#I don’t really care if Morocco does well or not | Explore Tumblr Posts and Blogs

flickeringart · 3 years

Text

Neptune in aspect with Mars

(Read my post about Sun and Moon aspecting Neptune and Mercury and Venus aspecting Neptune)

These planets aspecting each other makes for a curious connection, because in a sense, they represent opposing principles; Mars represents the personal drive and the ability to spring to action, the force that works to impose one’s independent will on the world – Neptune represents the inner urge for emotional unity and the religious/spiritual experience of being merged with the source of life. When these planets are in aspect in the natal chart, the personal ability to carry out one’s will is inextricably linked to redemptive longings. Simply put, Mars-Neptune individuals will put their energy into fulfilling the ego ideal, the perfection of potential that existed before the personality began to form. The personality cannot assert itself in a way that would crush the dream of perfection. Neptune is the dream of purity, the undifferentiated beauty of never having left the garden of Eden. Mars on the other hand is the agent of independence and self-motivated action – he has the purpose of fighting for the individual self which is antithetical to the Neptunian principle of surrender. While the Moon and Venus are quite social; the Moon represents nurturing and care-taking of needs, Venus represents the ability to be loving, affectionate and gracious; Mars is selfish and to a certain extent anti-social – most definitely anti-Eden and its eternal bliss. Subsequently, Neptune paired with Venus or the Moon is a little less of an obvious conflict than Neptune paired with Mars.

The conjunction of Neptune-Mars might cause considerable frustration and unconscious manipulation, because one cannot assert oneself, which is to declare separation, without feeling a deep sense of guilt and shame. It’s a little bit like the Bible story of Adam and Eve eating of the forbidden fruit and immediately becomes aware of sin. This is certainly not an easy phenomenon to deal with. The impulse to avoid accountability for one’s actions can be overwhelming, even if the consequences are perceived to be good. There can be a tremendously inflated sense of righteousness accompanying every move the individual takes because deep down there’s the feeling that one has committed a terrible trespass, that one will be unable to atone for. While the softer aspects, the trine and the sextile, more easily lend themselves to genuine selfless acts and natural inclination to fight on behalf of every bleeding heart and soul in the world through acts of sympathy and kindness, the conjunction usually brings more troubles. There can be an overwhelming feeling of having to do certain things because one cannot stand the idea of being separate from other people. One finds it easy to identify as the martyr or victim, unwilling to take radical responsibility for one’s actions – or if one does it’s in order to self-sacrifice. Often the individual will adopt any ideology that promotes the mass before the individual – often socialism or marxism fits the bill. Neptune is symbolic of undifferentiated reality, blurred edges and passive surrender. It’s not a planet that promotes autonomy and individuation. Not uncommonly, decisions and actions are referred to as byproducts of societal or larger-scale units that have little to do with the poor self. These individuals are usually profoundly dissatisfied with the ways of society because on some level they believe that individual autonomy and agency is a sin – and that the only way to redeem oneself and humanity is through some kind of chaotic dissolution of difference. This urge is seldom conscious, but it is there none the less. Vladimir Lenin had this conjunction and he wanted to revolutionize society to fit the marxist ideology, but really what this means is to overthrow the upper class – to punish those that seem to revel in the delights of Eden, to get rid of the internal shame of being excluded from paradise.

It seems like Neptune-Mars shows up in individuals with the capacity to move a crowd, perhaps most importantly, with the capacity to be the front figure and leader of the masses. Vladimir Lenin certainly affected the masses and so did Napoleon I with the same conjunction. Hassan II of Morocco, known to be one of the most severe rulers widely accused of authoritarian practices and abuses of civil rights had this conjunction as well. These examples are far removed from Neptune’s reputation for denoting empathy, soft-heartedness and sensitivity. However, it might be precisely because of the refusal to abandon the hope of the sweet sweet nectar of paradise that can only truly be accessed in a state of pre-birth if even then, that the outrage is so total. Most children scream when they are born, and this is probably the kind of terrible rage caused by separation that lingers in these people. The sign the conjunction falls in will certainly affect the expression the energies filter through – Lenin had the conjunction in Aries, Hassan had it in Leo and Napoleon had it in Virgo. Virgo is a much more analytical and practical sign than the prideful fire signs of Aries and Leo – consequently Napoleon is famous for his fine skill for method and strategy in war. On his Wikipedia page, it states that Napoleon had a hypnotic effect on people and could bend the strongest leaders to his will in one-on-one conversations. Hypnosis is a marked Neptunian phenomenon. What happens is that the person is able to gently infiltrate the other person’s will – which is quite extraordinary. If someone is receptive and open enough to suggestion, the opportunity and the invitation is there to mold the other through unconscious communion. Since there’s no obvious forcing taking place under hypnosis, the hypnotized person must cooperate on some level – yet it’s not a conscious cooperation which is why the whole phenomena of hypnosis is so unnerving. In general, people would like to think that they are in complete control of themselves, but it’s more of a fancy fantasy rather than an actual reality. We don’t know what we are receptive to and Neptune reminds us of this. He seeps through the most tightly shut doors.

(Buy products with my art)

My own family is quite Neptune dominated and what often happens is that I feel subtly manipulated, yet the manipulation is never fully conscious on the part of the individuals so it becomes difficult to confront them. The times I have, they either take offense or seem genuinely perplexed. It is impossible to confront Neptune, because he works underneath the surface, below the threshold of consciousness. When confronted these types are deeply disturbed that they could’ve imposed something on someone – they either go into a introspective mood, become appalled or proclaim their love and sympathy in an attempt to restore union. My mother has Mars in the 12th house and although it’s not aspecting Neptune, Mars is placed in the house pertaining to this planet and she has Neptune in her 1st house. She never gets angry but people around her certainly do. She is eternally understanding of everyone else’s anger and has acceptance for it, yet she doesn’t respond to any of it on a personal level. She apologizes every time something upsets her. She is never aggressive, yet she does instill subtle guilt through little cues and hints every now and then because it is a sin to have a will that does not align with the crowd that one finds oneself in. Sometimes, when things aren’t the way she wants to see them she doesn’t see them. She presumes that on the most basic level, all people want the same thing, which is probably true on a “soul level”, but sometimes it doesn’t translate to everyday matters. People’s personalities contradict each other and this is no trivial matter – people can and do clash because of individual differences and it can be detrimental to one or all of the individuals involved. However, Neptune doesn’t like to see a clash as a clash – that would be to treat it as a definite fact, which would contradict the fluidity of oceanic union. The frustratingly passive statement “It’s everyone’s fault” or “It’s everyone’s responsibility” is the attempt to not deal with cause and effect while establishing the fact that some abstract common force is always at work. This is neither true nor false but this attitude conveniently keeps everyone “unified” and dependent upon each other.

Admittedly I went with the most gruesome examples when writing about the conjunction, but it goes without saying that not all people with this aspect is going to be a Lenin type – Ryan Gosling, Avril Lavinge and Timothé Chalamet all have this conjunction and they’re all quite popular entertainers in their own ways – they move the masses on some level. Ryan Gosling has a Pisces Rising so his chart ruler is Neptune which makes it particularly strong. He gives off that pure hearted watery eyed look that is extremely mesmerizing to the public – he portrays himself as sweet and compassionate, he seems to have a marked innocence and purity to his outward projected identity. Avril Lavinge has her Sun-Mercury in the 12th house squaring her Neptune-Mars conjunction in the 3rd. She has more of an edge to her personality with a lot of planets in Scorpio but she certainly comes off as a chaotic, intense and absent-minded creative which I would attribute more to Neptune. Her strong rebellious “I don’t care” statements through her music resonates with a lot of people, but so does her more sentimental songs. Timothe´ Chalamet has his Moon in Pisces sextile Mars-Mercury-Neptune and he is quite the stereotypical Neptunian boy – he looks delicate, introspective, dreamy and androgynous, more like an ethereal creature than an earth-bound human. With the conjunction in the 5th house there’s no wonder that he can act and express himself in a very fluid way. Acting and performing musically are the specialities of the Neptune, and if enough components in the chart support the endeavor one might just become famous. The trine and sextile aspect also lend themselves well to these kind of occupations. These people can effectively gain the sympathy of the public because people recognize something of themselves – something pure and unborn, a mutual feeling.

