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evilminji · 1 month

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*evil grin of The Ponderings™*

You know who DEFINITELY would have Unfinished Business?

Heroes. Professional "If I could just MOVE, just fight a BIT LONGER, save ONE MORE PERSON" Heroes. It's the ultimate and unending Unfinished Business. To protect people. Not just their friends, their co-workers, but the innocent people around them.

That kid, stuck crying in the rubble.

That business man, screaming in pain, caught in the cross fire.

The People NEED them. They SWORE. Their very SOULS burn with the NEED to help. But... the flesh gave out. Injuries. Age. Quirk overuse. They knew... they KNEW, this was not a safe line of work... but... but! Please! Just one more person! Why can't they just make their breaking, dying, bodies MOVE!

Of course they refuse to move on.

They are needed HERE.

Yet? Their hands pass through. Their voices do not reach. A hell of their own, unknown, making. They can't let go, but they can't HELP either. There isn't enough Ectoplasm here. The walls of their reality overly patched up, since that unfortunate leak a few centuries back.

After all, the Zone had dumped near lethal quantities of unfiltered Ecto into the atmosphere. They're STILL dealing with the mutations and fall out, aren't they? At least, they are according to the Zone. (Wtf is a "Quirk"?) And, yeah, someone should PROBABLY do an assessment on the ecological recovery of the Reality. But like?

Do you have any idea how few people have an Obsession for stuff like that? Wait your turn! The list is long and you're not fuckin special, okay? The agents are BUSY.

Now, you might wonder? Wait. If they aren't moving on. Are DEFINITELY Ghosts. Starving as they are. Refusing to die as they may be. Wouldn't... Wouldn't that leave the whole ass area around their Reality an ecological dead zone? If it got over patched and no Ghosts LEFT, thus noticed, and started to try and work on it from the outside? Assuming the COULD?

Yeah. Yeah it would be!

It's called the "New Wastes"!

There used to be some cool Lairs around there. But there was a turf dispute. Someone DID something. Punched a HOLE. And everyone re-died. It was fixed but never quite re-healed. Portals... don't show up there? For some reason? Meh. Wanna brawl?

No. Danny's curious. He wants ANSWERS.

It's his fatal flaw.

Well... that and his inability to keep his mouth shut. But he likes to think he's funny. So... off he goes! And MAN! Does it feel funky out there! Weird textures. Mmmm, Don't Like THAT ™. It's probably a King thing? The Zone here... FEELS wrong.

Not... the way it's SUPPOSED to be shaped, if that makes sense?

And? It feels... if you sorta squint? Like... a LOT of people AREN'T where they should be. But aren't gonna leave until they're READY. Ooof. Great. Someone messed up again. Why does he KEEP FINDING bits and pockets that need straightening out? Unruffling? It's like he has to keep smooth out this giant peice of fabric with all these stains on it. Clean the messes on it.

He feels more like a maid then a King.

Maybe he is?

Pretty sure he's more of a nanny, since the Zone is more of a whiny yet excitable toddler then anything else. Alright, let him in. And fix... whatever THAT is.

So he steps into the Reality and? Huh. Japan. Neat. He always meant to go, never got around to it. Why is that man an otter?

.......oooohohooo, this place was HELLA fucked up by Ectoplasm, wasn't it? This is multi generational exposure. It's in the air. The water, ground, buildings. But stale to the point of stagnation. That can't be healthy. At least a few people he sees have developed ecto-resistance, thank the Ancients.

Danny discovers there are? "Superheroes"? Or just... heroes, apparently. They sell shampoo lines and athletic gear. Villians are petty criminals and psychopaths. All lumped together. He gets fuckin CHASED by the COPS and half the cities spandex patrol, called a "villian" (you know, like the purse snatchers and the DUDE WHO TRIED TO OPEN FIRE ON A CROWD) for flying around trying to assess the situation. Not speaking Japanese fast enough.

Soooorry! He TRIED to answer your confusing barked demands! This isn't his native language! He's translating through Ghost Speech! He knows it sounds unsettling to the living! It's the best he's GOT, man! (Asshole)

He escapes, obviously, because he's not 14 anymore. And honestly? He could top 200mph or so AT 14. He's only gotten faster. Intangible flight means no wind drag, motherfuckers~! OR need to dodge buildings! HA. Try to follow him through THE GROUND!

A few Blob sucked (to remove the ectoplasm) bits of treasure later? And he leaves a pawn shop with local currency. Thank YOU shady pawn shop! Ask him no questions, he'll tell you not lies. Enjoy Pariah's gold.

He does tourist things. Buy foods he's never tried, wanders around. Sees what's needed. Noticed a lot of people struggle with some aspect of the ecto-mutations brought on by the extreme Limnality. Need accessibility aids.

.....well, he IS a Fenton. His parents would disown him on the SPOT if he left with out at least TRYING to help. So he tracks down one the local ghosts. He'll need a guide or two.

He? VASTLY underestimates how desperate a sea of Obsession Starved Hero and Vigilante Ghosts will act, the INSTANT, they realize not only someone can see them... but it's? Their "Boss"? They aren't sure HOW they know that. But they DO. It's THE Boss. Here to help them! Asking for HELP ™ from THEM!

Yes

YES THEY CAN DO THAT

He gets swarmed. Hundreds of ghosts fighting over each other. Shouting. Turning on each other like rabid animals. All worn down and ragged by their Obssesion starvation. He's forced to shout over them.

And? Holy shit, these are only the ones from THIS CITY, too.

Thank Zone, again, he's no longer 14. That he has friends who are Rulers ™ that taught him HOW to Rule. To delegate. Pretend he TOTALLY knows what he's doing. That every action is on purpose.

It takes less then two hours, with all the experienced Unground Heros help, to make himself a Real Boy and buy a building. Put himself into the correct databases. He officially has licenses for things he's never studied. Is a tax paying citizen. Even belongs to several local clubs.

Over the next few days? He sets up his new... oi! Quickdraw! What're they called again? Right. "Lifestyle Support Company" which? Is a dumb name. But, Fenton Works is Fenton Works. Somehow he always kinda knew he'd be inherenting. It's in a cruddy part of town and the prices are cheap as he can safely get um.

He already had two customers, even though half the building isn't even fully set up. Which? I mean... he gets it. Poor guy. Knives for hands. Sharp ones too. The other guy's Obsession made him emotionally react to colors and like three different ones were ruining his life. So, hand Prosthetics controllable by knives and color filtering wrap around glasses.

Took him a lunch break or two.

Changed THEIR lives.

Suddenly his shop is packed. Schedule screaming for relief. And the ghosts? Getting more tangible by the day. See, his work shop? Ecto proofed. Let's him relax. But it ALSO let's him radiate fresh, clean, Ecto out into the air. And as King? With a direct line to The Zone? He puts out a lot.

There start to become Sightings.

People who SWEAR they saw long dead Heros out of the corner of their eyes. Dead vigilantes. That was who through that bottle. Who tripped that thug at just the right moment. Who unlocked the door. The SWEAR. They aren't crazy!

And... at first? Brushed off. Stress does a lot of crazy thing to a person, ma'am. But? How do you brush off, making eye contact with your dead best friend? Your old mentor on the other roof? That vigilante, who you WATCHED bleed out? Can you brush them off... when a vigilante from the dawn of quirks, punches some two bit villian on live television? Calls the Heros on the scene gloryhounds? Goverment dogs?

Runs from the cops and vanishes into thin air?

When this shit KEEPS HAPPENING?

Is spreading?

Are... are you supposed to arrest them for illegal vigilantism? How? They're THE proto-Heros! You don't want your name tied to that! The HPSC is furious. The goverment is uneasy. There are like... 6 dudes and a lady, openly stalking some kid in UA. Trying to mentor him. He looks moments away from a nervous breakdown.

Us too, kid. Us too.

All? While Danny? Is just sitting in his lil shop. Tinkering. Not HIS problem. Gotta let the ghosts here get it out of their system. Get their Obsession's full. Then it's all aboard the Zone Train. He's just here to make sure no one does anything "Too Crazy".

What's HIS definition of "too crazy"?

Wouldn't YOU like to know, weather boy~☆

@hdgnj @lolottes @nerdpoe @babbling-babull @mutable-manifestation @spidori @the-witchhunter @legitimatesatanspawn

#dp x bnha #minji's writing #just here for moral support au #ghostly Heroics au

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howtofightwrite · 3 months

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For a character that virtually can’t die and regenerates in order to keep living, how do you make action interesting? Emphasize they still feel pain, why they’re doing it?

I'm actually going to step back a bit from this question first, and complement it. This is a very honest question, and something most writers who include violence in their work, should really think about. Even if you don't think you have characters like this, you do.

Now, I'm going to dunk on Ben “Yahtzee” Croshaw for a moment. Ages ago (I think it was in one of his Resistance reviews), Yahtzee described, “threatening to blow up the world,” as the laziest form of raising the stakes. Because, “hey, I live on a world.” He's mostly correct. Threatening your protagonist's life is even lazier. In the vast majority of cases, your audience knows you won't go through with it. That you won't kill off your protagonists.

With that in mind, when you decide your protagonist is completely immortal, that changes less about how you write them than you might expect. The biggest difference is simply that they're directly aware of their plot armor, rather than them engaging in faux indecision based on their perceived mortality. Again, this is something that every writer who uses violence should think about, at least a bit. It is natural for a character to fear for their life, and have reservations about risking their life, but making the part where your character's lives are on the line isn't automatically suspenseful. In a lot of cases (consciously or not), your audience will call your bluff, when you threaten to kill off a major character.

If you think back to major character deaths where something drops them without warning, part of what makes those scenes work is the lack of (apparent) setup. The writer didn't spend pages teasing you with the idea, they just went for the throat and ended that character on the spot. This is more respectful of your audience, because you're not telling them, “well, I might kill this character, or I might not.”

To be clear, I'm not saying that there's no place for teasing your audience with a character's impending demise, just pointing out that in a lot of cases, this won't generate the kind of suspense you'd hope for.

So, to get back on topic, how do you make it interesting? Remember that while this character can't die, the same is not true for the characters around them. Depending on the tone you're going for, you could create an absolutely brutal crucible effect, where everyone around your immortal gets burned off, sooner or later. Whether that's literal, or figurative, is up to you. Even if your character can't die, watching people they care about suffer and die is going to have an effect on them.

You probably don't need to draw special attention to the physical pain they experience, but you do want to be aware of it. Especially in the context of how pain affects the victim's behavior. Beyond that, there is probably an element of pain being far more annoying to the immortal than it would be to a normal person. They know it's not telling them anything meaningful, but it is distracting.

Long-term, both of these can easily result in personality shifts. And, legitimately, this is a scenario where a character may be immortal, but they would still experience significant changes over time, and with the growing emotional pain, could have very adverse effects on your personality. This does have some very real, “live long enough to see yourself become the villain,” potential. How many friends can you lose before you stop caring? How many funerals can you attend before you start taking the phrase, “you're either part of the solution or part of the problem,” a little too far? How many times can you pick yourself up off the pavement a blood-covered alleyway, surrounded by corpses, before you start to forget what made you human in the first place?

And, that's not the only option. The simplest answer for maintaining tension when one of your characters is immortal is keeping your eye on what they're trying to accomplish. Keep track of their objectives, because I guarantee they can fail those. Even just keeping their own nature concealed from the mortal world is probably fairly important, because of the idea that men in hazmat suits will drag them away to some research lab and poke them until they figure out how to replicate their immortality, is a classic (and potentially plausible) threat. (Bonus points, if you're wanting to loop in something like the medieval inquisitions, or some other secret societies that could pose this kind of a threat.)

So, what do you do? To dig out an old cliché threat, “there are fates worse than death,” and it's probably worth exploring them. This also opens up new possibilities for threats. Finally, it's worth remembering that immortality does not guarantee success. If your character is hoping for that, it might be time to give them a very harsh lesson.

-Starke

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#writing reference #writing advice #writing tips #how to fight write #starke answers

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raven-at-the-writing-desk · 1 month

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I've been dreaming of the Seeker of Cradles.

He swore to protect them. His children, his princess, his country.

Lives are precious, and he will not see them snuffed out prematurely.

How does a moment last forever? How can a story never die?

Lilia acts before he can think.

He pays no mind to the audible gasps of the senators, to Baul’s worried pleading. The only voice he listens to is the one that draws him like a moth to a glowing flame.

It’s a shrill cry, the sound any infant makes. But the sob is filled with an overwhelming sadness, a deep desire that resonates with him. Lonely, longing for love.

It breaks his heart, makes him tear up.

“Wait for me!" he shouts. "I’m coming to you right now...!”

He thunders up the steps of Cradle Tower, bracing himself against the lightning hurtling his way. His hood is thrown off, hair whipping, slapping him in the face and standing on end. Lilia fears no man--but in the presence of such sheer, raw power, he's compelled to cower.

He soldiers through, forcing himself up another step. Right as his foot connects, a wild bolt comes down hard, striking him.

Lilia lets out a guttural cry, his small body keeling over. Every fiber of his being screeches in pain.

"Vanrouge-dono...!!"

He stays stationary for one long, awful moment. Then--a sharp intake of breath--and he miraculously rises on trembling legs.

"H-Hah..." he grits out, clutching onto himself. "Is that... Is that all you've got?! It'll take a lot more than THAT to take me out. Your mother has made me deal with tantrums far worse than this!!"

Lilia resumes the arduous climb. More lightning is lobbed at him. Wincing, he wills his aching muscles to weave as best he can around the incoming attacks.

He's nearing the top of the stairwell now, where the power is most concentrated and the wind howls like a banshee. Lilia raises his voice, calling over the storm.

"Are you upset because no one's paying attention to you? Well, you're wrong!! Everyone... Everyone is terribly worried about you!!

"You're such a spoiled child, rejecting your grandmother's magic. Do you know what will happen to you if you don't take it?! You'll die. You'll DIE, and all the people who sacrificed themselves so you could live was for nothing. You don't have the luxury of choice!! You MUST live!!"

The future depends on you.

He doesn't know if the unborn child can understand him or not. It must, to some extent, because the screaming in his head escalates to a frenzied pitch. A strong gale nearly knocks Lilia off the tower--he grasps onto a column and inches closer to its treasure.

The dark, speckled egg floating inside of a barrier.

"You stubborn thing!! Lilia scolds, pushing against the magical shield. His palms burn, as if coated with acid. "If you still refuse... then take me instead of Maleficia...!! I'll give you everything."

He pushes, the barrier holding firm. Pain climbs up his forearms, eating him alive from the inside out. He feels his energy being leeched, his flesh screaming, on fire, as it is sucked out.

"My love..."

The barrier shudders, shakes.

"My magic..."

His biceps are searing, his blood, molten.

"My life...!!"

A crack.

"Accept it all, Malleus...!!"

It breaks.

Lilia falls through, arms extended toward the egg. He entraps it, hugging it tightly against his chest. It’s warm. Malleus is warm, and Lilia can feel a faint flutter of a heart on his skin. Contentedness floods him, even as he feels the pull of magic as it is drained and hungrily devoured.

The egg gives off a green glow from within. The light grows brighter and brighter, until—

“Kyuuuuuuuuuuu!”

Suddenly, an explosion of blinding white. The shell splinters and sheds.

