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princesssarisa · 1 month

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I'm now reading another of Heidi Ann Heiner's fairy tale collections. Sleeping Beauties: Sleeping Beauty and Snow White Tales from Around the World. Since I enjoyed Cinderella Tales from Around the World so much, I couldn't resist opening another of Heiner's books.

The first part of the book is devoted to the different international versions of Sleeping Beauty, the second part to the different versions of Snow White. This is followed by other tales of "sleeping beauties" that don't fit nearly into either category.

We start with the medieval Sleeping Beauty prototype tales from the 13th and 14th centuries.

*The earliest known prototype of the Sleeping Beauty story is the Norse and Germanic legend of Brynhild (a.k.a. Brunhild, Brunhilda, Brünnhilde, or other variations). This legend first appears in the Poetic Edda, the Prose Edda, and the Volsunga Saga from 13th century Iceland. It also appears in the German Nibelungenlied (although that version doesn't include the enchanted sleep), and its most famous modern adaptation is in Richard Wagner's four-opera cycle Der Ring des Nibelungen. The figure of Brynhild also inspired the Marvel superheroine Valkyrie.

**The Sleeping Beauty-like portion of the legend is this. The beautiful and strong-willed Brynhild is one of the valkyries, the warrior maiden servants (and in some versions daughters) of Odin (or Woden, Wotan, etc.) who preside over battlefields and bring the souls of fallen heroes to Valhalla. But Brynhild disobeys Odin by saving (or trying to save) the life of a warrior who was marked for death. (The man's identity, why he was meant to die, why she defends him, and whether she succeeds in saving him or not varies between versions.) As punishment, Odin banishes her to the mortal realm, pricks her with a "sleep thorn," and places her in a castle (or just on a rock) surrounded by a ring of fire, condemning her to sleep until a man brave enough to venture through the flames arrives to wake her and become her husband. (In some versions, she has attendants and servants who all sleep along with her.) Many years later, the fearless hero Sigurd, or Siegfried, succeeds in passing unharmed through the flames and wakes Brynhild by cutting off her valkyrie armor (or in later retellings influenced by Sleeping Beauty, with a kiss). The couple doesn't live happily ever after, however: their further adventures and eventual tragic fates are a story for another day.

**Even though it's a well-known fact that in "the original Sleeping Beauty stories," the prince (or his counterpart) impregnates the sleeping heroine and she wakes after she gives birth, no such thing happens in this earliest proto-version. If we assume that this really is the Western world's first tale of a heroine in an enchanted sleep, then it seems as if that sordid detail was a later addition.

*Next in Heiner's book come several medieval French Sleeping Beauty tales, mostly from Arthurian romances. These are the tales where we first see the motif of the heroine's love interest raping her in her sleep and fathering a child. Since few of them have ever been translated into modern English, the book simply summarizes them instead of printing them in full.

**The best-known of these stories, which most resembles Sleeping Beauty as we know it today, is the tale of Troylus and Zellandine from Le Roman de Perceforest, an Arthurian romance from 14th or 15th century France. In this tale, a knight named Troylus loves a princess named Zellandine. Then learns that while spinning, Zellandine has suddenly fallen into a deep sleep, from which no one can wake her. With the help of a spirit named Zephir and the goddess Venus, Troylus enters the tower where she lies and, at Venus's urging, he takes her virginity. Nine months later, Zellandine gives birth to a son, and when the baby sucks on her finger, she wakes. Zellandine's aunt now arrives, and reveals the whole backstory, which only she knew. When Zellandine was born, the goddesses Lucina, Themis, and Venus came to bless her. As was customary, a meal was set out for the three goddesses, but then the room was left empty so they could enter, dine, and give their blessings unseen; but the aunt hid behind the door and overheard them. Themis received a second-rate dinner knife compared to those of the other two, so she cursed the princess to someday catch a splinter of flax in her finger while spinning, fall into a deep sleep, and never awaken. But Venus altered the curse so that it could be broken and promised to ensure that it would be. When the baby sucked Zellandine's finger, he sucked out the splinter of flax. Eventually, Zellandine and Troylus reunite, marry, and become ancestors of Sir Lancelot.

***This tale provides some answers for questions that the traditional Sleeping Beauty raises. In the familiar tale, the king, the queen, and their court know about the curse, so why do they keep it a secret from the princess? Yes, they avoid upsetting her by doing so, but the end result is that when she finally sees a spindle, she doesn't know to beware of it. Why not warn her? And why is there a random old woman in the castle, spinning with presumably the kingdom's one spindle that wasn't destroyed, and why, despite living in the castle does she not know about the curse? (It's no wonder that most adaptations make her the fairy who cursed the princess in disguise.) Yet in this earlier version, there are no such questions: no one except the eavesdropping aunt knows about the curse, because it was cast in private, so no one can take precautions against it. Another standout details is the fact that Zellandine's sleep doesn't last for many years, and that the man who wakes her already loved her before she fell asleep. Disney didn't create those twists after all!

**The other medieval French Sleeping Beauty tales are Pandragus and Libanor (where Princess Libanor's enchanted sleep only lasts one night, just long enough for Pandragus to impregnate her), Brother of Joy and Sister of Pleasure (where the princess isn't asleep, but dead – yet somehow the prince still impregnates her – and is revived by an herb that a bird carries to her), and Blandin de Cornoalha (a knight who, refreshingly, doesn't impregnate the sleeping maiden Brianda, but breaks her spell by bringing a white hawk to her side).

*All of these early Sleeping Beauty tales are just one part of bigger poetic sagas. Maybe this explains why Sleeping Beauty is fairly light on plot compared to other famous fairy tales (i.e. we're told what's going to happen, and then it does happen, and it all seems inevitable from the start). Of course one argument is that it's a symbolic tale: symbolic of a young girl's coming-of-age, as the princess's childhood ends when she falls asleep and her adulthood begins when she wakes, and/or symbolic of the seasons, with the princess as a Persephone-like figure whose sleep represents winter and whose awakening represents spring. That's all valid. But maybe another reason for the flimsy plot is that the earliest versions of the tale were never meant to stand alone. They were just episodes in much longer and more complex narratives.

@ariel-seagull-wings, @adarkrainbow, @themousefromfantasyland

#sleeping beauty #fairy tale #variations #sleeping beauties: sleeping beauty and snow white tales from around the world #heidi ann heiner #norway #iceland #germany #norse mythology #france #england #italy #tw: rape #tw: cannibalism

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halfhissandwich · 22 days

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@analoginceweek Day One: Library/Theater

“Oh c’mon, please?”

“I’ll be honest, the confidence in ‘the scariest of all the scary stories’ is intriguing.” The prince nods along with Virgil, somewhat interested in the book the emo is holding, despite his usual distaste in the horror genre.

Logan cringes slightly. “I don’t know…” He begins nervously, clenching his fists. “It doesn’t make sense to read a book designed to distress the reader…”

Roman and Virgil smile widely at Logan’s reaction. Seeing Logan express this much emotion is rare, but not at all unwelcome. Roman places his hand on Logan’s shoulder with a smile, unable to resist the temptation to tease him. “It’s okay if you’re scared, Logan. Your strong knight will protect you, you know that right?” Logan’s face flushes at the half-teasing half-genuine reminder, gently shoving the prince away while Virgil laughs.

“Come on! I listened to you two yap about fairy tales and textbooks, please just throw me a bone!” Virgil asks pleadingly, leading Logan to briefly consult his notecards before nodding with understanding.

“Oh, alright. Fine.” Logan agrees, enjoying the look of glee that appears on Virgil’s face as the latter quickly gets comfortable beside the others and opens the book. Roman also smiles at the sight of Virgil being so excited to share his interest with them… until Logan is clutching his hand in nervous anticipation. Roman rolls his eyes with a smile, holding Logan’s hand as the two of them listen to Virgil read.

