslov3r @bakugosgrenade @semifilms @sakusasdirtyragdoll @dai-tsukki-desu @missyasma @thathoneybee3 @momoewn @aintgeluh @dazaisfavgf @simpforerenn @leexshin @crystal-lilac @vhenis @omiigad @kur0-kawa @semispilledcoffee @ksyhmm @idontlikeyourjob @sparrowb3nscloset @awkwardaardvarkforever @rory-cakes @prblmtc @dimslover @kuroaka @vampyrkookie
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courtmartialme · 2 months
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some examples i can think of brotherhood crimes of doing riza(and royai) dirty in my opinion that's the absolute truth in the universe. consciously excluding stuff i think are minor but annoy me just as bad or else this post would be too exhausting:
being ugly in general
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not including her time travel joke from when they learn that the elrics are kids and not adults on their way to recruiting them
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not including the scene where roy meets her after she calls him when she meets barry the chopper and threatens to burn him out of jealousy
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changing the dialogue after roy saves her from gluttony from:
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to:
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LIKE...... if brotherhood has the habit of cutting off scenes to make it shorter then WHY they would change this scene to become BIGGER AND WORSE. the dialogue in manga is a clear example of their trust and wordless care for each other. while in broho it's just ?????? roy being an asshole????? to his wife?????? whom he just left his post running for bc he sensed she was in danger???? whoever chose to change this dialogue. kill yourself
riza being nice to alphonse when they are at 3rd laboratory:
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not including the only time in the whole series roy calls her by her first name only:
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the WHOLE ishval arc. riza telling ed about ishval lasts a whole ass volume while it's barely an entire episode in anime like... hm.. for starters the way roy and riza meet again there is different. in manga she saves roy and hughes from a surprise attack, and only realizes it's roy when she sees him through the scope. then hughes tells roy that they brought a talented sniper from the academy and goes after her to thank her for saving them. in anime riza suddenly shows up to roy when he was talking to hughes and like... not necessarily a bad thing i guess but...... yeah.... also this whole conversation is cut off if i remember right.. among a lot of other things LOL i hate how ishval arc is played down in BH
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riza being funny and cute not being included again
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this scene when they reach 3rd lab again in promised day and roy jokes about wanting to see her honest tears again and riza replies saying water makes him useless BUT in manga she's all cute and blushy while in anime they make her be all # girlbaws about it because that's all brotherhood riza is about lmao they took away her moeness...crime
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in manga, after roy gives up killing envy upon realizing it would lead to riza shooting him then killing herself, it shows him lowering her gun without the glove he previously had on. symbolizing that he lowered his weapon before he could lower hers. in anime he still has his gloves on
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EDIT I FORGOT THE MOST IMPORTANT PANEL OF THEM ALL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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RIZA BEING INSUBORDINATE AND A BRAT SHE'S SO CUTE THIS PANEL IS WHAT INSPIRED MY USERNAME... SHE'S SO CUTE...... brotherhood is so scared of letting riza be cute and moe because she would be too powerful if they let her
EDIT 222222 BECAUSE I WOKE UP IN COLD SWEAT AT REMEMBERING I FORGOT THIS TOO
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roy visits madame christmas' bar looking down and she asks him why doesn't he and elizabeth go someplace fun... we all know who elizabeth is right... and he says miserably that another man took elizabeth away from him(referring to riza being kept hostage by bradley) and at that the other girl asks if that means she has a chance with him now. everyone knows that roy is so wifepilled he won't look any other way if riza is in the picture lmao also how embarrassing it is that even your mom knows you're fucking your subordinate
i'm convinced somebody at BH staff hated riza's ass because of how often riza and royai scenes are changed or ignored... i know it's common for anime adaptations to cut off moments from manga but for an anime that whole premise is to be The Better Adaptation, doing it so often makes it bad to me. if you repeatedly exclude scenes that tell more about the characters because they're "not relevant to the plot", eventually there will be no actual personality left, only characters that are plot props
THERE'S A LOT MORE i wanted to include but this is already long enough and i got tired LMFAO a lot of things(most not included) are non issues because are mostly about riza being a bit silly, or showing more expression than she does in anime in a scene that otherwise doesn't change anything. but they still annoy me because by repeatedly excluding and changing these moments add to the view people have of her being nagging and stoic, at an attempt to make her a cool flawless Good Woman Character. what for.
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atinysunbaby · 4 months
Text
Request from : @ateezluvv
⌛Ateez Maknae line having a crush on you⌛
Hyung line
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🖤Choi San🖤
You have been working at KQ for a few months now, as a songwriter and you were assigned a personal space with a desk, computer and everything needed for the process of your job. During the first few weeks, the manager wanted to test your capacities and see how well you work in a group project. He sent you through days of endless work and you managed all the pressure quite well.
Your coworkers helped in making your integration easier by being nice and friendly and you adapted better than you would've expected, and the atmosphere in the workplace is always pleasant. Up till now you've participated in the writing of a few songs and small projects for both ateez and xikers, meeting ateez only briefly during a meeting.
You're first impression is that they are polite and hardworking boys and although you were aware of their beauty, you weren't ready to be hit by such powerful visuals.
Later, you were told about a project coming up and you were proposed to work with San on his solo. You meet for the first time in your studio, San's dimple popping out and greeting you early in the morning and it instantly warms your insides.
"Good morning~ I brought you a coffee, I don't know if that's alright?" He asks, sleep lingering in his voice, you can tell by the deep and raspy tone that makes goosebumps rise on your skin the moment it hits your eardrums. "Oh yes that's perfect! Thank you, really."
Your answer seems to please him, as his teeth make an appearance and his eyes almost close from the strain. He sits next to you on the extra chair you bought a few days beforehand, preparing for this day and maybe future tasks. "Let's begin!"
Now over two weeks working together with San and you can't help but feel a bit sad that the song is almost ready, having spent a lot of alone time with him made you grow attached to the kind hearted and endlessly charming man. "I think we might be done."
Those words hit you harder than you thought, it feels like a train ran you over. You don't like the way your heart aches, but it is what it is. "I enjoyed working with you San, thank you."
He smiles for the nth time, but something's different about this one, it doesn't reach ihs eyes and the dimples aren't as defined. "Yeah, uhm.. me too! I hope we can do this again in the future."
The next few minutes are filled with a tense atmosphere, the only sound heard being the shuffling around as you both clean up and gather your things. "Actually."
You almost jump at the unpredicted sound of his voice, turning your full attention to him and it shocks you to find him fumbling with his lyrics sheets, ears and cheeks red, lips pressing together making his cute dimple face unresistible. "I was wondering if you'd be interested t-to go on a date with.. me?"
You freeze for a second, being surprised and absolutely pleased from the unexpected request. "I'd be happy to, of course San."
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💚Song Mingi💚
The boys decided to go out tonight and blow off some steam, drinking and dancing through the night. Mingi wasn't really up for it at first, his perfect night would have consisted of reading mangas or watching animes while eating some snacks before going to bed early, but the others convinced him and he ended up not regretting listening to them.
He's been watching you for a while now, having caught his eye almost immediately after he sat down in one of the booths, telling the others he would start the night by staying back for a bit. Now he has the perfect excuse to analyse every single details about you and he finds you absolutely stunning, you might just be the most beautiful girl he's ever seen.
He notices your smile first, so bright and full of grace, it makes his heart flutter uncontrollably and he loves it. Then his gaze trails over all of your features, your lightly made-up eyes sparkling under the dimmed lights and the way they hold so many emotions at the same time, your adorable button nose that moves whenever you talk and your lips, round and plumpy with a coat of rosy gloss for an even more seducing appearance.
He swears your hair probably smells like heaven and he wants to run his fingers through it, massaging your scalp to feel you relax under is touch. "Yo Mingi! Min- Guys we lost him, poor dude."
Your black lacy bustier, revealing just the right amount of skin to leave more to the imagination, your cropped blazer hugging your frame perfectly, the short leather skirt with a small slit on the left side, tight around your juicy thighs making him lose his mind and cute little boots to contradict the rest of your sexy look.
"What the hell dude, what even is this?" Wooyoung shrieks in disgust, elbowing San in the ribs while watching one of his best friend drooling over some bartender he's never met before. "I don't know, might wanna wake him out of his fantasies though."
"Yeah, that shit's on another level of creepiness." Yeosang states while bitting his nails in concern, his eyebrows scrunched and a judgy stare directed at Mingi. "You troublemakers leave Mingi alone, it looks like he just fell in love."
"Seonghwa. If Mingi wasn't handsome, everybody would find it creepy and don't try to deny it." Seonghwa looks at Yeosang, defeated. "Yeah, maybe you're right."
"Ok enough of this." Yunho grabs his friend by the shoulders and briskly shakes him out of his daze. Said boy looks puzzled for a minute, no clue as to why he's being disturbed. "What?"
"Are you serious? You have no idea why I had to intervene from whatever delusion was going on inside your head, like you haven't been checking that girl out for the last hour?" Mingi instantly flushes red, his thoughts having cut out most of his rationality and he had no idea it had been that long. "Just go talk to her."
"No. I can't." Mingi refuses without a second thought, feeling anxiety creep up inside of him and being powerless against it, his limbs paralyzed with fear. There's nothing he wants more than to run over to you and strike a conversation to hear your most likely angelic voice and be blessed by your beauty up close, but unfortunately for him, his body had another plan. "Hello there~ Did you guys need anything?"
"Oh yes! I think my friend here had something he wanted to ask you?" Said friend being Mingi, is ogling you and seems to have lost all of his brain cells. You're even more perfect than he imagined, your features are enhanced and the aura that surrounds you is enough to enlight his senses. The distance between you both is so short that he can smell your sweet, fruity perfume and it calms his nerves a little bit. "Umm yeah. Hi I'm Mingi."
"Y/N~" You say with a smile, waiting for him to continue with intrigue. With a sudden boost of confidence, Mingi speaks up in hopes to be rewarded for his effort. "You're absolutely gorgeous and seem nice so I'd like to take you out on a date sometime- if you want to of course! Would you mind if I gave you my number?"
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❤️Jung Wooyoung❤️
"I don't mean to tell you how to do your job, but I think this step is wrong." Wooyoung speaks up with uncertainty in his voice, it looks like he doesn't want to offend you, which is not the case. You've been teaching him a choreography for a new dance cover and have been at it all day, somehow you're tiredness must have taken control over your body, because you're usually fully focused. "Yeah you're right sorry."
"No that's ok, don't worry about it. Hey do you need a break- or we can stop for the day?" He's genuinely so sweet, you're supposed to be the one taking care of him, but he's taken that part very seriously. Making sure you stay hydrated every once in a while, getting you some snacks in order for you to have enough energy, checking the time to make sure you take breaks over the span of a few hours and whenever there's a slightly sudden movement in the routine, he checks up on you through the mirror, making sure you didn't hurt yourself. "No need, all good- Well, do you want us to stop though?"
You turn around, facing away from your reflexion to look at the boy, only to find his concerned stare already on you, searching for any sign of discomfort through your features. "We can keep going for a bit, but let's finish up soon."
"Alright then, let's start from here." You press play on your phone, the music coming through the speakers and you immediately get to dancing, Wooyoung following suit.
He did notice how exhausted you look and it doesn't help that he 'accidentally' heard the conversation you had with your best friend over the phone while on your lunch pause. You were whispering, but he couldn't help being nosy as usual and found out that you've had a bad recent break up, barely sleeping and eating, your nerves hard to control at times.
