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rinkkuma · 3 days

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୨୧ JJK BOYS V.S. PLUSHIES

ft. satoru gojo, yuta okkotsu, suguru geto, yuuji itadori, & megumi fushiguro

tags. gn!reader, all fluff ! what will they do when you have plushies on your bed… / author's note. these are all lowk the same just variants im sorry i #hadnomoreideas

SATORU fights every urge in his body to not punch, throw, or kick your plushies off your bed. seeing them makes him mad. the word plushies makes him want to scream, he can't even control himself. like, they get to sleep with you every night?! he hates strongly dislikes whenever you get a new plushie and show it off to him. once you leave your room, oh boy, he is punching all of your plushies one by one. and not even a light punch; he is punching as hard as he can. (in the face, mind you) he gets a little carried away, unknowingly being loud as hell, and is laughing a little. you are confused and a little worried, so you decide to go check on satoru.. and what a scene you walked into! all of your plushies are now on the ground, with the sole survivor being your favorite, still on the bed. satoru has your favorite plushie in a chokehold while he blabs about how it'll regret even being made and gives it another punch with his other hand. he hasn't noticed your presence yet due to the heat of the moment, but when he does, he awkwardly drops your plush and looks at you like nothing had happened. you burst out laughing while he mumbles how he was just “fluffing them up”.

YUTA doesn't mind them at all. after all, he also has plushies to help him sleep at night, and he adored you ten times more once he found out that you did too. one day, the two of you have a sleepover, and he brings all of his plushies over.. oh boy! the moment he showed up at your front door with bags and bags of plushies, your jaw dropped. (there was one even balanced on top of his head) yuta was honestly more of a plushie addict than you. when he laid out his plushies on your bed, it was filled. wherever you laid, you would squish a few plushies. despite all the plushies, the two of you end up cuddling each other anyway. (half of them had fallen off the bed by the end of the night)

SUGURU is genuinely not bothered by your plushies. they're inanimate objects; why would he be bothered? they're cute, and he can count on them to help you sleep at night when he's not present. he also likes to buy you more plushies because of the way your face lights up when you see them, he can't get enough. every morning, after (the majority) of your plushies have fallen off the bed, he tenderly helps you arrange them back in their place. suguru even begins to give each one of your plushies a name (if you didn't already name them) and a little backstory. his personal favorite is a pair of plushies that reminds him of you and him.

YUUJI has mixed feelings about your plushies. yes, they're cute, but sometimes, when he sees you cuddling one, he wants to snatch it and replace it with himself. over time, he notices how you're always holding or cuddling the same plushie. sure, everyone has their favorites, but you have other ones, so why not switch them up every once in awhile? he decides to ask you why one day, and when you respond that it simply reminded you of him, he nearly passes out. he was hyperventilating, screaming, and everything in between. from that day on, yuuji has loved your plushies and even bought you variants of whatever plushie you said that looked like him.

MEGUMI tries to convince himself that he does not care about your plushies. they're cute and all, but he can't help but feel jealous of them. sometimes. whenever he has to be out and about, you send pictures to him throughout the day, and sometimes your plushie is sneaked into the photo at your side, and he can't help but feel annoyed. that plushie could've been him, but gojo had unfortunately dragged him out that day. he mentally groans as he types out a response, trying to sound as nice as he can. at first typing, “get that stupid plush away from you rn” before hastily deleting it and just sending, “pretty”. after megumi gets dragged around by gojo (yuuji and nobara magically appeared too) for six hours, he can finally go home. when he walks in, you're on the couch watching whatever random movie you had turned on out of boredom, and that stupid plushie is still by your side. he walks a little closer, and you're literally hugging it. megumi sighs before walking up next to your seat and gently snatching the plushie out of your hold before sitting down next to you and pulling you into his arms.

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ivyppoison · 2 days

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𝐉𝐔𝐒𝐓 𝐖𝐀𝐍𝐍𝐀 𝐁𝐄 𝐎𝐍𝐄 𝐎𝐅 𝐘𝐎𝐔𝐑 𝐆𝐈𝐑𝐋𝐒 𝐓𝐎𝐍𝐈𝐆𝐇𝐓

pairing. jason todd⠀𝒙⠀ civilian!fem!reader

request. “need some angst about being worried about Jason's exes and after babying you, he fuck's those thoughts out your mind (he's both gentle and rough).”

words. 1.297k

warning(s). derogatory language, fingering, sexual themes

note. I might start screaming right now bc tumblr fucked w how reblogged posts look like if they are attached to an ask, & it’s trying me insane, so I decided to change the setup of my posts again <3 this ask had me giggling so much, so thank you anon. once again, if any of those scary minors dni blogs attack me, i will start crying ── yours sincerely, max

APPARENTLY, IT WAS unhealthy to feel so jealous and insecure about yourself in this relationship.

Apparently, you had to discuss your feelings instead of standing from afar and pondering your intoxicating thoughts on your own.

Jason was possibly one of the most attractive men you had ever met, and the fact that you were in a relationship with him confused you slightly.

As you learnt more about his past, especially about his romantic life, you had started to feel self-conscious about the part you played.

Your boyfriend was a vigilante who had a depressing backstory, full of neglect and death. You were just a normal citizen of Gotham City. You weren’t a therapist or a vigilante who could relate to him.

You had nothing to give.

His exes were mostly vigilantes and superheroes like him. They had something special about themselves, you, on the other hand, had nothing.

From that, the thoughts started to invade your every move, perhaps he felt pity for you or simply wanted to get away from the vigilante dating scene.

One thing was for sure: you were simply ‘basic’ compared to all of his past relationships.

This thought had haunted you to the dinner you were having with him one night.

The kitchen table was close to clean after about half an hour of cleaning up, the sound of crickets and the evening bustle of Gotham city permeating through the window.

You rested on the table, your eyes following Jason’s figure as he paced throughout the kitchen, placing the clean dishes away.

He soon noticed your lingering gaze, his eyebrows furrowing as he watched you.

“You okay?” He asked, placing the cloth down as he walked over to you.

You let out a small hum, before looking up at him with glossy eyes.

You knew you could tell him anything, but humans were naturally born with a sense of judgement, no matter how much they loved or respected the other.

“Are you going to tell me what’s wrong?” He asked, placing his hand on your back as a means to comfort you.

You peered at him slightly as his eyes locked with yours.

Pausing for a moment, you pressed your lips into a straight line, your eyes flickering between the features that adorned his face before meeting his soft, but assertive gaze once more.

“Do you think I’m enough for you, Jay?” You questioned under your breath, the volume of your words hardly reaching his ears.

“What?” He asked, raising an eyebrow as both concern and curiosity twisted his face.

“Do you think I’m enough?” You repeated, trying to avoid his eyes so you couldn’t see how his face twisted once again into a face of benevolence and worry.

“Of course I think you’re enough, who told you that you weren’t?” He asked, using his pointer finger and thumb to raise your chin up, making eye contact with you once more.

“I was just thinking about all you exes and how I’m just so ── basic,” you huffed, leaning on the counter behind you as your eyes flickered to something, anything, behind Jason’s head to distract yourself. “Don’t feel special.”

Jason paused for a moment, thinking about what could be the next words that left his lips.

“Do you want to feel special?” He hummed, a small smirk forming on his lips.

“What?” You asked, staring back at him, both taken aback and flustered simultaneously.

“Do you want me to make you feel special? Because you are. Just want to make sure you know,” he added, a sense of cockiness now lacing his tongue.

As your eyes locked with each other, a small ‘yes’ left your lips, and as Jason’s eyes lit up at your answer, he didn’t waste any time intertwining your hands with his as he allowed you to lead him to your shared bedroom.

Peering up at him, you laid back on the bed, propping yourself up on your elbows as you tried to make out his figure in the darkness of the room, biting on your bottom lips as you watched, doe-eyed, him move elegantly in the dark, stripping himself of his shirt.

Jason moved, both hurriedly and gracefully, on top of you, his lips meeting yours in a deep and soft kiss, moving with yours in perfect unison.

His hand rested on your thigh, close to your pulsing core as his tongue pushed into your mouth, leaving you breathless.

He soon left your lips with a small pop, a small string of saliva joining the two of you together for a moment, before it broke.

“You want to repeat yourself then?” He hummed, a sense of cockiness in his voice as he peered down at you, his lips ghosting your jaw, pressing small kisses along the course of your skin

You stared at him through your lashes before shaking your head, squeezing your thighs together as his hand slipped onto the inner part of your upper legs.

“Use your words,” he murmured, using his hands to pry open your legs before your body followed suit, earning a small smirk on his lips.

“I don’t wanna repeat myself, Jay,” you whispered, biting your nail as you felt his finger hook the band of your underwear, the sudden invasion of cold air causing you to squirm slightly.

