✨Character Inspiration Tag✨

Thank you for the tag, @thatuselesshuman ! ✨

Rules: Show a picture of who your oc is based off of and where the character/person is from (like show, book, etc)

Okay so…I’m kind of guessing here because I honest to God cannot tell you who Peter resembles. Tumblr, send me who you think based on the designs I provided.

To me, Peter kind of gives Flynn Rider from Disney’s Tangled….I believe. Especially that smug posturing. He’s got a bit of the chaos from Jack Sparrow, too.

I actually didn’t have an inspiration for Benjamin or Noah. Their designs and personalities just kind of happened….? It’s a little hard to describe. Again, if they remind people of anyone, reblog with pictures of those character and where they’re from.

The premise behind Ali’s character was inspired by Robin William’s Genie from Disney’s Aladdin. That was the easiest one to figure out.

It’s a little bit challenging to explain, but as I design and redesign OCs, I kind of mess around a bit in my art program until what I create closely resembles the picture I have in my brain. Could they have been inspired by a pre-existing character? Very possibly. But, more than likely, it’s a mix of all these different inspirations from different source material, a combination of characters and sorts.

Anyway, I’m keeping this tag +open for everyone ✨

Pictures below the cut (minor bruising)

Ghostly Charm

Available on Redbubble

prommy i'm not trying to liveblog which i can't even do extensively b/c while i Must speak at length, it sure takes time and effort all the same. but i'm hype delighted again like, midway through, talking to the mvp brasso friend with this kind of....not entirely sure what blue collar gig he's got here lol but. cassian walking up and their earnest exchange turning into cassian's ;0 ;0 ;0 [no Actual obvious cues abt the transition] implicitly asking him for an alibi by "correcting" him about what he did last night, as what They did last night. and my taking a second to catch on just like the other guy brasso, Immersive. and i love the way things don't feel like predictable such that there's no slight surprises / reasons to be attentive like this, but also aren't like confusing or incomprehensible. i'm already hype remembering how brasso here responds by just rolling with it, seguing right into playing along, and then their talking between the lines of their story they're constructing together. hype enough i'll leave this open while i actually watch through the rest of the exchange. ooh yeah the way you're kind of waiting along as well to see if brasso's "correction" to their story here is going to be a rejection of it, but actually he's adding to it to cover cassian being a bit banged up And to even extend the story to include a reason they're now standing together talking right at this very moment. ah and i guess they're coworkers also? even though cassian's plot allows for no day job material that we see

also that i'm hype b/c it's like, heartwarming lol, this guy is just like yeah i've got you with your cover story even though i don't now what for and cassian didn't try to answer who might be asking for it. the way you get the lore that cassian gets into trouble already and the way that if someone's in trouble that can get the people around them in trouble, if someone's vulnerable that can make the people around them vulnerable, and obviously that's not ideal but also there's nothing for it and you can't throw them to the wolves, or rather, you sure can but the like effective collective punishment of it all to preclude its being easier to unionize or indeed help insulate each other from whatever vulnerability is like, the deliberate strategy, of course it's best re: that strategy if taking on the inherent increased vulnerability of being involved with, or supporting, or helping other people is deemed not worth it, or gets people focused on blaming the people in trouble rather than the people behind whatever reprisal instead. fun understandable moments when bix is head in hands about helping cassian out in a pinch, and then when her space boyf is like look as her space ex who seems to always be stressing her out when you come by i'm not the biggest fan, and that he responds to cassian's brushoff abt her being tougher than both of them with the line along the lines of "i'm getting tired of hearing that" is like, again yeah fun understandable lol but then narcing on cassian to get the space cops to solve his problem? like, not the way, and of course now pointing the feds in that direction doesn't just smoothly work out, the comeuppance in his dying b/c calling this down on them also gets bix caught up in things, you're all [handshake] w/cassian in this scenario in how you're viewed here and that None of your best interests will be catered to today....nothing for it trying to get anything out of the [police state life] situation, nor is the way that if anyone's more vulnerable than everyone else, you just shut them out or push them in front of the bus, even if the bus is cruising around trying to pick up them specifically. metaphors. feels all like v apt setup for the more significant return to ferrix at the end involving maarva bringing some politics like "i'm the first brick at stonewall, we can't Just get by forever" and cassian like well i Will be having to come through for bix though. wrote it, post it

i’ve grown so attached to the sun and the shadow motif dw has got going on but i’m so tempted to change it to stars just for a cool design thing

The Far Roofs: Systems

Hi!

Today I’m going to talk a little bit more about my forthcoming RPG, the Far Roofs. More specifically, I want to give a general overview of its game mechanics!

So the idea that first started the Far Roofs on the road to being its own game came out of me thinking a lot about what large projects feel like.

I was in one of those moods where I felt like the important thing in an RPG system was the parallel between that system and real-world experience. Where I felt like the key to art was always thinking about the end goal, or at least a local goal, as one did the work; and, the key to design was symmetry between the goals and methods, the means and ends.

I don't always feel that way, but it's how I work when I'm feeling both ambitious and technical.

So what I wanted to do was come up with an RPG mechanic that was really like the thing it was simulating:

Finding answers. Solving problems. Doing big things.

And it struck me that what that felt like, really, was a bit like ...

You get pieces over time. You wiggle them around. You try to fit them together. Sometimes, they fit together into larger pieces and then eventually a whole. Sometimes you just collect them and wiggle them around until suddenly there's an insight, an oh!, and you now know everything works.

The ideal thing to do here would probably be having a bag of widgets that can fit together in different ways---not as universally as Legos or whatever, but, like, gears and connectors and springs and motors and whatever. If I were going to be building a computer game I would probably think along those lines, anyway. You'd go to your screen of bits and bobs and move them around with your mouse until it hooked together into something that you liked.

... that's not really feasible for a tabletop RPG, though, at least, not with my typical financial resources. I could probably swing making that kind of thing, finding a 3d printing or woodworking partner or something to make the pieces, for the final kickstarter, but I don't have the resources to make a bunch of different physical object sets over time while I'm playtesting.

So the way I decided that I could implement this was by drawing letter tiles.

That I could do a system where you'd draw letter tiles ... not constantly, not specifically when you were working, but over time; in the moments, most of all, that could give you insight or progress.

Then, at some point, you'd have enough of them.

You'd see a word.

That word'd be your answer.

... not necessarily the word itself, but, like, what the word means to you and what the answer means to you, those would be the same.

The word would be a symbol for the answer that you've found, as a player and a character.

(The leftover letters would then stick around in your hand, bits of thought and experience that didn't directly lead to a solution there, but might help with something else later on.)

Anyway, I figured that this basic idea was feasible because, like, lots of people own Scrabble sets. Even if you don't, they're easier to find than sets of dice!

For a short indie game focused on just that this would probably have been enough of a mechanic all on its own. For a large release, though, the game needed more.

After thinking about it I decided that what it wanted was two more core resolution systems:

One, for stuff like, say ... kickstarter results ... where you're more interested in "how well did this do?" or "how good of an answer is this?" than in whether those results better fit AXLOTL or TEXTUAL. For this, I added cards, which you draw like letter tiles and combine into poker hands. A face card is probably enough for a baseline success, a pair of Kings would make the results rather exciting, and a royal flush result would smash records.

The other core system was for like ... everyday stuff. For starting a campfire or jumping a gap. That, by established RPG tradition, would use dice.

...

I guess technically it didn't have to; I mean, like, most of my games have been diceless, and in fact we've gotten to a point in the hobby where that's just "sort of unusual" instead of actually rare.

But, like, I like dice. I do. If I don't use them often, it's because I don't like the empty page of where to start in the first place building a bespoke diced system when I have so many good diceless systems right there.

... this time, though, I decided to just go for it.

--

The Dice System

So a long, long time ago I was working on a game called the Weapons of the Gods RPG. Eos Press had brought me in to do the setting, and somewhere in the middle of that endeavor, the game lost its system.

I only ever heard Eos' side of this, and these days I tend to take Eos' claims with a grain of salt ... but, my best guess is that all this stuff did happen, just, with a little more context that I don't and might not ever know?

Anyway, as best as I remember, the first writer they had doing their system quit midway through development. So they brought in a newer team to do the system, and halfway through that the team decided they'd have more fun using the system for their own game, and instead wrote up a quick alternate system for Weapons of the Gods to use.

This would have been fine if the alternate system were any good, but it was ... pretty obviously a quick kludge. It was ...

I think the best word for it would be "bad."

I don't even like the system they took away to be their own game, but at least I could believe that it was constructed with love. It was janky but like in a heartfelt way.

The replacement system was more the kind of thing where if you stepped in it you'd need a new pair of shoes.

It upset me.

It upset me, and so, full wroth, I decided to write a system to use for the game.

