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#also this sketch started with them being in uniform
effarreturns · 1 year
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The best way to bond with your little brother after murdering (attempted) and emotionally attacking (accomplished) him, WHILE he was hanging out in his fort (tower) with his gang (teammates).... is kicking his ass in online chess?
Maybe that's just what me and my brothers do, on second thought...
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feralthoughtdump · 5 months
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Let Me Wrap My Teeth Around The World
Warnings: minors DNI, small age gap (everyone is 18+),  manipulation, love-bombing, possessiveness, social anxiety, the male gaze, financial exploitation, obsessive behavior, ownership, toxic dynamics, moral corruption, smut, virginity loss, coercion, dubcon, dark
Word Count: 4.1K
It’s been a while since Coriolanus found someone as the object of his affection. The last time was a few years ago, and it did no good for him. But this shy, sweet, beautiful Capitol girl was someone who could pose no risk to him and seemed to have wormed her way into the recesses of his mind. 
She was the shy girl in one of his University classes. Rumors circulated about her wealth or lack thereof. She was some prodigy who earned her way into the school through merit rather than money, and it left an open inquiry as to who her parents were. He didn’t know what drew him in. The House of Snow had just regained a semblance of wealth and power, and associating with a girl like her could easily create cracks in the foundation.
She wasn’t wealthy enough to come from a district family who bought their way in, but she certainly wasn’t like the other students who took classes with her. Though she wasn’t wealthy, she wasn’t necessarily poor, at least not as poor as his family used to be, but he could recognize the signs of the consistent repair in her uniform, using the same stitches Tigris would use on his old clothing. It turns out she had come from a family of seamstresses and artists. 
He also learned that she loved pretty things, not just spotting them but making them. Her apartment was always decorated with little knick-knacks and drawings that covered the walls. Coriolanus would be lying if he said he didn’t enjoy spending time in her dingy apartment. It was small, run-down, nothing more than a studio with a bed, desk, kitchenette, and a heat pipe that screeches and clangs at the most ungodly hour. But he loves staring at how her brows furrow as she sketches or how she tucks her lower lip between her teeth in frustration. Despite being unable to help her work, she was always happy to have him around. 
This leads him to her small apartment at least once a month with a new pair of pants that were a bit too long or one of his father’s old shirts 
Even though he could afford to have his pants hemmed by a tailor or simply ask Tigris, he prefers going to her. After all, she’s become familiar with his preferred inseam length, and Tigris has become colder and colder towards him. 
He always insists on paying her even if she refuses. 
“We’re friends, Corio,” She said the first time. “You don’t have to pay me.” 
“Just this once, let me take care of you.” He insisted, pressing the cash into the palm of her hand. 
Just this once turned into every single time. Then, it became buying her meals and small gifts. He got her internships with other high-ranking game makers. Eventually, he convinced her that her old apartment was too small and worn down for a nice girl like her, and he moved her into a spare room in his apartment and turned the other into a studio. Then, he started taking her to parties and events she could never afford to go to, and he always made sure to buy her a dress even if she insisted that it would cost less if she could just make one herself. 
When their fellow students would snicker at her, he’d slip poison into their drinks. Never enough to kill them, just to get them sick for a week or so.
Somehow, Coriolanus finds himself taking her under his wing, becoming a mentor to her in some type of way.  She maintained that soft and sweet air about her, but with his help, she became someone her peers respected. Once, she was the girl who made other students in the University roll their eyes because she always tried too hard. Now, she was the girl who had connections and handed in exemplary work. She was the carefully created success story of a middle-class Capitol girl who climbed the ladder with hard work and determination. Now, she could spread her wings and fly, but only as far as he would allow.
With the arrival of winter comes the start of planning another year of games, and the Crane family was more than happy to host a commencement gala. 
This time, he bought her a pretty red dress she eyed in a store window a few days ago. 
The quiet gasp she lets out when he opens the box is music to his ears. 
“It’s even more beautiful in person.” She whispers the fabric pooling in her hands like blood. “I can’t let you keep buying me things like this. I can’t take this.” 
He fights the urge to roll his eyes. She always opposes, with her voice becoming soft, objections and promises to pay him back, tumbling from her lips. But that wasn’t what he cared about. He cared about how she presented herself. He got her internships and dragged her out of that shoebox of a studio apartment. She was a product of his hard work, and he wanted to show it off. “Think of it as a gift.” He smiles, gently lifting her chin to meet his eyes. “You’ve worked hard these past few months.” 
“Corio…” 
“Put it on; we have to leave in a few minutes.” 
… 
She’s stuck to his side whenever they attend these events. Her shy demeanor doesn’t do well in large crowds, and with an endless supply of expensive liquor, Coriolanus doesn’t want her wandering about alone. 
Throughout the evening, she’s been good. Smiling, looking pretty. Saying hello to the people he introduces her to, holding onto his arm, and letting him know when she’s feeling overwhelmed so he can rub circles on her back. 
People compliment her, telling her how beautiful she looks. Pride thumps against his chest. Of course, she looks beautiful. The dress he picked falls on her body like it was made for her. The red is beautiful against her skin, and the fabric drapes beautifully around her hips, showing off her elegant back. 
Eventually, she breaks away from him, needing to use the restroom. But after a while, he realizes something isn't right without her beside him. 
He worries when he can’t see her, and he finds himself rushing through small conversations and pushing past people to try and find her in a sea of people. 
Eventually, he spots her staring at the city's vast expanse, leaning on the balcony's edge. She’s slowly nursing her third glass of champagne in one hand, and the other picks at the cuticles of her thumb. 
That wasn’t a good sign.
“What’s wrong?” He inquires, approaching her with a hand on her back. 
She jumps at his touch, but relief crosses her face when she sees him. The last of the champagne is quickly swallowed, and she passes the empty glass to an approaching waiter. 
“Nothing, really. I’m okay.” 
From the tension in her forehead, he can clearly tell that she isn’t okay. Though he knows she hates it when he pries, he still chooses to do so.
“You aren’t, so tell me what’s wrong.”
There’s a beat of silence, and she sighs. 
“I feel out of place, Corio. I feel like I don’t belong here.”
“What do you mean? Of course, you belong here.”
“Everyone here is just so…” She looks down at her heels, trying to find the right words “I don’t know, I’m younger than everyone, and most of the people here have played a part in the games and all I’ve done is get coffee and print papers for them.” 
Her lashes flutter as if blinking away tears, and he can’t have that. Not here. 
“Hey,” he lifts her chin with his fingers and strokes her flushed cheek with his thumb. “Don’t get all tearful on me. You’re with me. I promise you, you belong here.”
From the frown curling on her lips, his words clearly aren’t working, so he shifts the conversation. “What do you dream of being? What do you want to do?” 
She opens her mouth but hesitates. 
“Promise you won’t think it’s stupid?”
“I promise.”
“I’d like to be a designer.” A small smile starts to cross her face. “A fashion designer with my own line and everything.” 
He could see a future where everyone in the Capitol wore her designs. Or not everyone. She was too good for that. All of his hard work has been put into helping her rise alongside him. If she wanted to do something, she had to be the best. 
“I think you would make a great designer.” Without a second thought, he presses a small kiss to her forehead. “I know you will. I’ve seen your work.”
A giggle falls from her lips, and affection blooms in his chest. Nowadays, he wonders if he could ever love someone. But love is so subjective. He had molded her into someone who would be fit to stand by him as he rose in the ranks. Isn’t that the closest thing there is to love? 
… 
“Here, let me help you.” 
The champagne has loosened her up, causing her to stumble on her feet. She leans against him and laughs when his arm hooks under her knees to carry her past the front door. 
“Such a gentleman.” She croons. “Always taking care of me.”
“It’s what I do best.” 
He sets her down on the edge of his bed so he can bend down to undo her heels. Without much thinking, he gently kisses the inside of her ankle. His eyes gaze up at her, gauging her reaction, and she shyly tells him, “I really want to kiss you right now.”
It’s as if something in him shifts. Coriolanus always harbored an attraction to her. On multiple occasions, he would fuck his fist after their little “tailoring” appointments, thinking about her on her knees, his cock stuffed in her mouth. Ever since she moved in, he’d sneak glances through the crack of her door, catching glimpses of her in stages of undress. He’s never acted upon it. His ego certainly wouldn’t be able to take the rejection, but now that she’s asking him to kiss her with those soft lips and glittering doe eyes, he’s safe to act on his desires. 
He surges forward, engulfing her in his hold. Hands cupping her face to keep her lips pressed against his. His teeth graze across her bottom lip, 
She smells like vanilla and roses, igniting that deep-seated hunger inside him. 
He has always hungered for power within the political spheres of Panem, but right now, his hunger is hyperfocused on her. To own her, to control her. 
He wants her to answer every beck and call. If he were to say jump, she would ask, ‘How high?’ If he asked her to crawl to him, she’d drag her delicate knees across whatever surface she stood on. He wants her to belong to him—mind, body, and soul. 
Their lips are locked together as her hands fumble to remove her dress. Sensing her struggle, he releases her face to help, undoing the ties around her neck. She carefully lets it fall off her body, letting the vibrant red silk pool around her feet. 
“I’ve never done this before.” She murmurs against his lips. “I haven’t done anything past kissing.” 
“Really?” He looks down at her and wants to coo in adoration when she shyly glances away. “No one’s ever touched you before?”
“Just… myself… and this one boy from the academy a few years ago but it was over our uniforms.” She hesitates, and he can feel his cock twitch in his pants. Coriolanus already owned most of her clothing, living space, and future career. It was all owed to him. But her virginity? He can truly make her his. His girl. 
He crawls on top of her, caging her in his arms. 
“I’ll be gentle. I promise.” 
His fingers trace her skin, from the line of her neck past her collarbones, dipping under the white lace underwear that clings to her hips. 
“These are pretty.” He flicks the rosette sewn to the center of the waistband. “Did you wear these for me?” 
“Maybe. I made them myself.” 
She lifts her hips, allowing him to slide them down her legs. They part, creating room for him to slot himself in between her knees. Her hands reach to remove his shirt, but he bats them away. 
“Just relax. I’ll take care of you.” 
As he unbuttons his shirt, he observes the way her chest rises and falls, how her lips are parted, and how her tongue darts out to lick at her lips in anticipation. 
His fingers push past her lips, pressing down on her eager tongue, already swirling over them. 
“Get them wet. I don’t want to hurt you.” 
Her eyes close as she sucks on the digits. Saliva pools in her mouth, dripping past the corners of her lips. 
They are released with a pop, and Coriolanus groans, the strain in his pants becoming unbearable. 
Two of his wet fingers slide between her folds, teasing at her opening. A gasp slips past her parted lips at the feeling of his fingers pushing in. It was torturous how he managed to curl his fingers just right, eliciting a stifled whine from her lips. She pulls her hips away, overwhelmed by the stretch and the growing pressure inside of her. Though he knows she’s fingered herself before, his fingers must feel foreign, better than what she can do for herself. 
He pushes a third inside of her, opening her up, and he can feel how she flexes around him. She wraps her fingers around his wrist, trying to pull his hand away, but he persists, continuing to curl his fingers against that spot inside of her.
“Don’t fight it.” He demands, pistoning his fingers. “I’m just trying to make you feel good.” 
Her gasps and whines eventually turn into moans. She clenches around his fingers and bucks her hips forward as if her body is begging him for more. 
“I think,” She arches her back, and her voice becomes gaspy as if fighting to fill her lungs with air. “I think I’m close.” 
“Already?” He spits onto her clit and presses his thumb against it.  Electricity surges through her body as he rubs it in slow circles. She watches him with parted lips and shaky breathing as he fuels her oncoming orgasm. “Oh, you’re making this too easy for me.” 
Her head is thrown back, and a strangled moan falls from her lips—sticky arousal floods around his fingers, and her walls spasm around them. 
