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#and to think at one point in time DC actually thought they could trick people into believing they'd permanently kill Bruce Wayne 🙄
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Talk Hockey to Me
tagged by @giirlinterrupted 🤍💙
Tell me about:
1. The thing that got you hooked on hockey
I grew up in Lancaster County, Pennsylvania, about an hour south of Hershey, PA. My dad grew up going to watch the Hershey Bears play minor league hockey in the American Hockey League, and he continued the tradition with me (and my sister sometimes.) At first, I only really liked to go to the games for an opportunity to spend time with my dad, which was rare sometimes, but in middle school I somehow ended up being really good at floor hockey when we played it in gym class. One day I managed to score a hat trick, even though I was terrible at every other sport. (I also had a crush on one of the players on my school's hockey team at that point.) So I just kinda thought hockey was fun at that point and started enjoying the actual games more. Then I picked a favorite player from the Bears independently for the first time, and it was Mike Green. I didn't know much about him, just thought he was cool. He turned out to be really good, and when he got called up to the NHL to play for the Capitals, I started watching the Caps games on TV. (I was also lucky that we got the sports channel from Washington DC, despite not being all that close to there.)
2. Your first ever fandom friend
I'm not too established in the hockey fandom on here. I have a personal blog that I rarely use anymore that I used to post occasional Caps stuff on and follow a few Capitals people, but that's on a different account that I rarely use. I know hockey has become a lot more popular on footieblr over the years. I remember a few years back when it was more unusual for these fandoms to overlap that I sent a message or two to people who were in both fandoms that I thought it was cool that they liked both sports like I do. Basically my only hockey friend on here is @giirlinterrupted (and I'm so grateful that she doesn't put Sidney Crosby on my dash like so many other footieblr hockey fans seem to do.) IRL I have been surrounded by hockey fans most of my life though, because it's pretty big in my state in general, so the main time I felt a little more alone on that was the 2 1/2 years I was living in San Francisco. Unfortunately I am currently surrounded by Penguins fans :( as I am living in Pittsburgh. My IRL best friend is also into hockey, but she is a Sabres fan since she is from Buffalo and now lives in Rochester, NY.
3. The jersey you would most like to own
I wish I had an old Mike Green or Jay Beagle Caps jersey. Mike Green is now retired, and Jay Beagle, I don't even know.
4. YOUR player (you only get ONE so choose wisely)
I still have an unhealthy attachment to Jay Beagle even though he's been off the Caps for years. None of the current players can live up to that.
5. A pairing that deserves more fic
Don't really read fic much, but Ovi/Backstrom (I'm so out of the loop that I don't even know if they have a ship name) are adorable together, and idk how popular they are, at least outside of Caps fans.
6. Your favourite on-ice moment
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6/7/18. What else? I still cry when I think about it sometimes, and I can barely listen to "I Will Wait" by Mumford and Sons without crying due to that "Worth the Wait" video the Caps put out on social media after the Cup win.
link someone else's art/fic/etc that you love & think everyone should check out
He's here on Tumblr (@mxgicdave) but I could only find my favorite pic of his on Twitter:
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link something you made & are proud of & want people to see
Got nothing. I tried to write a few things about hockey in the past, but not since I was like 13. I was writing a story about a minor league hockey player whose playing got impacted by past trauma. Didn't get very far, then I was also trying to write a murder mystery featuring the Capitals, and I got even less far with that.
no pressure tagging:
I have no one to tag! :(
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maxwell-grant · 3 years
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Who's your favorite Batman villain?
The Penguin. Was gonna put off this ask for a bit but I got surprised today with an incredible rendition of him, so now the dastardly bumbershoot waddled and squawked his way into my thoughts again and I gotta talk about him.
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Penguin's not just my favorite Batman villain, he's my favorite DC character and comic book supervillain, the main reason I even want to write a Batman story someday.
I love the imagery that surrounds him, the trick umbrellas and the birds he so lovely dotes after and the WAKs and the Iceberg Lounge, which has become maligned in recent years as a sign of his downfall, but I very much appreciate as a concept in general still. I love a lot of the performances and actors who've taken him over the years. Burgess Meredith and Danny DeVito are some of my favorite performers of all time, Paul Williams has a wonderful voice and starred in my favorite film of all time. Tom Kenny, David Ogden Stiers, Robin Lord Taylor, Penguin's just had such great, terrific performances and adaptations. Batman Returns is my favorite Batman film by far and it was what got me to start paying more attention to Oswald.
I love the roles he can play in any given Batman story and how he's managed to endure all of his falls from grace by becoming an indispensable part of Batman's worldbuilding. I love his varied dynamics with Batman and Riddler and Catwoman and Gordon and his henchmen and those who get close to him. I love his style and the way he conducts himself when he's allowed to be more than just a generic mob boss. Penguin's design has, by simply staying unchanged over the decades, gone from "common rich person wear draped over a funny cartoon gangster" to "he is so out of touch and desperate for respectability that he dresses like an 1930s capitalist caricature, like a little kid's idea of what a rich and respectable man looks like, and Penguin's still stuck in that mindset". I love how absurd and plausible he is.
I like that Penguin can very easily fit just about any kind of Batman story, from the campy supervillain plots to the gritty urban crime ones. You can tell stories about Penguin falling in love, pretending to be legit because he doesn't want his aunt to learn he's a criminal, and opening up a comedy act with a talking penguin, or stories about Penguin terrorizing the city with giant robots and guided missiles and driving people to suicide. I like that he's a character who both relishes in his lifestyles of supervillain and crimelord alike, and yet is perpetually restless because the minute he acquires what he wants, he immediately starts wanting something else. He could have Batman and the Batfamily and all other supervillains wiped out and have Gotham in his pocket and maybe even become President of the United States, and he'd still want more. Because Oswald is nothing but wants, the wants of a traumatized manchild in a funny costume throwing money and toys and brute force and tantrums at the world until it makes sense, which only makes him far too fitting as a Batman villain.
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Everyone forgets that Penguin was canonically the first villain to ever successfully escape Batman at the end of a story, completely bypassing the usual "villain swears revenge behind bars" ending to instead escape scot-free, and went on to establish himself as one of his biggest, most inventive and most cunning villains, second only, if not equal, to Joker. I love that he's ruthless and inventive and classy and cunning and brutal and how his main trick is using the fact that everyone underestimates the short fat man to his advantage. He's taken traits that got many of us in real life relentlessly tormented for them, and he uses them to pull the wool over those who think they are better than him.
It'ss a trick that works because even in real life people can't stop looking at this weird and silly little man and think "that guy's too silly for a Batman villain, he's not a murder clown or musclebound monster, what's he gonna do" and, yeah, that's the point, that's been the point from day one, he doesn't look scary or intimidating or even that evil, and he's the guy who pulls the rug under supergenius fighting machine Batman and becomes the top crimelord of Gotham City, a city ruled by terrors and manias and monsters infinitely bigger and scarier and stronger than he is, and he STILL made it to the top and he STILL maintains it, time and time again even when newer and flashier and scarier villains come and go. Batman is, at it's core, a fundamentally absurd character, and Penguin acts as a reminder of that. Because the minute we accept a man can terraform himself with training and money into a living legend on the level of gods, there's no reason why a tiny fat man with similar drive and resources can't likewise throw his weight with monsters and warriors far above his station.
Despite how ridiculously often he's disrespected by writers and fans alike, how far he's fallen off his former position in Batman's Rogues Gallery, and how often he's used as just a punching bag for assorted Bat-people, Penguin never goes away. He's the biggest survivor of all of Batman's villains, more so than the genuinely immortal ones, because he's the cockroach that won't go away no matter how many times you flush it.
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Because once you get past the piles of money and the lounge fortresses and the armies of goons and the piles of cartoony gadget toys not too dissimilar from Batman's own, what the Penguin has is brains, and spite and hatred on a scale no other Batman villain has. He hates Batman, because Batman is nothing but yet another bully who thinks he can push Oswald around just because he's bigger and stronger. He hates the lower class for it's unsophisticated brutes and boors that made his childhood hell. He hates the upper class that's rejected and also tormented him since infancy, that he desperately spent so long trying to be a part of. He hates the monsters and supervillains he works with and has to associate with to stay alive. He hates the city that he fights to rule over tooth and nail.
And although he may never admit it, he hates himself, because he'a short paunchy man with a beakish nose who's brutal and immoral not just because those are the cards life dealt him, but because he likes what it affords him too much to give it away. Because he's never going to have the love and acceptance he desperately craves, he will never be able to accept it or keep it. Because he can never fully be a gentleman, or a monster, but instead a sad mix who belongs in neither of their worlds. Because at the end, he doesn't look like anyone else. He looks like one of him.
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And still, I like Penguin because he's a Gentleman Villain. The one Gentleman Villain of Batman's rogues gallery, even if that's faded from a lot of his recent appearences that pushed the crimelord aspects to the forefront. He dresses like a gentleman thief, he's canonically a huge A.J Raffles fan, he's one of the most cunning brains of Gotham, he's got the money, resources, and adventurous spirit. Problem is, he's The Penguin. And suddenly, all that he has becomes overblown, outlandish, theatrical, and out of touch purely because it's him trying to do all those things. He's a gentleman adventurer gone rogue, the Count Fosco of the DCU, and that only makes it amusing, even endearing, when Penguin does engage in the swashbuckling antics he's so fond of.
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When all his plans go to hell and so he starts fencing Batman, or when he commands henchmen with superflous fancy language, or even when Oswald gives the whole "hero" thing a shot and we see he's actually not bad at it, maybe he actually could have been one if it wasn't for the bile drowning his heart and the hellscape that warped innocent young Cobblepot into Gotham's Penguin, a name that immediately denotes something silly and ridiculous, and he carries it with pride, because he will make you respect that name.
And that's just a couple of reasons. I really, really love this character to the point of obsession and the main reason why I ever wanted to write stories for DC was to get to write Penguin and at least try to do the character a little more justice. But if nothing else, Penguin endures, regardless of what happens to him, in and out of universe. If nothing else, that's a very admirable quality in a supervillain. Oswald is the best.
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stxleslyds · 3 years
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NIGHTWING #81
UMM... HOW ABOUT NO. 
Ever since Tom Taylor took over Nightwing I have only made a post about one issue of his (I will leave it here Nightwing #78), that issue was beautiful, it was a solid start and the little things that made me feel a bit icky were not mentioned in the post because the issue was good.
Then the issues felt like connectors or just very bland story wise. I had problems with the book also feeling like a Nightwing and (fake) Oracle book instead of just Nightwing. There were many instances where Dick alone could have gotten himself out of situations without Barbara, but because she was there the opportunity to show that he can do things was taken from him. I guess what I am trying to say is that the book has disappointed me but I didn’t feel like making a post because it was too early and this is an ongoing book that Taylor said he planned on continuing for a while, but now I can’t not make a post.
A few days ago, I finally read the Red Hood story in Urban Legends (I have a review for that one too I will link it here Red Hood part 4) and I couldn’t stand how OOC and disappointing the story/characterization has been. I am saying this because I am only reading these two books at the moment, ONLY these two, and all I have gotten from them is shit.
I know it’s still early to say that the Nightwing book is bad but…I hated this issue, I hated it with all of my heart. But now that I am a bit calmer, I have come up with some ideas of what is truly going on with the Melinda situation.
Anyway, let me give you my thoughts.
There are big Wilson Fisk vibes coming from both Blockbuster and Melinda Zucco. Those two will lie, manipulate and be evil every chance they get. They are working together to make Nightwing disappear. I know it. The whole “make us all much wealthier and to extend your power beyond the city” idea does not include Nightwing.
Melinda might not want to burn anything down but she sure isn’t a hero. This woman accepted the position of Mayor after watching Blockbuster kill the former mayor. I understand that talking with the BHPD isn’t the best idea but this woman feels way too comfortable in the presence of a killer.
She is cunning and she has plans, I strongly believe that she might be a villain and that she will betray Blockbuster and take all the power (if it reaches that point) to herself.
Heartless is just another weirdo, he tricks both Nightwing and the reader into thinking that he has a soft spot for kids but surprise! He doesn’t. There isn’t much to say about him, he just has very complex gadgets and doesn’t know how to fight. I don’t even have any ideas about who he might be.
What I know though is that there was absolutely no need for Dick to think that he had “underestimated” Heartless, my love you threw your stick at him while he was looking directly at you, there was a 50/50 chance of him catching it. I swear I don’t understand the need to write him thinking that mostly because Taylor then has Dick swiping the floor with the guy, not only is it a simple fight (for Dick) but it’s also boring for him. Taylor’s writing is so annoying sometimes, he just loves to write extra things that are out of place like the “Tim Drake. Thought of by many as the best Robin” why the fuck did he put that there? Honestly, what was the point of having Dick say that, I don’t read a Nightwing book to have Tim Drake praise. If it doesn’t offer anything to the story that is being told then keep the thought to yourself Tom...
Moving forward the scene in the pier was quite nice, mostly because it’s Dick’s quick thinking that gets everyone to safety, he knows exactly what to do and how to contact the Maritime distress channel.
He has hope for his city, he knows there is good in it and he believes help will show up when lives are about to be lost. I loved that, just like Heartless said, Nightwing IS Bludhaven’s Guardian Angel. Once again, I am having Daredevil vibes from Dick (like from the show)
After the fight we get to see consequences of Dick not healing properly from a shot to the head. He loses his consciousness which is extremely dangerous but luckily Tim is at arm’s reach to help him out of the pier.
There are many things I want to talk about from the scenes that happen after Dick wakes up in his apartment so here we go.
First of all, Bitewing is adorable, she loves Dick the most and was happy to see him awake once more, what a good girl!
Secondly, Barbara, honey, you do not have three names, you aren’t Batgirl anymore, you are a grown woman that needs to move on from a mantle that has other people that can do something else/better with it. And we all know that this Oracle is just the ableist version of Oracle. So yeah…all I ask is for Barbara to move on from Batgirl, Cass and Stephanie are right there, enough is enough.
In these panels we have Dick, Tim and Barbara being kinda dismissive about the homeless kids, and it has been happening for so many issues, what is the point, Taylor? You made Dick a millionaire and you just can’t have him say or think for a second that he will monetarily help those kids and make sure they are put somewhere safe? You are really going to wait up until you have Dick running for Mayor or something to help the kids? I just don’t get it. Kids living on the streets and each time they are mentioned the three heroes of the book act like it’s normal and doesn’t need fixing. What the fuck.
Then we have the gang finding out that Melinda Zucco is the new mayor, the woman has an FBI file and a redacted one! This makes me think two things, either things are like I thought in the beginning of the post (she is evil and very good at it) or this woman is actually FBI and she is undercover (this one is less likely because of what happens at the end of the issue).
What we can see from the file that Barbara found is very little, but in these two pictures we can see that maybe she was put in foster care and x age? Also, she was apparently investigated in April of 20xx, the investigation must have been recent, why would the FBI investigate a minor or college student? What if these files were implanted by Melinda for someone to find them, and for her to have some sort of proof of her lies? If the file is about her being left in foster care or something while would the file be redacted? I don’t know, everything about her is shady and I don’t trust anything from or about her.
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This could be a complex and very interesting character but Tom Taylor and DC really love to do stupid shit for shock value (more of this later).
All the new information (the Maroni, Blockbuster and now this very shady Mayor) has Dick saying that it is a bit too much for him and yeah, it is too much, you know who could help? Red Hood. I am of course not talking about current DC comics Red Hood, I am talking about the Red Hood that I would love to see, just yesterday I had an ask about who would I like to see working with Jason and I said Nightwing because Dick puts a lot of responsibility on his shoulders so it would be nice if they negotiated and each could work on different crime areas in Bludhaven, if only DC would hear me…
Anyway, now that we come to the end of the scene let’s talk about Barbara’s shirt.
That was unnecessary and not funny. That’s all it was. Yeah, I know it’s a meme and I know it was included for funny ha-ha purposes but I am not laughing. Bruce has been written as abusive towards his kids for so long, Jason, Tim and Dick have been physically harmed by Bruce and writers use it as just something that happens, there are never repercussions for the Bat. And this shirt sucks because Dick was Robin there and he was a kid, so having Barbara or anyone wearing a shirt with Batman hitting Robin!Dick right in front of Dick is just disgusting. What if someone wore a shirt that had Joker beating Jason with a crowbar in front of Jason, would that be a funny ha-ha too? What about Dick wearing a shirt with the Joker shooting Barbara, is that a funny ha-ha? The answer to those questions is no, it’s not funny.
The idea of that shirt shouldn’t have been pitched, drawn or included after the editor took a look at it.
The picture is a meme in our world, not in theirs. And the readers aren’t laughing.
 Back to the issue, Dick is left alone in his apartment to rest (seriously? You think the man that showed up to help Bruce in Gotham with a knee brace is going to rest?) but he can’t, he just found out that Mayor Zucco might be trouble for Bludhaven and might be working with not only Blockbuster but the Maroni family. He is not waiting one more second to have a chat with her.
Dick is obviously still concussed so of course he grabs a mask that has a camera that Oracle can view, and of course he enters yet another window without being careful.
Melinda and Audre were obviously waiting for him.
But here is where the real bullshit begins. Dick is unmasked.
I am so mad; it’s been four issues and Dick gets his ass in a trap and is unmasked by a villain? Are you kidding me right now?
But that’s not all, after Dick breaks free and accuses Melinda of being the daughter of the man that killed his parents, she pulls out a uno reverse card and says that her actual father is John Grayson, and that she is his sister.
How about no. Absolutely not. Go away.
Let’s re-visit Melinda’s appearances in the book so far so we can start theorizing about her real intentions or if she could be saying the truth.
