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eggsaladstain · 6 months
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THE FALL OF THE HOUSE OF USHER (Netflix, 2023)
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freuleinanna · 6 months
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The Fall of the House of Usher is many things and I'm making a conscious choice to not scream about every single one of them rn, but what left me staring at a wall in tears is just... kindness. Death was kind. She gave every choice, every reason to stop. She would take these kids anyway but she also regretted having to take them like that. She cared when nobody else would, even though they kept making the wrong choices.
She's never cruel for cruelty's sake. She wasn't cruel to Lenore. She just sent a child to sleep as lovingly as she could, with kind words and kinder touch.
And I don't even know how to express the absolute heartbreak with blinding warmth among the cracks, when Death herself kneels before one man, worst man, honest man, who refused her offer – and thanks him with such respect.
Mike Flanagan, you fucking did it again. Carla Gugino, you... I don't even have words for you. That's a whole-ass masterpiece of human soul, meaning, and searching right there.
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Kiss Death with kindness in the end
And when she parts
You part as friends
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flanaganfilm · 1 year
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The Midnight Club - Season Two
I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.
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My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.
So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.
So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!
AMESH Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.
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Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.
Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is... REMEMBER ME.
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This was the thing I was most excited about for this season.
REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes. We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...
Anya.
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Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife. And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.
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As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.
In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.
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In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...
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With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed. Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season. The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.
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Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.
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For Spence, though, things would take a different turn.
The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.
Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.
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But onto the BIG MYSTERIES of the season one... here are some answers: What is up with Dr. Stanton's tattoo and bald head? Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.
It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).
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She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful. She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.
Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.
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What about the Living Shadow? It's Death, right? Well... no.
At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.
HE is Death. And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die. Then what was the Shadow?
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This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.
The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.
THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.
The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.
We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:
Who were the Mirror Man and the Cataract Woman?
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They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).
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But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.
Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built. They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.
The story is this: Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.
She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.
He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.
They were soul mates.
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So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time. When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way. The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation. The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."
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Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending. I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.
But for now, we'll put the fire out, and leave the library dark and quiet. To those before, and to those after. To us now, and to those beyond.
Seen or unseen, here but not here.
I'll always be grateful that I got to be part of this Club.
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dolcresabernathy · 6 months
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camille l'espanaye ▬ the spin doctor.
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stevenrogered · 6 months
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THE FALL OF THE HOUSE OF USHER | 1x08 "The Raven"
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rahulkohlifans · 6 months
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these stupid shows won't let me rest
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justmeasanoptimist · 6 months
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The Fall of The House of Usher was clinically good but also so sad? In the face of greed and ambition, love falters? It cannot grow, and therefore, no one under its spell can experience the fulfillment of loving and being loved? It's a Mike Flanagan horror story, but love doesn't transcend time and space and fear and death itself?
Gonna have to spend a few days thinking about how love, when pitted against a culture that values money above all else, fails to flourish so that instead of sacrificing for the people you love, you sacrifice people for opportunity to become rich. This is the ultimate horror, the ultimate tragedy, and I will have to take time to recover.
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wistfulwatcher · 5 months
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the usher children + god's gonna cut you down
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docwormie · 6 months
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I relate to Madeline Usher because I too would happily sell my soul if Carla Gugino kissed me on New Year's Eve !
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itzmeraven · 6 months
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oh to be camille l'espanaye's assistant.
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eggsaladstain · 6 months
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thinking about how mike flanagan's first netflix series ended with the crain family together, both in death and in life
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and his last netflix series ended with the entire usher bloodline 6 feet under, buried side by side (with lenore in the same row as madeline and roderick instead of the row below with frederick and the others) but no more a family in death than they were in life
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the haunting of hill house and the fall of the house of usher feel very much like two sides of the same coin - a home built with love will stand for centuries, but a house built without that foundation will crumble and leave no survivors
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deus-sema · 6 months
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One criticism of Mike Flanagan's works that I can't bring myself to agree with is that they are too saccharine and sentimental. Not that there isn't any truth to the statement in general but I don't consider it as a drawback.