Now, I'd never done a diced system before at that point. My only solo game had been Nobilis. So I took a bunch of dice and started rolling them, to see ... like ... what the most fun way of reading them was.

Where I landed, ultimately, was looking for matches.

The core system for Weapons of the Gods was basically, roll some number of d10s, and if you got 3 4s, that was a 34. If you got 2 9s, that was a 29. If your best die was a 7 and you had no pairs at all, you got 1 7. 17.

It didn't have any really amazing statistical properties, but the act of rolling was fun. It was rhythmic, you know, you'd see 3 4s and putting them together into 34 was a tiny tiny dopamine shot at the cost of basically zero brain effort. It was pattern recognition, which the brain tends to enjoy.

I mean, obviously, it would pall in a few minutes if you just sat there rolling the dice for no reason ... but, as far as dice rolling goes, it was fun.

So when I went to do an optional diced system for the Chuubo's Marvelous Wish-Granting Engine RPG, years later, to post here on tumblr ... I already knew what would make that roll fun. That is, rolling a handful of dice and looking for matches.

What about making it even more fun?

... well, critical results are fun, so what about adding them and aiming to have a lot of them, though still like rare enough to surprise?

It made sense to me to call no matches at all a critical failure, and a triple a critical success. So I started fiddling with dice pool size to get the numbers where I wanted them.

I'm reconstructing a bit at this point, but I imagine that I hit 6d10 and was like: "these are roughly the right odds, but this is one too many dice to look at quickly on the table, and I don't like that critical failure would be a bit more common than crit success."

So after some wrestling with things I wound up with a dice pool of 5d6, which is the dice pool I'm still using today.

If you roll 5d6, you'll probably get a pair. But now and then, you'll get a triple (or more!) My combinatorics is rusty, so I might have missed a case, but, like ... 17% of the time, triples, quadruples, or quintuples? And around 9% chance, for no matches at all?

I think I was probably looking for 15% and 10%, that those were likely my optimum, but ... well, 5d6 comes pretty close. Roughly 25% total was about as far as I thought I could push critical results while still having them feel kind or rare. Like ...

If I'm rolling a d20 in a D&D-like system, and if I'm going to succeed on an 18+, that's around when success is exciting, right? Maybe 17+, though that's pushing it? So we want to fall in the 15-20% range for a "special good roll." And people have been playing for a very long time now with the 5% chance of a "1" as a "special bad roll," and that seemed fine, so, like, 20-25% chance total is good.

And like ...

People talk a lot about Rolemaster crit fail tables in my vicinity, and complain about the whiff fests you see in some games where you keep rolling and rolling and nothing good or bad actually happens, and so I was naturally drawn to pushing crit failure odds a bit higher than you see in a d20-type game.

Now, one way people in indie circles tend to address "whiff fests" is by rethinking the whole dice-rolling ... paradigm ... so you never whiff; setting things up, in short, so that every roll means something, and every success and failure mean something too.

It's a leaner, richer way of doing things than you see in, say, D&D.

... I just didn't feel like it, here, because the whole point of things was to make dice rolling fun. I wanted people coming out of traditional games to be able to just pick up the dice and say "I'm rolling for this!" because the roll would be fun. Because consulting the dice oracle here, would be fun.

So in the end, that was the heart of it:

A 5d6 roll, focusing on the ease of counting matches and the high but not exorbitant frequency of special results.

But at the same time ...

I'm indie enough that I do really like rolls where, you know, every outcome is meaningful. Where you roll, and there's never a "whiff," just a set of possible meaningful outcomes.

A lot of the time, where I'm leaning into "rolls are fun, go ahead and roll," what it means to succeed, to fail, to crit, all that's up to the group, and sometimes it'll be unsatisfying. Other times, you'll crit succeed or crit fail and the GM will give you basically the exact same result as you'd have gotten on a regular success or failure, just, you know, jazzing up the description a bit with more narrative weight.

But I did manage to pull out about a third of the rolls you'll wind up actually making and assign strong mechanical and narrative weight to each outcome. Where what you were doing was well enough defined in the system that I could add some real meat to those crits, and even regular success and regular failure.

... though that's a story, I think, to be told some other time. ^_^

Asked for some yokai fusions on reddit, this is the first batch

L-R: Frostysol, Nonoko, Venyan, Lord Lie-in, Slimatina, Whisbuzz

Some thoughts on these designs under the cut

Yayyyyyy thoughts on these because I like talking, esp about my creative process

Frostysol: I WILL SAY RIGHT NOW I KNOW I FUCKED UP THE KOSODE MASSIVELY, IT DOESN’T HAVE SLEEVES & IT’S TOO BIG….. I literally only had two ideas for this desgin, one was inspired by the yuki onna segment's backgrounds from Kwaidan & the other was inspired by the spirits from Kuro Neko. The eyes in the backgrounds of yuki onna were so striking & I had just watched the movie recently so it was still fresh in my mind. I knew I wanted her to be closer to a real yuki onna rather than just a cute snow girl spirit. And in that regard Kuro Neko helped with that. I guess subconsciously I wanted her to give off vibes of an unsuspecting girl who kills you & turns out to be a yokai. I thought a kosode would make more sense historically than a random cape, but also idk if young girls wore kosode like that or if it was just adult women. Had no ideas how to incorporate pallysol so I just used him for little details. He's more prevalent in the design intentionally than physically

Nonoko: Pretty simple what do I say. Uh I thought I could do a clover for the tail rather than a heart like Bloominoko. Wanted to make him even fatter than he is cuz he's Noko x2, also made his spots clover shaped cuz what's more lucky than a four leafed clover? An eight leafed clover! Or two four leafed clovers..... Also gave him double teeth & some little wing shaped clovers on his head kinda like Dudunsparce. This one didn't have a lot of thought go into it, I just kinda did what felt natural

Venyan: The first thing I thought about was what colour to make the fur & what colour to make the hair. I decided on red hair cuz it would pop more with dark blue fur. Also made his face pattern a part of his hair cuz he doesn’t have enough room on his face for it with Venocts bangs. I wanted him to be kind of a shitty little bastard, a real cat kinda cat. A good mix of their personalities y’know. Didn’t have much going on with this design either other than I didn’t want the scarf to be all bulky with the dragons cuz Jibanyan is very squart, so I moved them to the tails. Also just because that looks cooler. Had a hell of a time drawing them, I have experience drawing dragons but I’ve always been bad at drawing them roaring or snarling, they look okay but not great.

Lord Lie-in: Also had a bit of trouble combining these two, makes sense cuz I put this one off for more than a few weeks. Didn’t wanna give him big spiky saiyan hair so he got some stray hairs in the front. Took his face framing bangs & tied them up cuz I always like that look (They’re two different pieces tied individually then tied together, so there’s two mini ponytails instead of one. Also had to deliberate on the hair colours cuz I knew I wanted him to have white fur. One of my favourites was red hair with light blue ends but I didn’t go with that one cuz his outfit is mostly red. I also DID NOT feel like giving him a whole kimono (mostly for silhouette reasons) so I just gave him Miku-like sleeves. I originally wanted to give him split leg hakama but when looking at reference I remembered “Oh yeah these things have a lot of pleats & the crotch is pretty low so that’s not great for the silhouette I have in mind.” I gave him harem-esque pants & if you look closely at the upper thigh you can see a little slit in the side of them. Underneath his waist plate & top, the pants tie together like hakama do so I guess I got the hakama in a little bit. I didn’t have any room for his arm warmers so I made them into gloves & gave him the kind of socks that I don’t know what they’re called (Catra has them & I think they’re cool). Also gave him tengu cuz they look cooler than whatever Lie-in Heart has going on. Also cuz it makes him more like “Woah what a bold guy/character!!” And don’t ask how the sword fits in that sheath, idk magic or something he’s the king of the yokai he can do whatever he wants

Slimatina (or Frostymander): Again not much going on here it’s pretty simple. Gave the lower body muscles cuz I noticed the lower body of Slimamander kind of looked like a chest & also just cuz that makes it more creepy. I gave the main body/head some hair clips resembling the patterns on the bulbs of the other heads. Also made the openings in the head look more like a woman’s mouth cuz again, makes it creepy, but also I just thought it would fit more with the Frostina part. Also gave the main heads head eyelashes that look like the openings on the other heads. Decided to give her a cape this time cuz I’m not fuckin around with another kosode. I don’t know if it comes off in the piece but I wanted her cape to be flying up like she just summoned a harsh wind. Last thing is I gave her an eye ornament on her obi & a specially tied obijime cuz I saw one tied like that on google & I thought it looked cute

Whisbuzz: YET AGAIN SAY IT WITH ME! NOT! MUCH! GOING! ON!!!!!! Uhh gave him a frown cuz he’s depressed or whatever, made the top of his hood look like Whispers…… ahoge???? Made his wings wispy on the ends. That’s about it. Fun fact before I drew that one I had another one but I scrapped it because it looked too much like a sperm cell :]

Name: Skud

Debut: Kirby 64: The Crystal Shards

SKUD!!!! Who does not like Skud!! This charming little rocket has been terrorizing the hearts of many a Kirby 64 player since 2000, and is not stopping soon. Just look at that smile!

