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cyncity2000 · 2 years

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this was too long for twitter but honestly i was pleasantly surprised about the publicity for heartstopper because i expected everyone on twitter to be like "wELL if every single actor doesn't immediately come out to everyone then how do we KNOW all the queer characters are actually being played by queer actors hmMM??" bc yknow. the internet is just Like That 🙃

and heartstopper's response (bc they almost certainly anticipated this) was literally just like "we have a queer cast, trust us, and not a single person in the cast owes you any more information than that. not to MENTION we go above and beyond to show you that this tv series was CREATED not only by an openly queer author who was given FULL control to write the entire screen adaptation of their own graphic novels, but also by a openly queer director who specifically made sure to hire as many queer workers as possible for every. other. department of the show. because yes, it's super important that queer actors play queer characters; but it's even MORE important that the representation extends FAR beyond the people you see on screen."

bc THAT IS HOW YOU HAVE GOOD REPRESENTATION. NOT forcing all of your actors to spend every single interview fielding questions about their own personal gender & sexual identities. good representation is making sure that―unlike the majority of films and tv shows, sadly―if you look beyond the main cast, the roles of director/producer/writer/photographer/makeup artist/crew member/etc are ACTUALLY fulfilled by a diverse group of talented people. true representation doesn't stop at the actors, or the portrayal of characters. it goes all the way up the ladder to everyone making the movie/tv show/etc happen in the first place. change can't happen long-term unless "older," well-established people in the industry (like euros lyn) use their position to create opportunities for fresh, new, young, diverse talent.

tldr heartstopper is a brilliant example of how to properly create a series both by and for the lgbtq+ community, and i was SO relieved to see all the publicity revolve around the story and the actors and the importance of representation WITHOUT requiring anybody who wasn't already out to clarify anything about themselves.

(ramble mostly inspired by this and sourced from this, if you haven't watched the video you 100% should !!! also ofc special shoutout to kit for taking absolutely no shit from twitter)

#obviously no representation is perfect. but when i watched that video and listened to euros lyn...oh i can't tell you how EXCITED i was #i specify alice being allowed to have full control over the adapted screenplay bc we know that isn't always the case with adaptations #there's always a fear that when something is adapted the control is taken away from the author and given to people who dont know the story #well enough to portray it authentically. even though alice has said it was difficult for them to write she DID IT #and that fact + the fact the whole cast and crew was genuinely in love with this story is why the adaptation was so true to the original #which i am ABSOLUTELY sure would not have been the case if the people behind the scenes didn't identify with the story in any way #also ofc some actors HAVE spoken out about their identities which is great! but what i noticed is that most of them talk v generally abt it #but it's not bc they feel like they can't come out or anything bc i wouldn't say anyone's particularly closeted #they just...feel free to be themselves? i'm sure they're out to anybody important in their lives and that's all that matters #idk this got Way Too Long sorry #i just have Lots of thoughts on this lol my dms and askbox are always open if anyone wants to talk abt it #this is Weird i've never posted about heartstopper on here before hello #heartstopper #heartstopper netflix

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txttletale · 1 year

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h… how is any of that racist

assuming that you mean my posts about the 5e monster manual entry for orcs and how insanely racist it is--by happy coincidence i have a bunch of sources about this strewn haphazardly across my browser so i'm happy to answer this.

so we will start with this. the words 'tribe' and 'chief' are deeply, deeply racialised. they have been used throughout colonial (and well into modern and present-day!) history to describe groups of indigenous peoples across the world—with implications of 'primitive' people and societies within the Western myth of linear societal progress. europeans have nations and kings--africans and native americans have tribes and chiefs. the 'tribe' is not a neutral concept--it is a concept that was constructed by europeans in positions of global military domination over a century to justify a narrative about the linear progress of civilization to justify domination [1][2]. of course, it's not just the use of the words 'tribe' or 'chief' but their deployment here in the context of what is obviously supposed to be a 'primitive' method of of government--the 'orcish tribe' is inherently violence, a 'savage' society entirely built on "bloodlust" and "fear"

regis stella puts it much better than i could in this account of an early 20th-century travel memoir in Imagining the Other: The Representation of the Papua New Guinean Subject

while we're on this point i figure i'll add all the other language around 'savagery', 'inherent bloodlust' and so on in the monster manual here to further illustrate my point: it's all quite rote and repeats itself a lot.

now, wait, waiiiit, wait a second. wait a moment. hold up what was that last thing

oh thats not good. having to explain why this is racist feels a little like having to explain why its bad to hit people with hammers but i'll do it anyway: the comparison of real-life 'tribes' of people to insects, vermin, and pestilences is a very real element of genocidal rhetoric--from the holocaust [3] to the rwandan genocide [4]. what is the implied correct societal responose to a tribe that is 'like a plague?'

finally, this is the part that made me say "holy fucking shit this is in the 5th edition monster manual?" because it is pure undiluted gygaxian eugenics shit. first of all, the narrative of the ever-swelling horde, the indigenous or Asian people as an undiffernetiated mass of amorphous Other, is an old one and one that's been used to devalue the lives of people of colour and justify violence against 'the horde'. but the part that's absolutely jaw-dropping is the use of the tropes of reproductive racism--the narrative of Black and indigenous hyperfecundity is also an established racist trope, one which was instrumental in the forced sterilisation of Black and Native women in the USA [5] and now manifests itself in the "great replacement" demographic anxieties of modern racism [6] -- think of White Genocide conspiracy theories and the 14 Words. and of course that is to say nothing of the fact that is made very clear and reiterated (and mechanicised in the form of the Half-Orc player race!) that WotC wants to be very clear about how much orcs "readily crossbreed with other races". this is miscegenation anxiety, plain and simple--somethign else stella talks about.

so yeah! hopefully nobody will ever ask me this fucking question again! (this is just across two fucking pages of the monster manual by the way don’t get me started on the shit that’s in the other books! god forbid i even think about campaign modules!!)

#ask #ttrpg #dnd #orc discourse

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oldshrewsburyian · 1 year

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As much as I adore your (highly) interesting takes on medievalism and how it differs from what we actually know (or hypothesize) about the medieval period, I don't think I've ever asked: are there any books set in either the real middle ages or some fantasy approximation of the period that you WOULD recommend? They don't have to be "perfect" representations, obviously, but it would be nice to learn about any books that side-step the usual potholes. Thank you!

Hi, friend! A of all, thank you; B of all, there are and I would. From the following list it will become apparent that my criteria are idiosyncratic. Really, I think, the most important thing for my own enjoyment -- for any historical fiction, but especially for that set in the place/time I know best -- is that the work and its author are exploring the period as a way of opening up a conversation between past and present, rather than looking down on the past from the vantage point of the contemporary. This sententious prolegomenon concluded:

The Book Smuggler, Omaima Al-Khamis (eleventh-century Islamicate world, about knowledge and wisdom and religious intolerance)

Morality Play, Barry Unsworth (fourteenth-century England, about justice and law and vocation and community)

The Name of the Rose, Umberto Eco (doesn't need my introduction, hilarious and deeply poignant meta-meditation on the genre of the detective story, also on theological debates and the love of one's neighbor and the nature of fear)

Sword at Sunset, Rosemary Sutcliff (fifth-century post-Roman Britain, has some clichés, also some magic, but is so richly imagined and full of people I love. Also good dogs.)

Cadfael Chronicles, Ellis Peters (twelfth-century England; I was wondering why I love these so much and I think a lot of it comes back to how much Ellis Peters loved the particular place she lived/set the books in, and watching the changing of the seasons there, so that that close observation of time -- very medieval! -- is also central. Inequality isn't made invisible or grotesque here, either, and it's often one or the other in Fictional Medieval Europe.)

Isaac of Girona mysteries, Caroline Roe (C14 Spain, also whodunits, but I cannot resist including this charming series about a blind Jewish doctor and his beloved wife and his daughters and the orphan he adopts and his chess-playing buddy the bishop and and and....! It's great.)

The History of the Siege of Lisbon, José Saramago (C12/C20 Portugal, called "metafiction about the instability of history and the reality assumed by fiction" by Kirkus Reviews and... yeah!)