#sanders sides #roman sanders #logan sanders #virgil sanders #analogical #logince #prinxiety #analogince #analoginceweek2024 #I’m not a fan of writing #but I tried!

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meandmacats · 1 month

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Some sides head cannons, but it’s super obvious who my favorite side is:

Both Remus and Roman glow, but Roman is more of a Disney fairy magic way and Remus is closer to bioluminescent like deep sea creatures

The imagination is not physically split into Remus’ and Roman’s sided, but rather just a collection of both of their creations in a space too big for either to largely effect the other

Remus is a big softie when he’s not being gross

Roman is asexual

Remus is aromantic

Roman and remus have literal twin telepathy

Roman has a black streak(mirroring Remus’ white steak)

Roman can get burnout, but Remus can’t despite them both being creativity(Roman is used as the main creativity)

When in burnout, Roman runs a fever and attempting to interact with any creative pursuits immediately chars it

Roman’s role of Ego is under the Sigmund Froid definition where it is a representation of the self rather than just self worth

Remus played Undertale and first played a true pacifist route where he attacked each monster until they were ready to spare(he loved the amalgamations)

Patton actually can’t cook(not for lack of effort)

Roman is trying to learn more Romance languages

Remus knows German

Janus knows ASL

Logan has always had issues with Pattons black and white thinking, but decided to ignore it

Remus is ferally protective

Janus can smell lies the same way snakes smell(sticking out tongue) so he doesn’t do it often

Repressing Remus is like punching an inflatable punching bag

Janus actually can’t think of lies. He encourages it, but he doesn’t actually come up with the excuses

Janus only knows psychology for lying, he doesn’t know any for the other sides

Intrusive thoughts warn the body of danger and can help keep the shot alert. When this is revealed to the other sides, Remus tries to be as obnoxious and aggressive with the intrusive thoughts as possible to try to convince them otherwise

There is actually a difference in abilities between dark and light sides

Dark sides abilities are:

see no evil-tunnel vision from Remus

hear no evil- Virgil’s voice thing(known to over rule all other sides in input)

speak no evil-Janus silence(literally hiding things from Thomas he doesn’t want to know)

Roman can speak to and understand animals in the Imagination like a Disney Prince

Remus is really good with animals

Roman and Logan bond over rhymes, poetry, and word-play

Logan can cook, but he can’t experiment with cooking

Roman can cook, but he struggles to actually follow the instructions

Remus can “cook,” but it’s not “food”

Janus can cook for himself and no one else

Virgil is to anxious to cook most days, occasionally finds baking relaxing

Patton can bake

Roman and Remus are closer than they present themselves to the others

Roman gets ego bruises

Remus gets antsy if he doesn’t harass Thomas

Roman is a much better actor than he lets on

Roman intentionally played characters badly in Can Lying be Good? because he knew that Thomas would not be able to handle true immersion into the scene

Logan is naturally ambidextrous

Roman learned to be ambidextrous

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the-sleep-paralysis-demon · 3 months

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Six Splits For Four New Character Prediction

Spoilers for Chapter 1 & 2 and Spilt into Threes below cut

@shygirl4991 @alianarepasa (Notice me senpai /j)

Alright so we know three of the six so far:

Producer (Insecurity and Need to be perfect)

Ringmaster (Ego and Imagination)

Artist (Creativity and Humor)

And we have a hint at our fourth with the final paragraph of Chapter 2

From this introduction we know a few things about them as a character.

They call SMG3 a “fair maiden” which shows us their perception of the pairs relationship.

Fair maiden is often used in fictional works to describe a woman that could be described as “perfect” so the use of fair maiden shows they see 3 in an incredibly positive way.

Fair maiden can also describe the damsel in distress archetype. This archetype represents a helpless character in need of saving by (usually) the hero archetype. In fairy tales, this hero is usually a prince or knight and a romantic interest.

Through some logical backtracking, if SMG3 (the damsel in distress) is saved by our fourth SMG4 split, then the forth split sees himself as the hero aka either a prince or a knight.

I believe that our fourth split is Prince4. My biggest piece of evidence comes from the art from the fic.

We have a sneak peek of this mysterious split. And there hat/crown has the letters “PR”, which can represent Prince, as every SMG4 split has letters on there hat representing there name (R for Ringmaster, A for Artist, PD for Producer)

Going back to the romance part of our analysis, we see a small peak of there outfit in the fanfics cover art

Not only does it show a knight like outfit, reaffirming the idea of him being a hero archetype, but he seems to be holding something in his teeth which I outlined below:

Going off of our previous assumption of being a romantic interest, we can safely assume that this is a rose.

Roses being held in ones teeth is a classic romantic move which further backs up not only the romantic side but also backs up his code name.

We can safely assume that Red Caine is Ringmaster (Has a cane and is a reference to Caine from TADC) and Purple Slab is Artist (Slab often is used to describe materials used in art). Since the colors all follow the SMG4 splits color schemes then we know that Prince4 (white) has to be White Roman.

But how does White Roman confirm the rose and vice verses? Historians believe the rose between the teeth originated from Ancient Greek and Rome. So in the code name Roman represents the rose in his teeth which represents the romance element of his personality.

My conclusion?

I predict the fourth SMG4 split is called Prince4 and represents Fours heroism and romantic feelings.

#Becoming sherlock homes over here #I’m still trying to figure out the last two #If I do I’m posting them #six splits for fours #split into threes #fanfiction #smg4 fanfic #smg34 fanfiction #predictions #analysis #writing analysis #smg34 #smg4 #smg3 #smg4 smg3

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goldenlittleprince · 3 months

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Huzzah, Sanders Sides agere!

I see both Patton and Roman as flips, and ship them heavily, so here's a drabble of headcanons! 🌟

cg!Patton and small!Roman

[art]

roman is a flip, and regresses to either 2-4 or 7-9 depending on the day!

lots and lots of outdoor play and adventures! but also a lot of quiet time indoors in patton's room whenever roman is upset.

patton provides roman with limitless amounts of crayons, chalk, paint, and anything his heart desires to create with. roman is EXTRA creative when he's tiny, tapping into that childlike whimsy again.

roman goes up to patton wanting fairy-tales be read to him, as the prince he demands it! (even though patton would read them to him no matter what.) roman's favorite is the storybook version of disney's beauty and the beast.

roman loves to watch every disney animated movie in huge marathons, and patton makes them popcorn and snacks for sometimes weekend-long regression and film binging sessions.

roman and patton both wear their onsies when they spend time regressing!

roman can sometimes get angry or really sad, and he throws big loud tantrums that tire him out really badly. patton waits them out patiently, then swoops him up to take to bed for snuggles and comforting words. other caregivers might call that behavior bratty, but patton understands it too well to ever be mad at roman, especially when he's small.

patton loves to play toys with roman, whether it's plushies or paper dolls or action figures, he really enjoys indulging roman's storytelling drive!

cg!Roman and small!Patton

[art]

patton is a flip, and both an age regressor and a pet regressor! he regresses to around 6-8, and he's a frog regressor.

pat is a hyper, and i mean HYPER kiddo, and it's even worse when he's in froggie mode.

roman loves to set up 'dates of fun' where he plans a whole list of activities to keep patton busy the whole day. he includes arts and crafts enough to fill up hours at a time, movies, books to be read to him, and much more. patton's energy is always wiped out by the end!

patton loves the winnie the pooh books when he's small, they're immensely comforting to him.

patton is VERY cuddly and affectionate during regression, and roman is definitely not complaining about the extra love!

patton mostly wears even comfier clothes than usual, like big sweaters over shorts or his onesie! roman does like to draw him into games of dress-up in the imagination, though, dressing patton in very nice princely clothing for them to play games in.

patton can occasionally involuntarily regress as well, and those are much less happy times. he gets very, very sad and gloomy, tending to stay in bed the whole day curled around his blankets with his pacifier.

roman tries to give him space when he needs it, but the moment patton asks for comfort, roman jumps to action to brighten his day in any way he can manage. patton may be very nostalgic, but how much he loves and is loved by roman helps keep him grounded during the bad times.

roman will take patton to the imagination and imagine up a biiiig pond or pool for him to play in in his smaller lilypadton form! lots of things to hop on and dive through.

lilypadton will try to hit roman in the face with his tongue, 100% of the time, roman better keep his reflexes good.

roman gives in to little patton's puppy eyes so easily that he regularly accidentally lets him eat himself sick on sweets and baked goods. "mom i phrew up" moments directed at logan galore between the two of them.

