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#I'm going to give it actual plot along with characters you actually get to see
thegreatcrowdragon · 2 years
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I support the idea that you can steal things from bad people with no problems (I mean bad as in, pedos and stuff)
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aromanticasterisms · 1 year
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kaeya and kokomi on the art for this next version. they are. friends <3
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luv4fushi · 5 months
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omfg i litr read everything uve written off ur masterlist I NEED MOREEEE. i love the way u write megumi especially, i couldn’t get enough of it. i hope you write more of him, my heart aches for more tbh 🥹 tysm for being such a good writer and feeding us starved readers well
tysm! i'm sooo glad i can be a good source of megumi content for you >_< i looove writing megumi so you'll be seeing sooo much more of him, dw! happy holidays!
this december
jjk fushiguro megumi x fem!reader
it’s always colder on your own, especially around this time of year. you should be at home, bundled up with a warm cup of hot chocolate, but here you are in shinjuku, exorcizing curses with your ex boyfriend two weeks after your breakup with him. great.
content: post break up, aged up megumi (19/20), megumi is terrible at feelings, getting back together, fluff if you squint, a bit of angst, miscommunication, one bed (but it isn’t the main plot point sorry), megumi calls you baby like once, gojo is the best wingman, SHIBUYA ARC NEVER HAPPENED AND LIFE IS GOOD, not proofread im very sorry guys pls forgive me, kinda a word dump sry
word count: 5.8k (sigh this was supposed to be 2k words max)
click on my masterlist for more & merry christmas to those who celebrate!
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it’s december 19th when satoru gojo tells you that he has a mission just for you. you’re less than ecstatic about it to say the least. the last thing you want to do is be sent to your death just shy of christmas day. you just want to rest your sore muscles and bask in the presence of your best friends. you’re not in the mood to kill any curses, mainly because you’ve just recovered from a previous mission.
“why me?” you groan.
gone are the days where you used to be a goody two shoes for satoru. you’re old enough to talk back now, not like when you had been a shy fifteen-year-old girl. besides, you’ve been around the silver-haired sorcerer long enough to know that he doesn’t mind the bite.
“sorry, kid,” satoru says with a shrug. at least he sounds genuine about it. “the higher ups requested for you specifically. they say you’ll get the job done in the cleanest way. we can’t have things getting messy before the holidays, right?”
“and you wouldn’t be the best choice?” you quip.
satoru only laughs. he ruffles your hair. even with your growth spurt and merciless training, he still towers over you. in a way, he’ll always be your mentor. “hey, i’m going out of town that weekend. give me a break.”
you huff petulantly. something about this mission seems fishy to you. you’re not nearly the strongest sorcerer out of the bunch of kids under satoru’s wings (not that you guys are kids anymore, but sometimes it’s hard to feel otherwise). hell, there’s the kyoto students. it feels like they never have to do anything. you wish that you were rebellious enough to chew utahime out for it.
“why couldn’t they just make yuta or megumi go?” you mutter under your breath. you stammer out megumi’s name and hope satoru doesn’t catch on to the way you can barely say it.
satoru knows about the breakup. why wouldn’t he? he’s basically megumi’s dad, even if the raven haired boy refuses to admit it. satoru’s six eyes mean you can’t hide anything from him (he’d been the first to know that megumi was head over heels for you).
satoru raises a brow. “oh, right. megumi’s coming along too.”
your face twists and you immediately whip around to glare at him. “you’re lying.”
“i wish,” he jokes. “i was really hoping i’d get a wedding invitation one day, you little rascal. i can’t believe you two broke up. maybe this’ll be a good thing!”
“i appreciate your honesty, but—”
“but megumi’s an emotionally constipated kid, yeah, that i know,” satoru laughs. he makes his way to the exit of his office which has you furrowing your brows. is your former teacher actually gonna just leave after making you come all the way here? how rude and so very in character of him.
“please, gojo,” you call out after him, “i don’t wanna go with him.”
“sucks for you,” satoru responds halfheartedly. “merry christmas. try not to take more than a week on this. you’ll have to pay the rest of the fee for accommodations if you do.”
“gojo!” you whine.
“it’s not a hard mission!” satoru insists like it’ll make your life any easier. “y’know, this time of year is when things get ugly. think of it as saving as many people as you can while putting in the least amount of effort!”
and then he teleports. your former teacher teleports away rather than being normal and walking out of the door. you roll your eyes and hope that he can sense it (you know he can’t).
so that’s why you’re here now. with your ex. on the elevator to your assigned room on the tenth floor. you’re so glad that it’s a normal hotel and not a love hotel. lord knows what you’d do if you had checked into a love hotel.
megumi hasn’t spoken a word to you since he broke up with you two weeks ago. it had been in the doorway to your apartment a few days after a particularly rough mission assigned to the both of you—the one you’re still recovering from. he’d pulled you in for a hug, whispering sweet words into your ear. he gave you a look, one of those looks that made him soften his usually sharp eyes.
“i think we should break up.”
and then came the pathetic whimper of yours. he had wiped your tears, even kissed them tenderly, before telling you that it wasn’t your fault—it was his. how cliche.
now as you stand next to him, you want to beat yourself up for not asking for closure. neither of you had explicitly stated that you two were going to be no-contact, but it hurts a lot less to push the idea of forever with megumi away to the back of your mind. besides, you two aren’t confrontational like that. not with each other, anyway.
“need help?” his tone is soft, tender—the tone he reserves specifically for you, the one that tells you he still cares.
you stare down at the luggage at your feet. you’ve always been a chronic overpacker, a habit that megumi knows of by now. he watches you curiously, hands itching at his sides. you can tell that he wants to reach out and grab your suitcase like he always does. he thinks he isn’t obvious, but you can always read through the lines, especially when it’s megumi.
“i’m okay,” you croak out, clearing your throat awkwardly.
the elevator dings and you make your way to your room. as much as you hate to admit it, you’re sort of glad that you and your ex boyfriend are sharing a room. perhaps his’ll be a good way to get closure, though you’re not really sure what closure entails.
what you don’t expect is to unlock the door and be met with a singular bed.
if satoru gojo didn’t have a layer of infinity coating his body (and if he wasn’t the strongest sorcerer alive), you would’ve wrung out his neck.
megumi simply walks into the room, setting his duffel bag down on one of the dressers opposite from the foot of the bed. he doesn’t comment on the lack of double beds, seemingly already aware of the set up.all he does is puff out a weary sigh. you suck in a breath and follow him inside, slipping your shoes off at the entrance.
you lug your suitcase in after you along with your duffel bag and backpack. you stumble forward and megumi’s arm snakes around your waist, steadying you.
“careful,” he mutters, nonchalantly taking your bag off our your shoulders.
it’s a quick series of movements; he swings your bag over his shoulders and places it on the dresser next to the one he’s claimed while guiding you softly to the side of the bed so that you’re not standing in the middle of the doorway.
you scrunch your face, feeling your heart thump against your ribcage. it’s stupid how he still has such a hold on you, even after two weeks of not seeing or talking to him. he’s just so caring, so gentle. it stings, like little the little cuts you get when fighting curses, when you realize that this is something you’ll have to learn how to lose.
“thanks,” you manage to mutter. you don’t trust yourself to say anything else. you know from the way your throat tightens that you’ll be crying soon if you force yourself to talk any more.
“i can take the couch,” megumi says.
it’s that easy with him; he’s a gentleman, so of course he’d take the couch. that’s the way megumi fushiguro is—he offers a solution before you even have the chance to complain. in your year and a half long relationship, that skill of his had been a saving grace.
“no, don’t bother,” you croak. “i’ll book another room.”
“really?” he asks. he stands up a little straighter, awkwardly reaching up to scratch the back of his neck. “i mean, i don’t mind sharing a room with you… we’ve..”
we’ve shared a room countless of times before.
megumi doesn’t have to continue his sentence for you to understand what he’s implying. you part your lips to speak, but nothing comes out except for a long, heavy sigh. your shoulders drop as you let the exhaustion seep into your bones. there’s no use arguing about it, not when you don't’ mind sharing a room with megumi, either.
“we’ve broken up,” you remind him in a quiet voice, like you’re afraid saying it out loud will make it truer than it already is.
megumi pauses. you see his adam’s apple bob as he swallows thickly. “i know that, but … it’ll be fine. we’ve shared a room as friends before.”
he’s right, like he usually is. you two have shared a room before as just friends, but that had been as teenagers—back when you both harbored such hardcore crushes on each other that you two somehow didn’t notice.
“right,” you find yourself agreeing with a small nod.
“you should go get ready for bed.” megumi begins grabbing a few or the decorative pillow off of the bed. he places them gingerly on the brown couch tucked in the corner of the hotel room. “we’ll be getting up pretty early to deal with the brunt of the mission.”
to finish this mission as quickly as possible, you think.
and so you oblige and head to the bathroom. it’s december 19th, just a few days shy of christmas day, and you’re in bed with your ex boyfriend on the couch just a few feet away.
december 20th greets you with megumi hovering over you. he peers down at you with his messy bangs covering his eyes. they’re piercingly blue as he blinks. his lashes flutter perfectly, even in the early morning. your eyes meet his and you jolt awake.
“good morning,” he says. “your alarm has been ringing for a bit now, so i turned it off.”
you blink rapidly, getting the tiredness out of your eyes. “oh.”
he chuckles softly, just enough for you to catch it with your ears. he rises from his crouched position and heads to the front door. he spares you a glance over his shoulder before he heads out, presumably giving you the privacy you need. you let out a strangled breath before you swing your legs over the bed and head to the bathroom.
by the time you’re finished putting on your uniform, you swing the door to your hotel room open and see megumi leaned up against the wall, tapping away on his phone. his dark blue eyes flicker up to you and he turns away to head down the hall.
you furrow your brows. you can’t help but think that he’s being a little cold to you. it isn’t like you initiated the breakup. despite your frustration with his behavior, you can sort of understand why he wouldn’t want to be sweet around you; you two aren’t dating anymore and so it makes sense that he’d go back to being aloof in your presence, the usual way he acts around everyone else. losing that position in his life makes your stomach churn for reasons you’re less than willing to uncover.
your mission is a vague one; all you know is that it’s a clean-up mission. rather than a level 1 curse (or even a special grade), the mission consists of an acclimation of weak curses surrounding shinjuku. these missions are normally given to younger, more inexperienced sorcerers with the help of a senior sorcerer, but for an odd reason, it’s been given to you and megumi this year. megumi could’ve probably handled it himself. actually, you could’ve handled it yourself.
you bite your tongue to hold back on your complaints as you walk just a step behind megumi. he pauses regularly, waiting for you to catch up to his side. you roll your eyes in secret. does he not realize that you don’t want to walk next to him?
“it’s all just bars,” you mutter.
with that, you earn a tiny laugh from megumi. “well, yeah. this is the red-light district of shinjuku.”
you pale. “this sucks.”
“why do you think i wanted to come out here in the morning rather than at night?” he says, his tone strangely light.
“to deal with the brunt of the mission,” you repeat his words from last night sarcastically. you’re unsure as to what he’s talking about, so you think that it’s okay to give him a little bit of attitude.
he raises his brow but doesn’t comment on your sarcasm. instead, he says softly, “no, stupid. it’s because this is the red-light district. it’s unsafe for anyone, especially a pretty, young girl alone at night.”
your first thought is to coo and tease him. you think i’m pretty? it takes you half a second to remember that you two are broken up. you scoff, “i’m perfectly capable of handling myself.”
“i never said you weren’t,” megumi shoots back. “it would just be annoying explaining to the higher ups why you were fighting people and not curses.”
“i’m sure they’d understand,” you retort, frowning. you cross your arms.
“don’t be so pouty,” he says in that stupid, gentle tone he uses with you when you’re acting bratty.
you both decide to split up. well, it’s more like you demand the two of you to split up. you say it under the pretense that it’ll get the job done faster. besides, you both want to be home before christmas day, right?
there’s about two curses you cross paths with every hour. you’re starting to lose your mind. shouldn’t the streets be infested with them? you don’t even need a veil! all you have to do is give the weak curses just one punch and they vaporize on the spot. your head is running with hundreds of thoughts.
that’s when it hits you: the first years at the tokyo jujutsu school did come out here a week prior! maybe they did a bad job? but you remember nobara had been the one to lead the group. she may half-ass almost everything in her life, but she wouldn’t jeopardize her underclassmen for the sake of her freetime.
so why on earth are you here? it’s not like there are enough harmful curses for a mission to be assigned to you right before christmas, and to you and megumi of all sorcerers. you’re both strong enough to the point of having some kind of importance in the jujutsu world. the higher ups wouldn’t send the two of you on some stupid mission for the sake of it unless they’re planning some sort of secret execution. but even then, satoru gojo should’ve known through their lies to not send you or megumi. unless…he wants you two dead…?
you shake your head and bite your nails. the sun begins to set and you realize that you’ve been out here for longer than you expected. you’re starting to feel a chill in your bones—you had argued petulantly with megumi earlier about not wanting to wear your jacket despite it being the dead of winter; “it’s gonna get in the way!”
you always seem to forget the the sun sets earlier in the winter. it’s stupid how bright all the lights are in shinjuku. there isn’t a square foot of anything that isn’t lit up with neon signs reading out the names of clubs and bars. you see couples and large groups of people walking along the streets.
it’s lonely, you realize. it would’ve been less lonely with megumi.
you make your way to the meeting spot with megumi. you both share a few small words before retiring for the night. megumi says he wants to go sightseeing, even though there’s really nothing much to see. he doesn’t return to the hotel room until late at night.
when he slips into the only bed that the room offers, you chalk it up to the slight alcohol you smell on his lips. it feels so natural that you don’t push him away even though you should. his body is warm and you fit so perfectly against his broad chest that you think it’ll be okay for you to be a little selfish tonight.
