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#jjk 236 spoilers
scarlettroubles · 7 months
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We finally got topless Gojo guys 🤩🤩🤩
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gojoidyll · 3 months
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Imagine...
That your cursed technique allows you to create an invisible and indestructible shield around your whole entire body and can even create the same shield for your allies.
And teen!Gojo always (always) has a comment to say about said technique.
"Please, my infinity is far stronger than your flimsy shield."
For years he's been saying this even as you have proven that your cursed technique could protect anyone. Even Riko and Geto. Even Nanami and Haibara.
Even when Gojo is fighting Sukuna, the two in a heated battle where only one could win while the other dies.
Adult!Gojo was strong there was no doubt about that, but still. You couldn't stop yourself from lifting up your hand. Your entire focus on Gojo as you activated your cursed technique.
"What the-"
Sukuna snapped his gaze towards you. His final attack towards the strongest having been neutralized and the King of Curses could only find himself smirking at you, "I knew I should of figured out a way to kill you before I took out Gojo."
All the while Gojo was still breathing. His hands coming down to lay at his stomach. His upper and bottom half still attached. Sukuna's attack was so fast. Gojo was sure it would have killed him, his infinity wouldn't have been able to stop it, and yet...
Your shield was able to withstand such a force.
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linkspooky · 7 months
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Are You Satisfied?
As you might have heard chapter 236 of Jujutsu Kaisen ends with the death of Gojo Satoru. The fandom is making a pretty big deal about it. As someone who predicted from the beginning that Gojo was going to lose against Sukuna, the reaction is fascinating to me. This is perhaps the most controversial chapter of Jujutsu Kaisen I've ever seen. So I've decided to throw my hat into the ring.
The central theme of Jujutsu Kaisen is death, so the death of one of the main characters isn't too surprising, but what does Gojo's death mean for the story? What does it say about his character?
As I said above I am a little bit shocked by the extreme controversy over Gojo's death. Gojo was never going to win the fight in the first place, because Jujutsu Kaisen is a story and the story would be over if he defeated Sukuna. He'd easily be able to take care of Kenjaku afterwards and the main conflcit would be resolved. Would it really be an interesting story if Gojo one shotted the villains while the kids just wathced on Television?
The story is also not about Gojo, it's about the students. Gojo may think he's the protagonist of reality but he's not the protagonist of the story.
Once again, Jujutsu Kaisen is a story and stories have themes. We may grow personally attached to characters, but characters are just narrative tools to convey the themes of a story, no different from prose, dialogue, and art. Characters are a tool to be used well or used poorly, and sometimes yes that means killing them. Whether Gojo's death was naratively satisfying though isn't the purpose of this post though we're only asking what does it mean?
Finally, Jujutsu Kaisen is not only a fictional story, it's specifically a tragedy. Full disclosure, it's a manga about death.
The Protagonist of a Tragedy
So, number one shout out to me for making this post 4 months ago where I called the way Gojo would end the fight.
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Excuse me while I fist pump for calling it!
The question on everyone's minds is why does one of the most powerful characters in the manga die offscreen in a pretty humiliating way, cut in half and helpless on the ground just like Kaneki. The reason Gojo didn't get a more heroic (or cooler) death is because we're not reading My Hero Academia, this is not a story about heroes or even a typical Shonen manga it is a tragedy.
In poetics Aristotle defines tragedy as:
"an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions" (51).
To paraphrase a tragedy is about human action, actions characters make in a tragedy often have dire consequences. One of the most common consequences if the reversal of a hero's fortune, a hero of a tragedy usually starts out on top and ends up on the bottom because of the bad choices they make. If in normal shonen manga characters overcome their flaws through effort and persistence, in Jujutsu Kaisen we see characters more often than not lose to their flaws.
The reason I posted that Kaneki panel specifically is because it was a brilliant moment of narrative punishment for Kaneki's central character flaw. Kaneki the hero's main flaw is that he always fights alone, and he constantly makes that same choice over and over again to fight alone. One of the characters helpfully explains it as well.
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Stories are primarily about change. If a character doesn't change they're not serving the plot, unless that specifically is the point. People have pointed out how abrupt it is for Gojo to get sealed in Shibuya, get let out, and then immediately die afterwards but that's kind of the point. Gojo made more or less the exact same choice (he asked for Utahime's help for a buff but otherwise fought the entire battle himself). The definition of insanity and what not, why would doing the same thing over and over again net him a different result?
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Not only did Gojo choose to fight alone, but as I've been hammering on and on about in previous meta the entire fight Gojo cared more about fighting a strong opponent then he did saving Megumi, the child he was responsible for.
Jujutsu Kaisen is not a typical shonen manga where everything is resolved by beating a strong villain in a fight. That's specifically why I used the Tokyo Ghoul reference, because the reason Kaneki is defeated offscreen like that is because he thought the world worked like a shonen manga. He has a fantasy sequence where he's fighting Juzo in a shonen battle tournament like this is Yu Yu Hakusho right before it snaps back to reality and he's limbless on the ground.
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Gojo is a major character in the manga Jujutsu Kaisen, literally "Sorcery Fight" and he is the best sorcerer in the whole world. His entire identity revolves around being a sorcerer. Since he is so good and beloved at what he does, he thinks that everything is resolved by exorcising a curse or defeating a strong opponent. He has basically no identity outside of that. Which is why when he's fighting the possessed body of his student, a person he's been mentoring since childhood his priority is not to save Megumi but to beat a strong opponent. Gojo is a sorcerer, before a human being. That's who he is, that's who he always has been since day one.
I think part of the negative fan reaction comes from fans being really attached to this scene in the manga and deciding Gojo's entire character revolves around being a good mentor figure to children.
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Which is just incorrect, Gojo's entire character revolves around being the strongest. On top of that though, Gojo can care about children and also care about being the strongest he can care about multiple things at once and have those things contradict each other because humans are complicated. I'd point out even in this panel where he's stating motivation he's not trying to raise these kids up into being healthy adults, he wants them to be strong Jujutsu Sorcerers. Even when he's raising kids, his intention is to turn them into Jujutsu Sorcerers because everything in Gojo's mind revolves around Jujutsu Sorcery. Gojo does not exist outside of the world of sorcerers. Gojo may be the chosen one but he'd never be able to hold down a job at Mcdonalds.
I think in general readers put more investment in the things characters say out loud, rather than their actions. You can say one thing and do another. I can say "I should never eat sweets again I'm going to improve my diet", and then go and eat ice cream five hours later. Gojo can state out loud his intention to foster children and protect their youths, but then fail to properly do that in the story. Characters are not always what they say they are, that's why they're interesting to interpret. This isn't me calling the readers stupid, just pointing out that Gojo is made up of contradictions. He wants to get rid of the old guard and replace them with something new, but Gojo IS THE OLD GUARD.
If the culling games arc has shown us one thing, it's that ancient sorcerers brought to the modern age do not care that much about human life on an individual level, they are all of them egoists. There's a reason Gojo resembles someone like Sukuna more than he does any other character in the manga. I'm not saying Gojo is exactly like Sukuna, he's far more altruistic and uses his genuinely noble ideals but at the same time Sukuna is a shadow archetype to Gojo he represents Gojo's flaws. The flaws that Gojo succumbs to in tragic fashion.
Which if you believe that Gojo genuinely does love his students, and the ideal he's fighting for is to raise up a better generation and allow them to live out their youths, then Gojo throughout the entire Sukuna fight is acting against those ideals. He cares far more about fighting Sukuna then he does saving Megumi, it's shown over and over again in the battle, Megumi is an afterthought to him. If Gojo care moredefeating the big bad and saving the world is more important than helping a child that Gojo is responsible for then Gojo is acting against his stated principles. Why should Gojo win the fight when he's fighting for all the wrong reasons?
Tragedies are like visual novels, if you make the wrong choice the novel will give you a red flag. If you ignore the red flag then you get locked into the route with the bad ending. Gojo always fights alone. Gojo only ever fights for himself, even if he's using that selfishness in support of a more noble ideal like creating a better generation of sorcerers. If Gojo consecutively makes the same changes then in a tragedy he's not going to be rewarded for it.
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Gojo wants the old generation out and the new generation in, but Gojo resembles the old generation too much. Old sorcerers like Hajime and Sukuna respect him, Hajime argues that Gojo being able to fight for his pride is far more important than him living to the end of the battle when Yuta wanted to interfere and help him.
Gojo's death isn't a surprise curve ball that Gege is throwing us for shock value, it's a result of his choices throughout the manga. A manga about change, and the change between generations is not going to punish a character for remaining roughly the same. Of course you might find it disappointing that Gege didn't give Gojo the chance to grow and change and experience a character arc like Megumi or Yuji, but Jujutsu Kaisen is a tragedy, and the way Gojo's arc ended is consistent with what Gege wrote.
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Jujutsu Kaisen is not just a tragedy though, it's a manga about death. The manga begins with Yuji's grandfather warning him not to die alone the way that he did. His grandfather's dying words are what motivate Yuji throughout the beginning of the manga as he's searching for a "proper" death.