Back in issue #78 where she is first introduced to us, after Melinda watches Blockbuster kill the mayor, she goes home and tells her Audre that she is now mayor because Blockbuster did what he does, so she knows that this guy is trash and a killer. But that’s not all, Audre asks her if she came across Dick Grayson to which Melinda answers “I am not ready for him yet”. Audre suggests she talks to him sooner rather than later because she might not have “another chance”, and the issue ends with Melinda agreeing with her while she is looking at a Flying Graysons poster with a red circle framing Dick’s face.
That whole thing? Shady. Melinda, obviously, wanted to talk to Dick Grayson, probably to tell him that she is his sister, but why is there a time limit, why is Audre telling Melinda that she can’t wait too long? Is it because her undercover work is ending soon? Is it because it’s not real at all and she needs to tell that lie in order to move forward with some sort of plan? I don’t know…
In issue #79 Melinda (and Audre) are out in the open with Maroni and they are talking about her becoming the next Mayor, Nightwing was watching from afar so this is his first contact with her. And it might be the first time that Melinda and her friend see Nightwing in action too. I cannot tell if she is aware that Nightwing/Dick Grayson are the same person here.
In #80 she doesn’t make an appearance.
But now in #81 she is taking her place as Mayor of Bludhaven, there Commissioner McClean takes her somewhere she didn’t expect to go (she is shown not knowing that Maroni and Blockbuster were in the next room over). Once in the room she refuses to take the cash from McClean but she will take the money as a transaction (for a second I thought she wouldn’t take the money but she did because she is very corrupt) and talks to Maroni once more. Before I talk about what happens with Blockbuster let me say this, she acts so distant to Maroni, she calls him Mr. Maroni every single time and she comes off as cold and feeling no type of way while talking with someone that is part of the family that actually raised her, and this is not because she is in a room full of other people, she did it too in #79. It seems weird that she acts that way with someone that took her under his wing since she was eight years old.
When she sits with Blockbuster he says “tell us your plan for my city” to which she says all of this: “My plan, Blockbuster, is to make us all much wealthier and to extend your power beyond the city. But to do so in a way that builds on the good work you’ve already done I have no interest in burning anything down.”
At the start of the post I said she gave me big Wilson Fisk vibes and that right there is why. She is shady, she has plans on top of plans, she calls Roland Desmond Blockbuster to his face but says that he has done good work for Bludhaven, which is weird because Blockbuster destroys Bludhaven a couple of times a year…
As I said before whatever she has planned does not include Nightwing, and here is where I kinda start theorizing a bit more, what if Blockbuster told Melinda Nightwing’s real name, he used to know who he was once upon a time…
Later in this issue when Nightwing is going to Melinda’s place Audre is already waiting for him right next to the window (with a sword), so, was he making an insane amount of noise or were they told to be ready for him?
Melinda traps him and takes his mask off, she barely seems surprised about Nightwing being Dick, she barely reacts when he jumps at her. She is in complete control of the situation and proves that by disarming Dick, as fast as he accuses her of being Zucco’s daughter she tells him that her real father is John Grayson.
She is in complete control. She has to be lying, she put a stop to whatever Dick had to say and do in seconds. This woman is trained and she is manipulative as fuck!
And if she isn’t lying then fuck DC and fuck Tom Taylor, this woman is either younger or the same age as Dick, John Grayson was not a cheater, the man is dead, has been dead for so long, don’t throw dirt on his name at this point. I refuse to believe this is true.
I honestly think that she is evil, and knows more than we are aware of, her first appearance was shady as fuck, let's suppose that she didn’t truly know that Dick was Nightwing, why on earth did she have a Flying Graysons poster with a red circle on top of Dick’s face? That doesn’t seem like something a sister would do! And why would this be information that is so important that she NEEDS to tell him in a certain amount of time?
It’s fucking insane. Tom Taylor, if she is actually Dick's sister then shame on you. Disgusting, what is with writers and cheating, what the hell is going on? Dick doesn’t need to think back to his parents and see a cheater in one of them. This better be Melinda being a cruel and vile human being that is trying to emotionally hurt Dick/Nightwing so she and Blockbuster can do whatever its they want to do.
That’s all I have to say.
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18,19 on E/H?!
Squishing the other's cheek, high fiving
A million years later I write this. I couldn't fit them high-fiving in here and I'm annoyed by that so I might have to write a whole other snippet.
I have a few other late additions from this prompt list I might or might not write. (Do not send anymore!!!). I might have to reblog another prompt list at some point.
"So we're stuck here?" Elizabeth asks. "Yes," Blake responds. "In this room?" "Yes." "Until DS thinks it's safe?" "Yes." "All of us?" "Yes," Blake is finally starting to sound exasperated. It's been a long trip and this is just the cherry on top. Elizabeth turns to Henry, sitting next to her on the couch. "Hell of a trip for you to come on." "I believe I was promised a nice beach vacation, when you were sweet talking me into coming with you." Henry says with a laugh.
"We saw the beach!" She defends. "Yeah through a hail of gunfire," Jay mumbles from the other side of the room. "They weren't shooting at us!" Elizabeth says, her voice betraying that she realizes how weak an argument it is. Henry laughs at how worked up she's getting. He leans forward and kisses the tip of her nose. "No one is blaming you babe." He cups her face and swipes his thumb over her cheek. "Everyone is safe and that's what matters." He squishes her cheek. "Well at least until you start getting hungry then no one will be safe." She bats his hand away and makes an offended sound. "I'm already hungry." Matt moans. He is sitting at the table with his head down. The door clicks open and Nadine walks in carrying a bag. "I have the solution for that," she shakes the bag, "Sandwiches from the cafeteria." Elizabeth's eyes alight and she jumps up. "Gimme!" She practically pounces on Nadine who half stumbles into the door behind her. Elizabeth has the bag now and is looking through it. "Chips too!" She says, as excited as if the peace treaty they were here for were actually signed. "Why did they let you leave the area? DS practically tackled me when I tried." Blake grumbles . Nadine just stares at him. Blake just rolls his eyes. "Oh right..." "Ted," they all say in unison. "It was Jack if you must know, he said he didn't want us going hungry," she responds primly, dusting off an invisible speck of lint on her skirt. "He also said they should be able to get us out by tomorrow morning or so." "That's about what Conrad said when I talked to him earlier." Elizabeth is still sorting through the food, placing it on the coffee table. "Since we're not really in danger, the plane is just broken again and the rebels are between us and the airport. I'm claiming the turkey. Babe what do you want?" Matt huffs. "Why do you get to choose first?" Elizabeth stares him down until he puts his hands up in surrender. Jay laughs. Matt says something under his breath and Jay laughs harder. "Yes it's a real abuse of power." Henry smiles as Elizabeth ignores her staffs antics. "I'll take whatever, you know I'm flexible." "You certainly are," she says, her voice a little deeper and her meaning clear. The other people in the room groan. "I told you to let her be late to the meeting this morning," Blake states as he goes over to make his own selection. Jay makes a face. "For what it's worth I told Jay we would all be well served by letting her be late," Nadine adds on. She unwraps her own sandwich and begins eating. Henry looks between them all slightly aghast as Elizabeth seems unfazed and is digging into her food. "I will never get used to that," he says. "People managing your intimate life?" Blake shrugs. "I've been doing it since I was her TA." Henry's eyes widen even more. Blake chuckles. "You thought all those long chunks of time you didn't get interrupted in her office were chance?" Henry looks over at Elizabeth. "Babe you want to chime in here?" Elizabeth looks up, looks around, and shakes her head before going back to her food. "For what it's worth Dr. McCord," Nadine chimes in, "it's not that unusual. Though it is usually scheduling things so that the mistress and the wife never meet. You two are unusual in that regard." There's a dark thread in her voice that no one wants to touch so they all switch to other topics. Hours later they are all spread over various surfaces attempting to sleep. Jay is using his suit jacket as a pillow and is laying on the floor. Matt has scrunched himself onto an uncomfortable looking chair. Elizabeth is splayed across her husband laying on the couch. She is curled into his chest, their legs tangled together. He has an arm loosely wrapped around her waist Nadine and Blake are still awake, Blake is trying to at least look like he's doing work, shuffling through a sheaf of papers. Nadine gave up that pretense and is sneaking glances at the McCords over the book she grabbed from the shelf. "You think it's inappropriate." Blake calls her out, he sounds ready to defend
Elizabeth. She sighs and puts down the book. "That the Secretary loves her husband? No, not particularly." Blake scoffs. "You know that's not what I meant." Nadine lets out a long breath. "They've never hidden their affection for each other." "It bothers you?" He poses it as a question this time and studies her thoughtfully "Sometimes," Nadine concedes. "But not for the reasons you think." Blake stays silent, he's learned a few tricks from his boss. Nadine however could write a book on the tricks so she doesn't expound on her thought. Blake shifts in his seat as the silence stretches. "They're a rarity in DC." Nadine finally takes pity on him. "They've always been like this. You should have seen all the undergrads mooning after both of them, but they've never had eyes for anyone but each other." Blake accepts the slight shift in topic, Nadine can keep her secrets. "The undergrads huh?" Nadine raises her eyebrows. "None of the grad students?" Blake doesn't blush but he does look away. "Well as long as the Secretary is happy then so am I." Nadine picks her book back up, ending the conversation. Blake refocuses on his paperwork but can't help looking up occasionally to look at the Secretary and her husband. When Nadine catches him, only because she is again doing the same thing, she smiles and this time he does blush.
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curlybookwriter0294 · 3 years
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Behind the Dark Sunglasses
Summary: All Wally wants to do is to enjoy his time with his handsome boyfriend Nightwing. However, he can't stand his dark sunglasses and truly wants to know who he truly is because he is dying to know what color his eyes were. Will he finally tell him?
Disclaimer: I do not own anything from the DC or the YJ universe!!! Just the plot lol.
AN: I am back with another Birdlfash fic!! Gosh, I just fucking love these two togetherrrrrrr and I hope that you guys will enjoy this little beauty. Sadly it is not smutyyyyy but there is somewhat sexual content in here lol. 
Wally West has no idea if heaven is even real but hey, he lives in a world with superheroes and he’s one of them, so anything is possible at this point these days. Right now, at this moment, this feels like he’s in heaven. “Fuck,” he muttered through grounded teeth, throwing his head back and closed his green eyes and used a hand to grab a fist full of dark hair that was between his legs. “Babe. Shit.”
He heard a low chuckle that he knows all too well and had opened one eye to see his raven-haired boyfriend stroking his member with a hand as he smirked up at the older speedster above him. “Enjoying this?” he asked him, using another hand to push up his dark sunglasses that he would always wear whenever he’s not in his Nightwing uniform.
Wally bit his lower lip so he could focus the warm touch that was on him, frowning when he had looked down at the younger hero’s face or what he could see because of his stupid sunglasses. He sighed. “I would be enjoying it a lot more if I could see your eyes, Nightwing,” he said with a sigh.
 He watched Nightwing move away from his legs and knew that the moment between them had ended because of what he had said. The two heroes were silent as he had put himself back into his boxers and jeans that he was wearing, watching Nightwing walking over to sit in his desk chair with a deep frown on his face. “Wing…” he started, running a hand through his short red hair.
 “You know why I can’t tell you.”
 Wally rolled his forest orbs with a snort and leaned back on his bed until his back touched the headboard. “Yea. I know. It’s because of Batman and his stupid rules. I just thought… that since…never mind. Forget it.”
 Neither of them said anything after a while and Wally watched the younger hero fiddling over his computer that was attached to his watch and Wally sighed. “I’m sorry for ruining things.”
 Nightwing turned Wally’s desk chair around to stare at his older boyfriend as he folded his arms over his chest. “You didn’t. You have no idea how much I want to tell you about me,” he said with a quiet sigh, threading his fingers through his short black hair.
 “Can’t you just simply ask him if it is okay? I mean, I told you since the first day The Team was formed,” Wally reminded him in a matter-of-fact tone, shaking his head as he leaned off the headboard and crawled over to the edge of the bed. “I just…” he blushed before continuing. “I just want to see what’s behind those dark sunglasses, especially if things were to get heated again.”
 The younger man that was across from the speedster cleared his throat and shifted in his seat nervously and rubbed the back of his neck. “I know Wally. It’s just…” Nightwing paused as he tried to think of a way to explain the situation. “It’s complicated with him. Even if I do try and talk to him it’s still going to be a no.”
 Wally studied him for a moment, trying to decide if he truly believes in what he was saying to him. Wally truly understands that the Dark Knight has strict rules when it’s about revealing their secret identity. Heck, he remembers asking his uncle if he knew who Batman truly was and even he didn’t know. He could understand the hesitation of revealing it to him. It makes him slightly wonder if there’s more to it than just the rule that Batman had created.
 “There isn’t something else is there? Perhaps another reason as to why I haven’t seen your eyes yet?” The speedster asked slowly, watching his boyfriend’s shoulders tensed up at the question. “There is… isn’t there?”
 “If people find out who we are… our enemies can use that against the people that we tell.” Nightwing told him, knowing that it was half the truth in his words. He truly wishes that Wally would drop it and they could go back to what they were doing before. However, he knows how persistent his boyfriend can be at times and he also know that he won’t drop it unless he gets a real answer.
 Wally leaned forward on the bed and stared at the younger hero, wishing that he could see what kind of facial expression he was making. He honestly wonders if his eyes were blue, or green or heck hazel. “I understand that babe,” he told him. “But I believe that there’s more to it than that. Am I right?” he asked, hiking a brow at him.
 Nightwing didn’t answer him right away and Wally knew that he was right after all. Wally nibbled at his lower lip, trying to think of a way to break the awkward silence that had followed between them. “At least tell me that you’re not a serial killer,” he says in a joking manner and his upper lip curled up when his boyfriend scoffed at him. “That’s not really an answer. I gotta know what I’m dealing with here.”
 “No, Wally. I am definitely not a serial killer,” Nightwing told him with a shake of his head. “It’s just…” There was a pause. “I don’t want you to think differently about me if you were to discover my identity,” he said to him honestly as he took a deep breath.
 Wally stared at him with wide eyes and got up from his bed to kneel in front of Nightwing. He used his thumb to lift his chin and even though he was wearing sunglasses, he knew that he was staring directly into his green eyes. “Even if you are a serial killer. It wouldn’t change the way that I feel about you, Nightwing. You can trust me. I know that I am an annoying speedster who likes to eat a lot and don’t know when to shut my mouth at times, but I do know on how to shut the fuck up when I need to. Just tell Batman that okay? Maybe then he can finally let you tell me because I am so dying to know what color your eyes are,” he leaned in to give Nightwing a chaste kiss on his lips. “I love you. So damn much.”
 Wally knows that it was rare for Nightwing to cry and when he saw a train of tears flowing from his sunglasses, he gently wipes them off with his fingers. “I love you too, Wally and…” Wally froze when he watched Nightwing reached up with shaky fingers to slowly take off his sunglasses. “And I want—”
 Wally reached up with his hands to stop Nightwing from removing them. “Babe, I don’t want you to get into trouble. If he finds out…”
 “Didn’t you just tell me a moment ago that you know when to shut the fuck up when you need to?”
 Wally pressed his lips together in a thin line and rolled his eyes at him. “Yes. But we both know how Batman is. He’s gonna know that you—”
 A pair of lips made Wally stop talking and he had moaned when Nightwing’s teeth had bit his lower lip to open it so his tongue to slip inside his mouth. Wally placed a hand onto his chest to gently push him away and licked his lips. “Are you absolutely sure you want to go against Batman’s orders?” he asked breathlessly, gulping when he saw Nightwing’s hands reached up to touch the handles of his sunglasses. “Wing.”
 Neither of them said anything to each other as Nightwing slowly took off his dark sunglasses and Wally squinted his eyes as he tried to figure out why his eyes were close and why the heck he had looked so familiar even though he has not seen his eyes yet. “You can back out anytime. I won’t be mad,” he promised him in a reassuringly way.
 “No. I want to do this. Just…don’t freak out, okay?”
 Wally cocked his head to the side in confusion by his comment and was about ask him what he had meant by that, but his question was caught in throat when Nightwing had finally open his eyes and Wally’s whole body froze when he did.
 Blue. His eyes were blue.
 It was so blue, Wally thought he was staring into an ocean and the more he stared into them deeply he was finding himself lost in them and honestly, he wouldn’t mind being lost in them and the more he had studied his boyfriend’s face the more he realized as to why he had looked so familiar to him. He had to blink several times in order to make sure his eyes weren’t playing tricks on him and even rubbed them just in case.
 “R-Richard Grayson? You’re—You’re—"
 “Actually… I prefer to be called Dick Grayson,” Dick corrected, clearing his throat as he rubbed the back of his neck nervously. He sat still in the desk chair when Wally continued to stare at him in shock. “Wally—” he started, trying to come up a way to make this whole Secret Identity Reveal less awkward.
 “It makes sense,” Wally interrupted him, eyeing him up and down. “As to why the Dark Knight was so harsh on the whole ID thing…which means,” his mouth fell open as the pieces fell into place the more he had thought he had thought about it. “No way…”
 Dick Grayson knew what his older boyfriend was smart and that he had figured out the reason by himself but waited until he had said the words before saying anything else. He sucked in a deep breath when wide green eyes met his blue ones and knew what was coming next when he had opened his mouth again.
 “Bruce Wayne is Batman.”
 Wally watched Dick nod at him slightly and Wally’s mouth made a O shape in shock and Dick sucked in another deep breath as he waits for him to speak again. “You really have pretty eyes, Dick.”
 Dick blinked several times as he processed as to what the redheaded speedster just said. He was confused about his statement. Shouldn’t he be more concerned about more important matter at hand? “Is that the only thing that matters right now?” he asked, hiking up a brow at him.