There is no egg in Lilia’s arms, but a lizard with raven scales and a violet underbelly and spines. It blinks up at the general through round, reptilian eyes, belching a line of emerald fire.

“A-Ah… You are…” Lilia’s knees go weak. He falls to the ground, still cradling the baby to him. “Malleus…! You’re here at long last. I… I-I…”

He doesn’t realize it, but he has started to cry uncontrollably. Fat tears dribble down his cheeks and land on the baby dragon’s hide.

Lilia allows himself to wail. It’s ugly, full of raw emotion. Less human and more like the cry of a hideous beast.

From below, cheers and praise float up to him.

“Our hero!”

“Congratulations, Vanrouge!”

“The prince owes his life to you.”

Their words sting his head. The world wavers, wildly distorting--Lilia can't tell if it's his tears blurring his vision or not.

He crumples over with a groan. "M-My head... Agggh!"

"Kyuuuu?" Malleus pads a claw onto his cheek, confused.

The senator's voices are growing louder, angrier.

"VANROUUUUUGE!!"

"What has he done?! This is going to be a scandal--a scandal, do you hear me?!"

"Oh, to think that a disgusting bat has tainted the noble Draconia bloodline...!"

The contradictory shouts mix. It feels like there are fists beating his skull in from both sides. Lilia hangs his head, pulls at his hair, tries to understand the clashing sounds.

That's when he senses the presence of a shadow standing over him.

"I’ve found you at last, Lilia.”

He slowly raises his eyes, careful to keep Malleus guarded with his arms. There is a man in black robes towering over him, his mouth fixed in a frown. A pair of horns protrudes from his head, crowning his ominous yet regal aura.

“What… Who are you?!” Lilia demands of the stranger. “That face, those horns…!”

They're just like Levan and Meleanor's.

The stranger ignores his question. His expression has morphed from displeasure to anger. "Insolent fools!! How dare they speak ill of you. There will be severe consequences for this.”

The air stirs, chilling. Thunder crashes in the distance, seemingly in response to his fury.

He regards Lilia again, his voice dropping to a dangerously dulcet coo. “Ah, but you needn't concern yourself with them."

He takes a stride forward, and Lilia shrinks away. "S-Stay back! I'm warning you...!"

"What sort of a dream would you like to have this time, hmm?" he asks nonchalantly. "A dream in which mother and father are still by your side? A dream where you can live freely with your children? A dream for you to find true love? Just say the word, and it is yours."

With each suggestion, Lilia backs up further and further--until he is nearly at the platform's edge. Wind blows from below, sending hair and fabric flapping.

Here is the devil, come to tempt, and the jaws of death behind him.

The stranger bends down, his smile serpentine and eyes iridescent, twisted with obsession. Charming as a snake. He extends an arm, palm open. "Come, Lilia. Take my hand."

“FATHER!!”

CLANG!

A bolt of silver arrives, expertly blocking Malleus's outstretched hand. He stumbles back, glaring at the two bodies that put themselves between him and Lilia.

“You are…”

“Are you alright?” The quiet question comes from a boy with aurora eyes—clear as a cloudless sky.

Silver.

“Lilia-sama, stand back!!” His partner, Sebek, barks, baton at the ready. “We will protect you!”

“What nuisances,” Malleus snarls. “Still you insist on disrupting these dreams? It is a hopeless endeavor.”

“Maybe it is.” Silver tightens his hold on his own baton. Resolution threads his voice, and he stands his ground against the encroaching monster. “But we will never stop trying until we’ve broken through your blessing.”

“Bless... ing?”

The single word is like magic. One droplet rippling in a pond, setting off a chain reaction.

Memories fire off—the departure, the packing, the party, well wishes, the thorns. Someone screams, jet black tears streaming down their face. The wrath, the hurt.

“I DON’T WANT TO LOSE YOU!!”

The fog lifts from Lilia’s head, and the world clears. The identity of the horned stranger, the same as the baby dragon he holds.

Malleus… It’s you. It was always you.

Lilia gives a shaky laugh. "This is no blessing, boys. It's a curse."

Malleus glowers. “… You’ve awakened, haven’t you?!”

“That’s right. It seems I was dreaming for quite some time too—but I’m alright now, thanks to Silver and Sebek~”

“Father…”

“Lilia-sama!!”

“You too then… You’ve decided to turn traitor on me.” He hisses it, loathes the taste of treachery.

“No, Malleus.”

“Kyuuuuuu?”

Lilia steps beside his students—a general joining his knights. Ruby meets emerald, glittering with defiance.

“We’re going to save you, simple as that 🎵”

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crystaljellie · 1 month

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I honestly think that there are so many interesting songs that fit the life series characters so well, so I’m going to talk about them here and explain why I associate them with these songs!

Bdubs - Never love an anchor by the crane wives

"With this heart of mine that's guilty, not remorseful" | It's guilty because Bdubs feels bad, he feels bad he couldn't achieve what he should. He feels bad that he killed Impulse in third life, betrayed him, and even then it got him nothing. He's guilty because he knows the harm he's caused

"There is love that doesn't have a place to rest, but it would burry you if it had settled on your shoulders" | I notice that Bdubs has a lot of trust and faith in his companies, something about this brings back the 'He loves me' scene from last life back. Bdubs loves a lot more than people seem to think he does, so he must hold it back in case of that love being used against him

"I am selfish, I am broken, I am cruel" | Maybe things that Bdubs wants to be, for the sake of letting go and letting himself detach from these people so losing them doesn't hurt as much. Letting other people label him as such

BigB - Know How by the Crane wives

"I am not brave; I keep my focus on what is safe," | I think this is fitting to BigB even if it's not necessarily true; I think from his perspective how he feels, ignoring how he is actually very brave. But at the same time he does keep his focus on what is safe, there's a reason why he always makes it to the final or session before the final.

"Just because I know what I'm supposed to do now, doesn't mean I know how" (Edited line to be shorter) | I'm not sure how to explain this but I do think it really fits him, he knows all the things he's meant to do, to survive, for example killing with the boogeymancurse, but he dragged it out till the very very end before he killed Cleo in last life, because he didn't know how he was supposed to do it.

Etho - I don’t know anyone I am by Salvia Palth

"I don't know anyone, I am in relation to anyone I guess" | Etho has always been seen as a loner throughout all seasons, he doesn't very much get the time to make meaningful bonds or understand his teammates. It makes sense he would struggle to see himself as more than just a survivor as well, he hasn't given himself the time to focus on anything else.

Scar - Icicles by The Scary Jokes

"Their shallow observations will only stall the transformation" | This is very secret life scar to me, maybe something something the watchers talking to him, everyone forcing the title of villain onto him, yet the watchers see him as a gift to them, as a victor and they're trying to make sure Scar keeps doing what he has been and not back out because they're calling him 'villain'

"But I admit it would be easier, To be relieved of all this shame and not have to wear it on my sleeve." | This fits Scar's feelings on the matter, not wanting to go forward, not wanting to be shamed and outcast by the rest of the lifers.

"I can only be forgiven if I'm giving myself up to you" | Secret life in general but also back in 3rd life, Scar believing he can only make up for killing Grian at the end by having Grian kill him, something something 'slay me and take the enchanter'

"My world has turned so cold, but I won't cry, 'cause icicles don't soften when they die so why should I" | Despite Scar being constantly alone, he stayed strong he never 'softened' or cried he also became cold which is why he won.

Grian - Bird Song by Florence + The Machine

"And he sang about what I'd become" | How Grian had slowly lost his mind in third life as well as all the other games, how Grian had became someone obsessed with getting kills, going out of his way to trick and trap people and find loopholes to kill

"I picked up the bird and above the den I said 'That's the last song you'll ever sing" | Grian doesn't want to think that he might be a bad person, or he might be going crazy, so he has to silence anyone saying otherwise, anyone that might prove a danger to him. Maybe because he can't let the watchers get word that he's exactly who they say he his. Maybe even so this is relating to the theory that he might have been the one to curse Jimmy.

Impulse - A Mask of My Own Face by Nature Tapes

Okay now hear me out on this one, Impulse is constantly in and out of alliances especially in third life, lying to everyone to gain vantage.

"And none of them would know that I am secretly myself" | Because they trust that Impulse is putting on a facade all the time, but maybe what they are missing is that the facade is what he considers to be him. Or at the very least keeps him safer

"I'd blame it on the person that nobody knows I am" | Something about him always being like 'Oh I did this so they'd trust me more I'm still on your side I promise' Or 'I did this for the task!' When he could have absolutely targeted anyone else.

Martyn - Metaphors by The Crane wives

"I've gotten good at living on someone elses page" | It's the way Martyn is always deceiving and always planning to betray, living on someone else's page, being content and loyal until he has the chance not to be.

"You can't trust a single thing I say" | Idk something about him talking about how he was planning to betray Ren in third life.

"Don't look too hard cause you won't like the scars he left in me" | THIS BEING SO TREEBARK LISTEN TO ME. HE GAVE UP SO MUCH TO REN THERE ARE SO MANY SCARS CAUSED BY FOLLOWING THE ORDERS TO KILL SOMEONE YOU LOVE

Lizzie - The Crooked the Cradle by The crane wives

"There's blood in the water" | Thinking about Lizzie showing up in limited life to play Pearl and the first thing she was tasked with is killing. Like she showed up and instantly was given the title of boogeyman, a gimmick that was only there in the one other season she was in, a sense of familiarity and a sense of dread.

"The quiet are restless the silent are still" | When there is peace on the server and it is quiet there are people waiting to kill. When it is silent it is because all is dead. And Lizzie knows that well being quick to die each time, she is the silent, especially when she fell into the void, she died alone and in scilence.

"If Mercy's abound I'll be safe I'll be sound, and the devil won't know of the love I just couldn't let go" | Something about Joel being the cause of her death In Secret life... loved him so much she went down for him, she couldn't let it go and it got her killed.

"Can anyone hear me?" | Her in the void not being able to be heard....

Mumbo - Saint Bernard by Lincoln

"To remind me that I am a fool" | I am very strongly of the headcanon that Mumbo is also a watcher, something something he needs to remind himself that he is fooling himself into thinking he could fit in with the world of the watchers or the world of the players

"When I am dead I won't join their ranks because they are both holy and free" | And Mumbo's not, Mumbo doesn't get to go where they go, he still has more to do, more to make up for. Still instructions left to follow

"There's really just one thing that we have in common, neither of us will be missed" This is so Mumbo talking to Grian coded for me

Pearl - Here I am by the Crane wives

"How long have I been here all alone" Double life Pearl in her tower....

"Settled in, had a plan but I never factored in, Everyone else saying goodbye" | Basically also double life Pearl she had a plan with Martyn go to the nether get stuff come back find her soulbound, and then they all left her.

"This ghost town is making a ghost of me" | Everyone dying around her, and being alone like this without chance of redemption slowly killing her.

"I promised myself I'd learn to be the one who leaves" | Throughout the next games, like secret life, she'd be the one who leaves instead of gets left behind, but she didn't seeing how she was always last one alive out of her teammates

Skizz - Wrecking ball by mother mother

"I made a fist and not a plan" | Skizz is usually quite reckless and goes action first plan second.

"You gotta see the artistry In tearing the place apart with me, baby" | This but more in the ironic sense, because Skizz while he wants to reign chaos he is also fiercely loyal and kind to his allies, so tearing the place apart with me, is important. He doesn't just want to cause chaos he wants connections

Scott - Icarus

"Climb ye higher and higher and higher 'Til you're far away and breathing cleaner air" | Scott winning last life, climbing higher and higher through the ranks until he breaks through the clouds into what he had hoped was cleaner air spoiler alert it’s not.

"Who have you become in the wake of all that's happened here?" | What’s happened to you, what happened in last life that changed you, what made you so cold and bitter and so quick to assume the worst when double life came

"Spreading out the ashes of a love That only gave and gave" | Either this as flower husbands, being the ashes of a love that only gave to others, or specifically Scott’s love, that only gave and gave to the one whom he loved

"There's no room for all the hearts who will not stay" | For the people who will not stay with him, the watchers pressuring him to do better and leave the, behind. He won’t though.

Joel - The Wolf by the crane wives

"I will join the wolf at my door Breathing out storms when she comes around" | Well yes we know Joel is a dog boy clearly, but also how he is oh so aggressive to everyone he meets, ferocious and knocking things down.

"I am always burning, burning, burning" | Burning with rage? Burning things down? So many emotions they're lighting up his world so much that it blinds him from seeing anything else

Jimmy - Hollow Moon By the crane wives

"In the darkness, Slowly crawling over my skin, Whispers at the door, "let us in, let us in" | Whispers of the watchers, or maybe his curse, something knocking to let death in.

"I won't be sleeping, There's too many monsters in the backyard" | Okay yes funny because of Minecraft mechanics. But also, idk something about Jimmy not being able to see the watchers but still feeling their presence.

(I'm giving Jimmy an extra song because he's special)

Strawberry blond by Mitski

"I love everybody because I love you When you stood up, walked away barefoot And the grass where you lay left a bed in your shape I looked over it and I ached" | YES I AM BACK ON MY FLOWER HUSBANDS BULLSHIT! Trust me so much they're so insanely in love, they love the world because they love each other, their relationship is so sweet and soft.

"All I need, darlin', is a life in your shape I picture it, soft, and I ache" | because all they ever needed was each other, not the death not the violence, just to be in love

Tango - Monster by Dodie

"I'm guessing that I've grown horns I guess I'm human no more I can tell I've rotted in your brain" | Tango's anger and wondering if those reactions made others see less in him. Make him a monster

"You think I'm a crazy bitch I craft my words to fit your head 'Cause no one listens to the dead" | Idk... something about this and Tango, he always dies relatively early too, maybe it's only death that'll comfort him

Cleo - The Garden by The Crane Wives

"My stone, My shield, my steady hand, Hold your light To the darkness in my head" | Something about this being about how Scott has been her friend and ally throughout all seasons

"Give me something pretty to wear beneath my blood-stained clothes" | I CAN'T EXPLAIN IT BUT THIS IS LIMITED LIFE CLETHO, DOES ANYONE HEAR ME PLEASE TRUST

"My darling, the devil knows my name" | Cleo makes a name known for herself by fighting, making a point with their sword

"Get on your knees and, Dig up the garden, Won't you throw down that spade and, Dig up the garden, darling?" | Something something a wife talking to her husband

Ren - Arms Tonite by Mother Mother

"I died in your arms tonight" | Martyn killing Ren in 3rd life....

"I lost sight in your arms tonight, it was nice" | Lost sight of the goal so obsessed with his kingdom and the Red army

"I cry hard because I have died, and you're alive" | Martyn out living him (Not by very long) In third life

Gem - The Well by the Crane Wives

"All the words I couldn't say to you Fill up the spaces in my chest" | This being Shiny Duo and Gem and pearl being on different sides unsure of how to stay together

"Send me anywhere, take me out I'm the well they're gonna drag you down" | Gem knowing she's only going to be used as a catalyst to hurt others despite her wants

"That old house, those rotting memories Burned easier than I'd have thought" | Those short memories of limited life being replaced by the nicer memories of at least the first half of secret life

And I am done yapping, mayhaps I will do more someday

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fettuccinealfred0 · 4 months

Text

Til Death Do Us Part | Part 1

Masterlist

Astarion x f!reader, Arranged Marriage AU

Word Count: 6.5k

(CW: general vampirism, period typical sexism, neglectful parenting)

Summary:

“I must thank you for your company. I fear you have been the highlight of my night.” Astarion gives your hand an affectionate squeeze before he’s dropped it and disappeared into the night.