#royality #sanders sides agere #age regression #fandom agere #fandom age regression #agere headcanons #sfw age regression #sfw agere #sfw interaction only #sfw regression #baby regression #frog regressor #agereg #sfw agereg #tss agere #boards #headcanons

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lio-the-chaotic-nonbeanie-weenie · 1 year

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(In a drabble mood again because I haven’t written in forever)

It’s the middle of the night and Virgil is scrolling away on his phone. He can’t sleep yet. Such is the pain of being someone’s Anxiety. Oh well, at least he gets to be buried in Roman’s strong arms. Not that he’ll ever admit that they’re strong…and hot.

Virgil continues to scroll, his free hand petting Roman’s hair. It’s silent and almost peaceful when-

“Virgil!”

Roman jolts awake, catching his breath.

Virgil sets his phone aside and turns to face Roman. He looks up at him, squeezing his arms. So strong.

“You okay, Princey?” he asks.

Roman takes in some more air before turning to Virgil, cupping his face and gazing at him in the soft glow of his fairy lights.

“Virgil, I need to ask you a very serious question.”

Virgil blinks.

“Um, sure? What is it?” he says, tilting his head.

Roman breathes.

“Do you still love me?”

…

“What?”

“Do you still love me? Because I had a dream that we were on a date and then you broke up with me!”

Virgil blinks and he doesn’t know whether to kiss Roman or smack him in the head. He settles for a sigh, wiping the prince’s tears away.

“Ro, babe, we’ve been dating for four years.” Virgil answers.

Roman sniffs.

“B-But do you still love me?” he squeaks.

Virgil sighs again, fondly this time. Bless this dumbass’ pure heart.

“Yes, Princey, I still love you.”

“Do you mean it?”

“Do you see Janus’ crusty, musty, dusty face?”

Somewhere in the Dark Side, Janus wakes up and sneezes.

Roman smiles at that.

“Oh, good! Thanks, little bat. Good night!”

Then Roman is out like a light again, leaving Virgil in the dark. Virgil just blinks and stares at Roman before huffing.

“Stupid, dumb prince and his stupid, dumb hot face making me fucking love. Fucking Roman.”

#li talks #sanders sides #sanderssides #roman sanders #virgil sanders #prinxiety

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thewhumpyprintingpress · 1 year

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Call for Submissions: Once Upon A Blade

Calling all whump writers! The Whumpy Printing Press is looking for stories for its second anthology, Once Upon A Blade, to be published in paperback and ebook formats in 2023.

Theme: Fairy Tales and Myths with a Whumpy Twist. Fairy tales and mythology are no joke when it comes to whump. From Cinderella’s sisters cutting off pieces of their own feet to Sleeping Beauty’s prince being blinded by thorns, fairy tales can be intense. For this anthology, we are looking for your whumpiest take on a beloved fairy tale (or tales) or myth.

The anthology will have three parts. Part 1 will be stories based on mythology. Part 2 will be stories based on folk lore. Part 3 will be stories based on more “modern” fairy tales, like Alice in Wonderland, The Wizard of Oz, or Peter Pan.

Word Count: Up to 17,500 words

For this anthology, we are looking for stories in the following categories:

Micro-fiction: 250 words or less

Flash fiction: 251-1,000 words

Short Story: 1,001-7,499 words

Novelette: 7,500-17,500 words

Compensation: ebook contributor’s copy

All proceeds from the sale of this book will be donated to charity.

Submissions Open: March 1, 2023

Submissions Close: March 31, 2023

Expected Publication Date: October 2023

The Nitty-Gritty

Simultaneous submissions: Allowed, but let us know immediately if your story is accepted somewhere else.

Multiple Submissions: One per category. So for example, you can submit a short story and a micro fiction but you can’t submit two micro fictions.

Reprints: Allowed, but please indicate where your story was originally published. This includes if your story was originally posted on AO3 or Tumblr!

Rights: Nonexclusive worldwide electronic and print rights. All copyright remains with the author. A simple contract will be provided.

Compensation: One ebook contributor’s copy.

Submissions are open to residents of any country.

You must be 18 or older to submit.

Absolutely NO animal whump (shifters are okay). If you want to submit minor whump, please send us a DM first so that we can discuss what your story involves.

No fanfiction, for legal reasons. (exception: works in the public domain, like Grimm’s or Andersen’s fairy tales)

Formatting: Please submit your story as a Microsoft word document with 12pt, Times New Roman font, double-spaced. Indicate scene breaks with ###.

Edits: Stories will be lightly edited for spelling and grammar. The content of the story will not be changed, and all edits will be sent to you for approval.

#whump anthology #whumpblr #whump community #once upon a blade #whump writing #whump prompt #whump

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aspoonofsugar · 1 year

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The Third Wolf

Jabberwalker: YES! READY! STARVING! TAKING!

So, this volume is just LRRH masked as Alice in Wonderland, as you can discover by reading this. Still, there is something missing from my previous post. Or at least, I came up with a theory, which imo complements it well.

In short, Ruby's story this volume centers around 3 Wolves:

Neo

She stalks Ruby around, tortures her and manipulates her into killing herself. She waits for her in a cottage (a pink palace) in the woods and hides behind her illusions, which exhibit mismatched eyes (the Wolf's eyes giving him away).

Even when it comes to her main allusion, Neo being a Wolf fits. Trivia is just the Roman name for Hecate and what's Hecate's sacred animal? The Dog:

Neo is associated to the Jabberwalkers (dark and wolf-like creatures) in the Ever After (the Underworld). In short, the Jabberwalkers are her dogs (wolfs) and she herself is a wolf (dog-like creature).

The Curious Cat

Do I need to explain? (I did in the previous meta anyway :P) They meet LRRH in the woods, trick her while she is wandering around with a basket full of flowers (WBY) and lead her around to make sure she gets completely lost.

Finally, when Ruby reaches the cottage in the woods, they surprise her and try to eat her. Only to end up swallowing up an older woman and the owner of the house. Even when it comes to them possessing Neo, the design calls back to the Big Bad Wolf of the story:

Both the eyes and the mouth are different than Neo's usual ones. Just like the Wolf in the fairy tale is described having peculiar eyes and a peculiar mouth. These 2 attributes are even tied to the Cat completely negating who Neo is. After all, Ice Cream girl is defined by:

her mismatched eyes, which her parents forced her to hide

her muteness, which her parents and teachers forced her to compensate with devices

Right now, Neo has lost both. Her mismatched eyes are hidden by the Cat's ones and her mouth speaks.

Ruby's inner Darkness

The Wolf in LRRH is symbolic of the Jungian Shadow aka everything a person represses. The thing with the Shadow is that the most you try to ignore it, the more dangerous and stronger it becomes. Ruby has been living as the embodyment of life, which means she has been neglecting to tend to her own shadows. To her own feelings. To her own pain.

The result is her spiraling and being engulfed by Darkness. Still, this Darkness has not yet a real representation within the story, which brings us to:

“Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!”

He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree And stood awhile in thought.

Interesting, the original poem mentions a fight between the hero and the monster by the Tumtum tree :P

What does the Jabberwalker represent, though? This creature is the only one, who can kill the Afterans. Why? I think because they thematically represent a loss of self:

The Tree is going to transform Afterans according to what they are and to what they want to become. This can lead to progression, like the Paper Pleasers or to regression, like the Red King, who turns into a Prince. Still, what happens if the creature just... can't figure themself out? What does happen if they choose to give up on any new possible identity?