 Wally scratched the top of his head as he shrugged his shoulders. “I mean did you want me to freak out over the fact that the billionaire is freaking Batman and that you’re Nightwing?” he asked him, cocking his head to the side when Dick’s shoulders stiffen. The speedster shook his head. “Because I don’t care about that kind of stuff. You know me better than that.” Wally walked closer to where Dick was at his desk and leaned in closer to him when he had brought his face closer to his. “You could be a stripper and I would still love you.”
 Dick rolled his sapphire eyes at him. “You’re such a—"
 “Sap?” Wally suggested, wiggling his eyebrows when the raven-haired hero snorted at him. He cleared his throat and leaned in to brush his nose against his boyfriend. “I’m being for real though. I would still love you. No matter what, babe.”
 “I know,” Dick said with a huge blush on his face. “And I also love you too. Thank you for accepting me.”
 “I will always accept you. Don’t forget that. Ever.”
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pollylynn · 3 years
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Title: Outset WC: 1100
Episode: Dressed to Kill (6 x 14)
He is sprawled on his back, arms flung wide, smiling pensively up at the darkness. Her head is resting on his shoulder. She is curled into the tight little C shape that means she’s exhausted in a good way and she wants to be close to him. She has her fists balled up and the covers pulled up to her chin in the way that always makes him think she looks as though she might need to pull off a magic trick and make them both disappear in a swirl of comforter. He likes the idea. He’d like to disappear with her. 
That’s not quite true tonight, it surprises him to realize. The train thought is almost rote—she looks like she’s about to pull off a magic trick, he’d like to disappear with her—it almost always goes just like that, but tonight, he realizes, he’s not especially eager for the two of them to disappear. The thought is worth a pensive smile or two. 
Why has he wanted to disappear up to this point? That’s actually easy enough. Life has always gotten in the way for them. The boys have gotten in the way. Murder has gotten in the way. His mother, his daughter,  Meredith, and Pi have gotten in the way. DC and not DC, Bracken and the detente with Bracken. Justice for her mother, close enough that she can taste it, Paris and his erstwhile father, Pi—all these things, all these people and whatever Pi is—have gotten in the way. But tonight, with her curled on her side to keep him close, and a smile on his face that won’t quit, it feels like the way is clear. 
It’s the venue that isn’t to be. That’s part of it. It’s the simple moment they shared over coffee, over a sliding pile of magazines that she hates. That’s a wonderful part of the why, because it really had been nothing big. It had really been, in no way, a dramatic meeting meeting of the minds or a somber deepening of their relationship. It had been a moment of shared delight in a lovely place where they could just, at last, do this thing—and they are mutually ready to do this thing. He is ready to spin her across whatever dance floor they can find and she is ready to be spun. It’s just that simple. 
And it’s not simple at all, either. But that’s also, paradoxically, part of the reason why it feels like the way is clear. When they do this thing, it’s going to be ridiculously complicated. There’s his whole world and the reality that this being his third time around, expectations have been down-regulated. There’s her family and the expectations of a wedding worthy of the wait. There’s her family and all their complicated, conflicting feelings about Katie’s Rich and Famous Man Friend. 
There’s the fact that their looming family dynamics are a potentially volatile mix. His mother adores her to the ends of the earth, and much of the time, the ends of the Earth sounds like the ideal spot for Martha Rodgers to take a well-deserved extended vacation. Her father . . . does not adore him, having filled his quota with slots for people he adores on the day he married Johanna and then day he and Johanna brought little Katie into the world. But her father likes him as much as any man can like the unworthy clod poised to sweep his daughter off her feet, and he—Castle—can respect that I suppose you’ll have to do resignation. There’s the still rocky relationship he has with his daughter, and more troublingly to him, because he would spare each of them anything, her still rocky relationship with his daughter. There’s all of that mismatched energy and impending familial we-are-in-this, and still the way seems clear tonight. 
Her mother would have loved him. That’s what hass really cleared the way. He drums his feet against the mattress with excitement—with joy—and the rolling motion it triggers very nearly lands him a sharp cuff on the chin with one of the tight fists she has balled up around the covers, just south of her nose. He dodges, though. He ducks his head and takes the sharp rap of her knuckles right against his forehead. It smarts. This is Kate Beckett, and even her sleepy little swings of irritation are nothing to sneeze at. It smarts, but he lifts his chin and chases the instrument of destruction with his lips. 
“Why?” he is surprised to hear himself ask the darkness quietly. He asks the very edge of her palm where one crease ducks over the next. “What would she have loved about me?” 
He goes from surprised to utterly appalled with himself. He never meant, in a million years, to ask—to question this wonderful gift she’s given him that has absolutely cleared the way for their lives to get started. He never meant, in a million years, to be so greedy as to ask for more when she has just given him the world in sharing her mother with him—in saying with conviction that she would have loved to be a part of this, and she would have loved him. He hopes against hope that she hasn’t heard. He crosses his fingers, arms still flung wide, and he hopes that he has done his work here tonight, and she is far too exhausted in the good way to have heard his stupid, grasping question. 
But a man can only be so lucky in the space of one single, solitary night. He senses, rather than sees, one adorable eye crack open, and then comes the cluck of her tongue, a deeply annoyed sound that absolutely penetrates the dark. 
“Everything,” she rasps. “So annoying. Woulda been . . .” she frowns hard enough he can see it, even in the dark. “Woulda been charmed.” 
“Charmed,” he repeats, and he doesn’t dodge the balled up fist this time. He lets it land on his jaw and figures he deserves it. 
“Shut up. Smug. Go to sleep.” She swipes awkwardly at the spot where her knuckles have just landed. “Venues tormormoror—” Her tongue won’t release any of the consonants in the world without a fight. She scowls and tries again. “Tomorrow.” 
“Venues.” He presses a kiss to her passing fingers. He dutifully shuts his eyes tight, willing tomorrow to come as soon as it can. There are venues to hunt down. Her mother would have loved him. The way is clear. Tomorrow. 
A/N: Castle asked SO many questions about exactly the things her mother would have loved about him. So many, they almost achieved morphousness outside of this story. 
images via kissthemgoodbye
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superman86to99 · 3 years
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Superman #85 (January 1994)
Cat Grant in... "DARK RETRIBUTION"! Which is like normal retribution, but somehow darker. On the receiving end of Cat's darktribution is Winslow Schott, the Toyman, who suddenly changed his MO from "pestering Superman with wacky robots" to "murdering children" back on Superman #84, with one of his victims being Cat's young son Adam. Now Cat has a gun and intends to sneak it into prison to use it on Toyman. She's also pretty pissed at Superman for taking so long to find Toyman after Adam’s death (to be fair, Superman did lose several days being frozen in time by an S&M demon, as seen in Man of Steel #29).
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So how did Superman find Toyman anyway? Basically, by spying on like 25% of Metropolis. After finding out from Inspector Turpin that the kids were killed near the docks, Superman goes there and focuses all of his super-senses to get "a quick glimpse of every person" until he sees a bald, robed man sitting on a giant crib, and goes "hmmm, yeah, that looks like someone who murders children." At first, Superman doesn't understand why Toyman would do such a horrible thing, but then Schott starts talking to his mommy in his head and the answer becomes clear: he watched Psycho too many times (or Dan Jurgens did, anyway).
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Immediately after wondering why no one buys his toys, Toyman makes some machine guns spring out of his giant crib. I don't know, man, maybe it's because they're all full of explosives and stuff? Anyway, Toyman throws a bunch of exploding toys at Superman, including a robot duplicate of himself, but of course they do nothing. Superman takes him to jail so he can get the help he needs -- which, according to Cat, is a bullet to the face. Or so it seems, until she gets in front of him, pulls the trigger, and...
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PSYCHE! It was one of those classic joke guns I’ve only ever seen in comics! Cat says she DID plan to bring a real gun, but then she saw one of these at a toy store and just couldn't resist. Superman, who was watching the whole thing, tells Cat she could get in trouble for this stunt, but he won't tell anyone because she's already been through enough. Then he asks her if she needs help getting home and she says no, because she wants to be more self-sufficient.
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I think that's supposed to be an inspiring ending, but I don't know... Adam's eerie face floating in the background there makes me think she's gonna shave her head and climb into a giant crib any day, too. THE END!
Character-Watch:
Cat did become more self-sufficient after this, though. Up to now, all of her storylines seemed to revolve around other people: her ex-husband, Morgan Edge, José Delgado, Vinnie Edge, and finally Toyman. After this, I feel like there was a clear effort to turn her into a character that works by herself. I actually like what they did with Cat in the coming years, though I still don’t think they had to kill her poor kid to do that -- they could have sent him off to boarding school, or maybe to live with his dad. Or with José Delgado, over at Power of Shazam! I bet Jerry Ordway would have taken good care of him.
Plotline-Watch:
Wait, so can Superman just find anyone in Metropolis any time he wants? Not really: this is part of the ongoing storyline about his powers getting boosted after he came back from the dead, which sounds pretty useful now but is about to get very inconvenient.
Don Sparrow points out: "It is interesting that as Superman tries to capture Schott, he at one point instead captures a robot decoy, particularly knowing what Geoff Johns will retroactively do to this storyline in years to come, in Action Comics #865, as we mentioned in our review of Superman #84." Johns also explained that the robot thought he was hearing his mother's voice due to the real Toyman trying to contact him via radio, which I prefer to the "psycho talks to his dead mom" cliche.
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Superman says "I never thought he'd get to the point where he'd KILL anyone -- especially children!" Agreed about the children part but, uh, did Superman already forget that Toyman murdered a whole bunch people on his very first appearance, in Superman #13? Or does Superman not count greedy toy company owners as people? Understandable, I guess.
There's a sequence about Cat starting a fire in a paper basket at the prison to sneak past the metal detector, but why do that if she had a toy gun all long? Other than to prevent smartass readers like us from saying "How did she get the gun into the prison?!" before the plot twist, that is.
Patreon-Watch:
Shout out to our patient Patreon patrons, Aaron, Murray Qualie, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Dave Shevlin, and Kit! The latest Patreon-only article was about another episode of the 1988 Superman cartoon written by Marv Wolfman, this one co-starring Wonder Woman (to Lois' frustration).
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Another Patreon perk is getting to read Don Sparrow's section early, because he usually finishes his side of these posts long before I do (he ALREADY finished the next one, for instance). But now this one can be posted in public! Take it away, Don:
Art-Watch (by @donsparrow​):
We begin with the cover, and it’s a good one— an ultra tight close up for Cat Grant firing a .38 calibre gun, with the titular Superman soaring in, perhaps too late.  An interesting thing to notice in this issue (and especially on the cover) is that the paper stock that DC used for their comics changed, so slightly more realistic shading was possible.  While it’s nowhere near the sophistication or gloss of the Image Comics stock of the time, there is an attempt at more realistic, airbrushy type shading in the colour.  It works well in places, like the muzzle flash, on on Cat Grant’s cheeks and knuckles, but less so in her hair, where the shadow looks a browny green on my copy.
The interior pages open with a pretty good bit of near-silent storytelling.  We are deftly shown, and not told the story—there are condolence cards and headlines, and the looming presence of a liquor bottle, until we are shown on the next page splash the real heart of the story, a revolver held aloft by Catherine Grant, bereaved mother, with her targeting in her mind the grim visage of the Toyman.
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While their first few issues together meshed pretty well, it’s around  this issue that the pencil/inks team of Jurgens and Rubinstein starts to look a little rushed in places.  A few inkers who worked with Jurgens that I’ve spoken to have hinted that his pencils can vary in their level of detail, from very finished  to pretty loose, and in the latter case, it’s up to the inker to embellish where there’s a lack of detail.  Some inkers, like Brett Breeding, really lay down a heavier hand, where there’s quite a bit of actual drawing work in addition to adding value and weight to the lines.  I suspect some of the looseness in the figures, as well as empty  backgrounds reveals that these pencils were less detailed than we often  see from Jurgens.
There’s some weird body language in the tense exchange between Superman and Cat as she angrily confronts him about his lack of progress in capturing her son’s killer—Superman  looks a little too dynamic and pleased with himself for someone ostensibly apologizing. Superman taking flight to hunt down Toyman is classic Jurgens, though.
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Another example of art weirdness comes on page 7, where Superman gets filled in on the progress of the Adam Morgan investigation.  Apparently Suicide Slum has some San Francisco-like hills, as that is one very steep sidewalk separating Superman and Turpin from some central-casting looking punks.
The  sequence of Superman concentrating his sight and hearing on the  waterfront area is well-drawn, and it’s always nice to see novel uses of his powers.  Tyler Hoechlin’s Superman does a similar trick quite often on the excellent first season of Superman & Lois.  The full-bleed splash of Superman breaking through the wall to capture Toyman is definitely panel-of-the-week material, as we really feel Superman’s rage and desperation to catch this child-killer.
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Pretty much all the pages with Cat Grant confronting Winslow Schott are  well-done and tensely paced.  While sometimes I think the pupil-less  flare of the eye-glasses is a cop-out, it does lend an opaqueness and mystery to what Toyman is thinking.  Speaking of cop-outs, the gag gun twist ending really didn’t work for me.  I was glad that Cat didn’t lower herself to Schott’s level and become a killer, even for revenge, but the prank gun just felt too silly of a tonal shift for a storyline with this much gravitas.  The breakneck denouement that Cat is now depending only on herself didn’t get quite enough breathing room either.
While I appreciated that the ending of this issue avoided an overly simplistic, Death Wish style of justice, this issue extends this troubling but brief era of Superman comics. The casual chalk outlines of  yet two more dead children continues the high body count of the  previous handful of issues, and the tone remains jarring to me.  The issue is also self-aware enough to point out, again, that Schott is  generally an ally of children, and not someone who historically wishes  them harm, but that doesn’t stop the story from going there, in the most  violent of terms. In addition to being a radical change to the Toyman  character, it’s handled in a fashion more glib than we’re used to seeing  in these pages.  The mental health cliché of a matriarchal obsession, a la Norman Bates doesn’t elevate it either.  So, another rare misstep  from Jurgens the writer, in my opinion.   STRAY OBSERVATIONS:
I  had thought for sure that Romanove Vodka was a sly reference to a certain Russian Spy turned Marvel superhero, but it turns out there  actually is a Russian Vodka called that, minus the “E”, produced not in Russia, as one might think from the Czarist name, but rather, India.
While it made for an awkward exchange, I was glad that Cat pointed out how  her tragedy more or less sat on the shelf while Superman dealt with the "Spilled Blood" storyline.  A lesser book might not have acknowledged any  time had passed. Though I did find it odd for Superman to opine that he  wanted to find her son’s murderer even more than she wanted him to.  Huh?  How so?
I love the detail that Toyman hears the noise of Superman soaring to capture him, likening it to a train coming.
I  quibble, but there’s so much I don’t understand about the “new” Toyman.  If he’s truly regressing mentally, to an infant-like state, why does he wear this phantom of the opera style long cloak while he sits in his baby crib?  Why not go all the way, and wear footie pajamas, like the lost souls on TLC specials about “adult babies”?
I get that Cat Grant is in steely determination mode, but it seemed a little out of place that she had almost no reaction to the taunting she faced from her child’s killer.  She doesn’t shed a single tear in the entire issue, and no matter how focused she is on vengeance, that doesn’t seem realistic to me. [Max: That's because this is not just retribution, Don. It's dark retribution. We’ve been over this!]
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beatricethecat2 · 3 years
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"This is nice," Myka says, sipping her beer while surveying the bar.
"Consuming alcohol in a public house?" Helena asks.
"Yeah," Myka says, eyes angling down as she picks at her label. "Working with Pete...this wasn't a thing I could do much. Then Steve and I had a drink here, and I remembered what it was like. I used to go on my own in DC just to unwind. Feels like a lifetime ago."
“In many ways it was," Helena says, idly stiring the ice left in her drink. "Could you ever have imagined the company you now keep?"
"I don't think so," Myka says, shifting closer to Helena. "But I like it, a lot. Doing this with you feels...normal. Two people, spending time together, not a care in the world."
"You care for nought?" Helena says, fingers tracing a line from Myka's thumb to her wrist where her hand rests on her thigh.
"Ok, one care," Myka says, eyes flicking up to meet Helena's. "Hey, I know that look. We said we'd stay for the band tonight, not just hole up in our room."
"Is there not another band tomorrow?"
"Yeah, but we said we'd stay for this one." Myka slips her hand from Helena's.
"As you wish," Helena says, settling back on her stool, frustration evident in her tone.
"More drinks, ladies?" the bartender says. "The band's about to start."
"I shall need one," Helena grouses.
"Stop being dramatic," Myka snips.
"Fine," Helena snaps. "Bourbon. Neat. Top shelf, please," she instructs the bartender.
"Comin' right up." The bartender steps away to complete the order.
"Oh, we're getting drunk now, are we?" Myka quips.
"When in Rome..."
"I'd actually like to see that, a drunk H.G. Wells," Myka says, poking Helena in the arm.
Helena flinches. "You may very well if you keep behaving as such."
"Seriously though, when's the last time you drank enough to let your guard down, even a little."
"In the company of others? Not in recent memory. And you?"
"Same."
"Here you go," the bartender interrupts, setting the tumbler on a napkin in front of Helena. "Another beer?" she asks Myka.
"You know what? I'll have the same." Myka waves her bottle at Helena's drink.
"Cavalier, Ms. Bering."
"We'll keep each other in check. We deserve to get super tipsy, at least."
"Color me intrigued."
The band strikes its first cord just as Myka's drink arrives. She tugs Helena's arm, and they relocate to a table near the stage.