“Gonna fuck those thoughts out of your pretty head, gonna make you feel so special,” he smirked, dragging an impetuous finger across the bud of your clit after discarding your panties onto the bedroom floor, earning a small gasp from your lips as you leaned back onto the bed.

“You’re so wet f’me, baby, you’ve been thinking about this, huh?” He asked, his olive tinted eyes gazing softly at you, as you nodded with a small mellifluous hum.

Without hesitation, he sank two of his fingers into your cunt; unconsciously, you closed your thighs before he used his hands to pry them open once again, using his free hand to hold your leg to the bed.

Letting out yet another whimper, you closed your eyes as his name fell from your lips like a soft melody, a fucked-out expression already on your face as you let out a strangled moan.

The room was dark as none of the artificial lights were on but the soft glow from the street lights left the lights in a glow. The curtains softly blew in the night’s wind creating an almost bewitching scenery.

From the start of your more intimate relationship with Jason, he always felt insecure about the scars that littered his body, so whenever you initiated sex, you’d always leave the lights off.

Now that you were more comfortable with each other, you still found the poetic eroticness in being too close with each other in the darkness of the room.

The gentle yet potent movement of his fingers had you locked to the bed, your back arched slightly as small, almost pornographic whimpers and mewls escaped your lips.

Jason pressed endearing kisses to the oeuvre of your bare stomach as he thrusted in your needy core, grazing the bundle of nerves, so you brought your nimble fingers to his hair, raking through the strands gently in comparison to the continuous hurried feeling of his digits inside of you.

You squirmed underneath him, your breath hitching and breaking, telling him you were ‘so close’ as you squeezed your eyes shut.

As you reached your climax, you threw your head back as you revelled in the pleasure Jason brought you. Whispering his name repeatedly, you buried your face in the below besides you, flustered and dumbfounded.

“Look at me, baby,” he called, gently patting you repeatedly on the cheek, “already dumb and I’ve barely fucked you, huh? Might manage to fuck you senseless after all,”.

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zenokei · 2 days

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— the sun has set ; michael kaiser.

starring :: michael kaiser x reader

wc :: 800

tags :: hurt/comfort, reverse comfort, nightmares, implied self harm and abuse, kaisers backstory (brief)

synopsis :: michael kaiser often times has nightmares about his past, and you’re the only one who seems to not mind his outbursts.

when michael kaiser has days where the weight of his life seems to overcome his resolve, there will be no doubt that on that night, scenes of his past come and haunt him. agonizing nightmares keeping him pinned onto nothing but illusion as he chokes on awaiting tears in his sleep. it’s unbearable, really: constant tossing and turning without his consciousness, harsh clutching of his blanket, and the straining furrow of his eyebrows–and it hasn’t changed ever since.

well, perhaps it’s been bearable from the moment you’ve been by his side when he sleeps.

“mihya,” you call softly, “come on, wake up.”

drenched in sweat, kaiser gasps as his eyes open to darkness. he reaches out for what’s closest to him, and to his advantage, it’s you. “you’re with me.” you mumble, fingers combing through his hair–not stopping until you feel his body’s tension loosen up, even for a little bit. “i’m with you.” from his head that’s buried on your abdomen, he looks up; breath still undeniably trembling with frustration and anxiety.

“you- what time is it?” it’s too quiet around you both, the busy streets outside sounding empty–only the sound of light rain echoing is out. “it doesn’t matter, rest up again. i’m right here.” when kaiser realizes he’s overslept from the initial nap he took many, many hours ago, he feels around for his phone.

12:39am.

“liebling, sorry- you should be the one asleep. i’ve had plenty already.” suddenly, kaiser rushes off the bed, slightly stumbling as he does so. the abrupt loss of his presence creates a frown on your face. knowing his usual ways when facing a nightmare of such level, kaiser isolates himself.

“mihya,” you call out, voice still kind as ever, yet he doesn’t look back.

“mihya,” you call once more, and you’re standing up from the bed, going after him.

“michael!” now, he looks at you: eyes in disbelief when you tug on his arm with force. “let me go. i’m going for a walk.” he pulls back, but you don’t let him. “not tonight, stay inside.” although you knew what to be expecting, the sheer anger and pain in his voice has you wincing. “it’s too fucking suffocating here right now- damn it, don’t touch me!” as kaiser hears his own words when you reluctantly let go of his arm, his body slumps down to the floor.

his back is against the doorframe, legs tucked onto his chest like a pitiful child as his head is hung low. looking down at him, your breath shudders for a moment. you assume–rather you’re fairly certain that kaiser’s nightmare still lingers in his eyes. him mistaking you for someone that would hurt him is most likely.

so you take his pace, sitting down in front of him on the cold ground even if he doesn’t dare look at you. “out of all people, why you?” kaiser tiredly whispers, arms muffling his voice. “me?” you whisper back, copying the way he’s sitting, although it only differs as your eyes are locked on him. “why did i think you were him? you’re not him.” kaiser’s voice is small, hands tentatively tapping on his skin as he trembles. “mn. i’m not. it was just a nightmare, mihya.” once more, his breath is uneven, and it’s bothering you more.

“it’s not about that! why am i always thinking about that bastard, even though there’s no reason? even in my fucking sleep, i see him! what the fuck is up with that?” you only hum, feeling sorrow come undone from kaiser’s body. “am i not free? despite everything i’ve done to leave that shitty place?” when you see kaiser’s hand itch to grasp at his neck, you quickly intervene. concern washes over you when you notice just how glossy kaiser’s cheeks are, its faint shine is reflecting under the dim light.

“mihya, you’re with me. are you not? that should answer everything.”

you gently lean your body towards his, and kaiser’s head rests itself on the warmth of your neck. “but-” his frustrated sobs are getting covered up by you. “no. nothing more, nothing less, mihya. i’m with you, and you’re with me.” his arms heavily grip on your shirt, fingers trembling as he tightly embraces you. “it was only a bad day,” you whisper in his hair, lovingly hushing him to only listen to your lone voice. “mihya, it’s okay.” kaiser’s body is still shivering under your hold, tears dampening your collarbone as it seems to not give in anytime soon. but that’s fine.

“we can stay here like this, or maybe go back to sleep if you’d like that instead.” the palms of your hand gently pry his face from your shoulder, and it continues to caress it as kaiser sniffles. “what do you think?” the burden in kaiser’s mind dissipates to your palm, its weight getting heavier as he pushes his head onto it.

“stay,” and you will. with a tender thumb that wipes away his tears, it consoles him, making kaiser feel the most humane as he’s ever felt.

“okay.” you smile at him, before pulling him back into an embrace that kaiser will never take for granted.

#blue lock #michael kaiser x reader #kaiser michael x reader #bllk #blue lock x reader #kaiser x reader #bllk x reader #michael kaiser #kaiser michael #blue lock imagines #michael kaiser x you #zenokei | works #fanfiction

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ckret2 · 2 days

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This is the first time I see someone saying that Filbrick kicked out Stan as primarily a protective measure. To me, honestly, he sees his children as investing to make money and found the perfect excuse to throw away the son he never wanted on the streets when a convenient excuse appeared. After all, he already had a bag full of clothes when he throwed Stan in the streets.

It's a cartoon episode that had 22 minute to pack in the entirety of Ford & Stan's backstory. He flung a duffel bag at Stan as a way to tell the viewers "he's serious about kicking Stan out" and we didn't see him pack it because that would've cost 30 seconds to animate a boring scene that's unnecessary to the flow of the story, and where else in the episode would that 30 seconds have come from?

The show takes tons of visual & narrative shortcuts to tell its story. We don't question how a digital clock appears on Stan's desk between one shot and the next in Boss Mabel. We don't question where Soos's Burrito Bites went before and after traveling into Stan's mind in Dreamscaperers. We don't question where the remains of Quentin Trembley's ripped pants vanish to in the crate after he tosses them aside. The only reason we question the duffel bag is because there's a way to weave it into the narrative to make a bad character look even worse; but I think it ignores the spirit and intent of the scene to treat that, and that alone, like it's indicative of Filbrick's character rather than indicative of the restraints of the cartoon medium.

I don't think he saw his kids as investments. I think, prior to discovering Ford could be worth a fortune, he saw his kids as his responsibility. It was his duty to get them to adulthood and make them into proper men. What we know about their upbringing is:

When he thought they were wusses, he sent them to boxing to toughen them up.

When he thinks Stan stole a gold chain from the pawn shop, he also berates him for stealing from other people, starting a crab-fighting ring, and "pickpocketing and monkeyshining." He's opposed to Stan committing illegal or dishonest acts even if they're profitable.

And when he kicks Stan out, yeah, he says Ford "was gonna be our ticket out of this dump," but he also says "All you ever do is lie and cheat, and ride on your brother's coattails."