She Who Became The Sun, Shelley Parker-Chan (C15 Ming China, with ghosts, definitely fantasy rather than regular historical fiction, and on the cusp of early modernity, also so so interesting)

The Apothecary's Shop, Roberto Tiraboschi (C12 Venice, deeply weird -- affectionate -- and drawing on Calvino and gialli as well as medieval history; some inaccuracies about women and medicine but I still found it compelling and thought-provoking)

#historical fiction #fun with medievalism #book recommendations #asks and answers

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actualhumantrashcan · 7 months

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I can understand a silly workplace comedy about pirates not being everyone’s jam but I really can’t understand the amount of queer people I see hating on ofmd.

like for one thing most of the debates turn into gatekeeping queerness (which I think has a lot more to do with the ages of the main couples than actual concerns about authentic representation but that’s another post) and the rest are just hateful because it doesn’t directly name or label it’s queer characters but like why do we need that at this point?? listen I love heartstopper with all my heart but it is exhausting to watch them explain queer identities sometimes (even though I do think it’s super useful for younger audiences I’m just not the target demographic!) and ofmd is an explicit, violent, adult show that doesn’t NEED to explain it’s character’s identities.

queer people past their 30’s are usually very well aware of their queerness and have had (hopefully) plenty of time to go through the arc of discovering that. so why would we need to see Stede or Lucius or Ed going through turmoil because they’re attracted to men when they have already come to terms with that at this point in their lives?? i for one find it so fucking refreshing to watch a show where the characters being queer is not their main arc, they just ARE queer and life is still happening to and around them. maybe that’s just the millennial gay in me talking, but it gets emotionally exhaustive to watch show after show where the queer character’s arc is overcoming homophobia. yes obviously homophobia still exists and yes obviously if ofmd was trying to be historically accurate these characters would be living in a very dangerous time to be queer but it isn’t trying to be accurate!! it’s trying to be fun and diverse and kind!!

and also, they aren’t pretending homophobia doesn’t exist!! it’s just addressed in a different way. Stede was emotionally abused by his father for his entire life for being “soft” and then was chased down by his homophobic childhood bullies, one of which explicitly told him that he “defiled” the great pirate Blackbeard by simply falling in love with the man behind that name. Meanwhile Ed was forced into the world of piracy at a young age and developed the entire persona of Blackbeard (who fits the toxic, violent masculine stereotype of the time) to hide the fact that he’s actually an incredibly sensitive and deeply queer man! and is told multiple times by male figures in his life that sex with other men is fine but it is absolutely unacceptable to be in love with a man. both of their arcs contain homophobic rhetoric that is still present in society today, but its never presented as a problem that they have to wrestle with. they don’t have to come to terms with what it means to love each other, they just have to overcome some trials that go along with the complicated lives they both lead as a pirate and former aristocrat. the homophobia in ofmd is woven into the backstory of each and every character, it shapes them into the people they are at the beginning of the show when all of their walls are up and they are performing the “pirate” roles they are supposed to play. and then we get to see them grow and realize that they are in a safe space, part of a community not just on the ship itself but in the life of piracy (which in the show is pretty much explicitly an allegory for queer lifestyles.)

anyway, I could rant about this all day but just truly why do we have to tear people down for enjoying something? why do we have to find reasons to hate something so obviously created with sensitivity to it’s queer audience and with so much queer joy? if historically inaccurate gay pirates going on silly adventures and falling in love are not your thing, fine! but perhaps just let people enjoy things and find your own things to enjoy.

#ofmd #our flag means death #ofmd s2 #our flag means gay

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bestanimatedmovie · 1 year

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Choose your favorite!

Vote in the other polls!

What fans say:

The Lorax:

Spider-Man: Into the Spider-Verse:

It had a very big impact on meme culture. And a really catchy soundtrack. Plus it has the silly sexy green man. What more could you want from a film.*

The Once-ler and the let it die song. This movie is glorious.

It is legit the mother of all great animated movies nowadays. From Mitchells vs the machines to the new mutant mayhem movie! The plot is so good and you can really see character development from almost all of the characters, plus the designs are BANGER.

THE MUSIC?? TOP FUCKING TIER. THE CASUAL DIVERSITY? IT ALSO HAS LITERALLY THE BEST SHOT IN CINEMATIC HISTORY (Miles rising after taking his leap of faith)

BRO THE ANIMATION IS SO SICK. The amount of sheer effort put into this movie is insane. The character growth was so amazing to watch and such a great movie to analyze. Best scenes are obviously the leap of faith. Actually gorgeous. And also the scene where aunt May sees Peter b after her Peter died. Her “you look tired, Peter” is just so heartfelt

Where the hell do I even start. The visuals are incredible and the plot is engaging. Every scene is perfect.

This film has EVERYTHING. Humor, action, inspirational scenes, kickass music, absolutely killer animation, an art style that is an homage to comic books, loveable characters, a talking pig, DR OLIVIA OCTAVIUS, I could go on

This is the best superhero movie ever made, the leap of faith is one of the best movie scenes of ever

The animation style is better than all the others, and makes the movie funnier too! The representation is also good, and the romantic storyline isn't too prevalent in the movie. Probably the best animation Marvel has made. My favorite scene is when the villains show up to Aunt May's house -- its my favorite fight scene!

I’m sure this movie’s been submitted already because it’s arguably the greatest animated film of all time. I have a personal connection to it because I saw it in theaters on opening night with my late father, and we both loved it and I still do. The animation is revolutionary and it’s one of the only 3 movies that make me cry.

gsksvbsvsbsvs I love everything about it, I love the animations, the story, the soundtrack also the style of animation AAAAAA its so beautiful its art it belongs in a museum i get goosebumps everytime I rewatch it

It’s just so good. All the characters are amazing and I love Miles dad. It’s hilarious and sparked my love for spider-man. It’s such a sweet movie about finding yourslef and has such a powerful message. I totally recommend it so I’m not adding spoilers, but like. Ohhhh, it’s so good.

Interesting villains, well-developed character arcs, a fresh take on Spider-Man, unique use of animation, funny, good use of multiverse that adds to the nature of the story being told, complicated character dynamics

It's the best animated movie because A: it takes one of the most well known comic characters of all time, kills him off in the first few minutes, and then shows you every cooler version of him. B: Has a large amount of representation in its main cast, considering that they're all versions of Spiderman, and that requires a white guy by default. C: everything in it is so well done I can't pick a favorite scene, but the most iconic is the jump off the skyscraper window.

The animation is incredible, the movie has so much story and heart, and there’s a perfect balance between humor and seriousness. And the soundtrack slaps

This is probably the best animated film I've ever seen. The animation is definitely the highlight, the way they blend comic book art styles and 3D animation is an absolute joy to look at and is so overwhelmingly creative, every frame of this movie is gorgeous. The impact this had on the industry is undeniable, as we start to see more and more movies getting more creative with their animation styles. It's not just the animation though. All of the characters are entertaining, all of the jokes land and the story is really well done. It leaves me blown away every time I watch it.

This movie kind of changed the western animation industry from the ground up. Apart from being expertly written, funny, and heartfelt, it is also stellarly animated, with a unique visual style that takes direct inspiration from the comic books it adapts and mixes 2d- and 3d-animation in a way and to a degree that hadn't really been seen before in western mainstream. Its critical and monetary success paved the way for mainstream 3d animation to open up to new and excitingly stylised movies that were like a breath of fresh air between the generic Pixar-style animation that had been the largely unchanged norm in the industry since Toy Story circa twenty years earlier**. ITSV divides the screen like panels on a comic page, it uses dots and lines for shading and gradients, doesn't shy away from lowering framerates for stylisation, and makes liberal use of onomatopoeia, both to comedic and dramatic impact. Impact frames and SFX are often hand-drawn and stunningly colourful, and even the simple dialogue scenes astonish with an expressiveness and realism in their depiction of emotions that makes me rewatch a two-second scene of Miles laughing fifteen times in a row. My favourite scene has to be the What's Up Danger scene, the emotional climax of the movie. Set to an absolute banger of a song, it is the moment the entire film has been building up to. I won't spoil anything plot-wise in case you somehow haven't seen this movie, but both from an emotional and a visual standpoint it is Fucking Dope. Conclusion: Spider-Man: Into the Spiderverse is my favourite movie of all time and I could talk about it for hours. If you haven't seen it, go watch it. Thank you.

Have you SEEN the Whats Up Danger/rising and falling scene? it's a work of art that makes me fall in love with storytelling all over again whenever I see it. Also the impact that it's had on animated film is absolutely being felt at current, if incrementally. Incredible film.

It has an amazing art style based on comics and mixed up due to genre differences. It's really fun and the characters are great, even the side ones. The story line is great and I love Miles and his family.

*Mod note: errr, quite a lot more than memes and music actually

**Mod note: amen

#The Lorax #Spider-Man Into the Spider-Verse #best animated movie #round 2 #tournament poll #tumblr's favorite

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froschli96 · 8 months

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As an asexual Good Omens fan

There's something I've noticed in this fandom that makes me really uncomfortable, and that is the way that Crowley and Aziraphale's possible asexuality is constantly being connected to and justified by them being not human.

I just honestly really hate that, because implying that asexuality is something that somehow "logically" follows from characters being nonhuman is ... not great. Like, I hate having to be the one to point this out, but asexuality is, in fact, very much a human attribute.

And unfortunately, most of the time when I come across this take, it doesn't feel like someone seeing themselves in the characters and relating to their experience, but rather an othering, this kind of otherwordly pure non-sexualness, where people put these characters above such trivial things like sexuality.

I am not asexual because I am somehow confounded by this oh so complicated human concept of sexuality, or because I don't ever think or care about sexuality at all (a lot of thinking was unfortunately involved actually before I finally came to a conclusion about my identity) it is just a fact of who I am, as a human being, it’s a part of my human experience.