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The Adventures of Bering and Wells ("Warehouse 13" Season 5 replacement) Season 1: Episode 4 Title: New Orleans: Laissez les bon temps rouler!
Summary: Myka and Helena follow whim rather than duty, driving south, detouring around Washington DC, avoiding a second emotional rabbit hole so early on. After a wi-fi-free week in a cabin, deep in the Blue Ridge Mountains, they feel ready to tackle urban density again. ("The Rockies are better," Myka declares. "We'll go there, too.) Vowing to stay as touristy as possible, the pair head towards history-filled New Orleans. But far too soon their carefree trip hits a snag and they're in need of Warehouse help.
Previously: Episode 1, Episode 2, Episode 3
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***BONUS SCENE***
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"Exactly how touristy have you been?" Abigail asks.
"Pretty touristy," Myka answers.
"Practically flâneurs," Helena says, grinning as Myka looks up at her with sparkly eyes.
"Well, that narrows it down," Steve mutters, typing into the keyboard. "Let's start with your hotel. Why'd you pick the carriage house?"
"The lack of adjoining suite and the king-sized bed."
"Helena!" Myka smacks Helena on the arm. "Because it's cute and charming."
"So this ghost isn't listed on their website? Wedding dress woman, Civil War soldier, dancing patio woman?" Steve asks.
"No. And the manager hadn't recognized the description I gave," Helena explains.
"So not all ghosts," Abigail says.
"If seeing them is normal," Myka says.
"Let's say the ones on their website are but H.G.'s isn't," Steve says.
"Are we to assume I've been 'whammied' then?" Helena says.
"You freeze in place. I have to shake you out of it," Myka explains.
"Perhaps I'm studying the phenomenon."
"You're never that still. It's creepy."
"Then I think we should consider it," Abigail says.
"Where else have you been?" Steve asks.
"Um, everywhere?" Myka answers. "That blacksmith's bar you and I went to. And The Gas and Lights Museum--"
"Such memories. So many details wrong," Helena gibes.
"On a carriage ride--"
"Highway robbery! Sixty-five dollars for a turn around the park. And not in the least authentic."
"You said it was nice!"
"I said it was familiar. The sound of it took me back," Helena says.
"I thought you'd like it." Myka leans back and looks up at Helena questioningly.
"I enjoyed the company quite thoroughly," Helena says, laying her hands on Myka's shoulders and grinning down at her fondly.
"Aww," Steve coos.
"Did anything about the carriage ride scream 'lady ghost will now appear at will?" Abigail asks.
"Not to my knowledge," Helena says.
"We also went to the Pharmacy Museum. And on a steamboat ride," Myka adds.
"Not that I'd have stepped foot on that death trap without proof of modern safety precautions. In my day, they exploded frequently," Helena explains.
"Ok...let's start with the Pharmacy Museum," Abigail says as Steve types. "Could this woman have afforded a doctor?"
"She often appears in her Sunday best, but also in, shall we say...less. She didn't strike me as particularly monied."
"Did she look sort of vampire-ish?" Steve asks. "I'm reading that people with consumption were rumored to be vampires due to how the disease aged them."
"I'm familiar with that premise, and no, this woman was not withering away."
"Could she have died on a steamboat?" Abigail asks.
"She doesn't give off that sense. There's a calm about her. She's not in danger."
"Let's try another angle. The neighborhood you're staying in, Storyville, claims to be the birthplace of jazz," Abigail says, reading over Steve's shoulder. "Maybe she's related to that?"
"Myka took me to hear this 'jazz,' and I can't say I was at all impressed."
"I like it. Steve does, too. You really hated it?" Myka asks.
"The bleat of the saxophone evokes vaudeville for me."
"Play her some Charlie Parker. Or John Coltrane. That might change her mind," Steve suggests.
"Does this relate to our ghost?" Abigail presses.
"I don't see a connection," Helena answers. "Her dress is previous to that of jazz, of an age closer to my own."
"Storyville was once a legal bordello district," Steve explains. "The whole neighborhood was shut down in 1917. So maybe she's from then?"
"That makes sense," Myka says.
"Do you see her inside or outside?" Abigail asks.
"Thus far, outside."
"But," Myka protests, "last night, when we were...t-the blindfold, you said 'just in case.'"
"Did that not heighten our activities?"
"That's not the point. I can't believe you--"
"Punish me later, darling--"
"Why don't you two hash this out, and we'll get back to you," Abigail suggests.
"Wait, is this her?" Steve asks.
Steve shares a black and white photo of a woman, seated outdoors, in front of a makeshift white backdrop, her hair styled into a modest, shoulder-length coif. Her linen top, trimmed with lace, hangs off one shoulder, and a string of pearls adorns her neck. Her lipstick, rendered as a middle grey, matches the kohl lining her eyes, giving her a soft, silent movie-era look.
"Hm, possibly."
"Here's another."
Helena leans further over Myka's shoulder, looking closely at the image. "Yes, I believe that is her."
"That's, um, really off the shoulder. Shoulders..." Myka says. "Isn't that kind of racy for the time?"
"Quite tame compared to some. Her expression is unusual, contemplative almost, recalling solemn greek statues rather than the usual fodder meant to titillate men's desires."
"How would you know?"
"One encounters all sorts of materials as a Warehouse agent," Helena says with a smirk.
"As an agent. Uh-huh."
"Listen to this," Steve interrupts, "these prints were made from a stash of glass negatives found locked in a desk drawer years after the photographer died. Many are of Adele, the woman you're seeing, but there are other women, too. They were shot in the 1910s, but these prints were made in the '60s. If there were any original prints, they were never found."
"May I see the images again?"
Steve cycles through and adds a few more, one depicting a roll-down desk with a shrine of photos arranged above, all of women, vignetted portraits and romantic depictions of the female form more typical for the time.
"Not sure if that last one is related. But it says it's by the same photographer."
"Could you send that one over? I'd like to look more closely."
"Sure."
Myka trades places with Helena, and Helena clicks the link. She enlarges the photo and inspects the array of images.
"I vaguely recall flicking through a basket in a shop with ephemera such as this. Perhaps this ghost woman was amongst it, but printed in a manner such as the images depicted here."
"So you're saying the photo in the shop might be a photo from this photo?"
"That is what I'm hypothesizing."
"So when you see her, you freeze like you're her photograph trapped in this photograph."
"Or perhaps I am her, caught in the decisive moment of the image being captured."
"That's really meta," Steve says.
"No matter what, neutralizing that photo should do the trick," Abigail suggests. "Heck, neutralize everything in the basket, just in case."
"Do you remember which shop you were in?" Steve asks.
"My recollection is hazy at best due to the copious amount of drink someone encouraged me to consume the evening previously."
Helena looks at Myka and scowls. Myka looks back, endearingly.
"I don't get hangovers."
"Lucky you," Helena quips.
"I hope you find it soon," Steve says, "because being happy looks good on both of you. You should get back to that."
"Thank you, Steve. And thank you, Abigail, for all your help," Helena says.
"Anytime," Abigail says.
"Have a great trip. Send some postcards!" Steve says.
"What a marvelous idea," Helena replies.
"Isn't flicking through postcards how we got here?" Myka warns.
"Shall you pre-screen everything I touch from now on?"
"Maybe I should--"
"We're hanging up now," Abigail says.
The screen goes blank as Myka and Helena devlove further into playful bickering.
*End Scene*
-TBC-
NOTES: "Laissez les bon temps rouler!" is Cajun French for "Let the good times roll." In season four, Steve and Myka go New Orleans and both say they like jazz, so I'm not making that up. I see Myka as more of fan of popular tunes - Billy Holiday, Duke Ellington, Nat King Cole, etc., whereas Steve would know the genre through and through (and try as he might, never gets Claudia quite on board with it all). The photographer is E. J. Bellocq - I was going to incorporate that more, but the politics behind photos I mentioned is...complicated. I want this B&W show to focus on our ladies journey, artifacts are side-plot motivations. But if you're interested, look him up, and I suggest reading both Susan Sontag and Nan Goldin's essays for some clarity on why the images hold the status they do. From the research I've done, his images are plastered all over Storyville businesses, so if you've been there, you've seen at least one. Oh and I had a roommate once who could drink anything and never got a hangover. Some people are lucky like that.
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faerynova · 4 years
Text
KAITO HAS OCD
Okay, a breakdown of OCD behaviors let’s go:
COMPULSIVE BEHAVIOR
He immediately fixates on finding pandora+getting vengeance, cannot be convinced to do anything else to get to this goal except be Kaitou Kid as soon as he decides that’s the path he’ll take. He’s already got his plan, he’s NOT gonna deviate from it.
And he goes after gems that he already knows aren’t Pandora because he’s compelled to complete Kaitou Kid’s MO/rise to challenges.
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(from DC ch.965, I pasted the panels together for the relevant bits)
He also goes after targets when OTHER people send notices. (see: chapters 11 and 14 of Magic Kaito.) Yeah he wasn’t the one who started it, but he WILL finish it.
There’s absolutely no rule that says he has to go through with every single heist notice that he or someone else sends! It’s just his own compulsion.
OVER-PLANNING: BACKUP PLANS OF BACKUP PLANS
OCD makes you doubt yourself: what you do, your surroundings, so you have to over-plan to make sure everything goes Just Right, or else there will be consequences. And with heists, there really will be! But assuming he’s got OCD then he feels like *everything* he does has consequences if it doesn’t go the way he planned.
So he’s over-prepared always!
Even when going to school, have you seen all the tricks he keeps up his sleeves just for casual pranks with his classmates? He’s always *always* ready to toss confetti everywhere! To disappear with a smoke bomb! To put a mask of his own face on a classmate to get away! He just carries these things around In Case he needs it!
He just has an entire magic arsenal with him at all times for no good reason, school and other mundane situations.
WAY MORE EXAMPLES AND ANALYSIS UNDER THE CUT:
So here’s some over-preparedness on heists:
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(DC ch.1019)
He’s got calling cards made ahead of time to go along with whatever plan he ends up using-- and even though they say he “spontaneously” decided to act, having all those cards there means he DID have every single plan laid out for whichever he decided to do. He figured out which plan he needed to do, and acted accordingly.
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(DC ch.963)
This is the one that really gets me. He brought enough disguises to be able to pick someone AT RANDOM to disguise as, and then he has an entire heist planned around the person he picked on a whim.
You could say he just improvises, but a lot of what Kaito does *has* to be planned out in advance. Yes he can knock someone out and steal their clothes for an impromptu disguise, but he still needs masks prepared-- and for disguising as Agasa which he does in this chapter, that’s a whole costume to get the body shape right! He just HAD THAT PREPARED. JUST IN CASE.
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(MK ch.23)
Kaito for the love of God what on earth would you ever need to memorize this man’s driver’s license number for. This is a new level of over-prepared. Kaito how did you even memorize that number along with all the other nonsense you need to remember for heists and disguises.
And in the manga we see several times that when his plans go awry, his first reaction isn’t usually to improvise a new plan, but rather to yeet as fast as possible because his brain can’t deal with a plan being ruined. (like above)
AND OKAY MEMORIZING ALL THOSE NUMBERS ACTUALLY BRINGS ME TO MY NEXT POINT:
COUNTING
The above example isn’t technically counting, but it does lend to an obsession with numbers and being hardwired to just have them in the back of his mind without thinking about it.
Alternately, he may have just glanced at the drivers license while handing it over and memorized it on the spot! Counting it without even thinking about it! (Either way, holy shit.)
He can also quickly and accurately count how many people and objects are in a room-- or you know an entire building-- in a matter of seconds. And he remembers all of it!
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(MK ch.28)
Okay I think that’s all of the canon examples I’ve got on hand?
So with all that, some OCD headcanons about the boy:
-He over-plans even in mundane situations like deciding what kind of ice cream to get at the store. He’s gotta think about what if his favorite and second favorite and third favorite flavors are out of stock, and how much each brand costs, and if he’s willing to go to another store to get his favorite flavor if they don’t have it, and how long it will take to go to another store and the different prices there-- he over-plans for everything *just in case*.
-He obsessively re-checks and over-checks plans. Gotta make sure everything is right for heists.
-Counts things repeatedly/on a loop when left alone with his thoughts, and often taps along with his counting which outwardly looks like fidgeting or boredom. (I also headcanon that he has ADHD as well, so the tapping looks like a stimmy adhd thing)
-Pretty bad anxiety about messing up/consequences/break in routine, but hey live and die by the poker face, so no one knows it.
-He’s got rituals/routines to calm himself down that he doesn’t even realize are rituals: mindlessly shuffling or counting cards; tracing the scars/creases/etc on his hands, tapping/counting. (more things that just look like stimming basically)
-He also has a rewriting/redrawing habit. Mostly with his Kaitou Kid doodle, but he’ll do it with words too. His school notes have a lot of repetition because sometimes a word feels wrong so he’ll just rewrite it (sometimes several times) before he moves on with the rest of his notes.
-He plans his entire days ahead of time with a list in his head down to really stupid details.
-Yes this includes branching possibilities for different things that might happen that day. Backup plans of backup plans!
-On days where he’s feeling bad or can’t get his thoughts in order, he’ll take the list to paper so he can double check it as the day goes on. He always feels better if he has a plan he can check back on, mental or physical.
-Most importantly, he has absolutely no idea he’s got OCD. He assumes all of this is just normal behavior for an entertainer and a thief. Of course he pays attention to how many people are in a room and how it’s laid out, he’s in the habit of casing places. Of course he’s got 143 plans laid out for the day, it’s only practical that he knows what he’s gonna do. Of course he checks his heist plans two dozen times in the same night, he can’t afford to mess this up!
Anyway that’s all I’ve got for now love y’all byyye.
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Where is the real me
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Summary: Ever since quirks became the new normal the US decided to try to recreate some powers from the movies such as Marvel and DC. I happen to be one of those people that they recreated powers on. I was the lucky or unlucky one depending on how you look at it that got scarlet witch powers. I've was recently got accepted into UA college.
A/n: This is an aged up fic. The UA students will be college age. Since I decided to make this story a love triangle between the reader, bakugou and Dabi and since bakugou and the reader would be a early age teen in the original story I didn't want the FBI to be breaking down my door so aging them up was the way to go.
We were also given comms for our ears.  I followed the boys as we walked through the building to find the dummy bomb. “So what’s so special about an extra like you go get into UA?” Bakugou asked. I didn’t answer him which seemed to piss him off. “Hey I’m asking you a question extra.” Bakugou said. “My name is not extra. When you ask me nicely I will tell you.” I said. “Whatever I don’t care.” Bakugou said. I rolled my eyes as the three of us walked into the room that the dummy bomb was in.
“Even though this is training it pains me to be aligned with criminal behavior. So this is the weapon we must protect. Fake of course.” Tenya said. Of course it’s fake not like they would trust us with a real one. “Hey!” Bakugou said. This cause both Tenya and I to look over to him. “Do you really think Deku has a quirk?” Bakugou asked. “You saw how he threw that ball. Though I think his power hurts his body. Why is it that you seem to be especially angry when it comes to Midoriya?” Tenya said. I could feel that he was very angry and thought that Midoriya lied to him about having a quirk. “I don’t think that he lied to you.” I said. “How in the hell do you know what I was thinking!” Bakugou said as he turned to look at me. “One of my quirks is telepathy.” I said. “One of your quirks? How did an extra like you get multiple quirks?” Bakugou asked. “My name is not extra.” I said trying not to lose my temper. “How did you get multiple quirks Y/n?” Tenya asked. “I was experiment on when I was little.” I said. “Sure you were.” Bakugou said. “I really don’t care if you believe me or not. At least I’m not caught up in the past.” I said. “All right! Let’s begin the indoor combat training! Team A and Team D your time starts now!” All might yelled through the loud speakers.
“So what’s the plan you two?” I asked. “You two can handle guarding this thing.” Bakugou said as he started to walk out of the room. I motioned my hand and the door slammed shut. “What in the hell.” Bakugou said as he jumped back. “You are on this team with Tenya and I. So you should help and not try to use this as a reason you get even with Midoriya.” I said. Bakugou rolled his eyes and tried to open the door again but I slammed it back shut. “Will you stop that!” Bakugou said. “If Bakugou wants to go just let him Y/n.” Tenya said. “Fine.” I said letting Bakugou leave the room. It was a few minutes later an explosion could be hear and the building shook. “What in the hell was that?” I asked. “It was Bakugou.” Tenya said. “Do you trust me?” I asked. “I’m sorry?” Tenya asked. “Do you trust me?” I asked again. “Yes I trust you. Why would you ask me something like this?” Tenya asked. “Are you okay with guarding the weapon by yourself?” I asked. “What are you going to do?” Tenya asked. “I’m going to stop Bakugou from destroying the building.” I said. “You think you can stop him? I mean no offense by this but he seems a lot stronger that you.” Tenya said. “Yeah I do think I can stop him.” I said. “Alright please be safe.” Tenya said. I nodded and walked out of the room.