In this case, they would choose to become nobody. They would decide to give in to anonimity, which is the opposite of self-individualization. Anonimity is a trait of Grimms, which are empty and try to fill themselves by praying on human negativity. In short, anonimity can be seen as a declination of Destruction. So, what if when Afterans can't figure themselves out... they end up becoming a Jabberwalker? Or what if the Jabberwalker is a body that collects all the souls who could not properly ascend, neither to regress nor to progress? A body with no proper identity, which can only jabber very basic and instinctive concepts, with no real meaning behind them?

After all, they very clearly allude to zombies, as RWBY even start calling them Walkers. And what are zombies if not people who lost their sense of self? And what do zombies do if not to spread an infection, which in this case is Destruction? Death?

The Tree is the path to self-actualization, so a person symbolically dies when they lose their sense of self completely. When they don't wanna become anything else. Only in this case, they really disappear and become nothing. Only in this case their existance is negated and amounts to nothing.

Personally, I wouldn't be surprised if this is what awaits Ruby as she is now. She doesn't wanna change. She wants to disappear. It is possible, then, she will risk to be swallowed by the Jabberwalker. It is possible she might become the Jabberwalker herself. A mindless Wolf. Still, obvious foreshadowing is obvious:

The moment Ruby is about to get killed by Neo's Jabberwalker, her whole team comes to her rescue. This is clearly what is going to happen here, as well.

At the same time, I think what should help Ruby conquers this is also something else:

Penny's death has been eating at Ruby throughout the whole volume. It is the news of her loss, which starts Ruby's spiral and her friend keeps appearing everywhere in the Ever After and Ruby's mind. So, obviously she needs to come to terms with this. Ruby needs catharsis and right now I think @hamliet theory is right: only Jaune can give it to Ruby.

Right now, Ruby thinks Penny died by negating herself, by choosing to be nothing out of a death wish. Still, this isn't true. Penny died as herself. It is tragic, but she still managed to affirm her own personhood. She chooses friendship and trust over duty and control. Penny dies, but she doesn't become a "Jabberwalker". She isn't undone into nothing, but on the contrary she "ascends" into gold. Ruby needs to realize this. She needs to realize the kind of person Penny was. And she needs to realize what she herself is doing now is the opposite of how Penny lived and died.

I think such a realization might give Ruby catharsis and inspire her to move on. In general, it would work very well thematically on multiple levels and for multiple characters:

It means Penny symbolically saves Ruby, which would be just a beautiful conclusion to their bond. Ruby is the one who recognizes Penny's personhood first, so it makes sense for Penny to indirectly do the same for Ruby. She inspires her into becoming an idealistic adult.

It means symbolically Ruby's child self saves her. It is that purest and most idealistic part of herself that comes through for Ruby when she needs it.

It gives catharsis to Jaune, as well. It turns out what he was hiding out of pain and shame is the key to save Ruby.

It foreshadows what Jaune will probably have to do in the finale aka conveying to Cinder Pyrrha's teaching about destiny. He can start practicing with Ruby.

It completes the parallel between Jaune/Pyrrha and Ruby/Penny nicely. In volume 5 Jaune's suicidal charge is interrupted when he realizes this is not what Pyrrha did. Here Ruby should realize what she is doing is not what Penny did.

In general, it just works very well with the theme of grief explored this volume. Right now, Ruby has been going through the 5 stages of grief twice, in a neverending spiral:

Episode 1 > negation > Penny's death is hidden and Ruby refuses to talk about it

Episode 2 > bargaining > Ruby needs to bargain for Penny's sword and eventually she bargains the sword to meet the Red King and talks about her feelings for Penny by doing so

Episode 3 > anger > Ruby gets angry at the Red Prince and shouts at him in frustration

Episode 4 > depression > Ruby is undone by Herb's hallucinations

Episode 5 > acceptance > Ruby meets the Blacksmith and is confronted by Penny and Summer's ghosts, but fails to reach true acceptance

So she starts the cycle again

Episode 5 > bargaining > Ruby bargains Summer's emblem to help her friends and mentions "a mother's promise"

Episode 6 > negation > Ruby doesn't even see Summer Rose's reflection in the gallery of mirrors

Episode 7 > anger > Ruby lashes out at others

Episode 8 > depression > Ruby is overwhelmed by her pain and attempts suicide

I think episode 9 and 10 should be acceptance, true acceptance this time. I also think it would be cool if we have a call back to volume 6.

When Ruby uses her silver eyes there, the last 2 people she sees are Penny and then Summer:

Penny leads Ruby to Summer. I think here should be the same one way or the other. Acceptance over Penny should help Ruby face her feelings for Summer. After all, the majority of the narration in the trailer is still missing, which means we should get it in these final 2 episodes. Basically, Summer is coming, one way or the other.

BAD WOLF, GOOD WOLF

Ruby risking to become/to be swallowed by the Jabberwalker would work also for another reason:

Turning Ruby into nothingness, forcing the light out of her to reduce her to a mindless puppet is probably what Salem wants to do. So, Ruby going through this same struggle now will give her the strength to face Salem and her Grimms Experiments when the time comes.

I think this whole volume has a meta-theme to it, which is how stories and fictions help people process trauma and grief. Both in healthy and unhealthy ways. I will write more about it when the season ends. As for now, let's say it is not by chance Ruby is going through her spiral in a fairy tale world, where she conveniently can't die. Imagine if Ruby had drunk poisoned tea on Remnant. She would have died for real. "Luckily" she only sips tree tea, which will be no fatal to her. The metaphorical meaning is clear, right? Ruby is symbolically rereading a fairy tale of he childhood. One her mom used to read ot her. She is rediscovering it from a more mature and darker perspective. She is processing through it all her pain, trauma and grief. Still, she will come out stronger from this. So stronger she will manage to face the challenges of the real world and to survive to them.

So, how is this transformation gonna manifest? Obviously Ruby is gonna come out as herself, once again. Still, if her inner transformation has to be shown, I would like for it to happen through Little:

Mouse Leader: And on this day, we were not the prey, but the hunters!

The Mice Hunters tried to warn us and RWBY since the beginning. Beware of CATS! Still, they also claimed the prey is gonna be the hunter ;)

Now, this can become true in many different ways without Little having to change. Still, I like the idea of Little changing to metaphorically show Ruby's evolution. But if this is gonna happen, then which kind of form should they take?

Little is Ruby's child self, but also an animal-shaped companion. Basically, they represent an inner beast. It is just that at the beginning of the volume Ruby's inner beast is too immature because she is refusing to integrate with her shadow.

So, a more refined version of Little should maintain Little and Ruby's idealism, but also be wiser and show that Ruby has started to integrated with her repressed self. What better form than a Little Wolf, then?

After all:

The Hunter > The Huntress

Little Red Riding Hood > Ruby Rose

The Wolf? > Little

Ruby is unbalanced because she has refused her inner wolf all this time, so what better use can she make of it if not to change it into strength that protects her child self. To use all that repressed energy to refine herself, instead than negating who she is?

And on a light-hearted note... what is better than a wolf to hunt a Curious Cat?

(By the way, this can work well even in the case Neo stays in the Ever After with Juniper and Little. Juniper could be the March Hare to her Mad Hatter and Little might be the Dog to her Hecate) > thanks to @lintuwaterfall for suggesting this

#rwby #rwby spoilers #rwby volume 9 #ruby rose #little #neopolitan #curious cat #once upon an allusion #jabberwalker #rwby meta #rwby theory #penny polendina #jaune arc #tw: penny's death #tw: suicide #rwby headcanon

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sasiaucompetition · 3 months

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Preliminary AUs

These are all the AUs that had 1 to 2 votes! Any AUs on this list that are not here, already advance into the competition, with 3+ votes!