You stand there for a moment, dazed and coming back to your senses. Your skin is still flushed and hot as you imagine again what Astarion’s lips might have felt like against the back of your hand. Or perhaps pressed against your own? You think of Astarion and his sweet words and beautiful face. Perhaps it was possible to marry for love, after all. Perhaps Astarion would be your saving grace. For who couldn't resist ending the night in love with that man?

Read on ao3 here

The carriage creaks and groans as it makes its way up the hill. You feel the stern eyes of your father pressing into you like a heavy weight, a reminder not to forget the importance of the night, a reminder to know your place, girl.

Your entrance into society had been underwhelming, to say the least, and you could rapidly feel your father reaching a point of resentment that he still hadn’t been able to marry you off. Being the youngest daughter and with your mother passing when you were a young girl, you were simply a loose end that your father needed to tie off before he could go back to doing whatever it was noble men liked to do in their free time. You always assumed it was a lot of drinking and hunting.

You didn’t particularly want to be married, so you hadn’t really been entertaining suitors. What was the point of shackling yourself to someone if not for love? What was the point of allowing a man to own you and control you? You’d much rather spend your time alone with a little house, to garden and read as you please.

But, an unmarried woman is a dangerous woman, and that cannot be allowed.

So, you were in the carriage, attempting not to shrink under your father’s gaze as you headed off to a ball that seemed to be a last ditch effort to see you married. You stare down at your dress, instead, intently studying the shimmery embroidery and beadwork. It truly was a stunning dress, perhaps the nicest you had ever owned. The corset was pushing so hard at your chest that your bosom threatened to spill out of the top. You were not an arrogant or boastful person, but even you had to admit that you were breathtaking when you saw yourself in the mirror. A ripe fruit ready to be plucked by a husband, as your father had said.

The carriage rolls to a stop and you would prefer to jump out and take in a deep gulp of air to calm your nerves. But, you must always remember your manners first and so you patiently wait for the door to open and the escort’s hand to assist you down from the carriage.

The manor is fantastical, beyond even your wildest dreams. The entryway is full of candles in gold and gem encrusted candelabras, flowers blooming everywhere you look. The brilliant red and white roses fill the summer air with a sweet, perfumed scent. The House of Ancunin was always known for their opulence and it appears the newest young lord plans to continue the family legacy.

The Ancunins had been around for generations, their secrets and mysteries kept locked away in their manor on the hill, doors only opening for the occasional, extravagant party. It had been a long time since a ball had been hosted at the manor. For many years, it appeared that the noble family line had threatened to die off and fade into obscurity.

But recently, the new Lord Ancunin had made his presence known and celebrated his arrival into society. There were rumors that he was a bastard or that he had bought his title as the last ‘real’ Ancunin had died off. But nevertheless, this was the first time the manor doors would be open to the public again since the days of your grandparents- and everyone will be flaunting their wealth tonight like desperate peacocks.

You try to keep your mouth from falling open as you gawk at the ornate entryway, littered with art that it would take hours to fully appreciate. You would rather stop and admire, but your father rushes you into the ballroom. You’ve been reminded again and again what your job is for tonight- to dance and flirt and stop chasing nice men away.

The ballroom, with its giant windows and chandeliers seemingly floating in the air stuns you when you walk in. You’re immediately swept onto the dance floor as the orchestra swells in a symphony of music. You catch the way your beaded skirt reflects the light in the mirror as you twirl and for a moment, you’re stunned when you see yourself. You look radiant. Perhaps the only person in attendance who seems to match the grandeur of the ballroom.

Your first dance partner is dull, to say the least. And the next speaks only of himself, hardly paying any attention to you. You catch a break every now and then with a man who is at least light on his feet, but your night seems to be doomed to a vicious cycle. Dull and selfish, dull and selfish.

As you continue to lament in your head, you’re glided into the arms of a new partner. It takes a minute to pull yourself back to reality. You had expected yet another brainless Sergeant regaling you with stories of his military prowess that you would be forced to pretend to listen to. When instead, you’re met with silence, you finally turn to look up at your new partner.

Your breath catches in your throat and you feel your heartbeat quicken dangerously. The man’s stunning eyes quickly dart down to your throat before returning to your face. Or perhaps he was looking at your cleavage? He certainly wouldn’t be the first man tonight to fall victim to the wonders of corsetry. And was it just a trick of the light, or are his eyes red?

This man is undeniably the most beautiful person you have ever seen. The light from the room catches against the white curls meticulously framing his face, creating a halo. It seems impossible that this apparition might be human and not some hallucination conjured up in your boredom.

“Forgive me for intruding,” he says, in a sweet, melodic voice that seems to lilt in time with the music. “But I could no longer endure your absence from my arms.”

You’ve somehow managed to keep in step while you’ve been waxing poetry in your head about the stranger in front of you. Perhaps it was a testament to the many years of dancing that were drilled into you growing up, or perhaps it was because this angel was so good at leading you. But your footsteps do falter at his words, only a step or two before he’s guided you back on track. He’s still looking at you expectantly and you remember that you need to talk, that you can’t just keep staring at him in awe.

“Well, now that you’ve caught me, what do you plan to do with me?” You sound ridiculous, you think. Voice timid and tapering off a bit at the end from nerves. This is not who you are, some silly girl, driven half-mad the first time you’re given attention by a man.

But the man looks down at you through his pale lashes, eyes deep and dark with hunger and you think you might drop to the floor and weep and beg for him. A part of you wants to offer up your neck so he can rip your throat open with his teeth.

His voice is low and dangerous, like a predator, and it fills your stomach with a warmth that spreads through your veins. “Darling, I plan on never letting you go again. They’ll have to tear you away from me at the end of the night.”

You can’t quite remember when your throat got so dry, but a breathless, strangled sigh involuntarily leaves you at his words.

“Nor would I want to be anywhere else,” you manage to squeak out and the satisfied smirk that spreads across his face is worth it.

The music swells again, the song coming to an end and you dip as the dance requires. The man bends with you and you feel his breath against your neck. He must be nervous, too, you think because his breath comes out as sharp puffs of air. Deep in your mind, a part of you wishes that he would close the gap and his luscious mouth would make contact with the delicate skin of your neck. You have to remind yourself that would be ridiculous and improper in the middle of a dancefloor.

You stay dipped in his arms for a few seconds longer than necessary, much longer than what is considered appropriate in polite society. Your eyes fall closed and you feel your tongue wet your lips as he breathes against your neck. You savor that moment, locking it away in a secluded part of your mind so you can relive it forever. All too quickly, you’ve been lifted upright again and twirled on your feet.

“You’re an exquisite dance partner, madam,” the man compliments. You realize he’s trying to politely ask for your name and you give it to him. You would gladly give him anything he could ever want. You’re half desperate to rip the heart from your own chest and offer it to him on one of the gaudy platters that waiters are serving drinks on.

The man repeats your name with a wicked grin and you feel said heart stutter in your chest.

“My father would preen to hear your compliment but in truth, I believe a woman is only as good of a dancer as her partner, sir,” you reply, truly shocked at the coherency of the words managing to tumble themselves out of your mouth. “May I ask your name?”

“Lord Ancunin,” he replies and everything connects. So, this is the mysterious lord of the manor. You can see why he keeps himself locked up in secrecy. He could bring the world to ruin with that handsome face.

Lord Ancunin twirls you out and pulls you in close to his chest, his breath a deep whisper against the shell of your ear when he says, “Though, I hope you will call me Astarion.”

“Fitting,” you giggle when you turn to face him again and he quirks a pale brow up in question. You give him a dazzling smile of your own as you say, “A face as beautiful as yours belongs up in the night sky next to all the other stars.”

You did know how to be charming if you wanted to, even if your father never seemed to believe you.

“Ah, so you do know how to spin honeyed words back at me. Have I finally met my match?” The smile he gives you is mischievous and it makes you feel like you’re in on some inside joke with him. You like that feeling, you realize. The feeling of just you and Astarion, wrapped together in a world all of your own.

“If all it takes is a few sweet words to impress you, I am lucky you have found me so early in the night, before the crowd can woo you away from me. For surely everyone here will sing praises meant to dazzle our mysterious host,” you offer him a teasing smile of your own. He lets out a scoff and rolls his eyes.

“Oh, but darling, the words only matter when they come from your sweet lips. The rest of this rabble is nothing compared to you,” Astarion’s hand has dipped ever so slightly lower along the curve of your waist as he speaks in a low, rich voice. His touch, combined with his words, send your head spinning. You’ve received flatteries and had your flirtations like any woman, but there’s something about Astarion that is addicting and leaves you craving more.

Astarion has guided you to the edge of the ballroom floor by the massive windows overlooking the gardens, exploding with all varieties of blooms. Even in this darkened view, they’re stunning and a part of you wishes to go out and explore them. Perhaps you can convince Astarion to join you and you could walk with your arm tucked in the curve of his, letting your fingers ‘accidently’ sneak down to feel the sinewy muscles in his forearms.

Your mind wanders, questioning if Astarion spends much time out in the gardens. Or what he does all day up in his manor on the hill. As any noble Lord, there’s bound to be servants, but you doubt Astarion has any family. The Ancunin line was about to die out before Astarion seemingly appeared out of nowhere to revive it. It’s sad to think of him spending his days up here with no one who loves him, a fate you had grown intimately familiar with yourself after the last of your brothers moved away.

“Is it lonely up here by yourself?” You ask brazenly. Your own voice surprises you as you speak the question you’ve been wondering aloud. Astarion’s mouth opens slightly and he’s silent, as if you’ve managed to shock him to his very core. The shake of his head is nearly imperceptible before he’s schooling his features again, lips curling back into a cutting smile.

“Perhaps I’ve simply been waiting for your company,” he says, but you’re a bit disappointed by his empty answer. Though, you suppose it was rather rude of you to ask a deeply personal question in such a public setting.

“Do you like the gardens?” Astarion redirects the conversation, noticing how you’ve been staring intently over his shoulder at the greenery through the enormous glass windows.

“I’m quite fond of roses,” you tell him, a bit shy at the confession. Your mother used to have a few bushes that she cherished when you were a little girl, but they had died with her.

“Roses are very beautiful, as long as you don’t mind a few thorns.”

The double meaning behind his words is obvious to you in that moment, though Astarion is far more beautiful than any silly little flower you’ve ever seen. His beauty is just as sharp though, just as deadly. You wouldn’t be surprised if people had killed for this man, if people had died for him.

“I’ve always had a special talent for avoiding them,” you give him a teasing smile back and his eyes sparkle with glee at your response. They’re such an unusual shade. In this dark corner of the room they appear an unnatural brown-ish red. They suit him, obviously, as if every feature on his face was carefully selected to create the most perfect man imaginable. But those eyes give him a dangerous gleam that makes you want to drown in him.

“I don’t doubt that at all, little flower,” Astarion says with that low voice that sends arousal pooling deep in your stomach.

Your heart stutters at the endearment. Little flower. Not a practiced, rehearsed platitude, but something just for you. Something based on a moment you had shared together. You hope against hope that you aren’t making this moment up in your head but no, Astarion is here and he’s real and maybe everything will work out alright. Maybe marriage doesn’t have to be a curse that plagues you for the rest of your life.

Before you can speak, a man with dark, graying hair approaches Astarion, whispering quickly in his ear. Astarion’s gentle smile leaves his face as he listens intently. When the other man steps away, Astarion’s blazing gaze returns to you.

“I do apologize, my lady, but I have an urgent matter I must attend to,” Astarion’s lips are still turned down into a tight frown as he sweeps into an elegant, over-the-top bow. The motion looks so natural on him.

When he rises, he takes your hand in his own. You feel your breath catch in your throat as his lips brush against the back of your hand. You really wish you weren’t wearing your stupid gloves and could truly feel the softness of his lips against your skin.

“I must thank you for your company. I fear you have been the highlight of my night.” Astarion gives your hand an affectionate squeeze before he’s dropped it and disappeared into the night.

You don’t know how you’re expected to dance with or entertain anyone else the rest of the night. Not after Astarion. Not after you had met perfection. You spot your father, head bowed and distracted in conversation with a short, greasy man.

You sneak out of a large glass-paned door into the garden. The roses out front were just a preview of the true beauty hiding here. Blooms of every size and color swirl together. You follow the well-maintained paths, entranced, noting the flowers you recognize and staring occasionally at a flower you’ve only seen drawn in books.

You’ve wandered quite a ways from the party when your ears pick up a quiet rustling, compelling you to investigate. Your curious nature had always been a curse: it had gotten you chastised by tutors when you read books that were not meant for a young lady’s eyes, and had earned your father’s ire when he discovered you sneaking in to watch and learn from your brother's sword fighting lessons.

In this moment, your inquisitive spirit wins out again, and your feet move, almost of their own accord, in the direction of the sound. You hear it again. It sounds like a person, or perhaps… was that a moan?

You find yourself in a secluded area of the garden and debate whether you should turn back for fear of intruding on a couple’s private moment. As you turn to leave, you freeze, eyes catching the glimmer of pale silver hair in the moonlight.

Your heart sinks to your chest. Of course. Astarion is so beautiful it only makes sense that he would have lovers clawing the doors down for just a moment with him. In retrospect, it seems rather cruel of him to praise you as the highlight of his night when he was leaving you to meet with another woman.

Unable to look away, you see Astarion holding a beautiful woman in his arms, dipping her just as he had dipped you only a short while ago. But this time, he’s closed the gap and his lips are pressed against her, kissing her neck. Her eyes are closed in what you assume to be ecstasy.

And all you had gotten was a kiss over a gloved hand. An angry, jealous wave flares within you and you have to take a deep breath to calm yourself. The last thing you need is to reveal your hiding spot and make even more of a fool of yourself tonight than you apparently already have.

You’re hidden out of their sight, positioning yourself strategically behind a bush. Not that they would even notice you with how enraptured they are with one another right now. You don’t know why you’re even staying. Perhaps there’s some masochistic part of you that wants you to remember this hurt, remember that this is why you don’t hope, that marriage born from love was a lie that only fools believe.

You watch, ignoring the emotions boiling inside you and the gut wrenching pain that makes you feel as if you’ve been stabbed. Only… the more you watch, the less Astarion seems to be kissing her neck and the more he seems to be sucking at it?

Astarion parts from the woman and when he tilts his head up, the moonlight glints against the dark rivulets of blood running down his chin, his hand reaching up to wipe it clean.

You can’t help the shocked inhale that manages to escape you and you see Astarion’s eyes open and whip over to your hiding spot. You had questioned if his eyes were red before, but you’re sure now as they practically grow crimson in the darkness.

Your mind is reeling, you need to get out of there. You aren’t even entirely sure how you got to this part of the garden, but you rush back toward the direction of the manor as fast as you can on your trippy, heeled shoes, doing your best to only stumble minimally on your flowing skirts.

There’s no way it can be true, but you’re certain Astarion had been drinking that woman’s blood. You had heard the myths and legends about vampires, but it seemed impossible for the creature to exist in real life. Vampires were just scary monsters used to keep children from roaming in the dark, weren’t they?

