The urge to learn every language and play every instrument and travel the world and live through every historical time period and be a writer and a poet and an actor and
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yes dog motif, yes pomegranate symbolism, yes fig tree metaphor, I hear you, but when are we going to talk about a walnut? you lower yourself to pick it up, knees wet and dirty with mud, you hold the earthly pebble coated in a layer of skin, scalp like, and you think if you just break it open with one sharp sting of the hammer that there would be a sweet reward in the centre, a fruit of your labour, but it is bitter and sad, and shaped like viscera, and your fingers are stained a yellow brown that will never wash out. when
time for me to review The Whole Bible. ready? ok. to be honest my favorite part of the gospels is Mark 8.22-26, when Jesus spits in some nice blind man's eyeballs and accidentally gives him cosmic consciousness. guy's just like "may i have a teaspoon of visual response to stimulus" and jesus is like "oh sure" and gives him God Vision. fuckin...ayahuasca sight that perceives the interconnectedness of all life. "oh is that not normal? does everyone not have that? nuts. ok try these eyes. are those more regular? great. maybe lie down by yourself for a while and please don't mention this to anyone"
series summary: a twenty-something woman, on the brink of everything and nothing at all, takes on a new therapist to heal from her traumatic past. however, lines become blurred when you discover dr. miller has skeletons of his own.
general warnings & tags: au, therapist joel, angst galore, slow-burn romance, eventual smut, two very broken people, power imbalance, reader is angry at the world, god complex/saviour complex, age gap, fleabag-esque, discussion of past trauma, misogyny, joel has both sarah and ellie.
a/n: i have been struggling with writer's block for the longest time; i've had so many different ideas floating around in my mind that just wouldn't stick. so, i thought what do i know best? and the answer to that is quite simply the horror that is womanhood.
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it was casual and comfortable and small and nothing at all special but it almost felt like it was. a moment of relief and laughter found in the comfortable company of someone, a good anchor is a setting so convoluted.
it felt like something out of a book despite its determined normalness and its utter impossibility.
daisies, věra chytilová / the closed doors, pauline albanese / eve, anna lea merritt / the bell jar, sylvia plath / taste of cherry, abbas kiarostami / we are okay, nina lacour / melons and morning glories, raphaelle peale / fruit, azra t / chungking express, wong kar wai