This is not the order that they will compete in! That will be completely randomized!

The Other Side of the Mirror - @/Frejennix and @/Lalijinx (ao3)

Chessboxing AU - @/arealsword (ao3)

What you need - @/Anxiousgaypanicking (18+) (tumblr)

Logan, Janus, Roman, Remus - @/edupunkn00b (ao3)

Never Met You - @/Nad98 (ao3)

Archduke of Demonic Cultivation - @/ThreeCrowsInATrenchcoat (ao3)

One Coffee, Morally Gray - @/Duckduck_Scribblerswan (Caellie_E_and_Vaye_R) (ao3)

A Dragon's Treasure - @/TypicallyUntipical (ao3)

Fairies in the Forest - @/Ended_Flames (ao3)

Ghost Janus AU - @/SoDoRoses (FairyChess) (ao3)

Logan Accidentally Steals Two (2) Children - @/the-panmixxia (ao3)

The Stowaway's Heart - @/thesympatheticvillain (ao3)

They Share A Kitchen - @/BuddyBuddyPalBuddy (ao3)

100 Seconds to Midnight - @/never_the_rose (ao3)

Touch Transcends Language - @/IfFoundPleaseReturnToJanus (18+) (ao3)

Flores Facets - @/Whiskey_With_Patron (ao3)

Life's A Drag - @/infawrit10 (ao3)

Crown Princes And Butterfly Wings - @/Ended_Flames (ao3)

Where the Lovestruck Bleeds - @/Fangirltothefullest (ao3)

Banding With You - @/glacierruler (tumblr)

Through Hades and Back - @/glacierruler (tumblr)

Eucatastrophe - @/arealsword (ao3)

Side by Side in the Mindscape - @/edupunkn00b (ao3)

Beside Me - Dee - Thrall - @/edupunkn00b (ao3)

Stray Hearts Are Subject To change - @/Queen_Whovian (ao3)

How the Angels got their Wings - @/SunRey1116 (ao3)

don't paint wonderful lies on me (that wash away) - @/codevassie (ao3)

How to Fuck with Humanity 101 - @/Jungle321jungle (ao3)

What You Can Stand - @/ManyFandomsOneLog (ao3)

All of These Stars (Will Guide Us Home) - @/lucernis (ao3)

Virgil’s Guide to Avoid Accidentally Falling In Love With Your Boss’ Boss - @/Jungle321jungle (ao3)

Hidden In Shadows - @/Kaysigns (ao3)

Labeled - @/AdrianaintheSnow (ao3)

Dreaming While I Wake - @/VoidDragons (ao3)

Painful Death - @/VoidDragons (ao3)

Lost & Found AU - @/rollthewhatever (tumblr)

Monsterous Roomates - @/Willowanderer (ao3)

Between Light and Darkness - ORPHANED (ao3)

Pumpkin Spice - @/VoidDragons (ao3)

Pick A Side (i love you and everything is beautiful) - @/arealsword (ao3)

Is there anything left of Patton - @/AdrianaintheSnow (ao3)

if you're going my way, i'll go with you - @/iclaimedtobethebetterbard (ao3)

one chance to change your fate - @/iclaimedtobethebetterbard (ao3)

A Moment with Potential - @/Midniteblue (ao3)

45. KNEE DEEP - @/plumcat (ao3)

46. House of Tarot Cards - @/FlowerMeat (ao3)

47. The Long Road Home - @/warcatscat (ao3)

48. Punks, Poets, Parents - @/edupunkn00b (ao3)

49. Flightless Bird - @/AvoSunflowerTea (ao3)

50. A lesson in practicality - @/ResidentAnchor (ao3)

51. Endless Sides (Sandman AU) - @/sometimes-love-is-enough (tumblr)

52. The Ghost and the Reaper - @/thatonelesbianfander (tumblr)

53. A Bug in the System - @/AwLawdItComin (ao3)

54. lavender for luck - @/lovelylogans (ao3)

55. The Starlight Universe - @/iclaimedtobethebetterbard (ao3)

56. Pieces Verse - @/SoDoRoses (FairyChess) (ao3)

57 (Un)Wanted - @/TheAsexualofSpades (ao3)

58. Black Hole Sun - @/coconutcluster (ao3)

59. Vanished - @/red_imeanblue (ao3)

60. Space and Everything In It - @/Greenninjagal (ao3)

61. You Can't Go Back - @/delimeful (ao3)

62. Ghost AU - @/tsghostau (tumblr)

63. Live Without You - @/stormsofstarlight (ao3)

64. Janus Sanders and the Cassandra Fallacy - @/arealsword (ao3)

65. Short Sides AU - @/nachosforfree (tumblr)

66. Plant Parents Dukeceit - @/ThreeCrowsInATrenchcoat (ao3)

67. For the Record/The Sanders Archive - @/VillainVogue (ao3)

68. The Other Side(s) - @/VillainVogue (ao3)

69. genius loci - @/oldkamelle (tumblr)

70. unsympathetic patton au - @/aidensm8 (tumblr)

71. cat virgil - @/its-the-cat-queen (tumblr)

72. murder mystery - @/thecrowslullaby (tumblr)

73. guilty tears - @/not-exactly-laborious (tumblr)

74. ride the cyclone - @/purplecrayonismine (tumblr)

75. Pingverse - @/SoDoRoses (ao3)

76. Spirit Complex AU - @/casart (tumblr)

77. A Series of Silly Questions - @/SoDoRoses (ao3)

#sanders sides au competition #sanders sides #thomas sanders sides #sasi #tss #sasi au competition #preliminary aus #sasi preliminary aus #fics #aus #sasi au #sasi aus #sanders sides au #sanders sides aus #sasi fics #sanders sides fics #sasi fic #sanders sides fic list

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mask131 · 11 months

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Seasonal theme: Magical summer (beginning)

This summer will be a season of wonders and enchantments, of spells and wizards - a magical summer!

Here is a list of beings, entities, objects and concepts you can check out if you want to add some magic to your summer:

In the myths, legends and so-called “real” world...

In the Arthurian literature: Merlin the enchanter, most famous of all wizards, derived from the legendary Welsh figure of Myrddin. Morgan le Fay, the ever-so-ambiguous enchantress of Arthurian mythos. Excalibur, the greatest and most iconic of all magical swords.

In Greek mythology: Hecate, the goddess of magic and witches. Circe, the divine enchantress of the Odyssey. Medea, the most frightening sorceress of the Greek legends. Lamia, a Greco-Roman bogeywoman that medieval times assimilated with various monsters and witches.

In Norse mythology: seidr, the old Norse magic, and its patron goddess Freya. Loki, expert shapeshifter and trickster supreme.

Christian legends, myths and beliefs: the Malleus Maleficarum, the unfamous manual used by many witch-hunters during the great witch hunts throughout Europe - a manual which was not accepted by the Church, unlike what many people believe. The Ars Goetia, both the art of invoking demons and the grimoire containing the secrets of said art. Astaroth, a demon often associated today with witchcraft. The famous witches sabbath, that was the great terror and fantasy of devil-fearing men of the Middle-Ages and the Renaissance. The paintings of Goya, which illustrated the various superstitions and beliefs surrounding witches in Spain.

The folklore of the British Isles: the British Grimalkin, with its cousins the English King of Cats and the Celtic Cat-sith. Lugh, the Irish Celtic god that mastered all of the arts, including magic.

Vaïnämöinen, the great bard-enchanter of Finland, and one of the sorcerer-heroes of the Kalevala alongside the magical blacksmith Ilmarinen, all fighting against the evil witch-queen Louhi.

