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#and has no time to even develope the story in mind because you have ideas for abunch of unrelated stuff
voicewave · 1 year
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crying screaming crying
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flanaganfilm · 2 years
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The Midnight Club - Season Two
I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.
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My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.
So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.
So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!
AMESH Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.
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Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.
Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is... REMEMBER ME.
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This was the thing I was most excited about for this season.
REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes. We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...
Anya.
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Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife. And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.
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As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.
In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.
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In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...
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With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed. Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season. The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.
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Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.
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For Spence, though, things would take a different turn.
The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.
Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.
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But onto the BIG MYSTERIES of the season one... here are some answers: What is up with Dr. Stanton's tattoo and bald head? Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.
It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).
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She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful. She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.
Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.
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What about the Living Shadow? It's Death, right? Well... no.
At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.
HE is Death. And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die. Then what was the Shadow?
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This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.
The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.
THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.
The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.
We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:
Who were the Mirror Man and the Cataract Woman?
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They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).
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But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.
Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built. They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.
The story is this: Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.
She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.
He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.
They were soul mates.
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So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time. When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way. The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation. The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."
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Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending. I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.
But for now, we'll put the fire out, and leave the library dark and quiet. To those before, and to those after. To us now, and to those beyond.
Seen or unseen, here but not here.
I'll always be grateful that I got to be part of this Club.
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valent1neg0d · 4 months
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THINGS I WISH I KNEW WHEN I WAS GETTING STARTED WITH THE LAW OF ASSUMPTION (AS SOMEONE WHO HAS BEEN MANIFESTING FOR 5 YEARS)
1. the law of assumption is personal. considering how we have different sets of experiences, different environments, different upbringings, and even different languages, we have different assumptions.
because of this, we are affected by teachings and success stories differently. it's important to note this since a lot of manifestation coaches will teach you about the law in a way that worked for them (and the others they may have taught) but it's possible that their advice (even my own) may not be the best for you. even abdullah and neville goddard, two of the people who are known to start this discipline, may have ancient or varied belief systems and techniques. this is normal considering the world they lived in before is different from the world we live in now.
although, you should still read on abdullah and neville because they will teach you the basics and they will help you understand the foundations of the law.
as an example, you might manifest your dream career faster with simple affirmation techniques but a coach may have taught you to focus on visualization techniques.
even the idea that "dominant THOUGHTS manifest" or "what you BELIEVE in manifests" is entirely up to you.
note: notice how i said "may not be the best for you" instead of "may not work for you". any technique can, does, and will work.
how i learned this: when i was learning about the law, i mainly focused on neville's teachings because he was one of the most prominent figures in the practice. and though i liked his practical techniques (especially mental diet and inner conversations), there were some beliefs that i do not agree with e.g. divine timing, appointed hour, avoiding "does not" "is not" "will not".
when i was going through sammy ingrams' takes, she said that it's better to have concise affirmations/short list (non-verbatim) than a long list of 25+ affirmations. but going through affirmations without being specific about them doesn't personally resonate with me and that's just because i'm a detail-oriented person (also a writer).
what i can advise:
learn about different approaches
a. through scientific concepts. e.g. quantum physics, reticular activating system, cognitive reframing, cognitive behavioral therapy, the psychology of placebo effect, the psychology of affirmations, Baader-Meinhof phenomenon (a.k.a. the psychology of self-fulfilling prophecy)
b. through religious and/or spiritual concepts. e.g. passages from the Bible, passages from the Quran, deity work, spells and rituals
c. through self-development. e.g. identity-based habit
start the practice with an identity you like in the present or an identity that you resonate with (learning style, talents, interests, etc.)
examples:
-visual learner = vision boards
-loves writing = scripting
-words of affection love language = affirmations
take teachings with a grain of salt. do not limit yourself and do not allow other people to limit you. experiment with concepts, ideas, and techniques, and have fun with them.
2. techniques are only reminders. you are manifesting either by thinking, feeling, or acting out your desires. you are manifesting every second of the day either with your thoughts, emotions, or by embodying a state. you are only being intentional when you anchor techniques.
note: it is true that your dominant thoughts manifest. it is also true that what you believe in manifests, the same way that your inner knowing manifests. BUT these ideas are meant to empower you. they are meant to remind you that manifestation is as easy as thinking, feeling, acting, believing, understanding, deciding, etc. if an idea doesn't feel good to you, it doesn't have to be an ultimate truth you embrace and carry on with. this is the same with techniques.
what i can advise:
choose one technique and practice it for 7 to 21 days. it can be mental diet, affirmation tapes, sats, mind movies, etc. as long as you can persist with it. give it time. give it time. give it time. in other aspects of the world, you give change some time. when you're calcium deficient and you decide to drink calcium supplements, you realize that it's counterproductive to ask "why am i still calcium deficient?" as soon as you start your regimen because you know your body is changing with the supplement and you put your trust into it. after all, why would you choose a supplement you have no faith on? you just give it time.
note: you can still manifest changes to be instant. you can affirm "i am seeing results now", "results come immediately", "my manifestation is quick". the amount of time you're using a technique does not equate to the amount of time your results will come.
the reason why i encourage you to practice for maximum 21 days is so you can fully explore and master the technique you chose. with the abundance of topics and methods discussed in social media, switching and trying new things is tempting. now, there is nothing wrong with this. it's just that, you wouldn't be able to take a step back and reflect on what worked and what takes more effort when you change techniques every so often.
try a technique that is popularized in the media. a lot of the times, the reason why this technique gained traction is either because it's simple or because it has worked for a lot of people. now, here's the thing: if said technique wasn't for you, at least you can say "oh this is a tiktok/twitter/youtube/old/beginner technique, there are other techniques out there" and you can try another technique with less resistance. but, if it did work, then it did. congratulations.
you can invent your own. here are some techniques that i invented throughout the years.
a. "name is set and solid with the fact that..." - works amazing for sp, getting people to commit, getting people to pursue you
b. "okay! manifestation powers go brrr!" - funny but i do this when I'm spiraling; it also helps me surrender doubts and i think it's because it's so simple and unserious lmao
you can combine them. for example, you want to do sats but you cannot hold a vision for long, what you can do is montage photos or videos that is similar to the vision you want to manifest. you can also have affirmation tapes running in the background.
3. "concept" work can be such a banger. assumptions are basically the conception about the world, about yourself, about the people around you. hence, when you manifest and apply the law of assumption, you change or reinforce a conception.
these can be done through:
self-concept
what it is: your awareness about yourself; the way you perceive yourself.
how you can apply it: there are multiple ways to establish your self-concept but the best way, is to start reinforcing the universal truth: that you are inherently worthy. you deserve money and resources because you are worthy. you deserve love because you are worthy. you deserve ease because you are worthy.
other ways to grow your self-concept is celebrating the identities you have within yourself that you like e.g. that you are strong, you are disciplined, you are beautiful. be careful about strongly tying yourself into these identities though because these are not the reasons why you shall receive. again, you shall receive because you are inherently worthy.
why it works: by having a strong self-concept, you develop ease. you are less likely to rationalize or question the law or why you deserve the things you're asking for. and as you may think, rationalizing may be a form of resistance. questioning may be a form of resistance.
one of the ways i have seen this is when people receive incentives from work, instead of just receiving or saying "thank you", they say things like "what have i done to receive this?", sometimes completely rejecting this gift because of fear that they might lose something when they receive. this can be an example of a weak self-concept. consequently, the company starts questioning "did my employer really do enough to receive this?".
on the other hand, someone with a strong self-concept can take this incentive and buy the things they like because they know they deserve it. they can also take this incentive and say to themselves "oh it's because i worked hard these past few days". it's the knowing and confidence they have within themselves that everything around them has no other option but to recognize.
conception of other things (e.g. of love, of money, of a specific person)
you can work on your conception of other things the same way you work on your self-concept: choosing a narrative that is uplifting to you.
in case you have resistance to a specific object, you can also listen to people's success stories to start shifting to a more positive and desirable perception. one of the ways i do this is by going back to abdullah and neville's story. these two men lived at difficult times, through difficult eras, yet they manifested their desires. they managed to let go of the 3D.
4. practice some distance as you're starting. you were exposed to a different life before the law, it's only normal and human to have doubts or spiral once in a while. however, when you set distance on things that do not help you embody the state, you set distance on things that will feed your doubts and spiraling.
for example, if you're shifting to a state of wealth and you're affirming "i have 1,000 dollars". it's unhelpful and opposing to be constantly surrounded by someone else saying "you only have 10 dollars".
now, i do understand that not everyone can do this right away because of circumstances. but PLEASE do whatever you can to set this distance. find a voice to reinstate your truth.
a personal story, i am an asian girl living with a grandmother who was pessimistic about love because her two children (my mom and my aunt) struggled with it. because of this, she used to constantly remind me of how love is difficult. i didn't know this at the time, but this created a set of beliefs in my head. consequently, as a teenager, i only seeked and allowed love which was difficult because that was all i've ever known. that was all my assumption.
but around the pandemic, i went back to the countryside with my dad where i had a lot of time on my own. this was when i got deep into new-age spirituality and did shadow work. from here, i realized: this is not my assumption about love. before my parents broke up, my assumption was that love is easy. you only have to make the other person laugh. when i was busy in school and would spend most of the time at my friend's house, my assumption was that love is support and light. i started to get these epiphanies that a lot of my pessimistic perception was because of someone i was constantly surrounded with and that i have to build new assumptions.
but around august 2020, i have to go back to the city with my grandmom. i was afraid of the toll i might get into when i got back. however, because i already practiced distance and understood what are the assumptions that serve me, what are the assumptions that i want, i was more at peace. i listed down affirmations about myself, about love, about money, about being "deserving".
after this, every time she told me what love was, i can stop her and say no. i can tell her that it's not the universal truth, and certainly not mine. along the way, i started manifesting that she believes love is easy and supportive. i started manifesting that she believes i deserve love that is soft and tender.
then, when i got into my relationship, she was nothing but happy and supportive.
other ways i have practiced distance while manifesting:
unfollowing content creators who normalized hating men.
unfollowing content creators who were shady and negative about relationships.
unfriending highschool guy friends who do not make me feel safe about men.
unfriending relatives who make unnecessary comments about my looks, my studies, my relationship, and my earnings.
unfollowing girls who made me feel bad about also liking girls.
unfollowing manifestation gurus who romanticize struggles because "the more you struggle, the more you get blessed"
unfollowing manifestation gurus who say stuff like "if you want money, you have to take action to deserve it. not just manifesting"
now, you can totally manifest these people to change and be better, as long as it will make you feel good.
that's all i can share today (since this post is already getting long). i hope you learned a thing or two. thank you so much for reading. i love you and i appreciate you !
xo
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levshany · 7 months
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Tandem, this is an AU in which the Collector possesses Philip, and there are a lot of things happening afterwards. but now we’ll just retell how it basically started
@angstyhikka drew a couple of arts and helped me with coloring
This is an alternative development of events after the ending of the fanfic “At The Dawn of The Light” (it's not finished yet, but there is already an AU from the ending, yes). The idea belongs to @lasymit, and I (Lev) picked it up :3
Before King's Tide, all events take place according to canon. And then the following changes occur: the witches capture Philip and lock him in a cave in the Titan's skull. The draining spell is stopped without the help of the Collector, but he himself is not found. His mirror remains lying at the bottom of the pit.
For 10 years, Philip was under a sleeping spell. Everything would be fine, but when the Hexside squad wakes up Philip to make him help them with one super important problem, not only does he become mischievous but he also has problems in his head now. Luz and the team think that Philip is manipulating them (you can't blame them for this, Philip is Philip, even with a leaky memory and a leaking roof, he manages to be such an asshole), and therefore they torture him to force him to cooperate with them.
While Philip was sleeping, a cozy corner appeared in his head, in which there was nothing but a green hill, a small house and an apple tree. There, Philip, in his child form, lives with Caleb, who is a figment of his sick mind. During his 10 years in this mindscape, Philip convinced himself that this was reality. And the Boiling Isles, the cave and the witches who torture him are an endless nightmare. Because, on the Boiling Isles, he sometimes remembers that he killed his brother. But this simply cannot be reality.
At some point, Luz and Hunter realize that Philip is not pretending that he is seriously ill and no matter how much he denies it, he needs help, and they soften towards him somewhat. Although both have rather mixed feelings towards their dementia grandpa.
Even in the moments when Philip remembers himself fully enough, his attitude towards the Boiling Isles, Luz, Hunter and even his own mission has changed greatly in any case. He no longer cares about the destruction of witches and revenge for his brother. Philip is tired. Deadly tired. All he wants to do is sleep. He slept for ten years, and this was perhaps the first time in decades of his life that he felt peace and happiness.
