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tobiasdrake · 3 months

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*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

#avatar the last airbender #drake watches netflix last airbender #kyoshi #katara #azula #suki #yue #june

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ellecdc · 2 months

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Mother, i had a request but i forgot what it was 😭😭 i was sooo excited tooo 😫

But in trying to remember i had another brilliant idea!!

Reader x Reggie where theyre both stoic, slightly volatile 🐍 but theyre actually really soft and mushy. And then SURPRISE!! Theyre actually also dating Remus who takes care of them and is super protective. Maybe its revealed near the full moon and possessive Moony makes an appearance.

Siri is flabberghasted; Barty is horrified his darling sweethearts are be defiled; James is shook; and Lily is yhe ultimate bro and super proud of Rem.

Anyway, im sorry your computer was so mean to you. I hope you're looking after yourself 🩵🩵

......this is going to go down in history as my most controversial post........😈 may I present to you.....poly!MoonWater 😈😈😈😈😈

poly!moonwater x fem stoic!reader (i.e., Remus Lupin x Regulus Black x reader)

Sirius Black was admittedly currently going through a hard time.

Now, depending on who you asked, one (literally everyone and anyone) might say it was his own fault.

But if you asked Sirius Black? It was everyone else and their insufferable happiness that was to blame.

His insufferable best-friend-that-anyone-could-ever-ask-for finally landed the woman of his dreams and said woman of previously mentioned best friend was horribly in love with the sod.

Even his baby brother was happy! Which seemed like an oxymoron because in looking at Regulus Arcturus Black, one would assume that boy had never known a single moment of happiness in his life.

If one took into account their childhoods, they’d be right.

But Regulus Black, who was quiet in a way that made you feel like you were always being judged and ridiculed (you were) who very rarely had a kind thing to say about anyone had found happiness (read: a girl) who, for all intents and purposes, could be his personality doppelganger.

One difference, however, was that you were quiet in a way that always had one feeling like you knew too much, saw too much, and you were far too perceptive for anyone’s good. You always seemed to be analyzing the people around you and Sirius, sue him, found that incredibly disconcerting.

He did not wish to be known, thank you very much.

And even Moony! Moony, the bastard, was seeing someone! Fucked if Sirius knew who though because the sod wouldn't tell anyone who they were. He just kept popping back to the dorm room covered in hickies and looking far too pleased with himself whilst offering no details.

He was even spending entire nights away from the dorm, and always made sure he had the sodding map with him so they couldn’t even see where he was.

So yeah, Sirius was pissed.

And before you ask – no, it’s not because he was lonely – in fact, he had frequent visitors in his bed thank you very much. And NO, he didn’t want to discuss the fact that perhaps if he didn’t run at the first sign of commitment or emotional intimacy, he too would have happiness.

Perhaps he just wanted everyone else to be slightly less happy for his own sake.

Did no one ever think about Sirius Black?

Give right now for example. He and Regulus had been...hanging out (if that’s what you could call the two of them sitting together not speaking as they each did their own homework) since Sirius insisted it was important to do so, especially since Sirius no longer lived at home meaning that their usual means of brotherly bonding (read: trauma) no longer took place.

And then James showed up (he was so lucky Sirius loved him) who was but of course accompanied by Lily Evans (she was so lucky she’s as lovely as she is) which turned into a small James Potter roast on account of Regulus and Lily both having years’ worth of material from hating him up until recently, and Sirius had loads of material on account of him being a certified hater.

And then Moony showed up, and if Sirius didn’t know any better, he had definitely been fooling around mere moments ago.

But Sirius did know better.

“Moony, what broom closet did you just crawl out of and where’s the poor soul that was stuck in there with you?” He spat.

Remus merely chuckled and pulled a book out of his bag, making himself comfortable in one of the library’s grandfather chairs. “No one was stuck anywhere with me.”

“No, I’m sure they were a very willing participant.” Regulus drawled, looking particularly bored for all intents and purposes, never bothering to lift his gaze from his book.

“No need to be jealous, baby Black. You’re more than welcome to join me in such broom closets.” Remus joked with a wink.

“Oi!” Sirius swatted at Remus on behalf of his brother (he’s welcome). “That’s my baby brother you’re talking about, and he’s taken thank you very much.”

“Merlin knows how,” James muttered none too quietly, “it’s not like he’s very approachable.”

Regulus lifted a lazy eyebrow as he looked at James from above the pages of his book. “I’ll have you know I’m very approachable to those I wish to be approached by.”

“Hi Reggie!”

“Get fucked.” Regulus called back to Barty Crouch Junior, hardly sparing his best friend a glance as he approached him from behind.

“Wow, Reggie’s in a good mood today, huh?” Barty said as he sat on one arm of Regulus’ chair, causing James to laugh until he realized that Barty wasn’t joking.

Suddenly another body showed up and gently sat on the other arm of Regulus’ chair.

Sirius watched as Regulus’ impassive face completely cleared of all contempt and he looked up at you with pure and unadulterated adoration.

It made Sirius sick.

“Bonjour, mon cheri.” He murmured softly, in complete contrast to the harsh, militarized way he had previously been spitting at everyone else.

You smiled gently at the boy as you pulled a notebook out of your book bag and produced a small, pressed flower, handing it to Regulus between your thumb and forefinger.

Regulus looked at it like you had just presented him with a hundred-year-old bottle of fire-whiskey.

“Did you pick this for me?” He asked gently, plucking the flower from your fingers with matching delicacy.

You offered him a quiet ‘mhm’ and Sirius noticed a shy smile grace your lips. Regulus’ eyes moved from the flower to your face, and he gazed at you like you had hung the moon.

“Merci, mon amour.” He said reverently and pressed a kiss to your cheek.

Lily looked at the two of you with a smile one might see on the face of a proud mother, James looked at the two of you like he was seeing a bowtruckle for the first time, and Remus looked oddly taken with the show of affection. Barty was apparently the only other sane one amongst them – oh gods, maybe Sirius really was losing it.

“Where the fuck has this Regulus been the last six years?” Barty muttered incredulously.

Without much effort on your part, you reached over Regulus’ shoulder and shoved Barty off the arm of the chair and onto the floor before sliding to sit directly in Regulus’ lap.

“You...alright, Crouch?” James called tentatively from his place on the other side of the couple.

“Oh, I’m fine. That’s just how she shows her love.” Barty said as he bounced back up, completely unperturbed.

“Is it now?” Sirius asked, tone dripping with sarcasm. Remus swatted Sirius’ leg with his book.

“What?” Sirius squawked.