For the rest of the day, he felt a foreign sentiment in the pit of his stomach, there's also a familiar anger. One thing he's sure of, it's that he wants to pay a visit to the person who hurt you this badly and do much worse to them. "Wooyoung? Hey, are you ok?"
You wave your hand in front of his face, heart beating rapidly because of fear and worry, he's been standing still for over a minute, eyes fixed on the floor and filled with an emotion you can't quite make out. "Wooyoung!"
You try to step back, as he suddenly grabs your wrist. You seen to have woken him up, out of his weird trance, but you end up almost bringing the both of you on the hard ground as a result. "Shit! Are you alright?"
You can't focus on any word he's saying, the muscular arm that's wrapped around your waist and the feeling of his strong fingers squeezing your hip making you feel a bit dizzy. "Y/N?"
You look up at the soft call of your name, liking the way it came out of his mouth. For the following moment, you just look into each other's eyes, no words needing to be said, until Wooyoung breaks the silence. "Can I kiss you?"
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🧡Choi Jongho🧡
"Cut! Jongho you need to look into her eyes, got it?" Jongho nods his head in agreement, saying a soft 'understood' to further show his understanding, but from next to him you can easily make out the faint blush spreading from the tip of his nose, all the way to his ears and the side of his neck.
For this scene, his character has to gaze into your eyes while confessing and keep a confident front, but Jongho keeps failing, not being able to keep eye contact with you for more than a few seconds. "Don't be nervous, just look at me and you'll be fine."
You try reassuring him, ignorant to the fact that you just made him even more of a nervous wreck and no matter how much he wants to be able to calm down from the sound of your voice, he can't. The truth is that he's started to develop the biggest crush on you and it's the first time he can't hide his feelings.
Everybody knows how good of an actor Jongho is, ense the reason why the staff and even you, are pretty surprise at his lack of self-control. "Why don't you guys take a ten minutes break? Maybe, go over a few lines together."
"Thank you!" You bow to the director and grab your co-actor's hand, unconsciously interlacing your fingers and the boy follows without fussing. With no doubts, he cherishes the moment, especially as you're the one who initiated the skin contact. Although he knows there isn't any another motive behind it, other than bringing him with you to a specific destination.
You find a quiet and slightly closed space, in hopes to make him feel more comfortable, but he actually appears to have the opposite reaction. Having for mission to keep a big distance between you two, Jongho almost rams into the wall behind him when you step forward to start a conversation.
His heart aches the moment he has a glimpse of the hurt expression on your face, you're quick to mask it, but it's already too late. You glance at him through your lashes when you hear a deep sigh coming out of him, followed by a nervous laugh with a hint of pain in it.
You watch curiously as he runs his hands over his face and he straight up looks at you without flinching away this time. "I like you. I did for a while now, but it's too much for me to keep hiding my feeling anymore."
"Wow you did it! I knew you could, but you know that's not exactly your line right? You're supposed-" He gasps like a fish out of water, trying to comprehend the situation. Only to painfully realise that you thought this was him acting and he suddenly feels like throwing himself off a building. "N- No wait that's not- I wasn't practicing.."
"Oh.." You immediately shut your rambling mouth, confused more than anything, but eventually, grasping the seriousness in his demeanor and hoping to make the poor guy's life a little easier, you speak up. And he's almost on the verge of imploding at the time your voice rings in his awaiting ears. "Well then, you probably wouldn't mind practicing the kiss scene?"
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myalvmss · 1 year
Text
⎯⎯ DATING HEADCANONS WITH AQUAMARINE HOSHINO❞
CHARACTERS. aquamarine hoshino, ruby hoshino, ai hoshino, akane kurokawa mention
MISSION. headcanons ; adventure mission, silent yet shining
WARNINGS. mentions of pregnancy & sex? this is mostly just me digging into aqua's character more and more, ANGST will most definitely be in this, but dont worry!
BUTTERFLY'S NOTE. special thanks to my friend named Ryu I guess LMAOAOAOAO. THIS IS SHORT??
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⌗O1: when I tell you, this man makes me frustrated every two seconds of reading the manga, I have a love and hate relationship with this man that not even scaramouche can compete with, BECAUSE RIGHT OFF THE BAT, HE'S A RED FLAG. BAHAHAHAH 😭
⌗O2: when you two first meet, he barely does effort in the so called friendship, or what he thinks of acquaintance.
UNLESS you are of use to his plan, so he'll probably use you, sorry bitch </3
⌗O3: this mf's ideal type is just someone like ai hoshino (imo NO ONE can replace her, not even akane sorry not sorry) and what makes you think you can pull off an ai?
i suggest you CHANGE him, not change yourself for him honey
⌗O4: this depends on your personality, but the relationship might be a sunshine reader while aqua's the grumpy one LMFAOAOAOAO
⌗O5: aqua doesn't engage in social media much, unlike his twin sister ruby. in other words, he's a boomer yet I'm not surprised so it's mostly you who takes pictures and videos of u both
⌗O6: you and aqua often go on dates at the cafe, park, or mostly private places where you two can get alone time with no interruptions
⌗O7: he's SO OVERPROTECTIVE ABOUT YOU. imagine yandere aqua omfg, he even makes sure that you're safe and doing well everyday
A caring boyfriend but a red flag 🚩
⌗O8: In the song, "MEPHISTO" I think there's a lyric where "I'll bet my life, I'll give it to you" would imply that to the people he cares about, aqua WILL risk his life for you. THOUGH this song probably directs to ai, or ruby? but either way, he still cares about you if you were actually his girlfriend. not just for his revenge plan, but purely his own love for you.
yet sometimes I think, "would aqua even bother asking you to be his girlfriend at a time crisis like this?"
It's a possibility he wants to keep you safe and unharmed from danger, so he'll probably lock up his feelings from you and keep it a secret so no danger will come for you, but it's not guaranteed </3
⌗O9: in an au where ai is alive, I wouldn't say that ai would straight away approve of your relationship with aqua. she's a mother, yes but not those kinds who don't give a fuck abt relationships ykwim?
when she first met you, she's a bit suspicious of you, especially if you're someone who's young, but your mind is well beyond your age.
It took a while, but she got used to you around with aqua and genuinely loves you
“you two aren't getting a kid, right?” just a few reassurances that YOU BOTH AREN'T GOING THE SAME ROUTE AS WHAT SHE DID.. “mama! don't ask questions out of the blue like that!” ruby come rescue us both PLS
“mama.. cut it out please,” insert a little bit of a flushed red aqua PLSS
⌗10: honestly, taking back the topic where you change aqua actually would work, because this man is wanting revenge and is willing to kill his father.
you can't be the one who helps him, that will end up ugly if he does succeed, because let's not forget how aqua can get arrested despite being a minor, yet he's 17 (currently in manga) and he might turn 18 soon enough
so you have to BE THE SAVIOR who changes aqua to be a better person and set aside this revenge
honestly. it's not worth it, I KNOW this is about ai hoshino getting her justice, but would she wanna see her kids in danger like this??
DON'T go off like "aqua this isn't like you 🥺🥺" NO LMAO. you knew aqua when he was 16, that's a super high possibility on who you met him, and the person he is now is just the same aquamarine hoshino you him at sixteen
just imo, you need to convince aqua that his revenge path won't do anything better for anyone's lives, because correctly he's ruining everything — the man probably doesn't care but you gotta make him care and move on for the better like how ai would want for him and ruby
ENOUGH WITH THE DARK SHIT LMFAO PLS AHAHAHAHAH
⌗11: if you're smaller than aqua, then he'll probably use you as a head rest
lay his head on your shoulder
rest his head on your lap
place his head ontop of yours
⌗12: SURPRISE BACK HUGS >>>>>
⌗13: whenever aqua is jealous, he always keeps it a secret from you so that you won't tease him about it
think of a scenario where you're talking to some guy on the street, a fan or an old friend;
aqua would slowly wrap his arm around your waist and pull you towards him WHILE giving the guy a very overprotective look
⌗14: he can't help it but aqua always compliments you in his mind, like how cute or gorgeous you are
⌗15: i like to think you both started getting together after his so-called revenge plan for his father
⌗16: aqua's careful around you, by that I mean when it comes to sex. he doesn't wanna end up being a replica of his father.
by that I mean, he'd ask for consent first for sex ( aqua's not entirely that kind of person who doesn't ask for consent )
and also would not have sex during his teenage years, as he prefers to have it at adult years ykyk
⌗17: you're a pain in the ass for him, gotta say that BAHAHAHHAHAH
⌗18: since in aqua's past life, he was a doctor ( bro's a DOCTOR. ) that took medical education, it's a high chance that he still remembers a few things
probably trauma from learning all that pain of a education lmao
⌗18: so whenever you get hurt, aqua's always the one who bandages you :))
⌗19: since aqua dislikes bell peppers, you probably shove those in aqua's mouth for shits and giggles AHAHAHA
⌗20: he acts like 'himself' (or the past him) when you're around, and you're the only person who could do that
“i noticed that he's like how he used to be when he's around y/n..” ruby spoke to herself, watching aqua and y/n from afar as a small smile appeared on her face. “I'm happy for them both.”
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churipu · 4 months
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HAIIII IPIN !!!!!!! can i request gojo, geto, and nanami (separate) having a gf that's really optimistic? just someone who sees the good in everything and anything, and positive at all times! thank SOOOO much !!!!
JJK MEN + OPTIMISTIC GIRLFRIEND
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featuring. gojo satoru, geto suguru, nanami kento x fem! reader
warning. people being mean to u >:(
note. HAIIII ANONN!!! i love this request bcs sometimes i read books, mangas, watch movies, you name 'em and see a certain character having the most positive mindset and i just go must protecc >:( anyways, thank you anon for requesting just after i opened the request box, istg i love all your ideas so much it makes me feel full <;33
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GOJO SATORU. absolutely hates the way you try to see the good in people — specifically people who have hurt your feelings in the past. he just wonders what goes on in your mind to just forgive and forget everyone who has wronged you.
you did. but not him.
"baby, that guy called you names when you were in high school!" gojo whines, laying down on the bed, draping an arm over your torso, "why are you still willing to meet him?"
"satoru, he said he was sorry!" you smiled at him, tracing his features softly — the male grumbled but leaned into your touch, "and plus it's not nice to hold grudges, it's been what? how many years?"
a loud whine escapes his throat as he pulled you close, "it doesn't matter how many years it has been, he still hurt your feelings. and nobody does that to my baby," he said, miffed.
you couldn't help but to chuckle, "well, you are coming along, so i have nothing to worry about."
the male grins, "damn right i am coming, he better sleep with one eye open starting from now," gojo threatens.
gojo just cannot wrap his head around your concept of "forgive-and-forget" because you never hold grudges, you forget everything and still talk to people who've wronged you, and you still have the heart to accept them.
as much as people say "forgive and forget", they end up at least holding the tiniest bit of grudge — or even a bigger grudge, right? but you? you don't. you actually forgive and forget.
well — thankfully, not him. he takes his job to protect you seriously, from any kind of harm, including monsters (people who were mean to you) both in the past, present, and possibly the future.
"baby, can you stop hanging out with that one girl? the one who always wears the purple colored eye-shadow?" he asks you, wrapping his arms around your waist.
"hm? why?"