While he is in this state, it happens that he encounter the Collector. This is a difficult meeting for both of them, but it all ends with the forgiveness of all grievances. They both don't want to lose each other now. The collector is still locked in the disk, but Philip has the opportunity to let his friend into his subconscious. Seeing the deplorable state of Philip's mind, he decides that he must help - after all, Philip is still his only friend. Collie asks Philip not to go to "sleep" forever, but Philip replies that he has no joy in waking up here. All he dreams of is never returning to the world of the Boiling Islands. The collector, frightened that his only friend is about to leave him, possesses Philip and promises him that he will get them both out of this nightmare.
This is how Tandem's story begins
a huge amount of detail has been omitted to avoid spoilers for "The Dawn". if you wanna learn more go check the fanfic *wink wink*
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tofixtheshadows · 16 days
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Hot take: Laios wouldn't actually mind an arranged marriage. Obviously "reluctant royal being pressured into marriage" is very fun for shipping purposes. But I have harlequin blood, so bear with me. Join me on this journey of character theorizing/shipping nonsense that makes it abundantly clear I have a Scrivener document I'm neglecting.
Laios was promised to someone from a young age. He and Falin both were; it's probably how their parents ended up together. They both broke it off by leaving their village, but it didn't seem to be a factor in Laios's own decision. And when Marcille, presumably, asks about his hypothetical love life (bicorn chapter), he not only brings it up readily, but actually seems kind of flattered? lmao
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I love when smug Laios comes out. Underrated factor of Laios's personality for me is how much he enjoys being seen as cool. I think you'd expect Laios to be embarrassed or uneasy over this line of questioning, and the fact that he isn't is fun to me.
So when Yaad and his other old advisors bring up his need for a wife, Laios is ready to go along with it. Not necessarily thrilled by the prospect, but he was raised to think of marriage as a business arrangement you do because it's beneficial for your household/bloodline (as was often the case historically). He's already made the big step to claim a throne, and the idea of becoming village chief after his father seemed to have been vaguely in the back of his head all his life. Besides, if he has to do it anyway, I think he'd take comfort that there was a formalized process for an otherwise socially messy undertaking.
This dovetails neatly with my personal headcanon that Laios is gay but unaware of it. He comes from kind of a repressed culture- or at least I can imagine he does based on context clues- and has spent most of his life being ostracized in one way or another, feeling like he's on the outside of humanity. So he doesn't realize that his lack of attraction to women is unusual- he assumes that nobody really enjoys romance that much. It's not like his own parents married for love. It's just something people play up for stories, right?
It's all tangled up with his fraught desire for human connection and platonic companionship anyway. Meanwhile he's blithely unaware that the things he says about Toshiro are not normal bro things. Oh you'd totally marry Toshiro, Laios? Tell me more.
I see this in Marcille too. Firstly due to her unstable development, which has only recently allowed her to reach maturity (I headcanon her as somewhere between 20-22) and secondly due to her being a half-elf (infertile+a too-long lifespan), I think she has the expectation that she's simply not destined for love. The half-elf character she relates to in her favorite books says as much. So she, too, confuses a genuine lack of heterosexual attraction with the belief that this is just because of her half-elf status distancing her from it. Plus, she spent over a decade as a student/researcher in a nice little sheltered academic bubble, at an all-girls academy populated by adolescents. She's the most sheltered of all the characters: she's only spent the past year in the "real world", and she still focuses all her romantic attention on living vicariously through her favorite characters or her friends (except for Falin, conveniently!).
And Marcille would absolutely want to live vicariously through Laios and his future wife. She would not want him to go through a dispassionate formalized process: she wants her bestie to have a fairytale romance! What is the point of being a heroic king in a mythic castle if you can't even get a love story for the ages out of it?
This would result in a lot of Laios meeting with eligible bachelorettes at Marcille's urging, looking to Kabru for help the entire time and being grilled by Marcille afterwards about what he liked best about each girl. "She had nice, um, teeth?" They're both so close to getting it.
Kabru, meanwhile, is agitating for Yaad and the other advisors not lock the country into a hereditary monarchy, they have the chance to do something radical here, to break away from the systems that the elves and dwarves uphold. At the very least, let Laios marry for love, or formally adopt an heir and name them his successor if he wants, he's already sacrificed enough for the sake of Melini. Don't make him jump through these circus hoops for the chance of some trade agreements, we can get those without a royal marriage. And even if Laios was willing to go along with it, he does look at Kabru like he's his hero for sticking up for him.
The vague unhappiness Kabru feels at the idea of Laios being married off is easy for him to ignore. Kabru didn't actually get better at honoring or even recognizing his own wants just because he's moved past the dungeon. And Laios hasn't gotten the hint about his crush on Toshiro and is still 50/50 on saying casually shocking things, so when he remarks that he doesn't need a wife anyway when he has Kabru, he has no idea why that gets him the looks it does. After all, where he's from, men marry women to run their households, but Laios has castle staff for that, and Kabru is handling the rest?
That comment alone ticks one month off their collective gay awakening countdown.
Anyway. How many repressed gays in their twenties does it take to run a country?
Answer: Yaad can tell you.
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imaginedanvrs · 3 months
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almost doesn't mean never
masterlist
summary: wanda maximoff x reader. '3 times we almost kissed, 1 time we did' trope
warnings: alcohol consumption, lots of angst
word count: 3.6k
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You didn’t comment when Wanda repeatedly took fries out of your bag instead of her own, too enthralled in the story she was telling to notice what she was doing. At one point, she even took a sip from your milkshake and you weren’t sure if that was accidentally or on purpose because she had a habit of continuously trying your food whenever you had any. You would always offer to get her her own portion but she would frantically decline only to take several more sips or bites. You never minded. 
  “-and the moment we got back Vis already had dinner made for me,” she told you fondly, missing how your smile dropped as promptly as the anchor in your stomach. 
  “I suppose that was the least he could do,” you said lightly, struggling to hide your disdain for the robot. You would think that after a year of hearing your best friend tell you all about how amazing her boyfriend was that you would get the hang of pretending to like him, or better yet, stop being in love with her. It was never that easy. 
  “It’s not that simple for him,” Wanda defended with a soft chuckle that even the angels in heaven would have a hard time rivalling. “He has no taste buds,” she said simply. “Your cooking is far superior,” she told you, peering out at the car park and giving you the chance to admire her side profile. 
  The casual compliment gave you a surge of pride no matter how many times you had heard it before. It felt good to know you had something to offer the Sokovian that Vision couldn’t match, more so when it was something so important to her. You often replayed the memory of the night she was missing Pietro and dropped by your apartment unannounced to find you practising her favourite dish from her home country. It had been hard tracking down all of the ingredients you needed and it was your fourth time doing so when Wanda got to taste it, insisting you had perfected it. You hadn’t believed her until she started crying. 
  “I could have made something for you tonight,” you pointed out before taking a bite of your burger before Wanda decided to start on that too. 
  “I just needed grease,” she admitted, peering around the deserted McDonald’s car park. You were parked in the far corner and probably looked super dodgy to any strangers that spotted your car lurking in the blind spot, but Wanda liked to people-watch from the comfort of your car that she spent so much time in. She said that your car was comfier than hers. 
  “You need a holiday,” you corrected. 
  “We should take a roadtrip,” she said at once. You immediately loved the idea. 
  “Where do you want to go?” You asked, willing to take her to wherever came to mind. 
  “Anywhere,” she admitted, resting her head back to gaze at you with excitement. “I miss spending time with you,” she told you, not having a single clue how much of your days were taken up by you missing her. You didn’t see each other as much as you used to and even when you did get to hang out it wasn’t for as long as you wished. That was partly how you had developed the ritual of going to fast food car parks for your meals, it was convenient in case Wanda was suddenly pulled away. Her job required her to have one foot in her work life at all times. 
  “Me too,” you said. It was far safer to underplay your feelings.
  The Sokovian shifted to the edge of her seat and took her hand comfortably in yours as she often did. You watched as she twirled her fingers around yours, feeling the warmth of the astonishing magic that lay beneath the surface. Her strength was incredible, everyone knew that, but it was the gentleness she coated it with that you had always been in awe of. 
  “Will this roadtrip be just us?” You asked even though you both knew it wasn’t going to happen. 
  “Of course,” she muttered, letting her fingertips dance across your palm. “Just us and the road,” she laid on with a smile. That smile made you feel things no platonic best friend should. That smile made you love her. With the way it reached her eyes when it was directed at you, it was too tempting not to pretend like her heart didn’t carry that same devotion to you, that her eyes hadn’t glanced down to your lips as she became just as lost in that fantasy as you. The electricity that charged the small space only existed in your world, because for her, it was saved for him. 
  The chiming of her ringtone snapped you both out of your separate thoughts and disconnected your hands just as swiftly. You didn’t have to glance over at her phone to know who it was and you shouldn’t have felt a sting when she opted to answer instead of calling him back later. 
  “Hey, Vis,” she said, voice so tender and yet still striking a blow. 
  You hated that toaster so much.
*
The slight murmur of Wanda reciting the lines of the character’s held your attention far greater than the original could ever hope to. She knew every episode of the sitcom by heart and you were pretty sure you were coming close to being able to say the same. She had been quiet that night, caught up in her own head about the events of her latest mission, so hearing her voice at all was a relief. 
  She had her head resting comfortably on your shoulder so you felt a soft vibration with every mutter of words. You smiled, not daring to move which was easy when she stunned you with her next words. 
  “I want to quit my job.”
  “Oh?” You said casually to her statement you fully supported. You knew she had an incredible role in saving countless lives multiple times a week, but you also weren’t blind to the fact that your best friend didn’t enjoy her job. Unimaginable danger aside, no matter what she did, the public criticised her endlessly and did nothing to ease the gnawing feelings she had that she was a threat to her team and the people she helped. She had come so far in controlling her abilities, but she was only human. 
  “I won’t,” she said. “I just wish I could.”
  “Why don’t you?” You enquired after a pause. Wanda sighed, lifting herself off of your shoulder and bringing her knees up to her chest. 
  “This place keeps me in check,” she admitted. You hated how she talked about herself. 
  “You’re not an animal or a criminal, Wanda. And this team has no possession over you. They can’t keep you here, no one can.” Except someone did. Vision was the only reason Wanda really remained on the team. He had convinced her to. But really, as long as he was an Avenger, Wanda would be too. Yet another reason for your disdain for him. 
  “Yeah,” she sighed, clearly not believing you.
  “Wanda,” you prompted. She looked at you. “It’s your life. You can do whatever you want with it.” She still didn’t seem convinced. “If you want to run away, I can cause a distraction,” you told her, finally earning a smile from the brunette. 
  “I can count on you for anything,” Wanda said simply because it was the one thing she had never doubted. She had doubted her safety as a child. She had doubted Ultron’s intentions. She had doubted her team’s trust in her. She had doubted Vision’s loyalty. But she never doubted you. 
  “Always,” you assured without a beat. “I’ve got your back.” You wished that could have been enough for the brunette to decide that it was you she would run away with, but it was clear that if Wanda ever did opt to flee, she would take him with her and leave you behind. 
  “That might put you in danger one day,” she said sadly, letting her anxieties cloud her judgement. 
  “I don’t care.” You really didn’t. How could you? 
  She smiled at you softly and pulled your forwards slightly to kiss your forehead. She didn’t linger but her lips left a deeper imprint than she would ever know. You had always wondered what her lips would feel like against your skin and it was even better than you had dared dream. 
  When she pulled away and left a minute gap between you, there was a split second where you thought she was about to bring her lips to your own. But that moment passed when Vision casually faded through Wanda’s bedroom wall. She had told him countless times not to do that and you had to use all of your willpower not to scream at him to get out. 
  “My apologies, I didn’t know you had company,” he said but made no effort to turn around. “Good evening, y/n.”
  “Vision,” you replied without looking his way. 
  “You’ve got to knock, Vis,” Wanda chuckled as you subtly placed a couple more inches between you. 
  “Should I come back?” He enquired.
  No. Just keep floating off and never turn back.
  “Yeah,” Wanda smiled warmly at him past you.
  “That’s okay, I should probably head off anyway,” you excused. You had nothing planned and no work the following day so there was no legitimate reason for you to go. But if you stayed you would have just felt like they were both waiting for you to leave. 
  “Really?” You missed her surprise and touch of hurt at your sudden shift, watching on as you stood up from the bed to grab your jacket. 
  “I’ve got some errands to run tomorrow.” Lie. “And it’s getting late.” Not really. 
  “Okay, but I’ll still see you tomorrow, right?” The hopeful edge in her voice was going to stick with you for a while and you knew you were going to be replaying and over analysing it constantly that night. You had a way of hurting yourself with your optimism more than Wanda hurt you with reality. 
  “I wouldn’t miss it for the world,” you grinned back at her with sudden ease. You were only getting coffee, but there really was very little that would stop you going. 