Before Ford is revealed to be a genius, we have no evidence that Filbrick saw them as future moneymakers. And in fact, given how the show emphasizes how hard he is to impress and how newly impressed he is at Ford's genius, it seems like he DIDN'T previously see any such potential in his kids. This was a new development. Before that, we only know of two things he wanted out of his kids:

For them to be tough enough to protect themselves

For them to be honest, law-abiding, and hard-working

His dreams of making money off one of his kids lasted a few days tops—high school science fairs don't exactly last long. If he was hotheaded enough to kick out one of his kids for dashing some pie-in-the-sky dream that was only a few days old, then either they woulda been kicked out long before then, or they woulda almost been kicked out enough times that that would be their dominant impression of their dad that they'd report 40 years later, not "hard to impress." Yeah, he was mad he could've made a fortune and then didn't, but that alone wasn't the main motivation behind disowning Stan. He was taking out years of frustration with Stan all in one moment.

"All you ever do is lie and cheat" "This time you cost our family potential millions!"

You've been a bad kid and a troublemaker for a long time; this time, your behavior has impacted someone other than yourself—it's harmed your brother and your family—and I won't let you do it again.

(And this is pure headcanon/conjecture, so I'm keeping it as an aside—but I think there's something to his relationship with Caryn in all this. We know from how he treats Stan's lying that Filbrick highly values honesty. We know that Caryn is a pathological liar—it's one of the only things we know about her. We know from out-of-show interviews that Stan's "—the girl snuggles up next to you, next thing you know you gotta raise a kid, your life falls apart—" is him repeating something his father said. We know Filbrick sees their current living situation as a "dump," but lacks the financial means to get out of it. We know now the baby WAS intended to be Shermie, which makes a nearly 18 year gap before the Pines decided to have another kid. I think the twins were an accident, that Filbrick married Caryn out of a sense of duty to his sons and their mother, that he does love his family but still feels trapped; I think he hates that Caryn is such a liar, that it would have been a dealbreaker if there weren't kids involved, and that now he doesn't feel like there's much he can do about it because that's his wife; and I think that's a major motivating factor in his demanding honesty out of his sons—because he doesn't want them to turn out like their mother.)

To be clear—I don't think Filbrick is a good father. But in interpreting him as a bad father, I want to interpret him as the bad father he ACTUALLY IS, not make up some new, different bad father and paste it on top of his characterization. Sometimes fandom has a tendency to take a bad parent and stick entirely new bad parent traits on top of them, in a way that makes it seem like some fans think "well, if they're a bad parent, they MUST do THESE THINGS too, because ALL bad parents do that (and therefore, if they're not doing these things, they must not really be a bad parent)."

And at times I think it's important to hold the line. Based on what we know of him, Filbrick is bad enough to be a Bad Father even if he doesn't do XYZ that fandom assumes all bad fathers must do. Filbrick is bad enough to be a Bad Father even if he didn't see his kids as a way to make money.

I think he raised his boys the way he did because he thought that was the best thing for their future happiness—and he was wrong, and his ideas about manhood are outdated and toxic, and he was a bad father.

I think he saw them as his responsibility rather than as profit machines, and that he cared about their well-being—and his decision to express his caring through emotionally distant tough love was harmful and neglectful, and when he got angry he was verbally abusive, and he was a bad father.

I think he was devastated at the loss of potential millions not because his primary motive as a person is greed, but because his primary motive is being a good caretaker for his family, and his family was in a tough financial spot and that kind of money would turn all their lives around—and even though pinning his financial hopes on his son was a recent development, it was still an awful position to put his kid in, and he never should have done it, and he was a bad father.

I think he cared about his family MORE THAN their finances—but he still prioritized their finances too much, and in a moment of anger prioritized their finances more than one of his own sons, and he was a bad father.

I think kicking Stan out wasn't a consequence of thwarted greed, but of years of anger at Stan's delinquency, and that the issue wasn't the lost money but rather the fact that he thinks Stan deliberately harmed his brother for selfish reasons—and it was still a cruel thing to do and the man seriously needed some anger management classes, and he was a bad father.

He's a bad father even if his intentions are good. He's a bad father even if he cared about his sons. And that's why I'm insistent on maintaining his characterization that way—because it's worth remembering that a parent with good, caring intentions can still be bad, and their intentions don't excuse their actions.

#filbrick pines #gravity falls #(i've half written this essay half a dozen times in the notes of other posts and in various discord servers)#(now that i've WRITTEN written it i can just link this rather than keep trying to repeat it lmao)#meta #anonymous #ask

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mortus-ch · 8 months

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Day 3: Medicine

#ink sans #a little angsty #i had that one scene from his backstory in mind for this #so it's kinda sorta maybe a redraw type thing?#but not really.#i like the paint stuff i did here #utmv #inktobertale2023 #mortus draws #i've kinda like this lower effort doodling #it's very nice and freeing #perfectionism be gone

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neil-gaiman · 22 days

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hi neil! i have two questions about dead boy detectives.

firstly, you mentioned that you wrote a few of the scenes in the show. if you don't mind me asking, which ones were those?

secondly, why were charles and edwin's backstories different from how they're established in the sandman comic? i assume the plotline of season of mists will be featured in the upcoming season of sandman, so how come it was cut out of edwin's backstory?

When we started making Dead Boy Detectives it was for HBO MAX, and we weren't allowed Sandman connections.

Even if we had been, part of the fun of the Dead Boy Detectives is that Charles died in 1989. Sandman on TV exists in contemporary times. (Morpheus was imprisoned in the basement of Fawney Rig in 1989 in the TV version.)

I wrote the Sandman connected scene in Episode 1, the Sandman connected scene in Episode 7, and (before the move to Netflix) the final scene with the boys back in the office in Episode 8.

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earwig5 · 1 month

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it’s kind of crazy that both fallout new Vegas and fallout 4 have the same driving force for the first half of the narrative (find the guy who wronged you and make him pay) but Benny is so much more memorable and narratively interesting than Kellogg.

It’s a matter of a strong character foil versus a weak one, in my opinion.

Benny and the courier are very much alike. They are both ambitious people who are willing to do anything possible to stack the odds in their favour. Honestly, Benny and the courier are the same card, reversed.

The Sole Survivor and Kellogg are also intended to be character foils. The game tries to convince us of this with the scenes in Kellogg’s mind, where we see that he ‘isn’t so different’ from our protagonist after all. But we don’t know anything about Kellogg other than his backstory. How can he parallel the protagonist if we don’t know which traits he has? Which traits the two of them share?

(As a side note, I wish Fallout 4 had touched way more on the ‘Man/Woman Out of Time’ thing. The protagonist being frozen in the past + Kellogg being functionally immortal would’ve been really cool to explore! Especially in the context of grief!)

In the end, I think the reason Benny is a more powerful character foil is that he doesn’t disappear from the world when you kill him. The chairmen can mourn him, House will comment on it, and even NPCs across the Mojave will talk about Benny’s death!

In Kellogg’s case, the protagonist is basically the only person who knows he even existed! Once he’s dead HE’s DEAD! He disappears completely from the narrative! As soon as you leave fort Hagen, the game doesn’t bother looking back.

that’s why Benny is a more haunting force for new Vegas; particularly an independent courier. You are Benny’s legacy because you are what he leaves behind whether he likes it or not. People remember him as the couriers victim. Meanwhile, nobody remembers Kellogg at all. The memory of who Kellogg was dies with you, and you can choose to forget him.

#i hope this makes sense #my ‘what if fo4 had interesting writing’ moment #what I would’ve wanted to see is more Kellogg&sole survivor parallels #+Kellogg to be relevant in act 2 or 3 #+ MAYBE JUST MAYBE. we get the chance to spare him #it just frustrates me that fo4 has a lot of wasted potential #fo4 #fallout 4 #fallout #fnv #fallout new vegas #benny fnv #conrad kellogg #kellogg fo4

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fraugwinska · 2 months

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Could you do a backstory to Hard Day? Like, how Al decided to give up control, and the first time it happened 🥺🙏

Ummm... well, I may have gotten myself a bit lost in this one :D Idk, It's gotten quite out of hand, 2,5 k words... but...um yeah :D Praying you like it :> Attention - we cook with Chili, not salt today! (MDNI)

❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

The hardest Day

„That's so unrealistic! I mean, in what world would a lion eat bugs instead of the fucking fat juicy PIG?!“

„It's a kids movie, asshole, shut up!“

The gang was sprawled out in front of the TV, blankets and popcorn everywhere. Charlie got her hands on a rare copy of 'The Lion King', and invited everyone to a 'nice, unproblematic, quiet' movie night. She didn't account for Angel's constant commentary, Husk's annoyed retorts to him or Niffty's gleeful giggling at the most unfitting scenes. Vaggie, frustrated by them, started adding to the chaos, sending scolding remarks in intervals at either of them, while Charlie tried to mediate in between songs – which she always sang along with.