"i don't like the vibe she gives out. it's giving...well...cruella de vil." he murmurs into your neck, nuzzling his nose in content as you went on with your skincare routine.
"satoru," you mumbled, "you can't just judge her by her vibes."
he groans, "but baby, i swear i could just feel it! she's evil," he whispers in your ear.
"satoru."
"okay, fine. just tell me if she does anything to you, i'll give her a piece of my mind (hollow purple)." he mutters out, pouting and upset as you brushed his speculations off.
GETO SUGURU. he loves it and hates it at the same time. geto loves how positive you are against the world — and what more does he need, really? it's you and him against the world at this point, although he feels like he doesn't contribute much to your positive energy (that's what he thinks).
geto thinks of himself as a pretty negative person. and you know. the both of you had a lot of deep talks about everything, including what you both had in mind. and honestly, geto wasn't surprised if he hears you talking about how your life was going smoothly; and his was just a contradiction to what you have.
it's life, people come and go. but geto seemed skeptical of that term, why couldn't people come and stay? he finds it hard to believe that you could be the one leaving him at anytime of the day, and the thought just terrifies the male.
the death of amanai put a hole in his mind that couldn't be closed off, and it fucking scarred him. but you were there for him, you didn't sugar coat words or tell him white lies — you tell him everything, straight to his face, and your choices of words made him feel loved. what else could he ask for?
"'m sorry," he mutters into your shoulder, and his voice comes out a bit muffled.
you brushed his nape gently, "it's alright sugu, you know you don't have to apologize for being sad, right?" you tell him, pressing a kiss onto the side of his head, "it's okay to be a little sad."
sometimes he asks himself if he really deserved you or not. but at the end of the day; you always convince him that he deserved it.
geto hates your optimism sometimes because he watches people trample over you and you brush them off with a smile, it makes him feel angry. he asks himself why you were doing this to yourself? believe me when he tried asking you to try talking back, or putting up a fight.
"angel, you know it makes me kind of sad that you'd let people talk to you that way," he said to you, grazing his finger over your cheek gently.
you shot him a gentle smile, "'ts okay sugu, what good do i get from arguing back to them, really?"
he just pulls you into his embrace, nuzzling his face into the crook of your neck, saying nothing. god, he just wanted to protect you from the world — why does everyone have to be so fucking mean to you?
"will you be mad if i tell them off for you?" he asks
"depends on your methods, tell me about it."
"threatening them. if it doesn't work, violence." he mutters out briefly.
"sugu, no."
NANAMI KENTO. he doesn't mind it, he finds you endearing, really. a cat getting hurt? he'll accompany you to the vet with it. or a child crying because of a fall? he'll watch you help them without any single thoughts behind.
he just loves how selfless you are. nanami once read a quote, "when given the choice between being right or being kind, choose kind." and every time he sees a selfless act from you — he just kinds of chanted it in his mind, and tell you what, nanami is such a proud boyfriend.
nanami loves how you see the good in everything, a person spilled their food on you? you tell them mistakes happen. a person bumping into you and then blaming you for it? you tell them you're sorry and thought that maybe they just had a really bad day.
but sometimes he couldn't help but to worry over you — someone so positive, bubbly, and optimistic around people who (probably) have disgusting minds. when he's not around to keep an eye on you, he just worries that someone might took advantage of your kindness and throw it out the window.
and he wouldn't be there to stop it from happening.
"ken, i'm going to go out for a hang out. it's fine, i've got my friends with me!" god, the jitters that he gets whenever you mention your friends — he was never really fond of the friends you have now, especially since they were trying hard to earn his attention. he knows they were just using you.
the texts they sent to him behind your back, the shit-talking about you, and everything else. god, he wanted to tell you about it; but he just didn't have the heart to, because he knows it will break your heart.
although nanami told them off quite rudely, defending you — it baffled him to how they still try to hang out with you with no shame after. and he tried telling you about how he doesn't like them, but you tell him it was fine.
"may i come along then?" just the thought of leaving you alone with those people pisses him off to the core, if he can't stop you from being friends with them — he will be with you.
when you agreed, he made it his job to expose them as nicely as he could. and he succeeded, oh the ecstasy he felt when you finally told them you didn't feel like hanging out with them anymore.
(and he ended up showing you the texts).
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© CHURIPU 2023 , DO NOT COPY OR REPOST ANYWHERE !
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tobiasdrake · 20 days
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FUN FACT: Did you know that Vegeta wasn't blowing smoke on Namek when he claimed to have become a Super Saiyan?
Well. Not entirely, anyway.
And also the process of becoming a Super Saiyan is kind of complicated, and Goku is an enlightened martial arts master.
The process of becoming a Super Saiyan is complicated. The English dub got a bit confused on this point while they were frantically erasing as much spirituality and also martial arts and general power levels talk as they could from the series.
The dub was bad. I don't think that's a surprise to anyone. It was a 90's anime dub. It scrubbed the source material of a lot of stuff.
But specifically here, the dub confused matters when it said that to become a Super Saiyan, you have to be pure of heart. This confused matters, because being purehearted is a thing in Dragon Ball. You have to be purehearted to ride the Nimbus.
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This concept of pureheartedness exists in Dragon Ball. But it has nothing to do with the Super Saiyan.
This isn't the same as that. To become a Super Saiyan, you need something else. Notably, the Viz manga also translates this idea as "pure of heart"....
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But the idea being translated here is more along the lines of tranquility than innocent goodness.
Becoming a Super Saiyan is a bit of a process. To understand the Super Saiyan, we need to talk about limit-breaking. This is a concept that's expressed repeatedly throughout Dragon Ball. In order to become Dragon Ball Powerful, you have to break your limits. You hit a ceiling and that's as far as you can go, until you find some new way to push through and break that ceiling. The series is big on this idea.
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As an example, Mr. Satan is an incredibly formidable martial artist. He is peak. Top-tier fighter. ...within human limits. But he doesn't hold a candle to Krillin because Krillin broke the human limit in childhood.
Mr. Satan is basically Panput from the 22nd Tenkaichi Budokai.
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Saiyans are in a different league from humans, and they have different set limits. Different norms, different standards, and different potentials. But, like humans, there's a ceiling. The first step to becoming a Super Saiyan is breaking the Saiyan limit.
Goku, as a low-class Saiyan trained on Earth in martial arts, was able to break through the Saiyan limit during his gravity training in space. This wasn't the goal of his training, mind; Goku had a particular goal in mind. He was subjecting himself to intense gravity so that he could acclimate his body to withstanding higher levels of Kaioken.
Not even realizing that was what he was doing, Goku was the first to shatter his Saiyan boundary and take the first step to becoming a Super Saiyan.
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That Goku has transcended Saiyan abilities isn't lost on either Vegeta or Captain Ginyu, both of whom peg him as a Super Saiyan... before walking it back because Goku lacks the overwhelming bloodthirst and battle hunger that characterizes the legend.
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Poor Goku has no idea what any of these people are on about. He might as well be listening to Game of Thrones fans infodump about the Lannisters.
But he wasn't alone. During his fight with Jeice following his third Zenkai of the arc, Vegeta finds himself trashing Jeice. Vegeta's as surprised as Jeice is, to be honest. Even with a Zenkai, he should not be doing this well.
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Vegeta's last Zenkai wasn't just a Zenkai. It pushed him through the Saiyan limit.
You see, something happens to a Saiyan as they cross that boundary. Their ki begins to swell astronomically in preparation for becoming a Super Saiyan. Both Goku and Vegeta at this point have entered a sort of proto-Super Saiyan state. Their powers are passively being inflated.
Goku, too, eventually realizes that his power is growing at an astronomical rate that cannot be explained by his training or his Zenkai boosts or any phenomenon he's aware of. He's just. Swelling with power for reasons he can't fathom.
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Neither of them are Super Saiyans yet. They still need the right spark to ignite it - and, despite knowing more about the Super Saiyan legend than Goku, Vegeta has no idea what that spark is. But they're both inflating like balloons in preparation for ignition.
Vegeta brings up the proto-Super Saiyan again in his first showdown with Frieza.
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He recognizes that he is not yet the Super Saiyan. But he is a proto-Super Saiyan. He still feels it, still feels his power inflating within himself. He just. Needs. That. Spark.
But he won't find it. He said it himself: He doesn't think Goku and his "soft heart" can become the Super Saiyan. The Super Saiyan is supposed to be filled with rage and battle hunger.
But breaking the Saiyan limit isn't enough. You need the spark: A tranquil heart awakened by rage.
There are two pieces to that. The first is a tranquil heart. What does that mean? It means tranquility. Stillness. Peace. Becoming one with yourself and the cosmic universe.
During his training in space, with nothing to concern himself with and no distractions, Goku found tranquility. Alone in the void of space with only his beloved art, he achieved a measure of serenity and peace that he's never known before.
When Goku steps off that ship, he's different. He's entirely focused on the task at hand. He doesn't even want to fight the Ginyus, which is a stark departure for his character. He has no interest in the joy of battle; Only in doing what he came for and going home.
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Goku asks the Ginyu Force multiple times to just go away. He does not care about this. He is thoroughly disinterested in fighting.
He's not even mad. They beat up his son and his best friend, and Goku does not care. Also, he can read minds now. Because he is the Heavenly Buddha, I guess.
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This is a super weird moment, but its main purpose is to demonstrate that Goku has become... something else. He's not just "Goku but stronger"; he's changed on a fundamental level.
Goku is no longer a rash, impulsive student. He has become a master of his art. Do you see that kanji on his back? Kaio presented Goku with this new dogi after he got out of the hospital... uh... somehow.
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You. Uh. You gonna elaborate on where the fuck that came from, Goku? No? Okay, man. You do you.
In any case, Goku's new dogi is distinctive because it erases the sigils of both the Kame school and Kaio. Originally, he would wear the Kame sigils on both front and back to reflect his status as a student of Kame-senryu.
Even if he did only technically study Kame-senryu for less than a year. It's fine; the Muten-Roshi filled him with a lot of philosophy that's guided him over the years so it still counts.
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After he trained under Kaio, the sigil on his back was replaced with Kaio's sigil, to reflect that he is Kaio's student now as much as he is the Muten-Roshi's. Though he left the Kame-senryu sigil on Goku's front, because he is a student of both.
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But from the moment Goku steps off that ship, both Kaio and the Kame sigils have been replaced by this new one.
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This new sigil serves two purposes. First is that it's the first kanji of Goku's name. Both of his masters are now gone from Goku's expression, replaced by Goku himself; This symbolizes that Goku has, himself, become the master. His art is now fully his own.
Goku is at the peak of his journey. There is nothing more for him to learn. It falls to him now to cultivate, develop, and evolve his art for himself, using the knowledge and mastery he's acquired. And, as we'll see in the next arc, to ultimately pass it on to the next generation to come.
But, bringing this back to the tranquil heart thing: The kanji for 'Go' also represents enlightenment. Goku has found peace with himself and his place in the cosmic universe. That is why he, and not Vegeta, is ready to have his spark ignited.
He's broken the Saiyan limit. He has a tranquil heart. All he needs now is to snap, and have his tranquil heart awakened by rage.
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But Vegeta still has a ways to go. Because his heart is far from tranquil.
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The best he can come up with is "I Zenkai'd into this, I can Zenkai out of it!" Vegeta is very fettered, especially in conflict with Frieza. He is not one with the cosmic universe. He is a nervous wreck of emotions and wants and distractions. He was so close, but he could never have ignited here. Not under these circumstances.