“Be nice.” He chided.

“I am nice! And why do you care?” Sirius argued, though he never got an answer.

“I think they’re cute.” Lily announced, sending a sly smirk towards Remus.

“See? Lily gets it.” Remus said with a shrug as he went back to his book.

Sirius hated every single one of them.

But if Sirius thought that had been rough, he had no idea what was in store for him today.

Sirius, Remus, Peter, James and... Lily had all been sitting at the Gryffindor table during dinner when Sirius noticed you rushing into the Great Hall looking rather frazzled.

“Whoa, what’s going on with Y/N?” Peter asked, apparently having noticed you at the same time as Sirius.

The conversation stopped abruptly as Remus’ head snapped towards the entrance, seemingly on high alert upon hearing of your arrival.

Sirius watched as you scanned the Hall before your eyes fell on their group. Your face crumpled in misery, and you rushed over. You were usually so polished and poised, any and all emotions locked away behind a well-fitted mask, no wonder you and Regulus got along so well.

Regulus...something must have happened to Regulus. Sirius had a dreadful feeling settle in the pit of his stomach; what could have happened to make you rush up to him looking that alarmed?

Except...you breezed right past him.

“What’s wrong, lovebug?” Remus cooed quietly, causing Sirius to choke on his own spit.

“He was hurt during practice.” You cried quietly, voice no more than a whisper as you moved to step between Remus’ spread legs where he had rotated on the bench to face you. His hands landed on the back of your thighs were his thumbs rubbed soothing circles into your tight clad legs.

“Okay. How hurt?” Remus asked just as quietly, ignoring the sputtering happening from James, the chuckling from Lily, and the horrified expression painting Sirius’ face.

“Dislocated shoulder.” You cried miserably, as if you’d just been told Regulus was damned to spend the rest of his life in a vegetative state.

Remus’s mouth looked like it was fighting really hard to smile as his eyes pooled with equal parts fondness, worry (for you or Regulus, Sirius wasn’t sure at this moment), and no shortage of love.

What the fuck was going on right now!?

“What the fuck is going on right now!?” Sirius demanded, his outside voice echoing the one inside of his head.

You startled a little at his exclamation, leaning closer into Remus who increased his embrace around you.

“What’s happening dear padfoot, is it appears your brother has been injured during quidditch practice. Perhaps you ought to go see how he is?” Remus taunted as he continued running soothing hands over your body.

“Yeah, yeah; the sky is blue, and people get hurt in quidditch. Now what is this!?” He screeched gesturing wildly at the two of you.

You looked equal parts embarrassed from the attention and equal parts wanting to tell Sirius off for downplaying what you clearly thought was some great upheaval in Regulus’ life when Lily spoke up.

“I’m surprised it took you this long to notice, Pads.”

His mouth dropped open as he turned to regard his best friend’s girlfriend with a look of pure betrayal.

“Et tu, Lily!?” Sirius cried as James sputtered, “you knew!?”

Remus just smiled as he shoved his nose into your collarbone. You brought up a hand to begin scratching at his scalp, and Sirius was certain the sods leg would be thumping in contentment if he were a dog.

“Let’s go, Sirius.” Remus finally muttered, interrupting an argument that was going nowhere between James, Lily, and Sirius. “You’ve got a brother in the hospital wing.”

You hurried on ahead of them, clearly not interested in the talk the two friends were about to have.

“So, are you fucking my brother too or just fucking him over by screwing his girl?” Sirius finally spat with his arms crossed petulantly over his chest.

Remus groaned and looked up at the ceiling, as if praying for strength to get through this conversation with Sirius Drama Queen Black. “Sirius, can you ask me a question that’s less likely to get me punched in the face?”

“No.” Sirius muttered.

“He’s happy, Sirius. I promise.” Remus pressed. “He...he really deserves all the love he’s getting.”

And Sirius would have been an absolute arse if he’d had anything to say in response to that...

Don’t get him wrong, Sirius was an arse and did have many things to say in response to that, but the words died on the tip of his tongue when they walked into the hospital wing to see you sitting on the end of Regulus’ hospital bed.

Regulus, save the sling holding his arm to his chest and the fact that he was sitting in a hospital bed, looked as casual as Sirius ever remembered seeing him, smiling at you with...

Love.

A lot of love.

“I’m fine, amour, I promise.” They heard him plead with you as they approached.

“Still have all your limbs, I see.” Remus commented as he walked over and pressed a gentle kiss to Regulus’ hair, causing the youngest Black to blush something fierce as he looked over at Sirius.

“I’m sure she told you I was comatose.” He commented quietly, turning and offering you a wink.

“Don’t tease me...” You moaned, looking very much like you still wanted to fold Regulus up and put him in your pocket for safe keeping.

“Yeah, don’t tease her, love. You’d be sitting in this hospital bed all on your lonesome with no one you dote on you otherwise.” Remus jokingly chided.

“Love.” Sirius groaned with a dramatized gag.

“Oh, grow up, Siri.” Regulus barked.

Sirius’ head snapped over to his brother at the sound of his childhood nickname. Regulus’ cheeks were still dusted pink, whether it be at the unplanned outing of his relationship, being hurt, or the gravity of this moment.

Regulus hadn’t called him that since they were children...like, real children before the trauma, the alienation, the disinheritance, the running away...

Perhaps because Regulus had spent all of that time living in unmeasurable pain. Just like Sirius had.

And maybe, now...Regulus had people who made him feel brave enough to be vulnerable like this, to reconnect in ways he long thought impossible.

Fuck Moony and his good naturedness; Sirius hated that Remus was right about this.

“Oh, fucking Godric.” Sirius muttered petulantly as he pulled Regulus into a bone crushing hug.

Literally.

“Sirius!” Regulus groaned before Sirius was ripped away from his brother. Sirius expected Remus to be the one throwing him to the floor for inadvertently hurting Regulus’ injury...but it was you.

“You idiot.” You hissed as new tears formed in your eyes, immediately moving to grab the ice pack from the bedside table and gently placing it on Regulus’ shoulder.

Remus and Regulus looked at you with so much adoration, Sirius was certain hearts were going to start pouring out of their eyes and floating around their heads.

“I’m fine, thanks!” He called out as he hauled himself up off the floor.

“Oh good.” You said sarcastically.

“I don’t like this.” Sirius grumbled, causing all three faces to turn to him.

“Pads...”

“Sirius, please.” Regulus implored.

“What if you break his heart?” He asked no one in particular. “What if you hurt my baby brother? Who am I supposed to support then? Or you; what am I supposed to do if you hurt my best friend? And what if you tossers hurt Y/N!”