Suddenly, everything clicks. Astarion’s unbelievable beauty was nothing but a farce, a trait evolved by a predator to draw you in. And of course, you had fallen for it like the silly little girl you were. A few minutes ago, you would have been willing to split yourself open for him to devour. He could have offered you the knife and you would have gladly let yourself bleed for his affections.

Now, your heartbeat pounds in your ears, so loud you can’t tell if you’re hearing the thud of your own heart or of Astarion’s footsteps chasing after you. You think back to the woman. Did he mean to kill her? Did he mean to kill you, too, now that you had caught him?

The doors to the manor are finally in sight when you brave a peak over your shoulder. Sure enough, Astarion is rounding the final curve of the garden as you slip through the glass-paned doors.

You force yourself to focus, to think. You can’t help wondering if this is how a rabbit feels when it’s being hunted. How it must know that its very survival depends on its ability to think quickly and get away.

Attempting to disguise yourself in the dancing crowd, you wind artfully between different partners and move in confusing, zig-zagging patterns so Astarion cannot follow you. But, you keep catching glimpses of white hair out of the corner of your eye, Astarion never falling too far behind.

Your new dance partner is twirling you to the next person when you see the vampire’s red eyes over their shoulder. As he stares at you with a barely stifled rage, you can’t see anything but the red that was dripping from his chin a few minutes ago and it sends a new wave of urgency through your veins.

Your head whips around and loosens a few pins from your intricate hairdo. The strands fall in your eyes as you frantically scan the crowd for an escape, or at the very least, your father. His disappointment and rage at your lack of a marriage prospect tonight is certainly preferable to the death you are certain you will face if Astarion manages to catch you.

When you look up, there’s a silver mirror in front of you. You look rattled and a bit disheveled, but Astarion is nowhere in sight behind you. Finally, you allow yourself to let out the breath you’ve been holding, shoulders dropping in relief.

A cold hand curls heavily around your shoulder, sending goosebumps skittering across your skin and you look up into Astarion’s angry eyes which shine a brilliant ruby red. Your mind reels and you glance between him and the mirror a couple times because he is standing right next to you but is noticeably absent from the mirror’s reflection. You hate yourself for making such a stupid mistake, for forgetting the rules about vampires, the monsters who didn’t have a reflection.

“Come with me,” Astarion’s voice is cold, so opposite of the sweet tone he used earlier while you danced. He uses his grip on your shoulder to start pulling you away from the crowd. To kill you without making a scene.

“No,” you cry out and try to pull away from him but his fingers dig into your collarbone even harder and it starts to hurt. He’s supernaturally strong as he drags you beside him further and further away from the dancing crowd, further and further away from any hope of salvation.

You should let out a scream, alert someone, do something. It’s not in your nature to go down without a fight.

“Stay quiet if you wish to live through the night,” Astarion hisses against the shell of your ear, like he could tell what you were thinking. You hate that his voice still sends a warm tingle down your spine.

Astarion pulls you around a corner to some sort of secluded closet where he flings open the door and pushes you inside. He’s got you crowded against the wall, his forearm angled so it’s pressing against your windpipe. He isn’t pushing hard enough to restrict your airflow, but his arm is a heavy reminder that he could if he wanted to. A reminder of the threat of death looming over you.

“Whatever you think you saw, you didn’t,” Astarion tries to rationalize with you, his eyes hard and unwavering as they stare into your own. Like if he says the words with enough conviction, he might just convince you.

“You’re going through a lot of trouble if I, in fact, didn’t see anything,” you point out, which is maybe not the smartest argument to make in the face of certain death. You always had a bad habit of saying the wrong thing at the wrong time. To keep yourself from making this bad situation even worse, you bite the inside of your cheek to keep quiet.

“Impetuous woman. I was trying to hel- I mean…” Astarion grits his teeth in frustration. He seems to be recalculating in his head, figuring out what to do with you. “I had hoped to settle this civilly.”

Even though you feel like you’re growing to throw up, you close your eyes and force yourself to act nonchalant as you speak, “If you’re going to kill me, I’d prefer it if you didn’t drag it out unnecessarily.”

Your eyes are still closed, but you feel Astarion’s forearm drop away from where it was pressed against your throat, though his body still keeps you pinned tightly against the wall. This is possibly the closest you’ve ever been to a man and a dark part of your mind enjoys how his thigh is pressed against your own, only a few layers of fabric separating you from his pale skin.

You bite a little harder at your cheek to focus your thoughts and are overwhelmed by the metallic tang of blood on your tongue. When you open your eyes, Astarion is staring at you like a man possessed, his eyes glued to your lips, pupils blown so wide his eyes appear black.

Oh, right. Blood and a vampire are not a good mix if you hope to stay alive. You try to quickly swallow the blood down, as if Astarion hadn’t already noticed it. He lets out a sinful noise, something between a chuckle and a groan.

“I’m not going to kill you, darling,” his voice is deep and hungry as he carefully traces one finger along the pulse point in your neck. “Why would I kill you when I can keep you all to myself?”

You blanch at his words, seeing your future laid out in front of you. Chained up in the dungeon as a vampire’s slave. Kept alive, but barely, a source of constant food for a greedy monster. For a moment, it almost makes you laugh to think that of course this dramatic manor would have a gaudy dungeon.

“You’re a monster,” you say to Astarion, an angry sneer across your face.

“Oh, don’t act stupid, pet,” Astarion scoffs at you, his hand now moving up to tuck the loose piece of hair behind your ear and his cheek brushes against yours as he leans in impossibly closer to whisper. “It’s unbecoming of you to pretend to be something we both know you aren’t.”

He presses a gentle kiss to your cheek as he pulls away from you and your mind is in such turmoil, you can’t even revel in the feeling of his lips finally pressing against your skin.

“Tell me, what am I really? A monster, yes, but what kind?” His voice is so smooth and silky as he taunts you, like a spider spinning you into its web. The time for escape has passed.

“A vampire,” you whimper out, the emotions finally catching up to you. You think again of the woman in the garden. “Oh god, that woman. Did you kill her?”

“Hardly,” Astarion replies, with a roll of his eyes. “And I can assure you, she was a very willing, very well compensated participant. The worst she’ll have is a bit of a headache tomorrow morning from the blood loss.”

He didn’t kill her? That doesn’t make any sense.

“For the record,” Astarion speaks again, interrupting your train of thought. “I have no qualms about killing people, but it’s such a hassle having to figure out what to do with all those dead bodies. I’ve found it’s much easier to get blood if you maintain a few snacks for the occasional top up.”

You’re still staring at Astarion, trying to understand how the man you met earlier tonight could be the same man pressing you to the wall and threatening you - when the door handle starts to rattle and turn. Astarion moves impossibly quick as he tilts your chin up and presses his lips to your neck, in the perfect imitation of a lover’s embrace. You can’t help the panicked noise that escapes you when you feel a sharp fang prick against your skin. It reminds you of the thorns of a rose. You know that this is Astarion telling you to play your part if you still want to stay alive.

The intruder clears their throat and Astarion parts from you with an exasperated sigh, as if he’s just been pulled away from a delicious feast.

“We’re busy,” he shoots over his shoulder, but when he turns his head, you can clearly see the outline of your father standing in the doorway, with the greasy man that he was talking to earlier beside him. A shock of recognition flashes in your fathers eyes before the hard mask of anger settles in.

“Lord Ancunin,” your father speaks, and you recognize the tempered fury that’s flowing in his words, threatening to erupt any second. The carriage ride home with him tonight was going to be unbearable if you managed to make it out of this. “Might I ask what you’re doing in this closet with my daughter?”

Astarion sighs again and finally, finally steps away from you, though you can see the reluctance he feigns in an attempt to keep up the act. Simply two lovers caught together at an inopportune moment.

Now that you have your own space, you feel like you can finally take a deep breath. You hadn’t realized how Astarion’s heady scent of bergamot and rosemary had been clouding your senses. Still, deep in your mind, there’s a small, shameful part of you that misses how the hard line of his body felt pressed against you.

“You had said she was a virgin!” The short man next to your father yells, his face an ugly, tomato red.

“She is,” your father swiftly attempts to placate the man. “She’ll still make a good wife, I promise.”

“The deal’s off, I don’t want damaged goods,” the greasy man turns swiftly on his heel and storms away. So, that’s what your father had been up to all night, scheming to sell you off by any means necessary.

When your father faces you and Astarion again, his eyes are flaming with anger. This night was not going to end well for you even if you did manage to escape. Astarion shifts a half-step in front of you.

“Lord Ancunin,” your father hisses again. You can tell it’s taking everything in him to keep his words polite and befitting of his station. You know that what he really wants is to relentlessly hurl insults at Astarion until he tires himself out. “I trust you don’t make it a habit of tricking naive young girls into following you into dark closets?”

“Your daughter, a young woman,” Astarion emphasizes the word. You feel a bit vindicated by this as you had been fighting your whole life for your father to see you as something other than a foolish child. “Is capable of making her own decisions and dealing with the consequences of those choices.”

The second part of his sentence was directed at you. You chose to follow him out into the gardens, to go where you were unwelcome, and you would be expected to accept your upcoming fate with grace. Your heart twists again and you feel hatred for Astarion blooming deep within you. You had not imagined the beautiful man that you danced with would be capable of such cruelty.

“I will not allow this insult on my family’s honor!” Your father’s voice continues to rise. “If the next words out of your mouth are not asking me for my daughter’s hand in marriage, then you will have made a very powerful enemy.”

“Powerful enemy,” Astarion laughs at that and turns to you as if you’re in on the joke. It is rather funny that your father thinks himself anywhere near the same standing as Astarion, but you’re having a hard time finding the energy within yourself to laugh at the moment.

“Oh, this is all going wonderfully according to plan,” Astarion claps his hands together in glee, face painted with a devilish grin. You think you catch the light glinting off one of his fangs in the dark closet. “For I had hoped to come speak with you about marrying your daughter. It seems you’ve already beaten me to the point.”

Your breath catches in your throat as the puzzle finally fits together. So, this was Astarion’s new plan. Keeping you as a slave must be too boring in his eyes, the vampire lord who wants for nothing, who has people falling at his feet for the chance to drink some of their blood. No, Astarion plans for you to keep his secret by controlling you. And everyone knows that the best way to control a woman is to marry her.

You feel like your soul is slipping out of your body. Nearly an hour ago, you would have been weeping with joy to be married to Astarion. Now, it just feels like an extended death sentence.

Astarion’s fingers brush against your arm, pulling your attention back to him, though you can’t bear to look him in his eyes.

“Dearest, would you like to go out for another dance? Or perhaps I can call someone to escort you to a room for the night?”

You nearly scoff out loud at the false choice. Both options presented by him, neither of which you really want to do. Either you go out on the dance floor and perform the act of a happy, loving couple or you’re sent off with one of his servants to be kept under guard. But, the chance of escape does seem higher if Astarion isn’t constantly by your side.

“A room, please,” you manage to choke out and Astarion gives you a polite nod. He grabs someone’s attention in the hallway and another beautiful woman with long, dark hair arrives to lead you to a room. Why is it that Astarion seems to only be surrounded by beautiful people?

Astarion’s gaze follows you until you round a corner and are finally out of his sight. You don’t doubt that he will be returning to the party to flirt and dance and drink blood while you are caged in a room like an animal. There’s an spiteful, jealous part of you that threatens to lash out. You’re jealous of his freedom, you remind yourself. You’re certainly not jealous of the people who get to dance with him the rest of the night.

You keep following after the dark-haired woman, but you can feel your father close at your heels. You curse the world for not just letting you mope in peace and quiet. Why does everything have to end in a fight with your father? Although he hates you, thinks of you as nothing but a burden, you know he is one of your last hopes of getting out of here.

When you’re finally deposited into a bedroom, you turn to him, pleading. “Father, please don’t make me marry him. He’s not a good man, he’s not who he appears to be.”

“No,” your father cuts back. “That is exactly what you will do. You have brought shame to this family. What would your mother think if she knew you were galavanting around like some common whore?”

You stare down at the beautiful embroidery on your dress and try to hold back the tears. Why did you expect this to end any differently? It never does when it comes to your father. And he always does love to bring up how much shame your mother would feel about you if she were still alive. You stay silent, waiting for this to be over, waiting to be left alone.

“You’re lucky” he continues, “somehow this is still better than you deserve. You will have a title and wealth. But do not think I will ever forgive you for this transgression. You will no longer be a stain upon this family.”

With a stern nod, he slams the door shut behind him, leaving you in an eerie silence. You aren’t surprised your father thinks you are undeserving of a title and wealth, though those are of little concern to you right now. You’d rather not be married, not expected to be subservient to some man. And worst of all, what you’d really rather have back is the person you thought Astarion was earlier in the night, the person you thought you might be able to love.

You reach for the doorknob but it has predictably been locked when you test it.

Leaning against the hard wood of the door, you sink to your knees. You can feel the tears burning at your eyes as you pick at the beading on your beautiful gown. How horrible this night had turned out. The tears start with a whimper against the wooden slats of the door and soon you’re weeping, crumpled into a sobbing pile of your skirts. Between hiccuping cries, you mourn the loss of your family, the loss of your life. From now on, you are cursed to be the bride of a monster. A bird trapped in a gilded cage being constantly circled by a very hungry cat.

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Notes: Hehe and that's chapter 1! Get ready for a whole lot of angst, yearning, and misunderstanding as these emotionally repressed weirdos try to navigate their feelings for one another in their new marriage. This is the first fic I've ever actually posted so I'm super nervous, but I have a whole 10-part plan set up for this fic because the Astarion brainrot is real. It's almost like… he's a tadpole that's wormed it's way into my brain…

For reference, I tend to picture everything as regency era since that is my favorite, but I didn't specify because I know everyone has their own favorite time periods they love to imagine!

Hugest shoutout ever to my amazing friend who helped me edit and let me bounce ideas off her. She was the hugest help imaginable and has been subjected to my constant ramblings about my ideas for this fic. Check out her wonderful writing on ao3 at AliensNSuch!

Chapter 2 will be posted next Sunday, 12/24.

#astarion #astarion x reader #astarion x tav #bg3 #baldurs gate 3 #astarion bg3 #x reader #reader insert #bg3 fanfiction #til death do us part

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balkanradfem · 4 months

Text

It was a while ago I read this tumblr post, which still comes to my mind every time I think about the future. It was explaining in an insightful way, how it's not a violent revolution that will bring forward the better future, it's slow and consistent change of our everyday life, of our habits, the resources we use and the way we go about achieving things. If we're hoping for a future where we're not dependent on capitalism, not destroying the environment, not robbed of our labour for a fraction of the money we need to survive, we'll have to slowly die capitalism out, by changing our own living habits.

If a sudden shift happened, and capitalism stopped functioning overnight, for most of the people that would be unsurvivable, all of the resources, food, jobs and life-sustaining services would stop. And we can't afford that. But, if instead we slowly backed away from it, generated alternatives, created communities and systems that can sustain us without capitalism, then it would only be a matter of time before capitalism is fully dead, with everyone alive, everyone safe. And this slow shift would be able to happen through decades and generations, and it would still be a great positive shift, with a future in sight. Capitalism offers no survivable future, seemingly ready to last as long as it can by destroying whatever is left from the environment and people alike, for the benefit of the few.