You, however, were highly entertained – even though you didn't catch anything from the movie, just watching them was amusing enough. The only one missing was Alastor, who had 'business to attend' and was gone since breakfast ended.

He would've hated it anyway, you knew he had no interest in movies, let alone modern ones, and group activities like these were often straining on his patience. Although getting in the hotel last, you were the one who grew the closest to him. Why? You couldn't say definitively. Maybe it was because you never took his veiled jabs by heart. Maybe because you didn't treat him the way the others wanted you to – with care, with ignorance, with suspicion; but instead with respect, an open mind and without judgment. Maybe it was because you could challenge him – discussions about books you both read could last hours, with points given to either side equally – no winner, no loser, both richer.

You liked Alastor. Really liked him. You also had a silly, little crush on him, for a while now, but you kept that to yourself, nothing going further than a few flirtatious moments 'in good fun', calling each other 'doe' and 'buck' with a laugh. A joke between friends. Friendship, you decided, was enough for you, if it was for him.

The entrance doors slammed suddenly, making you all jump in your seats. Alastor stood at the door, looking... different. Stressed? You cocked a brow when you saw his eye twitch, while he sauntered over to the group.

„Al, do you want to join us? We're watching a movie!“, Charlie said absent-mindedly, her eyes glued to the scene of 'Can you feel the love tonight'.

Alastor gave the TV set a judgmental smile and waved his hand. „Tempting, but it has been a rather hard day, I'll just take a drink and retreat to my room, dear.“ He left the group and went to the bar, your pair of eyes the only one following him. Something was NOT right. His smile was tight, his eyes wider than usual, his movements almost jagged instead of fluid. Niffty had jumped to the bar too, insisting on helping Alastor by retrieving a glass for his whiskey from one the higher shelves. In her eagerness to climb and get it, she didn't watch her steps careful enough, resulting in a few delicate wine glasses sliding from the shelfves and breaking into a hundred tiny pieces. Alastor's reaction was as unexpected as it was worrying – he always had a soft spot for Niffty, laughing over her antics and chaotic energy, often encouraging her even to produce more mayhem. This time, however, he started to scold the maid, who blinked at him with a big, guilty eye and trembling lips.

„Such indignation, really Niffty. Clean the shards at once, and try not to remain to be such a clumsy clot.“, he almost hissed, grabbing the bottle and a simple crystal glass before striding away hastily. Your eyes followed his figure until he turned the corner to the staircase, then you got up and comforted the little demon, helping her sweeping up the glass pieces while she sniffeled tears away.

You let your gaze swipe over the group, completely ignorant about what happened with Niffty, and Alastor. Ignorant of the blatantly obvious bad mood of the deer demon.

Turning to Charlie, you whispered to her that you had a headache and would be going to bed, to which she just nodded. No one acknowledged your leave, all eyes on the screen and still bickering noisily. A bunch of friends, you are, you thought annoyed with a shaking head.

Three flights of stairs later, you reached Alastor's room. You pressed your ear to the door, and heard dull bangs, like something was thrown, and a muffled voice. You knocked, and the room instantly stilled.

„Alastor, it's me.“, you said loudly, brows furrowed. „Are you okay?“

A few seconds of silence. „I'm just fine and dandy my dear.“

You put one hand on the door. He normally would open it, to speak with you directly, face uncomfortably close to face, just the way he liked it. But it stayed close.

„You didn't look fine.“, you stated. You were ever so stubborn.

„Well, I am fine. Now shoo, darling, good night.“

You stood in front of the wooden divider, contemplating. You could just go. Leave him be, wait until tomorrow. See if he would talk to you then. But then, there was your gut. And it told you Alastor wasn't well. And that just didn't sit right with you.

„Alastor. Please, let me in.“

No response, just hint of the prickling feeling of static electricity on your skin.

„I know something is bothering you, and I'm worried.“

No response. You breathe in and out.

„I'm not going anywhere until you open the...“

The door flew open, a hand wrapped around your arm and pulled you into the room, violently. You stumbled and fell against a bookshelf, catching the fall with your hands to keep you upright. You heard a slam and a click – door closed, door locked. The static was everywhere now, flushing in waves over your body. You turned around -

Alastor was pacing like a wounded animal, he seemed fluffed up, as if every hair on his body had decided to stand up. His scleras were dark pits, blackest black, and in it his irises burned angrily in crimson flames, now focusing solely on you. The prey.

„So you came to test my patience too, dear?“, he snarled, his voice so distorted it ached in your ears. „It's not enough that that waste of cables destroyed two of my radio towers. Not enough that dozens of my most profitable souls have been rendered useless by an angelic bomb. Not enough that I not only had to put the disgraceful flat screened wretch back in his place, but also his vulgar boy toy and their brazen, attention-seeking brat.“

He grew in size as he ranted, you watched him reaching the ceiling, antlers scraping along the walls. „I manage my weakening territories, manage these imbeciles who think they can play overlords, I manage this sad excuse of a hotel, I manage the princess's unattainable ideas, and now, I also need to manage you, too, of all people? What a disappointm...“

„Stop.“

You held up a hand. Alastor growled, fluffing up even more, limbs cracking and static popping. „How dare y...“

„Stop.“, you said again. Your tone was calm, void of anger, or fear, neutral and steady. He stared at you, and you held his gaze. „Breathe, Alastor.“

You saw him fighting with himself. He fought against his instinct to oppose, to command, to put you into your place, to rip you apart. His elongated claws scraped over the floor, ripping deep ridges in the wood.

„Breathe.“, you repeated, firmer this time.

Slowly, gradually, Alastor shrunk. Breathed. Crumbled. Until he was back to his usual size and form, only with an exhausted expression.

You studied him – you've never seen him like that. He never allowed anyone to see him as something other than 'the radio demon': Powerful, unshakeable, quick on his feet and always one step ahead. How exhausting it must be. To always have the control also meant to always carry responsibility, to always fear impending failure.

Your heart whispered to you, and you followed it's advice. It could be the most stupid thing you could do, but you decided to do it anyway.

„Come here, Alastor.“

He looked at you, unsure, suspicious. You sounded commanding, but not harsh. Inviting. Like a hand, reached out to someone trapped. For a moment, you almost thought you ruined everything – his eyes left yours, they fell to the ground as he shifted on his feet.

But then – steps. Coming closer. Stopping right in front of you. And suddenly..

His head on your shoulder. His breath on your neck. His voice in your ear.

„Sometimes I'm so sick of it all. Sick of maneuvering, sick of ruling, governing, planning...“

You touched his neck, he let you, caressing the soft skin, heated from his outburst, trembling slightly at the contact. It was intimate, baring this vulnerable part to you. You heart broke for him.

He pulled himself away from you, searching for your eyes. Finding them again, he took your hand, bringing it up to his face, guiding your fingers over his lips. He just said one word.

„Please.“

So much was said with this please. You heard every message. Giving up control, just for a bit, just with something he didn't care enough about to insist on ruling, could be a small bit of freedom. Letting himself be guided instead of leading.

“Kneel down, Alastor.”

His ears pressed flat against his head, but he did as he was told. He couldn't look you in the eyes. For once, you were the one towering over him. You took his face in your hands, pulling it so he looked up to you, seeing your warm smile before your lips met his.

His breath hitched, stuck somewhere in his throat.

You slid one hand to the back of his neck, pulling him closer, the other caressing his cheek as you tilted your head and deepened the kiss. Slowly, the rigidity melted away, he started to shift, lips no longer stiff but soft and molding against your own.

He tried to stand up, but you pushed him down, gently, definitively.

“Trust me to guide you, buck.”

He breathed, one, two, three times, eyes closed, grin tight.

“Yes, doe.”

Your own excitement took a back seat. You were filled with pure energy at the thought of crossing the line with him, having Alastor in a way you only dreamed about, convinced your relationship would never come this far. But. But this was not about you, for now. Maybe, another time. If another time ever came.

You lowered yourself on him, straddling him, so you were still 'taller', and rejoined your lips. You took his hands and set them on your hips, let them rest there while you buried yours in his hair, tugging lightly to bend his head back. His initial resistance lessened, and he gave in, exposing his throat, gray skin peeking out of his high collar. You let your mouth travel to his jawline, down to the small patch of delicate, thin skin, right next to his jugular. You felt him tense, felt his rising urge to protect himself from your potential strike. You let out a soft hum as you started to lick it, sucking gently, just a bit, just to make him shiver at the sensation. And how he did.

A moan, low and sweet like the strumming of a cello, escaped him, his hands crushing your hips by the force of his grip. It hurt, but you decided to ignore it. Little steps.

“Can you take more, good boy?”