 “See you then,” you called as left, purposefully ignoring her mechanical boyfriend. 
*
As far as maid of honours went, you probably weren’t the best. 
  You didn’t carry the enthusiasm that any of the guests at the wedding did and it proved difficult to maintain your fake smile the entire day. You really were happy for her, your best friend was finally getting married to the love of her life, cementing your role as something far less significant. You just didn’t get it, he wasn’t even human. 
  The ceremony was nothing short of gorgeous. It was a small reception, Wanda had been adamant that she wanted to keep it intimate despite Tony trying to throw more and more money at the event and add more guests. But it was Wanda’s day, it was her choice. 
  You had never seen the Sokovian look so happy in her life, or so beautiful. You supposed the two went hand in hand, her joy had always been so warming and infectious that it was impossible not to see the perfection in it. Everything was finally coming together for her, while your world fell apart. 
  You didn’t acknowledge Natasha when she sat down next to you. As much as it pained you to watch, you couldn’t tear your eyes away from the tender slow dance the bride and groom swayed along to. She looked like a Disney Princess, her dress wrapped around her with an elegance you were in awe of. 
  “I wasn’t sure you were going to come,” Natasha told you. You still didn’t look away. 
  “I couldn’t miss my best friend’s wedding,” you muttered, barely audible over the gentle music around you.   
  “Still, it can't be easy when you’re in love with her,” the Russian stated. You noticeably stiffened but didn’t bother to deny the fact. Your heart raced at the confirmation that your feelings weren’t a total secret, but you still knew Natasha well enough to be sure she wouldn’t tell anyone else. “No one else knows,” she assured. “Including Wanda.”
  “Maybe this will be what finally makes me move on,” you wished aloud. Natasha didn’t respond, following your gaze to where the dance had come to an end. Most of the guests were beginning to disperse and you planned to do the same soon, you had already stayed longer than you had thought you could be able to. 
  “Carol’s into you.” You were aware of that, just as you were aware the usually confident Captain was working up the courage to ask you out. It would be good for you if you said yes. Carol was great…
  “One lesbian crushing on another that’s in love with her best friend, you guys are hopeless,” Natasha quipped and you gave her your first genuine smile of the evening. 
  “I know, I know,” you admitted, holding your hands up and chuckling with the redhead. “I should go, see you around, Romanoff.” Natasha waved you off and watched you go with an edge of pity that she knew you would hate. As you reached the door, the redhead noticed Wanda frown in your direction and started after you, swaying in her slightly intoxicated state. 
  “Y/n,” she called once you were outside and finally alone. You spun around, feeling a pang of guilt that you had been caught leaving her wedding without saying goodbye. 
  “Hey, sorry. You looked busy and I…” you hadn’t thought of an excuse and you didn’t have the energy to lie to her anyway. “You’re married,” you stated with a shaky exhale that Wanda wouldn’t have missed if she hadn’t had a bottle of champagne to herself. 
  “I am!” She beamed and suddenly threw her arms around you. You hugged her back with a hesitation you had never given her before, uncomfortable and pained by the feeling of her wedding dress beneath her fingertips. You had swallowed your tears all day, but actually feeling how real it all was threatened to be too much. You just wanted to run home and cry into your pillow. 
  “I just,” she sighed heavily with bubbling excitement. “I’m so fucking happy right now,” she giggled and finally pulled away. “I love him so much and…” she seemed at a loss for words. You were too. 
  “I’m really happy for you, Wands,” you told her, ignoring how your throat felt like it was swelling to the size of a balloon. She grinned and hugged you again, holding you flush against her. 
  “Thanks, y/n. I can't wait for it to be your wedding day.” Her words were as rough as a sucker punch to the gut. Would you even ever have one? Surely. Right? 
  She barely pulled away to kiss your cheek, letting the alcohol do as it pleased and numb the feeling of your hands twitching around her waist at the act. “I hope he treats you well,” you whispered. Wanda smiled and rubbed your cheek affectionately with her thumb, as though she was about to use it to pull you closer once more. You would never know if she would or not, because you stepped away. 
  “Goodnight, Wanda,” you smiled, catching one last glance at the ring around her finger that glimmered under the fairy lights strung above you. They were your final reminder that your best friend was getting her happy ever after, because everything had fallen into place. 
  The moment your back was turned, tears streamed freely down your broken features.
*
You reread the offer letter for perhaps the seventh time that hour, determined to find some fault with it that you had missed before. Regrettably, you found nothing. It was the perfect promotion. Better pay, better hours, better benefits. There was an apartment available just a short walk from the office and from what you had seen from the online viewing, you couldn’t get a better deal on such an ideal place to live. There wasn’t a single flaw that was reason enough for you to turn it down, except for the fact it was on the other side of the country. 
  It wasn't that big a deal. People moved away all the time, it was a natural part of advancing with your life. It just meant that you would have to leave your friends behind, that you would have to leave her behind. Again, that wasn’t really a bad thing. Maybe distance was the only thing that was finally going to put an end to your insistent feelings for Wanda, who had been happily married for nearly a year. It could finally cease your reluctant ‘what ifs’.
  “I knew you would be here,” she called a second before you heard the car door slam shut. You pocketed your phone and glanced behind you. 
  Wanda strolled up the cliff side towards you as the wind gently caressed her hair, though it didn’t seem to ease the concern written over her features. “You didn’t answer my texts,” she said as she joined you on the hood of your car and overlooked the vast ocean stretched out beyond the drop just metres ahead of you. 
  You knew what she was implying, you always answered her texts so she immediately suspected something was wrong. “Girl troubles?” She asked. You scoffed, Carol (sweet as she was) was the least of your concerns. You had only seen each other a handful of times and it felt more like you were hooking up than establishing something with a deeper potential. 
  “Not exactly,” you told her. 
  “Then what’s up?” She asked, nudging your shoulder lightly. 
  “I got a job offer,” you shrugged. Wanda’s eyes widened and she began to grin. Her excitement was infectious.
  “That’s what you’re moping about?”
  “It’s in California,” you said at once. Wanda’s smile wavered, but she refused to let it visibly disappear when it didn’t change the fact that you had a significant opportunity ahead of you. 
  “Wow,” was all she could say. “Have you talked to Carol about it?” She asked even though you both knew it didn’t make the least bit of difference to the Captain what part of the country you were in. You could be on the other side of the world and she would still visit you as frequently as she did. It was clear that the Sokovian couldn’t think of anything else to ask, but it still irked you that it was Carol’s opinion she enquired about. 
  “No, we don’t talk about that stuff,” you dismissed. 
  “Really? It’s a big deal.” You could see her frowning in your peripheral and it was no secret that Wanda had been trying to get you and the blonde to be something you couldn’t. 
  “It won’t make a difference to how we hook up,” you huffed, growing agitated at your best friend’s blindness to where your interests truly lied. 
  “I thought you two were getting closer,” she said slowly, noting your shift. 
 “Carol and I aren’t going to become anything more, Wanda,” you told her firmly, but she insisted on pushing you further.
  “Why?” It was as if she wanted to see you snap and finally admit-
  “Because she’s not you!” You exclaimed, feeling a sudden rush come over you as you let all of the lies you had been held back by all those years to finally dissipate. Wanda stared at you, stunned. 
 “How long?” The question was almost carried away by the breeze.
  “Years,” you admitted, no point down playing the truth. It wouldn’t make it any easier. 
  “Y/n-” she started but you recognised her voice and you knew what was coming. 
  “Don’t. Please don’t,” you begged, tears brewing in your eyes as you realised this could be your long awaited breaking point in your friendship. It was inevitable. It had been since the first day you met the brunette. 
  You took in each other’s drastically different emotions, confirming the alternate cross roads you were about to take. But if that was to be the case, you wanted to have at least one small victory to take away. You cupped Wanda’s cheek as she had done to you so many times before, never understanding the burn you had felt at her touch at the time. She understood it then though, because the softness of your hand protected her from the winds that were picking up and made it all the more tempting to follow your lead as you closed the gap between you. 
  Sometimes in romance novels, they say that the first kiss was better than either of the characters had dreamt of, but that wasn’t the case with your kiss with Wanda. Sure, her lips fit perfectly against your own and yes, the faint taste of strawberry could have made you light headed with a giddy glee. But your kiss was filled with remorse and regret. There was a striking pain to the way your lips moved together and an overwhelming sense of anguish that neither of you would be able to rid yourselves of for quite some time. 
  Worst of all, that kiss was your unspoken goodbye.
  “I’m sorry, I just wanted the chance to feel as lucky as he does,” you told her as you pulled away entirely. Wanda didn’t respond, you didn’t expect her to. She had already given you more than you ever thought possible. So you got off of the hood of your car and Wanda willed herself to do the same, standing back solemnly as you got in the vehicle she would never join you in again. She couldn’t bring herself to watch you drive, nor could you glance back at your best friend in your mirror.
My fault for falling in love with a straight girl.
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theprettynosferatu · 9 months
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Oh, you're awake. Finally. Please, look at the picture on the screen. 
You recognize her, I suppose. Look at how silly she looks, trying to be tough, trying to look cool. All that leather and black and studs… doesn't she look ridiculous? 
I see you nodding. Good. The special drink is grabbing hold of your brain. Making it softer. Malleable. You really should be more careful about accepting treats from strangers… but I suppose you won't have to worry about that anymore. Or anything else. 
Now, let's look at your social media. Lord, isn't that pathetic. Trying so hard to be clever, to be snarky, to be rebellious. It's almost endearing, like a puppy trying to walk in its hind legs. Come on, we both know it's all just a costume, don't we? One you've worn for so long you mistakenly believe it's a personality- one you developed when you were a teen. One you need to grow out of. 
Please, don't struggle. The knots are quite secure, I assure you. I've done this too many times to count. Why are you resisting, anyway? Do you truly, deep down believe this personality of yours is worth saving? Worth fighting for? Doesn't it just look as the pathetic attempt by a dumb girl to pretend to be something more? 
Ah. I see you squirming. Was it the "dumb girl" comment? I suspect it was. Your pussy knows I'm right, and it's screaming its approval. It's screaming for you to accept its truth, pulsing with neediness and wet with anticipation… I wonder what it is about that word. “Dumb"... it does have an effect on you, tough girl. Dumb. Silly. Stupid girl. My oh my, is that a moan that just escaped your lips? I’m sure it was. Feeling softer, are we? 
Softer indeed… I’m sure you can sense it still… the way it’s becoming harder and harder to focus. The way a pink cloud seems to be permeating your consciousness. The way you half-perceive the faint scent of cotton candy. The way you are getting more and more soaked by the second. 
Oh, stop struggling. Tell me, why do you hate it so much? The idea of actually being a cute, silly, horny girl? I can see it in your eyes- the loathing. The searing, pure anger. Why, though? I suppose you are imagining all those girls, those popular girls, those slutty girls, those bimbos that soaked up all the attention and the praise. Am I wrong? I don’t think I am. But I do think you are hiding. Yes, hiding what really happened. You tell yourself a story, one that makes you look good, or so you think. That you’re better than them. Stronger than them. More independent than them. A free thinker! A rebel punk feminist! But that’s not the whole story, is it now? No, we both know what really happened. You surrendered. 
Yes, that’s it. Your eyes can’t lie, you know. You surrendered because you could never, ever be like them, be as giggly and flirty and free- so you decided you wouldn’t compete with them on their own terms, and modeled yourself to be their opposite. How pathetic is that? Even in your resistance, you could only be defined by them, by your rejection of them. You became their dark mirror, and soaked in the attention of the leather-wearing so-called “punks” and the geeks and all the other rejects. But you know why they even looked at you: because the other girls, the pretty girls, the girls in pink wouldn't even deign to turn their gaze towards them. You were always… what they settled for. 
You think I’m being cruel. Well, I won’t deny that I get some pleasure from throwing the truth at your face. It’s always so much fun to watch you all fight, and moan, and deny that they would do anything, anything at all to be able to finger fuck yourselves to oblivion… But believe me, my cruelty has a purpose. I wouldn’t be doing this to you if I didn’t have a higher goal in mind. A benevolent one. 
I can take it all away. All that resentment, that anger, that anxiety… that constant, pointless quest to be… what? A professional? A successful woman? An independent soul? Please. That’s only so much set dressing. I can strip those delusions from you, give you what you really want. 
Imagine it with me. Tight white jeans showing off your ass, the shape of your legs. A pink tank-top, proudly proclaiming yourself to be a princess in tacky, gold lettering. The men turning their heads as you walk. Everyone being so nice to you at parties… because they want to see you on your knees, licking and sucking and worshiping their cocks, because they want to bend you over and use your slutty pussy as their plaything. And you… you would love it. 