As I rush through the building to try to find Bakugou I could hear more explosions but these were small and sounded closer. So I knew I was close to finding him. I found him with Midoriya standing a few feet away facing him. Half of Midoriya’s masked was missing probably burned off from Bakugou earlier attack. “You’re shaking in your boots you’re so scared. But you wanna fight me anyway. That’s why I hate you!” Bakugou said. “Bakugo! Come in! Give me a status report. Where are you?” Tenya asked through the comms. “Just shut up and defend the weapon. I got more important things to worry about.” Bakugou said back. “Are you forgetting what our mission is? Hello? He hung up on me! This isn’t the time for radio silence. We’re supposed to be a team. Argh!” Tenya said. “Calm down Tenya I have my eyes on him.” I said. “At least your being helpful.” Tenya said. “Ah! Uraraka! Go!” Midoriya yelled. I could hear Ochako running away as I made a shield to protect me. “Ballsy move. Think you can take me alone?” Bakugou said. I looked to see that Midoriya was about to use the capture tape on Bakugou so I used my powers to started to control Midoriya movements and also pulled Bakugou closer to me. Both boys were very confused about what just happened. “What in the hell was that?” Bakugou asked as he got up from the ground. “A simple thank would be nice.” I said as I walked over to him. “I don’t need your help.” Bakugou said. At the same time Midoriya started to run off. “Get back here Deku!” Bakugou said as he chased after him. I let out a groan as I used my powers to start to levitate off the going after Bakugou. I landed in front of him. He had both a look of shock and anger. He grabbed me by the neck and shoved me against the wall. “How in hell did you get in front of me so fast?” Bakugou asked as he put an arm against my throat. “I already told you.” I said as I tried to get his arm off my throat. “And I told you that your story was bullshit.” Bakugou said as he put more pressure on my throat. I slammed my hand on his chest which sent him flying back against the wall. I started to cough as put my hands against my throat. Again Bakugou looked at me in shock as I ran off and away from Bakugou.
I keep running until I bumped into someone which sent me to the ground. “Oh sorry Y/n.” Midoriya said as he helped me up from the ground. “Thanks.” I said. “Woah what happened to your throat. Did Kacchan do that to you?” Midoriya said.  “I’m fine don’t worry about it. I might have flung him against a wall.” I said. “How did you do that?” Midoriya asked. “I’ll explain later.” I said. “Dammit! You were tricking me for years by acting weak. Bet you’ve been laughing behind my back huh? So where’s that flashy power of yours now?” Bakugou yelled. “Go.” I said pushing Midoriya. “What?” Midoriya asked confused. “I said go.” I said raising my arms as red energy came out from my hand lifting Midoriya up from the ground and I flung him away.  I started to run again and as I did I could hear more explosions.
Meanwhile in the viewing room
“That guy has some real anger issues. Kinda scary.” Denki Kaminari said.  “What about that girl she seems to be handling him fine on her own but it’s weird since their on the same team. She seems just as strong as he is maybe stronger. I can see why UA accepted her.” Eijiro Kirishima said. “She seems to have more than one quirk but they do seem to be controlled by that red energy.” Shoto Todoroki pointed out. “That’s because when she was little she was experimented on. She told me and Ochako before we started.” Tsu said. “That poor thing.” Mina Ashido said. “Her quirks seem so familiar I swear I’ve seen it somewhere before.” Denki said. “Yeah you’re right I’ve seen it somewhere too but it’s just not coming to me.” Kirishima said. “She told us that they recreated the powers from the movies but she didn’t tell us who.” Tsu said. 
Back to Y/n POV
I somehow ended up catching back up with Midoriya. “Sorry about flinging you away.” I said trying to catch my breath as I stood next to him. “It’s alright I get why you had to do it. Your quirk seems to be really strong. You might have a stronger quirk than Kacchan.” Midoriya said as he was trying to catch his breath too. “Quirks actually.” I said. “You have more than one?” Midoriya asked. “That’s what happens when you get experimented on when you were little.” I said. “What?” Midoriya asked. “Yeah I was experimented on when I was a kid. They wanted to recreate powers like in the super hero movies stuff like that. I was born quirkless so instead of having a quirkless kid my parent let me get experimented on.” I said. “That’s terrible.” Midoriya said. “Well it took a few years but they realized what they did was wrong.” I said. “Who did they recreate with you? Wait no. I’m sorry I shouldn’t have asked that.” Midoriya said which cause me to laugh a little. “It’s okay Midoriya I don’t mind that you ask me that. Scarlet Witch from the Marvel moives. I never really got much training to help control it. I got some but most of the training I got was from watching the movies and just copied what she did.” I said. “Well you seem to handle Kacchan enough and he being fighting most of his life.” Midoriya said. “Well he seems like a bully to me.” I said. “Well that too.” Midoriya said. I laughed a little.
“Stop hiding! Come out and face me you coward!” Bakugou yelled. “Maybe I should go find and calm him down.” I said. “I don’t think that would be a good idea. He might hurt you.” Midoriya said. “I wouldn’t get to close to him just close enough. Besides like you said I might be stronger than him.” I said. “But you said it yourself you barely have any training.” Midoriya said. “I’ll manage if we don’t do anything to calm him down he might try to bring this whole building down.” I said. “All might wouldn’t let him do that.” Midoriya said. “Someone will have to hold him off until All might could get here.” I said. Then Midoriya started to talk to Ochako through the comms.
I wasn’t paying attention to what they were saying since I started to use telepathy so I could hear when Bakugou was getting near us and he was. “Go.” I said. “What?” Midoriya asked. “Go get out of here he’s getting closer.” I said. Then I hear a bell like sound. Both Midoriya and I looked behind us to see Bakugou standing behind us. “I’m all loaded up.” Bakugou said as he raised his fist. “What does that mean?” Midoriya asked. “Why aren’t you using your fancy quirk? Don’t tell me you’re underestimating me Deku. Get over here and show me what you’re really made of. Then it’s me and you girl.” Bakugou said. “If you think I’m scared of you then you’re mistaken.” I said. “Kacchan. I’m not scared of you anymore.” Midoriya said. “Since you’re such a stalker by now you probably know how my quirks explosion works. I secrete nitroglycerin like sweat from my hands and make it blow up. Imagine what I could do if I had a lot of it. That’s right the gauntlets aren’t just for show. They’ve been storing up my sweat inside for one monster blast.” Bakugou said as he opened a small compartment from the gauntlets on his hands. It was too small to tell from where Midoriya and I were standing but if I had to guess I would say it probably was a pin since the gauntlets looked just like grenades. “Young Bakugou! Don’t do it! “You’ll kill them!” All might yelled through the loud speakers. “They’ll be fine as long as they dodges!” Bakugou yelled pulling the pin back. I quickly stood in front of Midoriya as I created a shield while as tried to keep the explosion and the damage contained. But I could still feel the strong winds start to push Midoriya and I back. I had some managed to stop the explosion but the strong wind sent Midoriya and I flying back into the room down the hall.
I hit the ground hard enough that the wind was taken out of me. “Come in! Come in Midoriya! Come in Y/n!” All might yelled. I let out a groan as I sat up. “Damn that really hurt.” I said. “Is that even allowed?” Midoriya asked. There was still a lot of smoke but other than that I really didn’t see any damage. I could hear Bakugou start to laugh as he came out of the smoke. “These are awesome. The more nitro sweat that’s stored in these gauntlets the stronger the explosion is. Go ahead. Use your stupid quirk on me Deku. Even if you give me everything you’ve got you’ll never beat me.” Bakugou said as he walked towards Midoriya.
Meanwhile in the viewing room
Everyone else in 1A watched in shock at the power that Y/n had. “That girl is seriously powerful.” Kirishima said. “She managed to make sure he didn’t cause any damage.” Tokoyami said. “You think she can take much more of this?” Denki asked. “Well she has lasted this long. She could probably stop him by herself if she wanted to. She had no problem flinging him into the wall.” Todoroki said. “Sir what are you going to do if he does that again?” Mina asked. They watched as Y/n got up from the ground saying something to Bakugou but they couldn’t hear exactly what. Bakugou had yelled something back. Which made Y/n glare at him making the red energy appear in her hands again. 
Taglist: @flowersgirl02​
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thedancefloorsilly · 3 years
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Ngl seeing your 300 followers event intrigued me (loved the spin on what’s usually just a describe yourself and I’ll give you a matchup thing) enough so that I’ve binged through most of what you’ve written on here!! It’s actually been awhile since I sent in a request for one of these 😬
So!! I’m female, going by she/they and bi (male leaning). My romantic f/o are illumi + hisoka. Illumi - unexpectedly usually out of my type, but he buried himself in the ground in the first scene we saw him in and I was gone. Since then I’ve had people point out that he looks like a frog and that its a very major subconscious reason I love him so much. Hisoka, I very much resisted liking at first because hes,,,, hisoka, but this bastard made a place in my heart the more his main character syndrome made him helpful and not a total villain. I had no choice but to begrudgingly love him, and he makes me laugh as often as he makes me turn to look to the figurative camera.
When it comes to me, I’m 5’2, black hair + eyes, Asian, and must admit I do have a bit of a god complex as a Pisces (which my own need to compete w others then compromises). I definitely consider myself fashion forward (but favors black a lot) and I love to find shoes to give me some more height. I have a taekwondo black belt and do MMA, and I love to crochet even though I tend to rage at my yarn when new patterns for clothes make me repeat rows over and over again. I’m the only one in my friend group that knows how to do taxes, but STILL did not understand knuckle’s loan and interest nen AT ALL. I adore collecting marvel and dc comics, as well as manga, and my guilty pleasure is the pink drink from Starbucks (guilty because Istg im not a 13 year old, I just need to stop consuming caffeine and the vanilla sweet cold foam with it is addicting). Someday I dream to have three cats, and I have a drivers license even though I legitimately have never driven or taken any drivers Ed classes in my life. Ever. I have no idea how to drive. My procurement of a drivers license regardless may or may not have been through legal means.
Ooh well that’s nice to hear glad u liked this idea!! I hope I liked my writing😳😳 I don’t write for Hisoka but for this event I will :P I also did these as separate. enjoy anon!!
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Hisoka
- The fact that you know how to fight, being that you do MMA, DEFINITELY intrigued Hisoka when he first met you. He did his whole evaluation thing in his mind about how well your powers fair, and honestly this was probably what prompted Hisoka to learn more about you. Once getting to know you more, there was something different he would feel rather than the usual “excitement” when around a strong fighter. It was a certain feeling in his stomach he would get that would linger on.
- Even though Hisoka might have been a little confused at first, he was curious to try and explore these unknown feelings more, thus leading him to spend more time and to try and observe your personality. The more and more he spent time with you, the more his interest in how you fought began to slip away from his mind. Not only that, but Hisoka also always felt his heart racing when he was around you. Was this eccentric clown magician man developing a crush? Oh, absolutely he was.
- Well, as the time came where he would smoothly confess his feelings, Hisoka really did try to make everything special. Hisoka actually bought red roses for you, dressed VERY nice, brought you to somewhere calm and romantic, and used his charm to try and win you over. Well, at the end of the night, you guys both learned that you and him had mutual feelings for one another, and it was pretty clear that a second date was to be expected.
-  Sometimes you can’t help but to laugh at Hisoka’s outlandish behavior. Of course, he takes notice of this, and with that, Hisoka tries his best to always put on a show when you’re around!! He always does things to try and hear that laugh of your’s that he loves so much. Not only that, but Hisoka also does things to rather amuse you. Hisoka will sometimes do random tricks with his nen to try and put up his “magician” act, just to see that entertained look on your face.
- Whenever he’s fighting at Heaven’s Arena, he always tries to impress you, too!! Once facing an opponent, Hisoka will try out these new moves or special techniques that will surely put a ‘wow’ on your face. Yes, his tricks might be a little stupid or dangerous, but that’s all part of the fun isn’t it? Not only that, but when he’s mid-fight, Hisoka will also try and do stupid things like wink or smirk at you justtt to see you blush and roll your eyes playfully.
Illumi
- Mentioning that you have no experiencing with driving to Illumi, he insists that he could just drive you to some places himself. You calmly agree to this at first, but since you weren’t aware of the fact that your boyfriend also has very little driving experience, you have NO idea what you’re about to get into. His driving is a little... reckless to say the least. You really thought you were getting a calm drive to Starbucks?? Well, expect your incautious, daredevil of a boyfriend to be passing every red light, almost hitting pedestrians, and speeding exceedingly just to get to your destination. You guys are just better off with Illumi’s butlers driving you guys...
- Sometimes you like to crochet random things for Illumi (It could be something like a hat or some gloves). Whenever you’re making them, Illumi often hears the little complaints you make from frustration from your room, so he goes to check on you and to see what’s wrong. Immediately though, you tell Illumi to not come in your room because you’re making something to surprise him. Even though he’s wondering what you might be doing, Illumi just goes on and doesn't question you further.
- One day, as you finally finish your creation, you announce to Illumi that you’ve made something for him. As Illumi tilts his head in confusion, you then proudly reveal a crotched frog hat from behind your back, all for him!! At first he wonders what prompted you to make something so specific for him, and all you say to Illumi was that he reminded you of a frog!! You might not know what he truly feels from his blank reaction, but deep down, Illumi really appreciates the gift!!
- Now, Illumi definitely doesn’t see himself having not one.. but three cat’s in his future (since you’ve told him all about your dream). It’s not that Illumi opposes of the idea of them, or thinks that they’re a lot of work (especially since you’ve seen his GIANT pets..), it’s just that he’s just never really thought about it before. There are days when Illumi does consider owning them, or how it would be like to own them, but then again, Illumi never acts on getting the cat’s. 
- That wasn’t until one day though. It was a rainy afternoon, and Illumi was walking through the town, ready to come home from one of his assassin missions. As he was strolling down the empty streets, he heard a faint sound of an animal come from the left of him. Illumi turned to his left, but looked down to see that the noise came from a beaten up box in an alleyway. He walked toward this box, noticing that the animal sounds were actually the small ‘mews’ of a cat. As Illumi squatted down to see observe this box, he then saw the sight of MULTIPLE small kittens!!
- While you’re waiting for Illumi to come home, you hear the knocking of someone on the door, and you immediate assume that it’s from your boyfriend!! As you happily rush to unlock the door, you then see a drenched Illumi, holding a box of kittens as they’re meowing non-stop. Though, you might be confused, Illumi blankly says, “Look. I brought you something.” From the nonstop meowing, you question to how many cats are there... Even though you dreamed about having three, well.. can you handle about six?
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placebogirl7 · 3 years
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Why Jodie is so hated in DC fandom? - Analysis of an underestimated character and clarification about wrong assumptions
Preliminary remark: this post is just a personal opinion. No intention to start wars of any kind, I respect everyone’s opionion so I want my opinion to be respected too. If you don’t share it, it’s totally ok as it’s totally ok if I don’t share yours.
During these last 5 years I’ve been back into DC fandom, I notice all around the web many people spreading hate towards Jodie (not only here on Tumblr but everywhere, especially in forums and social media pages). It’s ok to not like a character, but you need valid reasons to hate it. If you hate it for bullshit, then it’s only hate based on nothing. And this is what I see everytime I read a bad comment about Jodie’s character. This is really annoying for a fan, to be honest. Now I want to point out some of the most popular reason why Jodie is hated and analyze them (maybe I have already explained my point of view about them in some other posts in the last years, but I will clarify them again).
1) “Jodie has become useless, she’s no more interesting and mysterious as she was at the beginning” You (Jodie haters) really notice this change only in Jodie’s character? Because I can mention at least other 10 characters who, at their first appearance, were described as mysterious and cool and whatever else, but now are “lying on the shelf” for Gosho’s choise. Jodie has been introduced in a mysterious way becase she was suspected to be Vermouth, so Gosho created the suspance around her character and made her act in a shifty way to make the readers believe that she could be one of the BO members. Once it has been revealed that she wasn’t bad, there were no more need to make her act in a shifty way. Many other character who were suspected to be Bo members but in the end were not have shared the same fate. But it’s Gosho’s decision, not Jodie’s fault. It’s not something related to her way of being, it’s a choise of the author.  She has become usless? Ok, let’s face the reality: who is useful among the characters? A very few. Let’s take all the FBI Team: Gosho has painted them as a bunch of idiots that without Akai can’t do nothing. To make Akai “shine” he has denigrated Jodie, James and Camel. Camel doesn’t do nothing of his own, he always wait for Akai’s orders; James is supposed to be the chief but actually he does what Akai says; Jodie seems to make mistakes everytime she did something, even if she’s doing it in the right way. But again, it’s not their fault because we have seen them doing even very good things and being brilliant, so they have potential: it’s Gosho who decided to treat them like dumbs so Akai can be like a God who will save all of us. Don’t get me wrong, I love Akai, but I hate what Gosho is doing to put him in the spotligh. Again, it’s Gosho’s fault, not the characters who suddenly became usless and not interesting. The hate should be towards Gosho, not Jodie.
2) “After Akai’s death Jodie has become so annoying, she’s weak and she’s always crying” Ok...question for you Jodie haters: if you suddenly lose someone you love, what will be your reaction? Will you laugh as you were watching a sitcom, will you organize a big party with your friends or will you start throwing confetti in the air? Because if you do one if these 3 things, then...congratulations, you have won the highest award for the most cool /stone-harted/ heartless person in this world! You have no rivals, not even Shuichi Akai who is now jealous of you!  Seriously...if the man you love so much dies suddenly, it’s LEGITIMATE to cry, to be desperate, to lose yourself. It’s like losing a part of you. But despite feeling lost, Jodie has been the only one among the FBI who never believed to Akai’s death since the beginning and she fought long and hard to find out the truth behind his death. Since when on the TV they show the incident at Rahia Pass and they say a man was dead burned in his car, she immediately thought that it wasn’t Shuichi and that he had surely used a trick to escape. Guess what? She was right! Do you still think she’s stupid?  Jodie isn’t weak, she just faced an emotional breakdown due to the loss of a person she loved. This is being human, not being weak. Jodie isn’t always crying, she cried when everything and everyone around her was making her believe that Shuichi was really dead. At a certain point she stopped crying, when she saw hope, a hint that Shu was still alive. She isn’t a crybaby, she just needed hope. 