In fairytales: the fairytales of the brothers Grimm brought many of the famous fairytale witches, from the evil queen with her magic mirror in Snow-White to the witch living in a house of bread and sugar in Hansel and Gretel. In Slavic fairytales, the great and iconic witch is the dreaded Baba Yaga. The French fairytales also brought the archetype of the fairy godmother: Cinderella, Toads and Diamonds, Donkeyskin, Cunning Cinders, The Hind in the Woods/The White Doe, Prince Marcassin... And let’s not forget Carabosse, the wicked fairy of the fairytale Princess Mayblossom, that became thanks to Tchaïkovsky’s ballet the old antagonistic fairy of Sleeping Beauty. Plus: the seven-league boots, one of the most famous magical items of French fairytales, appearing in Little Thumbling or The Orange Tree and the Bee.

The world of alchemy: the famous philosopher’s stone, elixir of life, and panacea that formed the ultimate goals of alchemists. Hermes Trismegistus, the mythological patron and ancestor of all alchemists (himself a mix of the Greek god Hermes and the Egyptian god Thoth). Nicolas Flamel, the 14th century book-seller everybody believed to be the discovered of the philosopher’s stone.

Some famous grimoires of our world: The Book of Abramelin, a tome of sacred Jewish magic. The Lesser Key of Solomon, a demonology grimoire of the 17th century inspired by the older book of sacred spells known as The Key of Solomon. The very famous duo of French grimoires known as the Grand Albert and Petit Albert. The Book of Shadows, a type of grimoire originally part of the Wicca religion, and that became popularized in America media thanks to the television series Charmed.

Principles, beliefs, personalities and practices of our world (which, as you will note, frequently mix magic with religion and folk-healing): Nostradamus, the great French prophet. The magi of Persia, Zoroastrian priests and astronomers that gave birth to the concept of the “mage” as we know it today. The original mana - not the video game mechanic, but the supernatural force of Oceanian beliefs. The Celtic druids and the most famous of their sacred sites: Stonehenge. The marabout, a type of Muslim holy man from Africa to whom was attributed some magical powers in folk-belief. The shamans of Siberia, the ones from which the very principle of “shamanism” was codified in the West. The medecine people of the First Nations in Northern America. The sangomas of Southern Africa, one of the most famous types of African “witch-doctors”. The Haitian Vodou and the Louisiana/New-Orleans Voodoo, folk-religions and magic beliefs deriving from the Vodun religion of West Africa (not to be confused with their various “cousins”, such as the Vodu of Cuba, the Jejé of Brazil or the Hoodoo).

More general magic tropes and concepts: the magic potion. The flying broomstick. The magic wand, or its variation the wizard’s staff. The familiar of the witch. The trope of the wizard duel, which, despite its prominence in modern literature and contemporary folk songs, has roots in ancient mythological fights and legendary magic hunts. The tempestarii, or the belief in weather-influencing, weather-changing sorcerers.

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bluedalahorse · 1 year

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August and Rousseau are functionally the same character: the serious version

On Thursday evening, at my fanfic co-author’s encouragement, I posted about August and Rousseau being functionally the same character. This post was meant to be tongue-in-cheek, but there’s always been a serious, liberal arts college analysis version of it lurking in my head. I decided to go ahead and share it because what is the point of rejoining tumblr if I can’t torture the world with my Young Royals meta? (Do we even call it meta anymore? I am Fandom Old.)

So anyway, I have now written too many words about how Rousseau the horse is a narrative shadow for August, and how horse tropes are used to communicate August’s character arc. My ~credentials~ are as follows: I’m currently doing a terminal degree in writing literature for children and teenagers, and I have re-read the Felicity Merriman American Girl Books more times than I can count. I was not a horse girl in childhood, despite my mother trying to get me to be one by buying me Breyers and an alarmingly technicolor Lisa Frank notebook with a horse on its cover. (For Not Being A Horse Girl reasons there may be some errors in equestrian terminology here, but I’m gonna do my best. I invite genuine Horse Girls to weigh in with their knowledge and insight.) I have more thoughts about August as a character than I know what to do with, to the point where those thoughts have in part inspired the critical thesis on justice and privilege in YA lit that I am going to write for my MFA. These thoughts here on tumblr are merely for a fannish intellectual experiment, however, so I will not be as aggressive with the MLA and the footnotes as I would be in thesis work.

While I am an American of Swedish descent who has celebrated her Scandinavian heritage since childhood, I am still very much an American and my native language is English. Most of my lit theory here is therefore informed by the Anglo-American Horse Girl tradition, which I know got imported to a lot of other countries in translation. At the same time, I am aware that there are Swedish Horse Girl books out there, and I do not know as much about where they overlap with the Anglo-American tropes and where they differ. If anyone has knowledge in this particular area, please feel free to chime in.

Before we begin, I feel it necessary to issue a few notes about content. The first and most obvious content note is that this meta deals with August’s character arc, so I will naturally mention his releasing of the video and his other toxic masculine behaviors that harm the people around him. I will also make reference to his drug addiction, mental health issues, and possible disordered eating. In addition, there will be discussion of abusive relationship dynamics and adults invading the privacy of teenagers with the goal of controlling their romantic, sexual, and reproductive futures (particularly in the context of a monarchy securing its lines of dynastic succession.) You have been warned.

TOPICS COVERED

Horses in Literature and their General Vibe

Cinematography and Film Language in Young Royals

August, Felice, and Sara

Bloodlines and the Line of Succession

What’s next for August and Rousseau?

Horse/Power

Horses have long been symbols of wealth, status, and nobility. While literature and folklore offer their fair share of ordinary workhorses, the prince on a fancy white horse is an iconic fairy tale image. Historically, the ability to maintain a stable full of horses, specifically bred for battle or fine riding, was (and still is) a privilege only the rich can afford. Among the Romans, the second highest ranked social group after the senatorial class were the equites, named for the fact that they were rich enough to own horses they could bring to war. Fast forwarding to the modern day Young Royals, we see the wealth of Hillerska on full display in the stables. Even Felice’s parents, who have plenty of money to burn, remind her how much they spent on Rousseau.

August, of course, defines himself by his status. When we first meet him, he’s always going on about his father’s estate, bragging about flying off to restaurants in France, separating out who is nouveau riche and who is ancien regime—and so on and so forth. So what? you may be saying. Plenty of Young Royals characters are wealthy and own land. Why single out August and make him the character shadowed by the horse, just because of his money? Probably because of the other ideas horses get associated with in popular media. Horses in fiction are often temperamental, but their humans often work to control and tame horses in spite of that. There’s a certain tension and troubledness to fictional horses that makes them dangerous. Rousseau is no exception to this—Felice and others have difficulty managing him. We know August has a temper that gets the better of him. We also know he’s obsessed with control, and the first person he tries to be strict and controlling with is himself.

To put it more briefly, horses in stories can be used to open up a lot of questions about wealth and power and how that power is, well, reined in. Thematically, having Rousseau as a shadow to August’s character arc is an obvious choice.

Framed by the Stable Doors

The cinematography of Young Royals visually links August and Rousseau from the very beginning of the series. As early on as episode 1.2, a shot of Sara taking Rousseau out for a trot is followed immediately by a shot of August out on a run. (Or maybe it happens in the opposite order? Help.) These moments mirror one another—both of them are scenes of a moment of discipline and exercise, underscored by tense background music. Throughout season 1, even when August and Rousseau aren’t paralleled by the editing, they are at least paralleled by the writing.

As we move into season 2, the shots of Rousseau become more constrained as the threat of prison looms over August’s head. Rousseau is almost always behind a fence or restricted by some other architectural features. The bars(?) of Rousseau’s stall door echo the bars of a jail cell, while the trailer belonging to the Worst Kind of Horse People (TM) suggests a police van taking August away after a future arrest. These scenes almost always include Sara somewhere, and she’s often having reaction faces. As others have noted, Sara doesn’t speak much, but these visual cues offer hints about her internal mental landscape while also foreshadowing her eventual role as the one who turns August over to law enforcement.