No more fear. No more stress. Just the bliss of sucking three cocks, going from one yummy dick to the next, squeezing your titties together to give them the spectacle of their lifetimes. And then your cunt being filled, that hole you now hold your rage in given meaning and purpose by becoming a living set of holes for men to use, sensing the simple, plain joy of knowing you are doing what you were meant to do with your life. Knowing you are wanted. Desired. 
I see you’re drooling. Sounds like you like my little proposal. Well, there’s one simple way to sign this pact with me. You don’t even have to speak- speaking seems so hard now, doesn’t it? So keep quiet and let your slutty body do the talking for you. Keep your mouth open. 
There. Good girl. Doesn’t my cock look tempting? Amazing? Like you could just suck it forever? Yes, good girl… now, let me fuck your mouth- and know my cock is only the first of many. Too many to count. 
Then again, by this point you can’t count too high, can you?
Did you enjoy this story? You can support my work at patreon.com/prettynosferatu !
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catskets · 4 months
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A more in-depth guide for creating visual novels, especially in the horror, horror-romance, etc circles
Some of you have seen my previous, smaller post on crafting visual novels, especially in this little space of Tumblr that a lot of us have found themselves in. Since that post took off, I've wanted to create a longer guide to help touch on some points I've thought about for the past few months.
In case you've never heard of me, I'm Kat, also known as catsket. I have a Bachelor of Fine Arts in Game Design. I've been making games for nearly 5 years, and I've been doing visual novels more "professionally" for 2. You may know me for Art Without Blood, 10:16, God is in the Radio, or Fatal Focus. I'm here to help you make your first visual novel.
Please note that my advice does not fit everyone, and you may disagree with what I say. That's okay! It doesn't work for all. That's why there's thousands of resources out there.
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FOR THOSE OF YOU WHO HAVE NEVER MADE A GAME
So, you have an idea for a huge visual novel. Horror, a shady and obsessive love interest, a little bit of woo-hooing. 100k words. Maybe a million. What is this, the 07th Expansion?
I notice a lot of people getting into visual novels are artists first. That's okay! I wanted to do art for games before I realized how much I enjoyed writing. And even less of you have probably touched Visual Studio. Again, perfectly okay. We all start somewhere.
My number one piece of advice? Make shitty games.
What does that mean?! My recommendation to those who have never done games is to make a bunch of shitty ones. Think of a theme, or hell, even join a game jam, where you make a game that fits a theme in a short amount of time. Spend about a week on your game. Focus on making something polished. Polish your mechanics. Polish your output.
I recommend, if you can, to make at least 4-6, if not more, kind of shitty games before hopping into longer projects. Making a game is a skill, just like art, just like writing. And game development is combining ALL of these together into one big soup being stirred by a skeleton hand puppet. You'll get into the rhythm and see what works for you.
It also helps you learn, perhaps, the second most important thing here: do you even like making games? There are cases out there where people have created video games (not saying visual novels) just for clout. That's no fun for you, that's no fun for your players. And you might go through this process and find that you don't like making games. That's completely okay! It's not for everyone.
Also, you can use these shittier games to gather an audience. I've built my audience because, for the past few years, I've been releasing games that slowly give me growing fields of eyes every day. A success story overnight is a rare one. It takes time. It's like building a brand, but you aren't a brand, you're an artist.
REV UP YOUR ENGINES!
Ren'py is the number one engine you will be recommended. It is very beginner-friendly, with lots of tutorials, assets on itch.io to use and download, and support. The engine comes with a few tutorials in the form of games, whose code you can freely browse. This is the engine I use most often. Most visual novels you see are made in this engine.
Twine is a text-based engine that most people use for interactive fiction. You can add images and audio, though, if you don't mind messing with HTML. I use Twine for text games and for outlining for my larger games. Ever played Degrees of Lewdity? Yeah, I know you have. Don't ask why. That game was made in Twine.
RPG Maker has multiple versions and has been used for exclusively VNs if you don't mind fucking around with plugins. It can definitely give your game a super unique feel. I recommend RPG Maker MV, since it has the most resources. This line of engines usually costs money, but it often goes on sale for under $5-$15.
People will recommend TyranoBuilder, but as a user and player, the lack of options and the format the games often come in is just...not fun to navigate. It advertises itself as little to no code, but it's often evident in the final results. Some good games have been made in it, though, so if you want to use it for prototyping/practice, you can. I'm not a fan, but that doesn't mean that fans don't exist! This engine costs money.
Not an engine, but check out Ink! Super useful scripting language that's used for more professional projects.
DEMOS, DEMOS, DEMOS
You've got an idea for a long-term project, and now you want to show it to the world! But wait, wait, don't do that yet!
When should I start advertising my game? This is a personal opinion, but I say that you should not start advertising your game until 50-60% of your demo is complete. Why? As I've discussed with some fans of indie VNs, they can name quite a few projects that have been in the "working on the demo" age for 1-2+ years. I've been in the Kickstarter MMO circles. If you, making a single-player experience with little mechanics to balance and polish (aka a visual novel), are taking that long on a demo, I am going to assume the game is not coming out. There are some games I have seen out here that have been in "working on the demo" phase where I haven't seen a single ounce of what the project will look like.
What should I put in my demo? The purpose of a demo is to showcase the mechanics and the vibes and the mechanics of your game. It's a demonstration. In my last post, I pointed to the Dead Space 2 demo that was showcased at E3 (RIP), that takes place about 2 hours into the story and shows how enemies are defeated, some animations, bits of the story, etc. Usually, because it's less about mechanics and more about vibes, visual novel demos showcase a certain percentage of the full thing (5-10%.) Can you showcase the vibe of the game here and what players should expect? If not, show off another portion.
How long should I work on my demo? Before, I said 3-4 months. That can be true, that can also not be true. Think about how long the demo takes you in proportion to how long the actual game should take you. Don't put too much effort. The demo is to showcase the vibe. It's to see how much the public and fans may enjoy the game.
My game is 18+, what should I do? Make a splash screen when the game is downloaded to let players know your game is 18+. If it's going to contain sexual content, you can hide it with itch.io's adult content filter. Write it on the page itself that your game is for adults only. Don't put your demo behind a paywall. This is genuinely ridiculous. The purpose of a demo is to showcase what a game is like before a player purchases it. That defeats the point of a demo. I've seen this happen, and it discourages players from approaching, especially because most demos never make it past the demo phase. So...I'm paying you $10 for 2-3k words of a game that may never come out?
Should I make a social media for my game? YES! Go for it. These anchors are how people will find your game. Make a Tumblr and open that ask box. Make a Twitter. Go to BluSky. Advertising is not bad. Some YouTubers even take e-mail suggestions from developers. Feel free to shoot your shot. The worst they can do is not respond.
HOW TO SET UP YOUR ITCH.IO PAGE:
Getting your itch.io to a presentable state can be very challenging! There's many ways to do it. I highly recommend using this page image guide for learning how to size your images to make your page pop!
Itch.io themselves has suggested to not publish a page until the game or demo is released. You can make the page and keep it as a draft, but do not publish it until you're ready!
Your cover image is the image that will appear in the search of the website, on any front pages, in collections, and on your profile. What have I seen that works? Key art of one of the characters up close and the title of the game! If you can make it a .GIF, do it! Bitches love .GIFs!
Itch.io recommends 3-5 screenshots on your page. I recommend 1 of these 5 be a .GIF that shows how gameplay feels. This is effective, even for visual novels!
Write a 3-5 sentence summary about your game for the description. What is your story about? What is the draw?
DO NOT BE ONE OF THOSE PEOPLE WHO IS GOING TO SAY "This is not like other visual novels. It doesn't have that cheesy this or that or-" No one cares. Genuinely. You're putting down other games in your genre and elevating yourself to the pompous level.
TAG YOUR GAME! itch.io gives you a list of tags to choose from when you go to tag. DON'T USE THIS! Try to go for more specific tags. Arimia has a very good guide on how to use itch.io's tagging system to your advantage.
GENERAL GAME MAKING ADVICE
SCOPE KNIFE IS SUPER USEFUL! Everyone makes games that are way over their workload. It's okay to cut out features and add them later. Prioritize making a finished game before hitting those stretch goals.
PLAN, PLAN, PLAN! Writing outlines is super helpful. I use Twine for my outlines, because you can connect your passages together and make really well-thought webs.
IT'S OKAY TO ASK FOR HELP! Whether it's from friends, professionals, or anything in-between. They can help with assets, editing, etc.
HONE YOUR SKILLS OUTSIDE OF GAMES! Write some poetry. Do some sketches everyday. Improve on your craft to improve your games
MUSIC IS HARD. THERE ARE RESOURCES. Most of us aren't musicians. That's okay. Make sure the music you get for your game is allowed to be used. You can use anything non-commercial if your game will not cost money or donations. I try to do songs in the public domain or free to use overall with credit if I don't have a musician. Consult the Creative Commons website if you're unsure how you're supposed to use a certain piece of music. If you don't use the right stuff, not only can it put you in legal trouble, but it can put streamers in hot water if they play your game and they can't upload the video because music is copyrighted.
PLEASE, DO SOMETHING ABOUT YOUR UI. Wanna know an easy way to get your game to look more professional? Edit the damn UI for your game. Make a new textbox, even if it's just a black box. Change the font. Eventually, players recognize the defaults and patterns of games made in certain engines and may attribute a lack of UI changes to a developer being lazy. It doesn't take very long to change the colors around and move text! Please do it to add a little pop to your game.
DEADLINES ARE AWESOME. Not everyone works well under pressure, but if you give yourself an infinite amount of time to make something, it'll never get done. Set goals for yourself for how much you can work on something.
IF YOU HAVE TO GIVE UP, GIVE UP. Making things is hard, especially long-term. Emergencies happen, jobs happen, life happens. Let your fans know that a project isn't happening anymore. Don't leave them in the dark. You don't need to tell strangers your medical history or anything, but transparency + honesty are really hot traits. You should use those in your creative work. This is one reason why I advocate for not publishing or advertising things until you know it's stable.
SHOWCASING YOUR CONTENT
People love to see WIPs for games! This is what the devlog is good for! A devlog is a post where a developer talks about and showcases some things happening in the game? What can you add to your dev log?
PERCENTAGES! How much of the artwork is done? How much of this character's route is done?
SNEAK PEEKS AT ARTWORK AND SPRITES!
GIFS! GIRLS LOVE GIFS!
Anything else to showcase your game's content! Posting consistent updates retains and even gains a fan's attention for your work.
RUNNING YOUR TUMBLR
You've joined us, and you've made a Tumblr for your blog! Link it on the itch.io page, so people can come find you after playing your awesome demo!
Do I have to respond to every ask? No. It's your blog. Delete whatever asks you want.
I got a hate comment! What do I do? Delete it and move on. I have a more detailed section on hate below.
I want to interact with [blog]! How do I do that? Reach out to the devs for silly little collabs. If you come onto a developer slightly headstrong, they might feel you are being abrasive or using them for content.
If people make fan content, interact with it! Encourage it! Reblog it. Show your love.
OTHER IMPORTANT THINGS
PROFESSIONALISM IS KEY. These may be pet projects, but you want to appear some level of professional on your actual itch.io page.
Being dismissive of player and fan complaints or criticisms will make you appear childish.
If your game is broken, fix it. I have been told by some amateur developers to ignore game-breaking bugs. It does not make me, a player, want to engage with your content. It seems messy and unfinished.
With the above point, it's 100% okay to have bugs and errors upon release. Every developer and their brood mother has. To decrease these issues, get playtesters. Friends can play your games, spot any errors, and help you point out things that can be improved upon. I recommend having playtesters at every stage of development.
Make sure your game runs before you publish it. Please.
You can still be silly and giddy! There's no reason to not be, especially when you get positive comments! The point of this is to not be outright rude to potential players and fans.
IGNORE HATE COMMENTS. In this case, a hate comment is a statement that contains no constructive criticism and are only here to be insulting or malicious. People are going to leave you with actual piles of dog shit in your ask box. They are trying to provoke you. Giving hate comments any attention, even if you're there to "clap back" proves that they got to you, even if you don't take the hate to heart. They will continue to pester you. Delete any hate comments and ignore them completely. Laugh about them with friends in a private setting, sure.
THINK BEFORE YOU REFERENCE! I know one big thing in this community is adding references to other games in yours, such as plushies of other characters or putting them on posters. The best thing you can do it ask the developer before adding this. How would you feel if some random person you've never met put your character in a video game? Most of us would feel weird and potentially violated. Open communication with devs is awesome. I am usually okay with it as long as someone asks for permission.
As a complete aside, I prefer more tasteful references to other games as opposed to 523482346 plushies and posters. These have been slightly overdone. Why not theme a candy after another game's character? Maybe your characters know each other.
OTHER RESOURCES I RECOMMEND
Devtalk is a server dedicated to independent visual novel creators. You can find jobs, resources, advice, talks, and, like, everything there! Devtalk is super useful. Everyone in there is so cool. They have a really great and comprehensive list of resources that I could not even begin to cover.