The three of you shared a look before his brother turned to him. “Sirius, if we breakup, I give you permission to side with Remus.”

“And if we break up, I promise you can side with Y/N.” Remus added.

“Nope.” You said quickly, “that’s fine, I don’t need to be included in this.”

Sirius groaned out a sigh of relief. “Oh, thank gods. Okay, okay. I guess I'll allow it then....”

“THE THREE OF YOU ARE WHAT!?” Barty screeched as he stood at the door of the infirmary, still in his quidditch kit.

“Do we actually have to have this conversation again?” You groaned quietly.

Remus shot Regulus and extremely guilty look as he slowly stood.

“Remus.” Regulus warned.

Remus grimaced and slowly made his way over to you.

“Remus John Lupin, I swear to Salazar...”

“Regulus, I love you; I do. But...he’s you’re friend an- NOW DOVE” He shouted, and the two of you took off in a sprint out of the infirmary.

“Quite the catch you’ve got yourself there Regs.” Sirius taunted.

“Sod off.” Regulus muttered as Barty made his way over to his bedside.

“Don’t mind if I do.” Sirius jeered as he, too, took off out of the infirmary, leaving Regulus Black to deal with the likes of Barty Crouch Junior on his own.

don't hate me

#ask elle #marauders era #marauders au #marauders fanfiction #reader insert #self insert #remus lupin x you #remus lupin x reader #remus lupin #regulus black x reader #regulus black x you #regulus black #regulus black x remus lupin #remus lupin x regulus black #moonwater #poly!moonwater #poly!moonwater x you #poly!moonwater x reader #ellecdc fics

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csuitebitches · 7 months

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How to Wake Up Early

I always wanted to be one of those girls who would wake up early, go for a run and be super productive with their mornings. The issue is - i really love sleep. Every time i would start a routine, i would eventually fail. I would wake up to turn the alarm off, think to myself “5 mins more” and boom- it’s suddenly 8:30 am and i need to leave for work in less than 1 hour.

Two videos on YouTube really changed my mind. One was Andrew Huberman’s, and the other was Jihyo, a k-pop star.

I came across Andrew Huberman’s video about dopamine, and somehow, it helped me to understand why the difficulty waking up early is so important. Now I’m no expert of neuroscience, but let me explain to the best of my abilities.

Dopamine is essentially the build up to the reward; it is not the reward. It is the satisfaction and happiness you feel (when your body releases), after you have achieved something that was painful/ required you to struggle a bit. In order to receive this reward, you have to feel pain, because pain and satisfaction are directly related to each other. Satisfaction without pain is useless and does nothing for you essentially.

That got me wondering: for me, waking up early is difficult. It’s painful. I dont want to do it. But if I do it, its my first win of the day. It’s the first challenge I have overcome of that day, and I always do feel amazing after. The dopamine release after the struggle of waking up and winning the battle of not going back to sleep is definitely there. I feel more confident because a) I have done the “right” thing b) selfishly, i can do something so simple that a lot of people struggle with c) it weirdly makes me feel more confident and like I’m doing the first step of being an adult right.

Jihyo’s video was quite random - she did some show where it shows her daily life when she’s not working. Parts of it made me feel like she’s unable to just relax with herself (probably because her body and mind are so used to chaos, performing, her girl group living together for so many years) so she busies herself a lot. I took the positives from the video; she’s extremely disciplined which I admired, she gets her chores done, she’s good at ensuring that her space is truly her space.

So I decided to build a relatively foolproof routine; but mind you, it does require quite a bit of willpower.

I’ve developed a habit of waking of waking up at 5 am. I head straight for a 30-45 minute meditation and then at least an hour long workout. I stack my habits that way; right after meditation, I put on my running shoes. I used to really struggle with waking up, even if I had to wake up late. This is the strategy that worked me, see if it works for you.

1. Reset your space the night before

This makes you feel less stressed in the morning and also genuinely makes you feel like you have your shit together. Put your clothes away, keep your bag in its place, clean up your desk, reorganise your make up and skin care products. You’re going to go to sleep and wake up to a clean space.

Make sure you define both your bedtime and wake up time. My bedtime is 9:30 pm - so i manage my chores, reading, dinner, everything around that.

2. Early dinner

I’ve noticed that early dinners help me sleep better. I’ve built the habit of casually walking for 25-30 minutes post dinner (not right after eating, after about 15 mins). I’m not walking fast to a point where I’m sweating and puffing, I’m casually strolling outside. During this time, I don’t listen to music, interact with anyone or my phone. I use this time to connect with myself and think about whatever I feel like.

3. No devices before sleeping

I don’t want to stimulate myself before sleeping, so I prefer reading before bed. If you don’t like reading, you can instead do your skincare, maybe revise some physical study notes, etc.

4. Using Alarmy app

This app is torture and I swear by it. This little thing makes you a solve a challenge of your choice in order to make the alarm stop, like math problems, puzzles, etc. I chose 5 math problems.

5. Keep your phone across the room

Don’t charge it near your reach. Keep it as away from you as possible.

6. Stand for two minutes after shutting off the alarm

Don’t allow yourself to snooze, or go back to bed. This is the part that really requires you to tell yourself: “i am not going back to sleep. I’m going to wake up and do the things I have to do for my own benefit.” Remember - the states of heaven and hell are not outside of you, they’re inside you. They are mental states. You have to fight with your lazy demon and tell him/her/whoever that NO; we are NOT going back to bed.

I charge my phone across the room so that forces me to walk first thing in the morning. To stop myself from going back to sleep, after i have shut the alarm off, i just stand for 2 minutes. I dont sit, or go back to bed. I stand and tell myself, we’re doing this. We’re going to wake up and have an amazing day.

Your mind is like a child with tantrums and mood swings. Your rational self has to discipline your mind the way a parent would to a child.

7. Turn a small light on

Not something that is jarring or overwhelming, but enough to help you start waking up. I turn my phone’s flashlight on and keep it on my desk.

8. Be consistent, even on weekends

The biggest mistake you can make is not being consistent. Your body doesnt recognise weekends, your mind does. Your body doesn’t know that tomorrow is Monday, so its time to wake up early. By staying consistent (yes, I wake up at 5 am on weekends too), it allows my body to develop its own body clock and not wrecking the system I’ve kept in place.

What do I do if I have a late night?

It really depends. Let’s say I come home relatively early (+2 hours around my bedtime) around 11 pm, and im in bed by 11:30. I’ll wake up somewhere close to 5 am, like 6 am instead. The next day I ensure I’m in bed by the bedtime I’ve kept for myself and wake up at 5 am again.