3) “Since Akai’s death, Jodie hasn’t done anything interesting or exciting, she has become boring” If you didn’t notice by yourself, then I will reveal you the biggest secret of all: after Akai’s death, or better to say after the end of Scarlet Arc when Jodie and Camel discovered about Shuichi being alive and hiding behind Subaru’s identity...FBI hasn’t appeared anymore in the manga for ages, since the last files which came our recently! How are they (included Jodie) supposed to do something exciting or interesting if they don’t even appear? Gosho put them in the closet with the naphthalene and he concentrated his attention on other characters (first of all Amuro, which in my opinion deserves more hate than Jodie because of his behaviour but somehow is adored as a God in the fandom).Then one day he get up and he had the big flash of genius: “FBI still exist in my story, so better take them out of the closet and make them do something”. But in the end, as always, only Akai did something relevant. Camel has been a puppet in the hand of Akai and Jodie made a mistake. So, again, it’s not Jodie who have changed and become a worst character, it’s how Gosho is painting her and the other FBI agents which makes them appear less interesting or capable at the eyes of the readers.
4) “Jodie has become stupid” About this I made a “funny” post long time ago, so I will put the link below. I think it’s enough to explain all:
https://placebogirl7.tumblr.com/post/156414088650/jodie-has-become-more-and-more-stupid  
I will also add something that surely will unleash the wrath of somebody and maybe they will start complain, but I honestly don’t care because it’s nothing against someone in particular but just something I noticed. This is absolutely not an attempt to start a ship war nor a free criticism end in itself, because I reaspect everyone ship and opinion even if I don’t agree with that. The fact is that I noticed that often (not always of course, but often) these criticism about Jodie are moved by ShuKemi fans, and considering what I said above it seems that their hate for Jodie is just because Jodie was Akai’s girlfriend before Akemi and she has the possibility (if Gosho wants) to be his girlfriend again the future, not really because they analyzed Jodie’s character before spreading shit about it.  So I would like to point out to these ShuKemi fans who idolize Akemi’s character so much and tell shits about Jodie that Akemi sentenced herself to death with her own hands after making the worst and wrong choise she could have ever done in her life. I’ve seen many times Akemi being called “a hero” but chosing to death without obtaining nothing in return isn’t being a hero, it’s just being stupid in my opinion. Being a hero is another thing. You’re an hero if you sacrifice yourself with the goal to obtain something that worth your sacrifice, but if you sacrifice yourself knowing that you won’t obtain nothing apart from your death...well, that’s not being a hero at all. And before someone will say “You talk like this because you’re a ShuJodie fan”, please be aware that Akemi’s death has been shown before Jodie appearance and before knowing that Jodie had a relationship with Shu before he started dating Akemi, so I would have no reason to say these things just because of such trivial matters. The reason why I’ve never been touched by Akemi’s death since the beginning is because I think she has consciously chosen to die since the beginning of her “masterplan”. C’mon, how can you really think to make a deal with criminals? There’s a reason if they are criminals... She really thought that Gin would have kept his promise? If the answer is yes, then I’m sorry to say that but she’s stupid twice. So before saying that Jodie is the stupid one, at least analyze the things deeply and objectively. 
Now I know that this will make someone mad but I’m sorry, it’s what I think. And not because I see Akemi as a “threat” for Jodie’s relationship with Shuichi, as I always said I don’t need to spread shit on some character to covince myself and the other that my couple is better, I really don’t need this. I love my couple and stop, the rest doesn’t matter. If I don’t like a character, there’s always a deeper motivation behind, which has nothing to do with OTPs and trivial matters like that. But before saying I don’t like a character and draw up charges on it, I always analyze the character. I’m sorry that nobody do it with Jodie. 
Please also note that I used Akemi as example of character being idolized for no real reason because, as I said, I noticed that who talk shits about Jodie are often ShuKemi fans, but there are also other characters of course who are idolized when they actually have nothing to be idolized for. Another example is Amuro, I recently made a post about what I think of him.  Now if you don’t like what I think and what I said you are free to unfollow me, I’m sorry but I really needed to make this post because it has become more and more annoying to see nonsense unkindness things about Jodie.
Peace, love and Jodie Starling ♥
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hopscotchandlemon · 4 years
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Show Your Love
Also on Ao3
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It was the hardest decision you’d ever made but as you closed the door on your motel room, you felt it had been the right one. That didn’t stop you feeling guilty. By now, Jethro would have read the ‘Dear John’ letter you’d left on his mantle piece. You wondered if he’d actually miss you, he’d barely seen you in the last month.
Dropping your case, you eased off your shoes and lay down on the starched bedding. Travelling had not been kind to your muscles and you tried to get them to relax. You’d been so wound up about how your relationship had ended, you doubted your body could remember what it was like not to be in a tense state. As various aches and pains wracked your spine, you sat up, reaching for your bag for your bottle of water and your painkillers. You took out the new phone you had purchased, your old one having been taken apart of dropped in a bin not far from Jethro’ home. You’d been careful when selecting somewhere to run to and made it as difficult as possible for the Special Agent to find you knowing he’d find you out of stubbornness rather than a desire to put right what had gone so terribly wrong. You didn’t even know where the problem lay. All you knew if that the man you’d thought you loved had become someone who at home swayed between anger and apathy. Sure, you knew he could be difficult, umcommunicative and you’d be the mistress to the much more demanding wife that was his job, but you also knew he could be considerate, warm and even gentle.
It was the fall when things had changed. You’d been living together for a year having met the previous fall when a case bought Special Agent Gibbs and Special Agent McGee to your workplace, George Washington University, where you were a professor in mechanical engineering. You’d been able to advise the agents on the type of technology that they’d recovered from the home of a known domestic terrorist. A week after they’d closed the case, Gibbs had returned to offer his thanks and to ask you out to dinner.
That last fall, you’d been finishing up after a day’s work when McGee had turned up at your office to tell you Jethro had been seriously injured in a high speed crash and to take you straight to the hospital. Indeed the doctors told you to expect the worst and you spent the next few days in limbo, surrounded by his team as you all hoped for a miracle. A week later that miracle happened, and he was taken off the ventilator. You’d joked that it was much less the sign of a miracle and more a indication of how stubborn the man was, refusing to conform to what everyone else had thought was his demise.
You got him home and while you never expected him to be a model patient, his mood swings and his detached persona made him near impossible to deal with. In time his body healed but his demeanour did not. You couldn’t quite believe it when he passed a psych evaluation to go back to work but he’d had years of practise at convincing everyone he was just fine. He deceived himself that he was fine to the point he was convincing. He seemed a different person at work while at home, the layers of untreated trauma made any kind of relationship near to impossible. Eventually he started to avoid you. At first you worried about him but then you didn’t have the anxiety of wondering what mood he was in. If he ever was in the house at the same time as you, he’d spend most of it in his basement.
That’s when you knew it was time to leave. You had to get away for a bit so you waited until spring break and booked this motel in New York state for a week. You used cash to get the train tickets and rented an apartment in DC so you had somewhere to go once your week was up.  If Gibbs wanted to find you after that you’d talk, but you needed the break and for him to have some time to reflect on what he wanted.
The week passed quietly. You’d enjoyed the space and had explored the state as much as you could. The journey back was arduous but once you were home, you were able to get yourself in to a new routine. As you finally got yourself back on the grid, you knew sooner or later Jethro would find you and that happened the Friday after you started back at work.
***********************
Everyone at NCIS was on the receiving end of Gibbs’ wrath. It was Spring Break so there was talk of holidays and plans among those lucky enough to snare the time off while those with kids discussed what the had planned. He turned up on the Monday morning and barked orders at everyone. There was no case to keep them all busy so they took it in turns to escape to Abby’s lab to discuss what had turned their team leader in to a bear with a sore head. McGee had some insight although he knew better to share it. Gibbs had asked him to ping (y/n)’s phone. Believing they had misplaced it, he told his boss that it’s last location was in fact his own house but the battery might have died as it hadn’t moved since Friday. This had not helped his mood and he’s asked McGee send him their credit card statements and if they’d booked any flights. When McGee came back with nothing of note, Gibbs mood darkened even more. The team were relieved when a case came up on Tuesday. It was bad news for the petty officer but a relief to the NCIS agents.
The following Monday, Gibbs mood was still  and no one in the bullpen dare speak. McGee did another search for (y/n) and to his relief they started to turn up in searches. A new tenancy agreement, a new phone. He wanted to tell Gibbs but he didn’t want his boss to think he was prying. So when Gibbs was called to Vance’s office just as they were about to go home, he printed of details of the tenancy agreement and left them in an envelope on Gibbs’ desk before leaving the building.
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Gibbs knew he had behaved badly but it was his way of coping with the aftermath of that car crash. He’d been so disorientated when he first came round. He saw Shannon and Kelly a great deal and that gave him some peace but when they disappeared to be replaced by tubes entering his body and machines bleeping , he felt he’d descended to hell and seeing his wife and child had been a cruel trick. The Friday he’d realised (Y/N) had gone, he’d decided to blot it all out with Bourbon. He did this all weekend putting him on a crash course with the week ahead. By Monday he wanted to find them and put things right. Obviously, they’d paid attention when he’d talked about tracking people and initial searches proved fruitless. Once a case came up, he threw himself in to solving that in a bid to think about something else. When Tim had left the copy of (y/N)’s new tenancy agreement on his desk, he saw it as a sign that maybe it was time to approach them.
**************************************
You’d got home just after 6pm and started to prepare something to eat. You always made far too much but you figured it would do you later in the week. Just as you were about to plate up your door intercom sounded. You knew it was Jethro before you even got to the speaker. You let him up and immediately started to plate him up some food too. If nothing it would break the ice on your first meeting since you ended it.
He was quiet, but then he always was a man of few words. He accepted the plate of food graciously and sat opposite you and tucked in. You even found him a beer to go with his meal. Once you were done eating you started to clear the plates away. The silence hung heavy in the air and you wondered who would be the first to break it. It wasn’t until you sat in the lounge that Gibbs broke it.
‘I know I’ve been a bastard to you these last few weeks. Will you let me make it up to you?’ he said, those steel-blue eyes pleading for the forgiveness his lips never could.
You sighed. You’d thought long and hard about this. Truth was you loved him deeply and while you felt he loved you, you knew he didn’t always show it. But there was no getting away from the last few month. It had fundamentally changed how you saw him. You knew that side of Gibbs existed, but you had hoped you wouldn’t witness it. Now you had, it was going to be hard to build up that trust again. You’d be hurt by the way he had shunned you.
‘That might be possible in the future but I think we need to take a step back for a while.’ You replied, watching him for a hint of a reaction. Even with his best poker face you could tell that wasn’t the answer he was wanting. You let the silence continue. He took a step closer to you, almost as if to rail against what you had just said.
‘I love you, (y/n). I don’t know how else to say it you,’ he pleaded.
‘Show me then,’ you challenged him.
He studied you, trying to read your mind. ‘How?’ he asked. His arms open and asking the same question.
You thought for a second. ‘I want you to go and talk to someone, someone who can help you work through all the stuff that’s happened to you. I know you don’t like shrinks Jethro but something has got to change.’ You pleaded, your eyes set on him.
You knew you’d asked him the earth. He’d rather go into a gunfight outnumbered 10 to 1 than talk to someone about what he was feeling.
‘It’s up to you. I understand either way,’ you said softly, your hand gently rubbing his arm
He nodded, stepped forward, kissed you gently on the cheek, and made his exit.
******************************
You sat patiently in the waiting room, pretending to read your magazine. You had checked your watch constantly over the last hour. Just when you were about to end out a search party, you spotted him walking towards you. He gave you half a smile. This was a milestone; he’d just completed his first therapy session and you were so unbelievably proud of him. You’d offered to be with him every step along the way. As he stood in front of you, there was clearly a lot going on in that stubborn head. Without saying a word, you took his hand and you walked out of the clinic together.
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mushyjellybeans · 4 years
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Unrequited Part 2 (Bucky Barnes)
Pairings: Bucky x reader, Steve x reader, Thor x reader, Clark Kent x reader, Avengers x reader, DC x reader Summary: You had a major crush on Bucky Barnes, his feelings were unreturned, you try to move on but he has other plans. Warnings: Language, ANGST (I’M SO SORRY), Bucky is an asshole, bad editing, butchered carry on. Word Count: 3,014 A/N: Here’s part 2 that everyone requested. I’ve absolutely butchered this. Some wanted Y/N to move on with Steve and some wanted a DC cross over and I’m not one to disappoint my friends so you have ALL. Please give me feedback, I’m not confident with this at all. A/N #2: I don’t know squat about Superman, I’ve watched Justice League once this past week so it’s based off of that awesome battle at the end. :|  Read Unrequited Part 1: Here Taglists are open // Requests are open
Masterlist
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Bucky's glare seemed to follow you around everywhere you went in the tower. His behavior became even more strange after your little talk in your room a few weeks ago, considering his last words he said to you were "I hope we can still be friends." But as the time passed the more you believed he didn't mean it.
You actually did try to make conversation with him a few times in the common room when he was there alone, he would either ignore your existence as usual or storm out of the room.
You just didn't know what to do, you didn't know why he was treating you like this as you couldn't recall actually doing anything wrong. It wasn't against the law to have a crush on someone, right?
He hasn't said a word to you or even made any attempts to fix your friendship which leads you to believe your intuition was right and he just said it to keep you happy.
Happy. Far from what you were feeling, that much you knew.
Wanda told you who his girlfriend was, and you probably shouldn't have been so surprised considering they had a long history and everything, but it didn't stop your heart from wrenching when it was Natasha's name that spilled out during a private conversation you were having at the time.
You made a point in avoiding both of them, recalling all the intimate moments between them when they didn't sense people were looking at them, the glance he spared to her when you were sat next to him on the couch complimenting his gorgeous outfit at the beginning, but it all made sense now.
You had grown closer to Steve over a couple of weeks, you had ended up spilling all your feelings out about Bucky and your tears along with it.
Steve was really disappointed in his friend, told you the Bucky he knew in the 40s was a playboy but he was never a jerk towards a woman.
You spent all of your time together to the point both of your feelings were reciprocated and it was a mutual agreement to try and have a go at things.
But Steve had to go away on a mission with Bucky for 2 months. It was when they came back you knew something was wrong.
Much to your anger, it was Bucky who broke your relationship apart, barely a month in. According to Steve when he sat regrettably on your chair in your room Bucky had talked some sense into him about the whole dating thing and how perfect he would be for Sharon and how you and Steve don't fit together. Steve admitted he wasn't ready and wanted to remain friends instead. Deja vu. You tried to believe Steve, but you knew it was Bucky's sinister plan to make sure you couldn't be happy with Steve.
Your anger overrode your senses and before you knew what you were doing, you were storming down the hallway towards his door, not even bothering to knock.
"What's your fucking problem Barnes?" You yelled as loud as you could, slamming the door open so hard it left a dent in the wall from the doorknob.
Bucky was sitting on the edge of his bed in his boxers, rubbing his tired eyes when you barged in. You would have swooned over the sight if you weren’t so riled up. It took him a minute to realize what was happening.
"What? Cat got your tongue now?" You stalked towards him bravely. His eyes turning dark from your yelling and posture.
"You’re real brave little girl but who do you think you are barging into my room like that?" He yelled back, standing up and puffed his chest out slightly.
"I just wanna know why you hate me so goddamn much. Hate me to the point where you make your personal mission and break me and Steve up." You put your hands firmly on your hips.
"Y/N I don't hate you." He said, calmly?
Your eyebrows furrowed in confusion.
"Then what, are you jealous or something?" You scoffed, knowing the answer already, of course, he wasn't jealous.
"Or something, yes."
It wasn't a lie either. Bucky had to go away on a mission for two months with Steve, the conversation came up one night about you and Steve being together and Bucky's heart clenched so tightly he was scared he would go into cardiac arrest. Jealously consumed him, the thought of you two in bed together, being intimate and cuddling Bucky hated it, he only realized then he did have feelings for you after all.
Your eyebrows shot up to your hairline. You didn't understand and you didn't want to. It was him after all who spent most of his time pretending you didn't exist, who brushed off your compliments and didn't even want to be friends. He had no right to be jealous and he certainly had no authority to decide who you can date and who you can't. He was with Natasha, so why the hell should he care so much about it.
"You know what James." Venom in your voice as he noticeably winced at the use of his real name. "I'm fucking done here. I don't want anything to do with you, I don't want missions with you, I don't want to talk to you, I don't even want to sit at the same dining table and eat my dinner with you. You have NO right interfering in MY life. Why don't you just go and mind your own goddamn business!" You used long strides to exit his room, slamming the door so hard behind you it shook the doorframe and you knew Tony would lecture you about the disturbance on the floor.
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6 months after your confrontation with Bucky, you did exactly as you promised and avoided him like the death plague.
You even cut off all ties with Natasha, just because you would be sick to death hearing about her lovesick romance with the weasel. A subject you had absolutely no interest in hearing about and it was just easier this way.
You grew very close to Wanda if that was even possible. You were practically sisters and you were close to the rest of the guys, distancing a little from Steve but of course, he understood the reasons why.
You went even further and moved onto a new floor, Thor's floor which you were very happy about.
You and Thor became good friends, he was so polite and talked to you in a tone of how a man should talk to a lady, with respect. He kept calling you Lady Y/N, which you absolutely loved and his filthy hammer jokes made you roll on the floor clutching your stomach as you laughed.
He taught you all about Asgard, his brother. He talked a lot about his mother and how much she would have loved you if she was still alive.
Your relationship grew steady, he was aware of the drama that unfolded with Bucky.
You and Thor were relaxing in the common room after a day of showing him around the city and taking pictures with children who recognized the beautiful blond God.
He was wearing a gray shirt, blue jeans and his hair tied back in a bun. Your perfect God and better hair than Bucky, dare you to say.