“There you go.” He soothes, pressing kisses to her cheek. “That feels good, huh?” 
She’s laid out on the comforter, chest heaving and skin flushed. Coriolanus grabs his stiff cock through his pants, trying to ease the growing tension. But he decides he can’t wait to give her a break. 
Her ears perk up at the metallic clink of him undoing his belt. 
“Corio, I- I don’t think-”
He shushes her with a kiss. 
“It’s alright, you can take it. Yeah? Remember what I promised?” 
“That you’d be gentle.” 
“That’s right.” He kicks off his pants and frees his cock from the confines of his briefs. “I’ve always been good to you, haven’t I?” 
She nods in agreement, eyes widening at the size of him. 
He licks his lips as he presses the tip against her cunt, slowly easing his cock inside of her. 
As he sheathes himself inside of her, he presses her thighs to her chest, forcing himself deeper into her warmth. 
She lets out a sharp cry and grabs his waist, trying to push him back. 
“You’re too big, Corio. I don’t think you’ll fit.” 
He hurries to kiss away her complaints. To distract her from the pain. He couldn’t wait. He needed to feel her. He needed her. Whispering against her lips, he soothes her. “You’re okay. I’ll go slow. Yeah?” 
Broken moans fall from her lips as he bottoms out. He groans in pleasure as her fingernails dig into his back, scrambling for some kind of purchase. She was so tight, so wet, and so warm, gripping onto him like a vice. 
Very carefully, he rocks his hips back and forth, letting her adjust to him. The sounds she makes, combined with the slick squelch of her cunt are obscene. Even with his slow movements, he doesn’t think he’ll be able to last long. 
He drops his lips to her neck, teeth grazing the fragile skin before biting down.
“Ah- please, don’t leave a mark.”
Disregarding her words, he sucks a slowly blooming bruise onto her neck. He doesn’t care if it’s dark. He wants people to see it and know who left it there. 
Maybe he does love her, he thinks. He loves how she complements him, her sweetness dampening his harsher attributes. He loves her creativity, her ambition, and how she always hungers to better herself. She’s perfect. She could be more than just a designer. She could be influential, a figure in the history of Panem. 
“I have an idea.” He hums against her neck, stilling his hips.
“Yeah?” 
“I want you to be part of the games.”
“What do you mean?” She impatiently shifts her hips, trying to get him to move again. 
“You can be a…” he pauses to think, looking into her blown-out pupils, “a stylist. You can design the tributes' looks for the opening ceremony and the interviews. Maybe we can implement uniforms for the actual games.” 
She pulls back, but he keeps her locked in place, hands grabbing at the flesh of her hips. Her eyes no longer look glazed over with lust. Instead, there’s a flash of clarity within them.
“No.” 
“What do you mean, no?”
“No, Corio.” Her voice is firm. She has her mind made up. “I won’t do it.” 
His lust begins to mix with anger. She can’t deny him. Not now, not ever. Not after everything he has done for her.
His hand reaches for her chin, and she whimpers. 
“Yes, you will because I’m not asking.”
“You can’t tell me what to do.” She struggles against his hold. “You don’t own me.”
“Don’t bite the hand that feeds you,” He snarls, fingers digging into her jaw. “I gave you this life, and I can easily take it away from you.”
“Let go of me, please.”  
Earlier promises of being gentle are tossed away. She’s beginning to let out pained squeaks from the pressure on her cheeks, and the hand on her hip digs into the soft flesh, creating red divots close to drawing blood. 
“Look at all that I have given you. All of your nice clothes and these fancy internships were because of me. Without me, you’d be freezing to death in that shed you used to live in.” He pulls his hips back and slams his cock back into her dripping cunt, eliciting a cry from her. “I made you who you are.” He cruelly bullies his cock into her, picking up his speed every time her hands weakly try to push him away. “All you have to do is be good for me, and I’ll give you whatever you want.” He forces her to look at him, to stare into her glassy eyes. “Are you going to be good?”
She doesn’t reply, or rather, she can’t. All she could do was strain against him with dark, mascara-stained tears rolling down her cheeks. 
Those eyes that once gazed upon him with fondness are now filled with fear. 
“Are you going to be good?” He punctuates his words with a hand to her throat, giving it a light squeeze. It’s enough pressure to establish a threat but not enough to take away her ability to breathe.  
Her teary eyes blink, and she nods. 
“Yes,” She whispers. “I’ll be good.”
“So,” He slows his movements and brings his lips to her ear, warm breath tickling her skin. “What do you say? 
Once again, he circles her sensitive clit with his thumb. 
She sobs, clenching around him, and he can tell that she’s close to cumming again. 
“You’re not going to cum until you answer me.” 
“Please, Corio, don’t make me decide. Not right now.”
“I want-” He groans, feeling himself falling close to the edge. “I need an answer.” 
She sobs and tries to look away, but the hand on her face won’t let her. 
“Please.”
His face moves closer to hers, her hot breath fanning his cheeks. 
“I can feel you clenching around me, and I know you can’t hold it in. Give me an answer now.” More tears stream down her face, and she squeezes her eyes shut. “If you cum before giving me an answer, I’ll ruin this pretty cunt.”
There’s a second of silence, save for the sound of his skin slapping against hers before she nods. 
“Yes,” she whispers. 
“Yes, what?” 
“I’ll do it.” 
He quickens his pace, chasing after his own pleasure, and she all but screams. 
The fire in his burns, ready to overtake him, but something isn’t right. 
“Open your eyes.” He demands. “I want you to look at me when I fill you up.” 
She blinks her eyes open, all wide and wet, and he’s unable to hold back. Tightening his hold on her, he forces his hips against her own, burying his cock to the hilt and releasing inside of her. She flutters around him, desperate gasps for air falling from her wanting mouth as she cums with him. 
They stay in this position, both trying to catch their breath. Coriolanus is the first to pull away, rubbing her thighs to loosen the tired muscles. 
She lays there, surrounded by his fluffy white sheets, saying nothing. He gently kisses her cheek, attempting to pull an answer from her, but when it proves unsuccessful, he leaves to draw a bath. 
… 
“You don’t have class tomorrow, right?” 
The question draws her out of her gaze, now realizing she’s curled up in the tub with her knees drawn to her chest. The water is warm, cloudy, almost milky, and smells like roses. She couldn't bear to look at him right now, but she managed to force an answer from her lips. 
“No,” she fights the urge to flinch when his fingers brush her hair away from her neck. “It’s my day off.”
“Good.” Coriolanus dips the washcloth in the tub and gently wipes it against her skin. “You’ll come with me to see Dr. Gaul. Bring your portfolio.”
Her body shudders at the thought of meeting the woman, but more notably, knowing that the man she held so much love for was nothing like the man he portrayed himself to be. 
She once thought that he was her patron, but the truth was that he was her owner. All of the riches she had gained this past year meant nothing now. They weren’t hers. They were his. He had given her a life of safety where she could flourish and provide for her family, but it was one separated from the world she once knew. Her parents and friends from the fabric shop were replaced by the same obscenely wealthy elite who would have thumbed their nose at her if it weren’t for the proximity to him. 
Every gentle brush of his fingers on her skin reminds her of what he’s done to her. How he now owns her.
Her mind falls to a lecture from a year ago. It was about evolution and apex predators. The boa, she remembers, was nonvenomous but deadly, wrapping themselves around their prey, squeezing their bodies until their circulation stopped and their lungs could no longer pull any oxygen. What’s more chilling, she thinks, is that they know to monitor their heartbeat, waiting for their heart to stop before swallowing them whole. 
He’s wrapped himself around her, tightening his hold. She knows she can struggle, but he won’t loosen his grip. He’ll just constrict around her, tighter and tighter, until there’s no more room for her to fight—no more room to breathe. 
“I’ve been very sweet on you, and I can keep doing that.” He hums. “But, I can be cruel as well. You and I both know I don’t want to do that.” 
Finally, she finds the courage to look at him; those blue eyes are now colder than ever. 
She tries to whisper, but when he raises a brow, she clears her throat and meekly responds. 
“Thank you, Coriolanus. For everything.”
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qiupachups · 6 months
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miles.g / wiles
.。.+*☆ headcannons 👾💭
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contents: general hcs, mention of his father’s death, i call 42-miles ‘wiles’, me sorta bullying him
a/n: after a lot of procrastination and harassment gentle encouragement from @vhstown i’m finally posting my hcs. :3c (they’ve been sitting here since july)
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Despite his tough guy exterior and criminal career, he's actually a massive nerd geek. Like: gundham, comics, posters all over his room.
Until you bring up those interests, he won't mention them. But once you start a conversation about them, he can tell you all the lore front to back or tell you where and when each collectible is from. Just listening to Wiles and nodding along will make his day.
Accepting help from others is not an option. Ever. He's an overly D.I.Y guy since his father's death and it's staying that way.
... unless you're very close to him. Wiles will begrudgingly accept your help and then be adamant on repaying you. No matter how trivial it was, he'll show his gratitude through service.
Wiles has great memory and knows all the lyrics to his favourite songs. Go through his playlist and pick something at random- he'll recite them flawlessly!
A good memory also helps with remembering those flashes of songs playing on your lock screen. Just a split second glance? He's adding it to his playlist, maybe listening to it as he works on his latest gear.
Would be a straight A student if he were there half the time. The only thing keeping his total grades down is attendance, where he’s often absent.
However, if he’s in a group project with you, Wiles will put more effort into it. Getting a ‘C’ or GPA point lower is fine if it means keeping Brooklyn safer. What’s not fine is him being the reason for your lower marks.
Unlike his counterpart from 1610, Wiles’ art is more realistic. He tries to capture the subjects’ essence quickly and minimally, so colours are an afterthought.
Accuracy was his pride in art until it came to you. He’d be so nervous in getting your smile right, scribbling failed attempts over and over again. Wiles even resorted to a pencil sketch.
Following the passing of Jefferson, Wiles has gotten much closer to Rio. That’s a no brainer; he was fourteen— a kid. And Jefferson never got to see his son in that overpriced Visions uniform.
Wiles makes an effort to speak more Spanish. He lets his mamí braid his hair even if it hurts like hell. Those stupid telenovelas aren’t that bad on the second watch.
Once upon a time, Wiles used to be a choir boy (keyword: used). He’d love singing hymns and doing nativities before he could read; all for his mamí and dad to see.
However, the christmas after Jefferson’s passing felt… empty. Wiles quickly lost his passion for choir and now just attends mass with Rio at most.
After years of experience being a choir boy, Wiles has the voice of an angel. Not that you’d know, of course— he intends to take that to the grave. But there’s also a deeper, darker secret… he can’t rap to save his life.
An extremely personal and harrowing Musically comment told him so. Following that attack, twelve year old Wiles abandoned his account with only a black profile picture left behind.
Like any other middle schooler, Wiles had a hype beast phase (he denies it). When Aaron got a Hype shirt for Wiles’ 12th birthday, words couldn’t describe how he almost knocked Aaron down with a hug.
The shirt’s first stain had Wiles distraught and furiously searching ‘remove paint on shirt hacks’ on Youtube. His heart would probably stop if he misplaced a gift from you.
Wiles isn’t the best cook, but he can definitely make himself a good meal. With Rio working night shifts and Uncle Aaron doing… jobs, he has to be self-sufficient.
A secret lil’ side project: he’s trying and failing to replicate Jefferson’s mac ‘n cheese. It wasn’t the best, but it was his. Something’s always off when Wiles makes it and he’s not quite sure what.
Sure, cooking isn’t that hard, but baking is like wizardry to Wiles. AP Chemistry and it’s endless calculations felt way easier than making pan de agua with his mamí.