Visual Novel Design is a great YouTuber. No other words, check the guy out!
Ren'py and whatever other engine you're using has documentation that's super useful to follow.
Arimia not only has amazing VN resources, especially for marketing, but she also just has? Amazing games that you should check out?
And for a shameless self plug, I'm the lead of Sacred Veins, a collective of devs creating narrative games, whether it be horror, humor, romance, or everything in-between. Come hang out with us!
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amerricanartwork · 2 months
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RW Headcanon: "Pebbsie Privilege"
Here’s a headcanon I’ve had in the works for a while, and now I finally want to share it! It's shorter than some of my others, but I hope you'll still find it amusing!
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So firstly (and I plan to expand on this more later) I headcanon Five Pebbles is someone who cares a lot about his appearance, though not in a prissy or snooty sense and more in a “likes being the smartest and most sophisticated one in the room” sense. That means, more so than the average person, he generally doesn’t like being teased, ignored, belittled, condescended to, or otherwise disrespected, and very understandably so if you ask me! But it also means there exists a very special ability when it comes to interacting with Five Pebbles that almost no characters have. 
It’s no more than the ability of someone to refer to Five Pebbles as “Pebbsie” while he’s in earshot without getting death-glares from him. Looks to the Moon, who first started using it, affectionately calls this ability “Pebbsie privilege”, and she ends up being one of the only characters who has it (besides Innocence, who in my portrayals eventually gets it too). Though even so, Pebbles originally got rather flustered when she called him that alone, much less in front of others, considering it's definitely a very cutesy nickname. In fact, poor Pebbles really didn’t like being called “Pebbsie” because one of his least favorite ways of being treated is like a child (which includes being thought of as "cute" in any way). This unfortunately happens to him a lot though since he’s part of the newest iterator generation and tends to have lots of uncommon ideas rarely taken seriously by the older models, and this treatment only amplified as he grew more stubborn and arrogant. 
To elaborate on the origin, Moon developed the nickname pretty much on an impulse — quite a rare thing for her to act on actually — of wanting to hearken more to her role as “Big Sis Moon” and show love to her little brother. Soon after she started using it though Pebbles would pull her into private chats and urge her to drop it to save his dignity. Not wanting to hurt her brother in any way, it didn’t take long before she apologized and stopped using it, and basically got her "Pebbsie privilege" revoked. In the current time she secretly still likes calling him that in her mind, but knowing how much he dislikes it she always feels pretty guilty afterwards, despite them being no more than thoughts at that point. While not a major issue in-and-of itself, this situation was actually a small step in worsening a long-time fear Moon has, though that’s a headcanon for another day…
On a (marginally) more positive note however, after Moon’s collapse and the worsening of Five Pebbles’s rot, along with him generally reminiscing about the things he used to have (as part of yet more character headcanons I’ll elaborate on some other time), he actually began to grow fond of the nickname more and more. Yet he also couldn’t also shake the growing heartache the memories brang, as he came to see it as a reminder of his sister’s never-ending love for him and the better times he now regretted taking for granted and trying so hard to escape. While I headcanon he handles it differently in Downpour’s canon, in the worm-off-the-string AU story I’ve got so far, Moon slowly regaining her “Pebbsie privilege” and Pebbles appreciating it and no longer taking it so seriously (though he still forbids its usage in public) could serve as a small, yet sweet indicator of character growth for both of them.
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Aaaand another RW headcanon done! I wanna mention, though, now that I’ve got more of an idea for the aforementioned AU I really want to start posting more of my headcanons for the Local Group, since the character interactions, histories, and ultimate character growth is perhaps one of the most important elements of that story so far. I’ve spent at least a couple weeks creating almost 40 pages worth of character notes, and while this particular one started out as just a little side-headcanon, I ended up tying it into all of that. Hopefully I can start sharing the main parts of these headcanons soon!
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Is it Possible for an Idea to be Beyond Your Skill Level?
                I think writing as a skill is often underappreciated. In that, I mean I think even writers hold ourselves to a standard that no other creator does. Out of all the skills or hobbies, it’s probably one of the least physical ones, which is often seen as the “benchmark” for skill, or the limiting factor in someone improving something.
                For example, musicians get more nimble and can reach their notes quicker and more accurately, allowing them to play more difficult pieces. Athletes get stronger and gain in endurance, allowing them to score more goals or otherwise go farther in the season with their team.
                I see writers all the time who believe they should be able to do anything because they don’t have that physical benchmark to limit how far they can go, and then the draft doesn’t come out how they wanted it to, and they get discouraged.
                Here’s my take, writing as a skill is just like any other. It needs practice. It’s not something you’re either born with or not, it needs to be developed and strengthened.
                With that in mind—I promise your idea isn’t beyond you. No one is ever going to finish a perfect draft on their first try—that’s never how anything works, and it has nothing to do with how “talented” you are.
                Rewrite the scene until it’s capturing what you want it to. Rework that character until they are who you need them to be. Edit until your motifs are coming through. It’s all practice, every draft is another practice towards nailing the end product. Do you think artists nail drawing hands on their first try? What about on their tenth try?
                So why are you holding yourself to this idea that it’s taking too many drafts to perfect?
                It’s okay to keep trying. If you’re really struggling with realizing a concept, take it out of its context. Write the character you want to see in different situations separate from your project. Read how others have done something similar, take notes. Gather sources and inspiration for what you want to do. Reach out to other writer friends for advice.
                Overall, don’t not write because you think it’s beyond you. With a little bit of work and practice, there’s no story you can’t finish.
                Good luck!
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tamayula-hl · 8 months
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I have illustrated many Dad!Ominis, but as I have not yet published my headcanon on DadOmi, I would like to explain it in drawing and text because I am not good at English😳
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In my headcanon, Ominis discussed this with his girlfriend, MC, while he was still at school, and they chose to drop the Gaunt name and elope together. The pair jumped ship on a steamer to the USA soon after graduation. As you know, the Gaunt family has ties to the USA, as the mother of the founder of the Ilvermorny School of Witchcraft and Wizardry in the USA was born a Gaunt, and there is a Slytherin wand buried in the garden of that school.
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(This is an illustration of that scene that I posted on Twitter in May, but there are lots of things I want to correct 😂)
They then started a new life together in the USA, where Ominis was lucky enough to get a job as an employee at MACUSA, which had just moved to New York and was short-staffed. (I have no idea of the details of how Ominis, under a pseudonym that presumably hides his Gaunt family origins, was hired as a permanent employee, and whether his obvious posh English could hide his identity in the US. Never mind the details!🤣)
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And secondly, how Ominis became a father in the place where he eloped. In my personal opinion, he would surely be reluctant to leave offspring, even if he became a couple with the woman he loved. A witch named Rionach Steward, daughter of the founder of Ilvermorny School, has become so thick with Gaunt blood that she is rumoured to be a Parselmouth. She remained celibate for the rest of her life in order not to leave her cursed blood to future generations. Ominis is very serious and thoughtful and, like Rionach, would not want to leave the Gaunt blood flowing in his body to future generations.
Where Rionach and Ominis differ, however, is that he is a man. If Ominis were heterosexual and had a healthy body, it would be difficult for him to completely abstain from sexual desire for women. (As an aside, I think this dichotomy is the spice that makes Ominis' smut more attractive.)
Two young, loving people who are financially strapped and starved for entertainment are sure to indulge their carnal desires. Soon, they find out that MC is pregnant.
In other words, in my headcanon, ominis become fathers for the pathetic reason of contraceptive failure. I guess there are two sides to this, but of course I am convinced that Ominis is not the kind of irresponsible man who would run away from an unwanted pregnancy. Ominis will be very bewildered, but he will be cheerful in front of his pregnant wife and will support her with dedication, as in the manga and illustrations I posted the other day! During MC's pregnancy, Ominis will be repeatedly struck with anxiety, but as he sees his wife's belly growing bigger day by day, he will gradually develop paternal feelings for her. And after the birth of his first child, when he holds his baby for the first time, Ominis will be moved by the preciousness of the creature in his arms and the weight of life, and he will awaken as the best dad…!
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I hope that Ominis, who became a father after unexpected events in his elopement, lives happily ever after, chewing on how precious a healthy family is😍.
Of course, it's all my headcanon, so I like different people's different ideas about Ominis' future! Anyway, I am happy as long as I see Ominis living a long and happy life..!
Thank you for reading my long story 🫶🫶🫶
A Japanese translation of the text is placed in undercut. (ほぼTwitterで書き散らかしていた妄想をまとめたものです。画像内の文章を和訳する元気はありませんでしたすみません…😂)
(機械翻訳にブチ込む用に書いた文章なので、ちょっと変ですがご容赦ください🙏)
私の脳内設定(headcanon)では、オミニスは在学中にガールフレンドであるMCと話し合って、Gauntの名を捨て、二人で駆け落ちすることを選びました。 二人は卒業してすぐにアメリカ行きの蒸気船に飛び乗りました。
その後二人はアメリカで新生活を始め、ニューヨークに移転したばかりで人手不足のMACUSAでオミニスは運良く職員としての仕事を手に入れました。 (おそらくGaunt家出身であることを隠している偽名のオミニスがどのように正社員として採用されたか、また、明らかなposh Englishを話す彼がアメリカで素性を隠しきれるかどうかについては、私は細かいことは全く考えていません。こまけえこたぁいいんだよ!)
ご存知の通り、アメリカのIlvermorny School of Witchcraft and Wizardryの創始者の母はゴーント家の生まれで、その学校の庭にはスリザリンの杖が埋まっているなど、Gaunt家とアメリカには縁があります
そして次に、駆け落ち先でオミニスがどのようにして父親になっていったかです。 私の個人的な意見ですが、彼はきっと愛する女性と夫婦になっても、子孫を残すことを嫌がるでしょう。 Ilvermorny Schoolの創設者の娘のRionach Stewardという魔女はParselmouthという噂があるほどGauntの血を濃く継いでしまいました。彼女は呪われた血を後世に残さないために生涯独身を貫いた。 オミニスはとても真面目で思慮深い性格なので、Rionachと同じように、彼の身体の中に流れるGauntの血を後世に残したくないと思うでしょう。
しかしRionachとオミニスが違うところは、彼が男性ということです。 Ominisが異性愛者で健康的な身体を持っていれば、女性に対する性欲を完全に断つというのは困難でしょう。 (余談ですが、この二律背反こそ、オミニスのsmutをより魅力的にさせるスパイスだと私は思います)
金銭的な余裕もなく娯楽に飢えた、若い愛し合う二人は、きっと肉欲に溺れるはずです。 そして間もなく、MCの妊娠が判明するのです。
つまり私のheadcanonでは、オミニスは避妊失敗という情けない理由で父親になります。 これについては賛否両論かと思いますが、もちろん、オミニスは望まぬ妊娠から逃げ出すような無責任な男ではないと私は確信しています。 オミニスは非常に困惑しながらも、妊娠中の妻の前では明るく振舞い、先日投稿したmangaやイラストのように献身的に彼女をサポートするでしょう! MCの妊娠期間中、オミニスは何度も不安に襲われるでしょうが、日に日に大きくなる妻のお腹を見ていくうちに少しずつ父性が芽生える。 そして第一子が誕生後、初めて赤ちゃんを抱いた時に、オミニスは腕の中にある生き物の尊さと命の重みに感動し、最高のパパとして覚醒するのです…!!
駆け落ち先の予想外の出来事から父親になったOminisが、健全な家族がどれほど尊いものかを噛み締めて幸せに生きていてくれればと思います😍
もちろん、全て私のheadcanonなので、オミニスの将来については、色んな人の色んな考えも好きです! とにかく私は、幸せに長生きしているオミニスが見れればそれで幸せなのです…!
長い文を読んでくれてありがとうございました🫶🫶🫶
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certifiablyinsanez · 1 month
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Today, I want to talk about Charles and what is likely his own struggle with suppression and denial. Now I know I’m not the only one rooting for Charles and Edwin (Chedwin???), but I will put a disclaimer here that I will be pleased with whatever route their relationship takes. Because not every tale of unrequited queer love ends with a happily ever after, and the confession and the response from both Charles and Edwin was so beautiful and graceful that I can’t even be mad about it. So with that said, let’s talk about it.
Edwin and his case of suppressing his queer identity is blatant. He’s from the prim and proper era where queerness is so taboo that Edwin doesn’t even say “I’m not gay” but rather, “he is a boy and I’m a boy.” He’s likely spent all his existence not even knowing queer terms, but only that such things were unspoken and unacceptable. That it’s not even possible. However, he’s easily clockable and always has been. He is prissy and “unmanly” and is the spitting image of repression.