“g’night,” megumi mumbles in his sleep.
you smile and nuzzle closer.
it’s december 21st as you realize how late it is in the day. megumi is back on the couch. you feel a tinge of disappointment in the bottom of your stomach.
to no one’s surprise, the sun is barely peeking over the buildings when you’re finally back in the red-light district. you’re doing the last bit of cleanup, but there’s really nothing much for you to clean.
tomorrow, you’ll be heading to a shopping mall, so you suppose you should do your best to sniff out the rest of the curses littering the place unless you want to stay here an extra day. the day is, yet again, slow.
it’s nearing 8 PM and you're finally sure that you’ve gotten rid of all the curses in the general area. you’ve been done for quite a while now, but you just haven’t found the courage to let megumi know that you’re ready to go back to the hotel room. a little sightseeing on your end wouldn’t hurt, right?
“hi, pretty.” a gravelly voice, battered by cigarettes, whispers in your ear.
you jump in surprise. you need to remember not to get too far into your head. you should’ve felt his presence coming from a mile away. it’s a terrible habit and satoru has scolded you for years about it.
“hi,” you mutter, pushing past his larger frame.
the man isn’t as nicely built as the men you know (but then again, your friends are jujutsu sorcerers, so it’s kind of hard to beat that), but he still towers over you. he’s got a squad of rough-looking guys behind him, smirking down at you.
“why’s someone like you alone?” he says, shoving his arm to loop around your waist.
you roll your eyes, getting ready to punch the man square in the nose. will you get in trouble? probably yes. will it be a funny story to tell? also probably yes.
“don’t touch my wife.”
the group of men turn their heads along with you to see megumi. his expression is shrouded with a mixture of anger and frustration. you blink in confusion—megumi usually looks pretty pissed off, but this is the most angry you’ve seen him in a while. and ‘wife’? what’s up with that?
“oh, my bad,” the man chuckles. “didn’t know this pretty thing was married.”
“this ‘pretty thing’ wants you to let her go,” you say with an overly sweet smile. your teeth clench and you hiss, “right now.”
the guy scurries down the sidewalk with his buddies trailing along, making fun of him for hitting on a married woman. nobody mentions the lack of a ring on your finger. nobody mentions the lack of a relationship, either.
“wife?” you scowl. “we’re broken up.”
“guys tend to back up when they know a woman is married. it’s the only way you can really, uh, get them to go away around here.”
you glare at him. “and how would you know? you come here often with girls?”
“...no?” he blinks, unable to comprehend your sudden burst of jealousy. “i sometimes get missions around here, though. pretending to be married was the easiest way—”
“we aren’t, though. we’re not even in a relationship.” you seem to be throwing that into his face a lot more than you should. you can’t help it, though. you still feel a little bitter about not getting a real reason as to why megumi wanted to break up.
“i was trying to help you.” he’s calm and collected, as heard through his voice. he walks up to you and takes your freezing hand into his much warmer ones. “let’s go home.”
“i don’t want to,” you argue.
“stop being a brat,” he says, but there’s no bite to his words. “you’re cold and you’ve been out here all day. if i hadn’t stopped those guys, you probably would’ve beat them up pretty badly.”
“i’m not a fucking brat!” you try to retract your hand, but megumi’s grip only tightens.
“baby, stop,” the pet name rolls off his tongue with ease. megumi sighs softly and pulls you to his chest. “why are you so worked up, hm?”
from the way he speaks, you can tell that he already has an inkling. the breakup. cuddling last night. hugging you now. everything.
you don’t realize you’re crying until he gently wipes his thumb under your eye. he has the audacity to have an amused grin plastered on his stupidly pretty lips. your vision is blurry but if it hadn’t been, you would’ve thrown a punch.
“i’m sorry,” he whispers into your hair. “it’s all my fault.”
“it is,” you whimper pathetically. all the tears and the emotions you’ve been holding back bubble up to the surface.
“don’t be upset,” he almost pleads. “let’s go back, okay?”
the night ends with megumi on the couch. neither of you bring up the argument or the fact that he had slept in your bed with you last night. you two don’t talk about the usage of pet names, either.
when you open your eyes on december 22nd, you’re surprised to see that megumi has already headed out for the day. you click your tongue in annoyance—he’s always been good at avoiding his problems when it comes to dealing with them, especially problems involving his emotions. you already know where you’re supposed to be headed, so you suppose that it’s for the best that he’d left before you.
the shopping mall is a long line of vendors and stores among other things. the snow on the ground is fresh—it must’ve snowed late last night after you’d fallen asleep. it crunches underneath your beat-up sneakers with each step you take. you’re not shocked when you end up wandering aimlessly, dipping in and out of stores with no real urgency to finish your mission.
there’s nothing to do anyway.
you’ve killed about 3 curses total and it’s really starting to look like you’ve been sent out here for busy work. you really should’ve figured that out the first day of the mission when you had to practically beg the curses to come out and fight you.
you find yourself in the front of a jewelry store, eyeing a pretty bracelet that you know would look stunning around megumi’s wrist. it’s one of those bracelets that clasp tightly. there’s a thicker band in the center with pretty carvings that seem to resemble some sort of swirly heart. it’s pretty, you have to admit.
without much thought, you buy the gift.
the seller has to clear her throat to get your attention when you don’t answer her question. “um, would you like this to be wrapped?”
you nod absentmindedly. “oh, yes. sorry. please wrap it.”
she nods in return and proceeds to wrap the bracelet in a tiny box, adorning it with a festive bow. you ask her to change it out for a different color, explaining that it isn’t a christmas gift and instead, it’s for someone’s birthday. she offers you a warm smile before switching it with a muted blue ribbon.
you return to the hotel, having to take an expensive taxi. you don’t mind—the bracelet has already made a decent-sized dent in your wallet. why not spend an extra amount on getting home? it’s not like jujutsu sorcerers are paid poorly.
reality hits you when you finally get back to the hotel room. you want to punch yourself for being so stupid. did you really just buy a birthday present for your ex-boyfriend?
you’re thankful that megumi hasn’t arrived yet. he seems to be determined to avoid you for as long as he can. you can’t blame him, either. you did give him quite a hard time yesterday.
you toss the box on to the dresser and head to the bathroom to splash some much needed cold water on to your face. maybe that’ll wake you up enough to clear your mind. you’ve acted out once during this trip already and you’re not really looking forward to any other possible outbursts.
you rinse your face and pat yourself dry with one of the face towels provided to you by the hotel staff. you hang it over the rack again and tiredly make your way to your bed. you halt your movements when you see megumi standing by the dresser, admiring your gift.
he looks up at you in surprise with the smallest grin on his face. it’s so subtle that you would’ve missed it had you not been dating him for nearly two years.
“is this for me?”
“no,” you quickly deny. his face falls and you cough out, “um, i mean.. yeah. i-i didn’t… i… happy birthday.”
he brightens, lips pulling up into a real, genuine smile. “you remembered?”
“why wouldn’t i?” you blurt gently. you bite your inner cheek to stop yourself from saying anything more.
“i dunno.” his voice is distant and low, like he’s trying to hold back his tears. “i just…i didn’t think i was deserving of a gift from you. thank you. i like it.”
you stand awkwardly, shifting your weight onto your other foot. “yeah, well…”
“can you help me put it on?” he asks, sitting at the edge of your unmade bed.
you feel your body heat up. part of you screams for you to stop. you shouldn’t do that. it’s far too intimate and you two are broken up. you’ve never been good at making decisions, though, so you sit next to him and feel the mattress dip.
he gives you a grateful look, one that you willfully ignore, and gives you his wrist. you clasp the bracelet on, fingertips just barely grazing his skin. your heart skips a beat and you have to inhale sharply before pulling away.
“thank you,” he whispers.
december 23rd is a sore reminder that life goes on. you had half-expected something to spark between you and megumi. perhaps he’d beg for you back, or maybe with less wishful thinking, he’d give you his real reason as to why he doesn’t want you anymore.
“i don’t think we need to go anymore,” megumi says when you come out of the bathroom after freshening up.
“huh? why not?”
“there’s nothing out there.” megumi’s voice is flat.
“i know, but we’ll get in trouble if we…”
“gojo probably sent us out here for fun.”
your lips part. megumi turns to you with a slight frown.
“don’t you think so too?” he asks, but you know it isn’t a question he’s looking to find an answer to. “why would the higher-ups assign a mission like this to a special grade sorcerer and a grade 1 sorcerer? if they needed that much manpower, this mission would’ve been deadlier. instead, we’re playing cleanup crew.”
“yeah, but..” you trail off, unable to think of a statement to refute his words. “if we go back now, we’ll get chewed out.”
“it’s just a scolding. you’ll be fine.” megumi stands up and stretches his arms.
you watch him cautiously as he begins to fold his clothes and throw them into his duffel bag. he doesn’t say anything else, letting the silence overtake the room.
“...are we leaving, then?” you ask meekly, not bothering to hide the slight quiver in your voice.
he pauses slightly. “do you want to stay here until christmas? this mission is stupid and you know it. there’s no point.”
why is his tone so cold all of the sudden? it’s as if you two hadn’t shared a moment last night before bed. does your gift not mean anything to him now that he’s cleared his mind with a good rest?
your eyes flicker to his wrist. the gold glimmers underneath the light and you realize that megumi doesn’t seem to hate wearing it. so why is he acting so … unpleasant?
you feel a lump in your throat. it’s embarrassing how quickly he’s able to upset you from just the tone of his voice. even his body language, usually fluid and smooth, is rigid with your presence. you want to tell him that you’ve enjoyed your time with him. you want to shake his shoulders and tell him that if you two cut your mission short, you might not get another chance to be near him again.
“do you still care about me?” you whisper instead.
he stills completely. “what?”
“this entire time,” you begin shakily, “you’ve been nice to me. you treat me like you always do. you’re always hovering over me even though you pretend you aren’t! you obviously still care, megumi.”
his adam's apple bobs as swallows. a beat of silence. then two. then three.
“i do care,” he admits sorely.
“then why did you break up with me?” you blurt. there it is, the question you’ve been meaning to ask. you both had seen it coming.
“because…” megumi winces as if he’s the one getting hurt from the ordeal. “because you deserve someone that’s normal. someone that isn’t a sorcerer. i can’t give you that life.”
you feel your chest swarm with anger. why does he always think he needs to sabotage himself to make others happy? this is something you’ve tried working with him on, but it seems like old habits are hard to kill off, just like your habit of loving him.
“why the hell would you decide that for me? when did i ever say i wanted a normal life?” you snap. your hands clench at your sides.
“it’s too early for this,” he says, his voice straining as he finally musters up the strength to look at you in your eyes.
“tell me, megumi. if that’s the real reason, then that is the most pathetic excuse for a breakup i've ever heard.” your voice cracks and you gulp down the oncoming sob that’s threatening to explode from your throat.
he inhales slowly and makes his way to you, holding you close against his chest. you should push him away, but you would rather let him hug you. you know that you can’t fight him, anyway.
“you…once said you wanted a regular relationship. when you got hurt a few weeks ago, i realized i couldn’t be that for you,” he confesses lowly. “i knew that you’d never find it in yourself to leave, so i figured i should just let you go for your sa–”
“are you kidding me?” you shout incredulously. “i said that when i was fifteen, megumi! before i even knew what being in love was like!”
he flinches against you. “but i…”
“you and your damn savior complex! i don’t need to be in a regular, normal relationship! i don’t need any of that, megumi! i’m a sorcerer, I won't ever get to be normal! in fact, it’s even better that i’m with you because you at least know what this life is like, you idiot! you’re always ruining the good things in your life because you—”
he takes his fingers to grab your chin and he pulls you in for a kiss. if the kiss is a ploy to shut you up, you hate to admit that it’s working. his tongue slips into your mouth and you melt against him. your arms loop around his neck as you desperately drag him down closer to your body. his hand grip your waist while the other clings to the small of your back.
you whimper out of instinct and he pulls away, lips bruised and breathless. it’s been so long since you’ve tasted him and you frown, tiptoeing to capture his lips again. you need to savor him, to feel him lips against yours again.
