I read somewhere that the act of peeling oranges for someone is considered love. I found it stupid.
Then one day, I was home after a tiring day and there were oranges sitting on the counter. I knew they had to be eaten that day, a day later, they’d be rotten.
I was just too tired.
I completed my chores, and the oranges were still there, colourful and nudging, hoping I’d pick them up.
I walked past, and found my bed. My head comfortably rested on the pillows.
Those damn oranges.
I got up, sat on the counter and peeled them grudgingly. As I ate in silence, I understood what they meant. It was love alright, not peeling oranges but being taken care of.
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You can’t just touch my soul and then leave me.
Excerpt from a book I will never write #1400 // our memories cross my brain everyday
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Ernest Hemingway, from The Complete Short Stories of Ernest Hemingway; "The Snows of Kilimanjaro,"
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The motif of home is an essential concept to his character. Kaveh describes ‘home’ being different than to that of a ‘house’, as in a house indicates a solitary object, whereas ‘home’ refers to people
This is explained in the loss of Kaveh’s family resulted in his home becoming a house: “"Home" went from a sanctuary of warmth and light to a cold and lonely hall” (Kaveh Character Story 2).
The concept of a home, then, is particularly important in regard to Alhaitham as Alhaitham invited Kaveh to live in his house after Kaveh sold his family house to pay for the re-building of the Palace of Alcazarzaray. Kaveh, at this point in time, is described to be “homeless”, which is indicative of him not only being without a place to live, but without people which ‘home’ could come into fruition. After meeting Alhaitham for the first time in years after their parting, the concept of ‘home’ is directly related to Alhaitham:
Upon seeing his family’s house, his old “home”, which he had sold in order to provide the funding to rebuild the Palace of Alcazarzaray, Alhaitham prompts Kaveh to reflect on the pursuit of his ideals, whereafter Kaveh acknowledges that his ideals were not in the wrong, it is his method of achieving them. Kaveh resolves not to give up, and a second chance is presented to him in Alhaitham inviting Kaveh to live with him.
Where Kaveh ‘sees’ his old “home”, the family he no longer belongs to, all he lost due to his regrets, Alhaitham “sees” through Kaveh, understands him, and asks him a question which simultaneously renews his beliefs in his ideals and the future. This passage links Alhaitham’s sense of home to Kaveh, and offers Alhaitham as a home for Kaveh.
(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
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"Were you frustrated?" he asked.
"I was. And it's beginning to feel like I could've done something different and still gotten the same result," she said while looking down on her weary hands. Tracing the lines on her palms with her shaky fingers. "I could've done something. I could've made a different choice. I could've found another way. I could've turned on a different road. And it's frustrating to know that, even if I did all that, it could still be the wrong choice."
Where were you? // ma.c.a
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The world was so rich it was rotting.
— Clarice Lispector, “Love”; from The Complete Stories (tr. Katrina Dodson)
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A tiny look into one of the fics called It's My Party (And I'll Cry If I Want To)!
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“Why don’t you just tell them?” Jazz asks Danny once she sits down on his bed, pushing aside his blankets and patting beside her.
“Mom and Dad love you, metagene or not.” She continues.
“Seriously, Jazz, we’ve been over this.” Danny sighs, sitting next to his sister as she turns to face him better, “They hate ghosts, and have threatened to rip phantom apart molecule by molecule. If they’re willing to do that, then what makes you think they’ll stop once they find out their son is a ghost?”
Jazz frowns, “Danny, I know the accident was terrible and horrifying for you, but you’re not a ghost. You need to accept the fact that it simply activated your dormant metagene and gave you ghost adjacent powers.”
“How can I have a metagene when both mom and dad don’t have one! Jazz, I know you don’t want to believe it but-“
“No Danny,” Jazz exclaims as she cuts him off, “ You’re alive. You can’t be a ghost, because ghosts are unfeeling and-“
“Jazz, just stop!” Danny yells, slightly teary. He stands up off the bed, putting some place between him and Jazz as she also stands up with a deepening frown.
“I know you don’t want to believe it but I am a ghost, I died in that accident. I know you don’t want to believe it, but if I can somehow come to terms with it then why can’t you?”
Jazz just stares him down with her disappointed stare. After a few quiet seconds she then sighs, looking exasperated and somehow even more disappointed as she levels him with a harsh glare.
“Even Sam and Tuck agree, Danny. You’re going to far with this ghost thing! I don’t care what that yeti says, or any of those other creatures! You’re not dead. You have a heartbeat and most importantly, you care. You’re not evil, and all this death talk is beginning to freak Tucker out! And you especially need to stop around Sam. They’ve begun talking to me about it, and about how you’re scaring them. And, well, we’ve all agree that you need to stop fighting those ghosts. Mom and Dad are perfectly capable of getting them, so from now on you’re benched. Those horrible things have been filling your head with lies, and it’s becoming a problem.”
Jazz declares before she walks out, keeping that awful disappointed glare on him.
Danny slams the door behind her, silently seething and holding back tears. They talk about his death so easily! Yet they don’t care to acknowledge it. Danny died, whether they want to accept it or not, and there was nothing they could do about it.
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