But, mamí didn’t raise no quitter! On a particularly busy birthday, Wiles pulled together a modest little cake for Rio. She burst into tears seeing the shaky ‘!Feliz Cumple!’ written in too-sweet icing.
Calling Earth-42 a wreck is a massive understatement. Shit’s like Gotham, only very real and very deadly. Just breathing in that damn city air makes Wiles’ skin crawl.
Luckily, he’s got an outlet: boxing. A fun hobby he picked up from Uncle Aaron became his release. Wiles might never be in the ring, but Brooklyn’s more than enough.
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a/n #2: what the fuck. this was supposed to be short and silly and fun. exsqueeze me how did this… erm. disjointed mess.
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ryuichirou · 4 months
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I love how you draw the tweels and Azul. They look so imposing in your art style! I know you love drawing Ignihyde, Octavinelle and Scarabia boys a lot, but I'm curious if you have drawings of the rest of the twst cast as well. I'd love to see everyone in your art style!
Anon! Thank you so much for your kind words. I’m glad you like how I draw the Octa-boys. I’m not even sure which dorm I draw most often, but it has to be either them or Ignihyde haha. But in all honesty, I really love drawing all the characters; even if we don’t care much about them, they are usually still quite pleasant to draw at least once.
Which is why I can actually compile my drawings of pretty much every character in this reply! It’s honestly surprising lol but also not really. I can’t believe it’s been a year since we started drawing and posting twst…
Alright, here we go!
Heartslabyul – wow, I can’t believe I don’t have any coloured Aces that are relatively new… We like Ace a lot, I should probably draw him. And Cater too, to be honest, this is my only coloured sketch with him. I never expected to enjoy drawing these boys as much as I do, to be honest.
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Savanaclaw – Leona is the only character I don’t have a proper sketch that is not a commission with lol I’m sorry. But I actually quite like the comms of Leona that I got to draw, so here is one of them! I also really enjoyed drawing Ruggie, I should do it again… And Jack too…
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Octavinelle – aw yis yakuza fishies babyyyyyyyyyyyyy. Come on, you know I love these guys lol Whenever I look at them I feel at home. It’s a shame I don’t draw them wearing fedoras (for some reason I’m still intimidated by fedoras), because I love everything about their dorm uniforms.
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Scarabia – I also don’t feel like I draw these two often enough, but their uniform is probably the most difficult one to draw, simply because of all the details and prints and gold and accessories. But it’s so worth it!... I also think that Jamil is the prettiest snake in the world.
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Pomefiore – it’s stupid how long it took me to find a Rook that doesn’t look creepy in my drawings lol I really love this side of him. I also really enjoy drawing Vil, but whenever I do, I feel intimidated. I just can’t mess him up..! But if the Vil that I drew ends up looking good, I get so emotional that I cry (not a 100% lie)
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Ignihyde – picking an Idia and an Ortho out of hundreds of sketches of Idia and Ortho was more challenging that I thought it would be, so I picked these because I still really like their faces and think they’re cute! I also can’t get enough of them… to this day… Their hair, their teeth, everything.
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Diasomnia – I feel like whenever I draw these guys we have an urge to make it into an art, this is why we have a lot of finished rendered artworks with them. Their aesthetic is just… super fitting for all kinds of dark and gothic stuff. I also adore drawing their eyes!!! All of them have such pretty eyes.
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The teachers – if you feel the urge to laugh at Crowley for only getting a black and white sketch, I encourage you to also laugh at Vargas for not being here at all… I think he is the only character that I’m missing, huh.
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Others – bonus round! I actually also have a sketch of Fellow Honest and Gidel but by the time I remembered them I got tired of making this thing lol, and we haven’t watched the event yet anyway, so they’ll get their chance to shine some other time (you can find it on my ko-fi though). Meleanor is also here, and I honestly I would be happy to draw every twst mom at some point… And other minor characters too…
But not the dwarves; screw them (just kidding I might draw them too at some point).
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222 notes · View notes
gav-san · 11 months
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THE QUEEN OF THE KING 15/15
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Previous / ...
It starts with Phantom’s warning neighs.
One moment you are asleep, wrapped in your white shift and Ganondorf's arms, and the next you are being flung over his shoulder as he twists to plant you in between his hot back and the freezing rock of the shrine. Even when you try to wriggle, to help, he won’t let you, defending you with his body, his golden sword in one hand.
You are very discombobulated, but after a moment of gaining your bearings, you realize that you are not alone.
There are at least fifty people in black and red uniforms of a sort surrounding you, placed in circles, trapping you. They do not look particularly menacing, the tight clothing and tall hairdo are more funny than anything else.
If you knew you’d be having visitors, you would have dressed in more than a thin slip of silk last night. Though much else had seemed silly at the time, considering your, uh, activities, and how eager you had been.
One glance at Ganondorfs face makes you realize that he is making a face you have yet to see. It causes your stomach to drop in fear, but also a bevy of butterflies to erupt in a misplaced twist of lust. The way his skin sketches taught, the scrub of an unshaven beard shadowing the sharp jaw as it contorts is downright vicious. 
“Molduga Pits.” He says, clearly a curse, but not one you are familiar with, sounding exasperated and annoyed. “You bastards again .” You place a hand on his bare back, glancing at the people furtively. We’re these enemies of the Gerudo? Perhaps from an ally of Hylia? Maybe she could help.
You go to move forward, thinking that perhaps you can reason with them, but Ganondorfs stance is steel, not letting you move an inch out of his protection. 
“Greetings, Emperor of Calamity,” Someone says, moving up front, from inside the crowd.
The number of men scared you, but this man was far too dramatic to be serious. You look around, trying to see Ganondorf’s horse, Phantom, but he is nowhere to be found. He probably rushed off, as a good desert horse was trained to do, you think wryly. 
There go the quickest means of escape, and now you’d have to face the weird cult head-on. 
The foremost ring parts, and a thick-bellied male in a ridiculous golden girdle step over the red suit steps forward, taking a deep bow. “I, my esteemed liege, am the third Master Koga-” He drawls, his voice surprisingly whiny for such a rotund man. 
“I know who you are,” Ganondorf growls, rising to his full height and moving to better shield you, and you can’t help compare how intimidating his figure is, in comparison. “You think coming yourself will change my answer? Time and time again you Yiga have been told that the Gerudo do not hold to your foolish beliefs!” 
Yiga? You thought that sounded familiar. You swear you knew it, but it was hard to concentrate when thick muscles were just centimeters from crushing your head in. 
The Yiga’s footsteps pause, clearly considering a new plan. Or just watching you turn into a princess sandwich.
“Well,” The man begins again, voice less methodical but much darker. “We figured we needed a more direct conversation… since you’ve already found the dread witch who threatens your reign with her brainwashing,” There is a shift, and you realize, that there to hurt you. 
You go white.
And the Yiga’s admission, Ganondorf’s entire demeanor changes from cautious hesitance to tense anger.
“Keep your filthy mouths away from my queen’s good name!” Ganondorf says, and you’re surprised to see him come to your defense so rapidly. “She has nothing to do with your nonsense, and neither will I!” You cling to him as if only to remember he is not mad at you but for you.
How long had it been since someone defended you half so passionately? Your heart beat like it was going to bounce out of your chest.
Master Koga, the third, or whoever he was sighed deeply, like he had expected this.
“ A shame, really. That we have to step in.” And then he had the gall to sound offended! “I can tell this vain creature has enraptured you with her magic, and she should be dealt with by us underlings!”
Ganondorf made a growling sound, deep in the back of his throat. “If you come even a step closer, or make any moves to hurt my wife, I swear I will hunt every last Yiga fool down and leave you in the sand for the Moldugas to feed their young on! ” That small growl became a roar as he finished, leaving you far more wary of the man before you. He had never once come close to forfeiting his calmness, but it seems the thought of losing you was more than enough to unleash his fury. 
You can’t help but become warm at the sight of him roaring for you, his wife.
And, you think, you could spend the rest of your life listening to him say it.
But the Yiga, for all their talk about being subjects to their prospective king, had no wisdom in their loyalty, and they did not concede to his warnings. Instead, each and every last one of them turned to their weapons, from the glimpse you could see.
“We’d rather not fight our future king, but I can see we have no choice!” Koga said, moving from his pathetic position to unleash a wicked-looking, curved sword, one that indicated he was much more serious now. Gandorf copied his hand on the giant sword he had tucked at his hip, the other moving around your waist in an awkward, backward tango, as if he is going to jump over all the men. All the Yiga men grasp their weapons, nervously, like he is a giant water buffalo ready to charge them. But he doesn’t do so, instead, tucking something small into your waistband. He inches even closer, if possible, keeping his voice low.
“I love you.” He says, and you press into him, ready for whatever, “And I’m sorry I have put you in danger. I swear I will protect you with my life.”
You know he does. And you finally know that you do too. Probably since the first glimpse of him you had, he had taken your heart.
“I love you too.” You say, and he pauses like he is relishing it for the last time.
 Then he raises his sword, pointing it at the men, pivoting to the shrine. Magic, you think, swells at his fingertips, and the same golden presence wraps around your bands of gold.
“I will find you again, my moon. ” He swears.
Your heart dropped, the words far too fatalistic for comfort. You furrow your brows, confused as you place a hand on his own before it retreats. 
He gives a thin smile, though you only guess that, as he is still focused on the people before him, save for the intimate brush of a finger to loosen your grip. You think he must be ready to toss you over his shoulder or something.
But it seemed Ganondorf was risking no threat to you.
He immediately moves, and in one swift motion, you are pushed inside the shrine his magic has reopened. It’s as gentle as he can, but you still sprawl, as he moves so swiftly that you had no time to react. No time to disagree or do anything.
“Stop!” You lift out a hand, but he is too quick, moving to protect you, to leave you safe in the quiet, space, lit only but the eerily blue of the ever-glowing magic there.
You stumble to the ornate stone-clad floor, and can barely catch the moment that a giant stone slab seals over the entrance, cutting you off from the outside, as well as one another. You flail, running to the rock, pounding your fists. 
But there was no handle, nor even a seam that you could attempt to pry. The rock face was so smooth it was as if one had never been chipped away. Magic, you think in a manic frenzy, trying to will yourself to pound it to dust. 
There are no sounds of battle, nothing but the thud of your hands, which eventually stop, once they have turned bruised and bloody from your fallen endeavors. You sink to the ground, to your knees, fat, ugly tears pouring from your chin as you cry. They make your face itch, but you don’t wipe them away, instead letting them sink into the dust-less floor.
You aren’t sure how long that lasts, because, at some point, you fall asleep, only to wake in what seemed like moments later. You had not the ability to even forget a moment of your sorrow but were so drained, tired and your hands hurt so fiercely that you drug yourself to the cool edge of the pool.
It is unsurprising to see what a mess you are. Ganondorf had proudly braided your hair last night, proclaiming it to be an honor to do so, and it had held reasonably well, and you can comb it into place. But your face is drawn, with dark circles, and red eyes. Nearer to the lights, you can see that you have injured your hands, enough that not even the blister gel would work. 
You slap away the image, that cold water engulfing your hand. The coolness engulfs it, bringing relief and peace. You think it’s probably hypothermia, but after a few moments, you realize that it’s not it, bringing your hand up to the surface, breaking the smooth surface again. 
It’s healed.
You stare in astonishment at the flesh that has mended back together, blood and bruises completely gone. 
Your other hand goes in right after and you give a huge sigh of alleviation. 
It makes much more sense how you had not been sore the previous night, though your husband is quite big and very eager.
And that thought cuts short your wonder over the healing pool in the shrine, and back to your misery over your husband. Just what in Demise’s name was he thinking, sealing you away in here? Surely there was something you could have done! Even be a distraction! Your head pounds and you lean down, taking giant gulps of water, but misjudge in your haziness.
Slipping forward, you plunge entirely into the freezing pool. 