Kirby 64, as you may know, is a game centered around mixing and matching abilities. It's kind of a whole thing! But there's only so many enemies that were introduced to represent the seven abilities that Kirby 64 actually uses, so to keep things fresh and never stale, they made sure there were four enemies per ability; usually, most of these enemies would be brand new! Bomb is the exception, with FIVE enemies to represent it, and four of them being new ones! Skud is one of these!!

If you hadn't looked at what Skud looks like, you might be wondering what it does to earn the title of a Bomb enemy. And to that I say, look at it again! In fact, look at it again even if you did pay attention to its design, because Skud is simply that wonderful. It's a cute little rocket that aimlessly walks to and fro on ground or blocks, but once it sees Kirby, it makes its attack!

As you can guess, rather than throwing bombs like its predecessors Poppy Bros. Jr. and Jungle Bomb (the latter of which doesn't appear in Kirby 64, rest in peace), it turns into a typical missile and launches full force at Kirby, exploding once it hits something! It's kind of like Foley, in that sense, but more homing missile-y.

It is no secret that I love Skud. You love Skud! Everyone loves: Skud. But what are Skud's origins? Are they man, or machine? You first find one in front of Dedede's Castle—did Dedede create them? After all, he made his own mechanical hammer as Masked Dedede. But Skud seems so lively, and is never launched from anywhere–he just minds his own business until he Doesn't.

So, does that mean he's not mechanical? Consider, though, other enemies that protect (another one of) Dedede's castle(s) include Moto Shotzo and Plugg, indisputably living machines! And I haven't mentioned this, but Skud loses his face and feet in favor of fins when he launches!

Personally, I think that Skuds are like ants–they're alive, they're organic, but they just love to self-destruct for fun! And what about how they lose their faces when launching, you might ask? Maybe they feel bad whenever Kirby cries out in pain and don't want to show it! After all, for them this is just playing around!

I feel it worth noting that Bomb is one of the few abilities in Kirby 64 that, when combined with itself, does NOT make an 'enhanced' version of the original ability! Instead, Kirby starts shooting homing missiles out of his mouth...which look VERY MUCH like Skud! While these are faceless, slim and long, there's no mistaking those striking white-with-red-details-colored rockets for anything else. It's a really cute detail, and makes Skud all the more special!

Please look at Skud

So, let's talk about Tamarack and Qiu's "fancy outfits"!

I was looking back at the fancy outfits post from two years ago, and I find it interesting that gb patch said they're for two different occasions, because I initially thought they're for the same events (like a school play or something). So I figured it'd be fun to look more into them and guess what those "two different occasions" are!

Totally not because of favoritism, let's start with Tamarack!

It seems like she's wearing a dirndl dress. The overall shape and design match the key features you can usually find in a dirndl (close-fitting bodice with cross lacing and low neckline, blouse underneath the bodice, wide high-waisted skirt with apron), and I think it'd make sense for her to wear it since she's part German.

While I was searching about this, I actually found some kid dirndl designs that look pretty close to the one she's wearing. I think these might be the vibes that gb patch/the sprite artist were going for? So pretty!

But what prompted Tamarack to get all dressed up with such a pretty dirndl in the first place? This is just my personal guess, but I think it might be for Oktoberfest. It's one of the events where dirndl is usually worn, and the time frame will really match the autumn setting of olnf.

As for Qiu, he's dressed in black tights and has his hair in a neat bun like he usually does in ballet class, so it's save to assume that he's wearing a costume for a ballet performance.

I was looking at ballet costume designs on the internet a while ago, and I think his outfit might be a combination of these two:

The first design has similar-looking buttons, floofy sleeves, and overall shape of the lower part, while the second design has matching belt, collar, and overall shape of the upper part. Though, this is just me guessing and the outfit was most likely created with different inspirations in mind.

Sadly, we can't really tell what kind of performance he'd be doing from his costume alone. My best guess is he's dancing for a ballet recital, though it'd be unusual to have one in autumn since they're usually held in spring. So it's also possible that he's dancing for other kind of performance or for a competition.

So... To sum it all up: we will probably have a Qiu-focused ballet recital moment and a Tamarack-focused festival moment in step 1. It's pretty exciting to think about the possibilities!

What I've Learned About Teaching Art

I've had the privilege of teaching art in a variety of environments - from still life oil painting at the college level, to combining art with science and history in a museum setting, to guiding highschool students through creating a comics anthology. Through these very different settings, I've found a list of constants that, when I keep them in mind, help me deliver the most enjoyable and effective art education for my students. One of my core beliefs is that art is, at the heart of it all, something a student must teach themself, and that a classroom, workshop, or camp that wants to teach art is actually responsible for creating an environment and offering projects that facilitate that self-driven learning. With that on the table, here is the pantheon of truths that, if I can hold on to all of them, help me create that learning environment:

