You guys know those fanfics in which an under appreciated character is told by the others they wished they weren’t there then the other characters have a dream in which that character didn’t exist and they see just how awful things would be without them? I need that for Five Hargreeves. I need Allison to be mad at Five instead of Viktor, for Five to be blamed and for him to receive some cruel words from his siblings, for them to fall asleep and see just how awful their lives would be if he hadn’t come back. And for them to finally FINALLY thank him for all the sacrifices he’s made for them.
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barbara and ian's exit is an unashamedly joyful one. they laugh about the missing years! they have a pigeon chasing montage! they whisper goodbye at the sky and then run off giggling! and then as vicki laughs at their joy, too happy to let the loss of her few friends sink in, one just turns his head and very gently says that he will miss them. he will miss them.
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i know the hunger games isnt about romance i know it isnt a love story but. theres just something so beautiful in the way peeta is the personification of what it means to heal and he /is/ the dandelion and the bread and the hope that things can be better even if they wont be fixed. even if the nightmares dont stop he will still hold her. wake her up and tell her shes alive. shes safe. and when its over and done and theres no more saving or protecting or trying their absolute hardest to die if it means keeping the other alive, the horrors dont stop. but katniss will still find that comfort in peetas arms.
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The scene in Persona 5 where Makoto, Yusuke, Akira and Morgana try to have a conversation with Futaba in her room feels like a conversation with a group of people who have autism but in different ways lmao
Makoto has a structured way of holding a conversation and feels overwhelmed when the script doesn’t work.
Yusuke isn’t paying attention and starts fiddling with things.
Futaba doesn’t like the small talk and only starts really participating in the conversation once it’s about something she considers a special interest.
Akira is silent and doesn’t really add much to the conversation preferring to sit back and listen.
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So. Fatebreaker, right? Ryne's biggest fears made manifest, daddy issues personified, yes?
He's an amalgamation of Thancred and Ran'jit, his face, his voice and his weapon is Thancred's, but his body, his fighting style and his words are Ran'jit's.
Throughout the fight Fatebreaker constantly makes comments about how only he can protect Ryne, only he can provide for her, only he has even the right to so much as stand beside her, to be in her general presence. He's possessive and obsessive, repeatedly asserting that she is HIS and his only. Which is exactly what Ran'jit says basically every time we encounter him.
But this time it's in Thancred's voice. This time it's with the voice and face of a man she actually cares about.
Ryne isn't scared of Thancred, she never has been. Even when she first met him she was barely even nervous (as clearly shown in Thancred's short story). There's a lot of different feelings happening between those two, but fear has never been one of them.
But now, after things have gotten so much better, she is scared of Thancred becoming like Ran'jit. Because if Thancred was just a little further gone, if he was just a little less compassionate, he would've. It wouldn't be hard for him to go down the same path as Ran'jit did, to be incapable of letting go of the ghost of that girl he loved so so much to the point he'd stubbornly grip anything close to her he could. He didn't, but the fact he could've is terrifying.
It makes his final words, words that are Thancred's, so very important. This is her deepest fears made manifest, but he still says he wants her to be happy. Her happiness not only matters, but is important to him.
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Scar who believes he can't be loved in the same way as others.
Scar who's aroace and can't love others the way they might want to be loved- he's found out with Grian, who loved him, but Scar couldn't love him back.
Scar who keeps ending up alone time and time again and thinks it's because he doesn't love people the same way they love.
Scar who thinks Grian stayed in 3rd life because he had no other choice, Scar who thinks he was alone in ll because he was unlovable, Scar who was alone in dl and unwanted because he couldn't love his soulmate the way he's "meant to" love him, Scar who finally found some love in lim life only to have that familial love ripped out from him in sl.
Scar in sl where he tries over and over again to do good and to be lovable but he keeps failing and no one wants to stay or be allies or friends.
Scar who wins completely alone, believing he's unlovable because he can't love the same way others do.
Scar in s10 surrounded by others who love him just the way he is. Him being proven every single day that he's loved and wanted and that it doesn't matter how he can and can't love.
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Okay, it's like 10pm on a work night and I haven't had any coffee today so my thoughts are a little scrambled BUT. I WAS THINKING.
(About In Stars and Time of course I'm always thinking about that game)
A couple of years ago, at the height of Steddie -my sister was big into it and recced me some fics okay- I read this fic about Steve dealing with time loops ("The one in which a time loop is fucking exhausting" by badpancake) and there was this specific detail about the epilogue that stuck with me.
It was the idea that, once the time loops were done and over with, people would slowly start to remember bits and pieces of what happened in earlier loops. After being fractured for so long across dozens of timelines and experiences and outcomes, time was finally healing, and broken shards of lost memories would find their way back into people's minds.
And that got me thinking about a post-game what-if scenario where the same happens to the gang as they travel through Vaugarde.
Like they still don't remember everything -just bits and pieces. Experiences so emotionally charged that they found a way to cross the sands of time and reach them again.
The question is, what would those memories be? The first answer that comes to mind is some of Siffrin's deaths, of course. I can't imagine watching your friend get pancake-d by a boulder would be pleasant, nor witnessing them turning their own dagger to themselves. Or offering him a slice of your favorite snack only for him to go into anaphylactic shock in front of your very eyes, for that matter!
But there would be other instances too, wouldn't they? Death is not the only thing that shook them to their core. What about their first death to the King? Or Bonnie's fate at the end of Act 3? What about basking in the blissful feeling of victory against the tormentor of your land only to turn to look at your friend and know something is very, very wrong?
What about fighting through the House with a party of 4 instead of 5, bloodied, confused, staring in the face of the King knowing you're about to die and wondering why your friend left you all when you needed them most?
I honestly have no idea where I'm going with this, but I've been rotating this concept in my head since this morning and thought I'd get it out on here so y'all can suffer with me tehee
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speaking of the concept of universal themes/emotions: there are emotions that a lot of the population will inevitably experience. things like loss, or joy, or loneliness ARE a really common component of being a person! and it can be comforting to know that your experiences are broadly shared. you are not alone, most likely, in both certain types of suffering and certain types of joy. it's nice to experience that connection to other human beings.
but the second you start calling things universal, you start to veer towards prescriptivism. statements such as "all art is about x" and "all humans experience x" frequently has the unspoken sentiment that "I will not contemplate the absence of x." there are people who do not experience love. there is art that is not made, in a general sense, to explore "the human condition," but rather to explore some other idea. and I suppose you could insist that no, it IS in fact about the human condition, or about love, or whatever, but to do so misses out on both what people have to say and what art has to say. you close yourself off from really vital, interesting perspectives of the world by doing that.
people have interesting things to say outside of your current worldview! and of course art does as well. don't do others the disservice of refusing to engage with it! you won't grow at all that way.
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