A good example of someone with the trine aspect between Neptune and Mars is Russel Brand. He is quite the Neptunian with an angular 10th house Neptune opposing his Sun and trining his Jupiter-Mars-Moon planets in Aries. Even though he certainly has the fire and energy of an Aries Mars that can sometimes be a bit too much for people he is not only fighting for himself he is fighting for all people. In many ways he’s embodying universal hope and rage. He is fiery but also very receptive and deeply concerned with not causing any damage or hurt despite his characteristic blunt and direct approach. He has a marked religious/spiritual inclination, which is usually the case with a strong Neptune in the chart. In his early years the longing for Eden was sought through drugs, alcohol and fame, while it has now shifted to a more healthy inner exploration and focus on being of service to people. The soft aspects between Neptune and Mars-Moon-Jupiter planets in his chart helps him to cope with the disturbing Sun-Neptune opposition. In recent interviews, he admits that he still feels the pull of fame and success, yet he knows that if he goes down that path he will lose himself (his Sun) and will ultimately end up disillusioned and dissatisfied. I have the trine in my own chart, and I float aimlessly through life with the notion that things will work out and my actions will come to me, because I can’t plan or control anything. I have learnt that I have to trust the way things unfold, because I have a clear sense that my forced actions won’t lead me anywhere except to frustration and a sense of isolation. The sextile aspect seems to function a little bit more as an asset and a skill for the person to use. Politicians like Hillary Clinton, Angela Merkel and Francois Hollande all have this aspect and they can effectively use their receptivity to the masses and people in general to inform their actions.

Now to the harder aspects. Britney Spears is a good example of the dilemmas created by the Neptune-Mars square. Her Neptune squares Mars in the 12th house, the house belonging to Neptune and Pisces. Because of mental instability in her twenties she was put under a conservatorship which is essentially the equivalent of giving up personal control of one’s personal matters in order for an outside source to manage them until one gains some foothold. Mars is one of the prime factors of personal ambition and autonomy, but when it’s in the 12th it is given up – it is essentially a slave to the undifferentiated realm and subjected all the forces of the unconscious. A 12th house Mars in itself doesn’t have to produce the mess that Britney found herself in, but with it squaring Neptune, Mars is going to get swamped, mislead, confused, manipulated and subtly coerced because of the need for fusion, into doing things that will pull her further away from independent action. Another good example is Kylie Jenner. She has Neptune in her 1st house squaring Mars on the MC. She is publicly known for being part of the Kardashian-Jenner family, but she’s also gained attention because she skillfully created her own brand Kylie Cosmetics and became very “successful” (as in earning a lot of money) due to her own independent action and initiative. However, Neptune is anti-independence – and curiously enough there’s always some dishonesty involved when Neptune makes any hard aspects in the chart. She was declared the youngest self-made billionaire by Forbes in 2019, but, she has later been accused of forging tax documents to appear to be a billionaire. Neptune simply can’t let her be all that her Mars wants to be – a successful business woman with a clean record. Self-sabotage is almost always the case, however minor with this aspect, because Neptune refuses Mars’ need to be potent in the world.

The opposition creates a different dynamic although the dilemma is similar to the square. The person can be called to completely abandon an independent will to take action in favor of the glamour and blissful archetypal experience, not unlike the example of Russel Brand and his indulgence in fame and crowd-pleasing at the expense of his sense of self. The difference between having Sun opposing Neptune and Mars opposing Neptune is that in the first instance one is prone to give up a sense of self in favor of Neptune’s waters, while in the second, one feels the urge to give up the ability to direct one’s own life in order to merge with life around oneself. The opposition usually lends itself to extremism because the two polarities, in this case Mars and Neptune, can’t coexist. Queen Elizabeth II has this aspect, Mars-Jupiter in the 1st opposing Neptune in the 7th. She is on the one hand seen as an archetypal figure, immortal and divine and blissfully kept out of the real world in order to serve as a symbol and a fairytale for people to feel spiritually connected to. She’s non-aggressive, forgiving and compassionate, transcendent of the fuss of the world yet overseeing it all with care. She is essentially functioning to satisfy the religious/spiritual instinct of the masses, although it’s certainly done at the expense of her own selfish wants and needs. Luckily for her, her Mars drive is quite global and collective in nature considering that it falls in Aquarius and is conjunct Jupiter – it keeps her objective and less personal in her martial assertion. However, I’m sure she struggles with the contradiction between her own will and her role as an immortal unreality that would seem to activate itself in the interaction with other people (Neptune in the 7th). Edward Snowden also has this opposition falling in the same houses. His Mars-Sun conjunction opposes Neptune, and he famously leaked information about mass surveillance programs to the press. Neptune has everything to do with leaks and the dissolution of boundaries. He’s both been called a hero a traitor – which perfectly fits with the contradiction that the opposition represents. He certainly made a personal sacrifice by revealing the things he did so he is perfectly shouldering the martyr cape. In any case he did what he did for the public with the concern of other people in mind (Neptune 7th house) he took a non-selfish stance for the sake of a higher ideal and ethical conviction. Both Queen Elizabeth and Edward Snowden are quite extreme in their Neptunian capacity and has taken on fates of mythic magnitude.

139 notes · View notes

archived-kin · 3 years

Text

solomon deserves a husband so i'm giving him one (it's you)

note from kin: i don’t know HOW i’ve managed to get this out so soon after my last piece but i do know that it is a miracle (now watch me disappear for like a month lmao)

anyway there’s a severe lack of content for the boys in this fandom and therefore i am here to try to mitigate that!!

(as a heads up, this is sort of an au version of obey me’s story?? there’s no exchange program, and the general human world doesn’t know about the devildom or celestial realm, apart from sorcerers and similar special cases. solomon and simeon both still visit the devildom, though - solomon because he has a sort of job at the r.a.d., and simeon as an ambassador sort of thing for the celestial realm. the r.a.d.’s also less of a school and more of an organisation?? i haven’t really fleshed it out haha)

fandom: obey me!

character(s): male! reader, solomon, mammon (briefly), simeon (briefly)

pairing(s): solomon/reader

warning(s): blasphemy??? solomon disses god really briefly and that’s about it

genre: fluff!!!!!!!!!

As a general rule of thumb, Solomon doesn’t believe in destiny.

He’s lived long enough to know that, no matter what he does, the universe does not care about him, much less have some sort of plan for his future. The course that the world takes isn’t affected by some grand puppet master pulling the strings; one has to force the so-called path of fate in the direction they want it to take if they want something. Solomon knows this better than anyone.

It’s as much a downfall as it is a strength - as much as power as he’s amassed over the countless years, his constant need to challenge the universe’s power has lead him down a path far from humanity. There had been a time when he was like every other human on the Earth, when he was still young, full of hope and determination and promise, believing earnestly in some God high in the sky who would guide him through his life.

He shudders to think what sort of insufferable fool he’d been back then. An almighty God? Don’t make him laugh. The ruler of the Celestial Realm is incompetent at best, and a downright childish brat at worst. He doesn’t know how the angels put up with him - though he supposes his realm-smiting power is part of it. Why the universe chose to place such power on such a being’s shoulders will always be beyond him.

Long as it has been since he had been so naive, Solomon has learnt his lesson, to say the least. He’s seen people come and go, witnessed kings and queens reign and fall, watched on as friends and family live and die. It’s a truth that he’s been forced to learn across the years of his long, long life, a curse that he brought upon himself the moment he gave up the purity of his soul in pursuit of magical arts.

He supposes he’s always had an insatiable thirst for the unknown - to play all his cards out front, to tempt fate’s hand, to jump into the void and hope to find ground beneath his feet when he lands. It’s that sort of reckless abandon and hunt for knowledge that has led him so far down this path, through so many years, across so many sleepless nights. The world continues to swirl around him, always changing, but Solomon refuses to be swept away. Because, even in the tumultuous movement of the universe, there has always been one constant that keeps him anchored - you.

The night he'd first met you isn’t as clear in his mind as he would have liked. He wants to be able to remember everything - the way the soft blue light of the will-o’-whisps had lit up your eyes in the dark of the night, the way that your hand had felt in his as you greeted him with a handshake, the way that you had said his name for the first time - in sharp detail, but Solomon knows better than to hope to recall something so long ago so perfectly.

He’d still been relatively new to a sorcerer’s life at the time - excited and determined and a little too full of himself. You… well, he doesn’t remember exactly, but he does remember thinking that you must be the most handsome being to exist. The you of today would probably shake your head and dismiss the past you as an obnoxious high hoper, but Solomon has loved you for so many years that he’s never been able to think of you as anything less than perfect.

There are times when he wondered how he managed to stumble upon such luck. It wouldn’t be an exaggeration to say that Solomon has has had truly insufferable periods over the years he’s known you, and he’s always considered it a miracle that you still chose to stay. Even through all the restless nights and the exhausting trips, even after all of the clashes and vexation, you have refused to give up on him.

He had asked you once, in the aftermath of an argument spurred by his inability to confide in you and your own frustration with his refusal to communicate. He remembers that night so vividly that it might well have happened just yesterday - the frustrated shouts, the shattering of glass, the warmth of your arms around his shoulders as he finally collapsed on himself. He doesn’t know what your face had looked like as he stuttered the question out in stuttering breaths, head buried in your shoulder in an effort to conceal his tears, but he imagines that it had been soft.