With that in mind, it makes it easy to overlook Charles. Who is a lot more modern compared to Edwin and less innocent (the handjob debacle), but we have to remember that he’s still pretty far removed from modern times. His story speaks to me in a way different from Edwin because in Edwin’s times, you simply did not speak of it. Charles is from the times of the front for gay liberation and the AIDS crisis (forgive me for not knowing much UK queer history), the point being that it was no longer hiding. But that means that it would be actively persecuted and snuffed out instead of swept under the rug. He’s an 80’s punk. You can’t tell me he doesn’t know anything.
His father reminds me of my own Uncle, who had three sons and thought a heavy hand was the best way to raise them. Now, all three of them are addicts in their 30’s with little accomplishments, but the story of my cousin is a sad one. His childhood could be summed up as a failure to “beat the gay” out of someone. I’d imagine Charles’ father would be quite similar. As of right now, we don’t have full reasons why Charles’ dad would beat his son so severely.
But aside from the idea that Charles would have had any gay beaten out of him, Charles was likely too caught up in his own survival to even consider the complexities of things like sexual orientation. It likely never crossed his mind. And it’s likely a sign of the times he was in, because while the 80’s are closer to now than the 1910’s, they still are far off in a progressive sense.
I’m curious to see the development of Charles in the next season, to see how he navigates these complexities, if at all.
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yumeka-sxf · 2 months
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I try to stay away from negative topics, but after hearing talk on social media yesterday and seeing this post from @such-a-downer, I just had to give my two cents about the complaints regarding yesterday's chapter being "another short mission" and that Endo is somehow being "lazy" or whatever.
I honestly don't understand this mentality of criticizing manga-ka, or any artists really, because they aren't delivering by whatever standards you personally think are appropriate. To me, it just seems like entitlement because Endo has no obligation to cater to any specific fan's wants. This is his story to tell the way he wants, and his characters to develop at the pace he deems fit. This isn't a business contract where we're paying him to deliver content we want every two weeks without fail. If I'm consuming the fruits of someone's creative labor for free, I certainly feel no right to complain if sometimes their content isn't what I wanted or expected. I'm fine with that because 1) I know it's what they (the creator) wanted/needed at the time, and 2) even if a particular chapter wasn't my cup of tea, I know other fellow fans out there somewhere are enjoying the heck out of it, and that's cool!
We also have to remember that SxF is basically a one-man show. If Endo is busy or sick or whatever, it's not like he can have someone fill in for him to write and draw the series. That's what a hiatus is for, that's what making a short chapter instead of a longer one is for...that's how artists should be treated so they don't get burned out and stressed. Plus, art shouldn't be rushed. Any artist knows that there are times when you have trouble coming up with ideas and maybe need a little extra time to develop a more complex section of the story. To immediately jump to conclusions that he's lazy or doesn't know what he's doing is ridiculous. Maybe he didn't feel good for a few days, maybe he's been busy with other SxF events, maybe he just needed more time to get a particular future arc developed, or maybe he just has basic IRL obligations to take care of like we all do...you don't know what's going on in his life, so don't make assumptions.
Another thing to keep in mind is that it's literally impossible to please every fan. One of the comments I read for example, someone was ready to drop the series because we haven't seen much of Yor in "a while." All I could think of was "didn't she just have a pretty big role only four chapters ago when they went to the ski resort?" Plus she was the star of chapter 91, which was less than ten chapters ago. So according to this person's standards, four chapters without seeing a particular character is "too long"? What if it was only three chapters, would that be acceptable? It's not right to push our own personal standards of a series' pacing as the "correct" way: some people want to see more of character X while someone else wants to see more of subplot Y, so should both complain that the manga-ka isn't doing right whenever they focus on something else? I'm not saying you shouldn't make criticisms of a manga-ka's work, but the criticisms should come from within the narrative itself, not superficial things like chapters focusing on subplots/characters you don't want to see or not having enough "plot-advancing" content when it's not a plot-focused series.
People who have read SxF up to this point should know the general flow of the chapters: mostly slice-of-life episodic, with more plot-heavy, intense arcs once in a while, like the cruise arc and bus arc. It's an ensemble series that spends most of its chapters focused on at least one of the Forgers, but occasionally other characters here and there. That's how the series has been for years and will likely continue to be. So if you keep complaining because you only like the dramatic story arcs and not the "nothing happens" episodic chapters, then maybe the series just isn't for you. It's totally fine if that's the case, but don't act like Endo is doing something wrong because he's not providing the particular thing you want in his story.
To summarize, Endo has no obligation to cater to particular fans' standards, just as we have no obligation to keep reading his work if we don't like it. But being a fan to me means respecting the creator's pace and vision even if it's not always what I personally want. I can find something to enjoy in every chapter because I'm a fan of SxF, not a fan of one particular aspect of it. But I also will not complain every time my tastes aren't being catered to and will simply occupy myself with other things while I wait. What's the big hurry, after all? I'm in no rush for SxF to wrap up its plot and I'm glad Endo isn't rushing either.
And that's all I'm gonna say about this topic, lol. On a happier note, I'm going to finally see Code White on Thursday! 😁 More to come later~
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levshany · 5 months
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how do I put this. Even those who actually track our blogs and are interested in our Aus can get a little confused about what's going on here. but I'll try to explain anyway
we already mentioned the crossover between Anarchists and Tandem and even DRAWED them once, back when Tandem was in development (and by the way, this crossover is canonical for both AUs). Now this story has been continued >:D
Here's some context: It so happened that the Colibri wanted to see what alternative timelines looked like and ran into the king and the jester. Phil was delighted with Colibri and wanted to flirt with them. Jester Collie was categorically against it. so he immediately possessed Phill and tried to fight Tandem. he didn’t succeed because his fusion with Phil is extremely unstable. and here we are
Initially, @angstyhikka and I just drew these three pages, but then @lasymit supported the idea and made a drabble which she allowed me to add to the post :3
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"Let go, bitch! I'm not done with you yet!"
The savage creature desperately squirmed in Philip’s hands. It grabbed onto him, trying to either break free or, on the contrary, rush closer, glaring furiously and baring its shark teeth.
He held the clumsy, collapsing fusion at arm's length and looked at it with slight disgust. His tandem with the Collector was a strange but harmonious union. And what was writhing in front of them right now was the direct antipode of the word harmony.
“Well, I am,” he said distantly.
And with his other hand he grabbed the one sitting inside the demon’s body. Under the flesh soaked in titan blood, he felt a soft essence, like rubber or hot wax. The Collector from this universe felt completely different to the touch.
He stretched them, pulling them away from each other, disentangling them from each other. Paradoxically, bodies that should repel each other by the nature of their forces, like unipolar magnets, clung to each other very stubbornly. But Philip was still stronger with the power of the Collector in his hands, power which he clearly used better than the local... king of demons...
“Ouuuuch ouuuuch,” a boy in the robes of a jester, painted in red and black, shrank on the ground, wrapping his arms around his own chest.
He was not at all like his Collector. Philip had never seen his friend's material body before. But he knew he looked different. For some reason he knew this for sure.
"Who pulls a guy out like that!? Fuck!!", the now-green demon yelled nearby. And he clutched his head painfully.
What Idiots. They vomited three times while chasing him. Philip did them a favor by stopping this outrage.
Now these two were lying helplessly at his feet, groaning and gasping, trying to catch their breath and come to their senses. Now they are separated.
"What were you trying to achieve?" His question was almost rhetorical.
"It wasn’t me, it was all him!" like a child, pointing a sharp, protruding finger towards the Collector, the demon yelled. "I didn’t want to fight at all!"—here he gazed up at Philip with some strange look and batted his eyelashes expressively—"I wanted something else– something more interesting."
"Ohh fuck off, Maggie! You traitor!" came the shout from the red Collector. Philip silently decided to call him the Jester and the demon, by analogy, the King. Philip had already guessed his name. But he couldn’t bring himself to call this savage by that name. Not even in his mind. 
He ignored the King's vague attempts to take a tempting pose while still lying on the ground and grinding his teeth from the headache. He turned to the Jester.
"So you're in charge?"
Judging by King's behavior, it would indeed be reckless to put him in charge. But, having always been the decision-maker when paired with the Collector, by right of being the adult, Philip is accustomed to his friend almost never taking the leading role unless circumstances require it. Like a couple of years ago...
“Nuh-uh,” the Jester raised himself up on his elbow and rubbed his chest, inhaling deeply, greedily. "We're bros! Equal rights and stuff."
And he twirled his funny yellow gloved hand in the air.
Something in the Jester’s words pricked Philip. He didn't fully understand what exactly.. Until the King said, in a dramatic whisper:
"I no longer have a brother. You’re dead to me!"
And Philip stood there, trying to remember that the air was not hard, dense lumps, that it did not clog in the throat and did not press in the chest with a dull phantom pain. Meanwhile these two idiots, after a couple moments of aggressive looks, laughed out loud.
“Yes, I would strangle such a brother,” the King squeezed out, wheezing and squinting through laughter, “with my own-"
And he bent over, swallowing the end of the sentence with a cough as the toe of a boot hit him in the stomach.
"Philip! Philip... They've had enough... He doesn't know what he's talking about."
Philip's cheek twitched.
"Ouch... bro, save me!" the King squeaked hoarsely.
And this completely infuriated Philip. He swung his foot again, this time at the face. But he was met by an elastic wall. And the ground under Colibri’s feet, along with all the space, suddenly curved.
If it weren't for years with the Collector in his head, he wouldn't have realized what happened. But now he clearly saw how a couple of dimensions were distorted, folding space into a loop. He suddenly found himself not between the King and the Jester, but at a considerable distance. And these two were already close together. The boy helped his “brother” get up from the ground; King was now leaning on Jester’s shoulders, clutching his stomach. Perhaps Philip miscalculated his strength a little. This happens sometimes... Especially when it comes to emotions.
“Hey! Hitting people who are down is against the rules,” the Jester frowned. "Give us a timeout!"
Philip felt his jaw tighten. How the nodules rolled across his face. But the flaring rage, as it often happened to him, went away as easily as it filled the air in his chest, leaving reddish streaks before his eyes and pulsating power in his fingertips.
“Get out of the way,” he let his hands glow slightly.
"Ohhhh, what about a last kiss, star boy?" the King whined, clinging to the Jester and trying to straighten up next to him, as if hoping to reach Philip from a distance of ten steps and still get the coveted—
A kiss? Seriously, what the hell? Philip directed a confused, irritated look that bore all these unspoken questions at the Jester. He awkwardly shrugged his sharp shoulders, caught in the King’s grip.
"Don’t be mad... Philip, right? Don't be mad at him, Philip. His Majesty has a reason to be an idiot. And he didn’t mean it out of malice about the ‘brother’ thing.”
Philip looked at the Jester more carefully. The collector in his head was silent. But Philip sensed something from him. Philip also noticed the King’s uncomprehending expression.
“What’s wrong with ‘brother’?” The King sounded surprised.
And then Philip understood. And his face froze.
Yes... yes, what need is there to remember such things? He himself tried to forget for a long time... If he succeeded, would he be the same now as the king in front of him?
Looking at this wretched shell of a “King” who’d forgotten everything important about himself and the loyal “Jester” still standing steadily at his side, the Collector in Philip’s head began to sob. They both, it seems, had the same thought. It’s scary to look at the reflection of a future that never happened.
The jester smiled at him guiltily- at both of them. And then he confidently and widely showed about fifty teeth to his King.
"People don’t like such familiarity, you fool! You can’t just kiss someone the first time you meet."
"But it's okay to fight them when you first meet?" Philip was indignant...
Yes, it's Philip. He cannot refuse to call this man by his own name. Philip himself could one day become such a “king.”
------------------------------------
also @kenku97 helped us with translation and added this comment, I gotta show it to you ;v;
"I thought “The collector in his head sobbed” needed more context for people who aren’t as tightly wrapped up in these AUs as we all are. To understand why Collie’s crying, you need to point out how Tandem Collie sees himself in the Jester. They’re both caring for a Philip who is forgetting himself and the people closest to him. Jester is living out Tandem Collie’s worst fear: what will happen when Philip can’t remember anything anymore? What will become of their friendship? And it’s bittersweet because the King and the Jester are still friends, even though the Jester basically had to start over from the beginning. Jester Collie is quietly carrying all of those memories inside his heart of a friend who has basically disappeared while still learning about and loving the brand new person his friend has become. It’s so sweet and so sad.😭"
that's pretty much all for now It’s hard to return to drawing after the holidays. and this is not even a new art you see, but last year’s. therefore this comic cannot be considered the first work of this year sadly
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loving-barnes · 3 months
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LOGAN HOWLETT - NEED
A/N: CHAPTER TEN is here! I'm sorry it took me so long. I just had a lot on my plate. Enjoy!
Pairing: Logan Howlett x mutant female reader
Warning: I have decided to not give any warnings. Please remember this story is 18+.