“baby, wait.” his chest heaves as he looks down at you. “don’t…don’t do this to me.”
“do what?” you ask, an edge to your voice. did he just reject you? even after all that?
“w-we gotta report back to—”
“we’re supposed to leave tomorrow,” you interrupt.
the gears shift in his head. “fine, but—”
“i’m still really fucking mad, but i just need you to kiss me right now,” you whine impatiently.
all megumi does is laugh when he swoops down to press his lips against yours.
it’s december 24th when you two find yourselves in satoru’s office. steam is practically rising from your ears as you try to compose yourself in front of your former teacher.
“... i wanted a wedding invitation.” satoru shrugs.
“you set us up!” you whine angrily. “gojo, are you serious?! isn’t this a little immature?”
megumi stays silent, averting his gaze. he suddenly finds the succulents on satoru’s desk very interesting. he’s never noticed that they’re all nearly dead! how cool.
your eyes shoot daggers at megumi's silence.
"we aren't gonna get married any time soon..." megumi mutters when he feels your pointy glare on him.
satoru raises his hands in mock surrender. “you two can’t blame me! it worked out! you two are back together now, right?”
“but did you have to make us look like fools out there?” you groan.
“you should’ve figured it out on the first day that the mission was a sham!” satoru exclaims, offense taking over his features.
“but still!” you’re borderline hysterical at this point, unable to believe that your former teacher of all people had to set up an entire fake mission so that you and your ex could talk your feelings out. “we would’ve figured ourselves out sooner or later!”
megumi nods. he feels like he should at least give you a little support even if he’s embarrassed out of his mind.
“oh really?” satoru’s voice drips with sarcasm. “you guys should be thanking me—”
“you’re so not getting an invitation to our wedding!” you grumble.
“wha—hey! i’m the one that got you two back together! besides, i’m megumi’s guardian! you can’t just not invite me.”
“watch me!”
“megumi, tell her that she can’t do that—hey! where are you guys going? invite me, you rascals—why are you guys leaving? we aren’t done discussing this! megumi, don’t you dare take her side! she isn’t even your wife yet—don’t slam my door!”
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welcometothejianghu · 7 months
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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 琅琊榜/Nirvana in Fire.
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Nirvana in Fire is a 2015 historical series best described as either a complicated succession drama set in the premodern Chinese imperial palace, or the story of a man who didn't die a decade ago and has decided to make it everyone else's problem.
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And really, I almost feel silly giving my glib little summary, because Nirvana in Fire is so well-known of a property. It's a classic for a reason, and that reason is that it's legitimately very good. This show is what happens when you adapt a solid story, get a bunch of very talented actors, and throw a huge amount of money at it. It's incredibly popular and highly acclaimed, and it earned all of the hype.
Still, while I bet there are few people adjacent to c-drama stuff who've never heard of Nirvana in Fire, I'm sure there are plenty who haven't watched it. After all, it looks like one of those slow, serious shows with a lot of ponderous talking and no joy. If that's the impression you've been given, I could imagine looking at the 54-episode commitment and saying, I don't need that in my life.
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I am here to tell you you're wrong. It is a banger of a show. It's tense. It's funny. It's heartbreaking. It’s exceptionally clever. It’s jaw-droppingly stupid. It’s romantic. It’s tragic. It has smart plots and bizarre subplots. And that's not even touching the thing with the yeti.
So in case you're one of those people who's heard of Nirvana in Fire, but has put off watching it for one reason or another, I'm here with five reasons I think you should try it.
1. Epic Shit
Did you like the Lord of the Rings? More specifically, did you really like the second Peter Jackson film? Great, then you're all set for this.
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I guess I could have called this Game of Thrones without the dragons, but that's not actually the vibe at all. Game of Thrones is much more sensational and salacious, with all the blood and butts and what-not. The Tolkien comparison is more apt, I think, because Nirvana in Fire is equally about as wholesome as you can get in a property where dudes are still getting stabbed all the time.
This is a show about vengeance. And yeah, justice for the fallen, sure, that's fine too. But mostly it's about a bunch of good people joining forces to make sure the bastards who did wrong pay, with their lives as necesary.
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The problem, though, is that these bastards are incredibly powerful, which means that a pure brute-force approach isn't going to work. Accordingly, this quickly becomes a story about the power of smart teamwork to exact retribution on some people who can (and did!) legally get away with murder -- and our heroes are some of the people with their necks most on the line if anything goes wrong.
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Don't let the Middle Earth comparison fool you into thinking this is all epic swordfights. It's not. (I mean, for one thing, as well-funded as this project is, it doesn't have Peter Jackson Money.) The vast majority of the tension in the show comes from dialogue and slow, terrible realizations. The fight scenes are almost a relief from the nail-biting intensity of intimate conversations about getting a letter from somebody's ex-wife or returning a book.
All told, the show has that incredible almost-RPG vibe of going through all the little subquests and cutscenes you find along the way to defeat the final boss. The plot carefully unravels a multi-tendriled mystery told to you by people in incredible costumes. It doesn't get much more epic than that.
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(Nirvana in Fire is also a cautionary tale about how you should be very careful with who gets invited to your birthday party.)
2. A chronically ill protagonist
Okay, right in the first episode, it is established that the main character has three whole completely different names and an old nickname. I'm going to call him Mei Changsu for the duration of this rec post, but let the record show that I could just have easily gone with one of the other three.
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What you learn in that same first episode is that Mei Changsu used to be a palace insider, the cocky son of a noble family, only now nearly everyone he used to know thinks he's dead. Also, he's not far off from being actually dead -- he has an unspecified terminal condition that's mostly managed, provided he stays in his little mountain hideaway with his handsome doctor bestie and doesn't return to his old stomping ground and start kicking over hornets' nests.
So guess what he's about to do.
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I have to make a note of how brilliant the casting is here: Hu Ge is an action actor! He is a kickpuncher of a man! And I think it's great that you can sort of see his frustration, as well as Mei Changsu's, at having to spend the whole series wrapped in countless layers of fabric and/or lying in bed while everyone around him gets to be the badass action heroes.
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Mei Changsu's not faking it, either -- he's actually dying. He expends his energy where he thinks it's necessary, and sometimes that means he has to spend the following week in bed. He's constantly frustrated with himself for what he can't do anymore. He's racing a clock, and that clock is his own failing body. If he dies, the only hope anyone here has for justice dies with him.
He gets two love interests that the show treats pretty much equally. One's a lady general who wasn't even a love interest in the book. The other's the handsome prince who was initially going to be his textual romantic partner in same book, until the author hopped genres from danmei to general historical drama. I can't even call this a love triangle, because there's no competition. He just gets a wife and a husband -- in that he gets neither, because circumstances and his own illness keep him distant from them. He lies to both of then about his condition (among other things). He wants to be with them both and knows he can't be with either. And they in turn have to learn to accept what of him they can and can't have.
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(Also, Nihuang (her) and Jingyan (him) are both incredibly gorgeous, which is exactly what bisexual genius Mei Changsu deserves.)
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Obviously this isn't a perfect representation of life with chronic illness, largely because Mei Changsu is an incredily wealthy man who lives in a universe with what's basically magic medicine. However, I've seen the story's treatment of him and his condition resonate with a lot of chronically ill viewers, so even with the fantasy layer on it, there's definitely something there.
3. Dave
I have already told the story of how Meng Zhi became "Dave," but long story short, he's such a Dave that I legitimately forget his character's real name. He embodies Daveness. He's The Ultimate Dave.
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Dave is an excellent fighter, a loyal friend -- and a terrible liar. He's possbly the only straightforward character in the entire show. When he's asked to be duplicitous, he's comically bad at it. Dave will never do a heel turn. I was misled at first by his semi-evil facial hair, but I have seen the error of my ways. Dave is pure lawful good.
And the reason I list Dave as such a selling point is that having a Dave means you always know what's going on. This is because Dave never knows what's going on, and he has no ego about that, so he asks questions, and other characters have to explain to him what just happened, and that is how you figure out what's going on.
It's an incredibly smart move on the drama's part, because some of the (very fun) schemes are so complicated that there's no way for you, the viewer, to understand them just by watching. Without the internal monologues and omniscent narration of a book, the machinations are opaque. You need things explained -- but why would the schemers explain their schemes? Well, Dave needs some exposition, so here you go.
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So if you're worried that you might be left feeling stupid by a show where so many sneaky people are hatching so many complex plans, worry not! Like the good man he is, Dave has your back.
4. A Million Amazing Antagonists
If you like bad guys, this is a show for you. This show has brilliant bad guys all the way down. It has bad guys at every turn. It has bad guys for every taste. Welcome to Big Liang's Big Bad Guy Emporium, where we guarantee you'll walk out of here with a bad guy you like, or your money back!
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(And yes, this set of pictures is also to say that their costume budget was entirely well-spent.)
Without getting too far into spoilers, I will say that the basic situation underlying the whole series is this: The emperor has done a lot of bad things, and he has enlisted a bunch of people's help in hiding those bad things, so much so that many of those other people have done even more bad things the emperor didn't even know about -- and then everyone has gone to great lengths to cover those up as well. Our protagonists spend the whole series unraveling this colossal shitshow and bringing people to task for their crimes.
So really, if you're going to spend 54 episodes taking down the baddies, they've got to be baddies you love to see taken down. And these are -- in part because all of them have crystal-clear, rock-solid motivations for their actions. Nobody here is a moustache-twirling comic-book-villain baddie. They're all bad for reasons that are very understandable in their individual contexts. And not a single one of them is going to go down without a fight.
5. World's Best Mom
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(Sidebar: The fact that four out of five of my reasons to watch the show are individual or groups of characters should be your strongest indicator that this is an intensely character-driven story.)
This is not a Dead Mom Show. Okay, some moms are dead, but mostly this is a Moms Are Alive And Often Cause Problems Show, which is a lot of what makes the palace drama so delicious. But there is one Good Mom who stands out above all the rest: Consort Jing.
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Played with perfect grace and devastating politeness by the stunning Liu Mintao, Consort Jing is a skilled doctor and excellent baker who starts the show with a low-level status among the women of the palace. She swallows down all kinds of mistreatment because she's not in a place to oppose it -- and when she can retaliate, it must only be through soft power. She loves her jock son with all her heart, but because of both their relatively poor positions in the hierarchy, she doesn't get to see him all that much. She wants to be an asset to him, while all the time she has to fear becoming a liability.
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She is also the smartest person in any room that she's in, unless she's in a room with Mei Changsu, and even then it may be a tie.
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There are lots of great characters in the show that I could have highlighted here, and plenty of them are women, but Consort Jing in particular never ceases to impress me. She is trapped in a gilded cage, married to a man who [lengthy list of spoilers that are traumatic to her in particular], and held hostage by how every time she even looks like she's out of line, it puts both her and her boy in danger. She's the most vulnerable of any of our good guys. Kind of like Wang Zhi, she's got to be clever or she's dead.
Consort Jing is not part of Mei Changsu's original plan. She figures out his plan and makes herself part of it -- and entirely remotely, as she and he aren't even in the same room until episode 40 or so. She puts herself in great danger to make sure he succeeds, not because it will necessarily do her any good, but because Jingyan needs him. This woman has been captain of the Mei Changsu/Jingyan ship for like twenty years already.
Oh, and did I mention her outfits?
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I love you, Consort Mom.
Are you ready to watch it yet?
Get it on Viki! Get it on YouTube! Get it on YouTube but in a different playlist! (And also maybe get it on Amazon? Not in my region, but maybe in yours.)
I will warn you that it does take off running -- I think I saw someone say it introduces nineteen characters in the first episode? I was worried that I'd be too innundated by situations and flashbacks and names to be able to follow. By the second or third episode, though, I was rolling with it. So if you feel like you're struggling at the beginning, stick with it a bit. See if you don't feel it start to click.
...Man, reading over this post has left me going, oh, but I missed that! and that! and that guy! And yeah, the truth is that there are just so many great things about the show that limiting myself to only five (and being limited to only thirty images) was tough. I'm sure that people reblogging will add their own must-see elements.
Truly, this is a show that deserves its reputation. It may not be for everyone, but if this is the kind of thing that you like, it is a shining example of that thing.
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Besides, you have to love a production where everyone was clearly having just a whole lot of fun being big ol' costumed dorks.
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writers-potion · 2 months
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do u have any tips for trying to write a bunch of things simultaneously and wanting to make sure they don’t overlap in plots and stuff?
tysm
Writing Multiple WIPs Simultaneously
I'm VERY guilty of working on multiple WIPs at once, oftentimes working on my social media posts at the same time! ><
Here are some tips I picked along the way:
Set Your Goals
Each story must have a clear plot goal: aka, the socko ending.