“I’m not going to leave you to yourself,” You had told him matter-of-factly, stroking his hair with such fondness that it still sometimes brings a tear to his eye when he remembers it on particularly long nights. “And I’m not giving up on you, either - not now, not ever.”

Solomon had been unable to speak, too choked up by his feelings and the sudden, overwhelming love spreading through his entire body to reply. He’d only sunk deeper into your embrace, wishing that the moment could last forever.

I wonder if he still remembers that…?

“...lomon! Anyone home?!”

He jolts up from the table he’s sitting at so abruptly that he nearly knocks his head right into Mammon’s chin. The Avater of Greed, however, reacts quickly, and hops back before Solomon can break his jawbone.

“Jeez, you’re off on a different planet today,” He comments, setting his hands on his hips as Solomon shoots him the sort of look that tells him that he’s not particularly enthused about his presence at the moment. “What’s up with ya?”

Solomon isn’t quite sure how to answer. Sorry, I got distracted thinking about how perfect and lovely my husband is and how I’m the luckiest man in the entire world - nay, the universe - to have him. He nearly physically shudders at the thought of how much teasing he’d receive if he answered like that.

Instead, he chooses a much safer and still technically true option. “Just thinking about going home today.”

Mammon nods in understanding, pulling up a seat next to him and throwing himself down into it without much grace. “I feel ya. S’ been a long day.”

“You’ve barely done anything today,” Solomon quips flatly, not particularly impressed by the demon’s attempt at… empathy? Relatability? Either way, it isn’t working. “I doubt it’s been that hard.”

“Now, now, Solomon, let’s not be rude,” interjects a soft voice from behind them. Simeon is still dressed in his fancy envoy cloak - the one so long and heavy that it trails along behind him like a bridal train, decorated with a number of elaborate golden charms that jingle as he moves.

Solomon attempts to shoot him a slightly annoyed look, but it’s kind of hard to stay irritated by one of the literal embodiments of holiness and light, even if he wakes you up at very unholy hours of the morning to help him figure out how to answer an email. Solomon isn’t ungrateful for the new age of technology descending on humanity, but he’d like it a lot better if it hadn’t somehow reached the angels as well. The amount of times he’s had to tell Simeon that he needs to actually turn his D.D.D. on before he starts calling someone is… embarrassing, to say the least.

“You’re back in the Devildom, I see,” He observes as the angel pulls up a seat and sits beside him. “Did Michael send you down again?”

Simeon nods with a smile. “There were some arrangements that needed to be made with Lord Diavolo. Naturally, I volunteered.”

“Naturally,” Solomon echoes, raising a brow at his friend. “I don’t suppose your biases had anything to do with your decision?”

“Well, they may have had some effect,” Simeon answers with a shameless smile and shrug, beginning to undo the tassels of his heavy cloak and draping it on the back of chair he’s sitting on. He’s still wearing all of his regular clothes underneath it - including the other, much smaller cloak. Solomon wonders how he hasn’t somehow melted in the heat.

“When’re you gonna start heading home, anyway?” Mammon asks, beginning to pick at a loose thread on his jacket sleeve. “It’s gettin’ late.”

Solomon blinks and looks up at the clock. “...ah, you’re right. In that case, I'll get going now.”

Mammon shoots him an odd look as he pushes himself up from the table and reaches for his bag, managing to hoist it onto his shoulder with some effort. He’s never been particularly good at heavy lifting - you’re usually the one helping him carry everything around the house.

“Oi, oi, what’s the rush?” the demon asks as Solomon adjusts the weight of his bag and starts heading for the door. “You on a timer or something?”

“I promised [Name] I’d be home earlier tonight,” is Solomon’s slightly absent-minded reply as he fiddles about in his pocket to find his transportation charm, nearly losing his balance and dropping his bag in the process. “I’ll see you both tomorrow.”

Mammon watches him in clear confusion for a moment as he pats down his pockets, mumbling a quiet curse under his breath as he realises that he’s left his charm at home again. How many times this month does that make it now...? He supposes that he could always perform a teleportation spell, but knowing his luck with those, he’ll probably end up somewhere in Morocco again.

“Oi, Simeon,” Mammon hisses to the angel, who cocks his head slightly to the side and leans over so as to hear him more clearly. “Who’s this ‘[Name]’ Solomon’s talkin’ about?”

“You don’t know?” Simeon blinks at him in blatant perplexion - as if he can’t even fathom the idea that Mammon might not know who Solomon’s talking about. “He’s talking about his husband.”

There’s a long moment of silence. Then—

“Solomon has a HUSBAND!?” Mammon practically shrieks, completely flabbergasted. “I thought he was totally, like, the forever alone type!”

“Don’t tell me you’ve never noticed?” is Simeon’s bewildered response. “Who do you think Solomon is always talking about buying groceries for?”

“I thought he was just buyin’ them for himself!” Mammon fires back, looking far more ruffled and shocked than he probably should be. He whips around to look at Solomon, who’s flicking through the little packet of blank charms he keeps on him at all times in an effort to find the right one to create a temporary transportation charm. He’s had to do it so many times this month that he’s already beginning to run out. “You’re married?!”

“Of course,” Solomon answers vaguely, briefly raising his left hand, allowing Mammon to spot the soft glint of a ring around his fourth finger. “You’re not?”

“Wh— ‘course I’m not!” Mammon exclaims, positively scandalised by the very concept. “Why would I get married, huh?! It’s a waste of time and a waste of money!”

“Think whatever you like,” Solomon dismisses him easily, which only seems to irritate Mammon further.

Finally having found the right blank charm, he plucks it out and begins carefully tracing patterns onto it with a single glowing finger. He’s dimly aware of Mammon furiously whispering to Simeon in the background, with the angel responding in kind, most likely sharing some exaggerated story from back when the three of you had worked together - when Solomon had accepted a job from the Celestial Realm. The details of the whole thing are a little fuzzy to him now, long as it has been, but he’s almost completely sure that Simeon somehow still remembers the whole thing flawlessly.

“How old even is he?!” He hears Mammon hiss.

“I’m not so sure myself,” Simeon replies, placing his chin in a thoughtful hand. “Let’s see… their two millennial anniversary’s coming up in about two years, and I remember Solomon saying that they got married when he was around two hundred or so… which means he’s about twenty-one hundred years old.”

“Holy shit,” Mammon mutters in disbelief, turning glance at the sorcerer as he starts folding down the corners of his charm into the right shape. “Humans aren’t supposed to live that long. How’s his husband still alive, then?”

“That isn’t really a question for me to answer,” Simeon shakes his head slightly. “I suppose you can always ask him yourself if Solomon ever brings him to work with him.”

“I doubt it,” Solomon speaks up for the first time since announcing his departure. “He’s usually busy during the day. Besides, transportation charms make him queasy, and I’m not making him walk all the way down here.”

“Aren’t you a wizard?” Mammon asks, scratching his head. “Just do one of ya fancy teleportation spells. Why d’you need a charm?”

Solomon sighs. He hates to admit it, but he can’t be bothered to make up some other reason to cover up for himself. “I’m afraid that teleportation spells aren’t actually particularly accurate. We could end up somewhere in the Pacific if I’m not careful.”

Mammon looks thunderstruck. “Then what about all those times you’ve teleported us?! Don’t tell me we coulda ended up in, like, the Archaic Pit or something?!”

“Well, it was always a possibility,” Solomon shrugs in reply, finishing the charm with a deft flick of his hand. “You’re a demon, I sure you could have handled yourself.”

“But…!” Mammon crosses his arms and turns away like a grumpy child. “Hmph…”

“Do say hello to [Name] for me, will you?” Simeon requests as Solomon turns to open the door, ignoring the sulking demon sitting beside him. “We haven’t been able to talk for a while.”

“You text him every day, don’t you?” Solomon asks, shooting him an unimpressed look. “I’d say that’s conversation enough.”

“Now, now, there’s no need to be stingy,” Simeon countered with a smile, tilting his head slightly to the side and leaning forward. “Besides, one misses the presence of an actual person after a while of nothing but electronic communication... especially texting is so difficult. Tell him he’s always welcome to come around for some tea - Luke would be happy to see him.”