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One of the major themes of Yuji's character is a contemplation of death. He accepts that death is inevitable, so he wants to save them from the gruesome deaths they'd experience if they became victims to curses and allow them to have a more satisfying death. Yuji's grandpa died an unsatisfying death because he died alone in a hospital room. Yuji even tries to make his own death a satisfying one because he believes by dying to seal away Sukuna he'll reduce the total number of casualties to curses.
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Jujutsu Kaisen keeps investigating the theme of death and what exactly would make for a satisfying death. At one point it's all but stated that death is the mirror that makes humans analyze their lives.
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When Yuji fails to save Junpei from the "unnatural death" it calls into question whether or not his goal of saving people from unsatisfying deaths and the gruesome deaths caused by curses is even feasible. Nanami even says that Yuji might not be able to accomplish his goal and warns him away from the path.
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We see repeated unsatifying deaths in the manga, each time someone reflecting on their deaths that they weren't able to get what they wanted out of life. This list comes via @kaibutsushidousha by the way I'm quoting them.
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Nanami's a character who chose to work as a sorcerer because he didn't want to evade the responsibility of doing all you can to help people, he wanted to believe he's somewhere where he's needed. He never runs away from responsibility like Mei Mei does so he quite literally works himself to death, living and dying as a sorcerer. Nanami or Gojo's dying hallucination of Nanami even says as much, his death is the result of him choosing to go south and returning to be a sorcerer.
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Maki chose revenge against the Zen'in over her sister, and as a result Mai is dead. Maki has all the power in the world now, her revenge complete but she's left with a sense of "now what?" She's as strong as Toji now but she failed to protect her sister, and it's the result of the choices she made. Maki's reflection isn't triumph, it's "I should have chosen to die with her."
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Even Yuji himself is robbed of his narrative purpose. The manga began with Yuji saying he wants to choose how he's going to die and he'll die taking out Sukuna with him so he can reduce the number of people killed by curses in the world. Both of those things are thrown in Sukuna's face. Number one the amount of people Yuji can save by permanently killing Sukuna is now a moot point because he let Sukuna rampage in Shibuya.
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Number two, Sukuna isn't even in Yuji anymore. To build on what Comun said though, this repeated tragedy has a purpose to it and understanding requires understanding that Jujutsu Kaisen is an existentialist manga. Existentialism is basically a school of philosophy centered around the question of "Why do I exist?"
There's nothing about the invetability of death to make you question why you're alive in the first place. In the myth of Sispyhus, Albert Camus boils down all of philosophy to one question.
"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. "
All of philosophy is should I shoot myself in the head or should I keep living? Everything comes after that question, which is why in Jujutsu Kaisen a lot of the characters motivations revolve around them contemplating death. Sorcerers exist in a world where they can die any moment, and as Gojo says most of them die alone. It might be the nature of sorcery itself that causes so many people to die, not only are they dying because they are trapped in an uncaring system, but the characters themselves aren't really attempting to live outside of it. They live and die as sorcerers, replaceable cogs in the machine.
All of these unsatisfying deaths may just be the result of all these characters making one choice, to live as sorcerers rather than people. Because to exist means to live in the world.
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Even in Mechamaru's case, his goal is deeply existentialist by what I defined, all he wants to do is live in the world with everyone else rather than be stuck in his hospital room but his actions contradict that goal. Instead of letting his friends come and visit he's obsessed with the idea of getting a normal body because he feels that's the only way he can exist with everyone else, he makes a deal with the devil, he lies and goes behind their backs. He wasn't living with everyone else in the world and he could have chosen to, he chose wrong and his death is the result of that choice.
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Jujutsu Sorcerers aren't living in the world. They're living in a little snowglobe far removed from the world with its own rules, most of them regressive and disconnected from the rest of society. If you define existentialism as just "living in the world' then a lot of these characters aren't, because they only exist in the world of sorcery.
INVISIBLE BUFFY: What are you talking ab- SPIKE: The only reason you're here, is that you're not here. (drinking) INVISIBLE BUFFY: Right. Of course, as usual there's something wrong with Buffy. She came back all wrong. (moving around on the bed) You know, I didn't ask for this to happen to me. SPIKE: Not too put off by it though, are you? (drinking) INVISIBLE BUFFY: No! Maybe because for the first time since ... I'm free. She tosses the sheet aside. Spike looks around, trying to figure out where she's going. INVISIBLE BUFFY: Free of rules and reports ... free of this life. SPIKE: Free of life? Got another name for that. Dead.
Not living in the world with everyone else is the same as being dead.
A lot of these characters either make the choice to act alone, or be a jujutsu sorcerer rather than a person and because of that they die as sorcerers, b/c sorcerers die that's what they do. Mai didn't want to keep living as a hindrance to Maki so she kills herself. Maki didn't want to be anything other than a sorcerer, so her little sister dies and she's not a big sister anymore. Nanami chose to leave his job behind and become a sorcerer again, he dies as one.
Of course I don't think the manga is punishing characters for being too egotistical, but rather too unbalanced. If anything Mai is too selfless and that is why she died, she didn't want to live for herself and chooses self sacrifice for her sister. An unbalance between selfishness or selflessness results in an underdeveloped ego. Jujutsu Kaisen doesn't punish individualism per se, moreso if you're not a fully developed individual you won't last long. Because it's also a manga about growing up in the world, and a person who doesn't have a healthy, mature, well-balanced sense of self is not a grown up.
This twitter user det_critics points out that Gojo (and also Yuki + Yuji's) failures in the manga can be attributed to the fact they don't have real senses of self.
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Gojo has an identity crisis as outlined by Geto, "are you Satoru Gojo because you're the strongest, or are you the strongest because you're Satoru Gojo?"
It's a challenge for him to find some reason to live outside of being the strongest, and in tragic fashion Gojo just doesn't find it in time. Gojo lived for fighting others, and proving to himself that he's the strongest, and that's how he dies.
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There's something I like to say about narrative punishment in stories. There are two ways to punish a character, you either don't give them what they want, or you give them exactly what they want. This is the latter, Gojo wanted to find someone stronger than him because deep down he believed that nobody could understand him unless they were on his level. He wanted to be surpassed, and that's why he focused on creating stronger young sorcerers, but he never shook himself of the belief that only someone as strong or even stronger than he was could ever be emotionally attached to him so he made a deliberate choice to draw a line between himself and others.
Gojo's essentially gotten what he wanted from that choice in the worst way possible. The student he picked to succeed him Megumi, has his body stolen and kills him. Gojo is surpassed, but it's not by one of his own students it's by an enemy that's not only trying to kill Gojo but is going to massacre his students afterwards.
Gojo's spent his entire life believing that because he's more powerful that makes him inherently different and above others, and being lonely because he himself believed he couldn't relate to ordinary people and he dies like an ordinary person, an unsatisfying death where he wasn't able to bring out Sukuna's best, where he gets unceremoniously cut in half offscreen but yay he's no longer the strongest. He's gotten exactly what he wanted. Megumi is still not saved, Sukuna's probably going to kill more people because Gojo failed to stop him here, but hey at least he stopped to compliment Gojo.
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It's empty, but it's empty because of the choices Gojo made in life to just not bother connecting to people or develop any kind of identity besides being a sorcerer. Gojo lives and dies as a sorcerer, and his dying dream is returning to a teenager being surrounded by everyone he was with during his school days, because that's the happiest time in his life. Ironically he was happier before he became the strongest, because that was the only time in his life that he allowed himself to connect to people.
However in the eyes of others, he is someone who has it all. That's why he is always alone. There was no one who could hold the same sentiments and mutually understand him. Geto was the only one who could understand what he was trying to say, and the only one who could communicate well with him.
It's no coincidence Gojo and Geto die exactly a year apart on the same day, if anything I'd say the reasons they die are similiar to at least thematically. They both die because they don't want to live in the world. Geto thinks the world is too corrupt and GOjo doesn't want to be anything other than a sorcerer, both of them fail to adapt.
「 'It's just. . .' It's just that it was what Geto had to do. [...] To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '. . .that in a world like this, I couldn't truly be happy from the bottom of my heart.'」
They can't be happy in a world like this from the bottom of their hearts, so narratively they both die. The things they chose to live for at the end of their life they fail to accomplish, Gojo is no longer the stronget, Geto fails to wipe out mankind or make major changes to the world and they die as normal people unsatisfied because they weren't trying to live in the world and make connections to others. They die almost karmically a year apart because their main connection for both of them, the thing which made them feel connected to the world and other people was each other.
Which is why this panel breaks my heart and is so narratively satisfying because of how unsatisfying it is...
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"If you were among those patting my back... then I might've been satisfied."
Gojo reflects that he's not satisfied dying against Sukuna, not because he failed to give him a good enough challenge but because Geto wasn't there to pat him on the back. The one thing that would have satisfied him he couldn't have, because he didn't live to connect to people he lived to be the strongest and he died alone as the strongest. There's just something deeply upsetting about Gojo's dying dream fantasy just him being there talking with all of his dead friends who he never appreciated or connected to properly when he was alive. Knowing that if something had just gone a little differently, that even if he had to die no matter what he could have died happier if Geto was among the people saying goodbye to him because that connection with Geto is what gave his life meaning.