- Almost no one is inherently unable to draw. Additionally, everyone can improve at drawing. With the wealth of "traditional" media, digital tools, and thousands upon thousands of years of art history with which we can map the possibility space, it seems obvious that if someone wants to make art, then they absolutely can.  If they want to draw, then no teacher should ever, EVER tell a student that they "can't." The teacher's role is usually to take a student who already secretly believes they can't draw and help them see both the breadth of possibilities and the potential within themselves to improve whatever skills they start with. - Drawing is not always about making a beautiful image. The obsession with one kind of "good drawing" creates an artificial limit on who is allowed to draw. Sometimes being an art teacher is about expanding a student's definition of art as opposed to pushing their frustrated and dejected pencil along a path towards a narrow goal. The reality is that even within pop culture we see so many gorgeous kinds of art! Beyond that, aiming superficially as an artist for a particular surface result will almost always create lesser work than creating an understand of underlying processes and theories that helped the "good art" come into existence. - Drawing can teach new ways of seeing. Observing with the intent of drawing can transform how a person perceives the world. So much of teaching art is teaching visual literacy, the literal act of reading meaning within visual input, whether that's a still image, a film, a building or a natural landscape. When you motivate students to read visuals by providing them with new ways to understand creating visuals, you jump start their investment in visual literacy. - Drawing can help us think about things differently. Thinking can shift along with modes of seeing - what is a structural way of thought? What is a compositional way of thought? When you teach art, you must teach a student to look at things holistically and in granular elements - besides just enhancing thought processes moving between the two states, you can get much more discovery in the analytical and planning modes of appreciating and creating artwork. - Drawing from reference is as educational as reading. Learning to examine visual reference closely creates a new kind of literacy - visual literacy. Drawing from reference, especially with guided or motivated questions to be answered, can create an opportunity for modes of analysis that students don't get to otherwise use. Developing visual observation and creating a practice of looking both closely and holistically can create a layered understanding of the subject. Even students resistant to traditional still life drawing processes can find benefit in using drawing to answer self-guided questions. - Learning by making art is a valid mode of learning. Making art can be a mode of learning that both alternates between input and output and creates a sense of ownership/agency in both modes. The hands on creative process is a kind of guess and check system that can be designed carefully to allow students to make a wide variety of types of decisions, and teaches them to create goals and investigate what processes will best allow them to achieve said goals. - Competition with each other or with some imagined ideal will deflate artistic potential. An art classroom cannot have winners and losers based on "quality" of final piece. Art education will benefit more students if it is process oriented. Quality, even in straightforward skills based art education, can still be subjective, and unless it's an aggressive battle Royale for some exclusive prize, the intent of any art programming is not to find the single best but to encourage each student to improve. So don't be a dick about it. - Art is a product of restraints. Material, process, time, subject or conceptual restraints allow for a kind of focused play. Giving students free reign is in itself a huge challenge of self direction, goal setting and prioritization. Making some of those choices for them gives them a chance to focus their own learning. - Materials change the kind of engagement. Diverse materials allow for diverse engagement. Just as subject matter can affect a student's personal investment in a project, the material or method of art making can change their engagement. Changing between drawing and painting, reductive or additive sculpting, stenciling or stamping, will not only change the tactile experience of art making but will affect the modes of thought used to make creative choices. - Venue or audience transform art. Pressure to show, and to whom, can change students self imposed limitations. Defining an audience will change and add pressure to art creation. This can help students hold themselves to a higher standard, but can also frighten or overwhelm them. Audience needs can be a useful limit or influence on the direction of an art project, but audience pressure needs to be modulated to the response of each student. - Art is most interesting when it leaves the comfort zone of its creator. This can only happen in a classroom where students feel safe to take risks. Art, even when the subject matter is utterly anonymous or benign, can be a hugely risky-feeling process. Even the act of making art in a classroom environment can feel frightening; if we want students to fully engage, and to take the artistic risks that allow them to learn, we have to spend class time making the classroom into a safe space for the students. This probably needs to be it's own post so I'll leave it there for now and come back and expand upon it in detail in future. - Subject engagement transforms art. Students with something to say about their subject may push themselves farther. Caring about the subject can be a blessing or a curse for a student - deep subject investment can drive problem solving around how best to present it in the artwork, while deep subject investment can also overwhelm a student with self imposed pressure and even a large dose of imposter syndrome. Therefore it can always be useful to intersperse self selected subject matter with "boring" or at least not emotionally significant subjects, to relieve some of the pressure and allow students to instead respond to the process alone. - Ownership of a process will empower students. Whether they've designed a process, built their own materials or set their own goals, agency gives students investment. One of the most exciting things about art is that students have a lot of potential control and thus ownership - they will always be making choices, and those choices are potentially exciting because they directly affect the outcome. You can increase this sense of ownership or investment in the class by facilitating student-made materials, like sketchbooks or mark-making tools; or by facilitating student-led exercises or challenges or projects. - Demos will guide what others make and must be done carefully. Demoing can empower and at the same time overwhelm or impose limits on the viewers. Demoing must be designed to specific goals of each assignment. Eg: if you want students to use surgical techniques to explore value, or depth, or composition, whole you absolutely have to demo the technique didactically, you need to be careful not to be didactic about the results you want in relationship to the subject of exploration. Showing a wide range of potential approaches can help in classrooms where students can handle large info dumps, but often it's better to demo the technique, get them trying it out without further instruction, and then redirect then to the topic of exploration as stage 2. - Material potential can power a room. Art supplies can be motivating all on their own. Getting excited about them can make it safe for the students to get excited as well. There are many different supplies available to teach art with, and trying different ones can add a lot of excitement to the room even if your topic of instruction is narrow. Getting excited about materials can change the mood of a classroom entirely. - Criticism must engage with the student's goals or it will work against you. Setting goals, and then reflecting on them, is key to art education as so much of art is self directed. If you then ignore that setup and approach critique without listening to your students' internal direction and goals and at minimum acknowledging them, they will not find your critique constructive. This goes for young children all the way to adults - you need to be in dialogue with them. - Open discussion and open ended questions will always help. Once you've found a way to make the classroom a safe space, group discussion powered by open ended questions can open everyone's mind up to broader possibilities. One on one conversation also benefits hugely from open ended questions and encouraging students to reflect and investigate their own process and practice. - Letting students share their learning is important to help the class grow beyond your own limited experiences. Students will often still feel in competition with each other, so instituting non-competitive collaboration and sharing will be important to minimizing classroom tension. This can be demonstrated first with art games and developed into collaborative processes on more serious projects. - You can never clarify the instructions enough. Always repeat yourself, be prepared to repeat demos, have a written list of instructions and delegate helpers. Breaking projects up into stages can help with detailed instructions, but always show an overview first. Art is overwhelming and there is no process so simple everyone is automatically good at it. Accurate following of a process will often help students who are unsure of themselves prove themselves to be competent and your job as the teacher is to make sure they have everything they need to do that. - Techniques are best remembered when students use them to solve specific problems. Show how applicable to different problems a technique is during demos. Be prepared to reteach or to teach new techniques whenever students hit a wall. Encourage them to reflect over the techniques they have at hand to see if there's a new way to use one that could solve their problem. - Art is mostly learned by doing. Material literacy is gained only through material exploration. If you spend too much time talking/demoing before they get to try the materials the enthusiasm can fade. If you have a student who is frightened of doing it wrong, the most important thing is to make a safe space for them to do it wrong, because that's the only way to eventually do it right. These are all best case scenario tips - and while I've tested them all to know they work, it's still hard work to keep everything in play in every classroom. I'm hopeful that having this written list will help me, and maybe by sharing I can help others as well. Art is a privilege to teach, but I believe it is incredibly important for everyone to get to learn it, in a safe environment where the effects of an art practice can be the most beneficial. Are you teaching a creative subject? What are some techniques or core values you bring to your classroom? Read the full article

@quasar-crew MY BRAIN FINALLY LET ME FUCKING DRAW SHIT LETS GOOOOOOOO.

Ok so all of these ideas are seriously impacted by quaser and polarspaz's amazing fic which you can read here and also this one called undertow. The combined might of these two fics are giving me brainrot that could make Ethan Winters jealous.

I love seeing everyone give Leon mandibles. Seriously. Mandibles for the win. Bug boys stay winning ong frfr. BUT. I wanted to try and do something slightly different because I saw the regenerators in the remake and went JESUS CHRIST WHAT THE FUCK IS THAT ITS HORRIFYING and then proceeded to watch like 3 speculative biology videos about how they work.

I have given himb. Teef. When in doubt just add more teef this always works no exceptions.

I had some VERY OBVIOUS Xenomorph inspiration I'm not even gonna pretend like I didnt. However I am very proud of his tail. Ive essentially created a design that allows it to turn into a saw once its impaled someone. If the blade of the tail gets caught halfway through someones torso? Shaboom. The spines flex and you've got an automatic bone saw now cut that guy in half.

I also have some speculation about how the plaga itself mutates the body.

Given that in game the infecting agent is called a 'toxin' I can only assume that the plaga is mutating its hosts with a geneotoxin. A genotoxin is a chemical agent that causes chromosomal damage and/or mutations. Usually these mutations refer to cancer, but the plaga could absolutely be making something specialized to mutate a host in a way it deems beneficial. This would mean that the plaga would probably be pulling nutrients/calories/protien/WHATEVER it needs from Leons body, and using it to create and refine this toxin.

Also, the black blood vessels leads me to believe that the plaga is spreading this toxin through the cardiovascular system, so I made a diagram that includes 'barbs' in the left ventricle and left atrium. I figure the toxin would be essentially 'hitching a ride' to the oxygenated blood that would then spread throughout the entire body. That also got me thinking about how much I see Leon coughing up some kind of black substance. I think that could be his body purging materials that the plaga has deemed 'waste'. So genetic material that it doesn't think is needed would be coughed up. So. Uh. I guess he's basically coughing up his own rotten insides. That gets worse the longer I think about it.

C: Hi there! Even if I've been reading dick Grayson(and in turn batfamily) fics for a few weeks now, I've never actually watched/read DC stuff because even if I liked superheroes, I'm not invested enough to read the actual comics. The most I watched was the Teen Titans 2003 cartoon(which I love). I was brought into interest cause I was brought in through crossovers of other fandoms (which may be hated by some/many😅)

To give myself context, I tried to read around for Robin, and imagine my surprise there's more than one? Which, okay mantle thing I guess. But in the end, Dick Grayson caught my attention(not rlly for his looks and design, but more of his heroism and entire personality and affect in the DC world). Which leads to looking at other tumblrs and I love reading yours and when you answer the asks cause it's so much easier for me to understand the kind of person Dick is and how he interacts with the world.

Sorry for this long context, but I just want maybe your opinion, what if your opinion in the combination of how Dick Grayson should be written for him to Thrive

- Should he stay in Gotham, being in with the batfamily more? Soloing in Bludhaven? Staying with the titans? Or others?

- what about his romantic relationships? Who should be is one true one(based on canon gfs), or maybe stay single? (Just gonna be biased, but I've only knew about dickbabs and dickkory (but I heard he has other girlfriends and I've remember reading he was almost married...a few times??) but dickkory had always been for me)

- What about mentally wise? (Of course, I do think Dick needs a long vacation because of all the trauma that he has to go through), but even if I like the idea of Dick being admired for his looks because he deserves it, but I do rmbr posts that he is uncomfy with this(sexualisation, Def only staying true to the person he loves (then there's the whole...Tarantula and more thing)

Tbf, I do think is a little bit of all is what makes Dick, Dick. Haha

Sorry for the long ask, feel free to not answer because i just needed to get this out😅. I know it's actually bad I'm reading fics without canon knowledge for personality, but your posts makes me understand him more that I understand what's real and what's fanon in fics (that makes me..ugh.. but I read anyway for plot cause i don't know better)

But thank you anyway for reading this and I love your content!

(last one for this ask I swear: I've been seeing stuff where Robin name is actually Dick's mom calling Dick that. Then it's passed down as a mantle starting from Jason without Dick consenting. I tried to read at wiki, maybe I missed out but I can't find anything. Is it true? Does the other bats (except Bruce and Alfred?) know the actual meaning? Because as much as I love Dami, the whole bloodson, birthright to take the mantle of Robin beside Batman give me ugh feelings if it's true) :C

First of all, thank you so much!! I'm so happy to hear you like my stuff <333!!