And let's be honest, attributing asexuality to nonhuman characters is not the hot new take a lot of people seem to think it is — this trope has been around for ages. And it hasn't done a great deal to normalize asexuality. In fact I'd argue it's perpetuated an othering of ace people, but you take what you can get, really. (This is not to say that it is in any way wrong to identify with these kinds of characters, I definitely do, too! It's just sad that the topic of discussion is always about how "human" someone can be considered when they don't feel sexual or romantic attraction)

To be honest, I don't actually see A&C being asexual as canon — as a lot of people seemingly do — just because the author kind of suggested it in a tweet where he basically conflates "asexual" and "sexless" (for the record, this is not a dig at Neil, I just think the implications were kind of unfortunate, even if it might not have been intentional, which makes it all the more frustrating that a lot of fans just ran with it). And yeah, going around calling people aphobic for seeing the Ineffable Husbands as gay rep or any other identity, when they’re oh so obviously canonically ace, is honestly kind of insane.

I get that it might feel nice and tempting to be able to "claim" these characters and this relationship and being able to tell other fans off whose headcanons on their sexuality differ from your own because it is hard to come by any kind of representation when you're ace and there's finally a creator who's not only not contemptuous towards but even supportive of fans reading his characters as queer. And if you feel represented by A&C as it is then all the more power to you. But the thing is, it doesn't matter what kind of justifications there are or what canon might or might not say (bc when has that ever mattered in fandom spaces) or what the creator says, you cannot convert people to your opinion about a character, and you're going to have a bad time if you spend your time in fandom trying to do that.

And really, I am just wondering why we necessarily even need an explanation or justification for them possibly being asexual. Why does it have to be that all angels and demons are asexual by virtue of being nonhuman, and so A&C have to be too? why can't that just be an aspect of them that is completely unrelated to them not being human? Could these characters maybe not simply identify as asexual, not because they're nonhuman, but in spite of it? (btw, in the same vein it is equally stupid to argue that A&C can't be ace because they have "gone native", which is also an argument I've come across)

Honestly, I'm not even asking anyone to fundamentally change how they see these characters here — if you think they must be asexual solely because they're angels and have no concept of human sexuality, then whatever, I can't stop you and I don’t want to police anyone's headcanons bc as I said that's stupid and a waste of time. What I am asking you is that you maybe reflect a little bit on why exactly it is that humanity and sexuality are somehow so intrinsically linked in your mind to the point where you automatically use it as a way to distinguish between human and nonhuman characters.

Anyways.

Tldr: please stop equating asexuality with non-humanness thank you and good day.

#good omens #gomens tv #ineffable husbands #aziraphale #crowley #asexual #lgbtqia #This is a long post and I’m probably kicking the hornet’s nest here even if only a few people see this #but I had to put this into words before I explode.#bc this take is so pervasive in this fandom #and its frustrating bc theres never any real discussion about how their relationship might be relatable to ace people #its just taken as a forgone conclusion

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writtenbymoonflower · 2 months

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Hi!!! I’ve literally been so obsessed with your poly!marauders fics recently and was wondering if you could do one where the reader is having really bad baby fever because of a dream where she had a 4 year old daughter named Eliane with the boys? She’s usually not a huge fan of kids but she definitely would love at least two of her own (that way they won’t be lonely like she was as a child obvi). Could you also incorporate her being curvy in some way? It always makes me happy when I see curvy representation ❤️❤️❤️

Hi sweetie! This isn't exactly like you said but I hope it's okay! Also it's not super overtly curvy!reader, but it's there if you squint. fem!reader x poly!marauders

cw: mentions of children/pregnancy, slight mention of unideal childhood

600 words

You had been lovelorn all day. Currently, you were looking all gooey-eyed at a mother who was hunched over her baby’s stroller, babbling and cooing at the child. You caught yourself, though. Snapping out of your daydream and shaking your head, returning your attention to your boyfriends. Sirius and James were running around with a rugby ball. Every time they tackled each other they kissed in a way that was far too passionate for the public. Remus sat on the bench next to you, nose deep in his latest read.

They had suggested a day at the park, likely in response to the spacey state you had been all day. James always followed the logic that fresh air cured everything, but right now it was just making things worse. Your sight lingered back to the mother, who was now bouncing her baby on her knee. You wondered what it would be like, to take your baby to the park, love on them in all the ways you weren’t, feed and put them to bed, it filled your heart with yearning. You were in no place to have a kid whatsoever, but that didn’t mean you weren’t excited. Especially being surrounded by so much love every day, it only made you want to spread it.

“Hey, babe! You okay?” Sirius looked at you, inspecting your face. His mouth was quirked up in a half-smile.

“Oh, yeah! Yeah, I’m good.” You tore your gaze from the stroller, realizing that James and Sirius were now in front of you, chugging water bottles.

“What’s so interesting?” James looked all around, scanning the park for what had caught your eye. Remus set his hand on your thigh, massaging the full flesh there.

“Are you okay, love? You’ve been far away all day.” Remus asked gently. All three of the boys' attention was on you, making your face hot. “Are you tired? You sleep okay?”

“Yeah, I’m good. I slept fine.” You smiled. “Do you think you would want kids one day?” You blurted out, looking nervously between the boys. “I mean obviously not right now, or any time soon. I just, had a dream last night that got me thinking about it.”

“Aw,” Sirius melted. “You got baby fever, sweet girl?” Remus slipped an arm around your shoulders.

“Kinda,” You said shyly. “Again, I wouldn’t want one now, it’s just,” You took a deep breath. “I just know that if I did have kids, you all would be amazing parents.”

James pouted, his eyes welling up. “You would be a wonderful mum, honey. And I won’t speak for those two, but I would love to have kids. I want multiple, I’ve thought loads about it.” He admitted. You beamed at him.

“Oh, you saps.” Sirius stood on his tip-toes to kiss James on the cheek. He then hauled you up, taking your spot to tug you onto his lap.

“Siri!” He held tight around your middle. “I’m gonna crush you, let me up!” You groaned.

“Good,” He nuzzled into your neck. “I love you, darling. I want kids with you all. You’re the best things that have ever happened to me, I wanna make sure our kids feel that love.” You thought you could cry. You all looked to Remus, awaiting his reaction.

“I would love to do that with you all. You would be great parents, I can’t think of anyone else I would want to raise children with.” You all were a big pile of mush.

“Right,” James started hauling you all up. “I’m gettin’ you three home, gotta love on you all before I explode.”

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broomsick · 5 months

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Self-care & connecting with nature deities during the wintertime

Is it still possible to connect with harvest and nature deities such as Freyr during the cold season?

Long answer short, yes. Obviously, absolutely. But you all saw that answer coming, right? So I’m here to give you some ideas, as the person who’s favorite season is winter and who made it their mission to help everybody like winter just a little more. And since I feel especially close to Yngvi-Freyr when it comes to the Gods, I will use him as an example throughout this post, though a lot of the following could apply to most nature deities.

Let us first examine a common misconception before we get to the bottom of this topic: the fields don’t die when the sun sets on the 31st of October. The earth still lives under thick layers of snow. The process of dormancy is absolutely crucial to the cycles of nature. And if, like me, you find Freyr to be a sort of guardian of these cycles, then you’ll know he manifests himself in so many ways, even where you might not think to look.

Have you heard about the holly and ivy tradition? It was common during the European Medieval times to decorate houses and halls using holly and ivy, because they were the two plants with leaves that stayed green, even in the dark and cold of winter. This type of practice is often referred to as "bringing the outside in", and it's something I'm quite fond of. I've no doubt it could be a great help if you're the type to feel depressed during the winter time. It's a way to remind oneself of how everpresent nature actually is. Lots of greenery remains despite the snow! And to ackowledge this fact and to work with it is such a great way to connect with nature Gods in general! It goes to show that you appreciate their blessings all year round, not just during spring and summer. While it's true that in many cases, the presence of deities such as Freyr may feel somehow "dimmed" during the winter time, I assure you, they don't disappear once the first snow falls! On the contrary, they are every bit as present and active as when spring comes! They simply manifest themselves in a different manner.

When winter comes, I love to work with evergreen spirits. I incorporate spruce, fir and cedar into my practice and in my offerings. I won't go into too much detail for this topic however, because I've written posts that pertained to it in the past (namely, this post on tree work and this one on land spirits). Since I don't have easy access to holly or ivy, I make due with evergreen! Not with any actual branches, except when I'm lucky enough to find some that were torn away by the wind. But rather, using representations of it. In the same manner, and in the spirit of "bringing the outside in", it's also possible to decorate using representations of the sun! Harvest deities such as Freyr are often associated with it due to its crucial role in the cycles of plant growth. Candles also make for great solar symbols, and to place them around the home is like lighting a handful of little suns to bring much needed light and warmth inside. What's more, lighting candles on the winter solstice night is a widespread practice among pagans today! It serves to symbolize the return of the sun, as the days start to grow longer again. Until then however, it can be soothing for one to light a candle every morning before school or work, and to call upon any harvest, nature or solar deity of their choice to ask for strength and motivation throught the day. Even when it's difficult for us to feel their presence, they always hear us.