Write down, as clearly as possible, what the central idea of the stories are. You don't want to get this messed up.
Pick the genre and total word count goal.
Write these down together in a document, and keep refering back to it as you switch between projects.
Simplify Your Plot and Juxtapose
I like to use what I call a "plot table", which looks something like this:
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The table should be 1-1.5 page maximum, and once I have two of these, I put them side to side to see of the overall plot progression, major fantasy names, etc. are overlapping.
If there are significant similarities, like having very similar characters names (which I know will confuse me down the line), I make sure I change them.
Be in Different Worlds/Genres/Story Aesthetics/Fandoms
I think this is one of the most useful tips.
If you have multiple projects, don't have 3 projects in the same genre, same story world and/or same POV, etc.
Try to vary the overall story aesthetic, genre, format, POV, fandom (for fanfics), etc. so that (1) you don't start mixing things and (2) you become more flexible as a writer in the end.
Prioritise One Story
Now, this is IMPORTANT.
Pick a main project you REALLY want to focus on/finish within a certain deadline.
Then, all other projects become "Break Time" where your brain can unload the distracting thoughts you can't include in the main project.
Jump into your other, side projects when you get tired of writing the main one.
Be On Different Stages For Each Project
If you're going to use your side projects as a place for "rest" from your main one, I recommend that you put each project on different stages of writing.
For example, your Main Project may be in Act II. When you get sick of writing the sloggy middle, you don't want to look at your other projects and realize you are stuck in Act II for all of them.
So, try to stagger them. Project 1: Brainstorming Stage + Project 2: Character Profiles + Project 3: Act I, etc.
Be Flexible
Remember that when you have multiple projects, you are bound to make mistakes and start getting confused from time to time.
Don't shy away from actually combining projects or giving up on one when time simply doesn't permit.
If you have prioritized a main project, let the others be a little more volatile! In fact, being flexible is one of the joys of writing <3
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
References
https://barrylyga.com/rules-for-writing-multiple-books-at-once/
https://www.wattpad.com/557596820-how-to-write-fanfiction-writing-multiple-stories
https://www.linkedin.com/advice/1/how-do-you-juggle-multiple-stories-skills-storytelling
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teardrop-scales · 3 months
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Macaque x Reader headcannons 🌙🎭
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A.N: Okay, I'm not dead, hooray! I just lost motivation for LMK. This is just an exception because my bestie really loves Macaque, so this is my gift for her; PLEASE NOTE THAT REQUESTS ARE STILL CLOSED. Also, my bestie is the author of the art (@kiss-my-ass-2137 - that's her blog btw). One more thing: please beware that my Macaque may be ooc as hell. Also note that the reader is based on my bestie, so this is quite specific and may not be everyone's cup of tea. Not proofread.
I can see him calling you 'plum', 'babe', 'gem' or 'sweetheart' often. However, contrary to Wukong, he also quite often calls you by your name. To him your name sounds pretty and he likes using it just as much as he likes nicknaming you.
He adores how social and outgoing you are. Sometimes Macaque just can't understand how you manage to get along with practically everybody, but that is one of the traits that made him fall in love with you.
He makes sure that you always have VIP seats and access to each of his shadow plays.
Like Wukong, Macaque is also a flirt, but he's a lot more suave and suggestive than Monkey King.
He tries not to get jealous each time you give someone else your attention and have fun with someone else. However Macaque is a pretty jealous person, so most likely he will just stand brooding in the corner, maybe sometimes let a small smile of adoration at seeing you socialize so easily.
But thanks to that, Macaque always feels like the most special person on the planet each time you give him your undivided attention.
By the way, congrats for making this man fall for you. He has a lot of trust issues and is usually pretty closed off underneath that flirty and sassy exterior. So making Macaque fall in love with you is by no means an easy task.
You have to be patient with him; give him some time to open up and try not to rush him. It may take some for him until he becomes comfortable enough to do all the lovey-dovey things that couples do, especially with touch. But he's trying, I promise you.
He may not look like he is, but he is attentive and caring.
He wants to know everything about your interests and hobbies, no matter what they are. Macaque wants to know all about the things that make you happy.
You have a favorite movie or cartoon or whatever? Great, he'll watch it.
You play games or video games? Well, I don't really see him as a big fan of that, but... He once saw you play Genshin Impact. You mentioned that game to Macaque a few times before, but this was the first time he'd seed you actually play it. The graphics and designs of the characters mesmerized him + he knew you loved it so he decided to give it a try.
You helped him a bit in the early stages, but surprisingly or not, Macaque got the hang of it pretty quickly. Like a natural.
He loves this game (I think both Wukong and Macaque would love genshin, but for different reasons probaly). Especially lore, character's stories and the plot. Don't get him wrong, the fights are cool, but Mac is a theatre kid. Of course he's going to focus on and like the plot more, especially since genshin is quite well thought out and interesting in that aspect.
Macaque will also gladly watch all your favorite shows and movies with you. He loves how passionate you are about them.
He likes going out for dates, but because of his sensitive hearing, he prefers more quiet places, or dates around nature or something like this.
He will roll his eyes if you throw any suggestive jokes at him, sometimes if he's in a good mood he may retort with one of his own. That also applies to normal jokes and general banter.
Macaque will also immediately offer to deal with any person who wrongs you or makes you upset. But knowing Macaque, that wouldn't end well, so please stop him from that. Tell him that you appreciate it but don't let him find that person.
What's that? You ride on horses? Well, consider him impressed a bit. He won't try it himself no matter how hard you try to convince him, but as long as there's not many people around and he's free at the time, he'll watch you do it. He may even use his shadow portals to save you from falling off a horse; he'll create a portal to shorten your landing.
Also, he'll often use his powers to suddenly appear beside you without warning. He likes to sneak up behind you and say 'boo' or something like that. He'll chuckle if he manages to surprise you.
But he won't use his shadow portals to teleport you to him without warning you first or your permission. He actually respects you and knows that you may be doing something important and that you have other matters to attend to.
Like I've mentioned, he has sensitive hearing. And while he can control that so he doesn't suffocate as much in daily life, he'll be grateful and will appreciate it if you watch the tone and volume of your voice when around him. He'll say it's not necessary, but on the inside he'll love you forever for being so considerate.
May not be a big fan of cuddling at first. He'll allow it but he'll be very stiff at first and only over time Macaque will get used to it and will start to enjoy cuddling with you.
He knows what kind of effect his voice has on you. And he'll use that knowledge to his advantage, often teasing you by speaking right into your ear with a low, almost husky tone or chuckling smoothly right by your ear.
Like I said before, this man probably has severe trust and abandonment issues. But that will only make him even more dedicated to you. He wouldn't want you to feel like he used to feel deep inside before he met you.
Overall, I think Macaque would be a very good and dedicated boyfriend if you give him time and show him that he can trust you.
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thekrakenlolz · 3 months
Text
Start up Fic - Ellie Williams x Reader
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part 2
Summary: You switch dorms at your boarding school after you and your girlfriend go through a messy break up and you no longer can handle being roommates with her. Only your new one is a different kind of problem
a/n: I wrote the first chapter only to realize I have no idea what comes next. So here's my plan: if y'all like the set up, you can give me suggestions for what you want to happen next. I basically just laid down the base. So you can read it if you want and see if you have any ideas. But just as a warning, I'm not gonna write smut without a plot, I'm not about that life. I have a vague idea of what I can put next but it's very cliche and overdone sooooo yeah, thanx in advance<3
Also, English is my third language so expect bad grammar
°_*-°_*-°_*-°_*-°_*-°_*-°_*-°_*-°_*-°_*-
Your eyes wandered over the walls as you walked along them. The paint was starting to flake off, revealing the concrete underneath. Your school was old. Like old, old. Like Victorian ages old. Something most of your friends scoffed over, but you personally liked. You thought it gave it character. Of course a little bit of a touch up wouldn't hurt, but bathroom doors that are actually still attached to the stall hinges were overrated anyways.
You were following Miss Jenkins, your housemother, hunched over as you were balancing three of your bags on your back. Uncomfortable, yes, but you were trying to minimize the amount of trips you had to make to move all your shit over to your new dorm. Anything to avoid seeing Samira more than absolutely fucking necessary.
"Here we are" Miss Jenkins sighed, stopping in front of one of the gray doors. It took everything in you not to roll your eyes. You were still pissed that you had to put in 4 requests over the duration of 2 months before they finally assigned you a new room, but now she was acting like she was doing you a huge favor. Like taking 15 minutes out of her day was so much to ask for. But you kept it down, thanking her again before opening the door and stepping in.
The lengthy process of actually getting a new room gave you plenty of time to stress over who your new roommate would be. This girl, however, didn't even come to mind. You weren't even sure what her name was, your social circle and her's didn't interact much. E-something? Or was it L?
Mystery girl was sitting at her desk, headphones in, and carefully shading out something in her notebook. You noticed she had tucked her left leg under her, a bad habit you also possessed. She didn't register your presence, her eyes still fixed on the paper. You threw your bags next to your bed, which finally caught her attention. "Oh fuck" she jumped up from the desk and hurried over to your bed, picking up the stuff she dumped on it. "Hello to you too" you mused.
Sweatshirts, textbooks and pencils started flying over onto her bed. "I'm sorry, I thought I had until Sunday to get my shit off your side" She explained, tossing a hairbrush across the small room. You watched it hit the wall and fall down onto her Zelda themed sheets. Cute, you noted. "No worries, take your time, I still have stuff to move over"
So you were back in the hallway, slowly but surely making your way back to your old dorm and with that, to Samira. Now that you were by yourself, you took the time to think about your new roommate. You still didn't know her name but one thing was for certain: she was incredible looking.
Her thick straight auburn hair cut off above the shoulders and her cheeks were densely dotted with freckles. She was very toned, especially in the arms. She was probably in the lacrosse team.
You did notice she was more on the masculine side, so might maybe even be gay. You full stopped, forcing yourself to remember, that's exactly the type of shit that got you in your current situation in the first place. No fucking your roommate, dude, we talked about this.
--------
You took a moment to collect yourself before entering your old room. You drew a breath in, scanning the ugly grey door that separated you and her. 12B the lettering read, touched up with some sharpie. You reached for the knob.
She was sitting at her desk, scrolling on her phone and demonstratively ignoring your presence. You bit down on the inside of your cheek. This wasn't what you expected. Somehow you preferred another stupid fight over this new silence.
You stacked two backpacks on one arm and three bags on the other. The weight made your walk out rather inelegant. You stopped in the doorway. "Goodbye Sami."
You could practically feel her hesitate.
"Bye."
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leosxrealm · 4 months
Text
003 — ɴᴏᴛ ꜰᴏʀ ʜɪᴍ
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★— pairing(s): Max Verstappen x Male! Leclerc! Reader
★— warning(s): none!! possible grammar mistakes, hints of angst
★— (a/n): idk a lot about modeling either so i just made up what i think would happen there. we're finally building up the plot (barely started), not proofread!
★— character information | series masterlist
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19-22
September 3, 2019
"Tilt your head to the right... just a bit... yeah, just like that." You did as you were told. You hear the sound of the camera and the lights flashing. The photographer takes another quick shot.
The director goes to check the pictures that were taken recently. The photographer gives you a quick nod, a little something he does to indicate he liked the pictures.
"Okay everyone!" the director claps his hands to get everyone's attention, "15-minute break, and then we do the last shoot for the day!"
There was a chorus of sighs of relief from everyone around you. It looks like everyone else couldn't wait to leave the studio either.
You return to the changing rooms along with a few of your coworkers. You had gotten to know some of them over the past few months and could now confidently call them your friends.
You pick up your phone from your makeup station. Opening it, you see a couple of texts from your friends and brothers. Clicking open your brother's contact, you answer his recent messages.
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"Tell him to come up," another model who you've befriended said, looking over your shoulder. "Is that even allowed?" you ask. He had been in the industry for far longer than you; he was sort of like an upperclassman to you.
"Friends and families come to shoots all the time," he said emphasizing the word 'all', "Usually you have to get permission and stuff but it's the end of the shoot. Nobody has enough energy to care." 
"Oh."
He pats you on the shoulder, getting up from the chair beside yours, "You will have to go downstairs to get them. The security won't let them through." "Thanks, mate," you call after him, he throws a lazy smile your way, disappearing into one of the changing stalls.
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"Uh...you guys can sit on the couches over there," you say pointing to the couches near the makeup stations, "and we have snacks over there," you say pointing to the opposite side of the couches, "and right next to that, we have refrigerators. Help yourself with the drinks."
You show your brother around for a bit before settling on the makeup station with your name on it. Your makeup artist gets to work immediately, getting you ready for the last shoot, when you hear your name being called. You let out an exhale, mentally preparing yourself for the last of the shoot.