So let's see how we got here, or how I feel, looking back, we got here.

People used to be less dependent on a global system of distribution of resources, even just a 100 years ago; survival and trade skills were passed down in families and communities, and people would be able to make inside of their home and communities, a big percentage of things that we today would buy at the store. In those times there was no other way to gain those resources but by relying on people's knowledge, skill and labour. The future, however, promised a more convenient and easy way to gain all those resources, because they would be made by machines, and thus cheaper. And things kept coming in cheaper, for no visible labour required; you just needed to have money to buy them, which not everyone had.

But this too, would change as cheaper and cheaper things arrived, and it became less convenient to make those things yourself or within your community, and more convenient to just trade some money, and have it all be done for you. For people then, it could mean less energy spent on survival, more leisure time, more health and longer lifespan – except, it didn't, because the jobs that they needed to earn that money, tended to take all of that away. So still, there was a lot produced at home or within the communities, independent workshops and artist shops, so people within in the community would benefit from each other, instead of benefiting some faceless global corporation.

And now we know where this went; conveniences started lining up to the point where not having a certain convenience meant that you were below the norm. They sometimes got mixed up with inconveniences, but those inconveniences were 'necessary'. For instance, pollution became necessary, highways, huge trucks delivering goods, the oil industry, destruction of forests and habitats, exploitation of the poor, extinction of certain animals, and by the end of it, the climate change.

When I was born, my mother and grandmother still attempted to pass some skills that their mothers taught them; I remember being taught how to knit at the age of 5, the activity which at that age, seemed awfully tedious and was soon abandoned, and my grandmother showed me how to crochet, which I also soon forgot. After the age of small child, they both looked at the world, shrugged and decided 'she won't need it', and they have stopped trying to teach me any skills of the sort.

Buying things, rather than making them, already seemed the norm. People were readily telling you that you are stupid for trying to make something, when you could get it in the store, for very little money. Having animals at home, or growing food, was slowly getting replaced by buying it cheap, or buying tons of snacks, and biscuits and cakes, which now you could get pre-packaged, readily available to consume at your leisure. If it brought lots of waste from packaging, plastic and other non-degradable materials, nobody cared, it was new, convenient, and available, and we would have it, and live luxuriously.

Soon nobody seemed to talk anymore, about what we used to do before we were able to buy anything we could possibly need at the store; nobody would tell me what were the names of the native plants, and which ones I could make into teas, I was instead told to change my priorities because this kind of behaviour will never get me any money. All of my efforts to do arts and crafts, to forage, to make things from scratch, to paint and invent stories, were called frivolous, because they would not generate the one thing that was now the only thing worth generating: money.

It simplifies things a lot, instead of making various, interesting, self-made and beloved items that would all require different knowledge and skills, a human is now required to put all of their talents into 1 thing that would generate revenue, and then do that one thing, for entire life, and this would present a normal life on earth now. This was how it was presented to me, and it was before I found out that keeping one job for the whole life, was no longer an option, that changing jobs was the norm and was not often volountary. I did not, however, understand how doing that one job would not make someone go insane, and nobody was explaining that to me, it was just, the life.

So while the world was shifting into this new concept of 'make nothing but money', the first millionaires started to appear, the billionaire was not even conceptual, having 1 million was equal to being the richest person on the planet. That is pretty laughable to us now. Back then, it felt like heading into a new exciting world, but we know better now. We understand that lives consisting of a job and thousands of conveniences, easily sends a human being into a depression. We understand that relying on a job to keep us alive, and having constantly to compete with everyone else unemployed, to get one, has brought us to a place where others are a competition, not a resource, not a community. We understand that living in a world where we have to market ourselves as a resource, causes a lot of us to lose self confidence and the feeling of value, while it sends others into obsession with becoming popular, gaining perceived value, gathering a public image, that would later prove to be profitable.

By this time, unknown to us all, this life of convenience and consumerism had caused immense damage to the environment, and we were mostly kept in the dark about it, so we wouldn't complain. We learned about the holes in the ozone layer, but were told it was merely the fault of certain aerosols, and the rest of the stuff was fine. We would in the future get to watch oil spills and devastation of animal habitats, never fully connecting it to corporations who were responsible. Acid rains were mentioned, but we were told they caused by the new pesticides, but it was the fault of the farmers, they said, who simply used too much of it. Now we know it was the exhaust fumes from cars, factories and coal power plants. Climate change was barely mentioned, and even less believed in. And now, we can no longer ignore it.

So, what do we do in order to progress? We obviously can't go back to where we came from, but we are now made aware that the amount of energy and resources we're consuming, and the amount of toxic waste we're creating, will devastate the planet to the point where a big chunk of it will become inhabitable, millions of both people and animals, will end up dead if we keep going. But wait! How can I blame the people for any of this, when it's obviously the corporations that are doing the most damage, lobbying and hiding what is in actuality going on? And you're completely correct, I would have to say, it is corporations, and for the most time, we really didn't know the extent of damage they were doing. So why are the corporations exactly doing all of this? For profit. And who's giving them all that profit? Well, the consumers, by consuming all of the oil, energy, goods, resources and products they make. So how do we take down the corporations? By not giving them any of the profits. But, we can't do that in the current state of the world, we need cars, and food, and that food to be shipped and delivered from the distant lands, and we are all depressed and if we can't at least have our favourite snack, food we're used to, little treats and pieces of clothing that make us happy, we no longer feel like we can live!

And that's where the slow and meaningful habit shift comes into place. The thing is, we're not the same people we were 50 or 100 years ago, we don't have the skills of our ancestors, we're not used to producing our own resources, we are out of touch with nature, and we struggle to find our communities and feel valued. But we also have, so much more information and education at our fingertips. We have more scientific data, we have more access to information, we have more people creating public resources, we have the experiences and wisdom of generations back, only waiting for us to reach out, to tap into what the humanity knew centuries ago.

We're made to do various activities! We thrive on changing our habits by season, even by weeks. We thrive in communities, with no competition for resources. We love creating art, music, crafts and beauty just for fun, and the communal value of it cannot be compared to money. We don't like being reduced into human resources or labour force, we don't like repetitive activities that don't produce results or seem nonsensical, we don't like to be stuck within one room for most of the day, we don't like being replaced when we stand up for our rights.

I can already see a lot of people valuing all of the things on this planet that cannot be exchanged for money, but have intricate value in our lives and experiences; wild animals, plants, forests, environments and ecosystems filled with life, little stories and jokes we tell to each other, making crafts just for the sake of making things, creating their own clothes or fabrics, learning how it was done in the past; growing food, foraging, herbalism, basketry, making of soap and fixing things on our own, visible mending, connections and building communities, we are remembering it's what we want and need, and we're not going to build it the way it was in the past; we're going to do it our own way, with the knowledge and experience we have, the way we think is the best. All we need to do is start small. Do one little shift that takes you one tiny step away from consumerism. Add one little enrichment in your life that doesn't have anything to do with money or purchasing. Find little ways to save on energy that doesn't make any dips in your happiness or comfort levels, that only requires a little bit of your attention or focus to do.

Big shifts are not sustainable, and are not survivable, but we didn't get here by a big shift; we got here by a series of small, almost invisible shifts that we barely felt were happening, until it was our new normal. We can do small, painless shifts too, but this time, they're going to be conscious, purposeful, with thoughts of the future behind it, and they're going to come from us. Not the corporations, not the money holders, but us, pushing the future to the direction that we want.

#anti-capitalism #essay #long post #capitalism #environmentalism #climate change #future #environment #saving energy #leaning away from capitalism

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iwillneverforgiveyousunghanbin · 2 months

Text

𝓲𝓶𝓾𝓰𝓲 𓆗༒︎𓆘

wc: 2.9k reader: afab (no pronouns at all used to refer to reader) warnings: smut 18+; MINORS DNI!!! -- specific warnings under the cut -- swearing, angst, violence (very little depicted and no graphic descriptions), also happy? ending? love? something along those lines. summary: in the case of his failure, the serpent god imugi chooses two new vessels every one hundred years. the primary vessel is raised in isolation and the spirit god awakens in this body. the ultimate vessel lies in wait until it's finally time for the merge. you're so close you can taste it. if only this generation's primary vessel wasn't such a pitiable, loveless creature. modern dark fantasy AU. find other works here ੈ✩‧₊˚ yep it's a 𝓻𝓲𝓬𝓴𝔂 fic. bit the bullet and went for it. though a lot of lore describes imugi as a dragon/lizard king, this version of him is based on the imugi character in the tale of the nine tailed. he's more like an elegant, tortured serpent-human villain? i just think ricky is perfect for this concept and it was fun to write tbh! i took a lot of liberties with the lore lmao. lemme know what you think xx

EXPLICIT SMUT 18+ WARNINGS: experienced!reader and touchstarvedvirgin!ricky, both of them are subby and dominant at different points that's just how imugi rolls y'know, choking (reader and ricky receiving), oral (ricky receiving), p-in-v penetration, cumming inside w/ no protection (i literally don't care if you don't use protection i'd nevershame you just thoroughly research the consequences babe), angsty and dark but also love there's love that's kind of really sweet in this EW so be warned.

𓆗༒︎𓆘

a young, icy blonde man walks purposefully down the dark, ornate halls of his estate. one would think he was a prince. and they’d be right. just not the kind of prince that first comes to mind.

“ricky, sir,” you beg as you rush after him, grabbing his silk-sleeve covered arm when he’s finally in reach. “please.”

his head whips around, serpent eyes glowing as his pupils contract and expand. you know you’re not allowed to touch him under any circumstance and the palpable rage in his eyes almost makes you regret breaking the long-respected rule.

almost.

“let go,” he huffs, gaze so white-hot it could melt you to a boiling puddle on the marble floor. when you shake your head, he shoves you down, forcing you to your knees in front of him. “let go or i’ll kill you.”

you don’t. you can’t.

not when you’ve seen what happens if he rushes into battle with the gumiho before the merge. not when you know this decision leads to his servants laying him to rest in the garden every time.

not when you know you could wait a hundred years for his return. for the merging process to begin again.

a patch of scales appears across his neck, glowing green and unnatural in the dim light of the hall chandelier. you know he means it: he’ll kill you.

he’s done it three times before. perhaps it’s inescapable this time, too.

so you tip your head back. expose your jugular. wait for him to slice his lizard claw through you like you’d seen him do to so many of his enemies before you.

your friends. your family.

you were only sorry they’d have to die in their next lives, too. all for some prophecy they had nothing to do with.

he brings a hand to your throat, engulfing it in his palm and tilting your head side to side as if examining where to make the incision. he looks you over for another moment, before realization hits him. “you saw something, didn’t you?”

your eyes water with frustration, wishing you could just tell him. even if it meant having to sugarcoat things. if only your own curse didn’t make things that much more difficult.

his awakening happened at eighteen, the power of imugi coursing through him at an uncontrollable frequency. that’s when it always happens: the destruction of the town and everyone that inhabited it.

knowing what was coming, you hid— lying in wait until it was over. this time, you’d approached him right after the disaster. though many primal vessels didn’t recognize you after their awakening, you could tell in his contracted serpent eyes that, to some extent, ricky did.

ricky, of course, being the new “fashionable” name imugi chose for this vessel. imugi was always one who wanted to appear cool. whatever the trends were of the time, you could bet his vessel would be following them.

he was an interesting god in more ways than one.

when ricky demanded to hear how you’d somehow known to hide from destruction that left every townsperson dead except for you, you’d stuck with your usual explanation: you were a clairvoyant.

it was a guise you could easily keep up, since you already knew everything that would happen between now and your own awakening. it proved useful enough to each primal vessel and ricky took you in: letting you stay as his guest (prisoner) in his secluded mansion estate.

there were two little problems though: the first being that you weren’t allowed to tell him his own fate. or else you’d both die. learned that one the hard way.

most times, you could figure a way around this. you were incredibly clever after all and wise with knowledge beyond your years (literally). but with something so direct as life or death, you always found yourself in a bind right about now.

the second little problem was that imugi always liked to present his ultimate vessel with a charming challenge every rebirth cycle. that challenge was that the catalyst for the merge was different every cycle.

and you still haven’t figured out what it is this time.

“what did you see?” he demands, tightening his grip around your neck. “tell me.”

biting your lip, you nod dutifully. “just kill me.”

“at this point, i should,” he seethes, throwing you further to the ground as he lets go of your neck. “fucking pathetic waste of investment.”

he spits on the floor beside you before turning around and continuing towards the door. it was beyond time for desperate measures.

“quanrui,” you breathe. the name he’d worn in youth before the birth of imugi had ripped through the weak vessel and torn his human self to shreds. the name his keeper used to call angrily when she’d catch him outside playing with you as a child. through the wrought-iron fence... exchanging pretty-colored stones.

he freezes, body stiffening at the sound of his real name. his jacket falls from his arm to the floor.

“i love you.”

he turns around slowly, lips parted in shock. the patch of green scales around his neck dissolves back into pale skin and his eyes turn a deep, chocolate brown.

“i love y—,” you begin to repeat before realizing you’ve chosen the wrong word. “i mean... i need you.”

“need me,” he repeats softly, full lips pouting as the words fall from them. the primal vessel to the dragon king, born without parents and raised without friends, seems to understand this concept more than that of love. he was used to people needing him, even if it was only to keep themselves alive.

you blink back at him, eyes swimming with desperation. are you getting through to him? will he stay here with you?

“show me,” he orders, closing the door and taking a few slow steps toward you. “show me how you need me.”

you force yourself up to your knees as he closes the distance between you, standing in front of you and waiting for your demonstration. you look up at him, eyes locking as your fingers reach for his belt buckle. it’s nothing you hadn’t done before with other, albeit less powerful and handsome, men.

but he hesitates, flinching back as if he’s afraid of your touch.

“would you prefer to undo it yourself?” you ask calmly, thinking he might just wish to keep your grimy hands off his expensive clothes.

“it’s... i don’t—,” he stutters, suddenly avoiding your gaze as if his life depends on it. if only he knew. “i’ve never...”

you feign a gasp. of course he hasn’t. he’s touch-starved and brooding and tragically beautiful. a broken man carrying the soul of a god. like every primal vessel before him. “but how can that be true? you’re so desirable, ricky, sir.”

“shut up,” he barks suddenly, a quick smack across your cheek to put you back in your place. “i’m... i’m sorry, just—... just keep going.”

you fight the urge to smile. this vessel had far more heart than the others. maybe that’s why you’d grown quite fond of him in the years since you’d met him.

your fingers connect with the metal of his belt buckle, unclasping it and pulling it through before discarding it with a clank on the marble floor. he jumps at the sound, swallowing hard as his attention returns to your hands on his black dress slacks.

“may i undo this, too?” you ask quietly, tapping on the clasp and zipper. he nods slowly, glancing over his shoulder as you make quick work of the fastenings.

pulling his slacks down with his black, satin boxers, he inhales sharply when the cool air hits him. for a different reason, so do you.

you’d be lying if you said your mouth didn’t water at the sight.

looking up at him through your lashes, you wordlessly ask for permission to continue. he breathes in and out shallowly before nodding just once. so you wrap your hand around his length gently, steadying him as you take him into your mouth.

swirling your tongue around his tip before pushing him in even further, you watch as his head lolls back— tattooed neck exposed as a large patch of scales works its way up his body.