Solomon shakes his head, but makes a sound of affirmation nevertheless. You had mentioned that you’ve missed seeing Simeon since he’d started the whole negotiator businesss, and he isn’t the sort of person to deny you the company of a friend. “I’ll let him know. Anyway, I should really be going now…”

“Have a safe journey!” Simeon calls after him as he swings the door open and sweeps out. Solomon waves a hand over his shoulder in response, then disappears down the corridor, most likely to a quiet spot in the courtyard to use his charm. He’s been banned from using them indoors ever since he accidentally shattered one of the fancy artifacts in the assembly hall and sent hundreds of shards flying everywhere. Apparently Barbatos is still finding tiny pieces of glass in the crevices of the floor.

“Why didn’t Solomon ever say anythin’?” Mammon asks Simeon after a moment of quietude. “Seems like the sorta thing you’d mention.”

“Solomon’s a private man,” Simeon says with a shrug. “Besides, he and [Name] have made plenty of enemies over the years, and you’d be shocked by how quickly names and locations can spread…”

“Does he mind us knowin’ about it, then?”

“Well, personally, I’ve known for a while,” Simeon answers, “And I’m sure the others will have worked it out by now - Solomon’s always finding ways to mention [Name] in passing. But no, I’m sure he doesn’t mind. He’d say something if he did.”

Mammon nods and goes silent for a little while. Then he asks, “What’s this [Name] like, then? Must be some guy if Solomon liked him enough to put a ring on him and keep him for that long.”

“Well, let’s see…” Simeon drums his fingers thoughtfully against the tabletop. “He has quite the penchant for raising deadly plants, he hasn’t gone more than a full month without exploding something or another for about five centuries, he takes clocks apart in his spare time, he likes his coffee with a touch of vanilla, he collects cursed books, he makes a lovely butterscotch-cinnamon pie, and he works as a curse breaker for hire.”

It takes a moment for Mammon to process all of the information that’s just been dumped on him. “...sounds like the kinda guy Satan would get along with.”

“I thought so as well,” Simeon agrees. “Their house even reminds me of Satan’s room, in a way… [Name] is quite the avid reader.”

“What, you’ve been?”

“Only once,” Simeon’s eyes flutter closed for a moment as he reminisces. “Quite a long time ago now. I wouldn’t know where to find it even if I wanted to go again, though - it’s always moving.”

“Do they move house a lot, then?”

Simeon shakes his head. “Oh, no, no. They’ve lived in the same house for centuries - it’s the house that moves itself.”

Mammon pauses. “...what?”

“The building,” Simeon clarifies. “They’ve got an enchantment on the whole thing that makes it change locations every couple of weeks or so.”

“But… why?”

Simeon shrugs. “[Name] doesn’t like staying in one place for too long.”

“Still, isn’t that a bit much…?” Mammon pulls a face. “They could always just travel, ya know…”

“As Solomon said, transportation talismans make [Name] feel queasy,” Simeon explains. “And he prefers not to use teleportation spells when it comes to him, just in case they end up somewhere dangerous.”

“And he doesn’t care about the rest of us ending up somewhere dangerous?” Mammon huffs and collapses forwards onto the table.

“Well, you can’t really compare the two,” Simeon says patiently as the demon continues to mutter indignantly under his breath. “He’s his husband, and we’re essentially just his friends from work.”

Mammon opens his mouth to make a rebuttal, then thinks about it for a moment and changes his mind. After a moment, he comments, a little less resentfully, “Well, you’d think he’d at least introduce us.”

“He’s been planning to for a while, actually,” Simeon tells him. “Give him some time and he’ll probably bring it up on his own.”

Mammon nods. “He’d better!”

“I’m home.”

You look up from the book you’re reading and hop down from your seat on the roof just in time to see Solomon emerge from the back garden, looking noticeably dishevelled, with leaves decorating his head like some sort of fancy accessory.

“Welcome back!” You greet him happily, setting the book aside and moving forward to start picking the leaves from his hair. Solomon smiles softly at you as you take his bag in one hand and start pulling him to the front door with the other. “You forgot your talisman again, by the way.”

“I noticed,” He laughs, gently removing your hand from his upper arm and wrapping his fingers around it instead. “Why else do you think I ended up in the hedges again?”

“It’s a wonder that you’ve had to make these temporary talismans so many times and you still haven’t gotten one right yet,” You tease in reply, nudging him in the shoulder. “How many points is that on the tally now, then?”

“Ten for the basement, seven for the roof, and eleven for the hedges now,” He answers with a small pout as you laugh. “Honestly, you’d think I would have learnt my lesson...”

“You never do, love.”

The door creaks as you and your husband enter the house, only to immediately be greeted by a bundle of scales hitting you head-on. You manage to keep your footing and steady yourself on the doorway; Solomon isn’t so lucky, and ends up laying spread-eagled on the floor with about two hundred kilograms of excited adolescent dragon purring on his chest.

“Looks like Triton missed you,” You comment with a bright smile, setting Solomon’s bag down beside the umbrella rack and leaning over to give the dragon a scratch behind his left horn, just the way he likes it. He rumbles happily and jingles the little bell around his neck at you. “Isn’t he getting big?”

“I saw him this morning, [Name],” Solomon wheezes from his position on the floor, somehow managing to reach up and tickle Triton’s chin with one hand despite the dragon’s weight. “He can’t have grown that much in ten hours.”

“You never know!” You tell him, reaching up and wrapping your arms around Triton’s neck. He coos in a delighted fashion and raises his head, setting it heavily on your shoulder. Solomon uses the brief lightening of the weight on him to take in a deep breath as you allow your dragon to nuzzle furiously into your neck. “Dragons are unpredictable, you know.”

“Believe me, I do,” He sighs tiredly as Triton blows out a pleased puff of hot air and knocks the clock off the wall again. “Now, if you wouldn’t mind, Triton, I’d quite like to get back up again.”

The dragon blinks and raises his head from your shoulder, glancing down at the sorcerer that he’s crushing under his weight. Then he huffs and turns away again.

“Oh, you—!” Solomon curses as the dragon seems to press even harder into him. Your laughter rings out across the hall, and while he’d normally take a moment to admire the sound, he’s a little preoccupied. “[Name], stop laughing and help me!”

“He’s like a rebellious teenager!” You splutter helplessly in reply, voice still trembling slightly out of mirth. Triton makes a happy noise as you reach up and rub his scaly cheeks, his ears fluttering slightly. “Awww, you’re really growing up, aren’t you, baby? Your poor dads are really going to have their work cut out for them, huh?”

“Hey,” Solomon calls reproachfully from beneath Triton’s enormous chest. “Your husband’s still being crushed down here.”

“Oh, right!” You click your tongue and give Triton a meaningful look. He grumbles but obeys nevertheless, hopping off of Solomon (though not without knocking all the air out of him by using his chest as a launchpad) and scampering off, most likely to go play with the salamanders that have set up shop in the storage room again.

“I’ll never understand how you manage him so well,” Solomon sighs as you bend down to pull him to his feet, rubbing at the sore spot on his chest. “He never listens to me.”

“Aw, he loves you, really,” You reassure him, taking his hand and pressing a comforting kiss to his knuckles. “He just likes roughhousing with you.”

Solomon shakes his head, wanting to complain further about the big lizard that the two of you had adopted six months ago after the last one grew up and flew the nest, but then he sees the smile on your face, and he feels the flicker of irritation in his chest die down almost immediately. It’s at times like this that he’s really reminded of how absolutely worth it all of the nonsense he has to put up with at work is - because, at the end of the day, you are here, with your warm eyes and your lovely smile, with your comforting hands and your warm embrace, and there is no road too long to walk if you are waiting for him at the end of it.

“I know,” He sighs, tugging off his shoes and stepping into his favourite pair of slippers - the ones with the little cat faces printed on them that you’ve charmed to always maintain a perfect temperature for his feet. He glances at your own feet and notes that you’re wearing your matching pair as well.

The two of you have long since set up a routine for this sort of occasion, and you both fall into it with unconscious ease. Solomon changes into something more comfortable while you put the kettle on in the kitchen, and the two of you inevitably spend so long snuggled up together on the largest armchair in the living room, unwilling to leave the warmth of each other’s presence, that the water cools down, and you end up having to put it back on again. Then you sit together at the table, you with a coffee with a dash of vanilla and him with his favourite chrysanthemum tea that you always brew just the way he likes it. Sometimes you’ll sit side by side, shoulders pressed up against each other as you show him the specifics of your latest curse-breaking commission, and sometimes you’ll sit across from each other, holding hands across the tabletop as he tells you about his day.

Today it is the former, but Solomon can’t help but zone a little out of the detailed deep-dive you’re giving him about the intricacies of the spell that’s cursed this teapot to shoot its contents at anyone who attempts to fill it. It isn’t that your explanation is boring - quite the contrary, in fact; Solomon could probably listen to you describing the most mundane or trivial of things on loop for the rest of his life and be perfectly content with it. No, it’s more to do with the fact that this is the first time he’s been home before dark in a long while, and he can’t help but revel in the fact that he can spend time with you like this again. Of course, there’s something wonderful in coming home to be able to collapse into bed beside you and bury his face in the crook of your neck, drifting to sleep as you burrow closer to him even in your sleep, but Solomon can’t run off of that forever - he needs to see you with your eyes open as well, after all.