If I come home really late, like 3 am - i keep my alarm exactly 8 hours from that time. I need to get sleep, but oversleeping is an issue and that wont allow me to wake up early the next day. I want to get enough sleep where im rested for the day, but not excessively. Unfortunately, sleeping so late would definitely mean that i wont be able to fall asleep at my dot 9:30 pm bedtime, but i turn the lights off and get ready to sleep by then anyway, and mentally prepare for my 5 am wake up call.

#c suite #powerful woman #strong women #ceo aesthetic #personal growth #that girl #productivity #q/a #getting your life together #balance #waking up early #neuroscience #Andrew Huberman’s #K-pop #jihyo

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vexwerewolf · 13 days

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I’m suddenly getting swathes of Lancer hate across my feed… Has something happened in the fandom? “Union is ______ how could they paint them as even remotely good. They allow _____, and I hate the devs they are ______. The whole thing is just 40k with communist veneer”.

Like am I taking crazy pills…? I thought that all of the problems were literally like right there on the tin “we are a utopia in progress! We will obtain it by any means possible even if it means being everything we say we are not/fighting against. As the player you decide what is right. How much will you ignore for someone else’s idea of utopia?” Like doesn’t it mean all the tools to actually change are there and that is the HOPE aspect of all of this?

(Sorry if this in incoherent grammar is a weak point and I pulled something in my back simply standing up. Now I am sad and crook backed in spasmodic pain)

This isn't an argument I feel super enthusiastic about stepping into, because it gets the most annoying sort of people in your mentions eager to maliciously misrepresent what you say.

However, yeah, there are some pretty terrible readings of Union floating around. I'd invoke "media literacy" because think that a lot of this comes from people not really holistically engaging with the fictional future history of Lancer, but also from a sort of dogmatic purism that requires future societies to be flawless, else they're irredeemable.

It is important to note that ThirdComm is the direct descendant of two highly imperfect societies. FirstComm was formed as a response to the Three Great Traumas of discovering the Massif Vaults (and thus that they were the inheritors of a fallen world), the wars over the Massif Vaults, and the discovery of the lost colonies, all of which collectively showed humanity how close it had come to total extinction.

FirstComm decided that it had a responsibility to ensure that humanity never risked extinction again. It manifested this by trying to colonize every habitable planet it could find, pumping out ship after ship to seed the cosmos with as much human life as it possibly could. This led to problems when it encountered civilizations like the Karrakin Federation and the Aun, who had been carrying humanity's torch just fine by themselves, thank you very much.

SecComm was an Anthrochauvinist fascist state. The book defines it thusly:

We can see a lot of Anthrochauvinist historical romanticism in the mech naming schemes of Harrison Armory, SSC and IPS-N - the fact that Harrison Armory names its mechs after great military leaders of pre-Fall Earth history, IPS-N does the same with naval figures, and SSC uses the names of Earth animals. Even the GMS Everest is named for a mountain on Earth. It's very Cradle-centric.

Anthrochauvinism was, to be clear, largely just an excuse for colonialism and hegemony. Atrocities could easily be justified under by stating that whoever they're being committed against were a threat to the Continuance of Humanity - a term that SecComm got to define.

It's also at this point that we have to zoom in from broad sociopolitical points to address one very specific piece of history: the New Prosperity Agreement. This was signed to prevent the outbreak of a Second Union-Karrakin War, and mandated that the Karrakin Houses would maintain privileged levels of autonomy within Union, and that they would be granted colonial rights to the entire Dawnline Shore. This agreement, struck in 3007u, basically defines much of the current political situation today.

ThirdComm was a final and inevitable reaction to the atrocities, abuses and excesses of SecComm. The unspeakable horrors of Hercynia were the spark, but I need to stress how little Hercynia actually mattered in the larger Revolution - at the start of NRfaW, it's explicitly stated that almost nobody in the galaxy even knows where it is, let alone what happened there. The Revolution was a generalized response to SecComm's tyranny, with no single rallying cry.

The Revolution might also have failed entirely, but for a critical error by Harrison Armory: pissing off the Karrakin Trade Baronies. After getting kicked off Cradle, the Anthrochauvinist Party organised a fleet at Ras Shamra to try and retake Cradle. Simultaneously, however, they were attempting to secure protectorate agreements to steal worlds in the Dawnline Shore out from under the KTB. Putting these two together and making five, the KTB assumed that the fleet was pointed at Karrakis, and started the First Interest War.

The First Interest War initially favoured the KTB. They smashed the fleet above Ras Shamra and simultaneously conquered the moon of Creighton in the Dawnline Shore. However, they underestimated just how ruthless Harrison I was - he "retook" Creighton by relativistic bombardment, and then conquered four of the 12 worlds of the Dawnline Shore with mechanised chassis, a technology the KTB had not adopted and had no counter for.

To prevent further loss of life, Union was eventually forced to broker a peace agreement that saw Harrison I handing himself over to Union justice in return for Harrison Armory's continued sovereignty, and the KTB joining Union as a full member state.

So, with that historical context out of the way, let me get to the second part of this absurd essay I'm writing.

Third Committee Union isn't a civilization that arose from whole cloth. It's shaped by five thousand years of Union history, six thousand years of post-Fall history, and six thousand years of pre-Fall history before that. It is, ultimately, an extremely well-thought-out and well-worldbuilt fictional polity, in that all of its imperfections come from traceable root causes in its history.

Why does ThirdComm permit the abuses of the KTB? Because to stop them, it would likely have to go to war, and such a war would butcher billions. Worse, to do so, it would probably have to ally with Harrison Armory and make horrific concessions.

Why does ThirdComm permit the expansionism and cryptochauvinism of the Armory? Because to stop them, it would likely have to go to war, and such a war would butcher billions. Worse, to do so, it would probably have to ally with the KTB and make horrific concessions.

Nobody in CentComm likes that Harrison Armory are empire-building expansionists. Nobody in CentComm likes that the KTB has a hereditary nobility and enforces blockades against planets that rebel against it. The problem is that ThirdComm is, in historical terms, still relatively new. They've been around five hundred years, and compared to the 1600 years that SecComm was around and the 2800 years FirstComm existed for, that's not very much.

