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tojisun · 5 months

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!! smut - minors dni; this is fuckin nastyy so look away or smthn; breeding kink :’3

mmm but simon not realizing he has breeding kink until someone brings it up

they’re out in a bar, chatting quietly even amidst the sheer volume of the weekend crowd, before johnny snorts and bumps his shoulders to simon’s in a teasing manner.

“especially LT,” johnny says, scottish accent even thicker now that he’s intoxicated. “he probably can’t wait to see his bonnie lass swollen with his kids. would probably retire jus’ for the very reason of makin’ her a momma.”

john snorts at johnny’s slurred words while kyle chokes on his drink, coughing quietly, almost politely, until john takes pity on the kid and smacks his back with measured thumps. johnny laughs, loud guffaws blending well with the buzz in the bar, but it’s not like simon noticed.

how could he focus when his mind’s feeding him images of the way you’d look heavy with a babe? or how he’d make it so that you are?

the way he’d fuck you until it takes; your pussy leaking and gaping and full of his cum. the way he’d keep you on his bed for hours, make a routine out of it until he’s repeating it for many days because he wouldn’t risk the chances. then, he can’t stop thinking about the way your body would change, building fat to cushion your belly, your sharp edges turning into soft and pudgy corners. the way you’d be so sensitive, so dependent on him.

fuck.

simon gets yanked back into the reality when he hears john chuckle, low rumbles of disbelief spilling from the puffs of his laughter. simon’s eyes flick up towards his captain and all john does is give him a pointed stare, his eyes crinkled in a surprised delight, before the older man tips his drink into his lips and finishes his bourbon.

simon’s fist closes around his glass of whiskey, and he tries his best to ignore the growing tightness of his jeans.

he can’t wait to file for a vacation leave.

#edited #suns.hc #simon ghost riley x reader #simon riley x reader #simon ghost riley smut #simon ghost riley #female reader #yk that prev post when i said i was ovulating and i said i want his kids? …yea #suns

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pierppasolini · 1 year

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Female Trouble (1974) // dir. John Waters

#Mink Stole #Female Trouble #John Waters #my caps #my edits #*femaletrouble

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ziriii · 2 months

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the original girl boss of gaming; commander shepard everyone.

#commander shepard #mass effect #femshep #female shepard #mass effect fanart #mass effect legendary edition #artists on tumblr #art

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rafecameroninterlude · 21 days

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toxic!rafe manhandling toxic!reader when she gets bratty or snappy with him

warnings: sorta toxic relationship, cheating accusations, arguing, cussing, yelling, physical violence

[11:15 PM] ‘ray <333’ stopped sharing location with you

“what the fuck?” you sat up, staring at the words on your screen like they weren’t real. you called him not once, not twice, but ten times until you were pacing back and forth, imagining your boyfriend balls deep inside someone else. he said he’d be out dealing with barry on the cut, and that was more than enough reason for you to think of the worst. eventually you calmed down, your head shooting in the direction of the door once you heard it open. “what are you doing up still?” rafe tossed his keys on the dresser, plopping down on the bed with a sigh.

“it’s two in the morning, rafe.” your voice was eerily calm, immediately making his eyebrows knit in confusion. “yeah, and?” he reached for your arm, which you pulled away. “what the fuck is wrong with you?” he got up, dragging you with him. “why did you turn off your location?! you didn’t answer any of my calls.. what do you expect me to think?!” you shouted, pushing him in the chest, which turned out to be useless because he didn’t even budge. “i expect you to understand that if i’m not answering the phone it’s because i’m busy conducting business,” his grip on your wrists made your skin burn, “i didn’t just stop sharing my location, but i turned my phone off altogether because barry gets all fuckin’ paranoid. i wasn’t fucking around if that’s what you think.” you narrowed your eyes at him.

“you’re a liar.” you shoved him again, this time making him stumble. “how many times have i told you that i don’t even want to look at anyone else, let alone fuck them?! while you’re here driving yourself crazy, i’m out there making money for us so i could keep you happy,” he followed you into your shared closet, taking the bag you were stuffing clothes in, “you’re not going anywhere.” you shot daggers at each other, both of you fuming with anger. “i know that look in your eye. don’t do anything stupid, y/n.” you glanced at the keys on the dresser, rafe already two steps ahead of you as he picked you up and pinned you down to the bed. you let out a yelp, unable to move underneath his weight.