“You’re not listening to a word I say, are you?” You ask as you note the far-off look on your husband’s face. You’re not offended in the slightest by the way he starts at the directed question, evidently guilty, but you are a little puzzled. “Is there something wrong?”

Solomon’s mouth falls open slightly, then shuts again. There’s something about the way you’re looking at him so earnestly that makes his heart stutter like nothing else. Honestly, you’d think he’d be used to this after nearly two thousand years, but it seems that he’s still as weak for you as he was on the very first day of your marriage. “...I suppose I’ve just got a lot on my mind.”

“You always have a lot on your mind,” You counter softly, giving his hand a brief squeeze. “Come on, you can tell me.”

He laughs quietly, bringing your linked hands up to his face and gently holding yours to the side of his face; you, in turn, unfurl your fingers from around his and rub his cheek affectionately. After a moment, a fond smile pulling at his lips, Solomon replies, “I’ve… missed you a lot this week.”

You pause in mild surprise, but it quickly turns to endearment as Solomon presses his body even closer to yours. The hand that you’re using to hold your mug of coffee moves to settle on his shoulder as you pull him closer. “Really now? What a coincidence. I’ve missed you lots as well, love.”

He chuckles a little bashfully, his cheeks flushing. It seems that your ability to fluster him hasn’t declined even a bit over the years. He’s still well and truly besotted.

You can’t help but find it rather amusing that, despite already having spent a good hour and a half or so in the living room, bundled so close together in the blankets that you could feel his breath on your skin, the two of you are still nestling so close together now. You suppose it’s the effects of a week with much less contact than usual.

You lean forward and press a kiss to his jaw before pulling back again, reaching for your coffee and taking a sip. Solomon exhales softly, pulling his own drink towards him and draining the last of the tea in a single mouthful.

“You know,” He says, setting his empty cup down on the table. “One of my coworkers was asking about you earlier.”

“‘Coworkers’,” You snort at his choice of language, earning a reproachful poke in the side as punishment. “Come on, just admit that they’re your friends.”

“Fine,” He sighs. “One of my friends, then - Mammon, the one that Lucifer’s stringing up all the time.”

“The one with white hair?” You recall, thinking back to the group photo that Simeon had sent you a while back. “He’s the Avatar of Greed, right?”

“That’s the one,” Solomon nods. “Apparently he never noticed that I was married.”

“Well, you can’t really blame him,” You say, giving him a playful nudge. “Honestly, the way you keep your mouth shut, you’d think I was some shameful secret or something.”

Solomon looks scandalised by the very idea - it had only been a little joke, but his eyes flash with such affront that it’s almost as if someone has genuinely called you such a thing. “Of course not! I’d never—”

“Hey, hey, it’s okay, I was joking,” You cut him off before he can get more riled up. Solomon calms down quickly once you set a comforting hand on his knee, though he still looks a little indignant. “I know why you don’t like talking about us much, but really, it’s okay. They’re your friends, aren't they?”

He hesitates, then nods, releasing another deep sigh soon afterwards. “I suppose. There isn’t much I can really do about it at this point anyway… according to Simeon, most of them have somehow figured it out already.”

“They’re probably a lot smarter than you give them credit for, Sol,” You hum, reaching up and brushing a stray lock of hair out of his eyes for him. “They’re demons, after all. They’ve lived even longer than us.”

“Believe me, they really aren’t.” Solomon shakes his head, a frown pinching at his brow at the very memory of the amount of things that his coworkers have done recently - some of the most notable being Diavolo setting an entire flock of geese free in the courtyard for an ‘experiment’, Levi quite literally throwing himself out of a window just to win a bet against Mammon about who could get down the stairs faster, Asmo causing a stampede in the main hall by dropping and shattering a bottle full of a powerful aphrodisiac potion that became even more powerful once released into the air, and Lucifer accidentally breaking one of Solomon’s favourite cauldrons when he’d transformed into his demon form and inadvertently smacked halfway across the room it with one of his upper wings.

“I’d really love to meet them some day,” You sigh, swirling the contents of your mug around. “They sound like fun.”

“Trust me, the trouble isn’t worth it—” Solomon attempts to reason with you, but he gives up laughably quickly as you pout at him in protest. “Oh, fine. But don’t blame me if you get sick because of the charm again.”

“We don’t have to use the charm,” You shake your head. “Just do a teleportation spell!”

“You know that that’s risky,” Solomon sighs, chucking you under the chin and leaning forward to kiss the tip of your nose. You laugh as he draws back again, a pleased smile rising on his face at your reaction. “We could end up anywhere.”

“You’ve teleported them a bunch of times, though, haven’t you? And you haven’t ended up in Texas or the Sahara Desert any of those times!”

The resemblance to his earlier conversation with Mammon and Simeon is almost uncanny. “That’s different. I was still teleporting them within the Devildom, not across an entire realm barrier… and besides, I can afford the risk with them. You’re a different story.”

You pout again, shoulders dropping in defeat, though it doesn’t escape Solomon’s notice that his sentiment seems to have appeased you at least a little. “...guess we’ll just have to use a transportation talisman, huh…?”

“That’s your only option if you really want to visit, yes.”

You go quiet for a moment or two, nose wrinkling and face scrunching as you think it over. Solomon doesn’t mind the lack of conversation - he entertains himself by studying your features, wondering for perhaps the millionth time how he managed to find someone like you.

Finally, a determined look rising on your face, you nod and proclaim, “Then I’ll do it!”

Solomon cocks his head slightly to the side. He can’t say he’s surprised by your eagerness, but he had expected it to take you longer to make up your mind. He opens his mouth to say something, but tou answer his question before he’s even asked it, a skill that you’d managed to pick up within the first year or so of knowing him.

“I really wanna see what you actually get up to when you work,” You explain, looking a little sheepish. “You’ve had a job there for nearly two years and I’ve never even said a word to the people you work with.”

Solomon laughs. “It isn’t usually a requirement in the workplace. Wear appropriate uniform, bring any equipment you need, introduce your husband to your coworkers within the decade…”

“Still, I’d feel bad if I didn’t at least meet them,” You say. “Besides, I want to see Simeon as well. You said he’s working down in the Devildom for a bit as well, didn’t you?”

“Why are you so eager to see him, huh?” Solomon’s tone is light and teasing, so you know not to take him seriously as he puts on an hurt expression. “I’m offended. Your dear husband’s right here and you’re thinking about some angel.”

“Oh, stop it, you,” You shake your head in slightly exasperated amusement as he runs a finger down his cheek in lieu of a tear. “You know it’s not like that.”

“Isn’t it?” He pulls an exaggeratedly petulant face and pretends to turn away like an upset child. “Sometimes I feel like you love him more than me.”

“Simeon’s a lovely guy, but you’re still the only guy for me, you doof,” You tell him, tapping fondly at the cheek he’s turned to you with your free hand. Solomon obligingly turns back around to look at you, a grin pulling at his mouth. “Why would I marry you and then stay here for two thousand years if you weren't?”

“I guess I always assumed it was out of pity or something,” He jokes in response, leaning forward and briefly brushing his nose against yours. “And, just so you know, you’re the only guy for me as well.”

“I’d better be,” is your lighthearted reply as he pulls away. After a moment, looking at him expectantly, you begin tentatively, “So…?”

He sighs, but gives you a smile nevertheless. “I’ll ask Diavolo. He probably wouldn’t mind if I brought you without asking first, but Lucifer definitely would.”

“What’ll we do if they hate me?” You ask. “Do demons actually eat humans?”

“They wouldn’t dare,” He replies firmly. “Not if I have anything to say about it. Besides, they won’t hate you. I doubt anyone could.”

You laugh and drop your head to rest on his chest. “You’re too nice to me, love.”

Solomon turns to wrap both his arms around your shoulders, setting his chin on the crown of your head. You smile into his jumper, looping your own arms around his waist and pushing yourself closer to him.

“I’m not just being nice. Honestly, [Name], you’re kind of the most perfect man in the universe.”

#obey me #obey me imagines #obey me x reader #swd solomon #swd mammon #swd simeon #solomon x reader #reader insert #male reader #fluff #domestic sorcerer husbands #planning on turning this into a series if i can haha

542 notes · View notes

sixth-light · 4 years

Text

The Crusades: A Fandom Primer

Like many of you, I am very excited to see a whole lot of fic about everybody’s favourite new Crusades-era Muslim/Christian immortal warrior husbands! However, a preliminary reading indicates that fandom is a bit hazy on what actually happened during the Crusades. Or where. Or why. They’re a much-mythologised piece of history so this isn’t surprising, but at popular request – ok like five people that counts – I’m here with a fandom-oriented Crusades primer.