Dazai Osamu: "A life with someone you can say good-bye to is a good life, especially when it hurts so much to say it to them. Am I wrong?" -Bungou Stray Dogs Beast
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triclitch · 7 months
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JJK SPOILERS chapter 236 LEAKS
prediction.
Gojo isn't dead. Or we'll he's not gonna be dead.
1 Because in his fight with Toji, he stated that the only reason Toji didn't kill him was because he didn't cut of his head.
2 his head isn't cut off, he's just cut in half and as seen he can regrow limps. (Also, if he can't regrow it, I imagine Shoko can kinda put it back together. And as long as Gojo has enough curse energy. He can flow that shit back into his lower half like blood to make it usable. (Daddy needs his gun people)
3 Gojo also said bye to his dead friends, which tells me that he probably has something up his sleeve.
And when he said he enjoyed the fight.
I think that is him excepting he lost. But not died.
Also the rebirth flowers.
I think the flowers play a huge role, Gojo may not come back stronger but as Geto asked, is he satoru gojo because he's the strongest or is he the strongest because he is satoru gojo.
And I think he is going to realize who Satoru Gojo is without keeping the title 'the strongest'
4 sukuna said don't let me down. And how he will remember Gojo forever.
Sukuna the king of curses, should know about reverse curse technique. And I think it's known that Gojo was holding back due to sukuna being Megumi. (As stated in previous chapters.)
So while they were fighting fighting. Gojo) wasn't going all out.
And as seen through Sukuna's thoughts he does respect gojo.
So knowing this, even though Sukuna can't be trusted! I do think he holds strong loyalty for people who impress him.
(Uraume and now also gojo)
So I think he knows gojo will likely heal.
Now! DO I think gojo will remain a sorcerer? No!
Here's why.
I saw on a stream that while reverse CT flows through the brain, CE generates in the stomach and if that's true. Then that means Gojos MAIN source of CE is well... gone .
BUT!!Like Maki and Toji's weapons, we know things that allow others to see and interact with curse energy are imbued with it.
Like Maki's glasses. 👀👀(see where I'm going.)
Curse energy can be transfered and held.
The six eyes allow Gojo to see curse energy mainly the flow. Therefore the six eyes , must be a sort of pseudo generator of CE. That's why people can't just redirect curse energy to their eyes to be able to be on a six eyes user's level.
So having to use his last and only intact source of generating curse energy, Gojo will use reversal technique to heal himself. But end up leaving himself without six eyes and likely without curse energy like Toji.(the outfit has to mean something other then being Megumi's dads.)
Because although he can heal using six eyes it won't be actually healing from the root so once that input of curse energy is gone there will be no more.
Other theories.
1. We didn't resolve anything with kenjaku, and while sukuna is a villain, I don't think he was the main one. (Cuz how the fuck is Yuji gonna best this man if bro can cut through the world..like wtf Gege you killed gojo just to make another OP character concept qhehe)
So either 1. Kenjaku fucks shit up for everyone, either takes out Kuna, and by this time a healed Go jo jumps in the frey but since he had to literally reconstruct half his body, he will be severely weakened and due to this.
Personally I'd like to see him and sukuna fight side by side, both going all out. And if they lose they die together.
Because I feel if they weren't on opposing sides they'd actually get along.
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"Promise Me" | Gojo x Reader
Fandom: Jujutsu Kaisen Pairing: Satoru Gojo x Reader Words: 2.3k
A/N: no one talk to me, this is my way of coping with the latest chapter. This week is not a fun one for us Gojo lovers. Also this scenario has probably been written a thousand times at this point (thanks a lot Gege) but here's my two cents on the matter (go figure, my first official Gojo post and he's fuckin dead)
Warnings: JJK 236 SPOILERS, mentions of fem!reader, nightmares, brief mentions of violence/gore, pet names (baby, sweets, pretty girl), very self-indulgent and I apologize for that
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Nightmares are a common occurrence in your line of work; you knew that even before you agreed to take the job. Usually you can stand them when they hit. Staring into the shadows of your bedroom, wide eyes raking over every little thing inside, too scared to even move a muscle. Knowing that, once you do, the illusion will vanish. The fear will go away, bit by bit, until you feel comfortable enough to fall back asleep.
Till the next morning, when you can’t even remember what you were so afraid of.
But this time is different. Your body isn’t frozen at all; you don’t snuggle deeper into the blankets, praying that they’ll be enough to protect you from whatever creatures lurk in the night. In fact they’re suffocating—but even when you throw them off you’re still heaving like a madman. Cold sweat clamming up your skin. Hands trembling at your sides. Eyes nearly bursting from your skull when you realize the other side of the bed is empty.
Empty, empty—where is he? Where did he go?
Was your dream not actually a dream after all?
You’re shaking so hard when you force your way out of bed. Nearly toppling over your own two feet as you stumble out of the bedroom. The door’s cracked open, but there aren’t any lights on, where is he, where the fuck is he?!
Another step, round the corner, and suddenly you smack face first into something hard. A soft oof reaches your ears, and through the darkness and the veil of your tears, you can barely make out the two blue lights glowing at you from above.
“Whoa, careful! Sorry about that, almost didn’t see you there. What’re you doing up so late, baby?”
Your eyes are still blurry, no matter how many times you blink. But you can still see him, his hair messy from sleep, wearing nothing but a pair of old sweatpants. He offers a lazy smile, but it drops almost instantly when he sees the tears spilling down your burning cheeks.
“…Hey, what’s wrong?”
Maybe it’s the tender tone of his voice, the soft way he speaks those three simple words. Or maybe it’s the fact you can see his eyes dim ever so slightly, signaling he’s turned off his technique for the moment. Or maybe it’s just knowing that he’s here, still alive and breathing and in one fucking piece, that makes you lose control. (Not that you had very much to begin with, but still.)
He visibly jolts at the shrill wail that rips from your throat, his whole body rigid as you throw yourself against his chest. Tiny arms wrapped around his waist, nails digging into his muscular back. Almost as though you’re scared he’ll disappear, anchoring him to you with every bit of strength you have.
What does he do? You’re obviously in distress, but why? He’d just left to get a glass of water, he’d been gone for less than five minutes! And now you’re blubbering like a child into his bare chest, sobbing so loudly he’s surprised none of your neighbors have come banging on your door.
“Baby, come on,” he tries, but the pet name only seems to make you cry harder. He winces before taking hold of both your shoulders. He doesn’t bother trying to pry you away; no need to make you even more upset. “You gotta tell me what’s wrong. I can’t help you if I don’t know.”
Damn it, everything he’s saying is just making it worse. He hates seeing you cry like this. So tiny and frail, curling into his chest, incoherent words and noises spilling from your lips. You won’t answer him or let go of his body, no matter how many times he tries to convince you.
Does he just ride it out and let you finish? What if you pass out? Will you still remember any of this by the time you wake up tomorrow? Was it something he said earlier that made you this upset? He wracks his brain, trying to see if any of his earlier teasing struck a nerve within you. He doesn’t recall saying anything that could prompt this kind of reaction out of you…
Then again, what could? You’re his girl, his other half (as he’s quick to remind you and everyone else within earshot). Strong but soft, a capable sorcerer climbing the ranks with ease. You have an unshakeable character, sticking true to your values and morals no matter what. It’s one of the reasons why he fell in love with you in the first place. Not just anything could resort you to a crying, trembling mess in his arms.
He sucks in a deep breath and tries again. “Come on, tell me what’s wrong. I promise I’ll make it all better, I swear!”
And he’s just about to bribe you with some of the sweets he’s stashed away in the kitchen when you lift your head from his chest. Cheeks hot and tearstained, and yet you’re still so beautiful.
“S-sorry,” you barely manage to choke out. Your throat’s practically on fire, and you can already feel a monster of a headache coming on. “I…I had…”
He doesn’t say anything. He simply wipes your tears away with his thumb, waiting patiently for you to finish.
“…I had a bad dream…”
It sounds so fucking childish when you say it out loud. Should’ve just kept your mouth shut, gone back to bed once you saw he was okay. What do you expect he’ll do about it, huh? Not like he can erase your bad memories, no matter how strong he might be.
But that hole in your chest is still there, even after all that crying—
And you can’t help it anymore. You press your palms to your face, desperately trying to rid your fact of all those tears. Wanting to save at least some of your dignity before the night’s over.
A pair of warm hands close over your wrists, his touch surprisingly gentle as he pulls your hands away. Exposing your teary, blubbering face to those beautiful blue eyes. The mere thought makes you want to cry all over again.
“C’mon now, you’re too pretty to cry like that.” The corner of his mouth is quirked up in a smile, his messy hair hanging over his eyes as he tilts his head to meet your gaze. He catches another tear on his thumb, making sure to wipe it away before pressing a kiss to your cheek. “I don’t like seeing you all upset like that.”
“B-but”—oh fuck, here you go again—“you were…you were dead!”
You can still remember everything so clearly. The blood trickling from his mouth. The glazed look in those dull eyes. How fucking fast it all seemed to happen. One moment he was fine, breathing and smiling as usual, and the next he was staring up at the sky. You didn’t even hear his body drop to the ground.