ThirdComm is attempting to decouple itself from the Cradle-first politics of its predecessor, and to amend the many, many atrocities committed in the name of Humanity. It is not easy to do any of these things. SecComm was defined almost entirely by the fact that if it didn't like what you were doing, it would send in the military as a first response. Every time ThirdComm chooses to do the same, its legitimacy erodes, because the mission of ThirdComm is to prove that diverse, vibrant and compassionate human civilization can exist without devolving into war and bloodshed. ThirdComm always tries diplomacy as a first response because if it doesn't, millions of people could die.

#lancer #lancer rpg #lancerrpg #lancer-rpg #union #lancer lore #lore #fictional history

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straykeedz · 2 months

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Do you think you could do felix with a reader that takes a long time to cum and is super insecure about it but he reassures her that he would love to try and make her cum even if it takes her a long time (and it does) but he actually does it and she's so shocked. Thank you!!!

𝐭𝐰: female anatomy ; mentioning of faking orgasms ; reader has had shitty exes who made her feel bad ; poor communication at the very beginning ; oral sex and fingering (f receiving) ; dirty talk ; ♡

𝐰𝐜: 2,1k ; ♡

a/n: i’m not suuuper proud of this but i had a lil writer’s block so…. also, i edited this on my phone so it might be shit shxhsh. hope u like this anon!! ♡

this contains smut. minors dni. 18+ only.

Lying in bed, spent and out of breath, Felix wonders what he did wrong.

You didn’t cum, that much is very clear to him. And it’s not that he’s offended or questioning his skills, he’s just really confused about it. He felt you clenching around him, and you did moan just a pitch higher. Did you try faking your orgasm hoping he wouldn’t notice? Did he really fuck you that badly? Maybe he should’ve communicated better, checked up with you more, asked if you were enjoying yourself.

He’d been shoved away from your pussy when he was giving you head earlier, you tugging at his hair to get him to stop eating you out. He’d been lapping at your clit for minutes when you’d muttered out a breathy “I need you now”. Now that he thinks about it, the very same thing had happened when he’d fingered you the first two times you slept together. And you didn’t cum that that day either at this point, Felix is sure.

You’ve slept together twice now and you faked your orgasms both times. Felix feels he should bring this up before it’s too late and it becomes a routine for you. Only… how? He wouldn’t want to make you feel bad about it, he just genuinely wants to understand if there’s anything he could do to really pleasure you the way you deserve.

Coming back inside the room a couple of minutes later after freshening up, you immediately notice that Felix looks lost in his thoughts. Nevertheless, he smiles at you once he witnesses your presence inside the room and pats the empty spot next to him, implying for you to come lie down and cuddle, which you do, resting your head on his chest and throwing your leg across his lap as he covers the both of you.

The room smells awfully like sex, which is a constant reminder to Felix that he has to talk to you. Your relationship is at its early stage, and he wants to talk this through with you before everything crumbles - sex might not be the most important aspect in a relationship, but communication is, and Felix needs you to know you’re completely safe to talk to him. He wants you to tell him if he’s not doing something right in bed.

He really, really likes you and wants to be with you for a very long time, that’s why it’s so important that you trust him with this kind of things.

“Baby?” His deep, hoarse voice vibrates in his chest, “you good? You’re not sore, are you?”

He feels you shaking your head. “Nope, just tired, but I’m good. Are you?”

Physically, yes, but his own brain is killing him with the constant overthinking.

“Yeah,” he just answers while thinking of an efficient way to bring up the fact he suspects you faked your orgasms.

Thankfully, though, you kind of do it for him.

“Did you… did you like it?” You ask timidly, feeling kind of stupid for asking, but the way he looks so deep in thought is kind of making you feel self conscious.

“Of course I did,” he doesn’t sound like he’s lying, and you sigh out of relief when he pulls you closer and kisses your head. “Did you?”

“Yeah,” you mumble, but Felix knows you’re sugarcoating the truth to him somehow, and he hates it.

“Baby,” he mumbles after a while - a deep sigh follows the petname. “I know you faked it.”

Blood runs cold in your veins. You open your mouth to justify yourself, thinking he’s mad at you or something, but he beats you to it. He sits up on the mattress, and you do the same, however you keep your head down, not meeting his eyes.

“Felix, baby…”

“Before you say anything, I just want you to know I’m not mad at you. I just… don’t understand? I mean, is there something I’m doing wrong? Is there something I can do better? You can tell me, baby. I won’t get mad at you, I could never.”

You shake your head, fidgeting with the hem of your pajama shorts. Taking a deep breath, you shake your head as a no, “you’re not doing anything wrong, I promise.”

“Then what is it, baby?” He asks, voice full of concern - he wants you to help him understand. “I want you to always have a good time when we sleep together. I don’t want you to experience disappointing sex with me and feel like you have to fake it to spare my feelings. We’re a couple, you should tell me if you don’t like something I’m doing. Even- even when I give you oral or try to finger you, you never finish, you just push me away after a couple of minutes.”

The room falls awkwardly quiet after Felix’s words, until you finally find the courage to speak and tell him the truth, even though it’s embarrassing - to you, at least.

“It’s not that I don’t like it,” you begin. “It just… it takes me a while to, you know… cum. A long while,” you sigh. “You… I like everything you do to me, baby, it’s just… it takes really long, and I wouldn’t want you to get bored or anything.”

“Baby, just… why on earth would I get bored eating you out or fucking you? I don’t understand, you know I’d die between your thighs, baby.”

His words go straight to your core, and you’re sure you’re red in the face by now.

“You say that now. But I can assure you, you will get bored.”

All of your exes did, after all. But if there’s one thing your relationship with Felix has taught you, is that he’s nothing like your exes.

“Baby,” he says in a serious tone, “I won’t,” he assures you. “I know I won’t, and I’ll be honored if you ever want me to try to make you cum, baby, but only if it’s something you want. You know I’d never pressure you into anything, baby.”

“You mean… right now?”

Felix pulls you in his lap, his arms around your waist. “Whenever you want to. If you want round two right now I’m down.”

You’d be lying if you said you aren’t horny right now, especially when Felix’s underneath you, completely shirtless and only in his boxers. However, you can’t help but feel a little anxious. After all, Felix knows you’ve been faking your orgasms and he’s willing to try his hand at making you cum. What if you don’t?

Felix can’t help but notice you’re too much in your own head, so he places two fingers under your chin and delicately lifts your head to meet your eyes. “We don’t have to. It was just a suggestion, baby.”

You shift in his lap and he makes a pained sound, already getting hard. “No! It’s not that. I want to, it’s just… I’m scared to disappoint you.”

He pulls your hair away from your face, tucking it behind your ears. “You could never disappoint me. Understand?” He looks you in the eye as he speaks.