Please bear in mind that I’m not a historian and this primer is largely based on my notes and recollections from several undergraduate history courses I took in the mid ‘00s. I expect the field has moved on somewhat, and I welcome corrections from people with more up-to-date knowledge! There’s also this very good post by someone who is a lot less lazy about links than I am.

Where did they take place?

The Crusades, broadly, describe a series of invasions of the Eastern Mediterranean (modern Israel, Syria, Lebanon, Beirut, Jordan, Cyprus, and parts of Turkey and Greece) by (mostly) Western European armies, religiously justified by their belief that the city of Jerusalem should be part of ‘Christendom’, i.e. ruled by a Christian monarch. In the first expression of European settler colonialism, nobles from the area of modern France and Germany founded four Crusader Kingdoms (aka ‘Outremer’, ‘overseas’) – the County of Edessa, the Principality of Antioch, the Kingdom of Jerusalem, and County of Tripoli.

After a first unexpected wave of success in the First Crusade (1096-1099), which surprised everybody including the participants by conquering Jerusalem, the Crusaders were gradually driven and the last part of Outremer was lost to European control with the fall of the city of Acre in 1291. Crusades after that still nominally aimed to take Jerusalem but rarely got very far, with the Fourth Crusade famously sacking the city of Byzantium, their nominal Christian allies, in 1204. During this whole period activity that can be considered part of the ‘Crusades’ took place around the Eastern Mediterranean.

The most important thing to remember is that modern national boundaries didn’t exist in the same way; Italy, Germany, France, Spain, and the UK were not unified nations. Most of the southern Iberian peninsula (modern Spain) was ‘al-Andalus’, Muslim kingdoms ruled by nobility originally from North Africa. Sicily had been an Emirate up until very recently, when it had been conquered by Normans (Vikings with a one-century stopover in France). Italy and Germany in particular were a series of city-states and small duchies; Genoa, if you’re curious about it for some reason, ;), was a maritime power with more or less a distinct language, Genoese Ligurian (their dialect had enough of a navy to qualify). England had recently become part of the Anglo-Norman Empire, which ruled most of England (but not Wales or Scotland) and also large parts of modern France, particularly Normandy.

The Muslim world was similarly fragmented in ways that don’t correspond to modern national boundaries - there were multiple taifa states in Iberia, the Almoravid Caliphate in Morocco, the Fatimid Caliphate in Egypt, and (nominally) the Abbasid Caliphate in Baghdad, one of the great cities of the era, although the Seljuq Turks were the major power in Anatolia (modern Turkey) and what we describe as the ‘Middle East’.

The largest Christian unified power in the wider European/Mediterranean region was the Byzantine Empire, centered on the city of Constantinople (modern Istanbul), which quite fairly considered itself the direct continuation of the Roman Empire, the capital having been moved there by the Emperor Constantine in 323. In fact, the really big political and religious question of the time for Christians was who got to be considered the centre of Christendom (there was no real concept of ‘Europe’ at this point) – the Orthodox Church, the Byzantine Emperor, and the Patriarch of Constantinople in Constantinople, or the Holy Roman Emperor (er…dude in nominal charge of a lot of German and Italian principalities) and the Roman Catholic Church led by the Pope in Rome. The Orthodox Church in Constantinople and the Roman Catholic Church had agreed to disagree in 1054 in the Great Schism, so in 1096 this issue was still what you’d call fresh.

Onto this stage of East-West disagreement and the heritage of Rome crashed the Seljuq Turks, a Muslim group from Central Asia who swept through Anatolia (modern Turkey), Byzantium’s richest province, culminating in the Battle of Manzikert in 1071 which wiped out Byzantium as an independent military force. The southern provinces had fallen under Muslim rule long ago, during the era of the first Umayyad Caliphate – including Jerusalem, famous as the birthplace of Christianity and a holy site for Judaism and Islam as well, but also a fairly uninteresting provincial town. Until...

Until…what?

Here’s why all the geography matters: It is generally accepted that the First Crusade kicked off largely because Alexios I Comnenus, the then-current Byzantine Emperor, requested aid from Western Europe against the Muslim Seljuq Turks. Byzantium often recruited mercenaries from Western Europe; the Normans (aka the Vikings), who had settled Normandy and southern Italy in the past century were frequent hires. Hence those runes in the Hagia Sophia.

Meanwhile in Western Europe, the Pope – Urban II – was having difficulty with the current Emperor, and was eager to heal the Schism and establish the primacy of the Roman church. He declared that an expedition to aid the Byzantines would have the blessing of the church, and that a new kind of pilgrimage – an armed pilgrimage – was religiously acceptable, if aimed against the enemies of Christendom.

Pilgrimages (travelling to holy sites, such as churches that held saints’ relics) were a major part of European Christianity at the time and many people went on pilgrimage in their lives, so this was a familiar concept. Western Europe was also somewhat overpopulated with knights – don’t think plate armour, this is 1096, think very murderous rich men with good swords – who could always use forgiveness, on account of all the murder. The Roman Catholic church, unlike the Eastern Orthodox church, also subscribed to the concept of ‘just war’, that war could be acceptable for the right reasons. And so a whole lot of nobles from the area of modern France, Belgium, England, Germany, and Italy decided that this new Crusade thing was something they wanted in on – and they took several armies with them.

I’m going to skip over a bunch of stuff involving the People’s Crusade (a popular movement of poorer people, got literally slaughtered in Anatolia), the massacres of Jews in Eastern Europe, and a lot of battles, but the takeaway is this: Alexios probably thought he was getting mercenaries. He got a popular religious movement that, somewhat unfortunately, actually achieved its goal (Jerusalem), did next to nothing to solve his Anatolia problem, and gave a succession of Popes a convenient outlet for errant knights, nobles, and rulers: going on Crusade.

How many were there?

Official Crusades that anybody cares about: Nine, technically. Crusade-like military events that immortal soldiers might have got involved with, plus local stoushes in Outremer: way more. WAY more.

The First Crusade (1096-1099): First and original, set a frankly (heh) terrible precedent, founded the Crusader States and captured Jerusalem. Only regarded as a clash of civilisations by the Western Christians involved. For the local Muslims it was just another day at the ‘Byzantium hires Frankish mercenaries to make our lives difficult’ office.

The Crusade of 1101: Everybody who peaced out on the First Crusade hurried to prove they were actually up for it, once the remaining First Crusaders took Jerusalem. Didn’t do much.

The Second Crusade (1147-1150): The County of Edessa falls, Eleanor of Aquitaine happens (my fave), the only winners are the people who semi-accidentally conquer Lisbon (in Portugal) (but from Muslim rulers so that…counts?).

The Third Crusade (1189-1192): You all know this one because it has RICHARD THE LIONHEART and SALADIN. Much Clash of Civilisations, very Noble, did enough to keep the remaining Crusader kingdoms going but access to Jerusalem for Christian pilgrims was obtained by treaty, not conquest. Indirectly responsible for the Robin Hood mythos when Richard gets banged up in prison on the way home and is away from England for ages.

The Fourth Crusade (1202-1204): Aims for Jerusalem, ends up sacking the Eastern Orthodox city of Constantinople, just not a great time for anybody, more or less the eventual cause of the fall of Constantinople to the Ottomans in 1453.

The Fifth Crusade (1217-1221): Still going for Jerusalem, starts with Cairo instead, does not get anywhere it wants to even after allying with the Anatolian Sultanate of Rum, making the whole ‘Christians vs Muslims’ thing even murkier than it already was post the Fourth Crusade.

The Sixth Crusade (1228-1229): Somehow these things are still going. Nobody even does very much fighting. Access to Jerusalem is negotiated by treaty, yet again.

The Seventh, Eight, and Ninth Crusades: Seriously nobody cares anymore and also nobody is trying very hard. Kings have better things to do, mostly. People end up in Egypt a lot. We covered these in one lecture and I have forgotten all of it.

The Albigensian Crusade (1209-1229): Why take a three-year trip to the Holy Land to fight pagans when you can fight the ones in your own backyard (southern France), AND take their stuff? Famously the source of the probably apocryphal ‘Kill them all, God will know His own’ quote, regarding the massacre of most of a city harbouring Cathars (a Christian sect deemed heretical).

Can we circle back to that ‘massacres of Jews’ bit? WTF?