-X-
You aren’t sure how long you stay underwater. You think you may be dead at some point, but the cold never abates. But you don’t end up finding the side. Instead, you’re pulled out, by a pair of very brawny, bronze arms. You think someone is carrying you. Sand whips by your face from a strong breeze.
At some point, bright sunlight hits your face, and you wince. It’s not long after that the sunlight drops, and the steps turn smoother. Then you’re finally placed down on what seems to be a bed. Voices fade in and out, some you think you may recognize.
Gerudo, you think.
Hands press against your chest, shoving forcefully in. You give a sharp gasp, coughing on nothing as they push again and again. And just when you think you’ll die, someone turns you, and you throw up.
You can process the voices better now, that air has gone back to your brain.
“We found her in the shrine outside of town-”
“In?”
“Yeah, the door opened and she was in a pool there!”
“The shrine water- It was still in her lungs!”
“In a shrine pool?”
“Yes, she has the seal of the King!”
It’s mostly water that comes out, but you can’t tell, with your head banging. But you can breathe again even if it hurts, and so you immediately fall asleep. Or unconscious. 
But there are more hands now, pushing you to stay awake. 
-X-
The heat in the desert is very reasonable, under the thick woven hanging. You look out to the sand, towards the distance where a large mountain range juts like a knife standing straight up. The glint of sand makes it difficult to look straight on, but the Gerudo mask does a good job of deflecting any lasting harm. 
You try and stay out of the sun as much as possible. The Gerudo clothes do little to offer protection, as they have little need to do so, and are meant to be breezy and comfortable. And it is indeed breezy, wearing only thin silk with gold edging.
You think it shows off far too much of your chest and belly, but Queen Dramiria had insisted seeing you in traditional clothing was good for Gerudo's morale, with Ganondorf still missing. And since the regent queen was your mother-in-law, you couldn’t find it in your heart to refuse.
She was the one you had first met. 
“You have been missing for a month.” She said within the first hour of your recovery. She had more or less been waiting there since you had been brought in, and subsequently, the seal Ganondorf had slipped to you had been recognized.  “Of course, I knew right away, with that hair. My son wrote almost endlessly of your moon-like beauty.”
You hold that same seal now. You don’t think you could relinquish it if they asked, which surprisingly, they hadn’t.
You want to turn back to look at the sand, but you also want your mother-in-law to like you. You flush, throat too sore to say much, and not knowing what to say anyhow. Thankfully, others catch onto this quickly, especially Commander Urbosa.
“Time passes differently in the shrines,” Commander Urbosa says, arms crossed as she stares you down like a puzzle. “The magic is difficult to harness, and only the King knows how to handle it to a full extent. I suspect that’s why you ended up here. Even without air, the water continually heals, so it puts you in a stasis of sorts.”
The one thing you do manage to say is Ganondorf .
And the thing about the Gerudo is that they don’t sugarcoat the truth.
“Damn brat let himself be caught by the Yiga.” Queen Dramiria said sharply, making you draw back in alarm. But she merely pats you, crossing a long leg over the other as she leans back on her cushioned chair. “He’s never listened to reason, that boy.”
“Nabooru is already tracking them down, but they are tricky, hiding away in the mountains where we Gerudo have a hard time going. I am a bit surprised Ganondorf hasn’t just beaten a guard down and escaped.” Commander Urbosa stepped in, a bit kinder as she urged you to take a bite of the sweet-looking melon in a gold cup before you. You don’t want to eat, but tenderly you let yourself nibble the fruit.
 “He knew that they had started using that ancient, dangerous magic and he let his guard down.” The queen retorted, moving to her fruit bowl to polish off the decadent treat.
You put your head down, eyes closed as tears pricked at them. A hand came to rest on your knee, and you look up at the Queen, who looks very distraught. She has the same hook to her nose as Ganondorf and the same shade of red hair, and it makes the tears come quicker.
“Be kind, my queen. You forget that our new Queen-consort has been through much as of late.” Commander Urbosa advises softly.
“Oh no, don’t take my words too seriously,” Dramiria said, looking a bit uncomfortable. “Ganondorf always comes back from his adventures. And I have no doubt he is eager to have his bride back in his arms again.” He ends with a smile, and you do your best to stop sobbing but it just makes it worse. 
“F-Forgive me-” You say, turning back to the sand, shoulders sloped as you twisted the seal in your hands. “I… I would like some alone time, if p-p-possible.”
You don’t recognize yourself as you turn towards the bed in the healing room you had all been sitting in.
“Of course.” The Queen says, letting Urbosa help her up. “When you feel refreshed, just let the healer know. We’ll then give you a tour of your new rooms.”
You nod your head, shoulders shaking.
“Thank you, my queen, you are very generous.” She sighs, knowing she’s already told you to abandon such formal language but doesn’t press the matter. The thick red curtain swishes behind them as they leave, muffling their voices but not entirely concealing them.
“Ensure the Queen-Consort is settled into the King’s quarters swiftly. Knowing my son, he’d want her to feel comfortable as soon as possible. And I have a feeling that we’ll have a new little princess soon!”
You go red, head to toe.
What on earth would prompt that reaction? 
Your toes curl, trying to escape back into your body.
“Queen Dramiria!” Urbosa chides, voices further away. “Don’t go making our queen-consort feeling uncomfortable.”
“I know my son, Urbosa. If he’s managed not to make a fool of himself, then I ensure that we’ll be having a royal baby. Though the princess is quite small, she seems very strong-hearted, enough to please the gods of the shrines. I approve!”
You wondered what part of crying made you ‘strong-hearted’ but you supposed you shouldn’t complain. With one last look out to the sand you crawl back to the safety of your woven bed, and its many warm blankets, all woven with bright colors. It seemed to be very Gerudo to be in bright colors, though they didn’t help a pale complexion much.
Not that many Hylians had the skin tone that compliments it, you thought, brows furrowing. Do you think that Zelda would look nice in the rich blue though-
You blinked.
“Zelda?” You said, and the face peaked over the window again. She said your name, very softly in return, and clearly, great relief.
She glanced around before your cousin soars into the room. This is quickly explained as you hear a quick ‘hyah’, followed by another familiar face, this time jettisoning himself in.
“Link?”
Zelda launches herself at you, pulling you into a tight hug that reminds you of choking again, and you have to peel her off.
“I’m SO sorry!” She cried in a soft voice, clearly heartbroken, “I can’t believe Father let that evil man take you!”
“Oh Zelda,” You say brows pulling together. “What are you doing here? Link would be in a great deal of trouble if he was found.” 
“We’re here to save you!” She sniffs, holding you tighter. “I came as soon as I heard! I knew what everyone was saying was a lie!” You give a strained look, knowing that of course there were rumors, but irritated at them, nonetheless.
Link shrugs, giving a small look of sass before turning to a vase at the side of the room and looking at it. 
 You give a long sigh, and she pulls back.
“We are… aren’t we?” She looks into your face, gazing intently at your eyes, turning to glance at Link, who is intently staring at your hands. Her eyes fall to the crest in your hands as well.
“Married.” Link says, shortly, but meaningfully. He never did like expressing himself much with them.
You nod, softly.
“So…” Zelda pauses, throat thick, “You… left willingly.” You can see the hurt she has, the thought that you would so quickly leave without even giving her a goodbye.”
“It’s a long story.” You say quickly, “And I didn’t leave you willingly… But things have changed and I would not be welcomed back to Hyrule, even if you returned with me. But only if you’re willing to do a great favor for me.” You say, holding her arms.
Zelda nods, pulling your hands together as Link raises his brow.
“Yes, what is it?”
“I need help entering a cult.”
-X- To be continued -X-
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b0nten · 11 months
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DRESS TO IMPRESS
[SYNOPSIS] ˚⁀➷。 mitsuya with a dressmaker s/o
[NOTES] ˚⁀➷。 i actually misread “dressmaker” as “hairdresser” and started brainstorming ideas & titles for mitsuya with a hairdresser s/o. lmao🙌😭 anyaways, hope you like it jay shawtybae🫶 also not proofread <3
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OH YOU KNOW HE EATS THIS SHIT UP
he is so, so, so, sooooooo happy he has someone he can pitch his ideas to and also get input from
istg hakkai only made him wanna beat the shit out of him …
“taka-chan, it looks good tho?!”
“why can’t you leave it like this??!”
ShUT ThE FuCK uP HaKkaI yOu’RE maKIng iT wORsE
again, he gets all excited about it and just goes batshit crazy with designing.
uses you as a model and offers himself as a model for your clothes
THE GIRLS FROM THE CLUB LOVE YOU TWO TOGETHER!!!
you’re like their designer power couple <3
you’re their source of inspiration when it comes to their own designs
mitsuya especially loves it when you come up with new uniform designs for toman
and when he sees you doing your thing sketching his mind just goes blank he’s like 😍😍😍😍😍😍
such a simp for you
on another note tho, he is really glad he has someone with the same hobby as him
i think he finds sewing dates perfect and you guys just spend lots of time laughing and chatting while working on clothes and then later eating greasy takeout praying you’re gonna wash your hands as not to stain the fabrics
you and luna and mana are like this 🤞🤞🤞🤞🤞
they ask you to customize their clothes EVERY TIME THEY SEE YOU
and god fear those two when they get older… with a brother like mitsuya they’re 100% on the way to being tokyo’s next fashionistas.
one thing i think mitsuya would love for you two is working on collections together.
like, you guys chose a category and then each one of you designs half of the collection and the other the second half, then mitsuya gathers the sewing club and toman to rate
sleeps on the highway if his collection flops <\3
he just loooooooooves spending time with you and the girlies (luna and mana) talking about fashion (even though luna and mana mostly like everything).
also loves how loving and caring you are towards his sisters.
do they want a patch on their jeans? say less, y/n to the rescue!
mitsuya is too busy with toman and they’ve accidentally ripped their shirt? y/n fixes it for them!
or at the beginning of the school year, when they need their initials embroidered on their napkins, bag etc… the all nighters you guys pull are INCREDIBLE. so worth it tho, you’re like proud parents when they set off to school with a big smile on their faces in the morning.
yuzuha comes to you for fashion advice, she’s also your top supporter and model (for women’s clothing)
she usually checks wether or not jeans and skorts are rip-proof
(those high kicks may leave one with their undies on display if the sews aren’t done correctly🫢)
overall, it’s just… great☺️
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chaoticnebu · 11 months
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I want to know more about your palistrom au Hunter. Anything. Everything. When does it start happening to him? Did any other Grimwalkers experience this? Was there an event or exposure that triggered the tree growth? (Palisman blood perhaps? Belos needs to be more careful when he eats those things.)
What kind of jokes does Gus tease Hunter with? Does Willow use plant magic on him? Does Hunter find it ticklish if/when she does? What do palistrom tree flowers look like and would Hunter give them to the Captain?
Did Belos use Hunter's condition to advance his 'evils of wild magic' narrative? Does Dell have a professional opinion on Hunter's condition? Does Eda have an unprofessional opinion? Has Flapjack ever tried to build a nest against the twigs on Hunter's head? Just how hard is it to find clothes/uniforms for Hunter and does Darius help out with modifications?
The people have a right to know!
cracks my knuckles and hits that readmore because there’s a lot to write
(( CW for a sketch with blood and bruising + mention of fantasy SH ))
so! I imagined multiple instances where the palistrom mutation happens (aus of the au, if you will.) the main one happens at the end of season 2/during season 3 BECAUSE of the Draining Spell
I always thought that grimwalkers are 100% living beings with the same organs and tissues as other demons and witches (minus a magic bile sac in Hunter's case because he originated from a human) because the various ingredients for making grimwalkers simply transform into living organs and tissues. the Galdorstone becomes a real heart, the one bone of Ortet turns into a whole skeleton, the palistrom wood turns into skin, hair and nails, and so on.