“i love you, alright? i would never hurt you like that. what did i say when i first put that promise ring and that pretty little finger?” your gaze softened, as did rafe’s. “you said you’d always be honest with me.” he nodded, letting your hands free. “i meant every word.” his voice was barely above a whisper as he leaned in slowly, taking your lips in a gentle kiss. as much as you adored this soft side of rafe, you couldn’t help but grind against him, his teeth nipping your bottom lip in response. “now i have to fuck you back in your place.”

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writers-potion · 25 days

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Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

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sunny44 · 1 month

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Lost in the Paddock

Pairing: Carlos Sainz x Girlfriend!reader

Warnings: none, just a lil blurb

Summary: A few drivers got an eye on Carlos girlfriend.

The paddock was bustling as always, and I walked through it trying to find the Ferrari garage. It was easy to get lost in the confusion of teams, mechanics, and journalists, and that's exactly what happened to me.

Carlos and I have been together for 4 years, but I had never been to a race before and was trying to find my way around. I was already familiar with his world, so that's why we decided to keep our relationship hidden.

As I walked, I could feel the curious looks of some reporters, fans, and even some drivers since I was wearing the Ferrari badge.

Among them were drivers like Lando Norris, Max Verstappen, and Charles Leclerc, and from what Carlos told me about them, I knew they were cool.

Lando was the first to approach, with his bright and confident smile.

"Hey, you seem lost. Need any help?" I smiled politely, trying not to reveal my nervousness.

"Yeah, I'm actually very lost," I smiled nervously, and he chuckled.

"I'm Lando, by the way."

"Oh, I know your name, I'm Y/n.”

"It's a beautiful name. Just like the owner." He smiled, and I saw Max and Charles approaching.

"Thank you. Actually, I'm looking for the Ferrari garage."

"Or you could come with me to Red Bull. Our garage is much cooler, and I'm Max, by the way." I felt flattered by their attention, and I had to hold back from laughing because they really had no idea who I was.

"He's lying, the Ferrari garage is much better, and I would love to take you there."

He smiled, and if I didn't love Carlos, surely that smile and those dimples would have won me over.

I was startled when I felt arms around my waist and recognized the hands immediately.

"Hiii baby.” I turned and held his face, kissing him.

"Hey hermosa, I thought you'd arrive later," he smiled and looked at the three behind me. “Why the shocked faces? And what are you doing around my girlfriend?"

"She's your girlfriend?" Lando asked shocked.

"Wait, you have a girlfriend?" Charles said.

"Since when?" This time it was Max.

"Like 4 years ago," he said.

"4 YEARS?" Lando shouted and got a slap from Max.

"Why do you look so shocked? As if it were impossible for me to have a girlfriend."

“It's just that she's WOW, and you're you," Lando said, and I laughed.

“Oh, thanks for calling me ugly."

“It's not that, it's just that she's way out of your league.”

“And way more out of yours so back off and stop drooling, all three of you.” he said, taking my hand.

"Bye, boys, it was nice meeting you, and thanks for the help.” I said, waving to them.

“You don't think I'm ugly, do you?" He asked, and I started laughing.

“Of course not, in fact, I think you're very very hot." I gave him a peck on the cheek, and he smiled as we headed to the Ferrari garage.

Bonus scene!

Carlossainz Instagram stories

“Yes, I have a hot girlfriend!!!!!”

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pierppasolini · 1 year

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Female Trouble (1974) // dir. John Waters

#Divine #Edith Massey #Female Trouble #John Waters #my caps #my edits #*femaletrouble #*quotes

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golden-cherry · 3 months

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deal - cl16 (23/?)

Pairing: Charles Leclerc x Reader

Series Summary: Your whole life has gone to shit. Your boyfriend broke up with you, you just lost your job and the Monegasque, who suddenly stands in your doorway, claims that it’s his apartment.

Chapter Summary: There's nothing sweeter than unexpected visitors.

Warnings: 18+ (just be prepared for some words), fluff (like a lot), Pascale is the sweetest thing on this planet, teeny tiny bit of angst

Word Count: 3.2k

series masterlist

previous part

A/N: hello everyone! I hope you all are doing okay after the Ferrari-Carlos-Lewis thing, because I'm still in denial. this is mostly fluff, because I couldn't manage you dealing with more bad stuff this week. love you! feedback is appreciated!

Before you can say anything or even react, the blonde woman lets go of your hands and snatches one of the magazines lying on the coffee table in front of you. She rolls it up with her slender fingers before smacking Charles across the back of the head.

"Maman!" he exclaims angrily, rubbing his head. "What are you doing? Are you crazy?"

