yes. his hat is the party hat 🥳

chuuyorang

oranchuu

am i looking for new french songs or am i thinking about literary analysis

I've been thinking lately about Vanitas and Noé's first "what is salvation" fight at the bal masqué and what it means about their individual definitions of the concept, and I've realized something about Vanitas.

Noé's definition of salvation is the obvious one. It feels natural. To save someone is to keep them from dying. But in a way, his understanding of salvation is also almost selfish. Noé's foundational trauma is the constant loss of his loved ones. He is the eternal sole survivor. So of course he wants to keep people alive—he wants to "save" the people he cares about in the way that keeps them by his side this time.

It's not wrong to want that, of course. I don't mean "selfish" as a condemnation. It's just that the definition of salvation that Noé starts the series with is inarguably the one that best serves his own happiness.

And it's the same with Vanitas.

When Vanitas kills the little girl Catherine by restoring her true name, he tells Noé he doesn't know what salvation is. He might be lying there, or he might be telling the truth in that he's never put his definition of salvation into words or acknowledged it on a conscious level. Either way, though, I do think he has a definition of salvation somewhere in his mind, and it's a very personal one.

Vanitas sees salvation as the preservation or restoration of one's true self. You're saved so long as you can preserve your essential self, uncorrupted by outside forces. Even if the price of that selfness is death.

While Noé's foundational trauma that informs his worldview is the loss of his loved ones, one of Vanitas's foundational traumas is the loss of his bodily autonomy. Through Moreau's experiments and Luna's mark/bite, he has been transformed into something no longer fully human, and he hates it. From the moment Luna told him he was dying, he said he wanted to die as himself rather than live as their kin, and he has been denied that opportunity.

Nothing is more important for Vanitas than being able to dictate the destiny of his own body, and malnomen are the ultimate corruption of bodily autonomy and selfness. Altering one's true name warps not only their physical body, but their very being on a metaphysical level. The curse takes everything a vampire is and changes it, and doing that to an unwilling victim is the ultimate horror for Vanitas.

Given that context, of course Vanitas thinks that killing a child to restore her true name counts as saving her. He's restoring her essential self and un-corrupting her body and being, and even if her self is only returned for an instant before she dies, it's preferable to living on as something warped by an outside force.

Vanitas absolutely starts the series with a definition of salvation, and like Noé, it's the one that best serves his own happiness. He wants to be saved. He wants to be returned to his human self, and failing that (since he knows it's impossible), he wants to wipe out all traces of the force that changed him and then die without going any further down the path of inhumanity.

Vanitas might not be able to admit that definition out loud (or even to himself directly), but it's there, and it guides him early in the series as much as Noé's own definition of salvation guides him in turn.

currently crying thinking about how louis would genuinely be SO proud of the woman domi grew up to be like... thats his lil sister 🥹

The recent chapter has reinforced what I’ve been screaming about Noé from day one. If you will not take anything else from Noé Archiviste, take this. To analyze him you are required to understand that Noé is disconnected from everything.

He is disconnected from himself, his past, the world, and reality. And this isn’t simply from being sheltered (though that plays a significant role). Because of this, he offers an honest, open and “pure” view of a situation. Even without going into the psychological rabbit hole mochijun executed in Pandora Hearts, you can see Noe’s lines/scenes are chosen with calculation and are very layered. A minor example, him getting lost all the time. It makes for a funny gag but it feeds into the point I’m making here. Conceptually, Noé is a floating balloon, hovering over the world. He can give you the best perspective because he’s not on the ground. That is why Noé sees himself as too strong or untouchable. Because he believes he is in a different world from anyone else. And I think this is something many people can relate to. But then it becomes complicated when Noé chooses to be unaware. Noé knows treating Dante and his companions like shit is wrong. But the gears turned in his head, people that he likes are doing something harmful. And he picks the option that won’t make him dwell on it: it’s an accident. Oh perhaps they didn’t know their names.

Noé depends on toxic optimism. From this we’ve seen it, several times throughout the story, turn into utter delusion. This is why some ppl, including myself, get Jack vibes from him. If you know you know, that man invented the word delusional. In order to keep himself together, to distract himself from his own self-loathing and loneliness, he has clung onto this thinking like a lifeline. Noe and Vanitas are very similar but chose different ways of coping which is a reason he is able to reach him. It’s easier to focus and believe in the beauty of everything else than looking at your own reflection. It’s easier to proclaim that the world is beautiful than to say that it wronged you and you feel so different and so you hate yourself.

Which is why I believe Noé will be the final antagonist, anti-hero whatever the fuck. Not bc it’ll be a cool twist, the writing is on the wall. This is the logical destination of his character. Will he be saved at the end? Probably but who fucking knows mochijun. Noé is going be confronted with so many harsh truths and Vanitas dying is the biggest one. It is set in stone, an event that is fated to happen no matter what Noé does. Whether he’s time-looping this shit or living on alone. Vanitas’ death is the biggest reality Noé cannot escape from. And thus, that will break him. He will try to remain in his dreams, memories, and delusions. But eventually....you’re going to wake up.

Noé needs to learn some lessons from Murr about love

And their colors are sus

It *is* a problem that charismatic species are often focused on for conservation at the expense of less charismatic but important species, but threatened species that are the subject of a lot of public outreach and education are also typically strategically selected.

I suspect that monarch butterflies are an example of this. Milkweed is a highly valuable plant for pollinators and a host plant for like. 400+ insect species. Getting people to plant it to save monarchs is funny because you're essentially finessing people into saving a ton of other insects that they wouldn't ordinarily care about

i saw you mentioned that killua has an addictive personality. would u write more on that topic? i agree with you but i dont know how to articulate it for myself hah

I could point to the obvious thing, the chocrobos and sweets in general. Sugar is addictive in real life but like which all such substances some are more vulnerable to them than others. And Killua seems to have developed a chocolate habit.

But I think his tendency towards gambling is far more telling.

Killua loves rivalry, he loves competitions and he will try to gamify stuff he does with Gon. But at least in their competitions with each other Gon can work as a safety valve because he's also obsessive and self destructive and Killua's care for Gon would curb his risk addiction. That and the fact that with Gon they get into really life threatening situations and the self-preservation Killua's family forced into him, kicks in too.

But when the stakes are not life threatening, when it's money... Killua can't handle money. He loses all of their Heaven's Arena winnings on internet auctions. Then Bisky has to drag him away from the slot machines in Greed Island.

When there's no threat to his or Gon's safety, Killua has absolutely no breaks and because Gon leans on him for the planning and for knowledge about the world, considering Gon's much more sheltered childhood, Killua's on his own to control himself and he absolutely can't.

Maybe needing to provide for Alluka will also work as a decent safety valve for the gambling. Maybe he will be more careful with the money he needs for her.

But I don't think he sees that he has this problem. He's always been rich and capable to make quick and easy money. He's also capable of roughing it for a while, and Gon was too. But I doubt he'd want to put Alluka in that situation. Maybe being with her will make him realise he needs to work on this.

i hate when i send someone a meme in another language and they're like "uhm... translate? 😒" fucker i sent you a meme where 90% of the words have an english cognate and/or you don't need to know what they're saying to find it funny. can you at least TRY

bleeding from the heart

uhh red camellia (love), zinnia (thoughts of absent friends), heliotrope (devotion)

for chuuya week day 2: flower language ^^

This specific flavour of Beast sskk art where their bodies mix together and it's impossible to discern where one ends and the other starts >>>>>>>>>

mikuzai