“feels good?” you ask, unable to help the smugness in your voice as you pop him out of your mouth. you pepper kitten licks around the head of his cock as a strangled moan falls from his lips— a clawed-hand moving to cup your jaw, brushing your cheek cautiously.

you notice the young prince continues to avoid eye contact, no matter how much he’s enjoying what you’re doing to him. you suppose it makes sense. he might fear being vulnerable. he probably never learned how to.

“look at me,” you encourage softly, hand pumping him steadily. “want to see your eyes...”

you’re reminded violently to always be careful of what you ask for as you’re tackled to the ground, glowing, serpent eyes no more than an inch from yours.

“you think you’re worthy of the gaze of the imugi prince?” ricky hisses— hands pinned beside each of your shoulders as he hovers above you.

he reaches one hand down to the designer pants that he’d bought you for you last year. you couldn’t wear rags in his presence. dragon claws tear through the fabric, ripping them and pulling them off of you. he doesn’t even have to use a claw to rip through your underwear, discarding them as a patch of scales flashes across his right hand. you should’ve expected such theatrics from imugi’s vessel. the smile that is forming on your face is completely erased as he promptly buries himself inside of you— a moan escaping both of you.

he meets your gaze, pompous smirk accompanying his yellow eyes as he starts to thrust into you. this new skill is undoubtedly the effects of imugi’s extensive spiritual well of muscle memory. “are you happy now? are these the eyes you wanted to see?”

truth be told, they were not. perhaps you’ve just had too much experience already with having imugi inside of you...

“quanrui,” you mewl. “wanna see your eyes...”

he doesn’t respond and instead averts your gaze— continuing to thrust into you, silent and detached. you’re fairly certain this will begin just as it started, until...

“is this what it feels like?” he asks suddenly, chocolate eyes full of innocence once more as he looks at you uncertainly. “love?”

the question shocks you, only able to cry out when he thrusts even deeper into you— cock hitting the fleshy wall of your cervix. you recall what you’d said to get his attention. to keep him from storming out of the door and into the clutches of premature death.

of course, you’d been manipulating him. it was your duty to imugi. how sick you are growing of your eternal duty to that snake.

but you nod. you lie. if you wanted a human life free from the serpent king, you shouldn’t have ever picked that flower from his castle garden.

“then i must love you, too,” ricky breathes, emotion emphasized by a collapse to your chest— deepening the angle of his thrusts until you’re begging for release. “i must’ve loved you even through the fence.”

you gasp, partially because of the desperation in his pace and partially because the last thing you expected was for him to utter such a sentimental confession. you could always tell that he recognized you, but you had no idea until this moment that he remembered from where.

“i’ve never met another person outside of my house before,” the little boy said solemnly. “you’re the first. i’m six. i like your socks.”

“thanks,” you replied with a smile. you’d found him again, even faster in this life than the last. the imugi prince. “my name’s (y/n). i’m seven. my mother owns a bakery in town. she gives free bread to all the children.”

“my name’s quanrui,” he returned, corners of his lips upturning softly. “i wish i could go. i’m not allowed to leave. bad things could happen to me. i guess that’s what happened to my parents, anyway.”

with every rebirth, you felt more sorry for the primary vessel. always so confused about their identity until the truth was revealed: they were never meant to have one in the first place.

“i like rocks,” quanrui said suddenly, digging in his pocket and pulling out a beautiful emerald stone. “i picked this one up by the fountain. it’s pretty. you should keep it. also i like you.”

something as pure as that had never happened before. you begin to smile now, thinking of it.

a familiar sensation in your stomach begins to bubble abruptly, but it’s not the one you’d normally feel during this act. it’s painful. and the intensity of that pain swells rapidly until you’re screaming in its wake.

“what’s—...” ricky stutters, palpable fear in his eyes. “what’s wrong!? am i hurting you?”

scales, green and eerie begin to patch across your skin; vision blurring as your human eyes are replaced with that of a serpent. vicious claws sprout from your fingertips, so sharp you accidentally cut a small slice across his cheek.

he pulls out of you, clambering back as the frightening transformation occurs before his very eyes. he doesn’t have time to worry for long, as a screeching sound rips through both of your skulls. covering your ears,

you count the seconds until it stops— the heinous noise suddenly replaced by something else.

what the fuck...

you hear it: ricky’s thoughts tickling the back of your brain.

can you hear me? is the merge complete?

his eyes widen as your voice rings through his mind, blinking as if he’s sure he must be hallucinating. no, no, no. this—... i’m dreaming. i just need to wake up! that will end this nightmare and—

oh, i don’t think so, gorgeous. i think we’re finally getting started.

his jaw drops as you crawl towards him, body stiff and cautious as you slink your way closer. your hand reaches to cup his cheek, thumb ghosting over the small incision you made.

“i know this is a lot to take in, but... i’m actually supposed to dispose of you now. it’s unwise for two imugi vessels to be running amuck,” you hiss, fingers running through his long, white hair. “so i’ve had to make a habit of... retiring the weaker one.”

he gapes at you, eyes shifting back and forth from yellow to brown. “you—... you’re the second vessel? that’s why you could predict the future... you knew all along what would happen? since... since—”

“since the fence, yes. i know. what a shame,” you coo mockingly, wrapping your hand around his neck as he’d done to you earlier. you shove him to the floor, flat on his back as he looks up at you. he doesn’t struggle. “and i’m called the ultimate vessel, thank you very much. it’s so tiresome... always having to be the one to step up and educate you primaries. but then again, telling an innocent child he was born to die is a bit grim. even for imugi.”

ricky stares at you, brow furrowed pensively. what triggered the merge?

his question is a good one. i don’t know. what happened immediately before?

ricky’s eyes widen. “i—... i said i love you.”

love? could that have really been the catalyst that imugi chose? for his vessels to fall in love? there was one glaring problem with that...

i was lying.

“you didn’t mean it?” he asks after your thought permeates his mind. sadness is visible on his face, but there’s something else much more dangerous underneath it. something like suspicion. and you simply can’t have that.

you smile at him softly, starting to roll your hips against his. he inhales sharply at the sensation, involuntarily grinding against you.

“if you walked out that door, the gumiho would’ve ripped you apart,” you assert, hand reaching to his still-hard cock and lining it up with your entrance— sinking down onto him with a satisfied sigh. “imugi can only win that fight after the merge. i tried my best to allude to that, but you primaries always go and—”

“i’m not them,” ricky yells, causing your lips to part in shock. “stop referring to me as the primary vessel. i understand: you knew all along what would happen to me. you manipulated and lied your way into my life. into my home. my body. and i know now that not one of those things belonged to me from the start. but... my heart does.”

your serpent eyes fade as his human ones bore into you.

“and the only time i ever felt like it even worked was when i was with you.”

could it really be true? was the reason you were so fond of ricky, more than any other primary vessel before him, by design? had you always been meant to fall in love with him in this lifetime?

a love strung up and puppeted by imugi himself. doomed to end in tragedy.

but this boy beneath you couldn’t see that truth. part of you wished you couldn’t either. part of you wished you could be him for once.

“this never happened before,” you say softly, running your free hand across his chest as you slowly start to lift yourself up and down on his cock. even if this is the most brutal end yet, you might as well make the most of it.

“w-what do you mean?” he asks breathily, voice raspy as he grapples with the renewed pleasure.

“in the previous lifetimes,” you respond with a smile. “this never happened in any rebirth cycle. i think we got close to it once— during a battle so hateful that six servants perished... alongside the both of us.”

you feel him gulp under your palm.

“but maybe this makes sense,” you continue, speeding up your pace. “in every lifetime, you never learn to love. in every lifetime, you rip love from me. we’re a sorry doomsday pair.”

he moans under you, biting his bottom lip as you milk him between your walls. “fuck...”

“i wonder what would happen if we tried to be partners this time,” you say, high rapidly approaching as the head of his cock hits the sweet spot of your upper wall. “maybe we have what it takes to cooperate with each other. not to mention, we could do this whenever we wanted...”

“but... but imugi wants you to kill—.”

“oh no, the killing you part is all me,” you say with a laugh, the vibration making him whimper. “i really hate competition.”

“fucking— please,” he whines, hands rushing to your hips and guiding you up and down as you start to lose yourself. “kill me if you want, just... let me cum before you do.”

you oblige. he moans sweetly, another few thrusts and he’s spilling himself inside of you. as you feel yourself fill up with his warmth, you reach your climax— back arching as you ride out your high.

you look at him. why are you the only one burdened with eternal memory? you’re astounded by the way he grows more beautiful in every life.

thank you. he smiles, one eyebrow raised. “does my beauty save me from death?”

you capture his image in your mindseye for another moment, leaning down and connecting your lips to his. it’s a tender thing. in no lifetime have you deserved it.

when you pull back, you smile and shake your head. “i’m afraid i still desperately yearn to kill you.”

“i don’t believe you,” he says suddenly, hands helping him upwards to a seated position. almost-human eyes meet almost-human eyes.

you blink back at him dumbly. what?

“i don’t believe you, because... i found them,” he says, claws tracing up your incandescent, scale-covered thighs. “in your top dresser drawer. in a blue velvet sachet.”

no. wait. don’t say it. please, don’t say—

“the stones,” he says, a charming and devastating smirk on his perfect lips— eyes flashing yellow just for a moment. quanrui. ricky. imugi. no matter how hard you fought it, you loved them.

all of them. / all of them.

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dichromaniac · 6 months

Text

I have a lot of thoughts about "tough mother" and "tender mother" and how the two work together to protect a thing of value.

Sure, in the context of neurology and anatomy and physiology, it's layers of fascia protecting the brain and brain stem. The brain is the source of power and potential.

Now I'm thinking about Ava, the tough mother. Literally, in every way Ava is tough. But that scene between Erika and Rashawn where we get a glimpse of WHY Ava is tough. She's chosen to be tough, she's been pushed to be tough, because being soft means you die. Softness won't keep you fed or warm or protect your family. And to encourage softness in your children means teaching them how to be easy targets for death.

But look at what that's cost her. Tula is a broken and timid woman. Viola is manipulative and always seeking protection and power. Sure, she's met the base line for success on an evolutionary level: her children survived long enough to have children of their own.

Now I'm thinking about Tula. Tula who is strong, but not tough. She's tender with her children, but still steady in her purpose and singleminded in her devotion to protecting them. And so we look at Lila and Jaysohn.

Everyone in the group has looked at the children and said, "you're capable, you're strong, you're BETTER than we are." And that's not due to Tula being tough, it's due to Tula being tender.

And Ava isn't WRONG for her perspective on the world. She became who she needed to be to survive and passed on the lessons she learned because that's her truth.

And Tula is privileged, living most of her life in the safety of the Red Warren. She was allowed to be tender and be a different kind of mother (intentionally so) to her own children.

And Rashawn, with the bit about forging a new path or following her sisters' or becoming like her mother. Just beautiful.

And maybe it takes BOTH the tough and the tender to protect the kids, who, like the bear brain, are sources of power and possibility. Maybe they're as good as they are because they have BOTH sides to learn from.

I didn't expect a full course meal on the nuances of generational trauma from the stoat family, but damn if I'm not going to be chewing on this for a while.

#burrow's end #burrow's end spoilers #burrows end

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wimble-warcrime · 2 months

Note

Ooh can I request how you think kid and killer would show their interest in you? Basically their way of courting you/beginning of a relationship. Together or separate, whatever you feel like 🖤🖤

hi anon, thanks for the ask! i'd be happy to do both :)

im a big fan of the concept of courting in general (to many period drama influences) so some of these may seem weird or ooc

kidd-

different from killer, who would take a more traditional approach to courting/wooing a potential partner, kidd's approach is more... chaotic... we'll say

we all know that this tulip head has the emotional range of a teaspoon, and therefore struggles with expressing any emotion other than rage and pride, so be prepared for a whirlwind of whiplash

he doesn't know what he wants, you don't know what he wants

killer knows what he wants, but won't be at all helpful in this case

while he will staunchly deny this until the day he dies, kidd's love language is acts of service (beating the shit out of people for you), gift giving (making you things to beat the shit out of people) and quality time (discussing in depth on how to beat the shit out of people)

expect a lot of shiny things, handmade metal contraptions, and requests for you to just sit with him (he tells you he needs someone to hold something for him, or shine the light at a particular angle, but we all know he just wants to be around you)

he fails miserably at any attempts of flirtation

the first time you cackle at him for his terrible pick-up lines, he shuts himself away for a few days. the second time, (with killer's guidance) he realizes that making you laugh would be great way to warm up to each other.

it becomes a witty back-and-forth of banter and cheesy pick-up lines, and a solid friendship is formed. you talk about whatever, he gives his (sadistic) input, he rambles on about his latest invention (probably a weapon) and you give your feedback

you don't know that each of these conversations are pertaining to the same creation, he's (very secretly, and quite skillfully (to killer's surprise)) getting your input, because he's making it for you.

it's months in the making, he probably started right after your first lengthy discussion about preferred weapon types or something like that.

i'd like to think that for kidd, it's obsession at first insult with him, so you'd probably be relatively new to the crew. he wouldn't last long enough to have known (and liked you) for years, no patience with dis man

he gets talkative when he drinks, so i guarantee you the first time he gets like black out drunk around you, he spills his guts. its an unspoked rule amongst the crew, that any 'gushy' feelings that come from that captain while he is inebriated, are not to ever EVER be brought up afterwards.

so you kind of just. sit there. thinking abt the fact that this angry tulip man like you. and wont admit it to your face.

after the first emotional moment TM you guys share, things start to pick up. you are witness to a softer side of the one-dimensional captain, and quite like it.

start seeking those out more. he won't, but the best progress is one made in emotional vulnerability. (dr. wimble advice corner approved)

he cant take a hint, so dont bother dropping any. if you wanna go forward, say something. kidd cannot read (alegedly), let alone between the lines. your best bet is to whip out your tits (gn) in front of him.

i will die on this hill, kidd is firmly a boob guy, dont try to change my mind. he lov em

there is no "so, should we date now?" phase with this guy, he just skips right to the "fucking them with the lights on" phase. a hot and heavy encounter later, and he has firmly planted himself at your side, no takes-backsies~~

you wake up the morning after hovered in hickeys and bite marks, and EVERYONE know your his now. he wont say it, but you are.

killer-

killer on the other hand, is a traditionalist, an 'el hopaness romtic' if ya know what im sayin

he will woo the pants right off you, season two anthony bridgerton wet shirt scene style (iykyk)

you probably aren't new to the crew, kil strikes me as the kinda guy who doesn't know he likes someone until it's too late. like man's good at self reflection and all, but it takes TIME to get to him, so there is no 'love at first fisticuffs' with him.

it starts with friendship (demi killer till the day i die), you two are like each others bestfriends. no one tops kidd (ehehe) for this guy, but you can tie

it's the little things at first, and more one-sided at the beginning (on your end), like complimenting his cooking, offering to help with dishes

maybe you buy him some hair stuff, he did mention that he was running out, off handedly. or, you sharpen up his knives for him while he's away

Killer's love language is also acts of service, more so on the receiving end tho, but he likes to give gifts. he'll cook for you, personally

like one meal just for you type thing. he says he wants you to try out a new recipe of his, but really, he just made you a nice meal, and cant say it to your face.