BUT the Draining Spell, due to its nature as a magic nullifier, made the Grimwalker Spell on Hunter regress
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their blood turned to green magic (the same of palismen)
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and the skin of his right arm, scar tissue and right shoulder turned into blue bark
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had the draining spell run its course they would've probably turned into a plant monstrosity :) (i also tried to imagine his heart going back to its galdorstone state, but that would’ve probably been excruciating if not lethal, so idk if it would work at all)
having the Draining Spell been stopped in time, though, the mutation happens slowly and only after Hunter and the rest of Hexsquad have fled to the human realm. it takes about a month for the first palistrom leaves to sprout and before that, Hunter has only suffered a terrible itch (everyone thought it was just mosquito bites at first)
when branches finally start to grow and his arm looks less and less human, hunter realizes that hiding his nature as a grimwalker is impossible even with Luz’s help at that point and he leaves the noceda household during a panic attack (he just can’t stop running off into the woods) they eventually reunite and the grimwalker reveal happens WAY EARLIER than TTT (i like it to be a lot deeper conversation.) they also have to deal with Jacob (the museum asshole) being even more determined to catch and expose the kids after finding out that there's a tree boy with them
the second instance of the AU happens earlier, when Hunter is still the golden guard and the cause of the mutation is the Collector. star kid was feeling especially bitter towards Belos and they tried to mess up the grimwaler spell, which resulted into this one grimwalker to mutate at some point during season 2
this AU develops into two scenarios:
Belos tries to dispose of Hunter before Hollow Mind, but the kid flees thanks to Flapjack and finds shelter in Bat Queen’s cave, where she welcomes them as yet another lost thing despite all the harm he caused in the past. he ends up joining the BATS, attacking scouts who confiscate palismen to save them and made up for all those that died because he brought them to the Emperor
Belos decides to keep Hunter and tries to convince him that he was cursed with wild magic just like the Emperor, manipulating the kid into considering himself unworthy of love and acceptance, that his uncle is the only one who understands what it’s like. it takes Hunter A LOT MORE to distance himself from Belos and learn to trust Flapjack and Hexsquad. this is also the instance where Belos has to be more careful about feeding off palismen
So, about Willow! She totally can use plant magic on Hunter after the mutation manifests (limited to his right arm) but unlike healing magic, plant magic is a manipulating kind of energy that could make the bark grow even more and she would rather not try that. IF she tried i’d assume it would itch just like when the palistrom grows naturally
I never thought about palistrom flowers, i think that it might be a fun art challenge coming up with a design for them :) but Hunter would not give them to anyone because pulling them (like pulling leaves or snapping the branches) hurts like hell. a dark bit about Golden Guard Tree Boy if that he plucks leaves and flowers despite it hurting a lot just because he hopes to look "less wild" to the eyes of the Emperor
BUT a cute thing I like to imagine is that when the flowers bloom (around march/april like it happens to most plants) Hunter becomes especially affectionate!
Gus (and Luz!) totally pester him with tree puns! They never leaf him alone :)c ( /shot )
Dell… don’t know what kind of professional opinion he would have, but I like to think he’d be the one helping Hunter recovering after Belos’ possession (because it happens, it’s uglier than canon, and Hunter’s palistrom comes out of it burned and cracked)
Eda’s also very professional opinion is that she’s sorry she can’t stomp Belos MORE after hearing all that the poor kid has gone through
Flapjack totally tried to make a nest in his branches. Actually he still does because he’s very much alive in Palistrom AU :) He was just so badly damaged that he can’t fly anymore. Being beyond repair Hunter had to carve Waffles as a movement aid for them both and Flap gets to hang out with a silly little sister!
finding clothes with accomodations for Hunter's branches is literaly hell (i know it is because i never know how to draw them) so boy has to make his own. Camila helps with it a lot when the kids are in the Human Realm, while Darius helps when they're back to the Demon Realm :D
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julymarte · 1 year
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  since my only real contribution to this fandom has been thedifferences analysis i did with my friends i think it’s time to separate it from the AU post and make it into a real masterpost, this is gonna be pretty long so be ready for it Disclaimer: models and art are fluctuating so i’m going to highlight only the recurrent stuff and the related evidence for the candy theory, so i’m not claiming this to be the indiscutible canon so take this evidence as you polease, just know it’s there but going forward....it’s time to begin with a few copy and paste from the previous posts with a few corrections along the way What is the candy theory? the Candy theory generates by the names of their alchemy lesson candies, according   to it, they highlight their strenghts/charm points so  Tail Fin Candy for floyd meaning legs and height and   Dorsal Fin Candy  for  jade focusing more on his torso/back i’ve seen many people comapring sprites to prove this theory on twitter so it’s time to show some examples, i tried to recreate them as best as i could (consider as i said art tend to be a lil less reliable than spites as it heavily depends on the lineart artist who’s assigned to the job)
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this repeats in pretty much all the  versions aside the mermaid sprites that are copy/pasted  BUT on that someone call in the octavinelle trailer  to support the theory
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some also link that to floyd possibly being a late bloomer as we clearly see baby floyd  was indeed shorter than baby jade in middle school even without the  aid of guiding lines
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both the tweels are of course still growing, since despite being GIANTS  they are afterall still 17 but we heard a detail from  floyd unique from what we know about jade, In floyd’s starsending episode translated by Ekala  he states that
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to adjust the mold of custom made shoes  he has probably gotten considerably taller within the year
According to some this means that floyd’s uniforms aren’t short on purpose  but are simply his first year ones and hedidn’t change them...but in that case jade wouldn’t have grown much  in height... according to these theories then floyd “just started” getting his growth spurt  while jade is pretty much settling his height and frame, but considering his apetite i wouldn’t be surprised to see himweighting more than floyd if we wver get an official weight for the boys(as we do know trey weights less than rook etc) but we are swimming too much in headcanon waters let’s proceed with the analysis in the previous posts these were the differences that emerged some of them are based on artwork so i’d take them with a lil caution especially on the topic of the hands that proved to be especially unreliable (floyd even got them changed in one of his sprites cause they looked too soft , sometimes jade has softer hands too) shoulders seem to be fluctuating as well
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starting with some artwork analysis  in the  magic archives we get a view of the eels from the back, and  floyd  was the only one with sketch underline, this was the result considering jade and  azul wearing clothes properly (and even pretty tight in jade’s case as we saw before)
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further update to support the  theory  comes  from the Union Birthday  model atlases starting with the   difference in rendering  of  their  vests that  being the  same  shape have  some pretty distinct  rendering on the  contrary of  the usual ( mermaid  copy/paste-very similar  halloween) as in jade  we  even find   back the  return of  the  button crying  for  help
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another element is   the  belt as  all the models  come  with a   separate  belt  but  i  decided to merge  it with their  hips  to  give better context as there’s  no  variation in the  legs  and  as usual floyd’s  are  slightly  thicker but  something we  never  analized   surfaces here , and  i  think there’s  not even need to explain this
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some relate this to their  first bday art too even if their  model don’t show significant difference
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also in mer-form when having the  same  position  you can see another visible  difference  between jade  and  floyd  
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in the masterchef ones we see pretty much we see a similar thing to the birthday boy vests even if shoulders and waist are pretty much the same they still keep a small but consistent difference
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before jumping  to the “it’s just the clothes” bandwagon i remind you that once again jade wears skin tight clothing and floyd loose/oversized stuff
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this pic actually leads us to the latest difference found aka the forearms always  from the masterchef models
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i hope to update this masterpost next month with their proper leg difference with floyd’s basketball club wear coming out to compare with jade’s vargas camp leggies so yes apparently  jade’s the  titty twin and floyd the ass one, and you may wonder wasn’t jade the ass one? i am afraid to break it to you but his beansday backside is  fake af and all thanks to the  harness
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in conclusion these are the predominant differences it’s also left to dind the  difference that rwas mentioned to riddle about the fact that  ears  are also different  but  the art is inconsistent on that matter and  we  didn’t come to a proper   solution and it might be  something only  perceived  by  the  characters
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aimasup · 1 year
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I can't do this anymore I have to get this out now
Welcome Home but if they were students in like middle school, human or puppet idk
long post warning
Poppy Partridge
she's the class monitor alongside Howdy and a very good one because she cares so much. Almost too much
more stressed about collecting the homework and class fees than the teachers
takes lab rules verrrrry seriously but you could not pay her to even stand next to a bunsen burner
favourite subject is Physics, oddly enough. Knowing how all these unpredictable accidents can be put into numbers gives her some kind of peace.
If something isn't explicitly stated in the instructions she'll wonder if she's missing something in between the lines
she gets made fun of for her troubles :(
Sally Starlet
Keeps getting into the principal's office
Has skipped school so many times and her grades are barely passing
If she's called up and doesn't know the answer she will make one
Is actually the president of a couple clubs and very enthusiastic during cocurricular activities, also a competent leader
Volunteers for so many activities and events. Not for credit, for fun
Rules announced at school talks because of her: No feather duster lightsaber battles, no standing on tables and starting impromptu sing-alongs, no 'grand car tire roly poly racing' down the halls, no broom twirling, no white balloons, etc.
identifies as Poppy's weekly heart attack
Eddie Dear
Exchange student! The mystery is from where. Most people think he's avoiding the answer
Isn't a leader in anything but has gained a reputation for being such a reliable stand-up guy whose flaws are more forgivable
He's a prefect who gets called out of class more than anyone to help with something
He's always so happy to help but then he gets even more late or tired, and his grades are falling behind
If you asked him to share his lunch money he'd gladly do it. with hesitance.
needs better boundaries
Julie Joyful
School's beloved. The kind of student who gets immediate applause when they perform or receive an award during an assembly
Started her own gardening club, grades are in the top few, an optimism that's as baffling as it is infectious
Sneaks gum and random toys into class, somehow manages to style her uniform in a unique way every other week
"psst can I copy your homework? I'll do your nails"
Can make any old cleaning task fun
Best and favourite subject is physical education, which includes games, gym, health, etc. Basically hands-on learning because she gets bored sitting still too long
Has a competitive side that gets wild if left unchecked
Frank Frankly
Number one in grades, always was, always will be
He's organizational, not lawful. Doesn't mind climbing over a fence or two in the name of education
His desk is almost unreal to look at it's so clean. Thinks of ways to solve a task so efficiently you'd think he's aiming to be class monitor (he is)
Though he intimidates people they often ask for study tips. His handwriting is an actual font and his diagrams look printed
Favourite subject is Biology but you wouldn't know because he excels at all of them
Also a prefect. He met Eddie during the orientation
During free time if he's not studying or doing homework exercises, he's sketching or letting Eddie and Julie gather at his table to chat
*raises hand* "uUhm teacher you forgot to assign homewo-"
Barnaby B. Beagle
If Julie gets candy into class he's somehow having whole dinners at the back. There's a rumour his bag can carry a microwave
He makes jokes during class, he balances stationary on his nose, he calls the teachers dude, his uniform is messy, but he's so chill and sweet that he's comfortable to be around real quick
Never pays attention during class. If he's not sleeping he's poking holes in his eraser with a pencil or something
yet he keeps getting decent grades. Teachers do NOT like him but popular among students
Best subject is English, but not everyone appreciates his poetry and essays unfortunately
Wally Darling
There's being well-liked and then there's 'most crushes accumulated school-wide'. It's no wonder because of how nice and helpful he is
Often told he has so much potential and that he's a model student. Basically teacher's pet
He's apparently known as so kind and sweet and gentle and perfect and cute but his friends know he's just a silly sleepy guy
You either love him or hate him, no in between
Best subject is art, his paintings are often posted around the school and he's done a few wall projects
Focuses verrry well in class! Appears so anyways. Head's always in the clouds, such a daydreamer
Also, certain unexplainables noticed about him. Brings one shiny apple every day but doesn't eat it. Leaves school, yes, but how does he get home? He's always the first one in class too, before Poppy. Somehow has all the latest gossip, but he'd never spill a friend's secret :)
Howdy Pillar
Class monitor, next to Poppy. He's just a handy dude
Helps out in the school cooperative selling items, most responsible out of everyone because he can keep a level head for tasks
Doesn't stand out much, originally just wanted to get through the semesters and get the business experience but soon became a social butterfly
Jarringly cheerful under all the work he takes upon himself. His organizational skills rival Frank's. No one knows how he does it
If someone can't afford to pay for something he helps them out in a way that doesn't technically break any rules
Is also the reason their class alone is cleaner than anyone else's. Poppy is the reason no one's dead
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Y'all bear with me on my bad phone pictures and excessive notes lmao, but, uh, ask and you shall receive.