I’m inclined to read these “imprisoned horse” scenes as Sara having internal conflict about her relationship with August. On some level, she is attempting to grapple with the fact that they’re already doomed because of August’s prior actions with the video. I don’t necessarily think this means that Sara is always thinking these things consciously and in words. Maybe it’s just a sense of foreboding in the pit of her stomach. Instead of having Sara try to articulate this in any sort of literal way, my guess is that the YR production team wanted to convey this part of her arc through visual language and symbolism. I think it works, once you’ve decided to buy into the horse parallels.

Does this mean we’ve segued into talking about the girls now? Probably. Might as well gallop ahead…

Enter the Equestriennes

Even outside of Horse Girl books, women on horseback are a repeating motif in Western literature. As various academics will tell you, equestrian women occupy a complex and problematic (in the academic sense) space on the page. On one hand, riding horses confers status upon these women and gives them some freedom of movement. On the other hand, equestrian women are often being trained for the patriarchy in subtextual ways. One thesis I looked at explains how in Victorian literature, riding was often used to facilitate female characters’ interaction with men in ways that eventually lead to marriage. You also examine the common Horse Girl cliché of that one special teenage girl who knows how to calm down the impossible horse, and understand it as a little sister to the “I can fix him” romance genre. As bastion of literary analysis TVTropes points out, ponies and the Troubled But Cute Boyfriend sure do have a lot in common.

Young Royals knows the tropes, and it wants you to know that it knows them.

Felice Ehrencrona doesn’t want to be a horse girl. Felice’s mother wants her to ride, because riding is what archetypal rich girls from Hillerska do. Throughout season one, we see Felice struggling with her riding classes and being afraid of Rousseau. While she gains more confidence with the help of Sara, she never truly grows to love being around Rousseau (as we can see by the way she quickly abandons her hobby later.) Still, for a while, Felice maintains the public image of the happy equestrian by posting pictures of herself and Rousseau to her Instagram and making additional posts that say she’s in the stables when she isn’t. Felice’s mother, believing this to be true, is delighted—until in 1.3 it comes out that Sara has been riding Felice’s horse instead, and Felice’s positive relationship with Rousseau is just a facade.

What holds true for horses holds true for boys, too. Felice’s mother is constantly putting pressure on her about boys, specifically in the way she encourages Felice to pursue Wilhelm. The fact that Felice knows stuff about the line of succession and whose babies get what rank (something she explains to the beleaguered American Maddie) suggests that Mamma Ehrencrona isn’t just interested in Felice having a nice boyfriend, she’s actually bringing marriage and babies into it. Which… is a lot. It’s so “a lot” that Felice rebels against her mother at the end of 1.3 by hooking up with August.

Although Felice’s initial act is one of rebellion, she ends up trapped back in the same place she started from, where socioeconomic status and performative gendered nonsense is prized above all else. August, after all, is still from the nobility and still comes with all that baggage Felice is getting from her parents. Felice’s relationship with August is very bad, especially behind closed doors where he’s constantly questioning her about who she’s with and where she’s going. To Hillerska at large, however, they give off the impression of being the school power couple. During moments of characters scrolling there phones we can see that in addition to being seen together, they also included photos of themselves together on one another’s instagrams. This contrast between the image and the reality of Felice’s relationship with August echoes Felice’s selfies with Rousseau.

As for Sara… well, if you nodded along to what I said before about the special teenage girl who is the only one who can tame the troubled horse, you probably already know where I’m going with this. Sara and August’s relationship doesn’t really come out of nowhere. Rather, they’ve spent an entire season taking a step closer to one another, literally and figuratively, every few scenes. You know the cliché where the horse girl visits the troubled horse every day and gets a little bit closer each time until the horse finally trusts the girl enough to eat sugar cubes out of her hand? Yeah. Same rhythm/pacing as the Sara/August scenes, and it only gets more obvious in season 2. That scene where he’s having a panic attack and she calms him down? He is a scared horse. We’re all on the same page, right? I hope we’re all on the same page.

In some ways, it’s not a perfect analogy and doesn’t always match up in a one to one way. Most horse girl books stay wish fulfillment and there isn’t always a moment of “the horse is Bad Actually, and we will remind you that the horse released a sex video of the horse girl’s brother.” But I think the horse girl novel coding speaks to what makes a relationship with August appealing to Sara in the first place. Deep down Sara wants to be special and exceptional to someone else, and she feels she understands things about August (and how to keep his emotions regulated) that other people don’t. As Sara sees it, she’s taken time to build trust with August. It’s the two of them together against really difficult odds, and she’ll take the difficulty that comes with that.

Also, while we’re here, the first place August kisses Sara is the stables. And there’s that entire conversation Felice and Sara have when Sara comes back after having sex in 2.3. I’m just saying. It’s right there. We’re all doing the math, right? We all see it?

People Of Good Breeding

Here’s where it gets even more icky.

In season 2, Felice decides to quit riding. This makes keeping Rousseau a bad investment, so Felice plans to sell him, and Sara decides to tag along. When a particular family expresses interest in Rousseau and comes to Hillerska to assess him, Sara swiftly dubs them the Worst Kind of Horse People.

What makes the Worst Kind of Horse People so upsetting to Sara? They don’t know how to respond to Rousseau, and they don’t treat him with the compassion Sara does. They’re willing to endure Rousseau’s volatile moods, however, because of he’s a thoroughbred and has a prestigious pedigree.

Things I did not know before watching a documentary about it: apparently all the thoroughbreds that exist in the world now are descended from three historical stallions. They are inbred af. IRL people who own thoroughbred stallions now will charge ~$50,000 per insemination in like a horse breeding hookup situation. Which… what? What the literal fuck. I get that this is a hobby people feel very passionate about and find fulfillment in, so I am trying not to be judgmental… and also that is a lot of money (more than half my yearly salary) for just one instance of breeding horses. So I’m still wrapping my head around it.

It stands to reason that the Worst Kind of Horse People could want Rousseau for his, um, genetic material. Anyway, let’s talk about the monarchy and the line of succession.

At the same time that the Worst Kind of Horse People are expressing interest in Rousseau, the royal court has started to pay attention to August. According to the YR fictional family tree, August is next in line for the throne after Wilhelm. Kristina’s advisors have plans to groom (see what I did there) August as a backup heir if Wilhelm keeps insisting on having free will. (Really! The audacity! Good for Wilhelm, though, we’re all rooting for him.)

For August, the idea of being elevated to spare prince, or potentially even king one day, feels liberating. Based on how he’s acting at the shooting range after his visit to the palace, he sees a chance for himself to leave his crimes behind and not be caught in his guilt. But I want to pause for a moment and consider the scene in 2.4 where he gets the phone call from the palace. Jan-Olof asks August a series of privacy-invading questions, including ones that touch on his sexual history. The final question (and therefore the one the writers want you to notice) is simply “are you heterosexual?” to which August replies that he is.

There’s a tempting rabbit hole I could go down about what it means for August to go beyond just engaging in toxic heterosexual behavior, and actually embrace heterosexuality as a label, and because it’s a tempting rabbit hole I will save it for another meta. What I want to focus on here is how sinister this scene feels. Part of that is because we (and Sara) know how blatantly and easily August is lying, and that he’s slipping back into his old, status-loving, drug-abusing self. In light of the established Rousseau parallels, however, I can’t ignore the subtext that the royal court is interested in whether or not they can “domesticate” August just enough that they can get him to eventually marry the right girl and produce a legitimate heir to the throne. That’s it. Nothing more. They aren’t interested in helping him with his addiction or getting him into therapy for his disordered eating or helping him process his dad’s death—all of which would put him in a better emotional place, and maybe even prevent him from returning to the emotionally dangerous mindset he was in when he outed Wilhelm and Simon to the entire world. On a metaphorical level, the royal court is basically treating August as livestock. Which. Is gross, actually.