No, Vegeta would only find his tranquility after becoming stranded on Earth. (No, anime, Vegeta did not have a spare spaceship on hand to leave immediately.)
Three years, living at Capsule Corp until he moved out and got his own place. Free from the yoke of Frieza and able to pursue nothing more than his own self-improvement. Driven by a desire to surpass Goku but in a low-stress environment...
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...and apparently hanging out with Bulma in his downtime.
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That's where Vegeta found his tranquility. And the spark of rage that ignited his tranquil heart? His own inadequacies, of course.
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Never change, Vegeta. XD
300 notes · View notes
stsgooo · 5 months
Text
Clumsiness.
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✩࿐ summary: maomao notices that the eunuch's behavior is odd recently. she's set on discovering the root of the cause.
warning(s): idiots in love, slight angst, mentions of bullying, fluffy, maomao pov. wc; 3.1k
pairing(s): jinshi/fem!reader
a/n: binge watched all of tad last night and wanted to write smth for jinshi just because i have my weaknesses. i don't know exactly what this is except random rambles. anywayyy, i haven't read the manga yet so please no spoilers :3
m.list ao3
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THERE'S VARIOUS THINGS THAT MAOMAO SIMPLY DOESN'T CARE FOR. The uncomfortable mornings where it's too chilly, the work she catches after one of the servants loves her ideas, and idle chatter that comes with silence. However, the thing she doesn't care for the most is when Eunuch Jinshi decides to make his random and surprise appearances.
It usually brought trouble and a headache for her. His smiles and violet eyes staring into her very soul. She never looked forward to them as it always accompanied some random job in another part of the palace she simple didn't like. Or he would ask of her some impossible task that not even the gods could grant him. Maomao could do without Jinshi's behavior.
However, she could easily recognize when he wasn't acting himself. On this day particularly, she was especially aware of Jinshi's lack of excitement.
She was called and pulled aside from her duty's in the Jade Pavilion to report to Jinshi's quarters. She was quick and made little pause in her stride over. A simple routine that they both silently agreed to. He would call and she would make her way over as quickly as possible.
It was when she arrived, she realized things were not to routine.
Jinshi was laying face flat against his desk, unmoving except for his breathing. Usually, he'd be sat up, smirk on his lips, and his legs crossed as he regarded her smugly. But now, it was like she wasn't even in the room as he made small groaning sounds of disdain, his fingers tangled into his tresses as he gripped his scalp.
He was definitely not acting like himself from the bat.
"Xiaomao, thank you for coming on such short notice." Gaoshun greeted her with a small bow, offering her a sympathetic glance as he turned his attention to Jinshi. "Jinshi-sama had a matter he'd like you to take care of."
Maomao raised her eyebrows, eyes cutting back to Jinshi who remained unmoved. Is he going to present the matter himself? She thought, watching as Gaoshun inched closer, nudging the younger man's shoulder with his elbow. He seems quite the mess.
"Apothecary," Jinshi's voice was muffled as he spoke, his head still tucked into his arms. Maomao looked to Gaoshun who just sighed heavily, ducking his head. "A servant from the Garnet Pavilion has fallen ill, I'd like for you to help her feel better."
"What's her symptoms?" Maomao asked, eyes watching the pathetic man flatly.
He tensed, his head moving to peek at her from between his arms. "I fear this is more a matter of the mind."
She frowned. "I can't cure the mind, Jinshi-sama."
He finally pushed himself to sit up, an indignant pout on his lips. "I thought you could do anything." He retorted smartly.
"I never said that."
Honestly, this man asked too much of her too quickly. It was enough that he asked her to solve murders of high ranking military officials, but it felt a little much to ask her to cure some girl's mental ailments. A random girl who had probably contributed to the near death of Lady Lihua at that. Maomao already felt a vague frustration fill her at the thought. Maybe it was one of the girls she had the pleasure intimidating.
She was going to decline when she spotted the look in his eyes. Not the flirtatious or rather perverted glint it usually had, but a desperate one.
"Can you at least try?" He almost sounded defeated, his shoulders hunched and eye bags heavy.
Maomao still felt the overwhelming urge to give him a hard time. "Try what, exactly?"
He released a frustrated grumble, fingers pinching the bridge of his nose. "Maybe lend an ear, or offer some type of comfort? Anything that will possibly ease her nerves." He waved a flippant hand around, eyebrows knitted together. "It's making me wo... it's making Lady Lihua unsettled."
Maomao couldn't help the interest that came with his unspoken words. He was worried? It wasn't uncommon, nor did it seem that he would hide his concern for others. But the mere fact that he had corrected himself and tried to cover it up, piqued her curiosity and interest.
Either way, she had no choice.
Maomao tucked her hands into her sleeves, bowing. "I can make an attempt. Now, if you'll excuse me." She turned away, barely missing Jinshi's hopeful and beaming expression. She was about to exit when she happened to glance towards the sitting area, where a tea set sat, broken and contents seeping into the floor. Her eyebrows raised. "You'll carpet is going to stain."
She paid no mind to the loud groan and thud of Jinshi's head as she exited.
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It took Maomao a while to find the girl that had Jinshi worried and she had learned quite a bit about the worrisome girl while on her search.
She had been in the palace for a long time, since she was a young child. Her work had mostly consisted of cleaning clothes and mending. Until she had caught the attention of Lady Lihua a few months ago while she was in recovery. Supposedly, she had started to bring an arrangement of flowers whenever she brought clothes. The kindness hadn't gone unnoticed. She had supposedly been accepted into Lady Lihua's personal servants. Much to the chagrin of the other servants.
It didn't take a genius to detect the disdain and disgust in the servants voices when Maomao had inquired about her.
She talks to herself more than anyone else, stated one with an eyeroll.
Her routine is more important than Lady Lihua's wishes. Our poor lady. Mourned another.
She's so on edge, it's really easy to get her worked up. It's not our fault if she breaks something. Snapped another.
General consensus, this servant was a problem.
However, it was what Lady Lihua said herself that caught Maomao's attention.
She had stumbled across the concubine during her search, the woman flanked by two of her servants. She looked to enjoying a pleasant day and appeared slightly happy to see Maomao, going as far to inquire what she was doing over in her pavilion. When Maomao informed her of her task, she was interested to see the small pinch between her brow.
Ah, Y/N, I haven't seen her much today. I sent her to help with mending clothes. She's kind, just... I hope.... Well, I hope you can find her and bring her back. Lady Lihua offered little else to guide Maomao, but she could see the vague concern, the worry in the woman's eyes. She also saw that disgust in her companions eyes.
Who exactly was this servant?
Maomao found herself in the washing area. It was mostly silent, most of the girls either having dinner, or in bed. She made her way to the back where one of the few stragglers sat alone, sniffling as she scrubbed away at a stained robe...
A robe that looked oddly similar to Jinshi's.
In all honesty, she wasn't sure how to approach this. As she spotted the red shamed cheeks and the tears that silently and boldly made their way down the woman's cheeks, Maomao usually had something psychical to cure. An aliment that weighed heavily on their health, that was life or death. She could make a medicine for that. A drink, a food, a cream-- something that would satisfy the monster resting in someone's body.
The mind, though, the mind simply was a territory that Maomao never touched. Much too difficult, much too complicated, it was unknown territory. She couldn't see things from their point of view.
Just try lending an ear.
Maomao cleared her throat, feeling a speck of sympathy as she watched the girl tense, head snapping over to stare back with wide eyes. "Hi, are you the servant from the Garnet Pavilion?"
If possible, her eyes widened more, her hands clutching the robe to her chest. "Y-Yes..." she uttered, watching Maomao closely. "You're that apothecary everyone's been talking about..."
Not a question, but an observation.
Said apothecary nodded in return, "Yes."
The girl shook her head, "I'm not injured! I swear, I-I was foolish and if I was injured, then I would surely deserve it!" Her face was a deep crimson, her lips trembling, and eyes watering. It was obvious she was attempting desperately to push down the tears, but failing miserably. "I-I'm quite alright!"
"You don't look it." Maomao responded back flatly. "Jinshi-sama sent me."
The girl looked appalled, her back straightening and the tears falling freely now. "J-Jinshi?!" She exclaimed, clutching the stained robe against her chest, aghast and sickly looking as she panted. "O-Oh, I've done it now. I've humiliated myself! I'm going to be punished! Jinshi didn't deserve that! I'm so sorry."
Maomao blinked at her, eyebrows raised high at the reaction. She didn't entirely blame the girl for reacting so brashly at the mention of Jinshi. She would probably do the same if she was having a horrible day and he'd been brought up. Possibly the only person she wouldn't want to hear about as she's actively in the throes of a breakdown of some sort.
She walked forward, sitting down beside her as the girl seemed to continue her one sided conversation with herself. Her eyes wide and unrelenting as she stared at the ground below. Maomao watched her with a dent between her brow, vaguely fascinated by the panic and mostly disturbed by the anger towards herself. The mini glare not directed to anyone except herself.
She'd seen women be harsh on themselves. Seen what it could do to a person. Maomao could see it in the girl beside her now. The edge of a line that she wasn't sure if she should cross.
"I-I just...." The poor girl trailed off, her hands falling back to her lap as she stared at the robe. "I'm so clumsy.... and terribly embarrassing.... and I-I was just trying to pour some tea, then...oh, how pathetic."
"It was an accident, wasn't it?" Maomao asked softly, watching the girl's reaction closely.
She seemed to remember Maomao was with her, blinking, her face growing a shade darker. "What?"
"Whatever you did, it was an accident, wasn't it?" She repeated.
The girl clenched her jaw, looking away once again. "It's always an accident. I never do anything right. The Emperor is bound to notice and then I'll be punished because I'm so--"
"Jinshi-sama didn't send me to punish you or to check if you should be." The girl blinked, staring at her with wide eyes now. Maomao could see the barely concealed shock in her eyes, the way she seemed to relax slightly. The apothecary sighed heavily, turning her attention elsewhere. "He doesn't seem the type to punish anyone for a little mistake. Especially, when he's the same..."
The last part was uttered to herself and the girl didn't seem to pick it up as she pressed her lips together. A contemplative look on her expression. "I-I know, but.... still, I feel so guilty. I've put such a heavy burden onto Jinshi, convincing Lihua-sama to take me in... to not complain too harshly... I never wanted this..."
Maomao wouldn't even try to understand the broken speech, instead her mind was focused on that little slip. Jinshi convinced Lady Lihua to take this girl in? A extreme kindness. A extreme kindness that would allow this girl to make mistakes, to try her hardest and fail, and not suffer extreme consequences. Maomao couldn't help the suspicious kick in her chest. As she stared at the rambling girl. Why would Jinshi do that for her as an eunuch? How did he have that type of pull? Or, more correctly, what did he have over Lady Lihua to pull something like this off?
Her attention diverted to the robe and she huffed-- it's was Jinshi's. She was the cause of the tea mess. The cause of Jinshi's red face, his low mood, and the worry on his face.
Could he, perhaps..... Oh, what a development for a eunuch.
"Are they cruel to you?" Maomao cut into her rambles once again.
"Who?"
"The other servants. They can be cruel."
There was a prolonged silence. Maomao didn't dare interfere or break with the concentration. Her thoughts were wild and she was trying to grasp one that would benefit exactly what the apothecary was searching for. A string of thought that was sensical and helpful.