Here's my concept art for Jason in my fic Imprint, where he's a halfa and Danny's biological dad and the king father/king regent? of the infinite realms.
Here's the first ever sketch I did somewhere around chapter 2 or 3:
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Featuring larval Ghost!Jason, Pit madness/Lazarus Water and little bitty Ghost!Danny.
I was already thinking about the possibility of a crown but didn't know what to do with it yet so I just left a halo as a placeholder DBZ-style, which you'll see in the next few concept stages until I finish the latest one.
Ah, the oldest concept I had for the Pit is that it laid dormant in Jason's mind and would physically pull itself out of his head, which is why it's kind of half melded with Jason's helmet in this one. And I'm still kind of considering that idea, but I'm leaning more towards it coming from the bulk of Jason's body instead, as we see it in chapter 8 of Imprint when readers get to see Jason's ghost nonsense from an outside perspective. They (the Pit) is definitely more tiger-like now, and you'll catch a glimpse of a sketch dump where I'm trying to get a handle on tiger shape language (?). They'll still be water based and colored like the pits/a lagoon. It may be hard to picture- just trust me.
Uhhh let's see....the "lantern ribcage" is a part of the design that's really important to me so you'll see me consistently playing with it as I go through these early concepts. That's his core nestled in the lower part of his ribs, visible but protected behind the iron cage of his bones.
I wanted to incorporate Jason's helmet and other parts of his vigilante/hero uniforms in his ghost form since that part of his life is deeply personal to him.
I also knew that I wanted him to have a very monstrous aspect to his design- and I can't resist slapping pointy teeth on any of my concepts that deviate from being strictly human. So those aren't going away. Nostrils to breathe smoke and fire so Jason can better emote with most of his face being metal.
Danny's default ghost form, opposed to Jason's will still kinda be the one he has in his original dimension- black and white suit and the classic DP symbol on the chest, but probably better armored and with a bat emblem thrown in somewhere. So thats what I drew him with here- though little kid sized, with an added black streak in his hair to complete the inverse of the Lazarus Pit streak he has in human form.
In ghost form, when Jason needs precision, his go-to weapon will be the All Blades, which I have kinda illustrated here.
I may kinda set the bones of this design aside to use as a more humanoid ghost form that's closer to his living form, but that's still up in the air.
Here's concept 2, which I did on chapter...5? I think? Which is when I decided I wanted to make Jason's most comfortable ghost form to be kinda big and outrageous:
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This one's got some notes doodled around it- but I'll type them out in case you can't read my handwriting.
Jason was definitely leaning more toward dragon (and I'm still trying to find the balance between dragon and phoenix that works nicely for him, but we're getting there.)
I decided not to put heat pits on his face recently so that the parts of his head modeled after the helmet are smooth metal armor. I tried to elongate the head but still keep the lines of his helmet in the design.
This is also the first time I started messing with horns- which have been bent in just about every direction at this point trying to make them mesh well with the rest of his design. The uppermost notes in the image mention basing the shape of his horns off of one of his weapons. I thought that the flaming all blades would just be overkill at that point and decided to play with using the Kris knife he gets from the League. Which is....still overkill but it's less fire to draw, so we'll call it a even. There is also a note on my decision to make his horns into a pair only because of being Bruce's second son and the second Robin. (I have put way too much fucking thought into this if you haven't figured that out already).
Tried a different look for the teeth and ended up scrapping it.
I also started leaning more into making his back look as messed up as possible at this point and started thinking of the....mountain range in plated rows like a croc's back.
And here's concept 3, which also starts playing with colors and the all-tail, no-legs look that I decided to stick with:
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This is definitely the biggest jump between concepts so far and was sketched up while writing chapter 7, which I think is the first time we get to experience his ghost forms (there's 2 that we saw in that chapter).
So I continued to smooth and lengthen the head and tried a different thing with the teeth- which I kept. I also felt a lot better about the lines from the helmet with this concept. I tried curling his kris knife horns forward, trying to play with their form. Those have changed since.
This is the first time I added hair, but it's hard to see. He, like Danny, has an inversed streak of black at the front of his 'do to reflect the Lazarus stripe.
Again with the halo placeholder because I was still on the fence about the crown. Started trying to make the mountains of his spine more volcanic looking. Don't know if I'm keeping that or not yet.
So the three major differences between this and it's predecessors is the 1) mantle of smoke that is constantly being expelled from his body that is supposed to imitate a kinds cloak/mantle; 2) the tail, which has since been changed into a fiery tail instead of a ghostly one; and 3) I slapped his Robin 'R' from the movie UTRH on him to make this form more...him, I guess, and also to make Bruce cry like a baby.
So the things that I have changed is the ribcage, the shape of the horns, the crown (which finally has a rough design and a name based on the fight he has to win to earn it- yes, I already have that arc scribbled out and will most likely be adding it into the story) and I added some extra stuff to the face to match the written descriptions in Imprint.
SO. -Claps hands together- I'd love to hear your thoughts on everything, and I am always interested in hearing how y'all have interpreted these characters for yourselves.
If this is something you want me to do again with other character designs, let me know and I will. I am working on Jason, of course, and the Pit, Frankie boy, Danny's big long boi form, Gotham and some other odds and ends.
(Whoops forgot tags again)
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anulithots · 1 month
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Nobara realizes that Itadori isn't really a hoodie guy.
And she cannot stand for that.
*intro music starts playing*
~JJK fashion show episode~
Nobara drags him and Megumi along for a shopping trip to find Itadori's sense of style.
(Technically Megumi and Itadori always join along with Nobara's shopping trips. Itadori goes along for fun of it + knick knacks + food and ends up having to carry all of Nobara's bags.
Megumi silently goes along, looks at a few things, shies away from attention as much as possible, before strolling through the pet store and buying nothing. Itadori often takes a break and joins Megumi for a little while before the trio meets up again.)
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This time she had to drag along Itadori, and she told Megumi he had to help.
Insert an entire fashion montage. (If you know more about fashion than I do please let me know ideas)
Itadori eventually has to deal with his indeciveness, making a decision for himself....
... or he pretends to like whatever Nobara recommends after a lot of 'I don't see what's wrong with hoodies!' (depending on the trajectory I guess... if this is cannon compliant it would be this option.)
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Nobara huffs. "Gojo picked your uniform, that's what's wrong! We're not letting that idiot chose your style." She pauses. "Chose something for yourself for once."
Itadori, not wanting to confront this, not minding others making decisions for him, never wanting to acknowledge his own decisions... or lack of them, randomly picks a hawaiian shirt.
Nobara scoffs. "That?!"
Itadori sighs. "I thought you said I could chose?"
"That...is actual garbage. Itadori, I will not be associated with actual garbage. Have some self-respect."
(Sukuna laughs, somewhere in the recesses.)
__________________
Megumi narrowly avoids getting a fashion show himself after buying a shoes to appease Nobara ('I'm using Gojo's credit card so we're all getting something! Even you Fushiguro!")
Itadori hides from Nobara with him. "She isn't satisfied with anything because 'I'm just going along with what she's saying'"
Fushiguro nods, looking at rabbit treats. "You did this to yourself."
Itadori wants to change the subject, almost asks Fushiguro why he comes to pet stores without buying anything....
Nobara bursts through the doors, and the store seems to darken with her entrance. Itadori yelps and tries to hide behind Fushiguro. Fusiguro is also trying to hide. A lot of hiding. None of it sucessful.
(Itadori isn't used to being on the receiving end of this. Usually him and Nobara tease Fusiguro together. He kind of hates this switch of dynamics.... He's supposed to help people. Not be helped.)
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Nobara drags Itadori (and Fushiguro has to follow along because now people are staring.) back to the stores... where they bump into none other than:
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"So my credit card didn't get stolen. Great news!"
(Gojo knew since the beginning and just came along now because he's having a rough - *cough* lonely and thinking about Suguru *cough* - day)
and from here......
I'd imagine that there would be another 'episode' where Gojo offers to help Nobara find the Bakery Saori liked (because he's the 'self-certified expert on sweets and sweet places').
Meanwhile Itadori and Fushiguro get to have some ~quality bonding time~ (I really really like Itadori and Fusiguro's morality dilemmas, so probably something about that... and maybe they get a bunny or smth. Just saying.)
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Let me know if that's something you'd like to see and/or if you'd like me to write this in actual prose.
_________
hi! @mylee-sketches, @justrustandstardust, @bygeto. I'd like to know your thoughts/ideas for this rough sketch if possible, thanks <3 /not forced.
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kuiperblog · 1 year
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What makes movie action “good?”
There’s a John Wick movie in theaters. There seems to be pretty uniform agreement that John Wick movies have great action, and simultaneously, there seems to be a lot of general “Marvel fatigue,” some of which is specifically about the MCU, but also some of which is about “action blockbusters” that seem to put a lot of focus on action and spectacle that a lot of people seem to be growing increasingly disenchanted with. (See, for example:  Tomorrow War (2021) starring Chris Pratt, Extraction (2020) starring Chris Hemsworth, and to round out the Chris roster we also have Wonder Woman 1984 (2020) with Chris Pine.)
Most of the discussion tends to focus on effects, and how making everything in a computer feels soulless while practical effects like the ones in John Wick and Everything Everywhere All At Once are superior, and there’s a certain degree to which blockbuster CG does look worse due to everything being computer generated. But I think a much bigger and more deep-seated problem is that blockbuster action is poorly structured.
There are a lot of great practical scenes in John Wick with choreography that is great not just in execution, but in concept: if you recreated them with computer animation, or hand-drawn animation, many of them would be just as fun. You could look at a storyboard with a director’s poorly-drawn pencil sketches and you’d still be able to follow the logic and understand what the scene’s impact is supposed to be. You can tell this, because people can describe these scenes, and regularly do exactly that, because they’re memorable. It’s what the legend of John Wick is all about. (And it’s not just the “top 10 most creative John Wick kills” listicles that remind us of that fact.)
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The thing is, John Wick doesn’t rely on the unique outlandish props for memorable kills. Most of John Wick’s kills boil down to “point gun, pull trigger.” And yet despite that most of his kills are with bullets, so many of them feel unique. Each scene feels like it has a tempo to it, a sense of flow, a chain of cause and effect. “That guy is hiding behind a pillar, but his toe is sticking out. So I’ll shoot him in the toe, causing him to bend over in pain, exposing the rest of his body so I can shoot center of mass.” There’s always the moment when John Wick runs empty and has to reload before delivering the killshot.
There’s a storytelling principle that’s often applied to plot structure. This was famously described by Trey Parker to a bunch of NYU students on MTVU's "Stand In." Trey Parker describes the writers room as containing a massive white board, split into 3 acts, where they write down ideas scenes and rearrange them. Each scene has to be entertaining by itself, but they also need to be connected by a coherent narrative through-line.
"You don't want just one scene where, 'well, what was the point of that?' Take the beats of your outline, and if the words 'and then' belong between those beats, you've got something pretty boring. What should happen between every beat that you've written down is either the word 'therefore,' or 'but.'”