Now, how to actually feel more connected to nature? Oftentimes, connecting with nature and connecting with Yngvi-Freyr are one and the same. And on a more personal note, a lot of the advice I received from him pertained exactly to that: I believe he's often urged me to go spend more time in nature when I am going through rough patches. I know the cold and the cloudy weather can make it depressing for a lot of people to go out. My advice on this is to take it step by step: no need to go on long, four-hour long hikes right away! After all, there is already much beauty to be seen close to home. And I can't put enough emphasis on that: dress warmly! Also, as a tool for motivation, prepare a treat for yourself to enjoy after you've gone out. Part of what makes me enjoy winter so much is the thought of the warmth and light which await inside after I’ve gone out into the cold. The home is as sacred as the outside world! So why not buy, or prepare a batch of cookies, a cup of hot chocolate or a spicy dinner! It's something I love to do as a way to motivate myself to go out more often. And I like to offer part of these to local land spirits and to the Vanir, to show my appreciation for the beauty of this season. Just as an aside, I find snow water to be a great such offering as well!

I know that I’m not revolutionizing the pagan scene with this post, as there’s only so many ways to connect with nature during winter. I think it’s important to keep in mind that the snow, rain and cold that this season brings is just as much part of nature as the greens and lively colors of spring and summer. For this reason, they are just as much a part of nature deities and what they represent. Deities have so many facets and depth, and it can be so fulfilling to explore these different aspects, and the way we perceive them. While it’s true that spiritually speaking, it often feels to us heathens as if Skaði is somehow “taking” Freyr’s place in the order of things for the time being— much like the Holly King takes the Oak King’s place in Celtic folklore. This doesn’t make it so he disappears! In my experience, he presides over the cycle of seasons as a whole, and he is every bit as present for his followers as he is during the winter. I can connect with Skaði during the summer in a similar manner. And I’m sure that the same can be said for so many other harvest deities.

#my ideas #yule #winter solstice #paganism #witchcraft #pagan #norse paganism #polytheism #rituals #heathenry #norse polytheism #deity work #norse gods #spirituality #deities

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windvexer · 3 months

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Spirit Vessel Theory & Practical DIY (Traditional Witchcraft Flavored)

(Written in response to an Anon whom I think is probably involved in spirit conjure community, which is where conjurers put spirits inside of a vessel for you and ship them to you. Anon requested to know tips on how to transfer a spirit to a new vessel)

✨big heckin UPG ALERT ahead for the ENTIRE POST✨

In this post, a spirit vessel is any object, including a container filled with objects, which serves as a spirit's physical foothold into our present reality.

Three Varieties of Spirit Vessels: Telephone, Body, House

Please note the particular absence of trap or prison: there is no need for any practitioner to trap or seal a spirit inside of a vessel. This is what we do to unwanted spirits to relocate them to a second location, and it's not how we treat our friends.

My categorization of spirit vessels relates to how the spirit is intended to engage with the vessel.

Telephone Vessel: This is the kind I've most commonly seen and heard of in the conjure community. The spirit lives/exists Elsewhere, but the practitioner has given them a link of communication to this physical object.

The practitioner then works over the object to "call" the spirit and ask it to arrive in their location, or visit it Elsewhere, or just talk while they are in separate locations.

In my opinion, the "telephone" vessel is the least impactful type for the purposes of allowing spirits into our lives, but it's great at what it does: serving as a telephone line. However, as I hope this post will go on to show, it's also the easiest to make because the vessel requires the least amount of preparation and care.

Body Vessel: This is when the spirit vessel is meant to be the body of the spirit as it dwells on Earth. When a vessel is consecrated and dedicated to a spirit, it's understood to be the spirit itself. The form that the vessel takes influences the spirit's ability to work in our reality.

Body vessels may end up looking like little figurine versions of the spirit in question, but they can also be containers specially prepared with decorations and objects heavily linked to the spirit's essence.

Direct examples in witchcraft and folk magic include house and kitchen dollies that are meant to help lighten the load of chores or stop food from burning. Such dolls may be equipped with little brooms, multiple hands, and so forth, to assist with chores.

Another example of a body vessel is the Decaying River God. To create this vessel, I made a deal with the river and then embodied a spirit into this intuitively crafted form. Now, that physical object has become the sacred body of a spirit.

Just as the kitchen doll may be given a broom to assist with sweeping, a spirit's body may be equipped with tools to grant them additional influence and abilities in our world. A related example in witchcraft is to put the feet of small, scurrying Earthen animals (such as a rat or mole) into charm bags, so that the spell can scamper to its destination.

Just because the spirit has a body vessel does not mean they are permanently bound inside of that vessel. Accidentally breaking or losing the vessel isn't like harming the spirit (although obviously it's to be avoided).

Spirits which were born Elsewhere are perhaps more likely to come and go from body vessels, but even beings born with the creation of their body may still leave that physical space and return to it as desired.

House Vessel: This is the same thing as a spirit house or shrine, just a step to the left. We might equip the body vessel with objects that grant the spirit additional powers and capabilities, but in the house vessel, I tend to organize things to be a pleasant and enjoyable respite for the spirit, almost like a custom bedroom.

There may be no object or representation that's intended to be the body of the spirit at all. Nonetheless, the space is still one where the spirit may be fully invited and present, and gives them a strong foothold in our world.

The only real difference I draw between a house vessel and a shrine or spirit house is the intent. A shrine may be to venerate, and a spirit house may be a kind act of providing shelter. But the house vessel's intent is to create a space that makes it easier for a spirit to fully Show Up to our present reality.

Which Variety is Best?

This depends on your needs. For the purposes of witchcraft, spirits are often best given bodies that reflect their nature and empower them to carry out your purpose. I also hold this to be true for spells and any other variety of guy.

Spirits whom we're getting to know, but aren't quite sure of yet, may be best limited to "telephone" status.

House vessels - I haven't got a lot to say, except bringing up the point of them.

You can have multiple telephone lines and house vessels, yet intuition advises that really only one Body should do for the average spirit.

Vessels Themselves Can Suck So It's Worthwhile to Put Some Thought Into It

I believe that the more a spirit vessel is the embodiment of the spirit themselves, the easier it is for the spirit to use that vessel to interact with us and our present reality.

An extreme example can help demonstrate this point.

Imagine you've gotten to know a water spirit. A mermaid, let's say, from an ocean world of pure, opalescent waters, where coral reefs are cities and pet jellyfish are decorated with pearls.

Imagine that the vessel for this mermaid is a jar painted red and decorated with symbols of fire, then further charged with fiery energy. Within the jar is rusty nails, polluted water from the side of the highway, and a heaping spoonful of chili flakes.

I would hazard a guess that you couldn't even agree to get that mermaid to use such a vessel as a telephone line, much less use it as their physical body.

It's not that the spirit is snooty - it's that you're asking him to come into contact with things that irritate and burn him. Not only would it require a huge amount of energy to overcome these differences, but the vessel would nonetheless cause him discomfort.

Intuition may even advise that a simple bowl of water would create a vastly improved "house" vessel for this spirit.

But if it's true that a vessel can be incompatible with a spirit, then it's reasonable to assume that a vessel can be made more and more compatible with a spirit, until it is highly compatible and therefore very easy for the spirit to link to it and use it.

To really improve our mermaid vessel, we might embroider the outside of a bag with a representation of a coral reef, place jellyfish charms and imitation pearls inside of it, and often soak the entire bag in cool, pure water.

This may be the perfect vessel for our mermaid, but totally unsuitable to the pollution monster, who wants to live inside of the rusty nails jar.

This is the primary reason why I find simple unmodified single-object vessels to be not that great. (Examples of this would be, a crystal ring or antique object purchased and used without modifying it to the tastes of the spirit)

While a spirit may select such an object from a lineup and request it's use as a vessel, that doesn't mean that it's going to be an effective vessel.

Especially combined with beliefs in witchcraft about the magical impact of modifying vessels to encapsulate the power of a spell or spirit,

I believe that an unmodified object for use as a spirit vessel is like casting a candle spell with a plain candle to which no herbs or energies are added, and all you do is imprint your raw intent and light the candle.

It'll maybe work, but not nearly as well as it could.

Therefore I believe the form of the vessel matters beyond whether or not the spirit personally likes it, and extends into the realm of sorcerous technique - spirit manifestation is affected depending on if the spirit vessel is made well or made poorly, and especially how much it is physically personalized to the spirit.

Creation of a Useful Vessel

In all cases: Modify the object(s) of the vessel as much as possible to reflect the nature and known qualities of the spirit. As much as possible, work with the spirit to choose modifications, or, work with known lore or with the assistance of spirit workers or diviners.