So much blood, it’s not supposed to be out of your body like that, why couldn’t I save you, why couldn’t—
“I’m sorry!” you blurt out, even as he takes you in his arms and pulls you against his chest. “I wasn’t enough to save you! You were dead and I couldn’t do a damn thing about it!”
You don’t even know what you’re saying at this point, but for whatever reason, talking about this seems to help. Your chest feels a bit lighter than it did before, even if your heart’s as heavy as a stone.
“You’re not supposed to die! And I know that’s stupid of me to say, everyone dies at some point, but you always say you’re the strongest! No one can hurt you, even if they tried! So why—”
Your voice catches in your throat, tears still streaming down your face. He still holds you close, one arm around your waist, his other hand resting on the back of your head.
“…Why did you leave me? You said you’d never leave me, no matter what! But you did—and I let it happen—I’m so fucking sorry, Satoru, I just—”
You’re running out of steam, you can feel it in your bones. Too exhausted to cry anymore, probably too burnt out to even walk back to your room. But before you can even try he’s lifting your face in his hands, tracing your swollen lips with his thumb.
Smirking down at you like there’s nothing wrong in the world.
“Why are you sorry, sweets? If anything, I should be the one saying sorry. Sorry that dream version of me was such a cheap imitation.” He rolls his eyes with a scoff. “Like I’d let myself get killed like that.”
“S-Satoru, I’m serious!”
“And so am I.” And you can see it in his face—the way his eyes practically burn into yours, his mouth set in a tight line, his jaw clenched even when he forces out the words. “I said I’d never leave you, right?”
You sniffle out, “Y-yeah…”
“And I meant it. So no matter how many bad dreams you might have of me,” he curls his hands around your thighs and lifts you up effortlessly, securing your body against his chest, “just know that they’re dreams. Nothing more, nothing less.”
Slowly, he begins to carry you back to your room. Your arms find their way around his neck, fingers burying their way into his soft white hair. You’ll never get over how strong he is, how amazing he is—and how of all the people in the world, he chose to share the rest of his life with you.
Not strong enough to save himself from dying.
Your throat fills with bile at the thought, even as he settles you back down against the mattress. Back in the place where your nightmare occurred, where you saw his body and all that blood—
“Don’t leave me!”                                      
“Baby, I wasn’t even planning on it.” Damn, this nightmare really messed with your head, huh? “I’m staying right here with you, alright?”
You won’t disappear on me again? You won’t leave me alone like you did in that dream, right?
He seems to see right through you, given the soft expressing in those dazzling blue eyes. “I promise, I won’t leave your side. Not tonight, not ever.”
It takes a few moments for the two of you to get situated in bed; Satoru ends up having to do most of the work, since your arms and legs are still trembling uncontrollably. But the second the blankets are back around you, he wraps his arms around your shoulders and pulls you into his chest. Long legs tangling with yours, his breath warm against the crown of your head.
Lips soft as they press a thousand kisses to your forehead.
“I don’t know what kind of curse you dreamt of, but if I ever came across something like it one of these days…” He leans down, lips ghosting over the shell of your ear. “…I’d win, hands down.”
“You’d better.” Your head’s pounding something fierce, every bone in your body screaming for some proper rest. And it starts to feel normal, being wrapped up in Satoru’s arms. “…Otherwise, I’d have to kick your ass.”
He lets out a laugh before nuzzling his face in the crook of your neck. His long eyelashes tickle your skin, his lips sweet and warm when they finally find your own.
“I’m sure you would. Although, I’d never let that happen; I’ll make sure to win every single fight, I swear! Don’t wanna make my pretty girl worry about me.”
But you’re always going to worry about him. It’s in your blood, comes with the territory of keeping this relationship alive. And maybe it’s stupid, maybe he is strong enough to never have to worry about himself in a fight. But there’s always going to be that part of you that wonders if he’s going to make it home tonight.
You tilt your head, eager to taste his lips again. Like your life depends on it, and the thought makes him smirk.
“Aww, can’t get enough of me, sweets?”
“…Shut up.”
But he knows he’s right. And you know he’s right. Doesn’t mean you have to say it out loud, though.
“You know I meant it, right?” Suddenly he’s holding your face again, brushing his nose against your own. His voice strangely soft as he leans in close, warm breath ghosting over your face. “’M not leaving you. Never, ever, ever!”
That gets a smile out of you. Weak and pitiful, but a smile nonetheless. At least he’s earnest. At the end of the day, he means well when it comes to you.
“I know you won’t. …So thank you.” You return his hug, sneaking your hand between your bodies and pressing it against his chest. Your throat growing tight when you feel the familiar b-bmp of his heart against your trembling palm. “Thank you for staying with me.”
There’s that tiny voice in the back of your head, urging you not to listen to such pointless promises. Knowing that deep down, neither of you can stop death when it comes knocking at your door. No matter how much power he possesses, even Satoru Gojo can’t resist death’s clutches when they finally sink their claws into him.
But there’s time for you to deal with all of that in the future. Right here, right now, he’s safe and sound in your arms. Messy white hair tickling your neck as he nibbles on the skin of your earlobe. Making you giggle as he brushes the rest of your tears away.
And thanking whatever deity may be listening above that you get to spend just one more night with him, wrapped up in his arms with his lips against your own.
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fxtalitygod · 7 months
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Hɪs Pʀᴇsᴇɴᴄᴇ
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Pairing: Husband!Gojo Satoru x Spouse!Gn!Reader
Synopsis: You hear the cries of someone in immeasurable pain and find yourself compelled by the situation. Why were you doing nothing? And why did you call his name when he was never there to begin with?
Genre: Angst...just Angst...
Warnings: Heavy angst (NO COMFORT sorry not sorry), JJK chapter 236 SPOILERS, depictions of extreme grief, UNEDITED
Word Count: 800+
A/n: So I thought of doing this as a fem!reader because of a twist I had in mind, but I thought "Why not make this even more painful for everyone?" (。•̀ᴗ-)✧
P.S. I know it may seem that I decided to project my own pain into this one-shot after reading jjk 236...but that's only because I decided to project my own pain into this one-shot after reading jjk 236!
JJK Mlist•Taglist Rules•
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You heard the screams and cries of someone in immense grief and suffering, hearing their chokes and gargles as they screamed out for their loved one. You couldn’t help but feel pity for the poor soul as you listened to their cries of agony. ‘Whoever they lost must have died tragically,’ you thought as the screams continued. Amid the pain you heard, a burning sensation crawled up your throat, feeling bile rise in your esophagus before swallowing it back down. You couldn’t understand why you were having this reaction as you continued to listen to their misery. You wish you could comfort them as their nails began an audible and apparent clawing of the mahogany floor beneath them, but you couldn’t. You didn’t even know where the individual resided– you could only hear their despair from a distance; however, the sobs were nearby. You couldn’t tell where the cries resonated from, so you only listened.
You were aware of rudeness and indecency in listening to this person’s suffering, but you could not help it, stuck in your current position. You wished that Satoru was here to drag you away from this situation. Your husband seemed to know when you needed to be removed from an overwhelming scenario when you couldn’t perform that action on your own accord. Where was Satoru anyhow? Now that you think of it, you haven’t seen him in quite a while. When you spoke to him last, he told you an urgent mission had been assigned to him, parting with a kiss before stating he would be back soon. You tried to recollect how long it had been since that conversation, but the time was lost on you no matter how hard you tried to remember.
“It’s a damn lie!” the voice screamed, trying to convince themselves that the news wasn’t real.
God, you wished that Satoru was here to pull you away from this individual’s guttural cries because you didn’t have the strength to leave them, hoping that your presence would be enough– if they even acknowledged your company. What could you even do or say in this situation?
“This isn’t real,” they choked.
That was your last straw. Although it wasn’t entirely your place, you went to comfort the person. You opened your mouth to let your words of comfort leave your lips, but those words never came. You couldn’t even speak as the only thing that left your lips was…
“Satoru!”
Why did you scream his name? Your husband was nowhere in sight. Where was he? He’s still on his mission, right? Why call out for him when you knew he wasn’t present?
You sat there questioning your reasoning for calling for your lover until you lost your balance, hitting something next to you. Before you could identify what you had touched, a familiar voice spoke to you; however, the sound quality was muffled and not entirely current.
“Y/n-sama…god, I don’t know how to tell you this,” the voice paused, letting out a heavy sigh as they chose their following words, “Gojo Sensei…Satoru is gone. Sukuna, he…well he, I’m sorry I can’t do this.”
The message cuts off there.
Now you get it– you were the one screaming in grief. The burning in your throat was caused by your harsh cries as you called out to your lost lover, your life-long partner. You were the individual in denial as you ruled over the voice message Yuta had sent. The three words the student had stated sunk into your soul, cutting you deeper as they repeated themselves.
"Satoru is gone."
"God, please no," you weakly pled as your cries subsided to whimpers.