"Yes... so cruel," her lips wobbled again, she sniffled and tried to push the emotions away. "I didn't even do anything and they were so cruel. I tried telling Jinshi, but he's done... done so much for me, I can't throw that away. I can't take advantage of his kindness."
"Even if it was kindness now, how is feeling like this any type of comfort? Or kindness?" Maomao stood up, waving a hand. "You don't have to feel like this. Like you have to suffer for his feelings. If you're close, tell him that you liked your prior job, or ask for another."
The girl blinked slowly, lazily, a new exhaustion in her eyes as she regarded the other. "W-What's your name?"
She straightened. "Maomao." She bowed.
The girl stood, her hands tucked into her sleeves, she bowed in return. "Thank you, Maomao. It's been my pleasure to meet you."
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Things seemed to return to normal, the routine was back in place, and Maomao hadn't been tasked with taking care of crying servants. Her conversation with Jinshi afterwards had been short and straight to the point.
Did you speak with her? Jinshi had been sitting at his desk pleasantly, ignoring the overwrought expression on Gaoshun's face.
Yes. Maomao had answered, eyeing Gaoshun oddly as he shook his head.
Jinshi perked up, And? What did she say?
I believe she's going to speak to you directly when she has the chance, Jinshi-sama. She informed him instantly.
Jinshi had beamed in a way that made Maomao weary, watching as he happily threw himself from his chair and up, already walking towards the door. Well, I'll just find her myself! Thank you, Apothecary!
She didn't get to say anything in return as he vanished around the door. Gaoshun offered his sympathies before running to follow the man out.
Maomao was just glad to have things back to normal. That's what she thought about as she approached Jinshi's quarters. Normalcy was welcomed and her heart was happy to return to things she knew. Medicine and the frolicking in the mini patches of growth she could take herbs from. Things were normal.
As Maomao approached, she was skeptical to enter as she heard a crash.
Okay, maybe not entirely normal.
She knocked on the door, hoping to hear that Jinshi was busy, but the door was opened and Gaoshun stood there with a thin smile.
"Xiaomao, thank you for coming." He bowed and stepped aside to let her inside.
When Maomao entered, she was half tempted to turn back around and leave.
Jinshi's face was stuck in a frozen state of shock, a crimson shade and his jaw dropped. He was sitting on the couch and his hands were up. In front of him, on her knees, was Y/N, frantically rubbing at his robe while apologizing profusely. She didn't sound like she was crying, but still sounded extremely embarrassed.
"I'm so sorry, Jinshi! My shoes are a tad big-- No, I'm not making an excuse!" She frantically tried to explain, pulling back to stare up at Jinshi with wide eyes. He remained unmoved, just making small noises of distress. "Jinshi, are you alright...?"
"I-I..I..." Jinshi just blinked at the wall across from him.
Maomao turned to Gaoshun, expression flat, "Can I come back later?"
Gaoshun looked ready to respond when Y/N spun around, her expression pulled up with delight and a beaming smile on her face. "Maomao!" She left Jinshi to his shock to wrap her arms around the younger girl (by one year). A tight hug that was unrelenting and conveying her exact emotions of pure elation. "My savior!"
Savior? Maomao thought as she blinked, arms stuck at her side. What is she even doing here?
She pulled back, placing her hands on her shoulder's, squeezing. "Thank you so much, Maomao! If it weren't for you, I wouldn't be blessed!" She continued on with her delight.
"Blessed?" Maomao audibly questioned, eyebrows furrowed and raised.
She nodded in response, smiling happily as she clutched onto Maomao's hands. "Yes! You gave me the confidence to tell Jinshi about my unhappiness! He's allowing me to work at his attending maid." She informed gracefully, sounding more happy and carefree than she had in the washing area the weeks prior.
Maomao wouldn't admit it, but it made her lips twitch upwards.
Y/N suddenly paled, turning back around. "Oh, Jinshi, I'll get something to clean up with!" And she darted out the room before Jinshi could give any type of response.
Maomao turned her attention to Jinshi with a tilted head, finding great amusement in his embarrassment. "You must be really fond of her if you gave her a job here." She observed.
If possible, Jinshi's complexion darkened further, his posture straightening. "Pardon?" He squawked, eyes wide as they stared at the younger girl.
She didn't understand why he was acting like she had said something scandalous. It wasn't uncommon for someone to grow fond of another's presence. Even if they were stripped of their manhood and promised to the Emperor for life. Y/N was kind enough and Maomao assumed they were friends of some kind to have Jinshi calling in favors of some kind.
Still... his reaction...
"You two seem like good friends." Maomao clarified.
A weight seemed to lift of his shoulders as he leaned back into the couch. "Yes, I suppose we are." His voice was a mere utter, soft and distant. It appeared that he was contemplating something forgotten or something that he often thought about but pushed into the back of his mind.
Y/N reentered with a cloth and small basin of water. She returned to Jinshi's side who stared at her with a blush and wide eyes. The attention he gave her was close and unwavering. No type of falter and no distraction that could possibly take away his attention. She appeared completely oblivious as she scrubbed away at the stain on his robe resting on his thigh.
Maomao narrowed her eyes on the glitter in Jinshi's eye, ready to make a comment, when Gaoshun placed a hand on her shoulder. "I'll inform you of the favor, Xiaomao." And he tugged her away.
However, Maomao thought endlessly about the expression on Jinshi's face. The kindness he exhibited for the girl much too clumsy for her own good. The tenderness he regarded her with. It was almost as if... Well, that couldn't be right.
It was almost as if Jinshi liked Y/N. In a more than friendly way.
Maomao scoffed at the thought, laying down in her bed. Her pa always said she was too speculative. Much too whimsical.
The man was an eunuch after all.
943 notes · View notes
bunny-yan · 7 months
Note
Hello!! Thanks for sharing your writing with us! I'm a fan of your Hero/Reincarnated Reader story! :D Personally, I find it very cathartic lol
I've read the manga you based your story on a long time ago (tbh they did not give justice to the previous reincarnations AT ALL in my opinion), but do you have plans to expand on why Hero left Reader for each reincarnation in your story? Is there something deeper at play here (on Hero's side or even Reader's side because I think feelings of love or even basic affection would dissipate after the second reincarnation) or is it simply he wanted to play around with others and string along Reader each time? Do you think there will be another love interest that will show up in this current life?
If escape doesn't work, how would Hero react if Reader took their own life instead? And if Reader is successful, would they be "cursed" in the next life to be Hero's childhood friend? lolol
I know it's not possible, but I think it'd be beautiful karma for Reader to fall in love and marry someone else because I feel like that would really kill Hero lol
Sorry for the question spam, but thank you again for your stories and I hope to see more adventures of Hero/Reader! :D
(Btw, how will King fit into all this or was the King/Reader/Hero story a one-off?)
So I do plan on expanding on Tasman's reasoning for leaving Reader behind and you're pretty close to his reasoning, but I thought I'd expand on how the darling would commit suicide in this particular ask. I think it would also be pretty interesting to watch Tasman suffer and be forced to watch his darling find happiness with someone else so def saving that for a future draft!
The Sharing is Caring Series are one-off stories that include two+ yans, but if you're interested in seeing that sort of dynamic I am more than willing to write for it! Hopefully this answered your question <3
TW:Mentions Death, Depictions of Violence, Implied Violence, Suicide, Language, Infantilization, Minors DNI
It began slowly. 
If you moved too quickly he would notice because he caught anything and everything. Watching you was a hobby of his and when you weren’t allowed to leave his sight, it was no surprise that he got good at it. 
You didn’t come on too strong. 
It was hard to imagine he’d have anything other than suspicion if you put on a lovey dovey act, throwing yourself into his arms and professing your love when you couldn’t stand the sight of him the week before. Couldn’t stand his words whether they called you selfish or repeated his desperate love. Couldn’t stand his hands as they grabbed at you, forcing you to comply while convincing himself that this was what you also wanted, you were just too blind to see it. Too angry. 
The goddess knew what she was doing, tying your souls together and to fight a fate as destined as the two of yours? 
It was foolish. 
So you played the fool. 
You let him think that you were slowly coming around to his way of thinking. 
You couldn’t forget the look on his face when you actually apologized in the middle of a heated argument. He was yelling about the distance you were creating between the two of you, telling you that you weren’t letting your love and relationship grow if you were going to continue to treat him like a monster and you snapped an apology in his face. 
It wasn’t sweet and demure, it didn’t even hold an ounce of regret, but it was an apology nonetheless and the last words he expected to come out of your mouth. 
You crossed your arms, looking away from him and when it took him a moment to regain himself, telling you that he was grateful that you were finally seeing reason, you held back the vicious words you wanted to hurl into his face. 
Oh, you loved when his face would twist in outrage or hurt or better yet a mix of the two. 
It meant nothing good for you or for your body the next day leading to the week after but sometimes you couldn’t ignore the momentary satisfaction of letting him know just how you felt. 
But you would endure. You would wait and bide your time for the one thing you’d wanted to do since you’d memorized the number of cracks in each of the four walls, restarting your count whenever he blew his top, taking his anger out on them instead of you. 
Tasman was smart. He was suspicious when the two of you began to argue less, a questioning look piercing your body. 
You didn’t yell until you lost your voice, you didn’t give him the silent treatment, or call him an awful monster, no. 
He was right. 
Yes, you were being selfish for refusing the gift that was his presence.
You were inconsiderate for not thanking him for stealing you away from your life, ruining any chance you had at peace and true happiness. 
He was so right when he told you that he knew what was best for the two of you and that when you denied it, you didn’t really know what you were saying. You were just confused. 
Selfish, inconsiderate, confused. Keeping up the facade was harder than you thought it’d be. 
Whenever he came to you, upset about something you did or some affection you didn’t give, you just mumbled out an apology, going back to doing whatever it was you were doing. 
Tasman felt complex. He didn’t understand why one moment he couldn’t get through to you and the next you understood what he’d been trying to get across so desperately for months. When he finally asked, you told him that you were tired of arguing. You were tired of not being happy. That maybe you had overreacted when he came back. That despite him not being able to get it right for the first eight lives the two of you spent together it would only hurt the two of you further if you continued to bring up the past. You wanted to move on, to start anew. To give the two of you a chance. 
You couldn’t explain the look on his face. 
It was hopeful. It was… something you might have fallen for had you not already come so far. 
It took some time getting used to your willing affection. 
He’d stiffen when you’d lean against him when the two of you were riding a horse to your next destination, not twisting in uncomfortable ways to avoid him. You accepted the meals he brought to you, going so far to make him tea when he seemed stressed. You didn’t stray too far away from the camp and when you did you didn’t throw a tantrum, telling him that he needed to give you space or that he was suffocating you. His hands were hesitant when they touched you but his desire quickly made him comfortable. You no longer sneered or pulled away, you would rest in his arms when he held you. Something he could only dream about the last few months. But his dream were becoming a reality. 
A part of him was suspicious, afraid that this was too good to be true that your behavior was a front to attempt another plan of escape but the other part of him, the hopeful part of him wanted to believe.
You wanted to be with him. You wanted to be happy with him. 
Lost in thought, he smiled when you came over, serving him your usual herbal tea. You said it was meant to relax him, and he’d definitely felt as if he was on cloud nine. Maybe being able to pull you into his lap as he did, was apart of his feeling of floating on air but he didn’t think about it too deeply. 
“Lover?” he began, resting his chin on your shoulder. 