In the case where a single object (such as a stone) must be used:

Tie the object up in a net where each knot represents a foothold for the spirit to cling on to, or, where each knot ties up a bundle of energy of the sort of thing the spirit likes. (Can be then worn as necklace)

Paint or carve the object, even in a hidden area.

Add additional decorations and embellishments to reflect either the nature of the spirit, or to represent useful tools that the spirit can use to access the object.

Carve out the middle and add bits of paper (with name and permissions written on), and stuff with relevant herbs.

Sight-unseen, I wouldn't recommend single object vessels if you can't heavily/permanently modify them.

In the case where a container vessel (such as a bag, box, or bottle) may be used:

Decorate the exterior, and if space permits the interior, of the container to best reflect an environment enjoyable to the spirit. Consider various techniques: painting, embroidery, carving, burning, and so forth.

Selectively include objects which reflect the spirit's nature, including dried plants, stones, feathers, seeds, bones, and various objects from nature; also charms, trinkets, and tokens (factory-made is fine); also prayers or poems, or drawings or artwork, all of these things symbolic of the spirit and attempting to demonstrate its nature and totality

Include a written sigil or signature of the spirit, and it's name or known names, and epithets. Often best done in fancy magical ink if any is on hand. (I use Sharpies; no need to over-think it)

Charms, amulets, plants, prepared powders or oils, or otherwise, for the purpose of facilitating spirit manifestation and ease of travel between worlds; examples may include specially prepared threads to symbolize links and roads, special spirit-calling powder, magnets to "draw towards," symbols of the Crossroads or of safe and easy travel, and so forth.

In the case where the spirit is likened to an earthly animal, bones or preserved body parts are a very good addition.

In the case where the vessel is itself in the form of a body, such as a figurine or doll:

Hand-craft or heavily modify the creation to represent the vibes as much as possible

Dress, accessorize, ornament, and decorate the figure to represent the spirit or it's known attributes and purposes.

As handicrafters known more about their trade than I do, I don't want to over-comment. Make them a little body. Yes.

Inviting the Spirit to Utilize the Vessel

Unfortunately I will decline to try and provide a specific step-by-step ritual, mostly because I work more intuitively and don't actually have one written up.

But I'll do my best to explain how you can go about it, and some things to consider.

Basically, you'll want to conceptualize four steps:

Final magical preparations

Consecration

Dedication

Invitation

I'll try to explain the reasoning behind including these things, and of course, you'll want to modify or change all of them according to your preferences and needs.

In all cases: Use your magic to make the vessel lovely and filled with spiritual virtues that resonate deeply with the nature of the spirit. This is necessarily vague; a troubleshooting primer for energy work is beyond the scope of this post.

The timing of this work is very well done on special days where the spirit-roads are open, on full moons, or on Mondays.

In cases where the spirit already has a vessel and you want to give them a new one, there is no difference in operation. Make profane and reclaim the old vessel afterwords according to your desires.

Fill the vessel with two types of energy: The first being dense caloric energies from foods, especially oil, nuts, seeds, eggs, and fatty meat. This can be done by placing a food offering next to the vessel and dedicating the food to the spirit.

The second being ethereal and subtle energies, such as produced from blessed incense or energy work. This can be done by blessing and offering incense as you normally do, or channeling your personal energy into the vessel.

Consecrate the vessel: Perform any charm or ritual in your practice which delineates an object as being sacred and separate from the everyday, and turns the object into a Spirit Vessel. (Add'l details below)

Dedicate the vessel: Perform any charm or ritual in your practice which functions to formally gift-give an object to a god or a spirit.

Sometimes, a consecration and a dedication are done in the same ritual, especially when a god is concerned. E.g., "Witchfather, by your name this wand is made holy (consecration). I give this wand to you; it is yours, and when I use it, your hand guides it (dedication)."

The most simplest format of this is something like, "by [the powers I believe allow me to make thing sacred], I make this object sacred [and perhaps I sprinkle some saltwater or whatever formula I believe is necessary to help me make things sacred]. This object is now the vessel for a spirit. Now, it is a Spirit Vessel."

The above being the idea of a consecration; the dedication then being something like,

"[Spirit Name], I invite you into my world and my life. I give you Permission to dwell in this Spirit Vessel and make it your body and your home. I give you Permission to walk in this world through the conduit of this Spirit Vessel. It belongs to you, it is you."

(The above dedication perhaps also revealing something about why "telephone lines" may be a safer bet, the dedication for those being something like, "[Spirit Name], I invite you to observe this vessel and place your fingerprint upon it, so that when I work over it I call out to you, and you can hear me easily no matter how far apart we are.")

Anyway, put some real thought into exactly how much you want this spirit to manifest in your life, because spirit experiences - even when desired and invited - can be very intense and scary, especially if up to that point your experiences with spirits has been limited.

Invite the spirit into the vessel: If not included in your dedication, also formally invite the spirit.

"[Spirit Name], I've prepared this special Vessel for you, and given it to you. I have prepared the way with earthly and aethereal energies, so you may be well-fed and have the power to move within our world. [That's the offering bit innit]. Come now at this time and here in this place, and claim this Vessel as your own."

Etc., something like that.

At this time, the ritual is over with and you can commune with the spirit as desired or close the ritual down in your normal techniques.

Again, if there is an additional/old spirit vessel you no longer want to use, try talking with the spirit about what to do with it; but you can just let it "run dry" and then carefully undo the magic on it. After that, do with it as you please.

#answered #spirit vessels #spirit work #witchblr

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man-down-in-hatchet-town · 3 months

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Hey, you!

Yeah, you!

Do you crave more ✨canon queer stories✨ in your fandom experience? Are you begging for more major character representation that you don’t have to headcanon for yourself?

Then have I got the kickstarter for you!

The Tin Can Bros (a comedy trio and makers of live theatre, digital sketches, webseries, you name it! You might know them from all the work they’ve done with Starkid—founding Tin Can Brothers Joey and Brian played Ron and Quirrell in A Very Potter Musical) are launching a brand new season of projects, most of which contain QUEER MAJOR CHARACTERS AND THEMES. These guys have got gays, they’ve got lesbians, they’ve got trans and gnc characters, they’ve got wholesome first love and Hannigram levels of fucked-up toxicity. It’s a whole cornucopia!! They’re planning to produce work in Los Angeles, NYC, London, Edinburgh, and Adelaide, but there will be digital tickets so you can watch where ever you are!

We’ve got:

-Two Rocky Horror-style concerts of the cult-hit, spy-movie parody musical Spies Are Forever. Gay protagonist who will sear himself into your heart! Seriously, his relationship with fellow spy Owen will emotionally destroy you for at least seven years.

-A concert of the developing musical This Could Be on Broadway, which follows a group of high school kids putting on a production of The Matrix: The Musical (not a show in real life) in their theatre department. A bunch of the central kids are canonically some flavor of queer, and there’s a central, very sweet lesbian romance that includes a trans character. She’s played trans actress Esther Fallick, who also worked with TCB as a consultant to make the character and show as authentic as possible. Seriously, if you want to see a trans teen thriving in their own skin, this is the show for you.

-An Edinburgh Fringe Fest production of The Solve It Squad Returns, a Scooby-Doo parody that follows the parodic versions of the Scooby Gang when they reunite as fucked-up adults to finally confront the almost-twenty-years-past traumatic murder of their dog Cluebert. I promise it’s funnier than it sounds. Esther, the Velma-esque super genius, is gender non-conforming and identifies with they/them pronouns. They also have a girlfriend WITH a boyfriend!

-A workshop reading of the QUEER SCI-FI TELEVISION COMEDY PILOT Intelligent Life. Unlike the other projects I’ve mentioned, this one is new to the TCB fans, but will follow a pair of ex-boyfriends forced to survive together in an extra-terrestrial colony. From the sound of it, there will be plenty of queer supporting characters as well. This frankly sounds like it could be tumblr’s dream show, and it’d be great to support its development.

-The Great Debate—a live comedy game show where comedians debate silly things. While this obviously won’t have narrative gay rep like the other projects, it will showcase gay talent (at the very least, Tin Can Brother Corey will participate in every show) and may include debates involving queer topics.

-Gross Prophets, in which three wannabe gurus/cult leaders lead a seminar on the path to enlightenment. This is a completely new stage musical so I honestly don’t know if it will contain any queer characters or themes. But the TCB queer track record is pretty good!

Guys, I’m so genuinely so excited by this season. But all this awesome queer art won’t happen unless we get their kickstarter funded. And they need our help! So let’s get fundraising!!

TLDR; Comedy group Tin Can Bros are attempting to fund a season positively filled with queer stories and characters, and they need help! If you want to support the creation of queer theatre and the development of queer TV, consider checking them out and giving to the kickstarter!