You looked at the surface area around you, scratch marks from where your nails had dug into the floor boards, puddles of tears, and saliva from your disheveled crying. You looked at your hands, covered in blood from the splinters that pierced the flesh of your palms– you were a mess. You looked ahead to see the mirror neatly placed in what was once your shared bedroom, seeing your messy hair, tear-stained cheeks, and swollen eyes as they grew red with irritation from the uncontrollable tears that continued to spill from them.
"I can't wait for Papa to come home," a child shouted in the distance, "I want to show him my new drawing!"
Your breath hitched as you heard the child speak. It was your little girl– she had been left in the care of your sibling when you went to take the call that you happened to miss. If only your partner was here to explain it to her because you were never good at explaining such circumstances. You couldn't word it in a way that wouldn't break a child's heart. Satoru could– there were moments when your significant other had a way with words, especially when your daughter was involved. He knew how to make her smile.
But he wasn't here, and that was the problem.
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lees-chaotic-brain · 22 days
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For the song fic event!
Dancing with Your Ghost (Sasha Alex Sloan) with YOU KNOW WHO—Gojo Satoru, of course!—angst/mcd?
I don't really do x reader stuff, but I thought this was a cool idea so I figured why not? 😊✨️
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WC: 1.1k
CW: jjk chapter 236 spoilers, mcd, angst, hurt/no comfort, grief, unhealthy coping
Note: aww, thank you so much for sending one in!! this hurt, but omg did i get in my feels writing it. so excited to be posting the first fic for this event!!
listen to this song while reading
Event Guide | Event Masterlist | JJK Masterlist | Blog Navigation
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It was past midnight, well into the wee hours of the morning when you woke with a start. Reaching over, you patted the other side of the bed searching for something that would never be there. Instead of the warm body you expected, you made contact with smooth, cool sheets, the surprise jolting you back into reality. 
Remembering that no one was there, you rolled out of bed suddenly unable to bear being in it alone. Sliding your feet into slippers and wrapping a robe around your body you head to the kitchen, the soft sound of your slippers against the hardwood the only sound in the otherwise silent apartment.
Part of you wondered if it would always be like this. If you would spend the rest of your life always searching for something that wasn’t with you. Another part of you knew that you would.
Baby, why'd you go away? I'm still your girl
Knowing you weren’t going to go back to sleep you sighed and put the kettle on for some tea. As you waited for the water to boil you wrapped your arms around yourself and leaned back against the counter. The silence filling your apartment was deafening and the stillness made you uneasy. 
Taking a deep breath you sat down at the counter, staring into space as you allowed yourself to get lost in your thoughts. You don’t know how long you sat there before the shill whistle of the kettle knocked you out of your stupor. You jumped a little, the sound startling you. Moving to stand, it was only then you noticed you were crying. Your fingers reached up and brushed your cheek, and you examined the drops of water on them a little mystified. Deciding that only sleeping four hours in the last week was finally getting to you, you dried your face and turned the stove off. 
Opening the pantry to grab a tea bag, an expired box of kikufuku mochi caught your eye. Inevitably, your thoughts were drawn to him, and a fresh wave of grief hit you. Frantically, you fumbled with the box, hurriedly extracting a tea bag and slamming the pantry door shut a little too violently. The handle of the ceramic mug was cool in your hand as you dunked your tea bag and moved to sit on your couch.
You sank into the soft cushions, unable to stop yourself from grabbing your phone and opening your text chain with him. Despite knowing it was unhealthy, you often found yourself rereading the messages you sent to him that fateful night he hadn’t returned home. The messages get increasingly more panicked with each one, ending with a final “I hope it was painless. I hope you know how much I love you. I didn’t even get to say goodbye…”
Never got the chance to say a last goodbye. 
I gotta move on, but it hurts to try.
Swallowing a sob you shut your phone off and hurl it across the room. You need to move on. You know that. Never leaving your house, pushing your friends away, not sleeping, obsessing over the past, you knew it wasn’t good for you.
Day after day, voicemails and texts poured in from concerned friends and family telling you that you were self-destructing. That this wasn’t what he would have wanted for you. That he would have wanted you to move on. To live.
You know that. You know. But knowing and being able to were two very different things. How were you supposed to move on when everything reminds you of him? When you can’t sleep without his warmth.
Aside from that, your faith in others has been permanently shattered. He had promised you that he would always come back, that he would win. And you had believed him because he was the strongest. And if you couldn’t believe him then who could you? But then he had gone and left you far behind. No. You could never open your heart again. You can’t trust anyone to not leave you like he did.
How do I love? How do I love again?
How do I trust? How do I trust again?
But you were okay with being alone for the rest of your life. Even if the loneliness made it impossible to sleep. Even if his absence wrapped around your throat cutting off your air. You were okay. You didn’t need anyone else. You had your home filled with his belongings and you had yourself. That’s all that mattered.
I stay up all night, tell myself I’m alright
At least that’s what you told yourself. In reality every reminder of him was like a stab to the heart. And maybe you were a masochist because you refused to remove the traces of him from your apartment. Sitting on the sofa you could still see him dancing around the coffee table, hear his laughter fill the air. And sometimes when you closed his eyes and inhaled his scent that still lingered in the air it was like he was still next to you, his voice ringing in your ears.
Baby you’re just harder to see than most
Suddenly the silence in the living room was suffocating. Without the joy and love that used to reside in it, the room felt oppressive. Retrieving your phone from where you had flung it you hastily, you connected to your apartment’s bluetooth and clicked play on the first playlist that popped up in your feed. Some of the stress left your body when a soft dreamy song began to seep from the walls, only to return when you realized what playlist you had accidentally put on. 
Of course you accidentally played the playlist he made for you for your two year anniversary. The playlist of all the songs that reminded him of you. Going to change the playlist you froze when you accidentally hit skip and heard the song that began playing.
It was your song. The song you used to listen to together on quiet evenings. The song that the two of you slow danced to in this very living room. The song you knew all the lyrics to. Slowly, you put your phone down, leaning back and closing your eyes as the music swept over you.
I put the record on, wait ‘til I hear our song
And with the song on repeat, you sat there until the first light of day struck your face, the ghost of Gojo Satoru slow dancing around you. 
Every night I’m dancing with your ghost
Every night I’m dancing with your ghost
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ushiwhacka · 7 months
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anyways gojo satoru is written by my mutuals and not some untalented ugly man
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lulumilkshake · 7 months
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jjk sales after 236⬇️⬇️⬇️⬇️
gege so lame for making that death so boring at least put some respect on his name
like it hasn’t even registered to me he died💀
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chuuyasoup · 7 months
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“By the way,” Satoru asked, when the realization that he was dead settled in for good. “Where are we going?” Suguru glanced at him. His arms were folded loosely over his stomach where he sprawled in his seat. “Where?” he repeated. Satoru gestured around them. The rows of thin seating, the sprawling, open food court, Kuroi’s black bun bobbing as she laughed. The massive windows overlooking the runway. “We’re in an airport, aren’t we?”
miserable stsg sunday everyone
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scarlettroubles · 6 months
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And if the Gojo comeback happens in the worst way possible, what then?
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sashisu · 7 months
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i should probably change my url to smth related to shoko idk
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linkspooky · 7 months
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I WANT YOU TO UNDERSTAND ME
It's not surprising to me that Gojo's dying monologue he spent more time talking about his fight with Sukuna than any of his students. Gojo's priority from the beginning isn't to save Megumi but to fight all-out against a strong opponent, the line is: ""The Absolute Strong. The loneliness that follows. The one who will teach you about love is..."
This fight is basically the climax of Gojo's identity crisis which has been a long running issue for him throughout the manga. He's simultaneously a self-confident individualist with an overpowering sense of "ego" and a person with little idea of who he is outside of the role in society that was given to him. Gojo went into the fight looking for someone capable of understanding him, the fight is about Gojo seeking an answer to who he is, that's why he fights and that's why he loses.
Gojo is Not Normal
Nanami's statement is misinterpreted I think.
"You live for Jujutsu. You don't wield it to protect something. You use it solely for the sake of satisfying yourself."
A lot of people took this to mean that Goo didn't care about anyone but himself, even though Gojo directly contradicts this earlier.
"I love everyone and don't feel lonely snow, but somewhere along the way there was a line I drew, not as a human but as a living creature."
He states he does love other people, if only from afar, he just doesn't understand them. Gojo can't make other people his reason to fight, because he only understands himself. He only sees himself. He can only fight for what's inside himself.
"You can make a flower bloom, you can admire it, but you can't tell that flower 'I want you to understand me'
Gojo's students are the flowers. Itadori, Fushiguro and Nobara are all named after flowers. He's raising them up to be as strong as him, he's fond of them, but he doesn't think they relate to him because he exists in a different category of other people.
A lot of people want Gojo to be a more traditional caring mentor figure like Kakashi or Aizawa they're missing what's really interesting about his character. When Nanami says "Gojo only cares about being the strongest" it's true because his entire character is written around the statement "I am the strongest". He is conceptually about what it is like to be the strongest man in existence. That is the character concept, and Gojo's entire identity crisis revolves around that he's built up his personality around being the strongest at Jujutsu and nothing else.
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Gojo can only fight for his own ego and self satisfaction as Nanami says, because he has nothing else, he has no identity outside of that.