I think it's fine that you started in the fandom since I sort of started out that way too lol. I had only watched Teen Titans Animated show and Young Justice before I got into fanfics and my first comic I ever read was actually Teen Titans (2011) which was Tim's run. It's been a journey.

Dick's personality was also what captivated me so here I am!

"Should he stay in Gotham, being in with the batfamily more? Soloing in Bludhaven? Staying with the titans? Or others?"

That's a really good question and a complex one. Ironically, for being such a people person, Dick seems to be doing best when he's by himself. When he's soloing, he has a sense of freedom and independence that he's been craving for a long time. The whole reason he left Bruce was because he felt like Bruce was suddenly treating him like a kid, like someone to look after, when he had been treating Dick like a partner the whole time. When Dick feels like his independence is being stepped on, it unsettles him. This is another reason why the Tom Taylor run and Dick's relationship pisses me off but that's for another time. As much as he likes Gotham, he loves Bludhaven. He thinks it's a dirty, crime-filled city, sure, but he loves it there.

He's a little crazy like that.

He doesn't have the same attachment to Gotham that Bruce does. Instead he feels that for Bludhaven.

The only reason I'm saying Dick is better off staying alone than with the Titans is because of his leadership mentality. There's a comic that I forgot the name of but Dick teams up with members of the Justice League and they trapeze through a jungle under the orders of this corrupt military general. He teams up with Arthur and automatically starts commanding people to which Aquaman tells him off, saying this isn't the Titans. Dick is genuinely sorry and backs off. For a minute. But immediately goes right back into command mode but Arthur lets it go, realizing that Dick's not conscious of it and that his behaviour is automatic. "Too many leaders" he calls the situation in his head. For Dick, the Titans have become a responsibility now. He loves them like crazy but they look up at him automatically for directions and order and he's gotten so used to leading them that it's his go to mode.

He just likes doing stuff without someone hovering over his shoulder or having to take care of others.

"what about his romantic relationships? Who should be is one true one(based on canon gfs), or maybe stay single? (Just gonna be biased, but I've only knew about dickbabs and dickkory (but I heard he has other girlfriends and I've remember reading he was almost married…a few times??) but dickkory had always been for me)"

Yeah, I've actually loved almost all of his romantic relationships. I hate Dickbabs but every other one has been fantastic. Kori was great for him.

Action Comics (1938) Issue #618

Dick says it again here. He used to envy Roy's freedom. He's also said in another comic that he fell in love with Kori for her freedom.

Secret Origins (1986) Issue #13

You're right, he has gotten almost married a few times

The first time was with Kori

The New Titans (1988) Issue #100

But then

The New Titans (1988) Issue #100

their pastor gets vaporised and body-controlled Raven feeds the soul of one of Trigon's children into Kori and she goes crazy but she recovers but it's a whole ordeal. In the end they don't get a chance to complete their marriage. They were spectacular together though. The only reason their wedding didn't go through is because the Batfam writers wanted Dick back so they took him from the Titans' writers and they needed a big dramatic scene to cut him off from the Titans. Another reason why Barbara was deaged and created as a love interest- to gatekeep him in the family.

He's also gotten married to Barbara before the retcon though.

Batman Family Issue #11

But here they were forced to by Maze and they went along with it and tricked him. At the end though, they just grab a bite to eat.

Ngl I actually would've supported this marriage. I really love this Barbara. Yes the age difference is a bit much but whatever, I still like them.

Dick and Barbara have gotten married in an alternate timeline.

Convergence: Nightwing/Oracle Issue #2

yeah, definitely didn't like this one.

Dick's also gotten fake married to a woman because Batman and Dick thought she was killing her husbands after marrying them so Dick married her to see if it was true.

Nightwing (1996) Annual #1

I liked her. She wasn't the killer and Dick did a fantastic job raising her son but even though she loved him, he didn't love her and they divorced amicably. I wish I could see more of her and her son though.

To be completely honest, my favorites for Dick are Kori and Bea.

Bea was a fantastic partner. She was understanding, loving, caring, and responsible. She was there when he was Ric Grayson and just loved him for who he was.

Nightwing (2016) Issue #53

If Kori's truly out of the picture, then Dick really should've settled down with her.

Nightwing (2016) Issue #57

She and Kori, they don't tell Dick what to do or who to be. They let him be free which is why I loved them an extraordinary amount. I'm a sucker for soft moments and Bea and Dick are couple goals.

Nightwing (2016) Issue #62

They give him the freedom he craves.

"What about mentally wise? (Of course, I do think Dick needs a long vacation because of all the trauma that he has to go through), but even if I like the idea of Dick being admired for his looks because he deserves it, but I do rmbr posts that he is uncomfy with this(sexualisation, Def only staying true to the person he loves (then there's the whole...Tarantula and more thing)"

I think Dick does need a break. His life has been a series of unfortunate events but despite all that, I think he loves it that way. Dick loves the thrill of adventure. It's the heart of who he is and why he became robin. The excitement he gets when fighting or doing crazy stunts - he loves all of it and that is his coping mechanism. I guess in order for him to thrive, Bruce needs to stop dumping all his trauma and stop expecting him to be there for him at all times of the day. Dick keeps getting dragged back to Gotham to take care of Bruce and his problems and he would go in a heartbeat but he's much happier wacking his own goons in Bludhaven. But since Bruce is so codependent on Dick, this pattern's not gonna stop anytime soon.

Truth be told I also like Dick being admired for his looks. I don't like him being called out by it though. First of all why would you comment "hot booty" to someone? It's degrading and humiliating even if you think it's a compliment. Some things are better left untold. But regardless of what people think, Dick will always be pretty and everyone in the DC universe knows this. Heroes, civilians, villains - they're all attracted to him on some level because he's so beautiful. And honestly? I'm all for it! Because that boy is the prettiest human in existence and he deserves that recognition. Just not vocally or physically.

The best thing is that Dick's beauty has no bearing on his mentality toward people. This man will choose one person and stick with them forever. He values intimacy and trust and love in his relationships which is why he's so attached to each one. This plays a massive role in his relationship with Kori. He would never cheat. Actually in all the future comics, after his spouse passes away or leaves, he never remarries. The only one exception was Batman Beyond (2016). The only one and he remarries Barbara after his wife passes away. Aside from that he remains a single parent. That's how dedicated he is.

"I've been seeing stuff where Robin name is actually Dick's mom calling Dick that. Then it's passed down as a mantle starting from Jason without Dick consenting. I tried to read at wiki, maybe I missed out but I can't find anything. Is it true? Does the other bats (except Bruce and Alfred?) know the actual meaning? Because as much as I love Dami, the whole bloodson, birthright to take the mantle of Robin beside Batman give me ugh feelings if it's true)"

Yup Dick's mother called Dick Robin.

Nightwing (2011) Issue #0

Robin (1993) Annual #4

Here's a couple but there are more instances of his mom calling him Robin.

Dick had no idea Bruce passed on the Robin costume. He finds out through the newspaper because Bruce is pissed at Dick. Like he's so mad that when he told Dick to leave, Dick actually left.

You know how there's a saying about not being able to take back words of anger? Bruce is feeling that heavily. He already had suspicions that Dick wanted to leave but before Dick could tell him, he fired him so he wouldn't have to hear those words. But Bruce is super mad that Dick left anyway. So what does he do? He makes the first boy he sees Robin.

And Jason finds out Dick was Robin when he confronts Bruce why Nightwing knows Bruce's identity. And that gets Bruce more mad because he's now feeling guilty which is when Dick comes to confront Bruce.

Batman (1940) Issue #416

But instead of meeting anger for anger, Dick expresses his hurt. About how they were partners and then talks about his life after leaving Bruce.

And Bruce loves Dick. His best friend, son, brother, and partner for nearly 11 years. They raised each other and despite his anger, he smiles in pride and love.

Batman (1940) Issue #416

Look at his smile!! He's so proud of his son.

And that's when Dick stops pulling his punches.

Batman (1940) Issue #416

Bruce looks so wrecked. The guilt and sorrow is tantamount to his pain.

Then Dick asks Bruce why he choose someone new.

Batman (1940) Issue #416

So Bruce tells him. But Dick and Bruce's relationship go way deeper than just friends or family. They know each other. They revolve around each other so Dick calls him out.

Batman (1940) Issue #416

And out comes the truth

Batman (1940) Issue #416

But Dick has always been the bigger man and instead of letting Jason become some sort of spite move, he turns Robin into a legacy.

Batman (1940) Issue #416

He passes it down like it was meant to be passed down. Because let's be honest here. The Robin name and costume is Dick's. If he wanted to, he could've taken it back, Bruce be damned. And that was one of Jason's fears.