His eyes snapped open, burning furiously. You met them with calmness, with a soft matter-of-fact-ness. Not smug, not mocking. A question. Proceed or Stop?

Alastor swallowed hot saliva. You could see he was getting overwhelmed, overstimulated, and yet, he had such a longing in his eyes, such desperation.

“Yes.”

One simple word. One spark, setting your body on fire. You tried to force your trembling fingers to steady, lifting yourself slightly off him to open his trousers. With every button, his breaths grew heavier, his grip on your legs grew tighter, claws already digging in your skin and drawing blood.

“Careful, buck. I'll need these in a moment.”, you said, placing both hands on his chest, pushing him flat on his back on the ground. He let you go, arms falling useless next to him.

You leaned forward, thanking any deity that would listen you decided to wear a skirt today, and placed a hand on his growing bulge. He hissed at the touch, cracking the floor as his fingers clawed into the wood of the floor instead your fleshy legs.

Freed from it's cage, Alastor's dick was already dripping with beads of precum, a sight to behold. You wrapped your fingers around it, feeling the warmth and bloodflow, it twitched in your hand. You stroke him, eliciting the most sinful noises from the demon under you.

You took a deep breath. One more, one question more, to make sure that he wanted it.

“Look at me, Alastor.”

He sat up on his elbows, looking more helpless than you've ever imagined he could. Even his smile wavered, threatening to break. You were looking for any signs of hesitation, disgust, resistance, regret. You only found desire. A want, a need, almost pleading eyes.

Your free hand pushed your panty away, enough to expose your lips, and you lowered yourself onto him, his length slowly entering you. He was big, you were tight. A bittersweet combination. Sparks flew before your eyes as he stretched you, but you were hypnotized by his eyes.

They were blown wide, returned to black, but the irises now flickering into dials, turning, left to right as he groaned. You moved, guiding your hips up and down, feeling yourself molding to his shape in the most delectable way, and getting drunk off the look on his face.

You increased the pace on which you pushed yourself on him, adding a little tilt of your hips to take him even deeper. His voice was reduced to a static-y mess, hums and groans and moans bleeding into each other. You placed both of your hands on his chest for more support, inevitably pinning him down. His hands flew to yours, threatening to push them off him, but instead, he entwined his fingers with yours, panting heavily.

It didn't take long for him to feel the pressure, unbearable and urgent, his release approaching at godspeed.

“Doe, I can't...”

Panic in his tone. He tried to put his hands on your waist to pull you off. You understood immediately – an upbringing in conservative times, decades of living by the rules of a gentleman, he was resisting against the thought of cumming inside you. You pushed his hands away.

“Yes, you can.”, you stated, smiling at him, a hint of wickedness in your eyes. “And you will.”

Your skilled movements and dedicated demeanor sent him over the edge immediately. Protests were futile as he came in you forcefully, you felt his cock pumping his seed deep into you, hot and thick as you rocked him through his orgasm. Your own high wasn't worth chasing, too far away to matter. You didn't even think about it – nothing could feel better than this.

Alastor ran his hands over his forehead, sweeping away beads of sweat as his breath calmed down.

His hand shot out to grab you, and, still impaled by him, he pulled you into his chest, invading your mouth with his tongue to kiss you possessively. As if to transfer the command, the control he had given up, back to him. Taking it from you.

For a moment you were scared. The positions had reset to their default. Would that mean he'd push you off? Say goodnight and never talk about this night again? Returning to the Status Quo. Friends, the end.

Alastor pulled your chin up to look at you. His thumb ran over your cheek, tenderly and full of care. His eyes answered every question in your mind. You weren't scared anymore.

#hazbin hotel #hazbin alastor #alastor #alastor x reader #hazbin hotel fanfiction #charlie morningstar #fraugwinskawrites #quick fic #hazbin hotel x reader #hazbin smut

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ittsybittsybunny · 3 months

Text

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

#atla #avatar the last airbender #avatar the last airbender tv #atla tv #spoilers #natla #i loved it i hated it i mostly sat through it #i would like a season 2 though #aang #katara #sokka #zuko #iroh #uncle iroh #azula #ozai

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cheqorb · 16 days

Text

OFF-SCRIPT ROMANCE ft. reo, sae, kaiser

you’re both just in a fake relationship for both of your own benefits, nothing more is going on behind the scenes! and it’s definitely not actual love!

NOTES: made in mind with characters aged up to maybe around 20+ ish? i’ll continue working on mer-love requests. im even thinking of opening bnha requests since i’ve gotten back into it recently. can’t tell if kaiser is ooc or not, but i’m sure you guys are sick of my apologies so i’ll try to stop LMAOO

edit: wrote this before kaiser’s backstory and goddamn it.

as the heir to the illustrious mikage corporation, REO knew, deep down, that the time would come when he'd have to step into his parents' shoes and take control of the company. and speaking of which, his parents seem to be growing increasingly more eager to see him settle down, constantly badgering him about finding a suitable partner whenever he visited them. however, his career of being a professional soccer player meant that he would probably only be able to see them if he played games in japan itself, which rarely happened anyway.

he wasn’t an idiot; maintaining a relationship with his schedule would be practically impossible, his s/o would certainly get tired of it after a few months, and he wasn’t keen on the idea of forcing them to travel with him to every single match.

the thought of starting a relationship under false pretenses, merely to appease his parents, left a bitter taste in his mouth. he wasn’t exactly the type of guy who wanted to break someone’s heart over this. reo was stuck wondering how on earth he could pull this off, until by some stroke of genius, you came into his mind.

though not close friends, your paths had crossed enough times for him to recognise your presence. considering your own status as the heir to your own family’s fortune, his parents would also approve of you. plus, you’re already familiar with the expectations such wealth brings, surely, the lifestyle of being his significant other wouldn’t be too different from the one you already had?

as reo stumbled over his words, his usually confident demeanor giving way to a palpable sense of unease, you couldn't help but feel a twinge of empathy. despite his attempts to mask his nerves, it was clear that this request weighed heavily on him, even more so than his typical bravado could conceal.

“so, i was hoping you could consider—“

his tentative smile faltered as you swiftly interjected, a curt “yes” escaping your mouth before he could even finish his carefully rehearsed proposal. the relief in his eyes was unmistakable, though tinged with a hint of disbelief at your response. his expression softened, a mixture of surprise and relief evident in his features. “you…you don’t need to make your decision so quickly,” he stammered, clearly taken aback by your immediate acceptance. “i understand it’s a difficult thing to ask of you…”

reo couldn't help but feel nervous, in hindsight, the arrangement had fallen a little too seamlessly into place. your willingness to dive headfirst into a relationship without a moment's hesitation freaked him out slightly, but it did ultimately solve his problem! with you by his side, he could continue his career while still making his parents happy.

of course, he still had his doubts but you seemed perfectly happy to spend your days in comfort and go on luxurious vacations with your friends if he had matches coming up.

and as if his luck couldn’t get any better, you’re quite the lovely person yourself. even in the absence of his parents, you always go above and beyond to maintain appearances (he thinks that’s what your trying to do anyway?) and ensure he’s happy. whether it was a home-cooked meal awaiting him after a long day or your presence in the stands, cheering him on during matches, your seemingly genuine care for him truly warmed reo's heart.

in return, reo finds himself taking extra care of you, making sure you’ve got nice clothes to wear, randomly calling you in the middle of the night, a slip of the tongue petname here and there…

nagi could only only sigh (internally in his head, it’s too much work to actually sigh) as reo picked up his phone for the umpteenth time this hour. “maybe they’re just sleeping..?” he offers, though it doesn’t seem to help very much.

“they haven’t responded to any texts, they won’t even pick up the phone…” the man laments, sulking in the corner of the room, “my dear (name) could be in danger and i’m not there to help them-“

a quick ding from his phone soon shoots him upright from his misery, a hopeful look now on his face. he only seems more cheerful once he notices it’s a voice message too, he just loves listening to you speak! your voice is always so— ‘reo, please go to sleep, it’s late in (country) right now, isn’t it? call me back in the morning, don’t you dare think of staying up to text me.’

huh? does he really do that?