A happens, therefore B happens. Or, B doesn't happen, but C happens, therefore D happens. Repeat.  You can use this to structure the plot for a 25-minute TV episode, or a 120-minute movie, or a 2-minute action scene. Follow it, beat by beat, and see if one leads to the next:
One of the evil henchmen comes swinging at our hero with a wooden chair raised over his head, but the hero dodges and the wooden chair smashes against the floor, shattering. Therefore, the ground is now covered with the broken remains of a wooden chair, so the mook picks up one of the long pieces of wood that served as a chair leg and begins swinging at the hero again. But the hero successfully dodges and the wooden club breaks and splinters in a way that causes it to become, therefore the mook starts trying to use the splintered end to stab the hero...
I’m not saying this is an amazing action scene, but it’s a competent one: each beat flows into the next. The chair becomes a chair leg, then the chair leg becomes a shiv. Each time the henchman comes rushing at the hero, he’s doing it with a different weapon. The scene has a logic to it: if you rearranged the shots, the scene wouldn’t make sense. You can’t start with a splintered piece of wood and then end on an intact chair.
So many mediocre action movies fail to deliver it. The bad guy punches the hero. And then he punches the hero again. And then he tries to kick the hero. And then he punches in a different, cooler way. There’s no real sense in which each beat is a consequence of what followed it: if you cut the scene up and rearranged the shots, a lot of people might not even notice. (And in fact that sort of thing happens all the time in the editing bay.)
Tony Zhou self-deprecatingly describes this problem when critiquing one of his own videos, saying “This is a list you could put in any order. That’s why it’s so boring.”
For examples of action cinema where every beat feels like a consequence of what preceded it, watch any classic Jackie Chan movie (the ones that came out of Hong Kong, not Hollywood). Tony Zhou describes it like this:
“So how does Jackie create action that is also funny? First off, he gives himself a disadvantage. No matter what film, Jackie always starts beneath his opponents. He has no shoes. He’s handcuffed. He has a bomb in his mouth.“
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“From this point, he has to fight his way back to the top. Each action creates a logical reaction. And by following the logic, we get a joke.” (Jackie is facing an assailant with a gun; Jackie has a gun, but it’s empty. Therefore, Jackie fakes surrender, handing his empty gun to the assailant. Therefore, the assailant is now holding an unloaded gun in his left hand. The assailant now thinks he has control of the situation, but reaching for the unloaded gun distracted him the fact that Jackie was entering a fighting stance and getting ready to kick: therefore, when Jackie kicks, he succeeds in knocking the loaded gun out of the assailant’s right hand. Therefore, the assailant tries to fire at Jackie using the gun in his left hand -- which is empty, and he realizes it in a moment of surprise which Jackie seizes on by punching the assailant in the face.)
This is the joy of watching Jackie Chan films: much like the example of a chair (which morphs into a chair leg, which morphs into a shiv), a prop in a Jackie Chan movie is rarely just one thing. A ladder isn’t just a ladder; it’s a prop. And it’s several different kinds of props. Fighting with a ladder like this:
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...is subtly different than fighting with a ladder after this happens: 
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And if you flip it over a guy’s head, it suddenly becomes a cage: 
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...trapping a guy just long enough for him to look at you in surprise right before your fist intersects with his face.
It’s great for action comedy, but it’s also great for straight action: sometimes, the “punchline” is someone getting defeated in a surprising way. John Wick is one of the few big franchises of recent years to reliably do this sort of thing well.
Often, John Wick accomplishes this by being clever.  But I think a big part of it comes down to the fact that John Wick is just mortal enough for the number of bad guy’s he’s facing to matter. Each scene needs a sense of “progress,” where the stakes are constantly changing, and sometimes the change in stakes is as simple as, “There are five bad guys, oh no!” Bang bang, pivot, bang bang. “Okay, now there are only three bad guys.” (It’s harder to do this when you’ve been injected with super soldier serum and wear a suit made of high-tech blast resistant stretch fabric: Captain America subduing five bad guys doesn’t feel meaningfully different from him subduing three bad guys, even if the way he punches them is really cool.)
Stakes matter! If threat level scales linearly with the number of bad guys on screen, then each scene will have a natural eb and flow to it as bad guys get gradually picked off (or as more of them stream into the room, or pick themselves up off the floor and reach for the gun they just dropped).
One of the MCU scenes that actually did this better than most is the famous Captain America elevator scene: first, Crossbones and two guys get onto the elevator with cap. A bit surprising. Why is that guy resting his hand on his hip so close to his gun? Several floors later, the elevator opens, and four more guys get on. They’re wearing suits, like you’d expect from people who just showed up for a day at the office. This is headquarters, there’s nothing to be worried about. So why is that guy sweating? Then, the  door opens again, and three more guys get on -- and these guys are wearing tac gear. But hey, it’s Jack -- I know Jack, he was in the first ensemble movie, he can’t be one of the bad guys...so why is he standing directly between me and the door?
It’s a great example of slowly amping up the tension by gradually adjusting the threat level up. The scene even amps up the tension by having the magnetic handcuff, which leaves Cap in various stages of incapacitation throughout the fight. And he has to fight his way up from the bottom. But we very quickly go from this iconic shot:
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...then after literally three seconds of Cap delivering a rapid series of strikes to incapacitate most of the mooks, he’s back to fighting two or three of them at a time.
Despite there being ten bad guys in the elevator, it’s kind of hard to get a clear fix on how many of them attacking Cap at any given moment, all of the others existing in various states of injury and recovery after they get the wind knocked out of them. In fact, the only shot that allows us to get a full body count is after the fight is over:
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But it’s still a fun scene, one of my favorites, succeeding at being fun and memorable.
The bigger issue is the need to be “epic”: threat level can’t scale linearly with the number of bad guys on screen when you want a scene where there are literally hundreds of enemies to fight off.
There’s a certain point at which the marginal effect of another bad guy on screen is effectively zero. Obviously, this is the case when you have hundreds or dozens of enemies on screen, but there’s a real sense in which “group of seven bad guys” doesn’t feel different from “group of six bad guys.” Our brains just categorize both as “a pretty big cluster.” Research tends to come to slightly different results on this, but it seems like humans count “one, two, three, four, many.” Once you have five bad guys on screen, adding a sixth bad guy doesn’t do anything to change the stakes.  (That’s the problem with having a hero who’s so strong that you need to throw 10 bad guys at him to pose any threat.)
If you cap the total number of on-screen bad guys at five, then each enemy the hero defeats meaningfully changes the stakes, and John Wick does this a lot. In many cases, the flow just comes from watching the number of bad guys on screen decrease linearly as the hero picks them off, one by one. It gives the scene a natural scenes of progress, and it can sometimes be played for comedy, like Neal Stephenson does in Snow Crash in a scene described by a sniper’s dialog:
"It's, like, one of them drug dealer boats," Vic says, looking through his magic sight.  "Five guys on it.  Headed our way."  He fires another round.  "Correction.  Four guys on it."  Boom.  "Correction, they're not headed our way anymore."  Boom.  A fireball erupts from the ocean two hundred feet away.  "Correction.  No boat."
That’s a (very short) scene with flow. You can’t rearrange the beats; every beat leads to the next. Follow the logic, and arrive at the punchline.
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tyvm for 8k+ followers!! 😭
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Ignore the crazy number of drafts I have—
WEHHH 🥺 You guys keep surprising me time and time again! Like I always say, thank you for the support!! Each and every one of you has been such an integral part of this journey.
At the 7k follower milestone, I revealed seven NRC dorm uniform designs for Miss Raven (my TWST OC and blog mascot/muse!). For this milestone, I’ll do the same, but for RSA and NBC uniforms 🎵 They’re just sketches, but I hope you find them interesting all the same! I designed them with the prompt of "what if Raven ended up at a different school than NRC" in mind. How would these new environments and students shape her as she learns and grows?
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Royal Sword Academy
The hairstyle for RSA!Raven is similar to NRC!Raven, but with the pigtails lifted much higher to represent a shift in her place and role in the world. It's crazy how just the pigtails being higher makes her look so different... almost kind of resembles Hatsune Miku! You'll also notice that it's not actually a single large chunk of hair curling in each pigtail; it's meant to look sort of like two segments intertwining (think like OMGkawaiiAngel from Needy Streamer Overload, but with thicker hair; it looked weird when Raven's hair wasn't thick).
RSA!Raven's look is a mixture of what a tomboyish, active princess would wear and what a more traditional princess would wear. The base look is very Snow White-inspired, since that's an important and historical film for Disney. She has a little red bow clipped to the center of her hair, puff sleeves that resemble the ones on Snow White's dress, and her collar is high and poofs out similar to Snow White's. The bow also appears on her boots, which are high and come with a stable sole for trekking around.
Raven's jacket is long and boasts a flamboyant train that flares out, and with the sash repurposed to her waist and the pleated skirt, it gives the illusion of a dress. On top, she wears a frilly blouse and a cravat of raven feathers. Cinched as an accessory atop the cravat is her magestone inlaid in an RSA brooch. She wears a pair of safety shorts under her skirt so she can run and climb without worry. What if there's a cat stuck in a tree or an old lady that needs help crossing the street?! Have no fear, the tomboyishly heroic Raven-san will come help!!
This version of Raven is much more upbeat and outgoing! Since RSA is a place that promotes teamwork, she's now the type that's eager and willing to fight for her friends and to help those in need! Raven's still ever the curious intellectual, but at RSA, where her wishes and hopes for the future are planted, watered, and left to bloom, she's much more open about sharing her dreams and confiding in others. No trust issues here! In fact, maybe she's a little too trusting (much like how she initially started off at NRC). Even though she may have girlish dreams and small stature, you shouldn't underestimate her! She can pack quite a punch with her small fists and loudmouth. RSA!Raven is a classic bright, doe-eyed do-gooder that would surely piss the NRC boys off. When she's not writing a story, she's going around with Chenya and seeing what fun new things lie in store for her. (It's rare that you'll find Raven cooped up in a room!) She's also the first to admit wrongdoing or defeat if she's done something wrong or stepped out of line. RSA!Raven is just honest to a fault, and it's usually Chenya who has to talk her out of apologizing for everything. "Mmm? What's the big deal if we sneak onto NRC campus? Sure, they may not like us, but there's no rule against paying a visit to old friends! You should come along~ I bet it'll be real fun!"
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Noble Bell College
NBC!Raven doesn't have too many outrageous modifications (like, no super short skirts here) to her outfit because in my mind, the school is pretty conservative and wouldn't stand for that. There's a ribbon tied in her beret, as well as another at her chest to secure the diamond-cut magestone there. Usually the shawl NBC students wear is all cloth, but I layered it so there's cloth over Raven's usual feather shawl. The sash coming from her shoulders is also longer and cut a little differently to help signal that she's an anomaly within the student body. Her collar is also a little looser to help her breathe. Last but not least, Raven decided to personalize her uniform a little bit by tying a loose piece of fabric over the longer robes underneath. It has golden beading along the hem, which resembles a piece on Esmeralda's own skirt. Raven wears strings of pearls on her waist in her original NRC outfit, so I thought this would be a neat parallel for her NBC look.
I wanted Raven's hair here to be simple, so it's let down and falls in natural loose waves. Some of it is over her shoulder, but the rest is behind her back, so this helps to slightly differentiate it from the other hairstyles she has worn before. I think it helps to give the impression that she's a studious scholar, but there's a cute and quirky side to her too.