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areyoudoingthis · 6 months

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god I truly love the red suit (because it's hot obviously and i am not immune), but also because of the glimpse it gives us into stede and where he's at halfway through s2 (thee season of change and growth).

he's been wearing the same shabby, stained white shirt all season so far because he left everything he owned behind, and he hasn't complained once about ed throwing all his favorite clothes overboard, because nothing was more important than finding ed and finally being able to tell him how he felt about him, and I'm so proud of stede for that bit of growth. the white shirt is symbolic of that growth, of his willingness to put ed and the crew first, of him not needing all his physical belongings anymore because he has people to care about now, he doesn't need things.

but he likes them, and the way his whole face lights up when he sees the red suit and he stops to put it on in the middle of a raid (and almost gets stabbed for it) is so stede. he's grown but he still loves his fancy clothes, he loves bright colors and frills and buttons and gold thread. growing doesn't mean he has to stop loving those things, and that's such an important thing for the show to say, especially given where stede is in his journey of self discovery this season. he's still allowing himself to enjoy those things in spite of the undercurrent of fear of not being good enough and self hatred that thrums under the surface since the opening of episode 1 (and eventually leads him to kill a man and get progressively more butch in his outfit choices as the season progresses). i LOVE that he gets to have that, that he gets to feel hot and pose in front of the mirror and strut around all day (and that he gets to be a righteous bitch when the crew destroys the suit).

it's such a realistic representation of someone on a journey of self discovery, of someone who's figuring out what he's worth and why he's loveable and what he likes and will allow himself to like and how he will allow himself to present in front of others. and he gives it away because he loves his little piratical family and wants to keep them happy, but he still got to enjoy that, and he still looked great in just the red shirt with a low neckline and black lace all over it (and he got a "you wear fine things well" for it!!!!!!! ed saw and he understood what it meant to stede and stede got to hear that!!!!!! I'm kissing the show on the lips).

i still feel some type of way about the teal shirt and the leather pants and everything they say about his state of mind throughout episodes 6-8, and i feel fifty more things about him finally being able to have his romantic fantasy come true and know that he's loved in the color that represents repression and being forced to perform a type of masculinity that's been destructive for him his whole life (as I've said before). I think it was insanely symbolic and important for him to be able to wear that particular outfit at that particular time and stay in it for the entire finale.

but. BUT. i can't wait to see what becomes of Stede's gender expression when he has time to rebuild his wardrobe, when he's not running around trying to keep everyone safe or prove he has worth, when he starts to realize and embrace that he doesn't have to be a certain kind of man for people to respect him and for ed to love him. i can't wait to see the choices he makes when he's finally free to choose. I think s3 might kill me yall

#all the talk about positivity got me vomiting my love for the show and my blorbos again #ofmd #stede bonnet #ofmd meta #alex watches ofmd #I LOVE SHOW!!!!!!!

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yourmomxx · 6 months

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Hotch X plus size reader? I need some self-representation and don’t have enough energy to write myself yet.

a/n: anon, I got you! I threw in some insecurity/reassurance, because you said you wanted representation and if it’s not about that topic, I always try to angle my writing in a way that it fits for (women) of all body types and races..thank you for your request, I hope you like this!!

Aaron knew that something was wrong when you didn’t throw in commenting remarks while you were curled up by his side, you both slouching on the couch in the living room, watching The Nanny.

He didn’t say anything about it, he let you be, thought you might have just had an exhausting day at work and weren’t currently in the mood or condition to interact with anyone.

He knew those days.

Aaron knew, that if there was something obviously bothering you, you would tell him about it, you always did.

But when Cece and Niles started going at it on the TV screen, verbally slapping each other around without ever so much as raising a finger and even his mouth broke into a slight grin, and you still weren’t reacting to any of it, he wondered.

Without saying anything, Aaron reached for the remote and put the TV on mute. It was only when the continuous background noise suddenly stopped, that you looked up from where you had been intensely focused on fidgeting your fingers, and furrowed your eyebrows in question.

“Why did you turn off the sound?” You asked him, voice smaller than usual, although he was sure you thought you were great at concealing that something was bothering you.

Aaron signed and adjusted himself in-between the cushions. He made sure you stayed tucked into his side, though.

He nudged your head with his nose. “Tell me,” he murmured lowly, “what’s going on in that beautiful head of yours?”

You bit the inside of your cheek and did your best to avoid his eyes.

“I fucking hate profilers, you know that?” You grumbled. Aaron’s chest shivered as he let out a quiet laugh.

“So,” His free hand grabbed for your chin and tilted it to focus on him, his thumb slowly smoothing out your eyebrows. “Tell me. You know I will listen.”

You sighed. Honestly, there was no point in denying it anymore. You knew how your boyfriend valued the subject of communication in your relationship, and also now that he knew that something was plaguing your thoughts, there was really no way to escape.

You had really thought you’d done a good job at hiding it, that something obviously had you troubled.

But apparently not well enough for Aaron.

You always asked yourself if his job was the reason why he was able to see through your facade that easy, or if your facade was simply that easy to see through.

“Look, it’s just-“ You picked up the habit of fidgeting your fingers again, “-I know I shouldn��t even think like that, because it’s childish, and stupid, and pathetic, and -“

“Hey, hey, hey.” Aaron pulled you closer into him. “Don’t talk about yourself like that. You hear me? Whatever you feel, it cannot be either of those things, because it is your feeling, and as such, it is valid. Do you understand me?”

You couldn’t do more than nod. The question of how you deserved someone as kind as him made the knot in your throat only grow tighter.

Your hands were much easier to look at than his face. You felt like a sinner confessing.

“It’s just that-“ You started, embarrassment and self-consciousness weighing heavy on your chest, “I’ve been thinking, for a while now. And when we go out, with your friends, and I see someone like Emily Prentiss, who could probably run a ten mile sprint right now if I asked her to, or JJ, who had a child and still looks like she could get hired by every second modeling agency, I-“

You blinked away tears, but even though the hot fluids didn’t run down your cheeks, the way your voice trembled and broke was enough evidence that they were there.

“And when I’m alone with my mind at night, or literally any time, I start to think about it, and I think, I never could be them. And I ask myself, why would you be here, and why would you stay with me, with someone like me, if you had women like them as an option? And I know that’s not fair to you, but even everytime I watch TV, I am reminded that I am not one of those stereotypically pretty women, and it just messes with me so, so much.”

Now, the tears were flowing. Big, salty drops were trickling down your cheeks, taking chunks of mascara down with them.

You didn’t care in that moment.

Aaron just held you closer.

It felt good, to cry, for the first time in a long time. It was cliché, but it felt relieving.

Aaron waited. He was good at doing that, and you appreciated it.

It took a short while for your sniffles to die down, and for you to shakily accept the tissue that your boyfriend was handing you, but you managed.

Aaron brushed a stray tear off your cheek and pressed a barely there kiss on the top of your head.

“Are you ready to listen to me, sweetheart?” He asked.

You took a deep breath.

“Because if you want to continue making points on how Hollywood makes biased casting choices, then I’m fine with that, too.”

You couldn’t help the shaky chuckle escaping your throat at his words.

When you didn’t make a move to say anything, your boyfriend slowly pushed a strand of hair behind your ear and let his thumb trace soft patterns on where it rested on your shoulder.

"I want to reassure you that there is nothing, and I mean nothing, that you have to worry about. Not when it comes to your appearance, my co-workers, women I see on the street, or, most importantly, my feelings for you."

You opened your mouth, but Aaron forestalled you.

"I know that you didn't mean to tell me you doubted me, but I want to tell you anyways. Y/N, what I want is to grow old with you. To spend every last minute of my day coming home to you, having you in my arms. Looks wither, and therefore would never be the reason for me to fall in love with you or perceive you as beautiful merely on them."

“Yes, but the way someone looks is the first way one notices about them, if they want to or not!”

Aaron shook his head.

“No, the first thing I noticed about you was that you ran into me and spilled brewing hot coffee all over my suit,” Aaron corrected you. “And then continued to pay the bill for my coffee for a whole month after that, even though I told you it was fine.”

You dipped your head in thought. It’s true, you had done that. Every time you’d come into the small coffee shop, the barista had already known to bill your coffee, and Aaron’s on top of it.

Until someday, you both walked in at the same time, together.

“Do you hear me?” Aaron continued, “I don’t mean to invalidate the way you feel, but I want you to understand, that, from me, you have nothing to worry about. Because, after a long day, or days, of work with Prentiss, and with JJ, it is you I come home to, and happily so. It is you who I will get down on my knee for at a beautiful, private beach on a day when it’s neither to warm nor to cold, because I know it is exactly what you want. It’s you who I want to fall asleep next to, and wake up next to again, and who I would skip a day of work for just so I could stay longer in bed with you. And I know I said looks don't matter to me, because don't get me wrong, they don't, but you are singlehandedly the most beautiful woman I have ever come across the entire time I have spent in this world. Now maybe call me biased, because I love you so much, but I don't care. Do you understand me?”

You craned your neck the slightest bit to look him in the eye, and his hey held so much sincerity and passion - for you - that you couldn’t do anything else than believe in what he said.

You sniffled slightly and nodded as an answer to him.