You hummed, your usual response whenever he required your attention. 
What was he going to say? 
He felt like this was good to be true. He felt as if this was all a ruse and that you were hiding something deeper, something more sinister. 
Sure he felt off, but maybe he was just second guessing himself. Maybe everything was fine and he just couldn’t imagine happiness for himself. Maybe it had been so long that it seemed impossible but the two of you had nothing if not hope. Hope that you could finally get it right this time. Hope that you could understand a fraction of the feelings he has for you, even if you couldn’t return them… right now. 
“It’s nothing.” he said after a long pause, heaving out a sigh. “Just promise me something?”
Humming again, he gripped you tighter before saying, “Promise me that we’ll always be together like this.”
There was a short pause, he felt a small inkling of fear that grew insurmountably in the time it took for you to respond, but he let out a breath of relief that didn’t quite ease his worries when you finally said, 
“I promise.”
~*~
Tasman woke up and immediately knew that something was wrong. 
He’d been tired but he’d never felt anything like this. His body was heavy like lead, each muscle refusing to move and his eyes were heavy with exhaustion. It took all the strength in his body to blink and when his vision finally cleared he saw shadows dancing across the ceiling. 
His hearing might have been the one sense that hadn’t been impeded because he could hear the familiar song you used to sing when the two of you were younger. It’d been so long since the last time he’d heard it. 
It took a considerable amount of strength to turn his head and when he saw you, sitting in your familiar corner on the windowsill he felt his heart ache to call out to you, but it was difficult to swallow, to speak. 
You stopped humming when you heard his breathing turn ragged. 
Turning around, he didn’t like the unconcerned look in your eyes as you watched him. 
“You’re awake?”
“What… what did you do to me?”
Your expression didn’t change, glancing back towards the window as you pulled your legs closer. 
“I was worried that I’d get caught. I knew you were suspicious, but there wasn’t much I could do about that.”
“What did you do?” he asked, voice lacking his usual seething tone due to whatever you had done. He’d been too close to you for you to make deals with any dark mages. The time and effort it took would be too long, too strenuous and too obvious. 
This couldn’t be magic.
“Did you know the goddess created an entirely new system for your body?” you asked, voice curious as you rested your head on your knees. “It should’ve been obvious. Your body is impervious to the heat, cold, wind, sand, or snow, and most physical and magical attacks do nothing to hurt you.”
You frowned, “It’s unfair. It’s no wonder the demon king never defeated you in any of our past lives.”
Tasman’s breath was ragged. He didn’t want to know. Gritting his teeth, he said, “Answer me.”
Looking at him, he was unnerved with how unbothered you were. “I tested it out. How much poison I could feed you without you noticing before it started having an effect but it never worked. But of course I should’ve figured that lethal doses in regular people would do nothing to you.”
You laughed, humorless and dry as you shook your head. “Do you know the trouble I went to to make sure you wouldn’t pick up on it? And you were too eager at the opportunity of a relationship that you let me do it.” 
“You-You can’t hurt me. Whatever you did I’ll-”
You shook your head, almost disgusted. 
“Tasman, this was never about hurting you.” 
He watched as your feet slid down the windowsill, light illuminating the edges of your body. You took slow, measured steps as you spoke, a whisper of a smile on your face. 
“I prayed to the goddess that you wouldn’t feel it. That there was a chance, that for once in one of my lives I’d get what I wanted.” You felt yourself get emotional as you recalled everything you’d been through. “I waited for you. I wanted you to love me and I couldn’t have it. I wanted a new life and I couldn’t have it. I’ve tried everything, Tasman and you know what I've noticed. You were the reason for every misstep.” 
He tried shaking his head, tried telling you what he really meant what you meant to him. 
“I’m trying, I’ll try just please-”
You shook your head, the humorless laugh almost floating from your body. 
“It doesn’t matter. Do you really think that if you were willing to make things work it wouldn’t have happened by now? In any of our lives? It’s the goddess’s desire that we remain together and yet we can never make it work. You wouldn’t listen to me no matter how much I cried, screamed, protested that this wasn’t right. That you were hurting me.”
His throat was tight with emotion, pleading almost begging in the raspy tone of his. 
“Please, I’m sorry.” He didn’t know what was triggering his senses that something was wrong. It could’ve been whatever you had drugged him with but he had an ominous premonition. 
“You aren’t. If you were, we wouldn't be here right now and I wouldn’t have had to repeat myself so many times.” 
Shaking your head, he finally noticed the glint against the silver metal, watching as it raced before you put the hilt of the blade against your head. 
“You don’t listen. You don’t care what I have to say. I throw tantrums as far as you’re concerned. And the minute I leave you drag me back and treat me like a petulant child, scolding me for leaving your side.” 
You didn’t know if you were talking to yourself or if this was for him but you couldn’t stop. 
“When I want you, you want nothing to do with me and when I want nothing to do with you, I can’t get two seconds without you breathing down my neck.”
“What-”
“I want nothing to do with you and yet I have to force myself to tolerate your existence, tolerate you touching me, choke on the words you force down my throat just for the chance that you’d leave me alone long enough to find the right herb. Just long enough to not notice what I mixed in your drinks.”
His froze in realization. How long had you planned this?
“And it finally worked.” You smiled, coming near the bedside and crouching in front of him. You could see the anger in his eyes up close without fear that he’d lash out at you. 
“How could you do this to me?” 
You gave him a mock pout, cocking your head to the side. “Poor Tasman. It must’ve been so rough getting everything you ever wanted. Everyone’s love and affection, the power of the world at your fingertips, even my love!” For the first time you got angry. “You had my fucking love in your hands and you crushed it. You treated me as if I didn’t matter to you. And I guess at the end of the day, I don’t.” A harsh laugh escaped from your lips as you narrowed your eyes on him. “I’m no hero. There aren’t millions of people who are relying on me to defeat the big bad demon king. There wouldn't be riots in the street if I up and disappeared and there won’t be, because it isn’t the case for you. You won’t disappear. You’ll just keep coming up with new ways to make sure I’ll never be able to escape from you and they won’t bat an eye. Because you matter to people. You matter. Even if you’d abandon them the next day for your own selfish greed.”
“What are you going to do with that?” he asked, understanding his meaning when his eyes looked at the blade in your hand. 
You sneered, narrowing your eyes as you said, “Don’t worry. This isn’t for you.” 
It didn’t take him long to figure out what you meant. 
“Don’t. This is stupid. We’ll just start over and I’ll know. Let’s just work this out and we can-”
Standing, you brushed off your clothes, the gesture nervous as you looked down at the sharp blade. 
“It was never about you.” you said quietly. You gave a small smile that didn’t quite reach your eyes. 
He was getting desperate. He couldn’t threaten you, he couldn’t beg or plead or say anything to convince you against this. 
“You promised.”
There was a pause and for a moment he felt that maybe you’d reconsider. That you’d realize that your behavior was hysterical and that you take a moment to calm down. 
“I did and I’ll keep my promise.”
Looking at him, you shook your head. 
“You said it yourself. We’ll just start over.”
The slow realization in his eyes was enough. 
“I want you to live with what you did to me. I want you to know that I'll never let you hurt me again.”
It happened before he could say anything. 
Your movements were sharp and jerky, stumbling after plunging the blade into your throat. 
He felt his soul cry out, begging his body to move, pleading to the goddess that he’d give anything, sacrifice anything if he could just get to you in this moment. He could heal you if you would just come a little closer, but you staggered against the windowsill, moving farther away, staring at him as you began to choke on your blood. 
He watched you suffer, watched your body twitch and fight against the pain, and watched as you finally went still. Leaning against the side of the windowsill, still staring at him. 
Tasman couldn’t move. 
His body wouldn’t listen to him. He felt tears slide down the side of his face as he choked on a strangled cry. 
He couldn’t move. 
He felt the overwhelming, aching desire to cradle you in his arms. To hold you close. To wipe the blood away from your face. To shut your accusing eyes but he couldn’t move. 
Whatever you had given him kept him in a docile state. Kept him still and feeling too guilty to look away from your eyes. Your soulless eyes. He could tell. He felt as if something was missing from his own as he continued to stare into the eyes missing life, the eyes he’d watch fade quickly. 
Too quickly. 
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popponn · 7 months
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so what if itoshi rin suddenly confesses to you. he calls you to the rooftop and ask you to go out with him after telling you that he likes you.
the thing is that all this time, to you, he is a fellow classmate, a fellow third year who became a soccer superstar after he came back from the blue lock project around a year ago, and someone with a really scary face who doesn't really have friends. yes, you interacted with him quite often because you sat beside him in class—but still, to imagine him confessing to a meek nobody, a total average npc who is easily intimidated like you is something out of your imagination. but in the end, out of fear and panic upon looking at his sharp face, you blurt out a screeching "yes!" and the two of you are dating now.
imagine your surprise when he turns out to be a really sweet, good, proper boyfriend. you initially think he will still keep up the cold guy persona and break up with you harshly within a week—but no. rin could be cursing his teammates hell and back, then you enter the room and he is suddenly a shoujo manga lead who is cool, silent, and gentle. he listens to you, always offers to help you, studies with you every chance he get, he always tries for you, and the list goes on.
can anyone blame you for falling for that?
listen. so i read hay/aku/shitai/futa/ri (it apeared on the tag so there you go slashes) and kind of lost it. it's so cute. and also i keep writing tsundere!rin so i go haha what if i mix up things a bit and make it smitten!rin who fall and confess first to a meek nobody mc despite his cold, scary soccer maniac reputation at school. then suddenly i have a full fic planned out. including the backstory on how he falls to the shoujo esque fluffy ending. the image of a guy who is growling at everyone then just snap his mouth shut with floating flowers around him the moment his lover appear is cute in some ways. (this is an attempt at self control.) (rin is really cute. when will he come back seriously im crying.)(i can go on but my brain is blanking out i will add some if i remember. this is supposed to be my break day but rin delulu is so strong.)
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linkspooky · 2 months
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So I was genuinely surprised last week when we were finally shown Megumi's mental state inside Sukuna and he was predictably at his lowest point ever, and instead of sympathy from the fans most of the responses on twitter I saw were people mocking him.
Which I am going to assume comes from a misunderstanding as his character. You see Megumi doesn't fit into the role of the black haired supporting protagonist / rival well. He's not Sasuke, he's not Uryu Ishida, he's not Yuno but he's not meant to be a rival or even a typical shonen character who's progress is only measured by a series of power ups. Megumi is perhaps one of the most subtly written characters in the manga, and perhaps he's hard to sympathize with because he doesn't fit into easy to udnerstand shonen tropes. Which is why I will try to explain his arc below and why Jujutsu Kaisen does it like no other manga currently running.
1. Meet Potential Man
Let me introduce you to the worst meme on twitter.
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Megumi's inability to live up to his potential to reach his full power as a sorcerer is probably his biggest flaw, one that is rightfully called out by the narrative again and again, but apparently an intentionally written character flaw is bad writing.
It's covered in Gojo's "Swing for the fences" speech.
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Gojo notices Megumi bunt in the baseball game and decides to confront him about it later. He highlights that while bunting is alright in baseball, and it's good to sacrifice yourself so your teammates can advance in a team sport that being a sorcerer is a solo sport. No matter what Megumi is going to reach a point where he's forced to fight alone, and instead of trying to push himself to be as strong as he can be he intentionally limits himself to cooperate with the sorcerers around him.