If you thought NRC!Raven was an introvert, hoo boy 😅 you haven't seen anything yet! In the quiet solace of Noble Bell's untarnished halls, peace reigns supreme. Under the watch of the Bell of Salvation, Raven has blossomed into a quiet, stoic, and innocent flower. She does her due diligence sweeping the floors and washing the gargoyles (greeting them every day with a soft smile), then writes stories by candlelight. In the afternoons, she likes to observe the townspeople from a seat at a cafe, or even from up on high, at the tallest tower in the city. Raven respects authority and the rules, and, above all else, believes that justice and equality should be upheld. As expected of someone growing up with the tales of the Just Judge!
If the bad influences of NRC aren't around to be bad influences on her, then surely Rollo will get the job done for them. Thing is, we don't see him acting out in the presence of his peers. This will, naturally, lead to Raven foolishly thinking that he's an excellent role model and thus strive to be just like him. She follows him around like a lost puppy and shyly asks him for advice on various things. Maybe she'd even be a member of student council (secretary?) and hope that her contributions will bring her ever closer to reaching the pinnacle that is the president. With the vice prez and aide, they form the Rollo Fan Club!
... And yet, even though she admires him so deeply, there's a part of her that suspects that Rollo-senpai isn't telling his whole story. She's incredible empathetic and good at reading people (after all, she talks to the stone statues around campus too!)--and her senses tell her that behind Rollo's calm demeanor and dependableness, there's something dark eating away at him. "I wish he would trust us enough to let us know," she says. But maybe someday he will open up to her. (ie Raven is so totally going, "I CAN FIX HIM!!")
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chimchiri · 2 months
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How did the Wonderbolts find out/react to Spitfire and Rainbow's relationship?
Ok I will focus on Fleetfoot here because otherwise it'll be too long. I ended up drawing a few panels but can't finish them right now, so I'm giving you all the sketches.
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I hc Fleetfoot to know Spitfire the longest right after Soarin. They're close friends (Fleets considers Spitty her best friend even) and even though she's got a pretty intense rivalry with Rainbow, they also started a close and intense friendship after Rainbow joined. Fleetfoot considers her friendship to both to be very special.
The scene in question happens during some holiday, general WB vacation, or just a weekend. It's one of the AUs where Spitty and Rainbow start dating and get closer while still in the WBs. At some point they don't want to stay at home and want to show physical intimacy in public instead of acting like friends. But both being well known (especially Spitfire) immediately excludes all bigger and nearer towns. They can't just go out and hold hands and kiss without the press immediately writing about it and it ending in a huge scandal for the Wonderbolts.
They end up spending this specific date in a small village which hosts some minor festival that day. It's tiny, not that well known and is perfect for them. People don't recognize them outside of their uniforms and signature outfits.
It's pure happenstance that Fleetfoot is at the same no-name festival, visiting either an old friend or having to spend some time there due to some family issue. She notices the familiar, colorful hair in the corner of her eye. The hair is a lot more vibrant and visible in the up-do Rainbow wears - a bit foolish of her to not wear a cap like Spitfire. But Rainbow being able to test, investigate and discover her own femininity in the safety of their private time is a big part of her. Plus, Spitfire also didn't think it would be a problem.
From the outfit, Fleetfoot wouldn't have guessed it's really Rainbow further down the street. But she recognizes her hair and laughter immediately. As for Spitfire, even with a hat and glasses, she'd recognize her a mile away as well.
It's a bizarre scene for Fleetfoot and seeing them kiss feels like a gut punch. At this point she's often tried to push Spitfire to go out and at least have some sexy flings, some fun nights with nameless girls instead of her just drowning in WB work. Spitfire always dismissed her, saying she can focus on romance later when she can actually date someone in private and not have the press nonstop on her heels. Similarly Rainbow always denied liking someone and wanting to focus on being a great Wonderbolt member, being the newest addition. The most Fleetfoot got out of her, was doing silly "Smash or Pass" games the nights out after training or a big event.
Fleetfoot would never even have guessed that either would be interested in anyone, especially not each other. And seeing them in front of her seems is like a dream. She feels like she's seeing two completely different people in front of her and not her friends: Rainbow with her more delicate and feminine attire than usual, and Spitfire who's acting a lot more flirty, soft and seductive instead of her serious, rough or dudebro-joking attitude as captain.
Fleetfoot considered her relationship to both as special. She's not just "a friend" and that's the first reason why catching them in the act affects her this deeply.
The second reason is that she takes the Wonderbolts, their reputation, and especially the team bond just as serious as Spitfire. Seeing them involved romantically goes not only against the Wonderbolt code and rules, but would raise red flags even if it was allowed. There are a gazillion reasons why trouble could and - in Fleets' eyes - would follow. Can either separate work from relationship? Can they stay neutral? Will there be favoritism? Will Rainbow start to slack off? Will she distract Spitfire form her duties? Will there be silent grudges in the team? Will the team and performance suffer?
Fleets is usually pretty outgoing and wears her emotions on her sleeve. This time she swallows her anger and other complicated emotions and keeps quiet. The desire to just go up to and confront them is big - but she doesn't want this to end in a catastrophe for the team. Also she feels Spitfire could talk and explain herself and Rainbow out of it - probably playing it all down since Fleetfoot doesn't even have evidence.
So Fleetfoot waits for now, hoping to observe and collect evidence she can use against them once her judgement day comes. She's still convinced this is bad and will hurt everyone in the long run. But even with a very close eye on them, she doesn't notice anything. Their performance doesn't falter. They're both as motivated to be peak Wonderbolts as ever. There are no noticeable longer or romantic touches. No special eye gazing. Rainbow gets no special treatment, quite the opposite - Fleets wonders if maybe she gets more criticism and work than the others (which is 100% the case. Spitfire does overcompensate a bit in her attempt to hide their relationship) She doesn't see them meet up in a romantic way. She never sees a kiss or romantic gesture again. And even when she spies on them when they think they're all alone, they don't act differently to regular teammates.
There are days where Fleetfoot wonders if her mind way playing a trick on her and that she saw two other people that day. Only sometimes though. And with time moving on and her not seeing any bad consequences, her emotions towards this secret mellow out and transform into a different, more empathetic nature.
There is more going on and some follow-up with Fleetfoot and Rainbow which also covers Rainbow's insecurity about feminine clothing - but it's a long post already. I might want to doodle something for it as well, when that time comes.
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atdawnweryd · 1 year
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S2E5/S2E6 confrontation parallels
(please ignore how freakin ugly and un-uniform these gifs are it was taking foreverrrrrr and I gave up *sob)
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So, I feel like there are massive similarities between Simon and Wille's confrontation in the music room in episode 5 and Simon and Marcus' confrontation in episode 6, and I simply cannot continue to ignore them. They proceed like so:
Start off with an incredulous rhetorical question from party 1 followed by a lackluster attempt at defense by party 2. Sarcastic rebuttal from party 1 ensues (the eye before the storm), and then they go OFF, calling out party 2 on their (perceived) hypocrisy, essentially reaming them out for treating them poorly out of selfishness. Party 2 has no come back, party 1 drops mic and leaves.
The really interesting part here, is that Simon is the accuser in the first scene, but takes on the opposite role in the second scene. It's like the show is turning all the things he yelled at Wille in on their heads and giving him a taste of his own medicine. I don't know if this was intentional or I am off in delusional fan-land or what (come on in ya'll, the water's finee!!).
These two scenes together are (for me) a really effective way to emphasize the morally gray area all these characters are kind of residing in this season. It feels super harsh when Simon is yelling at Wille because he is not privy to everything that's been going on with Wille, he doesn't have all of the information. But at the same time, he's not totally wrong either. Wille did make an executive decision to keep Simon in the dark which was pretty shitty.
Likewise, although no one here is really sympathetic to Marcus, mans may have made a point or two. Does Marcus suck? Um, yes. But actually Simon doesn't think that Marcus sucks. Simon quite likes Marcus but is basically unable to get anywhere with him because of his feelings for Wille. Meanwhile though, he still allowed him to think that they were together, and then ditched him at the ball to makeout with his ex, which is kindaaa sketch (objectively. subjectively, it was awesome). However, Marcus also doesn't have all the information about Simon's motives. He doesn't understand how deep this thing between Simon and Wille runs, so from his perspective Simon is just messing him around with the prince of sweden, the elitest godamn elite of all the godamn elites at this goddamn elitist-ass boarding school. And, as a respectable flannel-gay, we all know how Marcus hates those elites.
So all of this really drives home the point that no one here is completely in the right or wrong. It's a messy situation all around, and everyone's suffering for it.
The other thing that I reallllly love about these parallel compositions, is that the argument with Marcus places Simon in Wille's previous position, where he gets similarly hit with accusations that demonstrated a lack of understanding of the full picture. In my opinion, this allows Simon to view his and Wille's confrontation from a different perspective - maybe he was being a little unfair, a little harsh, because he was hurt. But maybe he wasn't seeing the full picture either.
Of course at this point, Wille and Simon have already come to understand one another much better (hey thanks Karen Boye!), and hooked up in the bedroom. But nothing about their situation has truly been resolved, and recall that Simon is still undecided about what to choose re Wille while he is talking to Ayub later in the episode. And when he finally tells Wille he wants to be with him, his condition is "no more secrets between us", referring back to their fight.
I like to think that this experience was just one of several moments that allowed Simon to empathize better with Wille, and to finally allow himself to be open to giving their relationship another chance :)))))
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mdhwrites · 3 months
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honestly, Amity's hair color is the perfect metaphor for her character. She's still hiding her true colors, she's just trying to match Luz instead of Odalia.
So even at the time, when I was still deep in the paint of TOH, I had a major problem with it as far as the themes, metaphors and just designs of TOH went. Put both Amity and Luz at that time into their Hexside uniforms. Then silhouette them so you have no colors. Now try to tell me which is which.
It was a genuine problem for me during that time period where I'd see sketch fanart of Lumity and have to look for Amity's ears because otherwise the two are indistinguishable from each other. Like yes, it's a MUCH more boring hairstyle and I'm with others that there's just way too much purple in the show so Amity's green hair helped her actually stand out but this really was a big problem and got worse as I got more critical of Lumity. After all, this moment of making sure she has her own identity, stands out from others and will decide her own fate... And she looks the fucking same as another character now, blending in more easily with them. Then she just goes on to slowly have the rest of her personality and life (which were already doing this, thank you "your grades are slipping" from Escaping Expulsion for that one) consumed by her role of girlfriend.
It makes what should be such a character defining moment anything but that. Hell, it isn't even a complete schism from her family's desires and wishes. She still goes on to effectively helm Blight Industries after all, or so I presume unless she started her own competing abominations factory which still doesn't fix that that's STILL what Odalia would have wanted had Amity failed to get into the EC. It's still living in the shadow of her father's legacy and following in his own footsteps.
It's actually the one major cue from Hunter that Amity takes for her arc which really doesn't help the two feel like they aren't the same character. At least with Hunter, we only have one action that's confirmed as being the same as those he's supposed to be rejecting so as to find his own personhood: Rejecting Belos. There's a lot more we can claim but that's the only one 100% confirmed.
Amity though? Her future includes dedicating herself to a potentially unhealthy degree to her partner while also commercializing her magic into mech-infused abominations. Even if Lumity is healthy post the series, nothing about Amity's behavior doesn't imply she'd drop everything for Luz at a moment's notice and Alador gave the same impression. So... She just became her dad? Why?
Then again, when you are a show that seems to actually struggle to write a diverse cast of characters (I mean personality wise, not ethnicity), this is going to happen. Dana is a good enough artist though that the silhouette problem shouldn't have happened. That should have been caught and stopped immediately, not when it's so antithetical to the point of the moment. I guess you could say it's to show she still needs to make another step to becoming her own person but that never really happens, does it? And we explicitly know they didn't have proper plans for it to happen.
So yeah, it really is just perfect for who Amity became, even right down to being a worse design to go alongside girlfriend Amity being such a worse character.
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I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.
A Twitter you can follow too
And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.
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