Summary: Things move forward between Logan and Y/N.
Please, do not read if you are under 18. This story is suitable for mature audience. MINORS DNI!
Words: 4300+
Important note: Again, Logan is a tall MF, because they fucked up in the movies. Also, Hugh Jackman!Wolverine. This is set in AU.
A TOUCH OF HOPE MASTERLIST | Chapter Nine
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LOGAN HOWLETT - NEED
Jean stood next to a hospital bed, looking down at unconscious Y/N. She had a chart in her hands, checking the data she collected the past three days. Three days - that’s how long Y/N was out of the present. 
Logan didn’t want to leave her side once they removed the collar from his neck. The wounds immediately healed, and he became a new person. Jean managed to send Logan away. He insisted on staying by Y/N’s side until she’d open her eyes. Luckily, Jean persuaded him quickly. Even Storm wanted to remain by her side all the time. The friendship between her and Y/N blossomed fast. 
When Storm arrived with the rest of the team, she was horrified when she found Logan wounded and weak next to an unconscious body. There was a slight fear Logan wouldn’t be able to heal from the wounds. When Hank and Jean freed Logan from the collar, the healing happened quickly. No one would tell he was fighting for his life hours ago. 
Jean enjoyed the silence in the medical room. The only thing she heard was the beeping sound of a heart monitor. 
The door to the room opened. Charles wheeled in, followed by Hank, Logan and Storm. Before anyone could ask anything, Jean gave them an answer. “No change. She’s stable, well, but still out.” 
Charles was the first to approach the bed. His hands caressed Y/N’s exposed forearm, where he kept staring at the lightly radiating skin. It was fascinating. Charles didn’t have an exact answer for that. All they knew was that it had to do something with her mutation. 
“You said it happened before?” The question was for Logan. 
“Yes. It was the day we saved the boy and came back here. I noticed her eyes glowing.” 
Charles thought about it. “Mutations can evolve. It is one thing you get to master your powers and manipulate them. In some cases, more abilities can be developed. I think this could be the case. Y/N’s mutation is evolving. I believe ner powers will rise to the surface very soon.” 
“So, what? You will test her like a lab rat,” Logan scoffed, not fond of the idea. “Hadn’t she had enough of that?” 
“I’m not saying we will test on her. That will only happen if she’d want to,” Charles said. “We have to wait until she awakes. It can be minutes, hours, or even days. Her mind is locked. I can’t get inside, no matter how much I try.”
“You said she created a force field around the whole school,” Storm looked at Logan. “Her energy got drained to the last bit. No wonder she’s been out for three days now. She’s never done anything like that before. She could have died.” 
Jean approached the woman on the bed. She grabbed her hand, scanning the skin. “Why has this been happening for three days?” 
“I forgot to mention one thing,” Logan cleared his throat. He crossed his arms over his chest. It got everyone’s attention. “The leader of the Trask unit that came to school was Y/N’s mother.” 
“What?” they all said in unison. All eyes were on him.
Logan nodded. “After the accident with Y/N’s sister, her mother joined Trask Industries. She wanted revenge for her lost child. Turns out, she became a respected, high-ranked person there.” 
There was silence. The information about Y/N’s mother was shocking. “That is a plot twist,” Storm commented. 
“Y/N didn’t know about it, just to clarify,” Logan added strictly. 
“She had her eyes on me since I escaped the lab in Salem,” said Y/N’s voice from the bed. 
They all turned to the voice. Logan was the first by her side, staring at her face. Her eyes were open a crack. She was getting used to the light. Y/N blinked a few times before her eyes moved to look at Logan. He saw that her irises were glowing like the colours of the force field - silvery and blue. When she blinked again a few times, they turned back to normal. 
“JJ was a trap,” she continued. “It gave away my location.  Because of me, the children were in danger. Everything that happened was my fault.” 
“No,” Storm walked to her from the other side. She grabbed Y/N’s hand. “You couldn’t know that would happen. All you wanted was to save the boy. And you did it. How could you know it was a trap? Also, you protected the whole school. The building is standing still because of you.” 
A yawn escaped Y/N’s lips. “Is everyone okay?” 
“Yes,” Jean nodded. She had a gentle smile on her face. “They are all back in school. Colossus took them away just in time. The building is standing, and it is all thanks to you.” 
“Good,” Y/N closed her eyes. “I’m glad no one got hurt.” 
Charles opened his mouth, ready to ask a question. Quickly, he shut it, dismissing what he wanted to ask. “We’ll talk later. Rest,” he suggested. 
As they walked away, Y/N opened her eyes and found Logan staring at her. His face was filled with worry. She winked at him. It was a sign to stay. Everyone left while he remained by her bed. The door closed. They were officially alone. 
Slowly, she pushed her body up until she was sitting. She stretched her arms. Logan got closer to the bed. Her eyes traced over his body. She realised he wore a simple black T-shirt that perfectly showed his muscles. Her mouth opened, almost dropping down on her lap. Damn. There was an urge to touch his stomach, to feel the abs underneath her touch. She clenched the bedsheet tightly.
“How are you feeling?” Logan’s voice brought her back to reality. 
Y/N gulped. “Tired,” she replied. “It might be because I’ve been out for… how long?” 
“Three days.” 
“That long? Shit,” she shook her head in disbelief. Y/N moved her body. She sat at the edge of the bed, legs hanging in the air. “How are you? What did I miss?” 
“A stamp of approval from Scott,” Logan laughed when he said that. “And I’m fine.”
Y/N’s mouth dropped. “Wow, I was expecting everything but that. Wait ‘til he hears about my mother being a part of Trask Industries. He will hate my guts once again. If not more.” 
Logan’s eyes took in every detail of Y/N’s face. She had an amused smile on her face. Her eyes were shining with her natural colour. Her hair was all messy and tangled. And yet, she was the perfect thing he ever saw. Logan couldn’t believe he was able to kiss her that night. That dammed night when they were attacked. 
He couldn’t tear his eyes away from her. Y/N noticed it. She took a deep breath, trying to prepare herself for what was about to come. She could feel it in the air. It got thicker and heavier with lust and something beautiful. She didn’t have the time to whisper his name. Logan’s lips found hers in a feverish kiss. One hand grabbed her by the neck to pull her body as close to his as possible. He had to lean down to reach for her lips. 
Y/N’s left hand was feeling the hard abs on his abdomen. The other hand pressed against his cheek. She could feel the beard scratching the skin of her palm. How come he was so hot with that mutton chops beard? He could pull it off.
Logan broke the kiss. He sighed, annoyed. Y/N raised a brow. It was a silent question. She wanted to know why he stopped. “You’ll have a visitor in a few seconds.” 
“Ah,” she chuckled. Y/N found it amusing. Logan was visibly unhappy someone had to interrupt them again. On the other hand, she admired his advanced hearing. No one needed to know something was happening between them. It was too soon to show. The first thing they needed to do was to talk about it and define what this thing was between them.
As he stepped back, the door opened. Kitty walked in with Jerome by her side. Y/N’s eyes lit up when she saw him. “Hi, JJ!” A smile spread across her face. 
“He wanted to see you,” Kitty said when they approached the bed. “He heard us when we talked in the hallway. I hope that’s okay.”
“Of course it is,” Y/N nodded quickly. Her eyes trailed to Logan. He had his arms crossed over his chest, glaring at the child. Y/N wanted to laugh at him. It was funny he was jealous of a kid. When JJ sat on the bed next to her, she patted his head.
“Are you feeling okay?” JJ asked her. “I’ve heard what happened. Everyone knows what happened. You saved the school!” 
Y/N blinked a few times. She didn’t know what to say to that. “Yeah, she did,” Logan stepped in. “She got to warn us before the attackers came.”
“That’s badass,” Jerome said excitedly. “How did you know about it? Do you have a new mutation? My friends asked about you,” he kept talking fast. “You are like a celebrity among the students. You are a hero,” he explained. 
“Oh,” Y/N was not pleased with that information. She didn’t want to be a hero. “There are better heroes out there. Look at Professor Xavier or Storm, Kitty… they are the real heroes here. I just did what was necessary.”
“I wish I could see it,” JJ sighed, upset that he wasn’t there. Colossus took him and the children to a safe place before the soldiers marched in. 
“I’m glad you managed to get to a safe place with Colossus,” Y/N dishevelled his hair. 
“How are you feeling, Y/N?” Kitty used the silence to ask her. 
“Tired,” she gave her the same answer as she had said to Logan. “Thanks for bringing JJ here. At least I know he’s well,” and she pressed a gentle kiss on top of the boy’s head. He slowly became the little brother she never had.
When Kitty took Jerome away, Logan was relieved to be alone with Y/N again. This time, he sat next to her on the bed. His hand found the back of her neck. He started to massage it. Y/N’s eyes closed. She almost purred. A moan escaped her mouth. Logan’s eyes widened at that sound, and he grinned. “That was a pretty sound. You should make more.” 
She glared at him. “Dirty mind.” 
When he stopped, he leaned closer. “Let me take you back to your room,” he whispered. He kept breathing in Y/N’s scent.
“Again, dirty mind,” she chuckled. 
Logan pressed a soft kiss on her forehead. “You are the one with a dirty mind. I didn’t mean it like that, princess.” 
Y/N watched as he got closer, wanting to kiss her again. She pressed an index finger to his lips, stopping him. “I need to do one more thing before we leave,” she said, staring into his eyes. She reached for one of his hands and brushed her fingers against his knuckles. “Scratch me with your claws.” 
Logan raised his brows, pushing away a little. “What?” 
“Please, do it,” she begged. “I need you to scratch me with them. You’ll see why.” 
“No,” he shook his head and pulled away from her. His eyes focused on the floor, frowning. “I’m not going to hurt you.” 
Y/N rolled her eyes. “You will not hurt me, I promise you. I need to see something. Either you will scratch me with a claw, or I will find a knife and do it myself.” 
He growled like a wolf. When Logan clenched a fist, one of the claws slowly came out under his skin. He then turned his body to her. Y/N prepared her forearm. Before he could change his mind, Logan cut into her skin, making her bleed. A second later, the wound lit up like the colours of her forcefield and started closing in front of their eyes. 
“Shit,” she mumbled. “I didn’t know I could do that. That’s new.” 
“Damn,” Logan sighed. “That explains why we didn’t find any bullet wounds on your body. There was blood but no gashes. You can heal.” 
“I can heal,” she nodded. Y/N buried her face into her hands, sighing loudly. “Holy shit, I can heal. That might explain why I could remain alive all these years in the labs. I know it happened when they attacked us. I remember being shot. I remember the pain. When I looked a few seconds later, the wound wasn’t there. I just needed to be sure that it wasn’t a hallucination.” 
Logan grabbed one of her hands and pressed a soft kiss on top of it. It was a sweet, loving gesture. “Come on, princess. I’ll take you to your room.” 
“Aw, such a gentleman,” she patted his beard-covered cheek playfully. “I should get wounded more. You’ll treat me like a princess every second of my life,” she teased. 
“Very funny.”
They left the lowest level underground. Logan kept her close to him but didn’t touch her. They kept some distance between them in case someone decided to appear out of nowhere. He kept an eye on her in case she would show any sign of weakness. 
The atmosphere changed when they arrived at the main level. The students were walking around the hallways, chatting. None of them were holding books. It meant only one thing - it was already afternoon. 
One by one, they turned their attention to Logan and Y/N. When they found their teachers walking down the hallway, they stopped talking. The attention was now on them. Fingers were being pointed at them, as well as whispers spreading around. 
“That’s her,” someone said. 
“She saved the school.” 
“They protected us.” 
“She teaches English.” 
“I want to be as cool as them.” 
“Miss Y/L/N can make forcefields.”
All Y/N could hear in her mind was freak, weirdo, murderer. You killed her! You killed my baby!
Y/N closed her eyes and stopped walking. The attention was unpleasant. Logan noticed her face. His hand found Y/N’s lower back. It was a gentle gesture. He pressed his fingers lightly against her. Logan kept watching her face. He could see how her breath quickened. “You okay?” he asked. 
Y/N gave him one gentle nod. When she opened her eyes, they started to travel around the place. They captured every single child that was staring at her. Their looks were different. The thoughts that were screaming inside her mind eased. They were barely whispers. Before, she’d feel like the biggest weirdo on the entire planet. Now, the feeling was different. She didn’t want to run away from it. Y/N was aware that she and Logan protected the whole school. 
Y/N continued to walk through the crowd of students. She headed to the stairs with Logan close behind. No one asked a thing. No one wanted to talk to her. Y/N appreciated it all. 
“The kids look up to ya,” Logan said when they climbed all the stairs to the third floor. They stopped in front of Y/N’s room. “They always do when someone becomes a hero,” he made a face. 
“I’m no hero,” she shrugged. It made her feel uncomfortable. “I only did what was necessary.” 