“I’m afraid I need to hear you say it,” Aaron said.

Another shaky nod. “I understand.”

“Good.” Aaron leaned closer and pressed a kiss to your lips, and your muscles slumped together at the comfort and the exhaustion, and a sigh escapes from your mouth into his even as he broke away.

“Now please, come on.” Aaron stood up from the couch and rested his hand on your cheek, lips leaned in close to yours as he whispered, “Let me show you how beautiful I think you are.” Another soft kiss.

“Until you believe me.”

—

“Here’s the file about the Colorado murders you wanted me to get you.” Without knocking, David Rossi strutted into Aaron Hotchner’s office, because it’s simply what he always did.

Aaron barely raised his head to shoot him a brief thanks as he dropped a beige folder on his desk.

Rossi was almost out the door, when Hotch spoke up again and stopped him.

“Dave, do you happen to know how far our authority range reaches?”

David Rossi stopped in his tracks, one eyebrow raised suspiciously at his friend’s odd question.

“I don’t think we’ll get the President to destroy his big, red button,” He responded, “But the answer to that question really depends on what you’re asking for.”

Hotch dipped his head slowly. “Well, let’s say, maybe … Hollywood?”

#aaron hotchner x reader #aaron hotchner #aaron hotch hotchner #aaron hotch x reader #aaron hotch imagine #aaron hotchner imagine #criminal minds imagine #criminal minds x reader #aaron hotch fanfiction #aaron hotchner x you #aaron hotchner x y/n #aaron hotchner x female reader #aaron hotchner x plus size reader #requested #yourmomxx

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relaxxattack · 13 days

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you are so very homestuck knowledgeable. when you have the time and should inspiration strike, please tell all your headcanons about oliveblood trolls.

ooo what a great question! for this one i think first we'd need to break down current stereotypes about olivebloods. there's actually not much that we're given about them tbh

according to the homestuck wiki, which is based on info from both the comic and more dubiously canon things like friendsim and hiveswap, the olive caste's two singular traits seem to be "wild animal" and "romance liker". both of these, obviously, are traits pulled from our wonderful main girl nepeta, who was the singular representation of the olive caste for a long time; alongside her dancestors. which is quite cute, who doesn't love nepeta?

the thing is though that i am one of those nitpicky people who likes to say, "well, hey now, nepeta isn't actually representative of her caste at ALL." in fact, none of the beta trolls are. i honestly feel like it should be assumed that just like the beta kids, the beta trolls are weirdos, and not really the 'norm' in their society.

nepeta lives out in the wilderness very specifically away from society in a way that is remarked on as being unusual even for someone of her color; and she does not even understand what role her caste would have given her in normal society. and i mean... considering aradia tavros and sollux are LOWER than nepeta, it doesn't really make sense for them all to have nicer houses than her unless she's unusual in her situation.

^ nepeta is in fact NOT a good representation of olivebloods.

which means... no, i don't think all olive trolls are romance obsessed wilderness girls, actually, sorry, hiveswap friendsim, i have to shelve you from my alternia analysis for now.

luckily, there ARE other olivebloods in the series!

first of all, the other leijons. unfortunately, none of them are really "good" examples either. meulin is from an entirely different planet, and disciple is from an ancient history perhaps even less representative of "normal" life than nepeta is. all we really get from them is stuff we already knew from nepeta-- the wildness, the relationship interest. with an added fact that both meulins seem to be somewhat bookish.

and so who does that bring us to? the final canonical oliveblood.

that's right.

troll will smith.

troll will smith is canonically an oliveblood. not only that, but he's a famous actor, which means he is basically a "model" for society- for what it looks like once you "have it all made". i would imagine this goes even more for alternia, supposedly a very movie-geared society.

the two troll will smith features that canonically exist on alternia are Fresh Prince and Hitch. in both of these films, will smith plays a character that is self-made and clever, a regular guy who is just skilled. it should also be noted that while a "threshecutioner" is a job with a heavy blueblood populous, greenbloods can also be one, and it's common enough that a show about it wasn't cut by the alternian dictatorship.

so therefore, what traits can we pull that all of these olivebloods (and equius lol) display to us?

olive trolls are lower class, but they're capable of working up through their connections

likely due to this, olive trolls are often clever and self made. they're likely quick-witted and sharp

they're good at their jobs! most olive trolls that are seen in the comic are very good with their respective practices (be it drawing, writing, bookkeeping, or melee fighting)

it's possible that olive trolls have a good intuition, and are fairly in touch with their own instincts. this would explain why some of them seem to fare better in the wild or in fights, and also why they are stereotyped as having a natural inclination for relationships. i think this is also a good transition ground between the impressive physical psionics of the castes lower than olive, and the emotional/mental psionics of the highbloods above them.

so, there we go. these are my olive headcanons! they're not comfortably well off or anything, but they're not wild animals either-- they're hard workers and skilled at what they put their minds to. probably usually working a nine to five and doing their best in life hoping to move up with a good quadrant or promotion. at least, in my headcanon anyway- no need to take this as fact!

#homestuck #alternia #nepeta leijon #olive caste #olivebloods #hemospectrum #hsmeta #op #my meta

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meanbossart · 2 months

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i appreciate you as an astarion Understander, but shadowheart is my pookie so i gotta ask what you/du drow think of her...i mean they're bestfriends obviously but what did he make of her pre-shadowlands? what about during act 2? post gauntlet of shar? personally, the shar temple really endeared me to her even if i found the act of doing some of the trials a bit annoying.

Oh I found Shadowheart to be the Most annoying character when I started to play the game and disregarded her as "the hot goth with no substance that they put here for the Morrigan fans" of the story, at least for the majority of act 1. She very slowly became one of my favorite companions though - her development is Wonderfully paced and I love the "open-endedness" of her quest (at least as I went about it), she's facing a similarly terrifying predicament as Astarion and DU Drow where, yes, she may have freedom now - but she has nothing else at all. Not her parents, not her memory, not her god (since I dont personally like the idea that she would just flip to Selune immediately).

What I find kind of interesting about her is that she gets... Less confident in herself as the story goes on? And how, in her particular case, that's both a bad and a good thing. She learns that the world isn't so black and white and that she's been fed lies through most of her life, but that seems to leave her with this frightening uncertainty that she must now contend with, instead of turning into anger or righteousness. It's a surprisingly faithful representation of what's like to escape a cult mentality. In a lot of ways she gets a lot LESS cool as her story progresses - but In a way that I really like, if that makes any sense.

DU drow would have found her similarly annoying at the start (Just took her as a naive religious nutbar) but she slowly endeared herself to him by having a mean streak of her own. They often saw eye-to-eye in their "fuck you, got mine" kind of attitude and DU Drow would have really appreciated her straightforwardness. The moment where I realized those two would get along was during a dialogue you have about her mission, I don't recall the exact wording, but she says something in defense of her blind faith and you have the option to reply along the lines of "Spoken like a true pawn", which I did, because I was playing an asshole. But instead of getting mad she just... Acknowledged it with a little humor and then let it roll right off her back. DU drow really appreciates people like that 🤷

I surmised that, with that attitude plus their shared memory affliction, they would have grown found of each other pretty quickly. If she had been the one to turn me down at the tiefling party instead of Astarion, I would have probably romanced her instead, which is a funny alternate reality to think about.

Then, her and Astarion egging him on with the Loviatar priest pretty much cemented their threeway dynamic for me LOL

Past that point, Shadowheart played a key part in DU drow's own "questline" as the person he later mirrored himself off of. She defied her deity of her own will (I didn't persuade her to spare Nightsong, I just let go and let god) she gave up on her own destiny and greatness in favor of just... Being her own person. It would have gotten DU drow thinking a little more deeply about these things, specially once he found out he was Bhaal's chosen.

Also, they both have a soft spot for animals.

#bg3 spoilers #ask #du drow #shadowheart

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nortsauce · 22 days

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HERE COMES NORT, YAPPING ABOUT FANDOMS THAT I’M NOT EVEN IN!

(And i’ll be typing the rest here because there are too many slides so read bellow)

⚠️ WARNING ⚠️

My LONG ASS rant on how MHA (among other things) fails to present its ab*se victims in a good way,

Starring the todoroki family

So, i know literally no one cares but i feel like it needed to be said: but MHA has a BIG issue with victims of abuse being treated kinda shittily, to making whole arcs about their abusers.

This isn’t a HUGE thing, as the lack of sympathy for Hawk’s abusers was definitely there, but they still were portrayed in a semi-sympathetic light. This is not the main focus however.

I’m sure many could go on and on about Bakugou and Midoriya’s relationship, but thats not what i’m focusing on.

I’m focusing on the most OVERLOOKED and ABHORRENTLY handled dynamic of the Todoroki family

I will be going over each of the characters and why they suck in some way, but as a whole i have to talk about this: Each one of the characters of the family are all victims of abuse in some way, and represent the different ways that trauma affects the victim, i understand that.