You nod. “Yeah, okay.”

“Good,” he whispers on your lips, “now let me eat you out like you deserve.”

Sprawled on the bed with Felix between your thighs, you can’t help but feel a bit nervous as he slides your panties down your thighs, letting them fall on the floor. Felix, however, looks completely enamoured with your pretty pussy.

When he places the first kiss on top of your thigh, your body jolts. “It’s gonna take a while.”

“Relax, baby,” another kiss on your inner thigh, “don’t think too much. Just lie down and enjoy yourself.”

Felix takes his time peppering your skin with soft kisses, all the way until his lips finally reach your most sensitive spot. You squirm when he licks a stripe that goes from your entrance to your clit, and his head immediately snaps in your direction. “You good?”

“Yeah. Yeah, felt good.”

Felix smirks and licks his lips, licking another stripe on your pussy, and then wrapping his lips around your clit, humming as he buries his face deep in your cunt. He keeps sucking and licking and lapping at your most delicate spot. His arms are wrapped around your thighs, and the wet, squelching sounds he makes are the only thing that can be heard, together with your heavy breaths.

It feels nice, really nice, but you don’t feel close yet. Maybe it’s because you can’t really empty your head and relax like Felix said.

“Felix, baby…” you try to entangle your fingers in his hair, “it’s… it’s okay if you wanna stop.”

Felix shakes his head, with his mouth full of your pussy. “Don’t wanna,” he mumbles, completely pussydrunk. “D’you want me to stop?”

“I don’t want you to get tired…”

Felix chuckles, sucking on your clit harder until you let out a whimper. You can’t see him, but Felix smirks satisfied. “Does it look like I’m getting tired, baby?” He lifts his head to look at you, and you can clearly see your arousal all over his chin, mixed with his spit. “I fuckin’ love eatin’ this pussy, baby. ’s so sweet. So fuckin’ sweet, baby, I could eat it all day.”

He grips your thighs harder, eats you out like a desperate man, very pleased with the moans you let out each time he sucks a little bit harder on your sensitive and swollen clit. Felix smiles to himself when he feels you clenching your thighs around his head, and this time he’s sure you’re not faking your reactions, because your legs are genuinely shaking. You arch your back when Felix inserts a finger inside of you slowly, inch by inch, and then a second finger, while his mouth is still on your clit. Your breathing gets quicker and quicker when he starts moving them in and out of you.

“You like it, yeah?” Felix slurs, fucking you with his fingers slow and deep, stimulating your g-spot over and over again. “You like it when I eat you out while I fuck you with my fingers, huh?”

You nod. It feels different than any of the other times you’ve done this. This time, you feel you could actually cum. “Like it. I like it, baby. Keep going, please. Don’t stop,” you whimper.

“Is my baby gonna cum f’me?” Felix kisses your clit sweetly. “Are you gonna cum for me f’real? Y’re not gonna fake it this time, baby, are you?”

You shake your head, legs desperately trembling - you can practically feel your orgasm, it’s there. Felix is about to make you cum for the first time. You moan when he latches his mouth back on your clit, eating you out and savoring the way you taste on his tongue. Entangling your fingers in his blond hair, you push him into your cunt as you feel yourself releasing in his mouth, arching your back.

“Baby, baby!” You moan, your whole body’s shaking, “‘m… ‘m…”

Your body falls back on the mattress, completely spent, chest rising and falling quickly. Felix pulls his fingers out of your cunt, wiping them on the sheets to dry them as he lifts his head from your thighs. The lower part of his face is entirely covered in your release, and he manages to lick most of it to clean himself, wiping the rest away using the back of his hand before collapsing on the bed next to you with a grin on his face. Circling your waist with his arm, he pulls you closer so that you’re resting your head on his chest.

“I’m… I’m guessing you didn’t fake it this time, huh?” He jokes, breathing heavily himself.

You hide your face in the crook of his neck, blushing like crazy. “I didn’t, I really didn’t.” After a while, you say, “I’m sorry it took so long.”

Felix only pulls you closer, kissing the top of your head. “Ah, baby. What matters the most is that you enjoyed yourself.”

“I did, baby. I liked it very much.”

“Good,” Felix reassures you. “I don’t mind going down on you or fucking you, baby. In fact, I love it. I’d spend the whole day buried between your sweet thighs, you know that.”

“Are you for real?” You can’t help but ask, lifting your head to meet his eyes.

Felix nods, then his gaze shifts to the large, watch patch on the front of his grey boxers. “Does it look like I’m lying, baby? Now gimme a couple of minutes and I’ll fuck you real good, too, baby, promise.”

-> reblog my works to show me your support! feedback means everything to me! ♡

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supersoakerfullofblood · 2 months

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Point of View: the Biggest Thing You're Missing!

Point of view is one of the most important elements of narrative fiction, especially in our modern writing climate, but you rarely hear it seriously discussed unless you go to school for writing; rarely do help blogs or channels hit on it, and when they do, it's never as in-depth as it should be. This is my intro to POV: what you're probably missing out on right now and why it matters. There are three essential parts of POV that we'll discuss.

Person: This is the easiest part to understand and the part you probably know already. You can write in first person (I/me), second (You), and third person (He/she/they). You might hear people talk about how first person brings the reader closer to the central character, and third person keeps them further away, but this isn't true (and will be talked about in the third part of this post!) You can keep the reader at an intimate or alien distance to a character regardless of which person you write in. The only difference--and this is arguable--is that first person necessitates this intimacy where third person doesn't, but you still can create this intimacy in third person just as easily. In general, third person was the dominant (and really the only) tense until the late 19th century, and first person grew in popularity with the advent of modernism, and nowadays, many children's/YA/NA books are written in first person (though this of course doesn't mean you can't or shouldn't write those genres in the third person). Second person is the bastard child. Don't touch it, even if you think you're clever, for anything the length of a novel. Shorter experimental pieces can use it well, but for anything long, its sounds more like a gimmick than a genuine stylistic choice.

Viewpoint Character: This is a simple idea that's difficult in practice. Ask yourself who is telling your story. This is typically the main character, but it needn't be. Books like The Book Thief, The Great Gatsby, Rebecca, Dr. Jekyll and Mr. Hyde, and the Sherlock series are told from the perspective of a side character who isn't of chief importance to the narrative. Your viewpoint character is this side character, the character the reader is seeing the world through, so the main character has to be described through them. This isn't a super popular narrative choice because authors usually like to write from the perspective of their most interesting character, but if you think this choice could fit your story, go for it! You can also swap viewpoint characters throughout a story! A word of warning on that: only change your viewpoint character during a scene/chapter break. Switching mid-scene without alerting the reader (and even when you do alert the reader) will cause confusion. I guarantee it.