Some sitcom was running in the background, Thor's arm was around your shoulder and your hand entwined with his. The elevator dinged and usually, you would pull away from Thor but his grip only tightened.
"Thor!" You whispered in a panic state hearing multiple footsteps approaching. He rolled his head towards you and smiled.
"I'm not ashamed of you lady Y/N. Let them see." He whispered back.
"But it could be Bucky."
"All the better." He smirked, watching as Bucky and Nat strolled in, frozen in their spot at the scene in front of them and Bucky's arm wrapped around Natasha's waist made your stomach flip, you really hated the effect he had on you.
Thor noticing your discomfort leaned his head down and grabbed your lips with his own, running his tongue along your bottom lip causing you to gasp audibly.
Thor's eyes watching over your shoulder intently as the seething jealousy evidently on Bucky's face giving him more encouragement to continue, pulling little whimpers from you until Tony's voice called out, "uhh Y/N? You seem to have a God down your throat." A blush rising from your neck to your cheeks. This was the first time you and Thor have been affectionate in front of them.
"Ah hello, team!" Thor greeted with a smirk, standing up and pulling all the guys beside Bucky into a tight hug and roughly patting them on the back.
He turned to Tony and chuckled. "Yes, the man of iron, you are correct sir. I showed her a few tricks with my hammer earlier." He laughed bellowed, earning disgusted groans from everyone while Wanda winked at you.
It wasn't true, you haven't done anything besides kissing and cuddling but you knew he was trying to rile Bucky up and by the quick glance you threw at him, it was working.
"So how long has this been going on for?" Wanda asked, sitting next to you. You just playfully roll your eyes and shift in your seat, well aware of Bucky's eyes on you from across the room.
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The avengers were sent on a mission to help another team in a small village in Russia.
Thor had to return to Asgard to help repair the damage that was caused, with a promise he would be back. But it's been 3 years since you've seen him and his return was looking very unlikely.
Much changed in those 3 years. Wanda and Vision were married, Tony and Pepper had a daughter and named her Morgan, Steve and Sharon had just moved in together and you were happy for them, genuinely this time and Bucky and Nat were engaged, and you weren't happy for them. In fact, you prayed to the Asgardian gods that it would rain heavily on their wedding day, or for something to go wrong. Was it mean? Absolutely. Did you care? Absolutely not.
Bucky has hurt you enough, sure he was the victim of Hydra, used to carry out assassinations and did deserve happiness. But the way he treated you was no excuse. If he knew about your crush why didn't he just say something at the beginning instead of making you look and feel like an idiot? Maybe it was a mind game he enjoyed playing so well. He was very manipulative, you knew that much when he had persuaded Steve to break things off and stay as friends. So in your mind and line of thinking you had every right to be pissed off.
You were reading through the case file on the quinjet when you felt the seat next to you occupy itself. From your peripheral vision, you saw the shine from a metal arm and you rolled your eyes.
What does this moron want?
"Can I help you, Sergeant Barnes?" You asked still keeping your head down.
"Just wanna know if you're planning on dating anyone from the new team?" He asked casually, resting his metal arm on his thigh and leaning forward slightly.
Your mouth gaped open and your head shot towards the fossil.
"Why is that your business?"
"I don't want you to date anyone but me." He whispered you were aware Natasha, his fiancée was only a few seats away adjusting her suit.
"What the fu-"
"Look Y/N. Listen to me for a moment. Doll, when I found out about your crush I was with Nat but the more distant we got the more I actually missed you and when Steve told me about you two and I realized something..." he whispered loud enough for only you to hear.
"What's that? You finally grew a pair?"
He shakes his head but keeping eye contact with you.
"I want you Y/N. I wanna be the guy you go to bed with every night. The guy who has you in his arms. I made a mistake. I love you." His eyes glisten and for a moment your mind is blank and you don't fucking understand his demeanor.
He's messing around, your intuition is telling you that much. You're not close enough for him to have feelings for you, he's testing your reaction you're sure of it.
"Now is not the time." You whispered back, he looks pained and you're confused.
He did not mean any of that. He treated me like absolute shit.
"Doll, pleas-"
"Alright team. Suit up let's go. The other team is waiting for us." Steve orders adjusting his shield on his back and everyone on the quinjet nods in understanding.
Stepping off the quinjet, your eyes opened in awe at the beauty of this cute little village, just a couple of shacks around and so much land.
The Avengers were called in to help another team on a mission. You were pretty psyched about meeting them and they were just like the avengers only they were lucky because they didn't have a Bucky.
The sun was just rising behind the trees, the other team was waiting on the desolate field. The first person to greet your team was Bruce Wayne. Another Tony Stark with his money.
"Welcome to Russia." Bruce shook Steve's hand and nodded towards the rest of you.
“Thanks for having us," Steve replied going into details about the mission. Your eyes locked on to a sweet-looking guy in a shirt and jeans with a pair of dark-framed spectacles, you smiled curtly and he returned it melting your heart.
You felt a sharp jab on your right side, Bucky's eyes were burning holes in the side of your head.
"He's no good for you Y/N." He whisper-shouted. Earning a glare from Sam who was on your left.
"Don't you have a fiancée to worry about? Worry about her and leave me alone!" You gritted through your teeth.
Before Bucky could reply, Steve stood in front of you and got everyone's attention. His hands resting on his belt.
"Alright, avengers. Our mission here is to distract Steppenwolf's army while the other guys work on breaking apart the three mother boxes. We're a strong team, hopefully, once those boxes are apart we can defeat Steppenwolf and his army. Tony, I want you and Bruce helping Cyborg with the boxes. Y/N, Bucky, Nat, Wanda, Sam, Clint and myself will be on the ground doing the distracting with Diana and Aquaman. Are we clear?" “Yes, boss.” Tony quipped back sarcastically, earning a few laughs.
Everyone nods understanding the mission key points. Kick-ass but stay alive, easy enough. You wanted to throw up when Nat spontaneously threw her arms around Bucky's neck and kissed him.
Girl, you don't know where that mouth has been.
The mission goes according to plan. Steppenwolf is distracted on the ground just like Steve had planned out. Tony, Bruce, and Cyborg were busy separating the mother boxes above you. His army was never-ending, but it was definitely a mission you couldn't forget anytime soon.
The cute man you smiled at earlier joined near the end, you later recognized him without his spectacles as superman. And after the fight, he had shyly introduced himself as Clark.
The mother boxes were separated and Steppenwolf was defeated by everyone's hand and the boxes were put back where they belonged, both teams flew back to Kansas for the night. The avengers would leave for New York tomorrow after a good night's rest.
"Thank you, avengers, for helping us. We couldn't have done it without you." Bruce stood proudly, patting everyone on the back. "Anytime you need us please don't hesitate to call us." He walked out with his newly established team, Clark stayed behind and motioned to talk to you in private.
"I'm grateful for the avengers coming to help." He said as you two walked behind a closed door.
"Well, it's kinda our job."
He thinks for a moment.
"When do you go back to New York?"
"Tomorrow." You tucked a strand of hair behind your ear and shifted between your feet involuntarily biting and licking your lips.
"Then may I request your presence to join me for a date?" He was charming, you would admit that much.
"Yes, I would like that."
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You actually had a great time with Clark. He was sweet, funny and charming and you don't recall laughing as hard on any other date.
Not to mention Kansas was absolutely gorgeous and full of friendly locals.
It was a little after 11pm when you got back to your rented room. 
"How was your date?" A voice asked in the darkness when you opened your door and walked in. 
Turning the lights on and clutching your chest from fright, you glared at the brooding man in front of you sitting on your bed. 
"God, you don't take a hint do you?" You threw your keys on the chest next to the door. "And it was great. He was great."
"Yeah? What's so special about him anyway? A big fucking deal he can fly and all that bullshit." He tutted obviously jealous.
"Well for starters, he's not conceited like you. Secondly, he doesn't tell me he loves me even when he has a fiancée. And thirdly, he didn't treat me like a dog." You lifted your hand, fingers raising as you listed your points. 
"I meant what I said Y/N. I'm gonna make you believe it." He stalked towards you, "stop fucking around with other guys." He whispered close to your ear, "me and Nat are only a pawn. It's you I want and I always get what I want and don't think for even a single there isn't a damn thing I won't do to get you. That's a promise sweetheart." He kisses your cheek and you pull away, shocked by what he just told you. 
How far would Bucky Barnes go to get what he wants? You were afraid to find out.
Permanent Taglist: @morsmordrethings @sebbbystaaan @stuckonjbbarnes @infj-slytherclaw @lovvliies @livylou3333 @zeilenkrieg @iheartsebastianstan @veganfangirl5
And tagging some of the awesome fam: @chloerinebarnes @captain-kelli @valkyriesryde @ficsxreaderr @sandyclaws @dark-night-sky-99 @seb-be-holding-these-tatas (Part 3 is coming soon)
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heli0s-writes · 5 years
Text
DEADCRUSH
Summary: Deadcrush, a game played based on the question “what historical figure would I want to take on a date if they were alive today?”
A/N: 4k word count because I can’t be brief about anything. Also mentions age difference, and questionable internet humor. Also now with Part 2! Oh my god and Part 3!
Bag of Tricks One-Shots Masterlist
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It’s in the middle of receiving a blow to his jaw when Bucky hears your voice whistle through the air above him.
“No way!” You’re yelling, “That’s sick, Peter!”
He glances up for half a second to see you swinging against the New York backdrop, left hand raised and entombed by a thick knot of webbing from Parker who’s launching you and himself across the skyline. Bucky dodges another fist and by the time he’s knocked out the thug trying to get fresh with him, you’ve already finished your trajectory and bowled over a cluster of bodies. The ground’s cracked where you made your descent in the distance, and Parker lands softly next to you.
“Come on!” He cries, pitch rising, “You picked Rasputin!”
You respond with a maniacal giggle. “He’s Russia’s greatest love machine!” With a flick of your wrist, you condescendingly scoff. “Dude, Anne Frank? She was twelve.”
“Rasputin was like a million! And insane! Anne Frank is close to my age, at least. And this is entirely hypothetical—I'm imagining a future with her where she’s older than me. I think we’d totally get along, I read her diary and everything- I mean, we’re so close! Fine--” Parker crosses his arms.
“Marie Curie.”
Your eyes catch Bucky looking and you give him a wide smile and a small wave before you pivot back to Peter. Bucky’s brow furrows even deeper before he turns and heads towards Steve who’s winding down at the end of his own fight. Kids are fucking weird, he thinks a little bitterly, as you and Parker squabble on in the distance.
-
In the middle of dinner, as he’s twisting a ream of spaghetti onto his fork, you and Parker stand on the balcony eating what looks like a whole baguette smeared with jelly. Through the glass door, Parker crunches into it before handing the baguette off to you. He’s gesturing wildly and brushing crumbs off his suit.
You take a bite too large for your mouth and the crust crumbles down your chin, chased by a dribble of jelly. You level your palm and start measuring Peter’s height much to his indignance, and Bucky has to turn around before he loses his appetite completely. He hears your laughter muffled through the door. Your hand is clasped on Parker’s shoulder in an attempt to hold yourself up.
You’re a funny one. Always joking and cheerful. You’ve been a part of the team for the past six months and you’re closest to Parker both in demeanor and in age, but sometimes Bucky finds you up late at night and the two of you sit at the table over a cup of tea.
You show him inexplicable and strange images from your phone and try your best to explain to him why the frog is on the unicycle and what the hell “yeet” actually means. Once, you showed him a video about twerking but when you jokingly proposed that you might teach him instead, he nearly knocked the table over by jerking up, ready to take off.
It always ends with joyful tears in the corners of your eyes.
It makes him a little bit angry with himself because he really has no right to even be talking to you. Cryrosleep aside, he’s almost old enough to be your father. But when your laughter lights up the room, it burns those harsh thoughts from his brain.
He’d never admit it, but when he’s awake after tossing for hours, he hopes you’re in the kitchen.
The door swings open and in-between mouthfuls, Parker is baffled, “Who is that?”
“Ancient poet.” You answer, popping a finger in your mouth, “My girl! Island of Lesbos. She definitely knew how to...” You waggle your eyebrows, make a V-shape with your fingers, and lewdly run your tongue up and down between them. Bucky thinks he sees you looking at him, but he feels himself flushing at your comment and pretends like he’s enthralled with spaghetti.
“Dude. Stop it.” Peter moans.
-
In the middle of movie night, another showing of Mary Poppins, you and Parker once again tuck away into the corner of the Stark auditorium with a shared blanket and chatter vehemently. Bucky doesn’t know which is more irritating—Van Dyke’s terrible accent, or the fact that the two of you are attached by the hip today.
“Marilyn Monroe!” Parker whispers.
From the corner of his eye, Bucky watches you contemplate your reply before leaning in impossibly close to Peter. The young man’s jaw clenches as his eyes widen like saucers. He shoots Bucky a look, as if catching him eavesdropping.
“What!?” Peter shrieks.
The entire room turns to look at the two of you. You clamp your hand over Peter’s mouth, bury your face into the side of his head.
“That’s the safest one!” You say.
“No! No, it’s definitely not safe!” He responds back, voice cracking slightly and pushing your face away when your hair tickles him. “Gettoffa— God! Are you serious!?”
“Okay, what the hell is this conversation?” Natasha pauses the movie and leans over the back of the recliner.
Peter pulls the cover over his face and you start giggling again.
“We’re talking about our DC’s.” You finally admit, pausing enough to calm yourself.
“DC’s?” Steve questions.
“Dead crushes.” There it is again- that little look you send his way. He thinks three times is at least one too many to be just a dream.
“Dead-what-now?” Sam is incredulous.
“You guys have never played this game before? You know, pick one person from history who you’d take out to dinner if circumstances made it possible.”
Peter pokes his head out, “And look, please tell her that all of my choices are perfectly reasonable! Anne Frank? Marilyn Monroe? Marie Curie? She picked Rasputin! And not because of that weird old song.”
You scoff because Boney M is a fine example of industry-bottled pop music and beat Milli Vanilli as the façade of genuine artistry by miles.
“Rasputin’s a bit dark, isn’t he?” Steve shakes his head.
Sticking your tongue out at him, you land your gaze on Natasha with a sly smirk.
“Who would you pick, sexy international Russian spy? Let’s get a peek into that gorgeous red head of yours.” She licks her lips at your overt flirtation and flips her hair over her shoulder.
Bucky folds his arms over his chest and leans back into the chair he’s on. This was your game—saddling up to people with effortless compliments and humor, reading a personality so well and maneuvering yourself to fit just right into their expectations. Who else could be so forward with Natasha, joking or otherwise? Who else would suggest teaching him how to twerk? Fuck.
Natasha mulls the question over for a second, “Stalin. I’d take him to dinner. And then to his grave.”
There’s an exasperated sound that escapes your lips. “Okay, that’s not really how the game works. This is not supposed to be a political commentary- it's a genuine display of … attraction!”
“To corpses.” Bucky mutters.
“Okay, that’s dark.” You and Peter exhale in unison. The giggles that escape both of you as you start calling “jinx” on each other before wrestling on that tiny fucking sofa chair makes him bite back a growl. From the couch to his left, Steve notices.
-
In the middle of pouring scalding water into a plain white mug, Bucky feels a tap on his shoulder.
“No.” He greets the finger. “Nope. Steve. Goodnight, jerk.”
“You’re actin’ like a kid, Buck.”
Bucky huffs as he sets the kettle back down with a clatter on the stovetop.
“No.” The problem is that I’m not the kid, Bucky scolds himself for even having the thought surface.
Steve half-heartedly sighs because Bucky is so smitten it’s almost painful to watch. It’s obvious to him and the rest of the team that the two of you dance around each other under the pretense of professionalism, but he knows that the laughter coming from down the hallway late at night is more meaningful than a work relationship.
The first time Steve had seen Bucky lean into a friendly touch was when you had placed your hand on his back, steadying yourself as you fixed your shoe. It was such an offhanded gesture, and Bucky tensed briefly before holding out his arm for you. You didn’t realize his intention and took his entire vibranium hand with a firm squeeze before waltzing off, leaving him to gaze after your disappearing trail. That was three weeks into Bucky’s time at the compound, and your fourth month. It opened Steve’s eyes to a possibility he hadn’t yet entertained.
Steve thinks part of how easily you had infiltrated Bucky’s stonewall demeanor is, in fact, your age. You were right on the cusp of balancing maturity and immaturity, often teetering into the immature waters out of habit. You stayed up late for no reason, played video games for hours, ate all sorts of odd meals with no care for your health, and always gladly shared anything that made you smile. It was infectious. You lacked the exact type of self-awareness everyone else had that made them so careful with Buck— and he let you slip through the cracks effortlessly.
It’s your childlike happiness that’s done it for Bucky. Even though it’s now become a point of uneasiness for his friend, Steve is thankful that you’re exactly how old you are. It’s helped him more than harmed him so far.
Bucky takes a sip of his peppermint and lemon tea and leans against the counter. Steve watches with amusement as his shoulders tense when your chortle bounces into the room. You’re telling Peter goodnight as he heads back home to Queens.
“Hey!” You call, “Sunrise tomorrow?”
A faint affirmation is heard before Parker’s whooping whips faintly in the distance, swinging away. The front door closes and you pop into the kitchen wearing nothing but a swimsuit cover-up, full of diamond-shaped holes. A tiny pink bikini peeks out from underneath the pattern. Bucky averts his gaze because the women of his time did not dress like that and he’s not even sure looking in your direction is legal.
“Night swimming?” Steve asks with a smirk at his friend, who turns around to hide the red creeping up his cheeks like vines.