The woman holds the magazine under his chin so that the Monegasque has no choice but to look her in the eye and return her stare. "That's no way to talk to your mother." She puts the magazine back in its rightful place before turning to you again. "Try again, chéri."

Your friend has to hold back a grin before he spreads his arms out and hugs his mother. "Good morning, Maman. It's really good to see you."

"It's good to see you too, mon chéri," she replies lovingly, stroking his broad back once with her hand before releasing herself from the tight embrace. She puts her hands to his cheeks to study his face. "I didn't know you were back home."

Charles tilts his head, his mouth forming a thin line. "I'm sorry I didn't let you know," he replies meekly, taking her hands from his cheeks so that he can press a gentle kiss to her knuckles. "I've had a lot on my mind."

"I can see that." She pulls her hands from his and then turns to face you. When she looks at you, you stiffen. All of a sudden, you feel as if you're naked in Charles' clothes, she's looking at you so piercingly. "I'm sorry I haven't introduced myself properly yet. I'm not usually as rude as my son." Charles rolls his eyes as her smile is affectionate and gentle. Then she wraps you in a hug that is careful, but firm nonetheless. It's a good hug. "I am Pascale. It's nice to meet you."

"Likewise." After you've also introduced yourself, you return her smile.

"Now that you two have met," Charles interrupts your conversation. "How do we come to be honored with your company, Maman?"

As if it was her own home, her own four walls, Pascale leaves the hallway and goes into the kitchen, where she grabs a cup and makes herself an espresso at the coffee machine. Like two lost puppies, the two of you follow the beautiful woman. "I was called in tears last night." When the loud buzzing of the machine stops, she takes a sip of her coffee before placing it on the countertop. "Can someone explain that to me?" With her eyes glued to her son like an annoying price sticker on a new plate, you're off the hook.

"I didn't think she'd call you."

She?

"And I didn't think you'd just kick her out of the apartment without giving her some warning," Pascale replies sharply, raising an eyebrow to show her disapproval of Charles' behavior. "She called me in the middle of the night, upset with you and crying bitterly because you kicked her out of the apartment with a simple text message."

Something flashes in your mind. When you followed Charles back to the bedroom last night, he was typing away on his cell phone. And when you told him that he'd be crazy if you went with him to the apartment where his ex still lives, he assured you that she wouldn't be there.

You didn't expect him to just throw Annika out of the apartment so that you would have a safe place where Raphael couldn't harm you.

"Maman." Charles raises his hands placatingly. "It wasn't like that."

"So you didn't send her a text message telling her to pack her things and leave within thirty minutes?" When Charles doesn't reply, but simply stares at his mother open-mouthed, she runs her fingers through her hair in bewilderment. "I didn't bring you up like that. Have you completely lost your mind?"

"Maman -"

"No 'Maman'." Judging by the look on her face, she would like to hit him over the head with the magazine again. "Do you know what the consequences could be?"

"Maman -"

"She could go public with it!"

"Maman -"

"And - and damage your reputation! She could -"

"Maman!" Charles almost shouts at his mother to break out of her mental spiral. She looks angrily at her son, who takes a small step towards her. He lowers his hands. "Annika cheated on me."

As if all the air had escaped her body, Pascale plops down on the chair where you were eating pancakes just a few minutes ago. She puts her face in her hands and takes a deep breath before looking at her son again. She tries to blink away the tears in her eyes. "Is there anything I can do for you, mon chéri?"

Without answering, Charles closes the distance to his mother and holds her tightly in his arms. He rests his cheek on the top of her head and closes his eyes. "It's all right, Maman. Please don't worry, okay?" He squeezes his mother a little tighter as her arms wrap around his middle. "It's all right. I'm all right. I'm in good hands here."

Pascale's gaze flickers to you and a small smile crosses her beautiful face. You recognize Charles in it. "You'll take good care of him, won't you?"

You feel the blood rush to your face. Suddenly it feels wrong to be witnessing this loving conversation between mother and son. "Of course." With everything I have.

"Very well, chéri," Pascale finally says, gently pushing her son away. "Your brother is coming to visit tomorrow. As you haven't seen each other for a while, I'd like you to come to dinner. He would definitely be happy to see you." She looks at you again. "You too, sweetheart."

Before you can respond, Charles looks at you and shakes his head, barely noticing, so you don't turn down her invitation. "All right, maman. We'll be there." He nudges her lightly with his elbow. "As long as there's pasta e pollo."

Pascale rolls her eyes. "You're incorrigible, Charles." She smiles at him anyway. "Your new girlfriend gets to decide. After all, she's the new addition to our family and I want to make a good impression."