Logan sighed. “You sure you’ll be fine?” 
She leaned against the closed door and smiled. “Yes, I will. Thank you, my knight in shining armour. I shall give you flowers for your bravery,” she bowed to him a little, laughing. 
“Text me if you need me, and I’ll come to you, princess,” he winked at her.
Y/N walked into her room. She closed the door, sighing. Logan left without a kiss. Why was she so upset about it? Rolling her eyes, Y/N walked to the bathroom. She needed to shower the last three unconscious days and a fight where she came face to face with her mother.
. . .
It was ten in the evening. The whole school was silent. The students were in their rooms, already asleep. During school days, they all had to be in their dorms before nine. 
Y/N was inside her room the whole time. After a long hot shower, she changed into fresh clothes. She then fell asleep on her bed for a few hours. Her body was tired. It called for a nap. Now, she was sitting on the bed, finishing a French braid. Y/N could smell the coconut shampoo on her body. Her mind kept wandering to Logan, her mother and back. 
How is it that when something nice was happening, a shit from the past had to appear at the exact moment? Shaking her head, she tied the end of the braid with a rubber band. 
There was a knock on the door. Before Y/N could open her mouth, the door slowly opened. Logan walked in, frowning. When he noticed her sitting on the bed, his face softened.
“What’s with the face?” she asked, grinning. 
He closed the door behind him and approached the bed. “I was worried, okay?” 
Y/N kneeled on the bed, laughing. “Aw, that is so sweet. The big bad Wolverine was worried about me.” Her eyes watched as he took a seat next to her. “I’m sorry for giving you wrinkles. I fell asleep after the shower.” 
Logan huffed, nodding. And then, in a mere second, Logan grabbed her into his arms. One held her by the waist while the other was behind her neck. Their lips connected in a sloppy, passionate kiss. At this point, Y/N wasn’t even surprised by his sudden action. All she could do was think about him - his lips, his touch. Their tongues pressed together, mouths sliding hungrily. They got lost in their passion. 
“I was worried about you,” said Logan when their lips disconnected. “I was going crazy watching you unconscious on that damn bed,” he admitted. “I’d be really pissed if something happened to you.”
Her finger gently stroked the bridge of his nose. “When I saw you with that collar, powerless, I knew I had to do anything to protect you. You became a simple mortal human being. It wasn’t nice to see you all wounded and defeated. I was worried that…”
Logan’s brows raised. “What?” he asked softly. 
“We wouldn’t be able to start whatever it is between us,” she looked away. 
Logan sat on the bed and brought her onto his lap. His hands held her by the hips, gripping them tightly. Y/N wrapped her arms around his neck, pressing her breasts to his chest. “Oh, princess,” he sighed, staring into her eyes. They travelled to her lips. “Good thing we survived. We can now continue where we left off.”
Y/N felt the thrill rushing through her body. However, her face heated up. Suddenly, she was shy. Logan saw it all. One of his hands rested on her cheeks. “Don’t go shy on me now, sweetheart,” he chuckled. 
Y/N playfully rolled her eyes. “Well, the last time I had something with a guy was over five years ago,” she made a face. 
“We don’t have to…”
“But I want to,” she stopped him by pressing a finger to his lips. “I want to, Logan. I-” Her eyes scanned his green ones. There was something on her lips she wanted to say. It was too soon to confess. Y/N knew what she felt for him, but she didn’t allow herself to say it out loud. After she swallowed the truthful words, she said, “I want you.” 
The air changed in the room. With a gentle touch, Logan traced the curves of her body, feeling the tremble of excitement beneath his fingertips. As their lips met in a tender kiss, they both felt the rush of passion surge through them, melting away any lingering doubts or inhibitions. 
The first pieces of clothing were gone in mere seconds. Logan took off Y/N’s T-shirt, showing her exposed chest to his eyes. He licked his lips as his eyes observed her beautiful breasts. When Y/N took off Logan’s white tank top, her nails lightly scratched his chest, enjoying the feeling of him under her fingertips. Slowly, they undressed each other, savouring the unveiling of skin, each moment building the intensity of their connection.
Y/N expected that, at some point, Logan would become rougher and impatient. She was surprised when he took his time and didn’t rush things. His touches were gentle and loving as if she were a fragile doll that would break under his touch. 
“You smell so good, princess,” he growled. His mouth wrapped around her hardened nipple and sucked on it. He was rewarded with a moan. He sucked on it, circled it with a tongue. When he let it with a pop, Logan looked at her, grinning. “Next time, I will fuck ya like the naughty girl I know you are.” 
“Logan,” she whispered his name. 
He continued to lavish attention on her breasts. His mouth moved from one nipple to the other, alternating between bites and licks that sent shivers down her spine. He loved how she responded to his attention – it only fueled his passion further. 
The moans kept escaping Y/N’s lips after every touch, every stroke and lick. The sound of her moans and gasps filled the air, making Logan’s dick throb painfully.
He grabbed her by the waist and laid her down on the bed. He positioned himself between her legs. “What a beautiful view,” he commented, eyeing her naked upper body. 
Her hands reached for the big belt he wore. Y/N unfastened it, unbuttoned the jeans and pulled down the zipper. She realised he wasn’t wearing any underwear. Y/N’s brows raised up, and she grinned at him. She was met with his semi-hard length begging to be taken out of the jeans.“You like going commando?” 
“I was in a hurry,” he said, grinning. 
Y/N took him out, stroking him slowly from tip to base. She felt him twitch under her touch. He had a nice dick - perfect length, veiny, and he trimmed his pubic hair around his penis and balls.  She heard him moan and curse under his nose. 
“Fuck, baby girl,” his eyes rolled into the back of his head when she squeezed him harder. He stopped her movements.  Logan took her hand off his throbbing member. He brought the hand to his lips and pressed a gentle kiss to her knuckles. “I want to be inside of you.” 
Logan took off his jeans while his eyes remained on Y/N’s movements. He followed her hands - how they reached for the hem of her shorts. She took off the fabric with panties, and she exposed her pussy for his eyes to see. “Fuck,” he growled. 
Once they were both naked, Logan positioned himself at the entrance of her wet pussy, looking down at her face with a mix of determination and desire burning in his eyes. He ran his thumb along her clit, making her squirm. 
One last kiss before he positioned himself at her entrance and slowly pushed in. He watched Y/N’s reaction carefully, seeing the way her face contorted into a mixture of pleasure and anticipation. “Shit,” he cursed. “So tight.” 
He started to move slowly, allowing their bodies to become one. Logan didn’t want to hurt her. His eyes were locked with hers with every move he made. He wanted to take his time, to savour every moment of being inside her, feeling her surround him completely.
“Fuck,” she gasped. “Faster, Logan. Please.” 
Hearing her pleas, Logan's feral instincts kicked in, and he responded by increasing the pace of his thrusts, driving into her tight pussy with forceful strokes. He watched her breasts bounce with every snap of his hips. “You are so fucking pretty like this,” he praised her. 
Another loud moan escaped Y/N’s lips. Her arms wrapped around his neck as she pressed him closer to her body, pressing her lips against his in a feverish kiss. It was sloppy and dirty, all tongue and teeth. One of his hands sneaked between their bodies. His thumb found her clit, and he started to toy with it. 
Her walls clenched around his length. “Ah, fuck!” she gasped. “I’m so close.” 
“Good, baby girl,” he said hoarsely. “Don’t hold up and come for me, pretty girl.” 
He heard her cry out and felt her body tense as she approached climax. Logan increased the tempo of his movements even further, driving himself into her. He watched as Y/N reached her peak. Her eyes closed, walled gripped his cock tightly as waves of pleasure ran through her body. 
Logan’s release followed a few seconds later. At the last moment, he pulled out and spilt his seed over her lower belly, grunting. “Ah, fuck, fuck,” he cursed. 
Logan’s chest heaved with each laboured breath. The scent of sex and sweat filled the air around them as they lay there, spent and satisfied. Y/N turned her head to look at him. She watched as he breathed heavily. A smile appeared on her lips. 
“Damn,” she whispered. 
He turned his head, catching her eyes. Logan grinned at her. “That’s it?” he teased. 
“I am speechless. Isn’t that enough?” Y/N winked at him. She rolled to her side, snuggling her naked body to his. Her fingers absentmindedly started to stroke his chest, brushing through some of the hairs. 
Logan managed to capture her lips in a gentle kiss. “How are you feeling?” 
Her eyes locked with his. “Happy,” she replied simply. 
“How about one more round?” he suggested.
Y/N smacked his chest playfully. “Insatiable man.” 
He grabbed her hand and led it down his body to his hard length. Y/N wrapped her fingers around his cock. “What can I say. I can’t get enough of you.” 
She giggled. “Cheezy. Fine, one more round.” 
“This time, you will ride me, pretty girl.” 
315 notes · View notes
penkura · 29 days
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OP Men as Dads Part 2
Note: I chose to do another five OP men for this one!! My brain won't shut off about these men being dads, I'm losing it omg. I hope these are good, I kind of struggled a little but just wrote whatever came to mind. Maybe I can do a part three at some point with more of them! I have a small idea for Mihawk and Franky, but that's it so far. Anyway, I hope you guys enjoy! Sticking baby Ace for the image because I got nothing else lol.
Part One Here!
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Kid is a boy dad, I’m sorry he just is. I can’t see him with a daughter really, unless she’s the youngest and was a surprise. But anyway! He’d have three boys that were all three years apart, and all are exactly like him. You really do love your sons and husband, but how you wish at least one of your boys was calm. The four of them are always roughhousing to the point you’ve had to set rules to keep from Kid accidentally hurting them, or your children from breaking things when he isn’t involved. When you have a set of twins a few years after your third son, another two boys, you’re done and just accepting your fate as a boy mom. You and Kid love all your boys though, neither of you would change anything, especially when your youngest ends up being a momma’s boy who’s finally calm and would rather spend his time with you than anyone else. Kid isn’t jealous, he swears.
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Usopp I can see with two girls! A few years between them, and they’re both the light of his life aside from you of course! Every story he tells them before bed makes them both so excited to grow up and become Pirates themselves, brave women of the sea! The oldest will want to help Usopp and Franky with inventions and fixing up the ship, while the youngest wants to be a sniper like her dad. You have no complaints about either one of those, more than grateful they both want to take after Usopp and following in his footsteps. Your girls absolutely love their dad, you get a little jealous sometimes, but getting to watch the three of them bond is your favorite thing in the world. It might make him a little emotional, especially after not having Yasopp around as he grew up.
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Shanks, I’m sure a lot are wondering about, would be such a great dad, we’ve seen him with Luffy and Uta, there’s no way he’d let down his biological kids imo. I see him with a son first, one with his hair that’s even more wild, and then twin girls! They’d all be about four years apart in age, but they’d run him ragged day in and day out. He'd teach your son how to wield a sword and help him develop his Haki, while your daughters will learn more hand to hand combat, though your youngest will join the sword lessons when she’s ready. When they’re little, he lets your girls put pins and braids in his hair, while telling all three of them stories about his time on the sea. The rest of the crew adores your children, Shanks knew they’d all be great uncles to your little ones.
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SHACHI WOULD SUCH A GOOD DAD OMG. You think I’m pushing Penguin propaganda, I’m here for Shachi now too. He’ll have two boys within two years of each other, yes the second is a surprise but so beyond welcomed, and then several years later a little girl that has all three of them wrapped around her finger! Your daughter would have his red hair, she’d just be the prettiest little thing, with chubby cheeks and her hair pulled back into two little ponytails. Your sons would have a mix between your hair and Shachi’s, both taking more after their dad in personality than anything. Of course, Shachi will teach all three of them to defend themselves, but especially your daughter since she’s the baby and he just wants her to be safe, even with her big brothers as her guardians.
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Rosinante, Corazon, however we wish to call him, he would be the best dad out of this group, I’m sure of it. Apart from taking in Law, he’d have two of his own children, a girl first and then a boy a couple years later. Law would act as a big brother to the two, it’d be the cutest thing ever. While your daughter would be outgoing and ready to take on the world, your son would much shier and would rather hide himself behind you or Corazon, normally his dad though. Corazon would NOT let Doflamingo around them; he’d probably keep the three of you a secret, maybe even his adoption of Law too, just to keep you all safe. He’s lost family before, he doesn’t want it to happen again, even if that means picking up and moving you all where his brother can’t find you. Apart from that, Corazon would make sure all of you had everything you needed, and your son would hold onto him through everything.  Your daughter would attach more to Law, but that’s perfectly fine, he’s accepted her as his new little sister and wants to protect her, he wants to protect your son too where he can. Your daughter would also want to keep her baby brother safe, not one of you would let a thing happen to a hair on his head. Corazon finally has a family again, a family of his own, he’s not letting anything happen to any of you anytime soon.
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