You nod eagerly before opening the pantry and grabbing a box of Oreos from the top shelf. Tucking one into your mouth, you crunch through it and swallow before closing the pantry door and placing the container under your arm. Crumbs fall down your chest and you curse under your breath as you swipe bits of cookie from your top, oblivious to why Steve suddenly finds the ceiling very interesting.
“Hey me and Double-P are gonna watch the sunrise on top of the Chrysler building tomorrow- you two wanna come? He’ll swing you right up! It’s fun! I’m gonna make breakfast!”
They both shake their head and you mutter something about their loss for a free roller coaster and good view. Bucky and Steve follow your path out the door and hear the patter of your feet before you crash into the deep midnight water with a tremendous cannonball. They watch as your head breaks the surface of ripples before you lean back and squirt water from your mouth like a fountain. Music surges from the outdoor speakers— a seductive Latin Pop tune with hints of reggaeton. You float over to the pool’s edge and throw another cookie in your mouth, bopping along to the groove enthusiastically, shoulders winding to the ebb and flow of water.
“C’mon, Buck.” Steve urges, motioning his head to where you float lazily, watching the moon, nodding to synth beats and timbales drumming. “Forget age… she woulda been your kinda girl back in the day.”
Bucky swallows and turns to his steaming mug, “There were no girls like her back in the day.”
-
It’s in the middle of his nightmare when Bucky jerks awake and smells buttered toast and coffee. It’s still dark out, only four-something, but he stumbles to the restroom and brushes his teeth anyway. When he arrives at the kitchen, you’re standing at the stovetop wearing athletic shorts and bunny slippers. There’s a frilly orange apron tied neatly to your waist, covering a shredded crop-top, and you’re flipping a hearty slice of bread with an egg in the center.
“Hey Sarge.” You smile, “Help yourself to an eggy. Yolk’s runny and dippable, just like God intended.”
He shakes his head no because he knows you’re preparing it for Peter, but sits down on a stool anyway, leaning over the counter to watch you with interest. When one piece of toast cooks, you move to crack fresh pepper and sea salt over another. You also slice tomatoes and rinse fresh basil leaves, tunelessly humming the whole time. When you stifle a yawn with your shoulder, Bucky squints at the tell-tale blue bags under your eyes.
“Again?”
You rub your neck with a guilty smile and take a sip of water, “Got stuck on the internet… reading about… I can’t even... I know I started with Kennedy… but the last browser is bee swarming and royal jelly...”
He laughs when you go off on a rant about how bees communicate with each other, even demonstrating for him something you called a “waggle dance”, and he’s not sure if you’re just making shit up or not but it’s cute as hell when you bend your elbows and shuffle in figure eights on the tile.
“So then, me— a bee— would show you— another bee— this dance… and then you would go find the yummy flower! And did you know bees would dance with excitement depending on how convinced they are about the quality of the flower!? They get excited!” You repeat the same figure eight this time accompanied by elbow flapping and happy buzzing. The sound vibrates between your teeth and sizzles over your lips.
Bucky’s laughing so hard he has to put his face in his hand. Finally, you settle down.
“Now your turn.” You tease. He shakes his head defiantly, eyes still brimming with amusement.
You pour him a steaming mug of coffee and slide it next to his hand with a small smile. There’s a strange light in your bleary eyes as you bite your bottom lip.
A flush suddenly sweeps across your cheeks.
“What?” Bucky asks, taking a slow sip, savoring the bitter taste as it rolls down his throat.
“It’s stupid...it’s nothing.” The awkward laugh coming from your throat makes Bucky shuffle in the stool, wary and slightly concerned. Before you can continue, Steve pokes his head in and announces he’s going for a run and asks you to save him some breakfast when he gets back. Bucky checks the time on the microwave. Almost five.
Something dings on the bar counter and you move to grab your phone, frowning and placing your hands on the ruffles against your hip. A disappointed noise sputters from your mouth before you tear off the apron and turn off the stovetop with a quiet fury. “He cancelled!” You cry, disappointment darkening your features. “I made all this crap!”
Bucky looks over the countertop arrangement of perfectly crispy thick multigrain toast, shiny fried eggs, tupperware containers of tomato and shredded basil, and two thermoses of coffee and juice. Your shoulders slump as you place your hands on your hips and lean back to pop your neck and crack your knuckles. You pick up the trash can and kick off its lid, placing the edge of the gaping dark maw against the counter, holding your arm out to sweep the food in. Your generally pleasant features are stained by a scowl.
He forgets how impulsive you can be.
“Wait!” Bucky yells, reaching across the counter. “I’ll go. I’ll watch the sunrise with you.” When you stare at him in surprise, he quickly glances around the countertops, “Let’s not waste all this. You worked really hard on it.”
A squeal escapes as you drop the trash can and clasp your two hands together in a cheer. “Bucky. You are…” you suck in a deep breath and hold your hands over your heart, “just the best. My number one… Sergeant James Buchanan Barnes of the one-oh-seventh.”
His heart leaps just a tad as his former title rolls off your tongue almost wistfully. Bucky opens his mouth to ask you what you mean but you’re balancing two containers of foil-wrapped toast, another one of tomato slices and the thermoses are hanging precariously on your middle fingers. Bucky leaps from his seat and takes the food from you, leaving the thermoses in your hand.
“To the roof, Sarge!” You smile, leading the way. He follows closely behind and raises his eyebrow curiously when you keep looking back at him every few steps.
It’s in the middle of biting into the most heavenly piece of toast he’s ever had that Bucky hears you giggle shyly. You’re rarely bashful— usually too sharp-tongued and unfiltered is how most people would describe you. It’s why your best friend is Peter Parker: boy genius, mile-a-minute-mouth.
“What is it?” Bucky’s teeth crunch against the crisp brown edge, the bite of egg sliding over his tongue.
You’re leaned back on your palm, brushing a crumb from the corner of your mouth as you chew pensively on a slice of tomato. The sky is a blackened bruise behind you, disappearing into the balm of a soft, glowing orange.
“You were my deadcrush back in the day.” You mutter, hiding your lips with the tomato. Bucky stops mid-chew and freezes completely, unsure if the confession is just another trick his mind is playing on him. Maybe a breeze in the wind just sounds like your voice. “Not to make this weird…” you supply almost fearfully.
“Oh…”
“I mean— you know, it was totally normal. All the girls either liked Captain America or Sergeant Barnes.” You stuff the tomato in your mouth and reach for another just to busy your hands. Bucky’s face heats up like the morning, and he takes a sip of orange juice to calm it down.
“Sure,” you ramble onward, tomato flinging around between your fingers as you gesture back and forth, “I mean, most of them liked Cap— golden lion boy and all—hero’s journey kind of thing… I guess I felt, closer to you.”
You exhale deeply, “When you first came to the tower, I thought I was dreaming. Can you imagine? I felt like I was in the sixth grade.”
His brow furrows as he ponders your question. “Is that why you’re so nice to me?” It slips out before he can catch it, but it doesn’t bother you in the slightest.
“Probably at first,” You admit with a little shrug, “But eventually the schoolgirl crush thing went away, and I started liking you way more. Genuinely, y’know? Not under the thumb of a paltry, fleeting thing.”
He forgets how unexpectedly introspective you can be.
The tomato in your hand is only a shimmer of juice on your fingers now and you reach for something else to occupy yourself lest you become reduced to just weighing your hands together out of nervousness. You pause when Bucky asks, shocked, “You l-like me?”
Then, a smile, against the warming backdrop, he thinks you look like something out of a painter’s imagination—a delicate page from Steve’s notepad. A gentle breeze picks up your lashes, makes you squint a little.
“Yeah. I like you a lot.”
How does someone say such a heavy thing so easily? Bucky turns hot all over, heart beating too fast from your statement and the coffee made too strongly. “Thank you.”
You laugh and throw your head back for a second before shaking your hair wildly and sitting up, as if you’re discarding something. Light bounces off your cheeks as you catch your breath and take the coffee thermos from him. “You’re welcome, Bucky.” Then, softer, “Look.”
A streak of yellow opens up the sky in the east, melting away the ink around it into flames of blood orange and cerise. Still twinkling are the stars entrenched in deep blue further away.
“I’m not dead anymore.” He states plainly. “I can’t be your deadcrush if I’m not dead anymore.”
A chortle escapes- snorts and scoffs and not at all what he expects when you push your hand to your face and laugh in such a way that he might for a split second find it unattractive. But he doesn’t. He finds it so truly endearing that his heart swells like clouds over the morning sky.
A part of him quiets with the settling feeling of disappointment. Your silence gets swirled around in the next bitter mouthful of coffee and Bucky kicks his heel aimlessly against the concrete rooftop. To his left, you scoot a little closer, reach over and take the thermos from his hand. Your fingers linger, and then you put the container down.
“Bucky,” You say. His name so sweetly rolls off your tongue he can taste it—spun sugar and molasses in his mouth. It’s orange and yellow and blue behind you. Your eyes glisten with promise, as sure as the sunrise.
“You can want things, like love.”
It’s so forthright it punches the air right out of him. Before he knows it, you are leaning forward with a smile, planting a tender kiss on his cheek as he stares on open-mouthed and in awe.
And then, you break the moment with a yawn covered by your hand and groan as fatigue slips over like a blanket. “Oh fuck, I am beat, Sarge. Why’d you let me stay up so late?”
He only smiles before he puts his hand over yours for just a moment. “Come on,” He says, “I’ll help you clean up.” But the moment changes again, and he finds himself crawling past the containers of egg and toast, nearly knocking over the juice to hover over your mouth.
Coffee and cream linger between hesitant lips. Then there is a feverish clash-- you, clambering to sit up, to match him in enthusiasm-- him, bold enough to meet your surge with two large hands. He snakes them around your waist, crushing your torso to his.
Your fingers create a separation between your stomachs as you ruck his shirt up, gripping his chest and back and digging into his shoulder. A sharp breath escapes before he comes to snuff it out, licking your mouth, sucking on your tongue.
“Jesus.” You mutter when you break away for air, eyes still closed, “God. Okay. This is happening.”
Bucky laughs and sits back, places his hand on your bare thigh, shaking his head. “I—yeah, well maybe not here.”
“Yeah- yeah, of course… I .. get so caught up.”
He laughs again, because he knows. It’s why you haven’t slept all night, why you made a feast for just two people watching a sunrise, why you ramble on about the most mundane things but somehow still enrapture him, and it’s why he likes you. Your cheeks burn when the first ray of sunshine shoots over the tree scape.
A ding next to your hand catches his attention—a text from Steve.
You peer at it curiously before opening the message. Bucky looks too, and sees the image of the same sunrise he’s witnessed, but over the familiarity of the East Side sprawl.
A second message appears, Steve grinning, Peter winking.
A third one with a single, cheeky question: You and Buck doin’ good?
Bucky slips his shirt back down his golden torso while you tap out a furious response, groaning at the way you’ve been set up by your friends. Before you can send it, he takes the device from you and places it face-down on the roof with a smile. “Are we?” He asks, suddenly shy. “Doin’ good?”
Quietly, you nod.
In the middle of a second kiss, Bucky knows he’s done for. He’s falling hard and fast and can’t stop.
In the middle of a third kiss, you’re there next to him, all smiles and wonder as the two of you plunge together.
Part 2
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thenightling · 3 years
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My scatter-brained review of Wonder Woman 1984 (written partly while watching and then revised afterward)
I finally got curious enough to watch Wonder Woman 1984.  
Warning: There ARE spoilers here! 
I was reluctant to watch it because I knew the plot would deal with wishes coming true “But at a price” and Wonder Woman’s love coming back as a result of this plot Magoffin. This is something I have seen many times before.   And frankly I was bored with it years ago. 
 The predictable plot beats being a “Be careful what you wish for” theme.  The Monkey’s Paw (and all adaptations of the story) and variations like The Twisted Claw in “Are you Afraid of the Dark?” It was obvious to me that such a wish would bring Steve back and he would eventually “have to “ return to being dead. Frankly, I’m tired of that.  I think a great twist would be if the person didn’t have to return to being dead for once.  I’ve seen this plot done too often in comics, TV, and film.
Now for the good.  I LOVE the early 80s aesthetic.  I even got a bit of Legend of Billie Jean vibes.  It’s very accurate to the look and feel of a 1980s film.  It felt authentic, not just “Hey, remember this!”    
Nineteen minutes in and I saw the ham-handed tell-tale signs that Diana would have to learn to love again, to trust and open her heart, and to invite others in again.  And to heal she would have to “learn to let go” of Steve.  But as I said, I’m tired of these grief messages. Especially now, especially in 2020.  I want a new twist . I want the lost loved one to come back, I want the happily ever after with the formerly dead loved one.  I’m tired of this trope.
They even out-right compare it to “The Monkey’s Paw” story in the film.  Acknowledging that something is a cliché doesn’t make it any less of a cliché. You’re just trying to lampshade it by pointing it out in story and it just didn’t really work for me.
The “Dreamstone” in this does not look like Morpheus’ ruby amulet but instead it resembles the “ruby” (this one is a citrine) from Justice League Dark (the animated movie).  And no, the God mentioned is NOT Morpheus.  The God in question is a “trickster and a liar.”  Gee, I wonder who that could be?   I suspect the “true name” wasn’t given because they were afraid of confusion with Marvel’s depiction of the same character.  A lot of people don’t realize Loki is in the public domain.  Even Joanne Harris (author of Gospel of Loki) thinks her book can’t be adapted into film because Marvel / Disney owns Loki but that’s not true.  The character is as public as Snow White or Robin Hood.  Anyone can use him. 
There’s some subtle hints of Diana’s bisexuality.   I’m glad for this, I still come across fans who refuse to accept she’s bi and insist word of author (Gail Simone) don’t count because she didn’t “create” Wonder Woman.  The same people should REALLY look up the behind the scenes life of the man who did.  Anyway, I almost thought Diana lean in and kiss Barbara after the rescue in the park but she didn’t.
Maxwell Lord offers Diana a nineteen inch TV.  Note to kids: that is NOT big even by 80s standards.  We did have large screen TVs back then. My grandfather had a very big one back in the 80s.
I also really like the soundtrack.   
When the camera spun around Diana and Steve’s reunion it made me dizzy.   I don’t like that effect.   It’s so common with romantic scenes but I found it dizzying.  Flashbacks of the film Legend of Hercules from 2014... 
The dreamstone in this appears to have been made of sand all along so maybe it is one of Dream of The Endless’ dreamstones after all.  But that’s the only hint to even suggest this.
When Steve shows up, it’s like the writers forgot modern history.  He shouldn’t be THAT impressed with an escalator or a a subway.  Subways were already in existence when he died! The New York City subway, for example, opened in 1904.  And he knows what trash cans are!  I know that was meant to be funny but that’s stupid.  He’s from the early twentieth century, not five-hundred-years-ago.
How did Maxwell Lord know Steve Trevor was inhabiting someone else’s body but didn’t know for certain Barbara had made a wish?  Does he just know everything the stone touched or does he sense the desires of others?  How did he know to suggest “Don’t you want to be a real boy?” with Steve?
Steve’s fate was painfully predictable, so much so that I felt nothing when she had to let him go.   See, these “realistic” / “have to stay” dead plots they’re shoe-horning into comic stories are now done so often that they are trite.  You know what’s coming.  You know what they want you to feel and you (or I, at least) went numb instead.  I think I would have felt more if she somehow got to keep him . But the fact that he wasn’t even in his own body was the first clue that my prediction was right.
Finally, I actually really like how they resolved the Maxwell Lord (Trump-esque) plot and his character arc.   It was very late in the story that they decided to show a sympathetic side to him, and flashbacks of his upbringing and I feel it should have been done earlier in the film but it still worked.  I like that love for his son is what saved everyone.  I am a sucker for a redemption story.  
  I like the themes of love and hope even though I still resent the predictability of what happened with Steve Trevor and the hamhanded “She needed to learn to move on” part.
The Steve plot was the weakest part of the story, in my opinion.   But as far as superhero movies go this was decent . It wasn’t boring and the morals weren’t too preachy.  Sure, it had some corny and predicable moments (Not just with Steve Trevor) but in general it was enjoyable to watch.   
I don’t think it was as good as the first Wonder Woman movie but I do like it more than most of the Marvel sequels so that says something.   I’d like it a lot more if the Steve Trevor plot wasn’t even in there or had a new and interesting twist rather than the “You have to learn to let me go.”  As I said, I’m tired of death.  I’m tired of grief plots.  And I’m tired of how predictable this new obsession with perma-deaths in comic book-inspired stories has become.  
I’d say the film is a seventy nine out of a hundred for me, maybe three and a half out of five stars.  Not the best superhero film and definitely not as good as the first Wonder Woman movie but still better than many other superhero movie sequels.   
Also a certain outfit was added to the movie shamelessly to sell a new action figure.  Even kids know the trick.  A superhero movie gets a sequel, that means the hero has to get some new costume, or their look has to change in some way, just to sell a new action figure distinctly from this movie and not the first.  Marvel did this all the time. Loki went through three distinct outfits for three films.  
I loved Lynda Carter’s cameo in the end credits bonus scene for her.  That was the perfect role to her and very respectful to her legacy as having been the 1970s Wonder Woman.   That was one of the nicest and most respectful “original actor” cameos I had ever seen. 
Something else, I kind of wish the films would reveal the Greek Gods aren’t dead.  It really bugs me that they have implied since the first Wonder Woman movie that all the Greek Gods are dead / gone.   Then why do things imbued with their power still work?   I wish Hollywood would be more respectful to the old lore and polytheistic beliefs that many people (such as Neo pagans) still have.
Anyway, good.  Not great.   But still god and better than a lot of other superhero sequels and still better than more than half of DC’s other films of the last ten years.    
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