---
"Damnnnn... you're actually good at something," Arthur says, chuckling at his own little joke. "At least I look natural," you retort back, earning a punch on the arm from your twin. 
"I look natural in my photos," he says back defensively, looking at Charles for some kind of reaffirmation. Charles turns his head, deciding not to comment on his younger brother's awkward poses for photoshoots. You snicker at your older brother's reaction, earning a smack on the back of your head from your twin. 
"Okay... Are you two hungry? What do you want to eat?" Charles finally intervenes, before you two decide to start a full-on brawl. "Man...," you whine out, "I'm starving." 
"Me too," Arthur adds with a scowl. "We couldn't even get food because someone," he gives you a stink eye, "can't even finish up by the time they said they would."
You roll your eyes at him, ready to retort back when Charles' car comes into view. "I call shotgun!" you say, running towards the car. "Bitch-" Arthur runs to catch up, leaving Charles behind. Charles shakes his head, long given up on you two. Freaking kids, he thinks.
You look in the rearview mirror, at Arthur's scowling face. He scoffs looking out the window, still pissy about having to sit in the back. You laugh at him (again), resulting in him kicking your seat. Charles finally decides to cut in before the two of you destroy his baby. 
Charles mentally celebrates when the restaurant comes into view. At least he won't have to worry about his baby getting destroyed for another hour or two. He sighs once again, pushing the both of you inside. Freaking kids, he thinks (once again).
"Oh yeah, what happened to that girl you were dating?" Arthur asks just as you were about to bite into your food. 
---
18-21
You raised your hand, ready to press the doorbell, before lowering it back again. Taking a deep breath, you ring the doorbell. You cleared your throat while waiting for the door to open. Hearing the door open, you look up.
Max sucks in a deep breath, not expecting to come face-to-face with you. Is that a suit you're wearing? Are those flowers in your hands? "Wha-what are you doing here?" He questions you, suddenly remembering how to speak.
"Oh... Um... I'm here for-" you begin to say before stopping abruptly. You look up suddenly, and Max thinks it's to look at him, but instead, you look behind him. The corners of your lips lift up into a soft smile.
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(a/n): i'm sorry the title is so lame😭 anyway any guesses what's happening?
ᴛᴀɢʟɪꜱᴛ (ᴏᴘᴇɴ): @miloformula123fan @its-ares @fangirl-dot-com @wolf-knights @zyonsay @1obsessedwithfictionalmen7 @fevndue @erinpiastri @woozarts @sebastianstansblog @badblondebisexualboy @lovecarsgoingvroom @kurating @saintraikkonen @v3lnys
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weebsinstash · 4 months
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*strums guitar* you know who would be a total piece of shit, to be stuck up in Heaven fuckin FOREVER with
This douchebag! Gotta get some Adam content out before the finale drops and then I'm sure I'll be back for more then too!
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I was listening to "You Didn't Know" again and I HATE this man, and because I hate him and he's an asshole, I can then see his wretched character doing shitty and debauched things
Which then means he's conceptually fuckable and we must discuss
I was sitting and thinking about. Ok in the most dramatic fucking way possible can you imagine being in the courtroom with Charlie as a Sinner Representative because you're dope like that, and Adam just starts fucking beefing with you on sight and you give it right back to him because HOMIE BASICALLY INVENTED MISOGYNY, you're standing in HEAVEN while an ANGEL looks you dead in the eye and calls you a CUNT like I wouldn't fucking tolerate it I'd be screaming at him like a feral beast, "why don't you look at your FEMALE BOSS and say that again, you dickless loser?!"
But can you imagine just having this insane BEEF, you guys are having MUSICAL DIAGETIC SINGING BEEF, and then, like. Either there in court or later on in the plot, hey, everything is good now, Sinners/you can ascend or we can go from heaven and hell and visit our families and everything is good now, yaaay! Or your name was mispelled on a form and it's like oh shit you were supposed to be in Heaven all along our bad and ONLY you are cool to "go upstairs"
And you can't even be happy about it because it's literally "oh cool I DO belong in Heaven!">wait but my friends are in Hell > oh fuck THAT ANGEL THAT HATES ME IS HERE, and sure enough he's standing there at the pearly gates to personally welcome you into Heaven, grinning like the cat that ate the canary, making it EXTREMELY CLEAR that he's basically gonna be stalking you because he wants to personally witness you fuck up and get sent back to Hell where he can kill you himself
Homie is back at base posting photos of you all over the walls like an insane person, "look at this tricky fucking bitch, fucking scheming, fucking planning something, fucking bitch" and even Lute is standing there, ".... that's a photo of them eating a sandwich, sir" and she's like TRYING to see where he's coming from but these are photos of you like SLEEPING and the suspicion that you might act out becomes an excuse to stalk you as he gets progressively more unhinged and perverted and frustrated (in more ways than one)
Let's also just discuss some baseline ideas! Abso fucking lutely do I see him as some, frat boy piece of shit who is always at least vaguely hostile to women so we're discussing female Reader specific ideas. Like imagine he's trying to actually be friendly and be cool with you or maybe you guys even hang out on good terms or whatever, maybe you both play guitar and he likes how you can shred it, and, he's the kinda guy to invite you to hang out and not specify other people are gonna be there so you get there and he's with his buddies and they're all talking about, gross shit like the size of the tits on the girl they last fucked, "oh hey did you sleep with Stacey" "fuck yeah I slept with Stacey you know that slut takes anyone", like, Adam deadass expects you to stand next to him with your red solo cup as they all talk about "the massive cow tits on that bitch" and if you even mildly imply this isn't entertaining "you're just bein a prude babe!"
Like Adam has no self awareness, he'll be saying horrid shit about women and then one of his buddies makes the most MILD of comments about you, "yeah your friend is kinda fuckable" and Adam is like in a RAGE, "hey man, that's not fucking cool! Let's go, outside NOW, fuckin step up, bro!" and he's brawling dudes for shit he's said about their conquests PLENTY of times
Just picturing the idea of like idk Saint Peter or even Emily flying around and they see you sitting on a bench outside far far away from where other people are and they fly down to greet you with the biggest smile, "hiya, how are you?" and you um look at them with such a genuinely dead, depressed, empty expression that they like cannot even fathom it. You're??? Unhappy??? In HEAVEN??? they cannot even comprehend it.
The real kicker is if you started to CRY and look this angel or seraph directly in the eyes as you ask, "can i... go back to Hell? I'm allowed to leave, right?" and THAT'S what raises massive red flags and sends that angel straight to their fucking boss. Sera would be over here, "oh she's having problems with Adam oh that's unfortunate but they'll sort them out -- WAIT WHAT DO YOU M E A N SHE WANTS TO LEAVE????" And,, oh, NOW they suddenly care about how happy you are, NOW they're suddenly willing to help maybe mildly keep Adam away from you. Because why? Because now you're potentially going to damage Heaven's perfect track record, and, geez they can't have you running around DEPRESSED, with your face looking all... ICKY and SAD! What if you made the other darlin-- I mean other residents of heaven sad and they maybe wanted to leave their precious angel protectors too? Huh? Ever think of that?
I love how I was sitting over here "what if like the entire Spider Society was yandere for the Reader" and ever since then my brain is like a puppy chasing treats, "what if I made this entire community mentally unhinged"
Also. Carmilla Carmine and her family + Zestial protecting Reader from Adam or any other angels because 👏 we can have as many mommies or daddies or fake family members as we want down here and that's the facts on that 👏
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sampsonstorm-critical · 4 months
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So. I DID watch Hazbin Hotel. And oh boy. So I'm going to give my critique on the show.
"antagonists and supporting" Characters- A bit better than Helluva. Studio oversight curbed some stuff. The characters somewhat had their own personalities in their dialogue. Some characters I thought could be cut out. I'm sorry but Sir Pentious is one of them. He's too cartoony even for this universe. He's annoying on the level jar jar binx was in star wars. Same with Mimzy. I think they could've done much better with Adam, but they just made him a dude bro? I did like the Seraphim sisters. Lute was just a bitchy, cynical, anime antagonist. Nifty was a bit aggravating too on the same level as Sir Pentious. I liked Husk as a character. Lucifer being a crushed dreamer fallen angel was actually interesting however his take on his people that he rules? Now if he was actively choosing to punish them himself using hells tools, it would be one thing? But he just has depression??? I guess? After thousands of years? Instead of trying to reconnect with his daughter, he just Mopes??? Like a sad boy??? No. Sorry. You lost me. Cherry Bomb? Meh. She's pretty shallowly written.
Now!
Main Characters -
Charlie- I hate her. I hate how fucking useless she is. She's the main protagonist for fucks sake. Now if she started like this and actually got better as the story went along in season 1, then alright. But she just gets her ass kicked and daddy has to save her skin. Way to take away her independence as a character.
Vaggie- I like Vaggies premise, but I hate the way her arc is executed. And the fact that she lets Lute live??? I'm sorry? WHAT THE FUCK WAS THAT?! No way. No how. Someone like her from a military background, or hells backdrop would let someone as callous as Lute live.
Alastor - he's my favorite character but, it's not his show. And it feels like it is. I love Alastor, he's the only entertainment I get from this show for the most part.
Angel - he's a characature. He is a walking stereotype. I know many people like him including the hypersexuality. Angel dust unless written for plot specific purposes only, is a very selfish unredeemable person. I'm sorry. He's being raped, and he still sexually harasses other people, knowing how it makes him feel? Now this would be great if we weren't supposed to feel bad for him right away, because it would show how abused can become abusers even if they don't mean too. And that could've been part of his arc to becoming a better person. But no.
The Vs - I like Vox. He's written to be genuinely manipulative, charismatic, and intimidating. I like Velvet too. I wish we knew anything about her. Valentino is written to be a villain, but some of his more childish moments are a bit of a movie mood killer.
On to the show as a whole.
So the most hated part of HH. Episode 4s infamous sexual assault scene. - I actually think it was very raw. It was done in an artistic taste. And I DEFINITELY think that if it wasn't taken from a SA fetishizer, it would've sat with me better. I understand what they were portraying and as someone who's had friends, gay men from the aids crisis era who have been SA, I see it but it's not done well. The only instance it's done well is when Angel is shown in the studio with Valentino especially when he tells Charlie to leave.
The build up and pay off issue - the music for the most part was good. OUT OF CONTEXT. I. Context it pays off without building up the conflict. It just resolves immediately. And these aren't Saturday morning cartoon conflicts. These are deep seeded emotional traumas between people. They don't resolve within one episode. These types of conflicts should resolve in 3 part episodes to 1 season. Yet again the Helluva problem shows up. Setting up too many character arcs and plotlines that cannot be properly resolved in the time span.
The finally- it was. Hot. Garbage. What the fuck was Charlie wearing to fight???? What the fuck???? Seriously???? And Angel???? In his booty shorts??? And we're supposed to take the extermination seriously??? HA! No. I do like in the episodes leading up to the finally, where Charlie and Emily rise against Heaven. I think they should have kept going with that moment in the song "If hell is forever, then Heaven must be a lie". It was very powerful and undermined immediately with "the big reveal!" Yuck. And don't even get me started on how NIFTY is the one who killed ADAM! SERIOUSLY? I think it was actually cool to see Alastor get HIS shit kicked in and see him crack under the pressure for once. I DO NOT like how Charlie's daddy had to come and fight her battles especially seeling as how he could do it the whole fucking time for thousands of years????!
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daytaker · 5 months
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greetings from clown anon, adored the fic very silly <33
i apologise if i’m filling up your inbox but may i ask for an mc that’s a mortician? that or is just desensitised to death and knows a lot about it, like i imagine whenever the brothers in early season 1 used to do like very specific threats mc would be like “uh actually that’s not how that works” essentially acting like a bit of a smart ass completely glossing over the actual threat
thanksies in advance (´∀`*)
Clown Anon MCs - [ Clowncore MC | Death-Fixated Science Geek MC | LeVeyan Satanist MC ]
(I'll be real I have no memory of the specific threats and I was too lazy to go look for them but I will follow along the lines of the prompt anyway.)
I'm going to do this one in bullet point form. Hope that's okay.
(CW: a bit gross at times. not quite gore.)
Now I Am Become MC, Destroyer of Worlds: A Death-Fixated Main Character in Obey Me!
Read below the cut.
They're extremely curious about demon anatomy. And not in a kinky way. They want to see how similar the structure and layout of demon organs are to human organs. They want to get full body X-rays when those wings and tails pop up. They want to get it on video when they appear and disappear. Because what the fuck. Yeah, yeah, they get it, magic exists, but still, what the fuck?!
They fully expect Beel to keel over and die one day from overeating. There is no way any single individual can consume the way he does and survive. They're actually hoping that if he does, they'll be able to carry out the post-mortem and see what exactly was going on with that stomach of his. I mean, yes, they'll be very sad he's gone, but at least he'll have died as a martyr to science!