Basically, the opposite of Gojo who literally cannot fight with other sorcerers because he won't be able to fight at full strength as they just get in the way.
It's not just that Megumi can't use the ten shadows to its full potential, something pointed out by Sukuna, and then later again by Gojo, it's also that he always prioritizes either the group or someone else above himself when trying to decide how to act. Megumi is a semi-decent strategist so this is not necessarily a bad thing, but because of Megumi's tendency to care more about trying to live up to other people's expectations towards him, and what other people need of him rather than his own needs he doesn't have the attitude necessary for sorcery, especially since the strongest sorcerers don't take others into account at all and act like living calamities.
Megumi doesn't look at himself, he looks at the people around him. He judges himself based on what the people around him want from him, not what he wants. This is going to be a continual theme in his arc.
Sukuna is a living calamity, the definition of the attitude a strong sorcerer has, Gojo Satoru wields sorcerery only for himself, and is a sorcerer because he finds exorcising curses and using his god given talents to be fun for him.
Megumi's reason for fighting, his self worth, are all much, much less than the strongest characters in this series which is why he continually fails to live up to his potential. It's not because Gege is not good at writing or Megumi is a disappointing character, but rather he's been written as someone with tremendous potential under the pressure to live up to that potential but who continually fails to do so. Megumi's low self-esteem, low self-worth, and lack of self-identity explains both his failure to progress as a sorcerer something that requires selfishness and self-identity to reach greater heights in, but also his tendency to pick the suicide option with Mahoraga because Megumi genuinely believes compared to the others even just his classmates his life is simply worth less.
So potential man, is an intentionally written character flaw already called out in canon. The more interesting question is why does Megumi fail to live up to his potential.
2. Meet The Original Potential Man
So, I said that Megumi is not like a lot of characters in Shonen Jump but that doesn't mean he's entirely unique. To help explain Megumi's inability to live up to his potential I thought it would be helpful to compare him to a character he's clearly inspired by.
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Killua Zoldyck, is the deuteragonist of a manga called hunter x hunter. You may have heard of it, Gege certainly has. Killua is born into a family of assassins who all have supernatural powers. The assassins inflict incredibly harsh training on their children from birth in order to raise them into assassins because their potential as assassins is all that matters. They also start with a "Z".
Killua is apparently the most talented Zen'in... I mean Zoldyck of this generation, though he's still young so he's weaker than his father and brother he's expected to easily surpass them one. Which is why Killua's family has already decided for him that he's going to be the next one to take over the family, Killua's opinion doesn't matter. Illumi and Silva are both setting him up for success by forcing their "help" upon him. Several other members of the family even point out that Killua probably doesn't have the attitude to be the head of the family, but what does it matter when he's got such great talent?
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Killua is a complicated victim. He's a victim of many things, familial abuse is the most obvious one because the Zoldyck have a nasty habit of torturing their children, but the less obvious one is grooming. Not in a sexual sense, but rather the adults in Killua's life have decided to use their authority over him to manipulate him into becoming what they want him to be - the next head of the family.
What's insidious about this is the Zoldyck's don't just torture or beat Killua into submission, they will use any tool in their arsenal, familial love, emotional blackmail, threats, all to undermine Killua's agency and choices in order to make him not only do what they want to do but make him think he has to grow into the person they want him to.
Grooming not in a sexual sense, but definitely in a psychological sense, an adult using their authority as an adult over a child and their maturity to manipulate that child into becoming what they want them to be instead of letting that child grow naturally. When it's used in a sexual sense it's when an adult establishes a connection with a minor, and then uses that connection in the long-term to manipulate them into having a relationship and lower the child's inhibition. Think of that, but without the sexual part - an adult using their relationship with a child often in a long-term manipulation to lower the child's inhibitions and make them more malleable and raise them to do what you want them to do.
Killua has not been sexually groomed, but he has been groomed by both his parents and his brother to make him more suggestible to becoming the family head which is something he explicitly does not want to do. Not only did Killua's family only raise him for the purpose of becoming an assassin and taking over the family one day (raising him as a child into an adult, his emotional maturity, his health and well being are all secondary priorities to what Killua can do for his family) they also manipulate him into thinking he has no choice other than being an assassin.
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Killua is a kid put through extremely harsh training from a young age, to do a horrible job that is being an assassin that doesn't let him make normal friends or have a normal life. On top of the physical abuse he's already endured, whenever he expresses a desire to do something else in his life, his parents send Illumi to emotionally manipulate him into thinking that not only is he a natural born killer, and therefore a bad person who deserves all the abuse he's been put through, to further convince him that his only path forward is to be an assassin.
Killua is a character who has a lot of power, but little agency. Agency, in fiction is the ability a character has to take action and make decisions for themselves. Despite Killua starting as a more powerful and more savvy character than Gon, he has little agency and is often very passive. He doesn't act, he reacts. Even running away from his family is a reaction. We don't really see what he wants in life, we just know that he looked at his family and went "NOT THAT". However, his entire identity is still formed in response to his family's abuse. Even when he gets farther away from them, Killua doesn't really do what he wants, he does what Gon wants, and follows around Gon.
However, it's very understandable why Killua doesn't act with a lot of agency, when Killua does try to make decisions his family always shows up to undermine him and make another attempt to emotionally manipulate him into doing what they want. It's not always Illumi showing up to spook him. Silva pretends to be a loving dad for five minutes and has a heart to heart conversation with his son, and lets his son go adventuring with his friends but that too is a manipulation. He only did so to make sure Killua would eventually come back, by giving Killua more positive memories that would make it harder to make the decision to leave the family.
With the extent that Killua's family goes to sabotage any decision he makes, it's no wonder Killua is so passive and afraid to make his own decisions. It's almost like a character flaw he's gotta work on.
Now here's where I'm going to blow your minds. Megumi is an incredibly similar character to Killua, they are both the victims of longterm grooming however people don't like to acknowledge Megumi's victimhood. That's because in Killua's case, his abuser looks and acts like this.
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Killua's abuser Illumi is a creepy guy who looks like the girl from the grudge, telling him he's not allowed to make friends and giving off such rancid vibes that he's obviously a bad guy. Whereas, Megumi's groomer this this guy.
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Gojo Satoru who is one of the most popular characters in the series, and who also gives speeches about how he wants to let children be able to live out their youths, which is why it's hard for the fandom to see that he has taken advantage of Megumi and stolen his youth away from him pretty much the same way that Silva / Illumi has for Killua.
Megumi, like Killua has no choice in who he wants to be when he grows up, or what kind of person he wants to grow into. Megumi, like Killua has been groomed for a young age and forced into an incredibly dangerous and life threatening job that he does not want to do, that denies him the chance of a normal life, and that does not really allow him to make many friends. Megumi is railroaded onto this path, not by his choice, but by Toji's choice, and later Gojo's choice... because he has potential. Megumi like Killua cannot leave his family and stop being a sorcerer, otherwise his little sister who is the only family member he cares about will be hurt.
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Gojo doesn't show up with an evil aura looking like the grudge girl and telling Megumi that he doesn't have the right to make friends, and that he's inherently evil and a puppet that only exists to kill people though so it's harder to tell that Megumi is a victim of the same kind of grooming that has hurt Killua so thoroughly.
This is what I mean when I say a lot of Megumi's characterization flies over your head because his victimization is written really subtly. Gojo does the same thing that Illumi / Silva does to Killua, he may seem like a stand up guy compared to those two but Megumi has about as much choice about what he can do with his life that Killua has.
Not all grooming is Illumi showing up with his spooky eyes to intimidate and coerce Killua into submission. Silva shows up to give Killua the first fatherly talk he had in his life, and lets him go from the mansion.... not because he realized he was wrong for restricting Killua's life choices and giving him no choice but to become heir.
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No, it was a ploy to guilt trip him into coming back because he knew if he held Killua there by force he'd just run away the next chance he got. Fear and intimidation wasn't working at keeping Killua in line, so they switched to love instead.
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Gojo can encourage Megumi to make friends, let him hang out and spend time with Itadori, even honor his wish to save Itadori and in the end still be manipulating him into becoming a sorcerer and not letting Megumi choose what he wants to do with his life. Gojo just prefers the carrot to the stick.
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This is something the databooks confirm, that Gojo hunts prospects like Yuta, Yuji and Megumi not out of the goodness of his heart, but because they are talented students he can recruit to his cause with the added bonus that by appearing as their savior, they "owe" him.
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Megumi is also a character lacking in agency, he is someone who's had no agency his entire life and what little agency he did have was stolen away from him by the adults in his life.
Let's analyze Megumi's situation for a second. As soon as Megumama dies, Toji gives up on the idea of fatherhood entirely, and decides to sell his son, literally, like in the sense of human trafficking to be raised by the highly abusive Zen'in Clan.
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However, before the deal could be completed his father died in the middle of a mission. Megumi apparently saw his father so little that he didn't recognize him on coming face to face with him years alter, which says a lot about what kind of role Toji played in Megumi's life before he was outright abandoned.
Not only does Megumi believe his father just left him to run away with his new wife (Megumi's stepmother and the mother of Tsumiki) but now he and Tsumiki had to live together in a household without supervision for an indeterminate amount of time and watch their money slowly run out.
When it looks like they're about to start starving, Gojo Satoru shows up to save the day.... or not.
Gojo seems like he's offering Megumi a choice, but it's a loaded one. There's no choice in this scenario where Megumi gets to be a normal kid. The option of calling social services so this orphaned child does not starve doesn't occur to him.
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Megumi's options are a) go to the Zen'in Clan and be a sorcerer where Tsumiki will be abused, or b) be a sorcerer under me where Tsumiki will be safe. The unspoken part is that if Megumi rejects his offer not only will he just let the Zen'in Take him, he'll also probably just let Megumi starve. Megumi the uh six or so year old child at this point has to sign away the rest of his life as a sorcerer, and work in order to earn money to eat.
No adult is taking care of Megumi, no one is raising him, even the food and shelter Megumi is given comes with a price tag that he has to pay back by being a Jujutsu Sorcerer and attending Jujutsu High as a teenager. Gojo even kind of subtly uses Tsumiki as a hostage to get Megumi to join with his agenda, because his offer isn't really much better than the Zen'ins but he needs Megumi on his side because he needs to raise kids to be future allies to his political agenda.
At the tender age of six Megumi signed his life away to be a sorcerer and he hasn't looked back since. Considering his severe behavioral problems getting into fights constantly at school, I think it's safe to say Megumi is about as reluctant to be a sorcerer as Killua is an assassin.
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Honestly, if Megumi had phrased it like this:
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"I'm so tired of being a sorcerer, I just want to be a kid."
Megumi would have a lot more fans, and Gojo would have a lot of explaining to do, but I think the brilliance of Megumi's grooming is that it's not really as blatant as Killua's. Megumi doesn't talk out loud about how he wants to be a normal kid, he's just angry at the whole world, and prone to fits of violence because he's mentall unwell.
Another way in which he parallels Killua, by the way.
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Megumi does not talk about his lost childhood out loud. Instead of knowing his thoughts on the matter, instead we are shown his behavior, the effects of having his childhood taken away from him and how unstable it makes him and left to ponder as the audience what Megumi himself thinks of this.
The same way that Illumi steals all of Killua's agency away, robbing him of the chance to be anything other than what the Zoldycks want him to be, so to does Gojo. It's just instead of Gojo using the stick, he uses the carrot. He is Megumi's benefactor, he's the savior, for whose help Megumi owes him, sort of like repaying a loan with interest.