All in all, they do a good job of portraying the different ways in which the people handle abuse,

Endeavor being one who never dealt with his past egotistical superiority complex and threw his baggage onto his family/children to live vicariously

Rei being the one who is emotionally/physically damaged to the point of a mental break

Touya being the ex-golden child, and the one who continued the cycle of violence (and misogyny but thats another topic for another paper)

Fuyumi being the one who holds onto an idealized version of a family that possibly only existed in her dreams, being codependent and longing/working to get those “happy times” back with her family, clinging onto smth that was possibly never there

Natsuo being the one who is (justifiably) angry at his abusers, cuts his family off and goes to pursue his own life/dreams

and finally shoto

the one who realizes his role as the golden child is only for his parents to live vicariously, breaks his cycle and is trying to figure out who he is.

These are all great representations of how people cope/handle trauma, and i believe that was on purpose, considering that it also speaks on abuse of children on baselines of being in a famous family.

However, certain aspects are clearly not handled properly; allow me to explain.

Shoto, the youngest of the family, is often seen as the architect of the abuse, as the family was actually quite “fine-living” (i’ll come back to this) before shoto was born.

There were obviously cracks in their family from the beginning, Touya being the golden child despite not being able to physically handle his own power without hurting himself (an allegory i’ll discuss), the fact that Enji (endeavor) basically bought his way into marrying Rei, and of course enji’s complex of being less than All-might.

However, many characters seem to blame the birth of Shoto for breaking the camel’s back, and starting the domestic violence that had already threatened to spill through.

It’s shown through the anime that shoto has a kind heart and never liked enji, due to the fact that he would harm him, his siblings, and his mother,

but for being the tritagonist of this show, we never get to see how he really feels. In all of this, perhaps we could see him feeling guilt for being the reason his family is broken, the possible resentment yet dependency he has for his father, the thoughts on how he feels conflicted yet guilty about his mother and continues to blame himself.

Its interesting how he never stops blaming his father, but regardless we only get his apathetic views on his father and no one else. Its saddening to see the sideline of the victim of abuse while his abuser gets a whole arc. But i’m not there yet.

Moving on we have Natsuo and Fuyumi. I grouped them together because they both have opposite ways of dealing with their trauma, as Aforementioned: Natsuo tries to cut all ties while Fuyumi tries to be a “normal” family with her remaining members.

Both of them have valid ways to why they act this way, and its tragic, however, the way they deal with their youngest sibling, shoto, is disheartening to say the least.

Both of them understand how Shoto was physically abused since he was 5, and neglect to form any sort of connection with him despite his better efforts in natsuo’s case, using him as leverage against his father and nothing more, while in fuyumi’s case, basically presents him in her fantastical version of him in their fantastical “perfect” family life, causing him to have multiple meetings with his abuser and forcing him to relive the trauma so she can have peace of mind.

In hindsight, this is all interesting heavy topics to explore in a character, and i was honestly curious to see how it would be handled

however it all faltered as soon as I saw the hospital scene.

SPOILERS:

After Dabi’s Dance, the todoroki family comes to visit Shoto and Endeavor in the hospital, both of whom are heavily bandaged and bed-ridden.

Despite this all, Rei, Fuyumi, and Natsuo force todoroki, who is burnt and recovering his voice, to get up and walk over to his father’s ward to speak to him.

Shoto, despite being unable to form full sentences, makes it FULLY CLEAR he does not want to be there, by closing the door to his ward, and attempting to leave. Despite his clear efforts, his family makes him go in to talk to him.

this 16 year old boy being forced out of RECOVERING, fully bandaged and barely able to talk, forced to visit his abuser to hear him cry about not being able to fight his own son, depsite also being his son and physically harmed by him since childhood.

In my opinion that wasn’t a good move on any of the family’s part.

Rei is a difficult subject to discuss. She is clearly a victim and has been for. while. She is mentally distant after being harmed for so long and spent time in a psyche-ward to handle herself.

Saying that she was a bad mother would be too far in my opinion, as she did her best to provide a nice life for her kids as well as defend them from her husband.

Not much is said about her, but from what we can tell she loved her kids very much, until the abuse started.

I feel the blame for shoto began with her, not being able to face her own son after the “death” of her first and the fact that his face reminded her of the abuse she’s faced from endeavor.

Her character is honestly an interesting one, but she is not safe from my scrutiny of the hospital scene. She was very brave for facing her abuser like this, however, she did not have to drag her bedridden youngest into the fray.

She is the DIRECT reason shoto has a scar on her face, (indirectly endeavor’s fault)

But i will never blame her for the abuse she faced for her children, by her husband and to an extent, her own son touya, which leads me into my next point

SPOILERS

Touya, aka Dabi, is the “Late” eldest brother who was originally Endeavor’s ticket into living vicariously to defeat all-might and be the number 1 hero.

I could go into the psychology of his character but he is ultimately very interesting. In all honesty the way he is presented as being the consequences of endeavor’s actions is palpable and honestly quite raw. At a young age, he was handling the pressure of being his father’s perfect creation, and the fame and fortune that followed as he sought his father’s approval. Soon, his quirk began to burn him every time he used it, a fact that endeavor ignored to pursue his goal. Touya’s power became self-harm at some point, an allegory for his disregard for his own life and well-being for his father’s dream which ultimately (literally) exploded on itself.

Touya’s story is interesting, from his abuse causing him to act like his father craving his approval, which lead him to act put against his mother and shoto, while laying his baggage onto his younger siblings, to losing his mind and realizing that he wanted his father dead and continuing the cycle of abuse further.

This is all a deep and interesting way to look at abuse and how the abused may become an abuser, HOWEVER.

MY critique here, is how sidelined his whole arc is, as his story is more portrayed of Endeavor’s past coming to haunt him, all for the watcher to sympathize with endeavor rather than understand how the abuse endeavor put onto touya made dabi. This whole arc was framed to be sympathetic towards endeavor, and to fear Dabi. Don’t even get me started on how Shoto’s feelings meant nothing in this arc, as well as being immediately cut off by a surprise cameo of a character that possibly discredited Dabi’s expose video on his abuser.

Finally, we get to talk about the elephant in the room: Enji Todoroki, endeavor himself.

What is there not to say about this man.

I feel I should start eith the obvious:

The forgiveness/sympathy arc for endeavor was quite possibly the worst thing to ever happen in the anime, and this is not subjective.

The whole arc is based around how Endeavor is a victim of his own mind and is trying his hardest to make up for being a terrible person.

Personally, i love to see character arcs of villains becoming a better person, but thats the very thing: Endeavor is trying to ask for forgiveness from his family, who he abused for 15 YEARS. This is no exaggeration as Shoto is now 16, and his cracks started forming as soon as he was born.

Endeavor had illegally married a woman that he basically bought his way into,

was illegally “breeding” (eugh) for quirk benefits,

Treated one of his son’s like a vicarious version of himself

Physically abused his son (age 5+) his wife, and verbally abused the rest of his children

isolated his son

treated his son like a weapon

and finally felt too prideful for any sort of meaningful apology.

This all adds up to a character who only felt sorry for his actions after the consequences started hitting him in the face, as he only felt remorseful when Shoto refused to be associated with him.

Now, some of you may be thinking: “A lot of characters are forgiven for more, why would he be the exception? It’s fictional why do you care?”

There are several reasons to why I care but i’ll speak in terms of framing for now. This show is highly influential to not only kids (as it is a KIDS SHOW) but to adults as well. May i direct your attention to the man who saved a woman from a murderous ex-boyfriend by blocking his machete hits all because My Hero Academia inspired him to take action and be a hero?

Or how about a murder that took place because the accused was inspired by an invader zim episode (the dark harvest)

Whether you like it or not, fiction HAS an affect on reality. Yes, we can determine what is real and what is fake, but you cannot deny that a lot of what media we consume helps us be who we are.

If the show promotes more sympathy towards an abuser than their victims, then people may find themselves sympathizing real world abusers over the voices of victims.

I wont speak on delicate subjects but I can already see affects of this happening, as people rally to defend famous people accused of being abusers rather than listen and provide support to the alleged victims.

In conclusion, These topics are definitely not easy to write, and I, for one, am NO expert and my word should not be used as gospel truth or a guideline on how to write these characters.

This is all simply my opinion on how the bias towards abusers in the show leads for the message to be skewed and marred in action.

I understand that no one is perfect, but if we only reward and sympathize with those who only seek redemption after they face scrutiny, then we lose the meaning of what makes someone worthy of forgiveness.

These topics are deep and interesting, but the way they are handled in this show is simply bad writing.

Thank you for coming to my ted talk and again: no shade towards the writers. Just critiques!

#nort speaks #media analysis #//abuse #mha #my hero academia #todoroki #the todoroki family #touya todoroki #shoto todoroki #rei todoroki #enji todoroki #endeavor #dabi #natsuo todoroki #fuyumi todoroki #dont expect me to suddenly start posting abt mha #im not arguing with anyone either #thesr are my thoughts 💪

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