I relish melodrama. It is refreshing to watch characters not holding back from expressing their unadulterated emotions, both good and bad, and not acting like stoic robots just for the sake of forcing subtlety. If they are in love, they love to the fullest. If they are unhinged, they go all out with it.
It's just........beautiful.
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dusty-daydreams · 6 months
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I saw someone suggest the idea that the Ushers all represent a deadly sin - here is which I think they are and why
Prospero - Lust
Camille - wrath
Leo - gluttony
Vic - sloth
Tamerlane - pride
Fred - envy
The Twins (Roderick and Madeline) - greed
Prospero is Lust, not only because of his hedonism but his unabashed Lust for power - he is filming his anonymous orgy so he can blackmail powerful people and dies in the midst of his orgy - but I could also see him as sloth (wouldn’t come up with a proper business proposal, didn’t bother to check that the tanks held water not acid)
Camille is Wrath, she approaches everything - her siblings, her job, her assistants/lovers and verna in the end with rage - and she gets killed by an angry animal
Leo is Gluttony - he indulges himself in abundant drugs and abundant sexual partners, despite having a relatively good situation - he has a successful career that doesn’t put him directly under his fathers control, he has a committed caring partner but still he gluts himself on everything that comes his way, he dies chasing a cat that hunts far more than it needs too
Victorine is Sloth - she doesn’t want to put in the work needed too make her device work, she just takes shortcuts to make it seem like it is working, she kills her partner in part because her partner who is actually the skilled surgeon doesn’t want to do the work anymore (admittedly this one I’m not as sure on - she might be pride, refusing to admit her device doesn’t work out of fear of failure)
Tamerlane is Pride - Of all her siblings she is the most proud of being an usher, and the most obsessed with her own image, obsessed with beauty, obsessed with being a success, she will not take anyone’s advice not even her husbands, she is proud and controlling in her relationship forcing her husband to go along with her voyeuristic kink when he doesn’t want too. This is a double-edged sword as she is also deeply insecure, outsourcing intimacy and dying as a result of smashing mirrors attempting to prevent Verna taking her place (alternatively she could be envy - envious of Verna etc.)
Fred is Envy - he is envious of his father and his effortless command presence and his fathers success, and he is envious of his wife, punishing her horrifically purely because he believes she cheated on him, (even though she didn’t, all she did was think about it and go to a party where she was alone) he is so envious that he even makes an attempted coup against his father. (He could also be gluttony - his drugs, and dying because putting more and more nightshade in his coke)
Finally the Twins - Roderick and Madeline are Greed - They set everything in motion because they both always wanted more, more money, more recognition, more power, even immortality - through AI in Madeline’s case and in the creation of a bloodline legacy in Roderick’s
I also have one thing to add I think that Lenore (and Annabel Lee and Juno and Morella - Lenore’s mom) represent the seven capital virtues: these are chastity, temperance, charity, diligence, patience, kindness and humility.
Chasity - Lenore dies before she ever has a relationship, she is in gothic story terms a chaste innocent
Temperance - Lenore seems disgusted by her dad having done drugs (also Juno is Temperance, her wisdom in coming to her own conclusion to wean herself off Ligodine)
Charity - As Verna says the charity her mom starts is a result of Lenore saving her mom (also Juno and Morella donating to charity)
Diligence - Lenore sticks to what is right even when it’s hard, giving a statement to the police about her dad, caring for her grandfather, searching for treatment options for her mom (also Juno diligently weaning herself of drugs, Morella’s charity work, Annabel Lee caring for her children)
Patience - Lenore patiently encourages her family to do better and be better
Kindness - Lenore saves her mother, and creates a ripple effect that saves millions of lives (Annabel Lee being kind to everyone)
Humility - Lenore thinks that losing their fortune and company could be a good thing that leads to a moral good for her family
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stevenrogered · 6 months
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I just want this thing to be epic. Dad doesn’t believe in me and the rest make fun of me…It’s harder for me. And you know that. You know that. But the rest don’t. 
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rahulkohlifans · 10 months
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