Gojo tries to shape Megumi into Gojo Satoru 2.0. Or maybe a second Geto. That's more likely as it's Geto defection which inspires Gojo to go looking for him after neglecting to do anything about Megumi until a year after finding out about his existence. Gojo says that Megumi is going to have to work hard or else he'll be left behind, just days after Geto had left him behind. Megumi is helped by Gojo, he is protected from the clans by Gojo, he has been taken on missions alongside Gojo his entire life, Maki even refers to Megumi as a treasure that was raised carefully by him.
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Gojo invests a lot of time and effort into Megumi and because of that Megumi is expected to "perform." However, he doesn't.
That's the thing, Megumi is supposed to be either Gojo or Geto 2.0 but he just can't be. THe reason why again is Agency. If Killua is limited because of his inability to decide for himself, then so to is Megumi b/c Nen and Cursed Technique Development both depend on things like imagination, ego and self-image to raise them up to their full potential.
However, Gojo has shot himself in the foot with regards to Megumi. Becoming a Jujutsu Sorcerer requires a strong identity, but Gojo by sabotaging Megumi's agency and ability to decide for himself every step of the way has robbed Megumi of the chance to form that strong identity.
Megumi, just like Killua has no sense of self and instead both judges himself according to others, how he meets their expectations, how he measures up to them - he also glorifies others while constantly putting himself down.
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Megumi doesn't give speeches about how Yuji is like pure light, but he also refuses to let Yuji out of his sight post Shibuya, and even says it'd be better to be killed by Sukuna alongside Yuji if Sukuna does take over.
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In the Chimera Ant Arc Killua defines all of his self-worth around being useful to Gon, and beats himself up for not being able to measure up to him - because Killua has no sense of self his selfhood has always been undermined by his family who wanted to make him more suggestible to what they wanted.
Megumi is flippant with his own life and very willing to lay down his life for another's sake, because Megumi has very little agency in his life and has been taught by both Gojo and his circumstances that he himself and what he wants does not matter. Megumi doesn't fight fate, and fight for what he wants because he's already been shot in the kneecaps by both Toji's abandonment, and Gojo Satoru, and he's having a difficult time just trying to stand with bullets in his knees.
Maybe, the reason Megumi is so willing to risk his life to summon Mahoraga and sacrifice himself if he thinks it will help his allies is because Megumi has been forced into a job where he's gonig to be expected to sacrifice his life for the greater good since the tender age of six years old and therefore everything in life has conspired to tell him his life is worth less than others.
Yuji isn't the first person in story to think of himself as a cog, that's Megumi. He doesn't even need Shibuya to beat him down to accept the cog mindset, Megumi is already there at the beginning of the story.
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I think a lot of misunderstanding of Megumi's character comes from the fact that his grooming is more subtle and insidious, and not as blatant as Killua's, and also that it's done by a character well-liked by the fandom. However, if Megumi has all the same symptoms of Killua then it's logical to deduce that they share the same trauma
Even Megumi's summoning of Mahoraga has a tie to Killua.
There's a pattern of KIllua running away from stronger opponent that's established in HXH that's eventually revealed to be because of a needle that Illumi inserted directly into Killua's brain to mind control him to run if he faced someone that was too much of a threat.
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Obviously, that's just continuing the metaphor of the fact that Killua isn't able to believe in himself to face people who are stronger, because Illumi has been constantly putting him down his entire life.
Isn't this essentially what Megumi does as well?
When Megumi is faced with an opponent that's too strong or a hopeless situation, instead of running like Killua he summons Mahoraga. He does this because he doesn't believe in his ability to surpass his limits and fight, because he doesn't believe in himself or his own potential.
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When is actually able to think more freely and picture a version of himself who can surpass his limits and who can do these things - these are the moments he is shown to grow.
Megumi however, for the most part isn't free. He can't think of himself as free and he can't free himself, because not only does he still have no choice about what he wants to do with his life (even if he becomes the msot powerful sorcerer in the world Gojo won't let him quit, he's gotta pay off those student loans), but he's also internalized the idea that he's not free. Not only has Gojo raised him to be a cog, Megumi has also accepted the fact that he is a cog and what he wants does not matter - the most he can do is hope that his actions will protect the people he loves and give them a little bit of happiness.
Megumi doesn't need a needle in his brain to control him and make him run away from fights and more obedient, because Megumi has already done all of that to himself with the toxic and self-harming ideas he's internalized.
Megumi and Killua having given up on themselves, try to make others happy, the same people they put on pedestals in order to make themselves feel even worse in comparison.
However, from this point Megumi and Killuas arcs go in opposite directions. You see after the Chimera Ant Arc when Killua hits his lowest point and his codependent friendship with Gon is exposed for what it is, Killua returns home in order to try and rescue his sister Alluka who is probably the reason he ran away in the first place.
Alluka and Tsumiki are both at the start of the story taken away from Killua and Megumi respectively, and with them the only genuine familial affection they ever enjoyed in their lives is taken too.
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However, Alluka and Tsumiki are inversions. Alluka finds her freedom and agency, and Killua is able to reform his connection with his sister by accepting both pats of her, Alluka and Nanika. Afterwards the two of them finally leave their family home together and go off on a journey together.
If Alluka finds her personhood, Tsumiki remains a plot device. She never awakens from her coma, she's possessed instead and then murdered.
Now, here is where I point out how unfair the audience is being to Megumi. If you're a hunter x hunter fan remember all the character development that Killua gained by reforging his relationship with Alluka, how much confidence it gave him to connect to the one person who's even unconditionally loved him as a family member.
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Now imagine that Alluka is brutally butchered right in front of him, and Killua has a first person point of view, because somehow in this scenario Illumi used a needle to mind control him into killing Alluka.
Do you really think Killua would be able to stand after that?
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Sukuna is really just the last in line of a long line of people who've stolen Megumi's agency away from him, in order to benefit themselves. Sukuna even saw the same "potential" in Megumi that Gojo did.
Sukuna physically posessing Megumi's body, is just what both the Zen'in Clan, and Gojo Satoru have been trying to do to him in the most literal way possible. Gojo wants to remake Megumi into Gojo Satoru 2.0 with no regards to who Megumi is as a person, what Megumi's wants and needs are. No he just wants to raise someone as strong as him and pass the burden of protecting society onto Megumi, this starving orphan Gojo decided to exploit.
People have always used Megumi as a puppet for their own agenda, Naobito wanted to make him the head of the Zen'in Clan because he had the technique, Gojo wanted him to become the next strongest sorcerer / Gojo Satoru and also to replace the elders with Gojo's political agenda. They all want Megumi's "potential" for themselves to use to their own ends. Sukuna just takes what Gojo did one step further by literally stealing Megumi's body away from him and using him as a literal puppet instead of a metaphorical one. Gojo took Megumi's childhood by making him work as a sorcerer, Sukuna kills the physical embodiment of Megumi's childhood innocence by murdering Tsumiki, the only thing Megumi had in his life besides being a sorcerer, his only family, the only person he grew up with in his childhood years, the only person who loved him for who he was.
Megumi coped with what Gojo did to him the same way Killua did, by building himself around his use to others, and by building his identity around protecting others but now that's all gone. Tsumiki is gone, Megumi is trying to kill his friends, and he's already butchered Gojo Satoru.
Yet the fans are surprised that Megumi doesn't immediately get back on his feet.
However, and this my slightly optimistic ending to the post. Perhaps, Megumi is going the complete opposite of Killua, because what Megumi needed to learn was not to grow strong and confident enough to protect his sister but to learn to fight for himself.
At this point Megumi has nothing else left. It's sink of swim. He either develops a strong enough identity to regain control of his body and push Sukuna out, or he loses and the anti-Sukuna team will just have to resort to killing Megumi along with Sukuna.
Even in that case.
Megumi not being saved by Yuji is a good thing.
Because a victim who gets rescued by a hero still has no agency.
Megumi told Yuji that he needs to start by "saving me."
However, it might just be the opposite. Before Megumi can save anyone else, before he can become a protector, he has to find his own power and save himself. He has to both accept thathe's someone worthy of salvation, and at the same time he can't just passively accept the hand that Yuji's offered to him he has to actively be the one to break free of Sukuna and save himself.
Megumi can't become the strongest sorcerer by becoming the next Gojo Satoru or being what Gojo or Sukuna wants him to be. THe only way Megumi can become the strongest, is by being himself.
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animeficsworld · 6 months
Text
Romance
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Saitama x Reader
Summary: It's a well-known fact that Saitama doesn't feel anything, but that doesn't mean he can't try. 
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It was no surprise that your boyfriend was someone who wasn't really fond of romance. Being emotionless didn't really work for his favour either. 
But Saitama decided a long time ago, that he would do anything not to lose you. He tried to be romantic as much as he could. He read a lot into it as well.
So, it was no surprise to you, that when he asked you to stay over at his place, you found the whole apartment lit with candles and flowers. 
Your heart always melted whenever he did something like this. You found it incredibly cute.
"Sai?" you called out when you didn't find him in the living room. His apartment was rather small so he couldn't really hide anywhere.
Suddenly the door to the balcony opened, and there he stood. With his usually yellow shirt on.
"Oh, you are early." he said. He must have been watering his cactus.
"I might have been a tad bit too excited so I got here quickly. But I did get us some sweets from the store." you said placing the plastic bag onto his table. He didn't say anything, his usual blank expression on his face.
But he soon gathered himself as you put all your stuff out of the way and he walked over to you and kissed you. 
"You look beautiful."
"Thank you." you knew that he must have learned that from one of his manga, but you just decided to take the compliment. You kissed him back. "So, what did you plan?" you asked, knowing that there had to be one. Saitama usually had a list of what he wanted and needed to do on dates, but of course, you never told him that you knew about that list. 
"A movie, you got snacks but I have some too."
"Cuddling?"
"All the cuddling." he answered and watched as your smile grew. He loved it when you smiled, that's what made him feel again. 
His futon was a bit small for two people, but he managed to pull you into his body just right, so you could fit.
Saitama had your back against his chest as a horror movie played. Saitama read it somewhere that if your partner is scared, they will cling onto you, and that's exactly what he wanted and why he picked a movie that would surely terrify you.
And so that's how you spent the rest of the evening, cuddled up into his very muscular chest while watching the movie. He occasionally squeezed you closer to himself when he felt that you were scared.
And scared you were.
The movie was absolutely terrifying. 
And once it finally ended, you were very grateful. You looked at the clock and saw that it was actually pretty late, so you decided to go, take a bath and go to sleep.
"Sai, will you join me to the bath?"
"I-I already had a bath, before you arrived."
"Oh." you didn't push it further, seeing his red flustered face was enough. Into the bathroom, you went to enjoy a warm bath. Although the movie was scary, the thought of sleeping in the arms of the Worlds strongest helped a lot with easing your mind. You wondered if he did it on purpose or was he just genuinely interested in the movie since you knew he liked these kinds of films. 
Anyways, you got out of the bath and put your pyjama on. When you got back to the futon, Saitama blew the candles out and was already half asleep. You turned the TV off and went ahead to lay down beside your boyfriend. He pulled you close as you placed your head on his chest.
Falling asleep you felt so lucky because even though Saitama is emotionless, you were very thankful for the things he did and how hard he tried. 
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