Batman (1940) Issue #416

But despite Bruce's words to Jason

Batman (1940) Issue #416

He's not sure himself.

Batman (1940) Issue #416

But it's only with Dick's approval that he becomes Robin which is what Bruce is thanking at the end.

Batman (1940) Issue #416

And this has been a sort of tradition.

Dick approved of Jason being Robin, he endorsed Tim, and he made Damian Robin. The only exception being Stephanie. This is why Dick feels a heavy sense of responsibility over the robin predicament. He created the tradition. He approved, supported, and mentored every robin that walked in his colors and name. That's why he feels the burden of it.

I don't think any of the other robins know the meaning behind the name. Maybe they do. But ironically, the one who wasn't robin is the one who knows the meaning of it.

Duke.

Fnaf movie notes, spoilers ahead:

First off, fuck Scott Cawthon, let's just say I didn't watch the movie in theaters or on a streaming service.

What I liked:

Matthew Lillard actually looks like William Afton

The "Talking in Your Sleep" cameo was the best one of the movie, next to "I have a theory"

Cory was funny, as expected

I liked how they made the animatronics just kids, they want a friend.

The way the animatronics moved was great, I just wish we could have gotten a foxy running scene.

The cinematography and set design inside the pizzeria was great, and everywhere outside felt very real.

The animatronics were cute when I was supposed to like them and foreboding when I was supposed to be scared of them. I don't know if they physically changed the suits but it works.

Mike's actor was actually pretty good at looking distressed or upset.

I just want to hug the animatronics they are so cute 🥺🥺

The animatronics weren't sadistic, when they killed someone it was because they were trying to get them out or away. Just like if an actual little kid had that power, they wouldn't be cruel or even want to kill anyone, they just don't understand their own power

There actually were five nights!

Springtrap wiping the knife is a reference to Scream, where Matthew Lillard played Ghostface, who is known for wiping their knife after using it.

BALLOON BOY

What I didn't like:

You're telling me they named their main character Mike and they didn't have Afton go "MIKE! MICHAEL!!! MICHAEL DON'T LEAVE ME HERE!!!!! *MICHAEL!*

Vanessa was a nothing burger, even when her motivation was revealed it wasn't that good. I think it would have been better if they set up that she was working with Afton

Golden Freddy was everywhere but they didn't namedrop the kid once, and it was so inconsistent. He's here, he's not here. I'm assuming it's a combination of Cassidy and the Crying Child.

Afton's connection to the story is flimsy. Why was he pretending to be Raglan? I'm assuming it's so he could get night guards to toy with, that's why the animatronics killed the intruders but not Mike.

It's kind of weird thinking about the logic of how Afton killed Mike's brother, and gave his daughter the plane. Just seems a little bit of a stretch.

Even though I hate excessive gore, I thought there wasn't half as much violence as there should have been. I guess the PG-13 rating constricted a lot.

It takes a broom to activate what I'm assuming is a Circus Baby reference springlock, but Afton can jump around in Spring Bonnie.

The only Purple Guy reference we got was a purple tie. They should have made the security vest purple.

Questions

How is the cupcake sentient?

How does Afton control the kids?

Who cleaned up the blood of the four intruders? I'm guessing Afton but I wish they'd made it more clear

Why didn't Afton send out the animatronics on the first night? Even if he wanted to kill Mike, he seems like the type to psychologically torture people beforehand.

Why was there an "it's me" note? I get the reference, but why? Is Mike's brother here?

What's the Freddy mask with the saws inside? I know Afton uses it to kill people but why does it exist?

Why does Balloon Boy exist? Do the toy animatronics exist in this universe??

Why doesn't foxy have a tail?????

Favourite character: Foxy

If we get a sequel I hope we only get one or two. I don't want a whole cinematic universe. Finding ways to watch 12 movies 'other ways' will get complicated.

Also when the casting was revealed, I didn't know who Matthew Lillard was and someone told me he played live action Shaggy, so I didn't know he played fuckin STU FROM SCREAM until I watched the movie, so another cameo technically, just only for me

why it ourple

ok.

i'm going to tell you the story of how purple became my favourite colour. and then, where the name vylet pony came from.

———————————————————

ch.1 the mace windu incident

once upon a time. I really liked star wars. i kind of still like star wars i guess. but when i was a kid, i REALLY liked star wars.

in my room, i had a mace windu poster.

i still can't find the exact poster. it looked something like this

mace windu was my fav star wars character for an inconceivably long time. with that, i also became fascinated with his purple lightsaber. nobody else had a purple lightsaber. i loved it. staring at that poster constantly made me really like the colour purple. ever since the poster started exerting its technicolour pressures and whimsies upon me, i became fixated on the colour purple. forever.

"hai!~ im mace windu and i loveee Videos!" - mace windu, star wars episode iii: revenge of the sith

———————————————————

ch. 2 the viny scratch era

fast forward like 7 years. i am in the my little pony fandom now. i am 13 years old. i really like vinyl scratch. she is pictured here:

my first online presence in the mlp community was as a vinyl scratch / dj pon3 roleplay account. for a good year, people called me vinyl and "vy".

however when it came time to start releasing music in the fandom, i couldn't go by vinyl scratch at the time. this name was already being used by the artist who currently goes by Scraton!

this is still one of my favourite songs by them:

anyway. i actually held a really insane, irrational grudge against scraton for being named "vinyl scratch" as a music artist before me. i got past that after a while, because i had to stop being 13 first. i stopped being 13 and eventually fell in love with their music and we became friends later after!

but it's 2013 and i can't be vinyl scratch anymore. people already called me "vy" because of being a vinyl scratch persona.

so.

———————————————————

ch. 3 it's vylet time-wait is that can opener? CANNI?

it started on december 28, 2012. i posted to my then-instagram account this image:

you may recognize this as my oc canni. here's their reworked look in the 2022 album (10 years later) can opener's notebook: fish whisperer (illustrated by @astroeden):

can opener's original name was "ultra vylet". their colour scheme was originally intended to be the inverse of vinyl scratch's, as a sort of strange protest to not being able to be vinyl scratch. i was like ok. well if i cant be vinyl scratch, i am going to make a character that swaps the main colours. within a few months of "ultra vylet" existing, i discarded the design in favour of a completely different one:

this would be the only time vylet consistently had purple in her design until 2018 or so.. lol.

then. on april 15, 2013, i posted this to my instagram:

i had essentially combined three things:

The fact the people called me "vy'

The fact that my favourite colour is purple (violet)

The fact that I wanted to be vinyl scratch (dj pon3) before

———————————————————

ch. 4 vylet pony ≠ vinyl scratch

that is to say, i never really put a lot of thought into "vylet pony" as a name. i just made it when i was 14 and now i am going to be 25 soon. will i keep vylet pony as a name forever? not sure. do i take great pride in its insanely snarky origin? absolutely.

after i had decided firmly on "vylet pony" as a name — after dropping the "3" from it — i made a new instagram account. the very first thing i posted to it was this:

illustrated by my friend, shade.

now that looks slightly vylet-like, design-wise, oc-wise. oh. but now she is grey and black? ok.

she stopped being purple from 2013-2018.

here is how her design progressed through the years:

the first one is by my then-partner sara. this is when vylet's cutiemark was still an upside down music note, reflected from "ultra vylet" / can opener's original design. i'll show how it became a puzzle piece next.

the second one is by shade

the third one is by chibadeer

the fourth one is by astroeden

———————————————————

ch. 5 the puzzle piece

to this day, i still cannot find the fanart in question. but over instagram, someone asked to draw fanart of my pony. in doing so, they misconstrued the shape of the upside down music note as a puzzle piece, like this:

i've been looking forever for the original fanart/fanartist that made this mistake. because ever since that art, i just stuck with it anyway. i like puzzles and puzzle games. i'm also a puzzling and enigmatic person. and the puzzle piece can go into so many different things. all sorts of problem solving is like a puzzle. music fits neatly into that category in my opinion. so because of its intrigue and ability to mean so many different things, i just went with it. i never looked back.

———————————————————

ch. 6 that is the history of the colour purple and vylet pony character design

i hope this answers the question "why it ourple"!

And in the Beginning...

Summary: after spending a day at D.C.’s most renowned multifandom convention Spencer and Garcia stop for a coffee. Spoiler alert - our fave Resident Genius dumps their order on Reader.

Pairing: Spencer Reid x gn!reader (Reader is a sci-fi buff)

Category: fluff

TW/CW: swearing, mentions of food, some Star Wars-related talk

Word Count: 2k

Once again, a ginormous THANK YOU to @drgenius-reid for taking the time to beta-read the first draft (aka witnessing the horror)!