SAE’s attitude and abrasive personality is definitely one of his manager’s least favourite qualities about him. the midfielder's dislike for interviews and meet-and-greets, coupled with his unabashed insults towards those he found irritating, posed a significant challenge for his public image. while some die-hard fans may have been drawn to his aloofness in the first place, it was hardly the ideal image for sponsorship deals or modeling contracts.

his manager entertained the idea of sae entering into a relationship. perhaps, he mused, the presence of a significant other could soften his rough edges and make him more approachable to the public. though he doubted sae would ever agree to such a scheme, he was a bit desperate now. can’t hurt to try, right?

as you sat outside the room, the tension hung heavy in the air. each candidate that emerged only served to heighten your nerves, leaving you questioning your decision to agree to this dumb offer in the first place. the obvious heartbroken expressions of the people leaving the room, along with the unmistakable voice of itoshi sae uttering the word "rejected," did little to ease the growing pit in your stomach.

finally, your name was called, and you entered the room with as little flair/flamboyance as you could, no need to embarrass yourself more than you already will. his bored expression did little to boost your confidence and you found yourself avoiding direct eye contact as you introduced yourself in a sheepish manner. “hello, uhm, it’s nice to meet you. i’m (l/n) (name).”

despite sae’s initial perception of you, there was something about your genuine yet unassuming nature that intrigued him. you spoke about yourself with an honesty that bordered on indifference, almost as if you had resigned yourself to an inevitable rejection so you didn’t care how genuinely insane the things you were saying were. (seriously, wdym in college you went to a skate park and came home with a horse…)

the words escape his mouth before he can even think of what he’s saying, “look up at me.”

his request caught you off guard, and you couldn't help but stammer out an apology before reluctantly meeting his gaze. under the intensity of his teal eyes, you felt a pang of self-consciousness but thankfully maintained your composure until the end. “but, uh. that’s all I can really say about myself. thanks for listening to me.”

you flash him a smile, before swiftly getting up and exiting through the door without even letting him get a word in. ‘finally, that’s over with…’ you do feel a little bad for sae though, hopefully he would take an interest in at least one of the candidates that came in after you.

you truly believed you had created a lasting impression of someone who was most definitely not a good fit for a prodigy like him (as well as a bit of a weirdo), so imagine your shock at the email sent to you the very next day by his manager. to make a long paragraph short, you got the position! well done..?

and now, his manager arranged for you and sae to meet together for a first date to truly make sure this relationship would, at the bare minimum, allow you to be cordial with one another. well, that’s what he was hoping for anyway. if you’ve got a person like sae on your hands, you learn to not expect things to turn positive.

his blunt remarks and stoic demeanor could’ve easily derailed the evening, but to your credit, you held your own with decent resilience considering how timid you seemed upon your first meeting. in spite of the occasional falter at his words, you continued to only show kindness towards him.

he’d never, ever, admit it out loud but he does feel a little guilty at how you just take his words without complaint. he had expected some form of resistance or annoyance from you, yet you only met his words with a laugh or simply ignoring it, leaving him feeling unexpectedly unsettled. also slightly questioning your self esteem.

just as he was contemplating bringing the date to a close, you suddenly bow your head with a smile on your face. one that really captivated sae because of the actual, sheer sincerity in it.

“thank-you, sae, i mean it. you’ve been very nice to me considering i’ve just been talking your ear off this whole time, so thanks for that. i liked today a lot.”

with your words hanging in the air, sae was at a loss for how to respond. what was he supposed to do after hearing that? not decide right there and then that he wanted to give you the entire world and more? (I’M SO SORRY I CANNOT FOR THE LIFE OF ME WRITE SAE WITHOUT HIM BEING EXTREMELY OOC)

unlike the other two, KAISER’s situation can vary a little more. as in, his reasons for needing a pretend relationship can differ depending on anything. it could stem from dissatisfaction from his management, a desire to maintain his image, or simply on a whim. regardless of the reason, you’re stuck with him one way or another.

his overconfident demeanor can be jarring at times, even though you thought you had steeled yourself for it beforehand. it doesn’t seem to disappear even when the two of you are alone together; which by common sense, should be when you’re most comfortable with each other, no? yet, there are also instances when his bravado feels forced, the occasional slip in his facade.

for better or for worse, you hesitated to say anything; not wanting to overstep any boundaries. you weren’t his actual s/o, you were getting paid like the relationship was a career. besides, would someone as arrogant as to call themselves ’emperor’ even want help from you? if you’re the more compassionate type, you may just immediately cave in and try to help. well, even if you aren’t, you’ll find it increasingly difficult to ignore him, ultimately realising he is unlikely to seek help himself.

initially, he adamantly opposed any attempts from you, making it clear he preferred to deal with his troubles alone or that he didn’t need your help. your persistence is slightly alarming to kaiser, whose probably wondering if you’re trying to increase your allowance or something, but he still doesn’t give in (yet).

suppressing a sigh, you turn on your heel after placing a cup of water and a modest plate of food on the coffee table. staying where you're evidently not wanted seems pointless. "try to eat something before heading to bed, kaiser. and if you need anything, just tell me, kay?" the words spill from your lips almost automatically, uttered countless times before.

as you take a step forward, a sudden tug on your arm sends you tumbling to the floor. "ow-"

kaiser remains silent, clutching your hand as if it were his lifeline. awkwardly, you place your hand on his shoulder, engaging him in small talk. though he doesn’t respond, he doesn't push you away either. it's progress of sorts, you suppose?

after that, there’s a gradual improvement in your relationship! kaiser appears to be coping better, even seeming happier than before. good for him, you think to yourself.

even so, you figured that your dynamic with each other still wouldn’t change all that much. you’d help him out whenever he needed you to, you’d both continue with your lives as usual. however, fate clearly had other plans.

for starters, he’s much more affectionate in private moments rather than it simply being for the public eye. gone are the days when displays of affection were reserved solely for public appearances. now, it’s like there isn't a day that passes without his presence: resting his head on your shoulder, intertwining fingers, or wrapping his arms around your waist. and then there’s also the random pet names he bestows upon you.

another change would be that kaiser genuinely cares if you’re around or not. attending his matches had become routine to you, necessary to maintain the image of being his supportive significant other but nothing more.

while you had no intention of not going, you couldn't help but notice kaiser's new habit of personally inviting you to his matches. with a smug grin, he would insist on you showing up, emphasising how he wanted you in the crowd, cheering him on. instead of receiving tickets through the usual channels (his manager, mostly), he even took it upon himself to hand-deliver them to you!

with the crowd roaring with excitement, signalling the start of the match was close by, kaiser's gaze finds its way to you. he takes a stride in your direction, his hand reaching out to gently lift your chin to face him.

you meet his eyes, a questioning expression flickering across your features, as he lets out a dramatic sigh. "not even going to give me a bit of luck before i step onto the field? i mean, a supportive partner would offer a kiss for good luck, wouldn't they?" he murmurs, a playful smirk dancing on his lips.

he’s ever so slightly more unbearable like this though. how awful!!

#[ 𐙚 ] CHEQ. — from the heart !#[ 𐙚 ] CHEQ. — writing #[ 𐙚 ] CHEQ. — bllk #blue lock x reader #blue lock x you #bllk x reader #blue lock imagines #bllk imagines #reo x reader #reo mikage x reader #sae x reader #itoshi sae x reader #kaiser x reader #michael kaiser x reader

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daydreaming-stargazer · 1 month

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I have been thinking about the shifting dynamic between Qian and Yuan all week. A ton of people have written really insightful posts about these two, and I can’t get them off my mind.

I’ve said it before, and I’ll say it again and again: the tragic backstory is not used as a shock factor or just to make you sympathetic towards a character. It is ingrained into Qian and Yuan’s thoughts, behaviors, actions, and responses. And it contributes to their compelling relationship.

Qian is hesitant around intimacy of any kind. Yuan is eager to care for the person who saved him.

We’ve seen from the beginning how much of a caretaker Yuan is for Qian. The vast majority of intimate physical contact Qian accepts is from Yuan (and by intimate I don’t mean romantic. I mean familiar, personal, etc.).

Qian rarely ventures beyond surface level relationships with people. His experiences growing up left him in a constant state of survival. He focuses on work as a means of survival and doesn’t consider slowing down as an option.

We see this at work, where he is often separated from his coworkers and rarely interacting with them outside of a professional capacity. He often stays late and arrives early at the expense of his own wellbeing.

It’s Yuan who bridges the gap. Who asks coworkers to take care of his brother. Who makes Qian sleep and eat right. Who is there at work and at home ensuring that Qian won’t overwork and exhaust himself.

But their relationship is not one-sided. Qian takes care of Yuan as well, making sure he’s able to take advantage of academic opportunities and clubs and things that Qian never had a chance to partake in. He gives Yuan a life where survival is a guarantee, not something to earn.

Qian protects Yuan through hard work. Yuan protects Qian through tender care.

When Yuan is sent away to study abroad, the time skip works because it isn’t used at the very end of the series to jump to happily ever after. Too often, time skips force us to miss important character growth and leave us unsatisfied and wanting more. By placing the time skip towards the middle of the series and using it as an actual part of the story and character development, we are able to see how Qian and Yuan live during the separation and the impact it has on their relationship.

And their reunion is more than one scene before the credits roll. There’s still many episodes for them to keep learning and growing together.

Once Yuan returns, the line between them has shifted. Qian actively seeks out Yuan’s care in a way he never did before. He’s always watching Yuan, reaching out for him, and aware of his presence. He had always welcomed it, but the separation forced him to feel what the absence of Yuan’s care was like. He was miserable.