Dead shadow hog? Taxidermied. Dead fire newt? Taxidermied. Dead devil zebra? Brought home, dissected, taxidermied. The brothers don't really like to go to their room because of the constant dizzying stench of formaldehyde that comes from it.
Sometimes they'll just sit and stare at one of the brothers. If asked what they're doing, they'll simply say, "Observing." Reactions to this range from Beel's "Oh, okay," to Levi's "I'M GOING TO MY ROOM AND NEVER LEAVING FOR THE REST OF MY LIFE."
So Solomon's immortal, is he? How immortal, exactly? Is it just that he'll never die from old age? Could he die of a disease? Surely he could die from injuries, right? Has he tested this? Can they test it? Please?
....Please?
Wait, wait, wait. Satan came from where? How? Why? What the hell? Lucifer, take your shirt off, they need to do some investigating. Satan, you too. Lucifer, show them your back. No scars? Not even from ripping your own wings off? Hm. Satan, do you have a bellybutton? ...That's weird, you definitely didn't need an umbilical cord. And you're saying he came out full-sized? Stop telling them it's magic! Magic is just science that people don't understand yet.
Actually, all of you get in here and strip, this has been a long time coming. MC needs to figure out what the hell is happening here.
Why not?
Pleeeease?
Satan, let's talk about one of your murder mysteries! They do this exactly one time, and never again because MC kept interrupting to point out plot holes and inconsistencies. It was so annoying. It kind of ruined the genre for him for a little while.
Leviathan, MC wants to ask you about how you survive underwater. Levi--- Hey, where are you going? Levi?
They write their paper on comparative anatomy of demons, angels, and humans. Diavolo gets a little queasy after the first page and gives them an A. He doesn't want to read the rest, he trusts they did a thorough job.
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greenthena · 7 months
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Metatron is the Murder Hornet
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Hear me out. The Metatron is a bitch no matter what. Way back before the bookshop burned, he was a manipulative twat to Aziraphale, but we only ever saw him as a Wizard of Oz style giant floating head. So when we meet The Metatron's corporation is S2 E6, we assume that this is the man behind the curtain, yes? This is the "heavenly" authority who stands between God and the rest of the angels. Are you with me so far? So tell me, why is he wearing Hell's color palette? Black topcoat over a black (or at least very dark gray) sport jacket. Even his shirt has black stripes. His tie is black with his signature sapphire blue sigil design. You know why? Because The Metatron is a demon. Now that I've probably pissed off about half of the fandom, let's dive in.
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I'm going to accept that the corporeal form of The Metatron that we meet in S2 E6 is the man behind the curtain. But I'm wondering if, in the same way that the Wizard of Oz floating head spectacle is just a projection the actual wizard (a two-penny magician from Kansas), the Floating Head Monstrosity (FHM) is a projection The Metatron has rigged up rather than The Metatron himself. Essentially, the FHM is the projected "essence" of the asshat with whom Aziraphale spoke before the bookshop fire, the same one who wanted to discipline Gabriel and strip him of his memories. And if it is merely a projection, like the Wizard of Oz floating head, the man behind the curtain is likely in a different physical space.
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If The Metatron can control the FHM remotely that suggests that he (the corporeal form or spiritual essence of the Metatron) isn't necessarily stationed in Heaven. Perhaps he can't even get into Heaven, but has managed to project his presence there to manipulate the Heavenly Host throughout the course of history.
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Sidestep along with me while I take a quick detour. I promise it's relevant and necessary to understand the implications of The Metatron's arrival in Soho. (But I'm a demon. I might be lying.) Good Omens relies heavily on mirroring* as a narrative technique. One of the most obvious places we see this structure is in character sets: Crowley and Aziraphale, Newt and Anathema, Shadwell and Tracy, Nina and Maggie, Gabriel and Beelzebub. The character sets function as mirrors of one another (angel and demon, witch and witchfinder), while simultaneously reflecting other character sets in the story (Nina and Maggie reflect Crowley and Aziraphale, etc.) But we also see it repeatedly through plot structure--the pair of 1941 flashbacks in S1 and S2; the way S2 begins with Azirphale moving toward Crowley and ends with him pulling away. My personal favorite reflected imagery in the whole damn show is when Aziraphale shields Crowley from the first rain in Eden and Crowley shields Aziraphale from the celestial hailstorm Before the Beginning.
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Alright, let's re-route back to Soho, to The Metatron's introduction in S2 E6 and how it embodies mirrored structure. The first shot we get of The Metatron in Soho in S2 E6 is when he's buying a cup of coffee from Nina. He's not actually identified as The Metatron in this scene, and Nina just views him as a regular customer. Next, we see him enter the bookshop and approach the Archangels, none of whom seem to know who he is. In fact Michael just assumes he's a human, tries to shoo him away, and even asks him, "And who are you?" The Metatron never gives his name; instead he presses the angels, "You don't know me?" He then addresses Crowley, "What about you, demon? Do you know me?" It's at this juncture that Crowley identifies him as the big giant floating head, and Aziraphale, in a rush of comprehension shouts, "Oh, The Metatron!"
This scene's other half is the introduction of Bildad the Shuhite in the Job flashback sequence. Crowley presents himself to Job and Sitis, who do not recognize him. When questioned about who he is, he says to Sitis, "You tell me." Sitis proceeds to identify as him Bildad the Shuhite. Crowley shrugs and agrees to the suggestion. This mirroring of dialog shows us that in both scenarios, there's deception in the presented identity. Just as we can't trust that Bildad the Shuhite is who is says he is, we similarly can't trust The Metatron's identity at face value.
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When it comes right down to it, The Metatron is a pretty sketchy character. During his S1 interaction with Aziraphale, our angel doesn't even know who he is. The Metatron has to introduce himself as the Voice of God, a go-between, if you will, whom Aziraphale, in all his ageless time in the universe, has never even met or heard of. Dodgy? You betcha. When we see him in the Gabriel trial sequence during S2, he's just one of the several floating heads overseeing the progress of Armageddon Round Two. We're able to gloss over the fact that he's presented as a floating head fairy, because all the angels appear as floating heads in this sequence. However, unlike Uriel, Michael, Saraquel, and Gabriel, we never see The Metatron interact with the other angels in anything resembling a corporeal form.
So with this evidence, let's return to mirroring structure as a narrative device: a Clue to point us to the crux of the deception that The Metatron is performing. But to get there, we'll need to look at the reflected plot beat for context.
At the end of S2 E5, Crowley needs to get into Heaven to access information about Gabriel. Problem is, since he's a demon, he can't just waltz into the Heaven-Hell-evator and go to the up. He needs an angel to escort him, so he tricks our beloved Inspector Constable Muriel into arresting him: "I'm a demon with knowledge of a crime against Heaven. I demand that you arrest me!" Crowley uses the art of deception to sneak his way into the Heavenly hive.
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Once in Heaven, when Muriel starts to fret that she's been tricked and will get in trouble for bringing a demon into Heaven, Crowley tells her, "Angels are like bees, fiercely protective of their hive if you're trying to get inside. Once you're in....I mean....is it even faintly possible that an unauthorized demon might be just wandering around in Heaven unescorted? Bees." Muriel then worries over Crowley's outfit, telling him he looks like a murder hornet, so Crowley changes into his most wonderful and excellent angel disguise.
Still with me? Have a gold star to match Crowley's nail polish.
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Crowley's gambit to get into Heaven is a clever tactic, no doubt, and necessary for the final beats of the narrative. But I believe it's also there as the first half of a mirrored plot point that we will see play out in S3. Ya see, Crowley's not a murder hornet. He doesn't infiltrate Heaven to plunder their proverbial food stores or to destroy the hive. He does his quick bit of reconnaissance and is on his way. I think Crowley's ploy ultimately functions as foreshadowing for the real murder hornet: The Metatron.
To get his full essence into Heaven, his spiritual body and not just his projection, The Metatron needs an angelic escort. That's why he's so insistent that Aziraphale joins him on his journey up to Heaven. He needs an angel--one he perceives as an easy target--to break him into the hive. And Aziraphale fits the bill. He's vulnerable, having been implicated in the business with Gabriel, which could earn both him and Crowley extreme sanctions, being struck from the Book of Life. So The Metatron coaxes and manipulates Aziraphale to accompany him to Heaven, implicitly reflecting the way in which Crowley manipulated Muriel into arresting him and accompanying him as his Heavenly escort.
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Do I still believe that The Metatron manipulates Aziraphale in order to divide the angel and the demon who, when working together, can produce miracles of un-paralleled power. Oh, hell yes! But that's not something only Heaven would want to mitigate. The sheer miracle force Crowley and Aziraphale manifest when working together is a threat to any oppressive structure that wants to consolidate power, and that certainly includes Hell. The fact that The Metatron realizes he can separate the angel and the demon in the same stroke as infiltrating Heaven is icing on the cake.
So there ya go. That's all I've got for today. Is The Metatron a Demon? Honestly, I don't know. But it's too interesting a theory for me to leave it alone.
*Please note, I'm intentionally using the term mirroring rather than chiastic structure to make this analysis. I deliberated for a while, but decided that it'd be a little loosey-goosey in this situation. So, yes, I am aware of chiastic structure and it's use in Good Omens, I just don't think this quite matches up.**
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dduane · 10 months
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I always see advice about first drafts being okay to have rough sequences and character decisions, but one thing that keeps sticking me is it always feels like I need to have character voice figured out when I start writing. Do you have any advice to offer in developing character voice? Or at least, how not to worry so much about that when writing the first draft?
Hmm.
First of all (for those who may not be sure what this is about), let me add a link here to the Masterclass page on character voice, which is a useful basic resource.
Actually developing characters' voices is such an idiosyncratic process! So describing my approach to this may or may not be useful to you. But I'll give it a shot.
(Adding a cut here, because this runs long.)
When a character's about to first come on stage I spend some time just thinking about who they are: their upbringing, their life situation (pre-action and during-), their general emotional makeup... their pre-existing internal stresses, and how those are likely to interact with the ones I'm about to inflict on them. I take a look at where their particular position in their culture would normally place their speech and the way they're expected to think and act. Then I'll examine whether or not those expectations are ones they'd normally fall in with, or adopt unquestioningly... or secretly (or openly) dislike. As usual, drama is about conflict. A character who likes or loathes something about a situation, or about somebody else (or themselves), is going to find ways to routinely express that—not just in dialogue, but in affect, attitude, and reaction: all the aspects of voice.
I may make notes on these issues along the way if the choices I'm making for the character(s) are complex enough that I'm afraid I'll lose track of detail. But after that I've found it's usually best to just get on with it and start writing, as it's in producing the first draft that it seems to me the characters' voices develop best. It's like the difference between thinking about what you'd do if someone pulled a gun on you, and actually finding out in realtime what you'll do. The two situations are likely to differ profoundly; and not only other characters, but you, may be surprised by what you "see" and "hear".
That said— Sometimes as the first draft progresses, or when it's done, I'll go over a character's interactions with the plot and other characters and get a sense of something ringing just slightly hollow—of the character feeling less than fully present in their scenes: or of them (and their reactions) somehow just not being enough for the situations into which you've thrown them. Normally a realization like this suggests to me that there's something missing in my conception of them... and hence, something missing for them too: something that's not coming through properly in their voice, or not coming through at all.
If this happens, it can be a sign that either I got lazy in the character's design, or missed something larger that was going on, due to being too close to the situation they're in. So what I normally do at such a time is find a quiet few minutes to interview them.
...And let's be clear here that I'm not one of those writers who honestly believes (in the psychological, psychiatric, or developmental senses) that their character has some kind of existence outside their head.* My position is absolutely that every part of this process is make-believe, sourced in my own brain. And, yes, it's important to treat the whole creative process, and everyone/everything inhabiting it, with the dignity one normally accords to everyday reality in a physical universe. But sometimes—even to engage correctly with what we laughably call Real Life—some distance is required: space in which to stand back and see the forest in which the "tree" you're examining stands.
The interviewing state is one way you can get a little distance. You find an empty chair (in the room, in your head, doesn't matter) and sit your character down in it, and ask them what's going on. And you keep asking about it—sometimes in multiple sessions—until you get answers that ring true enough for you to grasp and solve their problem, and yours.
Nor do the questions have to be particularly event- or other-character-focused. Generalities may be more useful. I've had good results with two questions in particular: "What do you know about yourself that I don't know?", and "What do you not know about yourself that you need to?" Sometimes this will seriously open the floodgates... so, like good interviewers everywhere, it's smart to have a notepad handy. :)
I had this situation crop up with one of my oldest characters, who'd begun the series in which he appears as...well, frankly, kind of a dick. And yes, I knew this was going to shift as his character arc went where it was going (poor guy!). But at the same time, his voice in the second book of the series—then in its first draft—wasn't correctly reflecting either who he was, or why it was eventually going to be right for him to be going where he was going. He was too flip sometimes, too facile other times, too flat and matter-of-fact at other times still; and his rawness-around-the-edges was offputting. And I liked him! ...so the thought of what other people were likely to make of him, made me nervous.