However, before I get into why I want to point out that Gojo is not normal. It's not because someone on his power level is fundamentally incapable of relating to other people, but Gojo himself...is not right in the head. He's making an active decision to choose not to empathize with people whatsoever, it's not just that it's hard to understand him, it's that they can't understand him.
Gojo talks about his students like they're members of another species. They're flowers. They can't relate to him on a human level because he's something other than human. A friend had an interesting reading on why specifically it's flowers Gojo chose for his metaphor.
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Plants are less sentient than insects, they don't contemplate anything they are just taken care of by their gardener and grow towards the sun. That's how differently he sees himself from others.
I wanted to include this take from @kaibutsushidousha as well.
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Gojo's not from the planet mars he's a human who has human emotions and human psychology like everyone else, so that's simply not true, but Gojo believes it is and that belief influences how he interacts with everyone.
Gojo can't see himself reflected back in other people for some reasons that aren't his fault and some reasons that are. Gojo has been from birth, treated as different from everyone around him, not for anything he really did but because he was born with a really strong jujutsu ability. He's a literal chosen one. He always seen as the six eyes user, the strongest, before he was seen as a person. His entire life has been defined entirely by the abilities he was born with, he was born to be a Jujutsu Sorcerer so of course that's what he builds his entire identity around.
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Not only is he told that he's categorically different from others, but he also believes it. We know little about his early childhood besides Gege's statements that he was spoiled, but we do see later on in childhood there are people who are willing to treat Gojo normally despite the position he has as the strongest. This is when it starts being Gojo's fault that he continues to see himself as different from other people.
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Shoko, Gojo's closest confidante in his schooldays after Geto's days basically tells him that. She's been with him for years and yet he still has the audacity to act like he's all alone in the world. Even when people try to treat Gojo normally and relate to him on a personal level, Gojo actively ignores their presence in his life like he did Shoko because he's not only been told he's different from other people because he's stronger, but he believes it and he's built his entire world view around it.
This is why the only person that Gojo ever let in was Geto, because Gojo believed that Geto was someone who could stand on top with others. THe only person who could believe the strongest, or teach them about love was someone equally as strong. Gojo just happening to meet another sorcerer who was special class as a teenager not only allowed him to have a friend, but fit perfectly into his narrative that he was separate from others and only someone as strong as him could understand. There are people like Shoko and Nanami who treat Gojo normally despite the fact he's the strongest, but Geto was the only one Gojo met in because he met the qualifiaction of being someone equally as strong.
This isn't really the case for Geto. Geto comes to see weak people as inferior yes in the sense he sees Non-Jujutsu Sorcerers as inferior, but Geto is capable of making connections to other Jujutsu Sorcerer. Geto has his family, he has Nanako and Mimiko and the rest of his followers who he all cares about equally. Geto met all of them and chose to relate to them, he even tells Gojo after killing his biological parents that he's choosing who his real family is now.
"It wouldn't be fair if I made an exception for my parents, now would it? Besides my family now consists of more than just them."
Geto demonstrates someone as powerful as Geto can make a choice to relate to other people. It's shown in the way that Geto treats Nanako and Mimiko, he is their father and he raised them as his daughters. Compared to how Megumi is just a student to Gojo. Gojo's only invested in making Megumi into a strong Jujutsu Sorcerer, because Gojo doesn't fathom connecting to someone weaker than him. He's only their to raise up a strong sorcerer, whereas Geto who's capable of connecting with people in other ways is raising up Nanako and Mimiko and they're connected as parent and child.
Geto and Gojo are similiar in a lot of ways, same level of strength comapred to the rest of humanity, same god complex (and yes it is a god coplex, there's a reason the two people Gojo relates to are Geto who has constant religious imagery associated with him and Sukuna who's literally satan) and yet Geto shows someone roughly Gojo's power level can make connections to others Gojo just chooses not to.
This is where I'm stealing from a friend's post a bit. @theanimepsychologist points out that Geto notices the beginnings of Gojo's identity complex soon after it started with Toji.
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I always thought of the panel above as Geto being jealous of Gojo surpassing him in strength but, in retrospect, I think Geto’s disappointment had more to do with Gojo’s sense of self over-identifying with the title “the strongest” and how that made him harder to relate to, which is one of the main themes in this chapter. I’ll come back to this in a sec. But first… Quick depth psych segway. I think I’ve said this before, but it bears repeating again that an overwhelming sense of self is all ego. There’s nothing wrong with ego per se. The problem is that an over-identification with ego means inherent separateness because, as an organ of the psyche, the ego sense of self is what gives us a separate identity from the collective.
Geto notices that Gojo is drawing a line between himself and other people, and pulling away because of that because people in the second category of weak can't possibly understand the strong and he's reacting to it. Geto is also the only person to underline to Gojo himself that he's unsure about his own identity.
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Gojo knows he's the strongest, but he doesn't know anything about himself besides that, or even what being the strongest entails in his relation to other people. He's never constructed an identity outside of it in part because he's never had to, nobody has ever challenged him for his title as the strongest, and he also fits jujutsu society's mould perfectly. He's perfect at what he does, why would he need to change? Why would a person who reached enlightenment at seventeen need to reflect upon himself or figure out who he is? You can't really become more enlightened.
The other reason he's never constructed an identity is he's never interacted with anyone on equal terms. Metaphorically Gojo exists in a vacuum of human interaction. How appropriate is it in a way that he was sealed in a box where time didn't move completely alone for who knows how long, because that's kind of just how Gojo sees himself in relation to the rest of the world.
As Psycho points out an unregulated ego results in an inherent separateness from the collective. People don't exist in a vacuum however. We wouldn't know who we are if we were entirely alone. We are defined just as much as ourselves, as we are by our interaction with others.
Ich and Du, translated as I and Thou is a book by philosopher Martin Buber. His two main porositions is that we may address existence in two ways:
The attitude of the "I" towards "it" towards an object that is separate in itself, which we either use or experience.
The attitude of "I" towards "Thou" in a relationship in which the other is not separated by discrete bounds.
I -> It is the world of sensations. If I am looking at a chair, I say "This is a chair. This chair is an eyesore." I am seeing the chair. I don't relate to the chair.
I -> Thou can be used to refer to a relationship between human beings. You don't experience the human being., you can only relate to them and what that relationship means to you. He goes on further to say that love requires a subject -> subject relationship. To love someone means you have to relate to them as if they are another being, you can't love an object.
He's a philosopher to put forward that it's human's connections with each other and their ability to relate to each other that brings meaning to life. Gojo in Buber's terms is only experiencing the world around him, not relating to it. How appropriate of someone with the six-eyes, an ability that gives him sight far better than anyone else to see himself as only an observer to the outside world, like a floating pair of eyes.
The choice that Gojo makes not to relate to other human beings on an equal level, not only isolates him, it affects his sense of self. People cannot exist within a background. Gojo's like a vampire who can't see his own reflection. ? It's all because of this caveat that Gojo himself has set up that no one can possibly relate to him unless they were equally as powerful as him that he can't see himself in others. He can't see himself in others, he can't find anyone to help him understand himself, and therefore his identity crisis goes unresolved.
Twitter user @ det_critics pointed this out that the question: "Take away his strength and what is he?" isn't one Gojo has an answer for, and one he's actively been running from.
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As I said Gojo literally doesn't have a reflection, we see that in story when the prison realm opens its eye and it's just a void where Gojo's face is supposed to be. Gojo choosing not to think of himself as the strongest is also a choice not to think about who he'd be if he wasn't. A question he evades over and over again by telling himself that he can't be understood by people who are weak b/c he categorically exists on a different plane of reality.
When he does look for an answer it's telling just how not normal Gojo is in who he chooses to empathize with: which is Sukuna.
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This is who Gojo as chosen to be the only other person besides Gojo he felt he could relate to. The same person who monologues about weak people like this.
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The same person who monologues that weak people shouldn't even be alive, they should be culled. Sukuna sees weak people as insects. Gojo sees them as plants.
The first person that Gojo relates to as a subject rather than an object Geto is cut short, the next person he relates to as a subject is Sukuna of all people. He chooses to see himself in Sukuna, because Sukuna validates that incorrect idea Gojo has that someone as powerful as him could never possibly be understood by other people. After all, Sukuna the strongest sorcerer of all time isn't even really human anymore, he's a curse a calamity. For Gojo who doesn't see himself as relatable to other human beings this is validation of that mistaken notion.
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It's also telling of how much Gojo's own identity issues have warped him that he finds a curse personally relatable, and even pitiable because it's lonely. Sukuna, who's main problem is that he's bored because a life of killing people is unfulfilling and it's turned him into an adrenline junkie. This is who Gojo's personally chosen to relate to because they both only see the world in the category of "the strong" and "the weak."
Gojo's viewpoint of other people is mistaken for several reasons, but one interesting one was pointed out for me by Psycho. He refers to his students as flowers, but they're lotus flowers. Lotus flowers mean many things, but they're seen as symbols of purity because they rise up from the mud. Gojo is only looking at the flowers, not the mud they rise from .