The following work is my entry for @imagining-in-the-margins' CM Meet Cute (or not) Challenge and is also part of the series Spencer Reid, my beloved

“Highlight of the day?! Jamie Hewlett signing my copy of The Cream of Tank Girl! In you face, Mr. 'Superman Can Fly'...!”

The woman carrying a Chinese paper umbrella rummaged through her purse to retrieve a wallet and pay at the coffee truck parked outside the convention center; stylish two-tone glasses matched the army green jumpsuit with a teddy bear patch on her right leg and the blue mandarin collar button-down shirt she was wearing, and her blond hair was tied up in a pair of small side buns.

The tall man beside her chuckled as he picked up two cups. “I don’t know if I should be more impressed or worried.”

“Why?! We made a deal and it’s perfect: he can have Sci-Fi-Gate, I’m keeping WashCon.”

“Sci-Fi-Gate has amazing Star Trek guests, though…”

A long and colorful scarf was wrapped around his neck and a deep red cravat necktie peeked out of the hem of a plaid design vest, combined with a single-breasted brown coat and a pair of grey pants. 

“I can't believe you would really choose the Captains of the Enterprise panel over my emotional stability,” she frowned, paying zero attention to the cosplayer in a trenchcoat with a pair of black wings attached to their back she was about to brush past.

When the feathers smacked her cheek she pulled back, the tips of her umbrella almost poking the tall guy dressed as Doctor Who in the eye; the sudden movement startled the cosplayer and a rapid swing of their dark wings created a commotion in the crowd of people waiting for their turn to order. In the confusion that followed, a random shoulder bumped into yours and pushed you out of the line and off the sidewalk, right in front of the Fourth Doctor - who was struggling to maintain his Fedora in place and watch where he was going at the same time.

Needless to say, he ended up failing at both.

“Oh my God, are you okay?” the blond woman asked. 

“I’m so sorry, SO SO SORRY—” the tall guy apologized simultaneously and she cut him off, rushing to your side.

“Are you alright? Are you hurt?”

The frantic exchange prompted your brain to whoosh into light speed mode to elaborate and discharge the ‘Ah, shit!!’ and ‘wait… is this iced macchiato?!?!’ inputs in favor of a more suitable reaction at the sight of the considerable amount of caffeine soaking your hoodie.

“... I think I’m okay.”  

“First-aid manuals suggest removing all clothes or jewelry near the affected area within moments after the spillage of a hot liquid,” the tall guy said, and the woman gasped in shock. 

“Please tell me you didn’t get burned! Once I got this non-fat steamed white chocolate vani—”

“I’m fine,” you growled a bit. 

Someone behind you was snickering and, despite the relief of not having sustained serious injuries, the attention was already making you feel uncomfortable.

“Scalds are caused by sources of humid heat and certain types of fibers retain the water, which can be responsible for additional damage to the skin,” the tall guy explained again, speaking faster than anyone you had ever heard.

You tucked your shirt in your jeans and raised an eyebrow in his direction. “Let me guess: you’re a doctor.” 

“Well… uhm, yes, this is my…” he faltered, unable to tell if you were referencing his costume as a pun or not. “I am, actually.”

“Not that kind of doctor,” the woman added.

She sighed as soon as she realized you were standing there speechless, drenched in coffee, your gaze wandering back and forth between them. “I’m so sorry…”

“They should be more careful with the lids. I think I got lucky,” you muttered through gritted teeth as you pulled the zip down.

Thanks to the decision to splurge some money on yourself, earlier on, you had something to replace your soiled hoodie with. The Fourth Doctor looked away and focused his attention on the cups he was still holding in his hands; before he threw them in the nearest trashcan he inspected their content, confirming he’d fortunately spilled on you a combination of 98% half-caf iced caramel macchiato and just 2% regular hot americano.

The woman was still clasping the handle of her umbrella. “Listen, we were about to check out this itsy-bitsy lovely Indian place ‘round the corner, maybe you should come with us. You know… to try and get cleaned up a little.” 

You dug into the shopping bag at your feet, taking a sealed package out to rip the plastic film wrapped around a brown sweatshirt with a stylized front print of the panoramic view of the desert, Jabba the Hutt’s palace and twin suns on Tatooine, and put it on. 

“No offense, but my parents taught me to never follow strangers.” 

“None taken,” the tall guy replied, “they were absolutely right. According to the National Missing and Unidentified Persons System, about 90,000 individuals are reported missing in the U.S. every year and the National Institute of Justice estimates that approximately 4,400 unidentified bodies are recovered annually.”  

For the second time in less than five minutes, you considered the possibility he could truly be from Gallifrey. You also wondered if he was aware of his perfect facial structure: everything about his demeanor indicated he wasn’t too skilled in the art of charming people using his sculpted jawline and lean figure. 

“... do you always quote statistics about murders and kidnappings like it’s a casual topic of conversation?”  

His eyes got even bigger, showing a hint of gold on the inside. “It was merely an observation—”

“Yeah, he… does that,” the woman came to his rescue, “and even if it sounds bad, trust me it’s- it's part of his job. Our job. Except, I don’t deal with the scary, disturbing, yucky stuff.”

Your question wasn’t meant to come out in such a sarcastic tone. “You’re cops?!”

“FBI. Tech Analyst and Behavioral Analysis Unit,” she explained, and the tall guy waved a silent greeting at you. 

Even though the chance of running into the Bureau personnel stationed in D.C., at some point, wasn’t unreasonable, ‘two FBI agents walk into a multifandom convention dressed as characters from sci-fi TV shows’ could have easily been the beginning of a bad joke. 

Plus, it was hard to picture the Fourth Doctor as a G-Man. “What’s your Ph.D. in, exactly?”

“I have a Ph.D. in Mathematics. And Chemistry, and Engineering. And I hold BAs in Psychology, Sociology and Philosophy.”

“Google him. Spencer Reid, B-A-U,” the woman suggested after a short pause, in response to your skeptical expression.

Judging by her tone she was daring you to, as if the situation wasn’t already giving off major The Twilight Zone vibes… and yet, instead of bidding them an unenthusiastic farewell, you pulled out your phone to type his name. 

A plethora of results popped on the screen seconds later, so you first clicked on the link titled BAU’s newest member. 

“With three doctorate degrees from Caltech already, and a staggering IQ of 187 as well as an eidetic memory there is no psychological exam or test the FBI could put in front of him he could not ace,” the piece said about newly-recruited Spencer Reid.

“When I ask why he chose Caltech over MIT and Stanford, he quickly runs down a list of Professors he had a desire to study with. He makes no mention of the weather or girls,” an older article reported.

You skipped through at least a dozen mentions of SSA Reid’s outstanding performances in the field, then a PDF document, property of the California Institute of Technology, caught your interest and you read the title aloud. 

“Identifying non-obvious relationship—” 

“Non-obvious relationship factors using cluster-weighted modeling and geographic regression,” he recited by heart, “that's my Engineering dissertation.”

He was too prepared on the subject and too adorably peculiar to be an impostor posing as a genius FBI agent for kicks, during the weekend; you picked his Fedora off the ground as a peace offering. 

“Seems like you’re a wunderkind, Doctor Reid.”

Spencer lowered his chin so he could mask the rush of blood to his cheeks and his friend giggled, gently linking arms with you. 

“Now, there’s something relevant we need to discuss, pronto… how do you feel about veg biryani?”

An hour and a half proved to be all the time you needed to form a solid conviction that Spencer Reid going on a spiel about the original blueprints of a fictional space station was the best thing since sliced bread.

“It’s part of the iconic imagery Lucas wanted to establish, there’s no health and safety. And don’t forget it was originally designed by the Geonosians.”

You snorted at the mention of the classic ‘designed by a flying alien species’ argument. “That’s not an excuse! Even if the Geonosians designed it, they knew it was meant to be used by humanoid creatures.”

After leaving the restaurant, where you had insisted on paying for your share - much to Garcia's dismay, you’d walked back to the convention center’s parking lot and now you were waiting by your car for Penelope to get hers. As you had recently discovered, she loved mugs, old Italian movies and playing the ukulele; Spencer wasn’t as outgoing and chatty, especially about his private life, but Star Wars was for sure one of his numerous areas of expertise.

“TIE fighters don’t have a proper defense system and the original prototype even lacked structural integrity to support atmospheric flight. The Empire doesn't care about casualties, it’s safe to think they never bothered to install a guardrail or other appropriate safety measures because to them the Death Star technicians are expendable.”

“Okay… solid theory,” you admitted, making him smile as he wiped his forehead to get rid of a lock of curly hair.

“Thank you. It’s nice to have a discussion with someone who knows about the Geonosians. Or the Death Star. It only happened twice but I’ve had people asking me what that was.”

When the convertible Cadillac with a plastic Hawaiian lei tied to the rear-view mirror stopped inches from you, Garcia - behind the steering wheel - proudly gestured at the extension of her eccentric personality.