Yuan matured on his own and still knows that he loves Qian. Being away only confirmed what he already knew. And Qian is starting to realize that he loves Yuan too.

Yuan knows exactly where the boundary is between them, but he’ll let Qian be the one to break it down. They have complex relationship, and it is being respected, not rushed. Moments are earned, not pulled randomly from the trope bucket.

#gahhh I could write about this series all day #everything is so intentional #so much thought and passion went into this series #unknown the series #unknown the series meta #unknown the series analysis #unknown bl #yuan x qian #qian x yuan #unknown #taiwanese bl #ah bee writes

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saijspellhart · 3 months

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Things I liked about the Netflix ATLA and some critiques:

Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.

They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.

Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.

Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.

Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.

Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.

The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.

Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.

King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.

I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.

Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.

They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.

Emotional points in the show are now more intense and brought me to tears.

Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.

Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.

We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.

The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.

The shirshu looks fucking phemonal.

Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)

The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.

We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.

They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.

I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.

Some Critiques:

They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.

Katara starts off bland in the first episode and it takes a bit for her to grow into the character.

The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.

Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.

There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.

Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.

I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.

I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.

In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.

I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.

Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.

I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.

PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.

This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.

#netflix atla #avatar the last airbender #atla #live action adaptation #live action avatar #review #my thoughts #positive #loved it #it was great #go watch it #recommendation #pros and cons #a thoughtful and positive breakdown from someone who is generally picky and pessimistic about adaptations #spoilers #many spoilers

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salteytakesonmanga · 9 months

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Your explanation about retconing made me think Oda's way of writing is exactly what bring people to think he has every single thing planed down from the start, even if he didn't.

The story has been going on for 20 years, and Oda himself has admitedly had ideas along the way that he added. But the fact he's still able to connect every new idea instead of having to retcon things is what makes one piece feel so perfectly planned and tied.

Anon, you innocently sent me this ask to share your thoughts and unknowingly triggered one of my rants. I’m sorry/thank you.

Anon is referring to this post.

Oda is just a good writer! He is good at the craft of writing! Even if you don’t like the story (I’m assuming you do, but for people who don’t…) it’s just WELL WRITTEN. People really aren’t used to seeing good writing anymore, to seeing tropes deployed effectively and having plot lines actually connect. This isn’t just me being cranky and old, it’s just truth. People are talking about this in film, TV, books… One Piece has been around so long that it comes from a generation of storytelling that is vastly different from our modern media landscape.

I think people are burned out on the way modern storytelling never delivers (looking at you, JJ Abrams) or constantly jerks people around to elicit a reaction, all for the sake of nabbing that viral moment. When they see Oda deploy a trope or a storytelling device they’re immediately suspicious and fearful that it’ll turn into another unsatisfying gotcha. They rush to look for proof that it’s either all part of a detailed master plan, or it’s just a cheap trick to sell more issues.

In both cases, people are looking for a reason to be LESS INVESTED in the story. If he has a master plan, they don’t need to get worried or excited because it’s all heading to some inevitable conclusion that’s been clearly telegraphed and once you’ve cracked the code then you can already tell what the ending will be, so you don’t actually have to care. If he’s winging it, then the story is just a sequence of loosely connected meaningless scenes whose only purpose is to get you hype about a plot leading nowhere, so you don’t actually have to care.

And it breaks my fucking heart.

When it comes to One Piece, so many people are insistent that One Piece is EITHER 100% planned in advance down to every minute detail, or Oda is completely winging the whole thing. But the real answer is somewhere in between, in some muddy grey area that people find really unsatisfying. They want one clear answer that they can hold up as “The Right One,” but life is not made up of black and white answers.

Honestly it makes me really sad that people can read ALL THIS - pirates are evil except actually pirates are good and the Marines are evil except the Marines are trying to protect civilians by keeping countries stable so that's good except the rulers are evil tyrants so that's bad except when they’re not and then they’re good but only sometimes and… - and what they come away with from it is, “Okay but what’s the RIGHT answer.”

The thing that makes One Piece feel like it’s so cohesive despite Oda constantly changing his mind and making shit up is that he has a very strong and clear idea about what’s actually important to the story and what’s flexible. Because he has that as a guide, he can add the Shichibukai and change Vivi from a villain to a princess and make up who Ace’s parent is without diluting what he wants to say.

That’s what it MEANS to be a writer. Foreshadowing isn’t “boring,” it’s good writing. A plot twist you didn’t see isn’t “cheap,” it’s good writing. Fleshing out a backstory isn’t “reconning,” it’s good writing.

#anon ask #asked and answered #saltey takes on one piece #sorry to bombard y'all with these walls of text #saltey says #<- is the tag to block if you don't want to see them

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rose-tea-and-strawberries · 2 months

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To Catch A Falling Star (Idia Shroud x Reader)

Inspired by a scene from Criminal Minds

Masterlist

Reader is intended to be female

If Idia had to describe you in one word it was unexpected.

He still remembers the day he met the magicless prefect who appeared out of nowhere in a fiery blaze of glory like some leveled up shounen protagonist about to fight the final boss, how Ortho had directed you into his room before he could stop him. And instead of being repulsed by the many, many posters, figurines and merch he had scattered around his room, you were in fact…elated?

“You’re an otaku as well?” you beamed at him, your starry-eyed gaze of awe rendering him speechless before he flinches as you yell, pumping your fists in the air, “Finally! A worthy opponent! Our battle will be legendary!”

Yeah, he does not have the energy to unpack that.

Anyway, he never expected you to appear in his world, and he never expected to find himself comfortable with you, his new gaming buddy and fellow animanga enthusiast. You never judge him for his tastes or his behaviour or less than ideal personality. You were someone he could genuinely call a friend andabsolutelynothingmoreOrthoIloveyoubutpleasebequiet.

And having you around a lot, both because of you just barging into his room or by Ortho’s multitude of invites, just felt natural, your chatter being something that he could call soothing. Which is how he found himself absolutely dominating his current multiplayer playthrough with you doing your own thing by his side.

After his team had won the game, he turned to you, ready to receive your subsequent praise, only to find that your attention was diverted towards a wooden toy thing, your face scrunched up in concentration as your fingers fiddled with its many vertices.

“What are you doing?” he asked and you paused your twiddling, looking up at him.

“Oh I got this star puzzle in Sam’s shop earlier. It reminded me a lot of this thing we have back in my world so I thought that I’d try it out,” you look back down and resume playing with it, “it’s practically impossible to figure out. You’ve got to put all of these pieces together to form a perfect star. It’s a bit of a headache really but it’s got a really sweet backstory.”

“So that thing’s got lore?” Idia raised his eyebrows and held out his hand. You gently toss it into his open palm.

“Well, you see it’s this romantic story where a young prince wanted to win the heart of the fairest maiden in the land, so he climbed up to the top of the tallest tower in the kingdom and caught a falling star for her. But, since he was so excited to give it to her, he dropped it and it smashed into all of these small pieces. So he frantically put it back together again to prove his undying love to her and he succeeded and they lived happily ever after.”

“What a load of normie nonsense,” Idia scoffed.

“Excuse me?!”

“You can’t catch a falling star,” he deadpanned, “it would burn up in the atmosphere.”

“Really?” you ask, unimpressed, “you live in a world that has flying broomsticks and magic mirrors and plants that can yell loud enough to kill someone - I really don’t think you can argue about the concept of reality when there are children here who are capable of breaking the laws of physics on the regular.”

“But still, it’s stupid,” he grumbles, “why does catching a star make you a shoujo manga male lead.”

“It’s romantic,” you argue, “he loves her so much that he would do the impossible for her. Besides, the point is that it’s impossible to do because you have to take all of these pieces and fit them exactly into the shape of a -”

You trail off, dumbfounded, when Idia smugly presents to you the completed puzzle, a small brown star sitting idly in his hand.

“You were saying,” he smirked at your flabbergasted expression, preening slightly when it shifted to annoyed, “it doesn’t seem all that hard to me.”

“Why do you have to be like this,” you lamented, pouting as you grumbled about ‘high and mighty otakus who think they’re so cool just because they’ve beaten you in every one-v-one you’ve played’.

“Just take the L,” he said, not without a hint of condescension, as he turned back to his screen. Thankfully you were too busy wallowing to notice the magenta glowing along the edges of his hair. Why do you have to be so cute? You’re dangerous, you know.

Yeah, you’re a pretty unpredictable person. But that doesn’t mean that he can’t pull any epic gamer moves of his own.

#twst #twisted wonderland #twisted wonderland x reader #twst x reader #idia shroud x reader #fem reader

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littledovesnow · 5 months

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president snow, the prelude

a/n: so there were like 750 words that didn't make it into the final fic for president!coryo, here they are! i wasn't going to publish this, but it sets up a lot of the backstory for future fics i have planned :)

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The room was electric as Lucky Flickerman’s face popped up on the TV, ready to announce Panem’s next president.