Crusades, historically, were Not A Good Time for Jewish communities in Europe; when Christians were riled up to go and Fight The Infidel, it was a lot quicker to massacre local Jews than travel to the Holy Land. Also, then you could take their stuff. I will note here that it is VERY TACKY to use historical pogroms as backdrops for your non-Jewish main characters so keep this in mind but, like, use with extreme caution in fanfic, okay? Generally life was a lot easier for Jewish communities in Muslim-ruled states in this period, which is why so many Hispanic Jews ended up in Turkey after they were expelled from Spain.

What were they really about, then?

Historians still Have Opinions about this. Genuine religious fervour was absolutely a key motivator, especially of the First Crusade. The ability to wage war sanctioned by the Church, or to redeem your local sins by going and fighting against the pagans, was part of that, too. Control of key trade routes to the East was probably not not a part of it. The Crusader States were definitely Baby’s First Experiment With Settler Colonialism, and paved the theological and rhetorical ground for the colonisation of the Americas. But many individuals on the Christian side would absolutely have believed they were doing God’s work. The various Muslim rulers and certainly the local Christian, Jewish, and Muslim inhabitants of the Holy Land itself were mostly just getting invaded by Franks. As time wound on the Crusades became more and more political (frequently featuring intra-religious violence and inter-religious alliances) and less and less about their forever nominal goal, control of Jerusalem.

How’s Wikipedia on this?

Basically not too bad but I’m not totally confident on some of the bits about motivation (see: white supremacists love this period, ugh.)

Why did they stop?

The prospect of re-taking Jerusalem vanished entirely as the Ottoman Empire centralised and took a firm hold over most of the Levant (and made inroads into Europe, as far as Austria, taking Constantinople in 1453 and finally ending the continuous Roman Empire), the Spanish Reconquista and various intra-European conflicts (the Hundred Years’ War, for example) absorbed military attention, and then the Reformation happened and half of Europe stopped listening to the Pope and started stabbing each other over who was the right kind of Christian. But the concept lingered; white supremacists love the Crusades. Which is why it is a very good idea to be sparing with Crusader imagery around Niccolò in fanfic set in the modern era, and please for fuck’s sake stop with the ‘crugayders’ tag, Yusuf wasn’t a Crusader.

What other fun facts should I keep in mind re: Nicky | Nicolò and Joe | Yusuf?

· Genoa is not the same as Italy; Nicolò is Nicolò di Genova and would have spoken Genoese (Ligurian) and considered himself to be Genoese. Italian as a language didn’t really exist yet. The language he and Yusuf would most likely have had in common was the ‘lingua franca’ (Frankish language, literally) of the Mediterranean trading region, a pidgin based heavily on maritime Italian languages. Yusuf 300% would have thought of him as a ‘Frank’ (the generic term for Western Christians) and probably annoyed him by calling him that until at least 1200 or so.

· Yusuf is apparently from ‘Maghrib’, which I assume means al-Maghrib/the Maghreb (as his actor is IIRC of Tunisian descent), i.e. North Africa. He could have had relatives in al-Andalus (southern modern Spain), he may have spoken languages other than Arabic natively (Mozarabic or Berber), his native area had universities before Europe did. Basically: this is as useful as saying he’s ‘from Europe’, do better backstory writers.

· Taking the whole ‘Nicky used to be a priest’ backstory at face value: being a priest in 1096 looked pretty different to how it did even 200 years later. They were still working on the celibacy thing. The famous monastic orders were still forming. Some priests could and did hold lands and go to war (this wasn’t common but it happened, especially if they were nobles by birth). Nicolò di Genova would not necessarily have seen a conflict between going on Crusade and being a priest, is what I’m getting at. If he was ALSO trained as a knight, he was from a wealthy family; it took the equivalent several villages to support a knight.

· ‘Period-typical homophobia’ is going to look very different for this period. They are NOT getting beaten up for holding hands. Or sharing a bed! Or even kissing, depending on the circumstances! I am not an expert on Islamic sexual mores of the era but Christian ones were heavily on the side of ‘unsanctioned sex is bad, sanctioned (marital) sex is slightly less bad’, and there was no concept of ‘being gay’. An interfaith relationship would be in some ways more of a problem for them than the same-sex one (and in some ways less difficult to navigate than a heterosexual interfaith relationship.) The past is another country.

· Look just no more fanfics where Yusuf is trying to learn ‘Italian’ in the early twelfth century I am BEGGING you all

#the old guard #history #finally that BA gets a workout #fourteen years later

2K notes · View notes

earnestly-endlessly · 3 years

Note

Hi! Do you have any Cherik Army AUs? I've managed to find just 3.

Hi Anon, thanks for the ask. I found some good Army AUs, though some might not quite fall into the category of 'Army AU'. There are, surprisingly, few Army AUs that I have found, whereas there are several military and war AUs, but those don't necessarily involve an army. I did include a variety that involve an army in one way or another, though some fit the bill better than others. I hope you find some that you enjoy!!

Cherik Army AU

I Want to Guard Your Dreams And Visions – luninosity

Summary: I was reading Barbara Hambly’s Abigail Adams mystery novels, and then Erik/Charles American Revolutionary War AU happened. Little snippet in which they share a tent, drink coffee, and provide support to each other.

The Eggnog Riot – Sophia_Bee

Summary: 1826. The American Military Academy in West Point. The day after Christmas. Cadet Erik Lehnsherr wakes up naked with a certain cadet Xavier sprawled across his chest. He can only blame the eggnog.

No Man’s Land – ikeracity

Summary: It's 1914 in Ypres, Belgium. British soldier Charles Xavier has been in the trenches for four months of endless artillery fire, bone-deep cold, and constant fear of the enemy. But on Christmas Eve, the gunfire falls silent, and they climb out of their trenches for a Christmas truce. Charles, of course, meets Erik, the German soldier across the way.

My Land’s Only Borders Lie Around My Heart – pseudoneems

Summary: WW1 Christmas truce of 1914. Opposing soldiers Erik and Charles meet.

Le soldat – Iggyassou

Summary: Erik is in the trenches, trying to survive the war so that he can go back to Charles, his young lover waiting for him back at home.

Names – Squeegee

Summary: In the summer of 1917, British soldier Charles Xavier finds himself taking cover in a shell crater.

Not sure if the 'graphic' tag applies or not, but I'd rather be safe than sorry.

Quell a storm with pen and ink – patroclux

Summary: Charles had spared his life. That was not something he could easily repay.

They wrote letters to each other for two years, until Charles was pulled out of the war from a sudden illness and Erik remained to fight for a cause he didn't believe in. One that ultimately had no effect; one that stole away four years of his life.

Traumatized and persecuted, Erik applied for a post at Janus, a lighthouse in the middle of the Irish Sea. He thought being alone would do him good.

Despite the letters and despite the love, Erik didn't expect Charles to find him.

Hier steh ich an den Marken meiner Tage – MonstrousRegiment

Summary: Erik Lehnsherr is a spy in the SS, and his British liaison is strategist Charles Xavier. Their relationship from the moment they meet to a year after the end of the war.

Theme and Variations: War – ninemoons42

Summary: Erik Lehnsherr is a musical prodigy and a man destined for great things and great stages. But his life is shattered by a terrible accident that leaves him blind and trying to find his way back to his life, his music, and his place in the world.

Then he meets Charles Xavier, an agent of Section 8 of the Military Intelligence Directorate of Providence, and he finds himself listening in to clandestine radio transmissions and clicking Morse code, and these sounds are part and parcel of a war that can only take place in the shadows and the hidden places of history.

Strib nicht von Mir – ravenoftheninerealms

Summary: A squad of Allied Forces, led by Charles Xavier, liberates the Nazi concentration camp where Erik was being held prisoner.

Cold foxholes, warm hearts – oddegg

Summary: Basically, this is Band of Mutants. A little slice of life in Bastogne.

Photographs and Memories – tirsynni

Summary: When war-battered Erik Lehnsherr met Charles Xavier, the man kneeling in the dirt and whispering to a lost refugee child, Erik feared his days of running from his deviance was done.

Marching Home – Quietbang

Summary: For a prompt on the meme asking for fic dealing with the fact that, in comics canon, Charles served in the Korean war.

War meant something different to this generation, Charles knew.

Crash on the Levy (Down in the Flood) – Quietbang

Summary: “This is much bigger than you think. You're in the middle of a war, and you don't even realize, do you?”

He pauses, and answers his own question.“No, of course you don't. How silly of me."

The Knight and the Dagger – Dow

Summary: A Lieutenant in the Soviet Army, Erik Lensherr had no other goals than to find the man that killed his parents. But when a discovery yields a little boy with wings like an angel, Erik is shocked to realize that he isn’t alone. There are other people like him, both dangerous and alluring.