"Maman, she's -" Charles tries to explain himself, but his mother merely raises her hand to silence him. When Charles and your eyes meet, you feel warm. And when he pushes his lower lip forward, he looks so cute that you can't help but agree with him.

"Pasta e pollo sounds great."

Pascale gets up from her chair. "Very good. Then I'll get everything ready for tomorrow." She strides past you towards the front door and you follow her again. "I'll see you tomorrow evening. I'll let you know the exact time, mon chéri." She kisses Charles' right and then left cheek before repeating it with you. "Tomorrow we'll have enough time to talk about all this. And to get to know each other better."

"I can hardly wait," you answer her honestly.

"That's very nice. Then I'll see you tomorrow evening. Bonne journée," she wishes you before disappearing from the apartment just as quickly as she came in. As the door closes behind her, you both exhale deeply.

"I'm so sorry." Charles turns to face you.

You cross your arms in front of your chest. "Sorry for what exactly? Your mother suddenly showing up here?"

He runs his hand through his hair and leans back against the closed door. "That you're now forced to spend the evening with my family. And that I didn't make it clear that we're just friends."

You run your tongue along the inside of your teeth. "It's okay, there's plenty of time for that." Then you smile. "Your mom seems nice. I have no problem spending time with her."

He laughs briefly and then leans his head against the white wood. "It's not my mom that worries me. It's my brothers. They can be really - you know - brothers sometimes."

You walk towards him and lower your arms. "Why? Are they that bad?"

He grabs one of your hands and plays with your fingers. His eyes search yours. "I think it's better if you make up your own mind about them."

"So they're that bad?" you joke, allowing him to pull you closer so that you're standing between his legs. "If they're anything like you, I think I'll get on well with them."

His free hand rests on your hip. Despite the layers of fabric, you can feel the warmth of his skin. "Then you'll hate Arthur." His fingers press gently into your flesh before something behind you catches his attention and he releases you - too quickly for your liking. As you turn around, the piano catches your eye and the roses standing on it.

"What's the plan for today?" you ask him, trying to draw his attention back to you. You release his hand from your hip, but only to pull him into the kitchen so he doesn't have to look at those stupid roses anymore. "Do you have to do anything? Gym? Or do you have any appointments?"

Charles sits down in his chair and fishes his cell phone out of the pocket of his sweatpants. "I don't think so," he answers and takes a look at his online calendar before placing his cell phone on the counter in front of him. "I don't have any appointments or commitments to meet until after Christmas. Until then, I'm all yours." His smile is sweet as sugar and your heart skips a beat.

You want to grab him by the collar of his shirt, pull him across the worktop and kiss him until you can't breathe. Touch him until the countertop is used for something other than cooking, but this morning you convinced yourself that this friendship is the right and, above all, the only way this can work. And that you wouldn't do anything to sabotage this friendship.

"How about we use this time wisely then, huh?" You reach for Pascale's coffee cup and rinse it.

"Do you have an idea?" He raises an eyebrow and has to stifle a smile when he sees your grin. "Of course you have one. Otherwise you wouldn't have asked like that. Fire away."

"So," you start and put the cup back in its place in the cupboard. "We've finally spoken and we've agreed to stay in this apartment together."

"As friends," the Monegasque confirms the thought you just had, even if you don't understand why he has to say it out loud.

Your eyes dart towards the hallway, knowing that the white piano with the red roses is just a few meters away. "What do you say we go out today and buy some new things for the apartment?" you suggest. "Then I could get things for my room and maybe something else to make it feel a bit more like home."

"You mean to make it feel like it's your apartment too?" Charles leans back in his chair a little and runs his hand through his hair.

"Only if that's okay with you. After all, it's your apartment and I could understand if you wanted to leave everything as it is at the moment and -" you babble nervously without thinking about what you're saying. You look at him worriedly and try to read his face to see if you might have crossed a line.

"That's actually a good idea," Charles finally replies, smiling at you. "But are you ready for it?"

"For what?" you ask, confused, leaning against the countertop, which - unfortunately - is only used for cooking.

Charles shrugs his shoulders. "For being seen outside. With me." He looks at you like a kicked puppy that's been abandoned on the street in the middle of the night.

"I told you I have no problem with that," you assure him and walk around the kitchen counter to sit next to him. You reach for his hand and intertwine your fingers. "We're friends, Charles. We know we're friends. And I don't care what anyone else thinks they know about us." You tilt your head a little to one side. "Our friendship is real - and that's why we're going right out there to buy some new stuff for the apartment."