"No mud, no lotus. The mud is what makes us who we are, and no one can 100% understand what wading through the mud feels like. I think people see oh shiny lotus, the outcome of wading through the mud but they overlook the self because we live in an outcome oriented society.
Gojo is someone who doesn't see the mud and therefore doesn't relate to the personal struggles of others. Which sabotages a lot of his personal relationships. Which like, to bring Megumi into this, Megumi is proof that Gojo IS NOT NORMAL.
Megumi is the kind of special genius that Gojo is, he's born with the strongest technique one capable of killing Gojo, but he doesn't become a special class at seventeen like Gojo, nor is he interested in doing that because Megumi is an entirely different person with differnt personal struggles than Gojo. He has all the raw potenital that Gojo does, but they have wildly different upbringings. Gojo was primed for success by being the spoiled child of his clan, while Megumi is an abandoned child. It proves again Gojo's maxim of people who have that much power are inhuman and don't follow human psychology is wrong because Megumi has all the potential to be as strong as Gojo, but he's just a normal kid. Megumi is still wading through the mud and Gojo doesn't see that.
GOJO IS NORMAL
Jujutsu Kaisen seems to be following Buber's logic on how identity is defined by the interactions we have with other people, because there was a period in Gojo's life where he did create an identity outside of being a sorcerer and that's when he was Geto's friend.
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In the afterlife we even see him regressing to that previous state of being. There was a period for three years in his life that Gojo was something besides being the strongest, and that was when he was Geto's friend too. If Jujutsu Kaisen is about how identity and meaning are both constructed from the interactions we have with other people (subject -> subject) interactions then it's telling that Gojo reverts to his seventeen year old self because that was the first and only time in his life he was capable of relating to another person, and acted like a fully developed person outside of the role of sorcerer he was born to play.
If identities are constructed though that means they're not inherent. Gojo is not inherently the strongest, just as he's not inherently different from other people. This is different from what Gojo's been told his entire life. He was born the strongest. It's inherent to his identity, a fundamental part of who he is. Therefore people who are strong are inherently different from those who are weak, it's something internally different about them which makes it impossible for Gojo to comprehend the motivations of weak people.
Rather than just strong and weak being constructed categories. Gojo's the strongest at Jujutsu but if you took him outside of Jujutsu and asked him to work any other job he'd no longer be the strongest. He's only the strongest as long as he remains in his fish bowl that is Jujutsu Society. However, Gojo believes differently, he believes being the strongest is what he is, it's something inside of him, and something that makes him fundamentally different from others. This is the line that Gojo has been told due to being born with the six-eyes and this is what Gojo has bought.
This is also what his ability the limitless symbolizes, no one in this world can touch him or reach him, he exists somewhere else. However, the limitless can be breached and Gojo has been shown before there are others capable of touching him.
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Toji is the first and only living human being to challenge him, until Sukuna comes along. However, Toji does arguably more in story than just give Gojo a good fight. Toji full on traumatized him, soemthing which Gojo refuses to acknowledge. Toji is the beginning of the end of Geto's friendship, the death of Amanai Riko sends Geto on a spiral for an entire years, and drives a wedge between Geto and Gojo's friendship when Geto self isolates and Gojo doesn't know what's wrong with his friend.
Gojo also experiences what it's like to be defeated for the first time in his life, and his response is to perfect the limitless so he runs it constantly all the time. Remember, before that he was exhausting it doing it for three days in a row, and when Geto told him to take a break Gojo reassured him he wasn't worried because he knew Geto had his back. Gojo was someone who could let down the limitless before that, but afterwards Gojo always insists on fighting alone with his shields up all the time. All to deny that feeling of vulnerability that Toji inflicted on him for the first time in his life, something he remembers years later, you know like trauma.
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There are times when Gojo is reminded that it's possible he's the same as anyone else, he can experience human weakness. Geto's fall is another time, one post says it's particularly challenging for Gojo to comprehend why Geto would defect because he saw Gojo and himself as above others and therefore immune to human weakness.
gojou 100% has a god complex and thats why getous downfall hit him harder than anyone else. he saw himself and getou as above everyone else and exempt from ‘regular’ peoples flaws, he never thought either of them could be led astray and when getou finally snaps hes bewildered that something like that could ever happen to either of them. hes not just heartbroken over his best friend becoming an enemy, hes thrown for a loop because getou, the one person he thinks of as just as above everyone else and incapable of failing as he is, could ever do something wrong, could ever be wrong. hes finally put into a position where he has to face the fact that hes just as capable of screwing up as anyone else and he can’t make sense of it. gojous hesitance in killing getou isn’t just a byproduct of their friendship, it’s also him realizing that it could have easily been him on the other side of the conflict, which breaks the illusion of him being better than everyone for a second. and like that’s still not enough for him to reject this idea, personally i think that his comment about him and getou being 'the strongest’ in volume 0 is indicative of the fact that despite everything he still hasn’t grown out of this delusion.
Gojo has trauma, because he's a human being with human psychology. He makes mistakes, he has terrible past regrets like his friendship with Geto gone wrong, but he doesn't acknowledge those things because as stated above Gojo thinks he's immune to having regular people flaws. Gojo seeing himself in another category from regular human beings also allows himself to deny an vulnerability, because the strongest isn't supposed to have weaknesses. Seeing yourself as too distant to ever be touched by others also means they can never hurt you, emotionally or otherwise, an extreme form of the hedgehog's dilemna which is explored an Neon Gengesis Evangelion, an existentialist piece Gege takes obvious inspiration from.
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The fact that he avoids other human beings, not because he's fundamentally incapable of understanding them but because he's distancing himself from human feelings like loss, pain, suffering these weaknesses that are part of the human experience just proves he's the same as everyone else. If he wasn't capable of feeling those things he wouldn't avoid it, he wouldn't spend ten years mourning Suguru but not killing him directly until he was forced to on December 24th, he wouldn't be trapped by the box because seeing Geto alive made him have a three minute long trauma flashback.
Gojo is a normal human, with normal human emotions and human psychology, albeit twisted from the power he was born with and his unique viewpoint of the world but he doesn't believe that he is. He uses that as an excuse not to interact with others and because of this his identity suffers. Gojo is someone defined by how limited he is in the story despite having limited power.
Gojo fails as much in the story as he succeeds. As my friend @justapanda put it.
"But, it loos like being strong isn't enough..." Another point could also be made here that, regardless of being the strongest at this point, Gojo was incapable of stopping his closest friend from straying down a dark path, which is perhaps Gojo’s greatest failing in the series. This failure also comes back to bite him much later on as Kenjaku’s ace in the hole to finally checkmate Gojo involved surprising him with the now possessed body of Geto, which distracted Gojo long enough for him to be successfully sealed by the prison realm. Once again, the vast amount of power that Gojo had attained turned out to be completely useless in preventing his own sealing, which has now placed him in an inactive role for over half of Jujutsu Kaisen’s duration. Earlier in the story, Gojo once said: “Ironic, isn’t it? Given everything, but unable to do anything.” when referring to the function of his own domain. This was another intentional use of foreshadowing to describe the dilemma that Gojo was inevitably going to face himself. Satoru Gojo is no limitless man, for no one man is without his limits." Another point could also be made here that, regardless of being the strongest at this point, Gojo was incapable of stopping his closest friend from straying down a dark path, which is perhaps Gojo’s greatest failing in the series. This failure also comes back to bite him much later on as Kenjaku’s ace in the hole to finally checkmate Gojo involved surprising him with the now possessed body of Geto, which distracted Gojo long enough for him to be successfully sealed by the prison realm. Once again, the vast amount of power that Gojo had attained turned out to be completely useless in preventing his own sealing, which has now placed him in an inactive role for over half of Jujutsu Kaisen’s duration. Earlier in the story, Gojo once said: “Ironic, isn’t it? Given everything, but unable to do anything.” when referring to the function of his own domain. This was another intentional use of foreshadowing to describe the dilemma that Gojo was inevitably going to face himself. Satoru Gojo is no limitless man, for no one man is without his limits.
Gojo has moments where he brushes up against the idea that he's not capable of doing everything, that he has faults and fails like every other human being. However, that feeling never really lasts for long. He always tends to double down on his belief that he's the strongest rather than facing his faults because that's where he's comfortable. Gojo can't see himself reflected in other people and therefore is not capable of reflecting and critically evaluating his faults. Not only that but avoiding looking too critically at those losses, he also stops himself from feeling the pain of those losses and denies that vulnerability.
Gojo exists on another plane from other human beings, and therefore why would he experience human sadness and pain? All he feels is a vague sense of loneliness and unfulfillment because he's been so alienated from his own emotions and in Gojo's mind that's better than struggling with weakness. Who would deliberately choose to be just like everyone else when you can be special? Why get close to others when the hedgehog's spines are just going to stab you? However, people form connections because of their weaknesses. Humans cooperate with each other because they are a social species. All of society exists because people divide labor and help each other out. Even Gojo can't say there's no point in his life where he was weak, because he was cared for as a child and raised in a family. He didn't come out of the womb a fully formed individual. The darwinian survival of the fittest, and the black and white strong vs. weak way that Gojo sees the world just doesn't exist, especially in modern society. There's nothing wrong with individualism, but the extreme end of individualism is wrong because no one exists in this world alone you share it with everyone else.