This problem plainly had to be sorted out, pronto. So I paused work on that book for a day or three, and sat him down in the chair, and eventually got around to asking question two. And wow.... did that ever yield results! All I'd needed was the distance afforded by this technique to allow him to tell me what the problem was—and what I plainly already knew without being conscious of it—and what to do about it as I went forward (and backward, in revision). And I'm still mining the results.
...So you may like to try out that approach, if you run into problems, and see how it serves you. Hope you find it useful!
Meanwhile, as for how to worry less about where voice issues are going as you draft? ...It's been long enough since I had any similar concern that I'm not sure how to advise you. But it seems possible that, if you can cozy up enough to the concept that draft is where at least some people think the development of character voice belongs, over time you can overwrite the concern.
Anyway: hope all of this helps!
*After a book's out, of course, this situation shifts. Once other people get hold of your characters and start making them real, all bets are off. :)
ETA: if you found this useful, maybe you'd like to stop by Ebooks.Direct and take a look around to see if there's something you'd like to pick up? Please & thank you! :)
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answer2jeff · 5 months
Text
fixer-upper. // lip gallagher
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lip x biker-girl!OC
warnings : public sex, oral (m!receiving), praise kink, light to rough hair-pulling, unestablished relationship, intense and obvious flirting, porn with plot and detail, mentions of smoking (tobacco), cursing, OC is just as full of herself as Lip, knows she's a bitch, kinda has a weird sense of possessiveness over him?? clunky and overly detailed writing with a journaling/diary style.
authors note : trying something a little different! using the first person POV with an original character. first time writing this way—still getting the hang of it <3 this is REALLY long...sorry.
song : beauty school.
disclaimer : you can picture the OC however you like! her name is really just used for aesthetic purposes. there isn't much description on her appearance other than the fact that her hair is long enough to put it in a ponytail. enjoy!
Great. Fucking great.
One of my tires is punctured. The visor in my helmet is cracked. My elbows are etched with surface level scratches and dried blood. And the engine cover of my bike has finally snapped off. I had it coming. It was an old piece of rusty junk from my cousins garage sale from 2012, anyway. But it had charm. I knew I was gonna miss that bike for the good couple of hours, possibly days, I would reluctantly end up leaving it in a repair shop down the street from my apartment.
I can hear the squelch of skin, the seal between my hot breath and sweaty skin breaking as lift my helmet from my head. I hope to feel a rush of cool air, but the humidity tells me to go fuck myself. I'm pulled over onto the curb. I can't totally remember how I got there; being in the middle of the street on a scorching summer day wearing denim shorts that chafe up my inner thighs and rub my skin until it is raw and red and unbearably itchy, was not my vision for today. My handlebars are loose. That would explain it.
If I just take it to Born Free Cycles, leave it overnight, and come back in the morning, I can act like this whole thing never happened, and I'm not horribly irresponsible.
40th West View Ave.
Oh. I'm close actually. Barely a block away. I should go there now. I can call Mikey and have him drop me and the bike off at the garage. I'll see that kid with the grown out buzz-cut and black motor grease on his knuckles that somehow always transfers and blots on his face. Specifically on his strong jaw and right before the peak of his hairline. I wonder if he notices. Maybe he doesn't clean it off because it gives him edge that he doesn't need. Like the nickname on his name tag on a black uniform hadn't given his thirst for trouble away already. And the circles under his eyes are almost the same shade of smudged charcoal grey.
I wonder if he notices.
"So the engine cover popped? Just—" he shrugs, looking up at me as if I can't understand him "clean off?"
The sunlight bleeds in through the open garage door. It shines behind Lip, casting a shadow that makes his face hard to see perfectly. But I know the look he's conveying. His eyebrows are raised but drawn slightly closer together, his teeth are gnawing at the inside of his cheek so he can stifle a smile and the laugh that will follow soon after, and his blinks remain slow. I try not to smile too. But I fail.
I've only been here about 3 times, really. The first time was to get handlebar grips from Eddie. That was when I saw Lip. I chose not to make any kind of move, but it ate at my insides until the second time. That time was with Mikey. I was preoccupied with the blue-eyed kid, propped up on a workbench and throwing mindless flirty implications at him while he took long drags from a cigarette, to remember why Mikey was even doing there and why he dragged me along with him. His laugh, the playful eye-roll after I complimented his sweat-laden blonde curls weighed down by heat humidity, told me he was on board.
But I wasn't done.
I knew this time I'd pounce for what was mine.
"Yeah," I breathe out, crossing my arms and peering down at him, "And I mighta' been redlining the RPM a little too much. Probably fried the fucking thing."
Lip nods, the corner of his mouth curling up just a bit. He beckons his hand toward himself, telling me to kneel down beside him to inspect the bike. "This things kinda old, huh?" He teases, turning his head to me and finally letting a real smile break. It warms something in me. I shrug. He glances at my white tank-top, covered in black stains of dirt and oil.
"It's not great, no. It's a piece of shit. But it's cute!" I play along with him, taking the hairband on my wrist and twisting my hair into a high ponytail. Lip huffs though his nose, shaking his head and laughing again.
The next couple of minutes are filled with him telling me things I already know. Things I was too exhausted to manage on my own, defeating the whole purpose of why I was here. Fuck the bike. I know what's wrong with the bike. I know it's an old piece of junk and it's barely salvageable. You should know why I'm here. And maybe you do. But you should do something about it.
Lip has this way of speaking to me that feels ridiculously sweet and overly 'cool.' I know it's just his cadence and his cockiness, but I like it. I like that he thinks it makes me swoon. Partially because he's right, but mostly because I've mastered hiding it. He doesn't see my heart pound or the rising heat in my abdomen when he cracks his knuckles or puts a hand on my shoulder and let's it travel down to the small of my back when I crouch down beside him to look at another motorcycle he's trying to save. I'm almost certain he convinces himself that my gestures are nothing more than a meaningless flirt. I simply find him attractive, as does everyone. Nothing more.
But he's got it all wrong.
He knows my intentions somewhat well enough to the point where he can't not flirt back, though. He knows I haven't stopped him from letting his eyes travel from mine to my lips whenever I speak. He likes that I let him light my cigarettes for me. But he doesn't know this isn't just for fun. I'm so hyper-aware that it isn't out of the kindness of his heart. And neither are his compliments and lame jokes he makes to impress me. He treats my attraction to him as fact, but my genuine interest as a possibility.
Again, he's wrong.
I can't wrap my head around how he could reciprocate my efforts without ever pushing the envelope and asking to exchange numbers, or if I had a boyfriend, or maybe he had one of his own. No, no. He'd tell me if he had a girlfriend. He is, above all else, loyal.
Lip's what I want. I meant when I said his hair looked nice. I meant when I gave him a 20-dollar gratuity and a peck on his cheek just for giving me a repair cost estimate on my shattered headlight. I smile any time he says my name: Maeve.
Hey Maeve, back so soon, huh?
Hand me that box, Maeve.
Y'alright, Maeve?
Yo, Maeve, wanna bum one?
Maeve, Maeve, Maeve.
"Think you'll be back tomorrow to pick it up? No rush, though. I can keep it 'till you're ready," Lip asks me, leaning against the wooden workbench littered with microfiber towels and tools. His swell arms are crossed to his chest. I nod, coating my fingertips with a thin film of spin while I fish out some cash from my beat up faux leather wallet.
"A-huh. Thanks," I hand him 6 twenties before glancing at the opening of his button-down uniform.
The corner of my mouth lifts itself into a knowing smirk, my hand on my hip as I shift my weight to it, making my chest stick out and my spine bend correspondingly. My lips hang open a measly centimeter apart before I draw the bottom one between my teeth. I watch him sort through the cash, biting down harder on the flesh of my lip when he freezes.
"Looks like you're a good 15 short," he barely mumbles, looking up at me through his eyelashes. His brows narrow down to me again. I click my tongue coyly. I step closer to him, my hand, with fingernails painted black, pushing the cash in his palms down and his arms down with it.
"About that..." I pause, tilting my head with a look of naivety and not bothering to push away the strand of hair that has fallen from my ponytail and over my eye. Instead, I wait and let Lip set the pile of cash down and draw the curtain of my hair open to reveal my face. My stomach twists on itself, and I can practically feel his chest rising and falling with every anxious breath in my own lungs.
I beg to whatever higher power lies above us in this garage that a kiss will work. Not that it usually doesn't, but my form isn't as confident as it typically would be. The guys I wrap around my finger aren't as driven as Lip is. And God, none of them are part of my tantalizing daydreams nearly as often as he is. I picture his rough hands exploring me, squeezing and rubbing over the valleys of my skin. I imagine his breath is hot with the taste of mint and cigarettes. Every part of me wants to know if my predictions are accurate. If he's the type to sink his teeth into my neck and shoulder blades just to apologize to the reddening skin with open-mouthed kisses. The anticipation kills me. It's enough to swallow me whole.
"...Maybe I can pay you back a different way?"
I barely whisper and Lip scoffs, glancing away from my gaze, scanning the area just for it to be completely empty. He comes back to me. His eyes go a little wider than before. Almost to say, 'oh shit, you're serious?' I stick my tongue between my teeth and tug on his uniform, feeling the fabric rub between my sweaty fingertips. My eyes watch Lip's adam's apple bob as he swallows a breath.
"Yeah?" He thumbs my bottom lip and pulls it down, his free hand traveling down to my hip and pulling me closer to him, "what were y'thinking, Maeve?"
"Mmmm," I hum while pressing my hand against his chest while the other cups his cheek, and I let the pad of my thumb graze over the grove of his defined cheekbones. "Dunno yet."
My teasing is much to Lip's dismay, but he handles it quite well. It's sobering to see a guy as seemingly self-involved and easily impressed play into my mind games. It only pushes me further, and he knows it. I crash my lips into his, my hands anchoring themselves on his shoulders for support. He sighs into me, a hand reaching down to hook a finger through the belt loop of my shorts and drag me closer to him. His hand cups my cheek and pulls me into his mouth to let his tongue slip past my own. And he tastes just as I expected. Minty, smoky, and mine. I practically grind my self onto him in complete desperation, feeling him harden under me. Every roll of his hips threatens to send me over the edge. And fuck, his muffled groans of pleasure against my mouth that ring in my ears are hypnotic. But even with his sturdy, growing buldge forcing the fabric of my shorts to press roughly on my clit, I need this to last.
Blissfully and ever so slowly.
I finally pull away to catch my breath, the buck of our waists slowing down. My head feels fuzzy and heat rises in my cheeks when I open my eyes to see how flushed Lip's face is. Even the tips of his ears have turned a little red. I smile, giggling like a teenager who just kissed her crush in a closet at a house party as a dare. He laughs back in a way that asks 'what are we even doing?'
"Thought you had a boyfriend."
I pause, my eyebrows knitted. I try to think of who he could possibly be referring to.
Ah.
"Who? Mikey?" I try not to laugh, looking around to the imaginary audience to check if they're really hearing this nonsense too, "ew, no. He's like my brother."
Lip lets out a breath of relief he almost didn't realize he'd been holding. It surprises me. Probably a lot more than it should. But hey, for the other 3 times I've been here, I kept asking myself why his flirting was just as intense as mine, but he never asked for my number or made a true move on me. To think that my friend had been unintentionally cockblocking me with his ridiculous height and horrid American traditional tattoos all over his arms, and it wasn't because the guy had a girlfriend...it's almost funny.
"Oh," he replies, his eyebrows raising. Now both of his hands rest at my hips.
"What? Is that why you left me hangin' when I did this?" I press a kiss against his cheek, my palm rubbing over his shoulder to pull a chuckle out of him.
"I guess so, yeah. Just didn't want him to kill me for getting to close t'you," he kisses my cheek, smiling again.
"Geez. Mikey wouldn't hurt a fucking fly. He just...looks scary. Plus, nobody tells me what to do."
"Noted. Glad to hear that, actually."
"Mikey is—" I pause, biting the inside of my cheek "a sweet guy."
"Uh-huh."
"Too sweet. And I hate the aftershave he uses. He's—he's entirely too much."
"Mm."
"Whatever. Shut up."
"Didn't say anything," he shrugs, trying and failing to act clueless.
Fuck. He's fucking glad. He's glad I don't have a stupid-waste-of-my-time-cockblocking-boyfriend on my hip who's constantly watching my every move and stopping me from giving all of myself to Lip. Hell, I'm glad too. Very glad. With one swift movement, I take matters into my own hands again. I undo every last plastic button on his uniform, snaking down his chest and abdomen. I latch onto his neck, biting the skin and sucking a bruising hickey. He shivers beneath me and wraps his hand around my ponytail, huffing breathless chuckles and slowly getting more and more frustrated with my agonizingly slow, torturing pace for foreplay.