Your husband, who was freshly twenty-five and had his name on the ballot fo the first time, stood next to you, hand laced in your own.

“You’re a shoo-in, Coryo, I don’t know what they’re even doing counting the votes. Everyone knows you’re going to come out on top. After all, Snow lands on top.”

Coriolanus smiled softly at the sound of his family’s favorite phrase. He knew he had most likely won the election as well, but he wanted to hear the final vote before celebrating anything.

“The results are in,” Lucky Flickerman’s dramatics were dialed to a hundred tonight, as he flicked open an envelope brought to him by a station worker.

“Panem’s next president is,” he trailed off, wanting to build the anticipation.

You could feel the electric in the air, squeezing your husband’s hand as Lucky opened his mouth to continue. “The Capitol’s own Coriolanus Snow!”

Cheers erupted from the Snow’s great room, Coriolanus’ closest family and friends having gathered for the momentous occasion.

Mr. and Mrs. Plinth, who thought of you considered your in-laws, wasted no time in congratulating the young man, their next president. “We always knew you had it in you, Coriolanus. Ever since you and Sejanus first were mentors way back when!”

You and Coriolanus shared a look, neither of you had ever come out with the truth about what happened when Coriolanus was exiled the summer after the 10th Hunger Games.

Putting on a smile, Coriolanus hugged the older woman, and shook hands with his late classmate’s father. “You’ll do this nation proud, boy.”

“Thank you, Mr. Plinth.”

Mrs. Plinth brought her attention to you, the nation’s next First Lady. “You’ll be a splendid First Lady! Oh, the Capitol will be overjoyed to have a young couple at the helm again! Especially once a child is brought up!”

You stopped yourself from frowning, instead giving the woman a soft smile.

Coriolanus watched with a careful eye, not wanting to cause a scene at the woman’s comments. He and you had been trying for a child for a few months, to no avail. One of his first tasks as president would be to find better fertility care, as he was growing worried that each failure was taking a larger toll on you than you let on.

“If you’ll excuse us, I believe I do need to go make a speech.” Coriolanus smiled, tugging you out of the room with a promise to catch up at his inauguration.

You waited until you two were in the privacy of your bedroom before letting any emotions go, inner turmoil over your husband’s victory and sadness over Mrs. Plinth’s comment.

“Hey, hey, look at me.” Coriolanus murmured; voice much softer than when he is in public. “What’s going on in that pretty mind of yours?”

You looked at your husband with tears on deck, stomach rolling over. “She’s true. The Capitol’s going to want us to start a family as soon as possible. I’m going to be seen as a failure if I can’t even get pregnant!”

Coriolanus wrapped his arms around you as your emotions crumbled, heat growing in his heart. He wanted to immediately call for her to lose her tongue, with little regard that she was one of the two people who had helped him financially be able to make it to this point in his life.

“We’ll figure it out, my love. I vowed to help you become a mother, and it’s a vow I intend to keep.”

You sniffled, wiping your nose on your sleeve, earning a tsk from the president-elect. “I just wish it was as easy as It is for everyone else. I deserve this, for God’s sake!”

Coriolanus frowned, hand running up and down your spine. “I know, my love.” He wasn’t sure what else to say, so he kept his lips closed.

The two of you stayed like that for a few moments more, until there was a knock at the door, an Avox opening it once Coriolanus granted permission.

Holding a phone up, the Avox gestured to Coriolanus, who begrudgingly stepped away from you to take the call, which was Lucky Flickerman himself, conducting a phone-style interview live on air.

Coriolanus rolled his eyes, playing into the pizazz and cheer over the phone, stating how excited he was to have this honor as president, all while sitting on the luxurious bed you two shared, hand moving up and down your arm as you curled into his side.

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a/n: and there it is folks, basically why i made coriolanus want funding for a fertility clinic :)

#it's giving the lead to good angst in future fics!!!!!!#young coriolanus snow #coriolanus snow imagine #coriolanus snow x reader #coriolanus x you #coriolanus x reader #the ballad of songbirds and snakes #hunger games x reader #hunger games tbosas #hunger games imagine

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melon-kiss · 4 months

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I know some of you don't speak Polish and we can't afford to translate 40-min-long chaotic interviews for you and I'm a bit bored (meaning: my brain wants a break from writing but I'm stubborn and I want to finish it TODAY), so I thought I'd give you a bit of a trivia based on interviews with the actors and the crew of 1670:

throughout all the interviews, no one really asked if we're getting season 2. I mean, someone did and the response was: "Well, we know nothing" but nobody really asked if they had any IDEA about what would happen in the next season

I'm not sure about the actors but the creative and directive levels went to a series of lectures on how people lived in Poland in the XVII century

they received a substantial funding, especially considering the directors were complete "no-names"

filming took 3 months, December through February 2022 if I recall

they all lived in an open-air museum in Kolbuszowa; in fact, almost all of the building were already there, they only had to build the house, the barn and the forge

there was no delay in filming, which is apparently rare in the industry but that was because they had a very tight schedule and couldn't afford staying longer in the museum

the last episode was filmed on one day and that was the last day of filming and because of technical issues with cameras working in the inn (the short shot of Maciej serving the pig to the Adamczewskis' table had to be re-done 20 times!), they had to completely rearrange the wedding party scenes, turning them into long shots; the entire labor/dancing scenes were supposed to be shot from 13 (!) different perspectives and be arranged in a "music video fashion"

one of the first episodes (if not THE first episode) to be filmed was episode 7

the script was written with Bartłomiej Topa (Jan Paweł) in mind, however, the actor wasn't really convinced about participating in this project and took his sweet, sweet time to decide on it; same goes to Dobromir Dymecki (Bogdan). Topa says it wasn't because he didn't find it good - it was because he was afraid that the project would be underfunded and therefore fail as projects like that usually don't get the attention they need in Poland

Bartłomiej Topa said he portrayed Jan Paweł as evil and conniving for the first two weeks of being on the set and the first scene they recorded was the one with the "Adamczycha" sign falling down; only after that time, after one scene in particular (don't remember which one, sorry), he finally saw the true nature of his character and changed his approach to the portrayal

surprisingly, Michał Sikorski (father Jakub), unlike Topa, thought of his character as a silly, innocent man and he changed his mind only after seeing the Aniela-Maciej dance scene where he says Love is peaceful, love is kind, love is... unacceptable - he understood he got to play a villain

the actors were FORBIDDEN to improvise; their lines had to be memorised prior to filming

they shot the barrel-cleaning scene (the thing they do before blowing the magnate's son's head up) for 2h because Bartłomiej Topa and Andrzej Kłak (well, he plays Andrzej) couldn't stop laughing; Topa mentions he doesn't even remember how they managed to get it done

all the mud was brought there ON PURPOSE

Kirył Pietruczuk (Maciej) is a debutante when it comes to film, however, he is the only actor in the crew with an acting degree; not only that - he graduated with honors

when asked about this, Michał Sikorski said: "Well, but it doesn't matter, does it? Because, even thought I haven't graduated, I got to play a nobleman and he... well..." (obv that was A JOKE; he is like the sweetest person ever!)

he also said he wrote a "Maciej's journal" during filming and spent a lot of time creating a backstory for his character; he said it was helping with the a-chronical shooting; he read one of the entries out loud in his interview

he jokingly said his favourite episode is the last one because he got to kiss Martyna (Aniela) there

as mentioned before, casting Maciej's role took the longest. They interviewed about 300 candidates and none of them fit. Kirył recalls it was right after he signed a deal with an agency for the first time in his life and he immediately received a call after his first cinema audition and it was 1670, of course! However, he reports that the process was extremely long - he had to go through several stages, each one of them revealing more and more of the script and he wasn't informed it would take that long

The creators said they looked for someone who'd understand the character and his role in the film - as he is the eyes and ears for us, people from XXI century. "He's basically like a viewer of the events, one of us", Kordian Kądziela (director, episodes 5-8) says. It was important he had a good chemistry with Martyna (she was the first and only "Aniela" he had to do short scenes with and the chemistry was immediate) and was able to break the fourth wall properly - he had to have the talent to comment current events with just one look and I personally think he does it perfectly. The actor was also supposed to be "easily likeable by girls"

The first scene they shot together - meaning as Aniela and Maciej - was the dance scene and Kirył says it's his favourite scene in the entire show

Kirył said the scene with the magnate's son was initially very aggressive on his part, however, after speaking to the directors, he decided to tone it down as it was, indeed, not fit for the character to be this angry

they all said, once they got down to it, they had a feeling they were a part of something special

Feel free to add your trivia or correct me if I'm wrong.

#1670 #1670 netflix

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