you two act like a couple already, but both deny it, saying youre just 'really good friends'

he first really realises that he likes you, seriously likes (maybe love) you when you get injured. and not like, oh little scratch, but like, almost died injured.

a foe has never been downed faster, than when killer heard your scream of pain and terror from across the battle field, and fucking flew across to get to you.

it's obvious to anyone that mans got it badd. he doesnt leave your side until youre concious again and the promptly blows up you for being dumb and reckless and almost getting killed. its a nasty fight, one that shatters your friendship. no one expected anything like that from him. probably the most anyone has ever heard from him in one go

he is just worried, but cant tell you that he loves you, without fully knowing how you feel back. not a guy who readily takes risks like that.

it's a few weeks before he's talking to you again, afraid that he astronomically fudged it by his little outburst. the exchanges are clipped, (you, who had been pining hard for him for like ever) and you're positively sure he hates your guts (he doesnt he just scared)

he avoids you, trying to put as much distance between you two as physically possible, trying to get rid of his feelings for you. but the you go and get yourself hurt. again

it was an accident this time, he saw it happen. like slow motion, the knife you were holding was bumped out of your hand by someone backing into you, it fell, cutting your hand open, before notching itself into the flood

he blows up at the person responsible, before dragging you to the medbay to patch you up. all the while, muttering about how clumsy you are, how much of a danger magnet you seem to be.

its at that moment you know how he feels. it's not said outright, but the care he takes with you, treating you like you're glass

you lean down to kiss his mask. just a small pec, an utterance of a 'thank you' whispered after

but

his heart is beating like a wild mustang, and he freezes. he makes sure your affection wasn't just because you were grateful (after he starts working again)

your reassurance is like cupids arrow for his heart. you like him, have liked him for a while

nothing really changes between your dynamic after that, at least from the outside. really, you've started to be more physically affectionate behind closed doors.

it's a huge step when he takes his mask of around you. the lights are off, and you can't see his face, but he lets you touch it. huge step in your relationship

he's still a baddie, violent and unhinged, (to keep up appearances), but when no ones looking, he'll love on you

this feels kinda rushed ngl, but alas, when is it not? anywayz anon, hope you like it! iv'e already done poly! kidkiller here, i hope you enjoy :)

btw my requests are open, but im still in college, so be mindful if it takes me a hot minute to reply to them

#wimble writes #one piece scenario #killer x reader #kid x reader #one piece fluff #massacre soldier killer #eustass kid

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ouroborosorder · 2 months

Note

Do you have an instance of Arknights VFX that gets frequently praised that you as a VFX artist think is mediocre or bad?

EBENHOLZ' SKIN "EINE VARIATION" IS A CRIME AGAINST ME SPECIFICALLY.

Look. I love Ebenholz, a lot. His effects are really strong, too! Some of my personal favorites. But this skin. Jesus Christ this skin.

I have seen so many people praising this skin as having good effects or being better than his original and it genuinely makes me wonder if half of the effects are actually rendered in some sort of shrimp colors that everyone but me can see.

There is not a single part of this skin's effects that I don't hate. Not just because I find them ugly, uninteresting, and unclear, but because I think they fundamentally misunderstand who Ebenholz is.

You asked for this.

Part 1 - The Colors.

The actual art for his skin has a beautiful striking blue and light gray background, with the light pink Arts accentuating it, and then the blood red and pitch black of his outfit meant to draw the eye to the center. This works perfectly in the art, so what's wrong?

First problem. Ebenholz doesn't have the blue background in gameplay. Meaning that his effects are red (not pink, like the art, they are red) and his skin is red. So there's extreme monochrome happening, with absolutely no interesting contrast between him and his Arts. His Elite Charge is blue, at the very least, so his signature gimmick stands out uniquely, which is quite nice! That's a great decision that won't cause any problems down the line at all.

"Oh, but Keys, it's so that the red Arts stand out when he uses his S3 and summons that giant goat spirit in the background!" That's a great point, person I just made up. Please remember this excellent point for later.

Part 2 - General Effects

The effect starts with a deploy animation wherein Ebenholz is surrounded by sparkles like some sort of magical girl. The deploy effect is genuinely bad in so many ways, mostly related to timing and motion, but this rant is going to be long enough. And I'm gonna need to focus and talk about the sparkles.

The biggest thing to know about Eine Variation is this image. Get acquainted with it. If there was a recurring visual motif in Eine Variation, it is this piece from the original art.

And yeah, as an effects artist, I'd be amped to work on this. This looks fucking sick as shit. It's dynamic, it's chaotic, it's got harsh lines to contrast the flowing music staff, it's great. So let's see how this texture looks in g- okay what the fuck.

In the game, it looks nothing like the art. It's literally just the stock glimmer effect. It's not even a new texture. This thing's been in the game since release. It looks. Bad. It's way too simplistic. Because it wasn't meant to be the center of attention, it's meant to appear for an instant and then fade. Like, you know. A glimmer.

What you just saw in the screenshot above is one of Ebenholz' Mystic Caster charges. And it is easily my least favorite part of the entire skin.

Ebenholz (Original Flavor)'s Mystic Caster charges has one of my favorite visual touches in the entire game. Ebenholz fights using artifacts from the Witch King whose power he inherits - a wand and a set of five Originium dice. So he wields the wand, and has die rotate around him as he fights. In-game, they represent this by his charges being the dice, rotating around his hand. This is, as we say in the vfx industry, fucking badass. So naturally they removed the dice entirely in Eine Variation.

Fuck.

Fine, alright. Maybe it's him... moving further from the Witch King's influence, then? We'll go with that hey stop looking at his S3 what are you doing don't get ahead of me.

Now, I know what you're thinking. "hey, Keys, this is unfair. You're asking us to judge an animated effect based on a static picture of it." Well, my dear reader, I have bad news. You just saw the entire charge's visual. The whole thing.

They are a glimmer of light that does not pulse or twinkle. They just. Sit there. Floating. Again, it's just so simplistic, it's not even interesting to talk about.

The only good thing I can say about it is that it's way easier to tell how many charges he has since they're bigger, more spread out, and not moving. Also the Elite charge is WAY more distinct, since it's bright blue now to contrast with the red normal charges. Which is nice! A good decision! It would sure be a shame if it bit them in the ass later!

Part 3 - Attack and Skill 1

Did you think I was kidding when I said that the sparkles are the sole visual motif in this skin?

I hate these attack trails. Not only are they too simplistic, they're just too cute. I joked about magical girls before, but dear god, this just doesn't fucking look right. This skin is literally described as him being apathetic and miserable as a noble, so why are the effects so... Colorful and cute? Ebenholz isn't a cutesy goofy music-themed magical girl, Ebenholz is a sad gay goth kid who would create a fake My Immortal confession for attention.

I also hate the musical notes. I know I complained about the glimmers being too one-note (pardon the pun), but they just don't interact with the rest of the effect at all. There's nothing else musical about what is happening here. They feel added to remind you that he is casting music.

God I fucking hate the sparkles so goddamned much. I also find it really funny that one single musical note bursts forth with each hit. These shapes are just... So boring, so simple. But put a pin in that for a later.

His S1 uptime comes with an awful aura. he glows red. There is only red and white. this is all there is. This is all there will ever be. That's all I've got about S1.

Part 3 - Skill 2

Oh jesus go back to the red and white

First off, I find these goat so fucking ugly. The synths are a truly terrible choice, because synths and digital music don't come up in any capacity throughout the rest of the effects. So. Great work. This doesn't make sense.

Anyway I hate the color here. The original has a great two-tone black smoke with bright blue glowing eyes, contrasting with Eben's orange Arts. In the skin they slapped an awful blue glow haze over them. This makes them just completely draw visual attention, while they don't match up with Ebenholz' aesthetic at all. if you could see the black, there would be a clear visual link between them, but... Nope. It's ONLY blue, motherfuckers.

Also, they passively emit triangles, which is the only time in this entire effect that the Arts = Geometric Triangles visual idea appears in the entire skin based around an arts caster. Yay for recurring game-wide motifs!

Shockingly, I hate the explosion. It's passable, it's fine. But the timing is absolutely awful. The original's feels like an explosion that is pulling the target in, but the skin's feels like an explosion followed by absorption. It makes it feel less like an explosion and more like a contrivance. Also, it spawns only like, four notes total, which is just so low. Please have more notes, you even have the musical staff, you're so close to having this look like musical arts. I also hate the random swirl of red. The goat didn't have any red in it. Why does this have red. Monochrome would have actually worked better, this is just a summon.

Part 4 - Sound of Silence

Eine Variation S3 features Ebenholz getting hoverhanded by a goat.

I wish I had any other way to put it. But he gets hoverhanded by a goat for the entire uptime of this attack.

What even is this thing? Obviously, it's the goat behind him in his splash art, but what is it? Is it the Witch King? That would make sense, but why is the Witch King's avatar blue? The Witch King has literally never been blue, he's always been associated as being red. Unless this isn't The Witch King, in which case, what the fuck is it then?

I hate this effect more than anything else in this game. The ghost looks absolutely awful. it is very blatantly just the art from the actual skin, slapped behind him with no regard for aesthetic consistancy. Or even regard for if the image is readable at the distance Arknights is played at. The goatghost.jpg is not animated at all, but the hands move up and down, which weirdly only further reveals how static the ghost is. Also the hands aren't animated outside of going up and down which is just so uncanny and uncomfortable. It just reveals how desperately they needed to have some animation to make it not look like absolute hot garbage, and they still failed.

After an entire skin of absurdly simplistic geometric shapes and basic ass textures, suddenly they think they can pull off some shit that looks like a granblue render. This doesn't even look in-line with the rest of the skin's effects, let alone with the chibi artstyle.

Now. Why I truly, truly hate this attack.

When you activate S3, all of Ebenholz' Charges become Elite charges. Meaning they all become blue.

The charges all finally become blue.

In the only part of the skin where you have a blue background.

I just. I can't figure out how you'd fuck this up this bad. If the Elite Charges were red, it would look like the fucking skin art, with the red notes on the pink staff. They'd stand out, or at least look fucking decent. How many charges does Ebenholz have? Oh I don't know THEY'RE FUCKING BLUE ON BLUE.

WHY. WHY ANY OF THIS. WHY ALL OF THIS. I'M IN HELL. THIS WAS MADE TO TORMENT ME PERSONALLY RIGHT

anyway I will give credit where credit is due. I actually quite like the trail when he casts his stocks in S3.

The slight orange two-tone and complicated trails add a lot of nuance and depth to the effect, and the glimmer is toned down to the point where I can see the diamond shape hidden underneath. There is one singular silver lining to this cloud. It could use more musical touches and less fucking sparkles but at this point I need to compliment something.

Finale - Why Do I Give A Shit

Eine Variation launched as part of the Bloodline of Combat skins that came out with Lone Trail. It released alongside Specter the Unchained's Born as One; my personal favorite skin in the entire game. It is a skin that perfectly conveys Laruntina's love of natural beauty and Specter's love of poetry and recitation, bringing them together into poems reflected in a starry lake. The effects are serene and dreamlike, peaceful yet chaotic. It conveys who they are going into the future, who they are together.

Born as One is Bloodline of Combat at its best. Bloodline of Combat is at its best when it tells you something about who this character is at this part of their life. How they change, how they grow, how they look at the world in this point of their life. This is the story that good effects can tell.

So I ask you: What story does Eine Variation's effects tell?

If this an Ebenholz who is growing further from the Witch King's legacy into his own man, then why does the avatar of the Witch King appear behind him? Why does the flavor text describe this as clothing worn by every Graf Urtica? Why does it not lean further into the synth aesthetic to separate himself from the classical music of Leithanien?

If this is an Ebenholz who is currently stuck within the confines of nobility, why is he not wielding the dice associated with his title as Graf Urbica? Why do his fucking goats have synths instead of traditional instruments? Why is the Witch King the wrong color?

And most importantly to all of this: Why are all the shapes so simple?

Yes, Arknights' Arts are geometric. They're usually represented by simple triangles. This is true. But think about who Ebenholz is.

Ebenholz is not a simple and elegant person. Ebenholz is a man who nails complicated, difficult, strange flute solos, but who fails to do simple rhythms and scales. He excels at the complex, the elaborate, and the detailed, and fails at the simplistic. This is always how Ebenholz has been.

So a skin full of simple shapes, easy language, and flat colors... Isn't how he'd fight. It's not who he is. It's not how he'd act. It doesn't just feel wrong, it feels like it's not made for him.

I don't just hate this skin because I think its effects are bad. I mean, I do, and they definitely are.

I hate this skin because it just... Fundamentally does not understand who Ebenholz is. And it definitely does not understand why he is so special.

#(feel free to skip to the ending if you don't want to read an unhinged amount of text about something I hate)#arknights #arknights vfx breakdown #emphasis on breakdown

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narrativelysignificantturtleduck · 9 months

Note

i think the thing about sokkas life changing field trip that i find interesting is that,, sokka didn't really get any sort of big change like aang or katara. obviously he saw his dad again which was super important for him, but aang got the meaning of fire bending, katara got closure, sokka didn't really get any of that- i mean, he got his dad out, and then lost him again. one thing i never see people point out is that sokka was going full well knowing he could die, and he was fine with that, he knew the chances of him finding his dad were slim and he knew him getting found out was high- there's a reason he didn't take appa, because he knew there was a good chance he could get caught and if he did take appa, the others wouldn't be able to get off the air temple. maybe it's just been a long time, but I remember the beginning of the episode saying that sokka feels a lot of guilt over the invasion, he feels like it's all his fault it failed, but it's not really addressed or gone into as the episode goes on

i feel like sokka does have an arc in boiling rock. it's subtle but it's there. like, it's actually zuko who suggests they take the war balloon and not appa, because sokka isn't thinking straight. when zuko calls him out on it being a reckless plan, sokka explicitly says "my plans haven't been working out lately so now i'm playing it by ear". he's lost confidence in his intelligence and strategic planning abilities, so he's not using them.

but throughout the course of the episode, he's constantly coming up with plans, and plans that work. and when he wants to abandon a plan to stay and wait for hakoda, he has zuko and suki there to support him, and reassure him that they're there for him even if it doesn't work out. hakoda calls him a genius when they meet up, and they come up with a plan together. and when aspects of that plan don't work, other people step up. chit sang starts the prison riot, suki captures the warden, mai stops the guards from cutting the lines.

sokka comes out of "the boiling rock" with more confidence in his intelligence, because he's proved to himself he's still capable of coming up with effective plans, but he also learns that if he doesn't have a perfect plan it's okay. he has people who believe in him anyway. he has people who'll pick up the slack and support him when things go wrong. he has people who care about him even if he isn't perfect.

the fact that he reconnects with suki in this episode is key, because that's her role in his arc generally. he feels like he has to be the warrior and protector for everyone (especially his younger siblings katara aang and toph) and she's someone who doesn't need his protection and can even protect him if he needs it. he can put down that burden around her.

by the end of the episode, i think zuko also occupies that position in sokka's life, and that's because it's the field trip he set out on with the most selfless intentions, not looking for anything for himself. sokka needs people who don't need anything from him but still want to be around him anyway, and that's what zuko was.