Now, don’t get me wrong. We all know that August himself perpetuates a lot of gross sexual behavior toward others. Aside from releasing the video, he’s selfish and borderline emotionally abusive toward Felice, especially about sex. He constantly eggs on his classmates to stand up on the breakfast table and brag about their “conquests.” He eventually becomes extremely sweet and tender with Sara, but that’s only after he’s tried to get her to sell him drugs, bullied her family about not being able to eat lunch on Parents’ Weekend, and kissing her without her consent in the stables. August is very much Not Someone Who Respects The Sexual And Reproductive Autonomy Of Others and yet! There is this whole entire system of hereditary monarchy behind him, aiming to control every aspect of his life and violate his privacy, and he is a teenager. It’s not okay that they do it to Wilhelm either. We know they’re trying to do it to Wilhelm even now, and we get the sense they did it to Erik too, given the lines about the OnlyFans girlfriend needing to be hushed up.

I think it’s easy to say, well, August is power hungry and amoral enough that he consents to having his privacy invaded, and he does, but I legitimately wonder if he knows what he’s getting into. (Case in point: I think August really believes that the palace crowd would let him publicly date Sara. And, no. Even if Sara weren’t Simon’s sister, I can’t imagine they’d be excited about him dating the neurodivergent daughter of an immigrant mother and a father with a shady drug past. At the very least they’d force Sara to sign some pretty hefty NDAs.) My point is, you can consent to something and still end up in a weird power dynamic that’s bad for you and doesn’t honor where your feelings are. You can be a person of privilege who harms others, while still being harmed by systems of privilege yourself. And that’s precisely part of what makes August a compelling and complicated character.

Look, I just wish more people nowadays had seen the legendary 1990s anime Revolutionary Girl Utena because they would then get what I mean when I say that August isn’t Akio, he’s Saionji.

…I’m off track. My point is that the reproductive subtext in that scene is deeply unsettling and August’s nakedness in front of the window only makes it moreso. Right. Moving on.

What’s Next? The Horse and His Boy

(Apologies for naming this last section after a problematic Narnia book.)

Man. I wish I could just write August off and clamor for his untimely and violent death without a care in the world. The reality is that I’m under a curse, and that curse makes me want to see him eventually sort his life out, one way or another.

Let me be clear about what that does and doesn’t mean: I don’t mean that I don’t want to see him face consequences for the very real crime he did. I don’t mean I think he should suddenly be perfect and woke. I don’t mean that he and Sara should get back together. I don’t mean I want to see everyone forgive him. I just mean I want August to honestly confront the truth of his life so far and go “you know what? I suck. I can do better. I’m not even sure how, and I’m gonna make mistakes along the way, but maybe I can suck less.” And maybe he takes one tiny step where you’re like, if he keeps taking steps like this, this kid could turn out okay by age 40. Maybe. I feel incredibly exposed even saying this, since I know August is so widely despised by so many people in fandom, and I know other people who are okay with letting him stay in the villain zone, but I also feel like if anyone can pull off this story, it’s Lisa Ambjörn. She gets nuance, and she gets young people their flaws and their family conflicts. If YR were a different show, with a different writer and a different morality underlying the stories it tells, I would feel differently. But I don’t, and I think Lisa can pull off a complex story like that. So here we are.

(For examples of YA novels that pull off this kind of narrative catharsis, check out the character arc of the protagonist Deposing Nathan by Zack Smedley. Or pay attention to the uncle’s character arc in Randy Ribay’s Patron Saints of Nothing.)

There’s a very soft acting choice of Malte’s in 2.3, where August goes to meet Sara in the stables, to ask if she wants to come by and talk later. Sara’s getting Rousseau settled for the evening, and August reaches out and pats Rousseau on the nose. If I’m remembering the scene correctly, the usually temperamental Rousseau is calm in response.

We’ve seen August act self-aggrandizing before so he can build himself up and threaten other people. We’ve also seen him engage in escalating acts of self-harm (via excessive exercising and calorie counting) when he isn’t living up to his own strict standards. What we don’t see a lot is him having compassion for himself. If we accept that Rousseau is August’s shadow-self, then this nose pat is a rare moment of self-compassion. It’s at this point in the season that August realizes he needs to exist in community with other people, and that he needs to actually process his overwhelming emotions instead of lashing out at others. He makes an effort to try and quit using drugs, genuinely connects with Sara, and even briefly defends Simon when Vincent gets on Simon’s case after the indoor rowing match. It’s a positive trajectory and a glimmer of what could have been. That lasts until his visit to the palace, when August is offered the position as Wilhlem’s backup and starts to go back to his old ways. Moreover, the pressure of becoming the spare creates new complications for August’s mental health, and he slides back into lashing out at others again.

At the end of the season, August views Rousseau as a commodity and buys him for Sara in a Grand Gesture (TM) that’s actually pretty alarming and could be categorized as love-bombing. Sara is not impressed (I suspect she’s witnessed Micke love-bombing Linda, and all her alarm bells are going off) and continues her trip to the bus stop so she can report him to the police.

I could talk about the police call and the part where Sara is playing with a small horse keychain at the bus stop, but that might be the topic for another meta. Instead I want to take a moment to think about the practical fact that August owns a horse now. This opens up a few questions: if Rousseau continues to be August’s shadow-self, what does it mean for August to buy and own Rousseau? Is August going to have to learn to take care of Rousseau now? How much farther can we extend this metaphor?

Patience, comrades. We’re almost to the finish line.

By buying Rousseau, August has allowed himself to be bought by the aristocratic power structure that’s been trying to maneuver him into royal life. He’s started to actually use the inheritance left for him by his father—not because he’s finally started to process his grief, but because he’s doubling down on the idea that he deserves his inherited wealth and that he can use it as lavishly as he wishes. What’s interesting is the way he thinks this makes him into someone Sara will stay in love with. There’s the quid pro quo of it all, which is the obvious surface reading, but there’s also another level wherein August has been raised to believe that this is the ideal of aristocratic masculinity, and therefore what Sara would be attracted to. He assumes Sara wants the prince (even if he has to be a little bit Machiavelli’s the Prince behind the scenes to play that role.) But Sara wants the trust and care and connection, and a bond that’s a little bit weird and unique and ultimately private. She also values honesty and accountability. Sara doesn’t want the prince—she wants the horse. But not the literal one. And not necessarily in a material ownership kind of way, either.

As we move into season 3, I find myself wondering what’s next for August and Rousseau. Like. August owns a horse now. Is he going to have to take care of it? Like is he going to have to learn how to groom Rousseau and muck stalls and such? I get that he’s rich and can probably pay someone to do that for him, but given the way that Rousseau is meant to be a commentary on August’s character arc, there’s a lot of narrative potential (and dare I say… humor?) in August just having to learn to take care of the horse his own damn self in season 3. I feel like it could allow for some great moments of introspection on August’s part, if done well, and could lead him to a place of radical acceptance. We don’t even have to rule out August going to jail for his crimes, but knowing that jail is not the kind of thing that will happen in the first five minutes of the first five episodes, why not facilitate some internal character growth via horse chores first?

Alternately, August will just keep doubling down on making someone else do the horse chores. This would be consistent, if nothing else. He may just continue to be horrible, in which case I am worried for Rousseau.

(Please, Lisa Ambjörn and/or god and/or Epona. I am so desperate for this as-of-present unrepentant fuckboy to have to do symbolic horse chores that end up being about him finally coming to terms with the impact his counterrevolutionary behavior has on others. Is that so wrong?)

Anyway, I guess we won’t know until season 3. Thank you for sticking around if you’ve read this far—it ended up being way longer than intended! I’m back on tumblr after being away since 2015 or so, so this post feels like a wild way to reappear. But I’m glad I shared my thoughts all the same. Have a blessed Saturday, fandom.

#young royals #young royals meta #august young royals #sara eriksson #felice ehrencrona #unabashed horse girl propaganda #mfa musings

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