“Meet Esther. Isn’t she fab?”

You wolf whistled your appreciation, gliding your fingertips over the leather upholstery and orange body paint. “Quick question: how much do you think I’d get if I sued two FBI agents for… damages, let’s say?!”

Penelope produced a fluffy pen out of the glove compartment and scribbled something on the back of a PetMAC receipt she handed it to you. 

“Sweet pea, if I were you I'd settle for a lifetime of free IT support.”

“I’ll take it,” you said, “I’m kind of tired of being bullied by my own laptop.”

She stared at you for a moment before her face lit up, like a girl on a trip to a four-story candy shop. “... have you ever been to Baltimore ComicCon?!” she asked out of the blue while Spencer plopped himself down on the passenger seat.

You shook your head. “Do you guys—”

“We should totally go together!!” Garcia proposed. Or rather, declared.

In all honesty, the prospect of attending another convention on your own was depressing and you’d given up on the one in Maryland for that specific reason; you turned to Spencer for his approval, too, and he nodded, maybe because he knew there was no way of stopping Garcia if she had her mind set on a specific goal.  

“Baltimore it is, then…?!”

Penelope shot you a smug grin. “Keep in touch. We still owe you a nice dinner and ComicCon’s not up until September, I’d hate to run a background check on your license plate to find you.”

You couldn’t help but laugh at the idea and saluted them goodbye as they drove off, Esther’s taillights shining bright red.

What a weird Saturday. Meeting a real life genius and the quirkiest FBI agent ever came with a price, and one of your favorite hoodies was most likely beyond salvaging. You needed to know if Spencer Reid was well worth it.

Garcia’s words then echoed in your ears, so you sat in your car and unlocked your phone, scrolling through the most recent Google searches: you had a lot of reading to do. 

@matthew-gray-gubler-lover, @thisiscalmanditsdoctorreid, @pretty-boys-book-club, @spookydrreid, @f-me-reid, @foxy-eva, @scorpiofangirl1109, @a-potato-wearing-plaid, @cynbx, @reidsbookclub, @nagemasstuff, @hotchsdharma, @reidmainbitch, @lizzylynch1, @will-grahams-eyes, @padawancat97

»»»— read pinned post for taglist info —«««

PRESENTING THE REDESIGN OF THE GIRLBOSS QUEEN AMAYA 📢🗣🗣(I AM SO HAPPY TO HAVE FINISHED THE DRAWINGS)

It should be noted that this is a redesign for the Wish Au character written by @ animación , who helped me with the ideas and references for Amaya's design,@ animación it is very fun to collaborate with you :D

Now I will start to explain how we came to make this design:

-At first I didn't have many ideas for their design (the truth is before I was concentrating more on Aster and Asha) so I decided to watch the Whis movie to get a better idea of ​​the aesthetic I wanted to look for them………yes, the movie is not that good, later I will talk about my opinion of the movie but in terms of design I was disappointed that out of so many possibilities for the design and costumes of royalty, Disney chose a neutral color palette with small details of blue color, I don't know, I feel like there were so many striking possibilities wasted for they desings.

-Well, continuing with the topic, the author of this Au Wish sent me references about what her vision was about the design of Amaya, which were mostly about the storyboards of the movie, I really liked the idea, since it gave me vibes of a threatening but elegant queen,she also sent me some concept art of Mother Gothel that I used as a reference for the structure of Amaya's face

This gave me the idea of ​​also using Sephora that belongs to the movie "The Prince of Egypt" as a reference for the aesthetic that I more or less wanted for the character.

so first I decided to practice the structure of the face to familiarize myself with the design :D (I clarify that I traced the structure of the drawings here because it was just a practice, I used none of these sketches in the final result)

After a while I started making my own sketches when I finally understood how to draw the face

(For the hairstyle, I was guided by the photos that the author sent me, I almost forgot to put that😅)

-I also decided that instead of putting a crown on Amaya, I put a kind of headband with a jewel, because in addition to being comfortable, practical and cute (something that greatly characterizes Amaya's style)

It is also a parallel to my Asha design which has a diamond-shaped tattoo on her forehead.

-Now talking about Amaya's dress, yes or yes I wanted to design a cape with a hood, although at first I thought about adding a neckline to the top part of the dress, an idea came to me which was to be inspired by the Greek mythology character Circe, since curiously she is also a sorceress, I mentioned this to the author and she mentioned that at first when trying to draw her she was inspired by the conceptual art of Megara, who is also Greek, so in the end she decided that maybe the queen comes from from a town in Greece (Also this could have something to do with her backstory 👀)

-At some point in the story we discover that Amaya keeps different potions inside her dress (I guess for emergencies, I don't know), that's why I decided that the dress has a small opening, because in addition to making it easier for you to walk, it would also help you. get your potions out in an easier way (her potions are attached to a belt that would be on her leg or waist I suppose).

-In the end I designed these 3 prototypes and sent them to the author to help me decide which one to choose or which to combine because the truth is I couldn't choose alone (I'm too indecisive).As I said, I was inspired by the character of Circe, so I looked for references of how the Greek goddesses dressed in ancient paintings, and if you look a little closer you can notice that I added the Leo symbol, since it represents the lion. , an animal that was associated with the Greek mythology character I mentioned

Another important detail is the moons on her dress, since it represents motherhood, an aspect that Amaya uses as a facade with her people, and speaking of space, the writer gave me the idea that Magnifico represents the sun since in her own words:

"I know the association with the sun and the moon fits their personalities really well. As the sun can be seen as bright, fun and warm like Magnifico presents himself, but it can also be a force of destruction that burns and is unpredictable. And the moon can be associated with Amaya for being a protective glow in the darkness like how she presents herself as a caring guide, but the moon also has a mysterious dark side we can never see.And the moon only shines to us because the sun is shining on it, so like… Amaya only shines because she’s next to Magnifico"

(Honestly, I'm always surprised by how much symbolism the writer can find for the characters, I only put it in because of what I mentioned before and because I thought it looked cute lol).

(I came up with the belt and most of the costume thanks to this circe painting)

-Don't think that I decided on the colors yellow and dark blue just because they go together well, nonono, this one also has a meaning :D , you see, while I was looking at some of Wish's concept art there were these discarded designs of Magnifico:

And doing a little google search I found this:

-That's why I chose these colors, blue is a color that represents the truth, something that Amaya and Magnifico want to pretend, but the color yellow represents what they truly are, liars.

-And finally (because this writing is taking me more than 2 hours) the roses that are in her dress and hair are natural, and without giving you too many spoilers about the rewrite, Amaya suddenly ages a little, and when this happens the roses also have a change as they wither

Final comments :D

wow, that was quite long ,wasn't it?, I'm more than happy with the result, I hope you like it too, @annymation and I've put a lot of effort into this design and history of Amaya :)

Brrtchu’s Sonic fusions

I did like, some sort of Sonic fusion or fan kid thingy— because I saw so many fan kids on my for you page and I wanted to draw my versions cuz I thought it was cute 🥺💕

I’ll make color at some other time but here they are.

They’re all mainly Amy because I love Amy and she’s the spotlight of all my content apparently 🥰💕

And I was going to make a gender bent version for each Amy fusion but got distracted when I shaded in Armageddon by accident. 😓😂😅

So for the first one, Strawberry and Sherbert— yes I spelled Sherbet wrong on purpose because—

I am a bumbling Neanderthal 🥰💕 anyways, I thought that should lean more on the sporty “light-weight” kind of weapon. Since Amy has her GIANT but cute hammer. And since Sonic has his speedy thing and Amy has a bird friend, I figured we give Strawberry an expertise in badminton, I call it birdie bullets. These birdies are special for ranged combat when she needs to. I thought a baseball bat was too generic and kinda violent. When she gets faster with each hit, she causes more damage that causes piercing. You can hear whistling too. She uses her speed too I guess lol.

As for the Shadamy fusion, Calamity, she is based off of Maria Robotnik’s design from Sonic X and sci-fi space suits with “roller blades” that I got inspiration from Big Hero Six. 😅😂 Her weapon is kinda weird in concept, but remember Bakugons and toy spinning tops? I forgot what that toy was called when they were combined, but it was like that and my brothers played with them all of the time. She has an arm band where she pulls the pin and the spinning top is released and enlarges. I call it Tornado. Because it destroys things in its path for a few seconds before you have to go retrieve it. She got a lot of silly gadgets. But sometimes she uses the chaos emerald if we want to get the easy way out. 🙄 of course we wanna use the silly bakugon spinning top. Her genderbent version, Armageddon, design is based off of Dr. Robotnik from the Sonic 2 movie. So yeah.

As for personality, they should all be the same but I’m bad at making personality. Lol