Means of Perception; or, the Camera: This part ties the first two together. If you've ever heard people talk about an omniscient, limited, etc. narrator, this is what they mean. This part also includes the level of intimacy the reader has with the viewpoint character: are we in their heads, reading their thoughts, or are we so far away that we can only see their actions? If your story is in a limited means of perception, you only have access to your character's head, eyes, and interpretations, where an omniscient narrator sees through all characters' heads at once. (This doesn't eliminate the viewpoint character--most of your writing will still be in that character's head, but you're allowed to reach into other characters' thoughts when needed. You could also be Virginia Woolf, who does fluidly move through everyone's perspectives without a solid viewpoint character, but I would advise against this unless you really are a master of the craft.) Older novels skew towards third person omniscient narration, where contemporary novels skew towards first person limited. You also have a spectrum of "distant" and "close." If omniscient and limited are a spectrum of where the camera can swivel to, distant and close is a spectrum of how much the camera can zoom in and out. Distant only has access to the physical realities of the world and can come off as cold, and close accesses your character's (or characters', if omniscient) thoughts. Notice how I said narration. Your means of perception dramatically effects how your story can be told! Here's a scene from one of my stories rewritten in third-person distant omniscient. The scene is a high school football game:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” She shivered; the wind blew in. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, stuttered there, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” She met his eyes, which he pulled away. “You don’t mean that," Piper said. “Maybe not. He’s too confident, though.” The cloth of Carmen's uniform caved and expanded under Piper's fingers.

With distant-omniscient, we only get the bare actions of the scene: the wind blows in, Piper shivers, the cloth rises and falls, Carmen points, etc. But you can tell there's some emotional and romantic tension in the scene, so let's highlight that with a first person limited close POV:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” Frost spread up from her legs and filled her as if she were perforated rock, froze and expanded against herself so that any motion would disturb a world far greater than her, would drop needles through the mind’s fabric. A misplaced word would shatter her, shatter him. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, thought better, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” “You don’t mean that.” She spoke like a jaded mother, spoke with some level of implied authority, and reminded herself again to stop. “Maybe not. He’s too confident, though.” Piper felt the cloth of his waist cave and expand under her fingers and thought: is this not confidence?

Here, we get into Piper's thoughts and physical sensations: how the frost rises up her, and how this sensation of cold is really her body expressing her nervous fears; how she "thought better" and put her arm around his waist; her thought "is this not confidence?"; and how she reminds herself not to talk like a mother. Since I was writing from the close, limited perspective of a nervous high schooler, I wrote like one. If I was writing from the same perspective but with a child or an older person, I would write like them. If you're writing from those perspectives in distant narration, however, you don't need to write with those tones but with the authorial tone of "the narrator."

This is a lot of info, so let's synthesize this into easy bullet points to remember.

Limited vs. Omniscient. Are you stuck to one character's perspective per scene or many?

Close vs. Distant. Can you read your characters' thoughts or only their external worlds? Remember: if you can read your character's thoughts, you also need to write like you are that character experiencing the story. If child, write like child; if teen, write like teen; etc.

Here's another way to look at it!

This is a confusing and complex topics, so if you have any questions, hit up my ask box, and I'll answer as best I can. The long and short of it is to understand which POV you're writing from and to ruthlessly stick to it. If you're writing in limited close, under no circumstances should you describe how a character other than your viewpoint character is feeling. Maintaining a solid POV is necessary to keeping the dream in the reader's head. Don't make them stumble by tripping up on POV!

#writeblr #writing #writing advice #fanfic #writers on tumblr #writing questions #creative writing #bookblr #writerscommunity #booklr

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weirdmarioenemies · 2 months

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Name: Hot-Hot Rock Debut: Super Mario Bros. Wonder

You know something I love about the Mario series? Its tendency to use reduplication to put emphasis on certain words. You thought your average everyday mountain was tall? Well this is a Tall Tall Mountain. You've never seen docks quite this dire before! And it's not even just adjectives that get in on the fun! Rock Rock Mountain, Ice Ice Outpost, I love that something can be more "rock" or "ice" than something else. Sometimes a word is so nice, you just wanna say it twice twice.

Hot-Hot Rocks are one of the latest additions to this long-running Mario trend, and also one of our latest Cubic Companions! You know, Blocks are very important to the Mario franchise, but how many enemies can you think of that are blocks...? The answer should be a lot. This was a Mod Hooligon Trick and you may or may not have fallen for it. I can't tell unless you tell me, alright?

Hot-Hot Rocks first appear in the level Hot-Hot Hot! (this is an example of a linguistic phenomenon known as "threeduplication"), where they serve as one of the primary obstacles. As long as Hot-Hot Rocks are Not-Hot, you can stand on them like any other platform. But when they start glowing red, you better get out of the kitchen, because Mario and friends can't stand the heat!

Of course, a little water is all it takes to turn Hot-Hot Rocks into Not-Hot Rocks for good, so spray them with Elephant Mario's trunk or a precariously placed pot of water, and they won't be able to hurt you anymore!

Hot-Hot Rocks have a symbiotic relationship with another new enemy called Kerpop, which will probably get its own post someday, likely courtesy of Mod Chikako. These guys act like Goombas most of the time, but when they touch a hot Hot-Hot Rock, they will pop and begin jumping around! How cute! This attention to detail is what makes Super Mario Bros. Wonder truly special.

That's about all there is to Hot-Hot Rocks, but we're not quite done yet, because this post is about to get all philisolophical(sic)! Because as Weird Mario Enemies, an important part of that title-we-love-to-defy-and-love-bringing-up-how-much-we-love-to-defy-it is knowing what an "enemy" is to begin with. And so we must ask ourselves: what is an enemy? What separates an enemy from an obstacle? And is there even a meaningful difference...?

I can't say I can give you an answer. But I can give you a bunch of thought exercises under the cut! You like those, right?

You do like those! Thanks for looking under the cut, I really appreciate it.

So if we want to have a discussion of what counts as an "enemy" in the context of a video game, we should probably have a rough definition of what we think an "enemy" is in the first place. It's tough to look for edge cases of something that doesn't have any edges.

I personally think a good starting definition is along the lines of "a character designed with the intent of hurting the player," or something roughly like that. And now that we have a definition, we can scrutinize the hell out of it!