I bend my knees to begin my descend to the ground, kissing down his torso. My hands travel down his sides. Lip gently lets go of my hair to lean back into the workbench, never letting his head reel back so he can carefully watch me tenderly adhere to his needs while anchoring his hands behind him for support. I giggle to myself, relishing in the affect I have on him.
Shit. This is risky. Screw it. Pretty girl without a boyfriend who tips in 20 dollar bills and blowjobs? How could I say no? No part of me wants to back out, Lip's mind races, his grip tightening on the wooden slab as he clenches his jaw.
I wonder if he's nervous. Or maybe he's done this time and time again: fucking a girl right in this garage. Possibly bent over this very work bench. Those girls must've been so easy. I can bet on my life that they were never as fun, never as wet, never as needy as me. This would be different. I wouldn't give him everything he wanted and more that quickly. A girl deserves to have her fun. She deserves to watch the overly confident guy she's fancied for weeks, who continues to play hard to get, squirm and writhe with every slight of hand she gives him.
And that's exactly what I'm doing.
"Y'having fun down there?" Lip chastises me, chuckling lightly to himself as he tilts his head down to get a better look at my face.
My kisses stop right above the waistband of his jogger pants. I look up at him pleadingly through my lashes, my eyes big with lust and cunning seduction. I pull the middle of the waistband down just so I can drag my tongue across the exposed skin just centimeters away from his cock. The curls of his happy trail tickle my chin, but the full body shiver and the shaky exhale of "fuck," as he tries to keep his composure, makes it so worth it. He finally shuts his eyes, head reeling back. I lick my lips and smile, cupping his groin before he can even think about looking back down and feeling the blood rush to his cock again. His twitching dick underneath my palm sends me sitting on my heel, ready to slowly rock my hips down into it to fill my desperate need for friction. My cotton panties are definitely soaked.
I can't waste any more time.
I remove my hand from his crotch and quickly pull his pants and his boxers down with them. They pool at his ankles, and his cock strains hard and leaking sticky, crystal clear pre-cum from the thick and aching tip. My mouth nearly drops. I admire every vein, letting my hand wrap around the base of his cock once I've spit into it as makeshift lubricant. I'm so lost that I don't even register Lip peering down at me, swallowing impatiently.
"My, you're so worked up, Lip. And I haven't even started." I don't bother to look up at him as I rub my hand up and down his shaft, worried his pretty face will distract me. But I can picture him perfectly.
"Fuck you," he huffs through a struggled laugh, covering his mouth as he groans in pleasure at the feeling of my hand squeezing his cock every once and a while as I slowly pump him up and down.
"Later," I retort. I bite down on my bottom lip, looking up at him again for permission. He nods, almost as if he's able to read my mind. My eyes shut and my stomach flutters. Soft lips cover the head, swirling my tongue over the slit. His tip leaves my mouth with a loud pop, and I lick a bold stripe along the thickets vein I can find.
"Jesus, fuck, Maeve!" He writhes, his breath hitched in his throat by me hollowing out my cheeks and taking nearly 3/4 of his total length into my mouth. Moans of pure bliss at the feeling of his cock enveloped by the wet warmth of my mouth echo through the garage. I fear he's too loud, but I decide not to care. Not now.
My hand pumps the rest of his cock that I don't fit into my mouth at the moment, while my free hand reaches for his. My eyes remain closed and my sucking maintains a steady pace as I bob my head up and down his cock. I grab his hand and set it on the top of my head, but he hesitates.
"W—you sure, Maeve? I don't wanna hurt you," he swallows, accidentally bucking his hips into my mouth and running his unoccupied hand through his sweaty curls. I detach myself from him, wiping the mixture of pre and spit from the corner of my mouth and finally looking up at him.
"You won't," I take a deep breath, "I won't let you. I'll tell you if 's too much, kay?"
"Okay. Maybe just—" he clears his throat "tap my leg 3 times? And I'll...uh—I'll let go? Yeah?" He looks beautiful. Flushed, bare, and oh so needy for my touch. I wish I could keep him like this forever. He's so compliant, so understanding. But part of me knows that once I let him do this, it'll show me the side of him I've really been praying to see.
I nod, smiling contently and feeling myself blush when he twirls his fingers around my ponytail again. He bends over just the smallest bit to cup my chin and smile back. The pad of his thumb grazes over my skin before he lets go. I take it as my sign to go back, pressing my hands against either of his thighs and feeling clit jump with excitement when Lip tugs at my hair the moment I take his cock into my mouth again. I bob my head up and down, my eyes rolling back when his tip hits the back of my throat. Tears prick at my waterline as I struggle not to cough.
I grow even more desperate. My hand dives into my shorts and I slide two of my fingers inside of me, unfortunately never living up to the potential size and feeling of Lip's. The continuous ram into my gummy and tender spot causes me to fall apart, whining with his dick occupying the space in my mouth.
"Oh my God," Lip nearly whines, his grip tightening as he guides my head up and down his dick, but it's so gentle it never startles me, "so fuckin' good, baby. Jesus, fu—ah..keep doin' that. Yes, fuck.."
My tongue swishes over and under his cock in mind-numbing patterns, and I can't help but let little muffled moans escape my throat and vibrate against him. He almost can't contain himself: bucking his hips and practically fucking my throat. I do my best to cancel out the occasional gag so quickly he won't feel guilty and possibly stop.
Use me, I think.
Usually, I'd take the lead, never letting a head pusher take the role. But not this time. Lip's so pent up, so stressed with the complexities of his life. This is a kind gesture. One that involves tears of struggle spilling out of my eyes and streaming down ky cheeks. But fuck, I love it. It's filthy. It's nasty the way I nearly suck him dry. I can't remember the last time a blowjob was this fun.
"Such a good girl. Y'know that?" He looks down at me, biting his lip as his eyebrows knit in pleasure and desperate need to cum down my pretty little throat, "how'd you get so fuckin...so fuckin' good at this, baby? Shit—feels so good."
He babbles over and over again, and I'm taking strategic breaths through my nose and speeding the pace of my fingers as they thrust in and out of me so I don't stop him from releasing the way he absolutely deserves. Finally, he pulls my ponytail tighter than he ever has, warning me that he's about to cum, but by the time he tells me, it sends down my throat. He groans out, releasing my hair and going limp. I swallow the salty substance, blinking out the last few tears in my eyes and sliding my fingers out of me.
Lip: 1 message.
Hey. 11:47pm
Hey. Miss me already? 11:52pm
Something like that, yeah. 11:56pm
What's up 11:58pm
I get off early tomorrow. Just wondering if you wanted to come by the shop and hang out for a bit? 11:59pm
Sure. See you then. xoxo 12:03am.
current taglist : @lemmejustpulloutmylightsaber @sexyyounglatinoboy @febris-amatoria
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tobiasdrake · 2 months
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Sometimes I see the way media handles female characters and I'm just like, "Oh my god, that's so cool. I don't even want you to change that. I just want you to notice how cool that is. Why aren't you doing something with this amazing thing you wrote? It's so fucking cool."
When I seize control of the Castlevania franchise in a bloody coup, the first thing I'm doing is giving this woman her due.
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So. Like. The plot of Castlevania is that the Belmont clan is a long family bloodline of vampire hunters who slay a variety of monsters and routinely kill Dracula every time he shows up. The key to their success is the powerful weapon Vampire Killer, an ultra-sanctified super-weapon that cuts the undead to ribbons so hard the crucifix gets jealous.
(Actually, no, crucifix is OP in Castlevania if used well, but I digress.)
Point is, Castlevania once went into detail about the origins of the Vampire Killer. And its origin was this woman. Sara Trantoul, a young woman afflicted with vampirism who decided that, instead of becoming a vampire, she was going to do some alchemy shit to transmute her very soul into the holiest goddamn weapon in the history of sacred artifacts that lethally fucks up every vampire it comes into contact with.
This woman is to the Belmont bloodline what Raava is to the Avatar. What Fi is to the Master Sword. The key to their ability to slay monsters and fight Dracula comes from a teenage alchemist's undying, eternal determination to get his ass. (Well, to get the ass of the vampire whose powers he stole but same deal really.)
In the games, she basically stops being a factor after the one that introduced her. She's a footnote in the canon of Castlevania, far less important than the whip.
But. Like. Her soul is literally in the whip. I've always imagined Sara as, like, the spirit guide and mentor figure and advisor and shit to every Belmont. Like when the whip is officially passed down, your first challenge is to take it and commune with Sara for the first time, the way the Avatar communes with their past lives.
And then she's with the Belmont in spirit. She knows everything. Can name all of the various creatures they might fight. Encyclopedic understanding of the lore. Trades barbs with Death, who (along with Dracula) is one of the few creatures that can see her. Friendly banters with Alucard about her latest Belmont.
Even if your parents were slaughtered as a child and it was all they could do to get you to safety and there's nobody to teach you how to be a Belmont, as long as you have The Whip, there's still Sara.
This character has so much potential to be such a cool piece of the narrative puzzle. It's already there. All she needs is presence.
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blinkpen · 5 months
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i've seen actually a few different people/users leave comments or tags about wanting to check out scavenger's reign after seeing my glowing praise of it, but also being very nervous to do so, because they're excited for a lesbian who looks like them (azi), but despite my gushing, i keep mentioning how the show is full of body horror, brutal deaths and characters having a bad time;
this is a very valid concern to have, given how a character like azi might be treated in another show, i was going in with tempered caution as well
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without spoiling too much, you can lay those worries down. the show treats her very well.
if you'd like some more elaboration, i've put it under this readmore!
azi is put into stomach-churningly dire "an alien is about to eat you/do a big big body horror/assimilate you" situations the least of any of the characters, and not even because she's being given a lack of stuff to do/experience in the plot!
i think we only see her get "afflicted" by something the way sam does once, and its very mild compared to everyone else (basically she gets a really bad itchy rash after successfully prying some weird would-be paralytic puffballs that get stuck to her) and even this one instance is quickly resolved by other fauna, in a very nice sequence of scenes that is clearly a healing/relaxing experience for her.
while she is put into danger and is trying to survive like everyone else, she gets tossed about in action setpieces she makes it through with minimal injury, more than enduring The Horrors;
she gets to have better luck because more of her narrative screentime is, by design, already dedicated to emotionally bonding with her robot buddy, levi, as they suddenly and rapidly attain self-awareness, and levi encourages her to find the beauty and harmony in this nightmarish nature documentary they got marooned in.
this helps her lighten up just in time, too, because she is, very understandably, stressed almost to her breaking point by the point the show starts, having one of the better crash landing sites of any of the survivors, and i bet the other survivors all wish they had a robot tagging along to help, but being stranded and lonely and trying to not lose hope of rescue. she misses her girlfriend, and is feeling increasingly vulnerable (negative) and afraid, especially when situations occur where she gets reminded she does need help. azi starts the series being kind of mean to levi, and having to balance her confusion, worry, and then awe of levi's transformation, and let herself accept she does need that help.
azi is not the gruff grr nothing phases me nothing hurts me the writers dont have to try giving me depth i'm just the badass butch who exists to fill the death quota later so a lighter/more fem character can survive;
her vulnerability reveals itself without much fuss, and is eventually tended to both by herself and others. we get flashbacks that show she was naturally introverted, but clearly wanting to overcome that in order to socialize and get closer to someone (girls...)
she goes through it for other reasons, but i promise you, the show treats her very well, i feel. she and levi are probably-nah, definitely, my favorite characters in it, and the show would not have blown me away the way it did without them here
SR has 3 main story threads; Azi and Levi, Sam and Ursula, Kamen and The Hollow. of the three, Azi and Levi's is the heart, and is the most romantic, in multiple senses of the term. i might right a breakdown of what i love most about all three threads? but yeah
now, if you still need the "okay but does she or her gf die" y/n:
.
.
.
.
azi and her girlfriend both survive the events of the show, and reunite in one piece! they may or may not throuple up with the robot.
i sure hope they do.
you can't tease us with scenes like this and Not
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OH: also, when a new antagonist shows up later in the form of a lethally pragmatic blonde woman named Kris who tries to boss azi around, i did get nervous, but Azi soured to max on her and spoke exactly what i hoped was the intent at the exact moment i felt it was critical to avoid me going "hrrmmm don't like these Implications" (the Instant azi detects blondie is trying to haze her into being a new teammate to be bossed around, azi immediately gets rightfully pissed and rejects it, and schemes to get the tagalong kid to see this also and on azi's side in the long run, which plays out and kris gets rapidly shuttled out of the plot and then pretty damn well humbled in the only blatant Sequel Hook present. i Appreciated that. Would have loved to love you Kris I love evil women but then you pulled That Stunt and now you can go wither alone in the corner
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