#ask #nina's personal log #sokka #zuko #atla daily blogging #ish

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farmerlarrry · 6 months

Text

I Wanna Be Yours - Joel Miller x f!reader

summary: You meet Joel at a bar and you're left wanting more of him.

wc: ~3.3k

tags/warnings: 18+ (MDNI)! no use of y/n, no outbreak!Joel, reader is younger than Joel however age is not specified (is of drinking age though), Joel is mid to late 30's, alcohol consumption, sexual thoughts (!!!), takes place at a bar in Texas, flirty!Joel, unwanted male attention (but also wanted attention...), idk there's not much tbh (if you feel like I should add something, please let me know) no beta we die like men

a/n: I didn't proofread as intensely as I normally do, but I'm trying to challenge myself to write & post more so here is the result. Also, I couldn't stop thinking about this concept, so I wrote it. Hope you all enjoy! (I also have an idea for a part two... if any of you are interested, let me know!)

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You haven’t seen your best friend in over a year since they moved to a small town in Texas. Between work and just life in general, it’s been hard to find a time when both your schedules just so happen to perfectly align. After a lot of planning and a four hour fight with a two hour layover, you’ve finally made it. Unfortunately, your stay will be short—you only have three nights and four days with them, but it’s better than not seeing them at all. Your best friend made sure to plan some fun filled days, and regardless of how tired you are from your long travel day, you don’t want to waste any of the time you have with them.

Tonight, the two of you are hitting the town. Your friend has been going on and on about this one bar in particular. The drinks are cheap, the crowds are wild, and the music is good. On top of that, you will also be meeting some of your friend's coworkers, who quickly turned into some of their closest friends. Although you were excited, a part of you felt nervous.

It’s been a while since you went out to any bars or clubs. When you were in college, you and your small group of friends were frequent nightlife goers, but once everyone started getting jobs and moving away, those wild nights became few and far between.

Butterflies began to form in your stomach as the two of you approached a building from a side alley. You could feel the vibration of the music run its course through your body before the bar came into view; usually, this was a sign that tonight was going to be a good night.

When the building came into view, it wasn’t exactly what you were anticipating. The dim entrance made your stomach churn, igniting a sense of danger in your mind. A large man stood to the side of the closed metal door, his arms crossed as he stared straight ahead with a grim, intimidating expression. It was definitely not like any of the clubs or bars back home, where everything was well lit and definitely not as secluded as this one is. Your body language must’ve been telling because your friend let out a loud chuckle, grabbing onto your wrist and pulling you closer to them.

“I already know what you’re thinking,” they say between their small giggles. You respond with a apprehensive look, causing them to become even more amused. A part of you felt like this was some sort of prank. “It doesn’t look like much, but I promise you, this is the place to go.”

You raise your eyebrows in suspicion. Your friend shakes their head in a joking manner, lacing their arm through yours and guiding you to the line that has begun to form.

Your friend spent most of the time in line on their phone trying to get a hold of their friends, who are supposed to be meeting the two of you there. One person wouldn’t pick up, so they’d call another person, only for the first person to call back. It was a mess, but in your eyes, it was an entertaining mess watching your friend struggle between the calls.

The two of you finally make it into the bar. Dim, red lights barely illuminate the large building, and you are immediately met with a humid heat and the smell of sweat and pure alcohol. Your nose twitches at the smell. The music, at least, is good; you can feel the thumping of the beat in your chest.

As you’re taking in the atmosphere, your friend grabs the back of your arm, pulling you in close to them and tilting their phone away from their mouth.

“I think I know where they are, I’m going to try and find them,” they shout into your ear, and you simply nod in response. Your eyes are locked onto the small, but crowded, dance floor straight ahead of you. “Why don’t you go get a drink at the bar? I’ll be right over, okay?”

They point in the direction of the bar, and you follow with your eyes. A drink will surely help with the nerves you’re feeling right now. Your stomach feels like a scrambled mess. Your friend quickly disappears in the opposite direction, still trying to reach someone on their phone.

You have to push your way through the crowd to make it over to the bar, situating yourself between two men. As you wait for the bartender to come over, you tap your fingers along the edge of the wooden top, looking around at the people surrounding you.

"Well, aren’t you a pretty lady?” The man to your right sneers at you, causing you to snap your head in his direction. You immediately notice his eyes are locked on your chest, not even trying to hide his obvious obsession with your cleavage. A feeling of insecurity comes over you as you begin to regret your outfit choice. Sure, you wanted attention, but not this level of creepy attention and definitely not from this man.

Not wanting to cause a scene, you just give the man an unauthentic smile, positioning your body away from him. You can feel him lean in behind you, and as he begins to say something, the bartender, a girl who barely even looks old enough to work at an establishment like this, promptly comes up to you from the other side of the bar. She gives a deathly glare to the man bothering you, causing him and his friends to leave.

“What can I get for you?” She says with a sweet smile.

“Tequila soda, please.” You rest your palms against the edge of the wooden top, leaning in toward her as you speak. “With an extra lime, too.”

She gives you an assuring nod, quickly turning on her heel to begin her work. As she’s walking away, your body is firmly slammed up against the bar top, the edge ramming into your ribs and knocking the wind out of you. Your body rocks back and forth as some sort of commotion unfolds behind you, with someone keeping your body pinned down and making it impossible for you to straighten upright.

Watch where the fuck you’re goin’.

Why don’t you watch your fucking mouth, old man.

Old ma– you wanna take this shit outside, you fuckin’ punk? Huh?

Your ribs get slammed against the edge again before you are finally set free, pushing yourself upright. You feel a hand glide along your lower back, making you turn your head from side to side, trying to see who is touching you.

“I’m so sorry ‘bout that, miss,” a faint voice says, obviously directed toward you. “Are you alright?”

You nod your head slowly as a tall and quite handsome man appears off to your side, making you turn around to see him fully. His dark hair is messily tousled on top of his head, a few half formed curls peek out from the nape of his neck. He is staring at you intensely with kind yet very obviously tired eyes. You can feel your mouth grow unbearably dry as you take his good looks in.

“Ye—yes,” you stumble on your words, continuing to marvel over the man before you. His eyes are wide as he darts all over you, bringing up his hand to gently move a strand of hair out of your face. He gives you a genuine, kind smile before letting his hand drop.

“People are...” He lets his voice trail off, sucking in some air through his teeth. He quickly looks around him. “I'm—”

Although he’s shouting, you don’t catch his name over all the noise, bringing your eyebrows together and turning your ear toward him.

“Joel,” he said louder, leaning in closer. You pull back, nod your head and shout your name back to him. His lips curl up into a charming smile. “That’s a beautiful name, miss.”

His compliment makes your heart flutter, and you drop your gaze down to your feet for a short moment before meeting with his eyes again. Joel nudges the man who was standing to your right out of the way so he can take his spot; your arms brush up against each other’s in the process, causing a chill to run up your arms. You slowly turn to face him, looking up at him with wide, innocent eyes. The bar light illuminates his face a bit better than before, he is absolutely beautiful.

“You from around here?” Joel asks and cocks his head slightly to one side, tilting himself a bit closer to you.

“No, just visiting a friend,” you respond, lifting yourself up ever so slightly on your tiptoes and angling your chest toward him. This is exactly the kind of man you want attention from. “You?”

His throat bobs, and his eyes quickly dart down and then back up to your eyes.

“I— I am from around here,” he says with a slight chuckle, which causes you to giggle alongside him. You can see a bead of sweat beginning to form alongside his temple.

Suddenly, his attention shifts away from you and he subtly points to behind the bar, causing you to turn your head. It’s the bartender from earlier, and she has your drink in hand with an apologetic smile showcased on her face. You were so wrapped up in the essence of Joel that you completely forgot you even ordered a drink.

“So sorry, we had some issues at the other end.” Her voice is high pitched and sweet sounding. “Do you want to pay or open a tab?”

As she slides your sweat clad glass across the bar toward you, Joel leans across you, closer to the girl on the other side. You can feel his hand find its way between your shoulder blades, running it up to the backside of your neck. A chill runs down your spine, causing a hitch in your breathing.

“Put it on my tab.” He shouted, and although he was just mere inches away from you, his voice still sounded so distant over the music and people talking.

The bartender raised her eyebrows and gave him a curt nod, quickly making eye contact with you and giving you a sly smile. Your heart fluttered at the gesture, even though a part of you knew this probably meant he wanted something in return. At this point, it was something you were definitely willing to give if he continued to play his cards right.

“Thanks,” you say quietly, not even sure if you spoke loud enough for him to hear you. As he pulls away, the two of you lock eyes, and you tuck your bottom lip between your teeth, trying to suppress your smile.

“A lady as pretty as you should never pay for her drinks,” he responded confidently. You could feel your cheeks fill with heat.

Joel is now peering down over you with dark eyes, his left forearm laying against the wooden bar to support his body, and his other hand still loosely wrapped around the side of your neck. Goosebumps spread across your skin as he slowly rubbed the pad of his thumb over your soft skin.

You look up at him with wide, innocent eyes. He has his lips slightly puckered as he traces his eyes along your skin. You watched as the muscles in his chest twitched. A burning sensation begins to burn deep inside your chest; you didn’t know how much longer you could take this. At this point, you didn’t want him, you needed him.

He let his hand glide down the side of your neck, over your shoulder, and then down your arm before retracting it, grabbing his glass of whiskey off of the table and taking a smooth, long drag. You continue to watch him with your swollen bottom lip tucked between your teeth, subtly bobbing your head along to the music.

“What do you do for work?” Joel’s voice has changed now, it’s much more lustful than before, and you can tell that he’s trying to hide his desire. His throat bobs as he swallows. You were glad you weren’t the only one feeling this way.

“I work in an office.” You try to steady your breathing, not wanting your words to come out shaky. “I’m an assistant to the company’s CFO.”

Joel’s eyebrows twitch as he nods, looking down at his drink and swirling it around a few times.

“That sounds—“ His voice is hesitant.

“Super fun,” you cut him off and say in a sarcastic tone. “It totally is.”

Joel breaks out into a wide smile. You’re positive he chuckled, but it’s hard to be certain over the noise. You look down at his hands and see some dirt clinging to his arm hair. Construction? Maybe a contractor?

“And what do you do?” You say, grabbing one of his wrists and running over the dirtied spot with your index finger. He quickly pulls back, rubbing off the dirt with his other hand. Pink spreads along his cheeks.

“Christ, that’s embarrassin’… seems to never come off no matter how much I clean m’self.” His tone is flustered as he continues to try and remove the stubborn dirt. “I’m a carpenter, though; I work alongside my brother.”

“Mhmm,” you hum, chewing slightly on the inner flesh of your cheek. “So… does that mean you’re good with your hands?”

You question him flirtatiously, looking back down towards his big hands. Your comment makes Joel choke on his drink, his cheeks growing an even brighter shade of pink now. Your eyes dart back up to his face, this time you don’t break your gaze away from him, watching as he tries to hide his smile from you.

“I— I guess you, you could say that,” Joel manages to get out, bringing his hand up to the back of his neck and rubbing the side.

His well fitted shirt strains against his bicep, causing you to become distracted by Joel’s physique again. He is well in shape, likely due to his line of work; he has toned arms, broad shoulders, and nice chest muscles that the fabric of the shirt clings to. Without much thought, you begin to run your eyes along his body, your eyes meeting with the sliver of skin just above his pant line that’s exposed. Your eyes wander even lower when Joel suddenly hooks his finger under your chin, a smirk planted on his face.

“You’re trouble.” He leans in close, only leaving a few inches between your faces. You look up at him through your brow line, the corners of your lips curling upward. You love where this is going, soon all of your desires will be met, and he will be all yours.

Just as your eyes flutter shut, Joel is yanked away from you. A man with dirty blonde hair has his hands around Joel’s shoulders and is shaking him back and forth. Joel is very clearly perturbed, his face twisting up in frustration.

“Joel,” the man drags out his name with a wide grin, clearly he’s had one too many drinks tonight. “I’ve been lookin’ everywhere for you… a couple guys from the job site are here ‘n wanna play pool. Whatdya think?”

Joel flashes you a quick smile before turning away from you and saying something to the man. Whatever he is saying appears to be causing conflicting emotions between the two of them. As they begin shooting back and forth, a feeling of insecurity quickly comes over you, causing you to turn your head away and look out into the crowd of people dancing.

As you take a small sip of your drink, Joel firmly places his hand on the small of your back, making your stomach jolt. You quickly turn your head back toward him. His mouth is near your ear, and you can feel his hot breath tickling your skin. The sensation causes heat to begin pooling in between your legs. You gulp.

“It was a pleasure talkin’ to you, darlin’,” his voice is smooth as honey and seductive. “I hope to see you around.”

Before you could think of anything to say back, Joel already had his back toward you, walking away accompanied by his friend. You’re stunned by his quick exit, your fingertips pooling with blood as you grip onto your drink glass. There’s no way I misread that entire situation, you think to yourself, left somewhat confused. Why would he leave like that?

The conversation was just as quick to end as it started, but it— he— left you wanting more. A sense of clarity came over you, a fire burning deep in your chest. You wanted more.

A voice inside your head echoed with “no, don’t leave” as you watched Joel disappear into the crowd. You could not move to make your deepest desires come true, and even if you could, did you really want to be the sex crazed person chasing after someone you had just met? As he fully disappeared, his scent lingered where he once stood—a faint smell of dirt, whiskey, and sweat. You thought it was strange that the combination was quite a turn on for you, but it was the indication of a hardworking man— and that was sexy to you.

All you could think about was how badly you wanted Joel. The way your body reacted every time he touched you was unlike anything any other person had been able to make you feel. The way his voice drew you in and his eyes hypnotized you. All you wanted at this moment was to see him bare, hovering over you while sweat dripped off of him and his face twisted with pleasure as he filled you up with his girth. You want to moan his name over and over as he explores your body, desperately wanting to know how his tongue would feel swirling around your swollen, throbbing clit that begged for his touch.

Closing your eyes, you bring yourself back to reality. You let go of the air that you had been holding in your lungs, your chest burning as it escapes. Being this attracted to someone was definitely not on your bingo card for this trip. Bringing your glass up to your lips, you steadily draw in the liquid, desperately trying to calm yourself down.

“Bitch,” the faint sound of your friend’s voice comes to you as a relief. They come up to your side, looping this arm around your waist. They have their eyes narrowed at you, a slight smirk appearing the longer the two of you look at each other.

“What?” You feel your eyebrows twitch.

“Who was that handsome fella you were just talking to?” They’re full blown smiling now, looking past you in the direction Joel went. You try to fight your smile, but ultimately fail. Your bestie begins to laugh, grabbing onto your arm and causing the heat to return to your cheeks.

“How long were you watching?” You suddenly feel shy, covering your face with one of your hands.

“Well, I wasn’t just going to come up and ruin whatever was going on… unlike that bastard that pulled him away from you.” They narrowed their eyes once again, obviously upset about what happened. “So, what’s his name?”

“His name’s Joel,” you say, leaning in closer to them.

“Oh,” their eyes widened. “And are we hoping we see Joel again tonight?”

You tuck your bottom lip between your teeth, dropping your eyes down to your glass as you run the moistened tip of your index finger around the rim of your glass.

“Yeah,” you nod, smiling to yourself. “I hope so.”

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