Gojo doesn't even see that though, because he's not living in the same world as everyone else. In his mind the limitless makes it so he basically exists on another plane of reality, but again the limitless can be breached.
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Detective critics basically said that Gojo's delusion was always a false one, he always existed in the same world as everyone else, he simply deluded himself into believing otherwise. There are reasons for this, his upbringing, trauma and not wanting to face the pain of that trauma, but it's still a choice he made. Gojo didn't want to live for other people, he didn't want to relate for them, so he lived for himself pursuing his own strength. Ironically, it reflects Toji's own decision to take pride in neither himself or others and live only for the sake of showing that the Jujutsu World that rejected him was wrong.
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Toji chose to live a life where he only lived to fight and prove he was stronger than the sorcerers who rejected him. He chose it over his own son Megumi, abandoning him in order to continue his lifestyle as a mercenary. He even chose it over continuing to live because he stayed and fought against Gojo to prove he was stronger than the pinnacle of Jujutsu. Toji lives for strength, and he is someone even Gojo respected the strength of, but what else does he have?
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Toji's identity is unstable, he doesn't really live for any purpose, he kills people then blows the money gambling, he jumps from women to women to mooch off of them, he's also mentally unstable as well he shoots a little girl in the back of the head and feels nothing. The instability comes from his isolation, Toji is rejected by everyone the same way that Gojo is lauded by everyone. But Toji goes on step further in that he fails to construct any identity outside of being rejected and his entire life is spent rejecting the people who rejected him. Why does Toji want to be strong, he doesn't know. Purpose is something you have to construct for yourself, because there's no inherent meaning to life. Identity is something that's constructed by both yourself and your interactions with others because people aren't born inherently one thing or the other.
Gojo and Toji just refuse to do this, and only focus on themselves and the goal of being stronger. In Gojo's case I'd argue he doesn't fight for other people because he doesn't feel that connection with other people or rather he doesn't let himself. Hedgehog's dilemna to the extreme. Gojo only fighting for himself isn't Nanami calling him a selfish person who doesn't care about others, it's sad because Gojo never found any other reason to fight or meaning to his life but by getting stronger for its own sake.
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Gojo only fights for the sake of satisfying himself, but here's the clincher, he's unsatisfied. Not only did he fail in his goal of giving Sukuna the fight of his life, because he knew Sukuna was holding back on him, but also admits to Geto that what would have really been satisfying is if Geto was there with him to pat him on the back.
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He's failed on both fronts, he's failed at being the strongest and he's failed at making a connection to the people in his life. Gojo and Toji die in pretty much the same way, they die standing up in the middle of battle, but their last thoughts aren't of disappointment that they lost but their loved ones.
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They spent their entire lives believing they were stronger and therefore different than others, and fighting to satisfy their ego and what does it amount to? Toji lived a life of hedonism and then died abandoning the one person he genuinely loved. Gojo has failed his stated goal of revolutionizing Jujutsu Society and dies before he can see whether or not his dream of a reset Jujutsu World will even come to fruition.
They belived they were someone stronger and therefore inherently better, and are put in their place when someone stronger comes along. They die just like all the other mortals. They believed they were alone so they died alone. It's sad and it goes to show how destructive being "the strongest" was to Gojo's identity in the end. Gojo thinks he's Sukuna but Gojo doesn't want to be Sukuna, because Sukuna's alone, and unlike Gojo you could make the point that Sukuna's not a human being who has human emotions because he's a curse. If Gojo was truly someone who could understand Sukuna he would have been truly alone the same way Sukuna is, and that's not what he wanted.
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It's too bad Gojo never thought seriously about what he wanted, and therefore learned his lesson too late. He was always looking for someone he could relate to, except for in the people who were right in front of him.
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kairos-polaris · 3 months
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I can forgive Gojo being ooc (if you squint it kind of makes sense, not that i like it). But Nanami being ooc??? Unforgiveable. Like wdym Nanami "I am an adult and you are a child" Kento said nothing about how the students will now have to fight Sukuna in Gojo's stead. He doesn't even mention cursing Yuuji as he died!!! Throwing hands with Gege over it
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transgendervelma · 7 months
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Sorry to all the 236 truthers, but the conclusion to the Sukuna and Gojo fight was actually complete dogshit writing. Sukuna can magically add a new power to his cursed technique because he can, totally breaking the power system established. The LITERAL NARRATOR saying “Gojo has won” is now revealed to have lied to us meaning any and all narration can no longer be trusted despite no indication as such. Gojo can no longer heal his injuries despite it being ESTABLISHED PRIOR that he had regained RCT and that decapitation is the only way to stop it. Great ending my ass.
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polite-pandemonium · 6 months
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[LISTEN] -  always an angel, never a god - a Shoko Ieiri playlist that very much is meant to represent her post chapter 236. Sad tunes by female musicians. Also - female rage. Gege doesn't seem to want to show us her feelings, so I will do it through song! All songs are Shoko centric, but some definitely could be directed towards either Satoru or Suguru or both!!!!! I tried to have this sort of follow a narrative that takes place pre, during, and post the Shinjuku Showdown arc, while making sure the music still flowed. IDK, I took this very seriously lol. Tracklist: 1. I don't like my mind - mitski 2. in hell - japanese breakfast 3. final girl - chvrches 4. days of oblivion - metric 5. not strong enough - boy genius 6. doomsday - lizzie mcapline 7. both all the time - faye webster 8. you always get what you want - the japanese house 9. when was that? - angus and julia stone 10. only the strong - laura marling 11. girls against god - florence + the machine specific lyrics for each song under the cut!
I don't like my mind | mitski I blast music loud and I work myself to the bone and on an inconvenient Christmas, I eat a cake a whole cake all for me and then I get sick and throw up and there's another memory that gets stuck inside the walls of my skull waiting for its turn to talk and it may be a few years but you can bet it's there waiting still for me to be left alone in a room with the things that I've done a whole cake so please don't take take this job from me
in hell | japanese breakfast with my luck, you'll be dead within the year I've come to expect it there's nothing left to fear, at least there's that and under the fluorescence, another sterile room where no one ever tells you just how clinical death looks and I can't unsee it the two shots it took hell is finding someone to love and I can't have you hell is finding someone to love and I can't see you again
final girl | chvrches swallowing the seeds of sin we sewed into the ground keeping secrets until everything became a bit too loud I would wash it down, I could drown it out by filling up the silence with an organ sound and by writing sentences I used to think were quite profound and it feels like the weight is too much to carry I should quit maybe go get married only time will tell in the final cut in the final scene there's a final girl does she look like me?
days of oblivion | metric all the times that now and then appear as only dreams all the stuff from way back when that's coming up don't self destruct you don't have to call for the wrecking ball or burn the world to ashes all you have to do is ask me to I'll stop you where the descending stairs drop I've unlocked all the doors and I've lost all the keys and I live in a mansion made up from memories I know I need you don't ever leave me I'll never leave you behind I know you need me the way I need you I'll never leave you don't ever leave me behind not strong enough | boy genius do you see us getting scraped up off the pavement? I don't know why I am the way I am not strong enough to be your man I lied - I am just lowering your expectations half a mind that keeps the other second guessing close my eyes and count always an angel, never a god I don't know why I am the way I am there's something in the static I think I've been having revelations coming to in the front seat, nearly empty skip the exit to our old street and go home go home alone doomsday | lizzie mcalpine doomsday is close at hand I'll book the marching band to play as you speak I'll feel like throwing up you'll sit and stare like a goddamn machine I'd like to plan out my part in this but you're such a narcissist that you did it on Halloween I had no choice in the matter why would I? it's only the death of me both all the time | faye webster will I stop crying for once? it's hurting my eyes there's a difference between lonely and lonesome but I'm both all the time I'm loneliest at night after my shower beer and I'll go to sleep without turning out the lights pretend like somebody's here you always get what you want | the japanese house and you've left now but it's better that I know you're gone and I breathe out dizzy from the last hour of holding on and does he do right by you? and does he work so hard? I know you'll miss me, but you'll call me back you always get what you want when was that? | angus and julia stone I wonder if you can hear me wonder if you can feel my heart beating now I wonder if things will be okay wonder if things will keep changing will I fall down? take me back to when things were easier take me back to a place where I belong take me back to a place that feels like home when was that? only the strong | laura marling we've been here a thousand times wish I could go back and find letters I wrote you in my mind perhaps I could unknot us from this awful bind hope that you can change my mind had to leave this crying all behind I hope that you don't think that I'm unkind just somebody told me only and only only the strong can survive
girls against god | florence + the machine if they ever let me out, I'm really gonna let it out I listen to music from 2006 and feel kind of sick but, oh god, you're gonna get it you'll be sorry that you messed with this oh, tell me it's not over yet and in my darkest fantasies, I'm the picture of passivity waiting for you side of stage suppressing all my private rage oh, it's good to be alive crying into cereal at midnight and if they let me out, I'm really gonna let it out when I decided to wage holy war it very much looked like staring at my bedroom floor but, oh god, you're gonna get it you'll be sorry that you messed with me
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