On the left we have Thwomp. Thwomp is a classic Mario Enemy. The kind you'd see featured on @regularmarioenemies. We invite Thwomp over for dinner every Sunday, and Thwomp always smashes the dinner table because that's just what Thwomp does. On the right we have Karamenbo. Karamenbo does the exact same thing that Thwomp does, but it doesn't have a face! And despite the fact they act the exact same way, this simple design difference leads to most people considering Thwomp an "enemy" and Karamenbo an "obstacle"!

Is the difference between an enemy and an obstacle really something so simple as having a face? And if so...

What do we make of Lava Bubble, another Classic Mario Enemy that only sometimes has a face? Are they only an enemy when they have a face? Or are they allowed to always be enemies in spite of their occasional facelessness? Or alternatively, are they prohibited from being enemies despite their occasional befacedness? I don't know, and my "the fact I am writing for this blog" tells me I should probably be an expert in this field!

And what about Moonsnake? What could easily be dismissed as a simple obstacle like a Spike Bar is revealed by in-game text to be a living creature! Does this allow it to be classified as an enemy instead? Does something become an enemy just because there's text saying it's alive? Do ghosts and robots count as alive? Is a thorny flower an enemy instead of an obstacle, or does the specific choice of the word "creature" make a meaningful distinction here?

What if I told you there's official text calling Karamenbo a type of Thwomp, does that change your perception of it?

And we haven't even started touching on the idea of whether or not enemies need to hurt you. Let me ask you an important question...

Are Hoppos enemies? They can not hurt you. Whenever you touch them, you just bounce off, and sure, you might be bounced into something that can hurt you, but Hoppo is just an animal. Is it really Hoppo's fault? Could Hoppo be charged with manslaughter for bouncing Mario into a bottomless pit? Are bottomless pits a type of enemy?

Flomps, Bomps, these can not hurt you directly, but they can cause you to get hurt! And they're relatives of Thwomp, too! Do these factors matter in defining them as an enemy? Bomps act basically the same as the Push-Blocks from Super Mario Odyssey, and the wiki classifies those as mere platforms!

Is mayonnaise an enemy? I don't even know anymore!

Basically, enemies are a subclass of obstacle but there's not really a meaningful distinction that separates them. Literally the only thing that separates an enemy from an obstacle is the Vibes. Nothing else matters! Sorry! But what does that mean for our blog...?

Absolutely nothing! As I've said multiple times, we stopped caring about that distinction ages ago. We're hardly even a Mario blog anymore! I just wanted to subject you to my ramblings because I've had this in the back of my mind for a while now and well I had to say it somewhere.

And since I subjected you to several paragraphs of ramblings that amount to basically nothing... am I an enemy...?

#hot-hot rock #super mario bros wonder #mario #mario enemies #mario obstacles?#mod hooligon

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headcanonenthusiast · 5 months

Text

Simon Riley NSFW headcanons

Ladies, gentlemen and everyone inbetween, here he is. Here's the extremely popular man himself, Simon Riley.

I know how much people thirst over Ghost, and even though I personally don't he's a character I absolutely adore. Hoping I can do him justice with this one ❤

(I completely understand that this type of content is not everyone's cup of tea, and that's ok! But, please scroll and ignore if this type of content isn't your thing as opposed to leaving any sort of negative comments.)

Enjoy!

Nsfw under the cut

-Don't really think he has the highest libido in the world.

-When he is in the mood, though, you're not sleeping that night.

-Have you seen the way this man talks? He's pretty confident in his looks. And he totally sprinkles that confidence into intercourse.

-"Look at tha', not even in you yet and you're already blushin."

-This is so random, but I feel like rainy nights get him in the mood.

-Its probably because you're less likely to go anywhere while the weather's bad. In his mind, as long as the weather isn't the best, he's got you glued to the bed for the night.

-"Where you goin, luv? Weather's nasty today."

-And no matter what excuse you give, his head will tilt slightly and he'll give the smallest smirk imaginable.

-"But it's so cold out. Wouldn't ya rather spend some time with me? The bed's nice n' warm."

-His grip on your hips is tight, so tight he usually leaves marks on accident.

-4 inches soft, 6 inches hard.

-Not the most vocal in bed, but he does grunt a lot.

-Not much of a talker, either, but depending on what you're into, he'll throw out the occasional praise or degrading word.

-"There we go, atta boy/girl. Hold still f'me."

-During sex, his eyes are locked on you, but not specifically on your face. He keeps his focus on your cock/pussy as he touches it.

-Expects your eyes to be on him the whole time, however. Does not want you to look away, even for a second.

-"Eyes on me, darlin'. Don't you look away, now."

-"Good girl/boy. Much better."

-Good with his fingers, and he knows it.

-Will totally finger/jerk you off with your back against his bare chest, his lap as your very own seat while he does so.

-"Christ, your legs are shaking. My fingers feel good, don't they?"

-His strokes are deep, and usually not terribly fast nor too slow. It's a good middle-ground that doesn't tire either of you immediately but is still satisfying.

-A big fan of pulling your hair if it's longer (consensually ofc, consent is important af yall).

-Something that really turns him on is the way his hand is able to completely cover yours. Enjoys moving a hand from your hip to your hand, giving it a few tight squeezes.

-And those squeezes aren't just him doing them because he wants to, he actually uses it as a non-verbal way to say "I love you", because like I said earlier, not very vocal.

-And he always does that at least once during sex. But sometimes he'll forget to do it, so he'll squeeze your hand as you're falling asleep, just to remind you of the fact he loves you.

-Is obsessed with painting your dick/pussy/ass with his cum. Your lips, too, when you give him a blowjob.

-When he's finished, you can see the way his body relaxes. It's like he's suddenly won the lottery and he no longer has back pain after sex.

-Aftercare isn't anything extraordinary, but he figures you need alone time after sex, so, unless requested, the shower is all yours for however long you want it.

-Also, he's not an asshole. Its not like he'd suddenly act distant after sex or anything, it's just that he knows you can take care of yourself. That's why he waits for you in bed, allowing his chest to become a pillow for your head to rest on.

-Now, Simon has never really been able to fall asleep super quickly, but after sex he passes right out.

-And it's not even because the act exhausted him, either. He just has this odd sense of contentment after being with you that lulls him into a more eased mindset, which is very difficult for him to get.

-In other words, he feels much more fulfilled with you by his side. And he'll be sure to thank you the next morning, chin on your shoulder while he gently squeezes your hand.

That was fun to write! Even though I'm not attracted to Ghost like everyone else reading this post is, he's still up there on my fav COD characters list.

Let me know who I should do next!

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