His smile almost makes your heart stop. "For our apartment," he corrects you, his green eyes twinkling.

"Our apartment," you repeat softly.

"Okay." He lowers his gaze to your hands, and the way his fingers wrap around yours makes it feel like they're perfect for each other. The two of you spending time together shouldn't make you this happy. "But we'll only go on one condition."

"What's that?"

"We're not going alone. We're taking Pierre and Kika with us so that it doesn't look like we're shopping for furniture for our apartment as a couple in love." The fact that he doesn't want to go out alone with you feels like a punch in the gut. When he notices the hurt look on your face, he squeezes your fingers gently twice. "It's just to protect you, Y/N."

The fact that he doesn't trust you to do this hits you harder than it should. How many times do you have to tell him you're ready? That the opinions of others don't matter to you as long as you have Charles by your side? Does he really think you're that weak?

"I don't need to be protected," you reply sharply and take your hand away from him.

"You don't know what you're getting yourself into," he tries to reassure you, but the fact that he's talking down your feelings doesn't make things any better.

"Maybe not," you say annoyed and get up from your chair. "But there will come a point when we're on our own. And then everyone's going to be talking shit about us, I get it. And I get that it's going to be bad." You don't care that you're acting like a defiant child. The fact that Charles doesn't want to be seen alone with you hurts more than you would ever admit. "So why not today?"

The young man in front of you looks away from you with a crestfallen expression before also rising from his chair. When he reaches for your hand again, you allow it. "I want you to be able to turn away from me if it gets too much for you. I want you to have the chance to live a normal life if you do decide against me." His other hand rests against your cheek and you snuggle up to him as if it were a reflex. "I don't want you to regret meeting me."

The fact that he thinks you could ever regret befriending him stabs straight through your heart. He wants to protect you from something you both have no control over, and although you'd like to stroll through Monaco holding hands with him, you can understand him.

He is trying to protect both you and himself. And you can understand that all too well.

"All right," you give in and smile gently at him. "Then ask them if they're free and up for it today. It could be fun."

Charles lets go of you and the warmth that had been flowing through your body immediately disappears. While he talks to Pierre on the phone, you go back to your room to get changed and think about what would look good in your room.

Different curtains wouldn't go amiss, and some candles and a small mirror would look good on the white chest of drawers opposite the bed. You might also find some new bedding that -

"Y/N?" Charles' voice echoes through the apartment. You find him in the doorway of the master bedroom, where he glances over his shoulder in your direction. "Pierre and Kika are about to head out, then we'll leave together."

"Okay," you reply, glancing past him into the room. There are a few things lying around that are definitely not his, and the decor doesn't suit him very well either. "So this is your room?"

"Uh-huh." He wrinkles his mouth a little.

"What's wrong with it? Apart from the obvious, of course."

He crosses his arms in front of his chest. "Everything. I don't see anything in it that I wouldn't change."

You'd be only too happy to set the whole room on fire if it would certainly help him. Just like the roses that have burned themselves into your memory. You nudge him with your elbow. "Then we've got a lot planned for today." You look at each other and when he reaches for your hand, you have to smile. "You don't have to go through this alone, Charles. We can do this as long as we're together."

His gaze flickers briefly from your eyes to your lips. "Together," he says softly in return, leaning down a little towards you so that you have to tilt your head back to look at him. His warm breath caresses your face as his free hand finds its place on his hip again to pull you against him. You feel his hard body against yours, his heartbeat under your fingertips as you place your hand on his chest. You feel his warmth as his nose bumps against yours, his hip against your stomach as he presses you against him. You feel his -

"Are you ready?" Pierre's voice comes out of nowhere as he and Kika walk through the front door. Thank God the bedroom is further back so they can't see you.

Instead of letting you go, Charles presses you tighter against him so that you can feel him everywhere. "I think we need a new door lock," he breathes, leaning his forehead against yours. "Then no more uninvited guests can come in when we're together."

When he finally breaks away from you, you have to take a deep breath. Although you've decided that you don't feel anything for him apart from friendship, he triggers something in you that no one before him has ever managed to do.

You desire him. From the top of your head to the soles of your feet, you crave him, his touch, his skin on yours. And his words echo in your thoughts, making you dizzy.

Together. Together. Together.

You rub your face once and look after Charles, who briefly disappears in the direction of the living room, the opposite direction from your friends.

What you can't see, however, is him shoving his hand into his pants to control his raging boner, which is pressing almost painfully against the seams of his boxers. How is he supposed to put up with that when you live together?

Together. Together. Together.