Lifelong Service – Pookaseraph

Summary: Erik thinks he should be the one to teach their recruits hand-to-hand combat; Charles makes a persuasive argument to the contrary.

Footsteps of uprooted lovers – ninemoons42

Summary: Against a turbulent backdrop of artistic, social, and political upheaval, the playwright Charles Xavier and the photographer Erik Lehnsherr find themselves meeting under less-than-polite circumstances, but part rather more amicably than they'd met.

When they find each other again in a Barcelona that is falling inexorably toward war, they find themselves taking up arms, each in his own way, and together they join a struggle for freedom, for love, and for their very lives.

Dear Soldier – Lindstrom, ToriTC198

Summary: "Dear Soldier,

I pray that this package finds you well. The organization gave us a list of odds and ends that you might need, but I thought that a person so far from home might appreciate something more than soap and tube socks."

When Charles' school decides to send care packages to the soldiers fighting in Vietnam, he chooses to also include a letter and a few personal touches. When Staff Sergeant Erik is the recipient of that particular care package it will spur a relationship that will change them both.

Fortunate Son – blueink13

Summary: he days leading up to and during Alex's deployment in Vietnam. Everyone handles it in their own way. Some handle better than others.

You’re Here – Deshonana

Summary: Everyone decides its a good idea not to tell Erik when his boyfriend comes home from the military.

Welcome Home – loveydoveyecstasy

Summary: It's been two years since Charles was deployed to Afghanistan, and Erik can't wait to pick him up at the airport.

When Secrets have Secrets – ximeria

Summary: The arguments that take place in General Xavier's office when General Lehnsherr has a bad day are legendary. Quite frankly, no one really knows what's going on and if the two men have it their way, no one ever will.

Quiet Company – Sophia_Bee

Summary: Erik Lehnsherr is always on the move. He's spent the last many years going from war torn country to war torn country telling the stories of the people there through photographs. Then one of his pictures is selected as a winner for the Pulitzer Prize and Erik finds himself stuck in London for longer than he wants. He ends up with an assignment to photograph Charles Xavier, a wealthy philanthropist who is intrigued to find himself working with a Pulitzer-winning war photographer. Erik is far less intrigued by someone he considers privileged and out of touch. Both of their lives are about to change in ways they couldn't imagine.

The City is Ours – RedStockings

Summary: Erik felt his heart racing with excitement, lightened, and for once felt joyful. Charles had looked at him, really looked at him, and there had been something there, a knowing of a kind. As the soldiers laughed amongst each other, and joked each other about who would succeed in marrying the boy, Erik made himself a silent vow. Charles was going to be his, and nothing would keep him from having him. He’d marry him, and he’d save him, and Charles would love him for it.

Not even the war could keep them apart... right?

Sign of the Times – dsrobertson

Summary: Casablanca-ish AU.

Charles Xavier meets Erik Lehnsherr in Paris, 1937. They spend the next two years with one another, stupid in-love, until war comes heavy in September 1939. Erik leaves for Poland and the Resistance movement there, promising to return. Charles is left in Paris, where Nazi jackboots march in, Summer of 1940. He becomes a member of the underground French Resistance, publishing illegal newsletters, leaflets, until news comes through in February 1942: Erik is dead. Charles throws himself into more dangerous work, meeting with Communists, helping derail a German train, and he does too much, goes too far. His friends find him safe passage out of France, out across the Mediterranean, to Morocco, Casablanca. It is here he finds Erik, alive.

The Waste Land – nekosmuse

Summary: The White Queen and her Shadow King sit on their throne, safe behind the psionic shields of the Walled City. The armies of Genosha batter uselessly at the gates, a war locked in stalemate. Magneto, camped in the frozen mud, receives word the Citadel intends to send a telepath to the front lines. The same telepath he met two years ago, who sat across a carved wooden chess set and offered Magneto the first friendly smile in a lifetime. The same telepath who still haunts his dreams.

Winter Comes With a Knife – RedStockings

Summary: It apparently came to no one’s surprise that the war-mage Erik Lehnsherr took up residence in the Dark Keep. I knew he was going to choose my sister, Raven, to be his apprentice so why wouldn’t he let me go? What did he want from me?

My name is Charles Xavier, I can read minds and use magic. I’ve met Kings and Queens, mages and magic users. I’ve travelled through lay-lines and jumped through the Dark Void… but none of that really matters.

I am leading an army into war, I am scared and I never wanted this. I’ve come to realise that what I want, rode into my life when I was still a child. Now he’s out there, ready to charge into battle. Ready to die for me.

Polaris – LastAmericanMermaid

Summary: Charles Xavier is 19 years old, doe-eyed and soft; Erik Lehnsherr is 24 years old, steely-hard and bitter. One is a soldier, the other a refugee. Both are mutants. There will be pain, oh yes.

(An AU in which Charles is a wounded British soldier, Erik is the German hiding in France who nurses him back to health, and the contents of this fic are best read to the soundtrack of Atonement.)

Note: Unfinished

MEDIC! – paladin_danse

Summary: A British airborne medic finds himself alone and afraid behind enemy lines. When he decides to save the life of an S.S. German officer he finds wounded in the snow, he has no idea the choice he has made will alter the course of the war—and their lives—forever.

Note: Sadly unfinished

Suicide is Painlesss – weethreequarter

Summary: Erik Lehnsherr did not become a doctor to pick bullets out of children. Unfortunately the US Army had other ideas.

Stuck in the middle of the Korean War, Erik and his fellow civilian surgeons have to battle not only the war, but also weather, mud, and boredom. And that's without mentioning Major Sebastian Shaw who thinks war is the best thing that's ever happened to him and never should've been allowed to pick up a scalpel, or Colonel William Stryker who may or may not work for the CIA and probably doesn't even know himself.

Throw in new arrival Captain Charles Xavier, and Erik is in for a very interesting war.

Note: Unfinished

A Light That Never Goes Out – R_Cookie

Summary: It was meant to be the war to end all wars; these two men were never supposed to meet. One a German Jew, the other a British surgeon. The odds that their paths should cross were next to none - but War defies the expected. It always has, and always will.

From the beaches of Dunkirk to the treacherous slopes of Monte Cassino - this is their story.

WWII AU.

Note: Unfinished

#cherik #cherik fic recs #fic recs #asks #earnestly answers #army au #military au #war au #long post

79 notes · View notes

abbysfreckles · 3 years

Text

But I Knew I Was Out Of Luck - Yelena Belova X Reader

Morocco, 2016. Reader and Oksana are protecting the Red Dust, while Yelena and other Widows are on a mission to kill the two traitors and recover the mysterious substance. Oksana does not die.

Word count: over 1,900

Warnings: canon typical violence; mentions of blood, guns and knives; swearing; character death; no happy ending; angst.

A/N: i’ve been trying to gather up enough courage to post a fic for ages and now here it is! i haven’t written anything in a while, so i’m still kind of rusty. plus i had never posted any of my fics (until now) and i don’t have any beta readers, so this might be incredibly bad lol. if i made any mistakes or you have any suggestions, please message me/ leave an ask! but, if you do, please be nice. it’s written in the first person cause it comes easier to me, but it’s a “x reader” fic! also, i don’t think i’ve used any pronouns or gendered descriptions for reader, so g/n reader, i guess? i hope you enjoy it!

– They’re here! – Oksana informs. She takes the package, grabs my arm and tows me towards the exit.

In the corridor, where there are no windows and the Widows can’t see what we’re doing, I stop her.

– What are you doing? We have to go now! – She’s trying to conceal it, but I can tell she’s scared. So am I.

– No, you have to go. I have to buy you some extra time. – I free my arm from her grip and walk past her, taking my gun from its holster. I take a look around the corner: the hallway is empty.

– Have you lost your mind? They’re going to kill you!

– Oof, do you really think that little of me? I can put on a good fight. – I smirk, but she doesn’t seem to find it very funny.

She takes a step forward and touches my shoulder, serious expression forcing me to look her in the eyes.

– We need to complete the mission. You and I. – She lifts the package and pointedly looks at it. – This is the only thing that matters. It’s our responsibility to free them. She chose us because she knew we could do it.

– No, Oksana. She chose you. I just tagged along.

– Because I chose you to come with me and help me complete the mission! I need your help.

I smile and place my hand over hers.

– You don’t. You really don’t, Oksana. You’re more than capable of doing this on your own. She knew this, that’s why she chose you. I know it too, and I believe in you. – She looks sad. It doesn’t seem like she wants to do it on her own. – I am very honored to. Thank you for trusting me.

– Y/N... – She opens her mouth, but no words come out of it. I smile reassuringly and take her hand off of my shoulder.

– Goodbye, Oksana. Take care. – I turn around the corner and run down the stairs. Silently praying for whoever’s listening to watch over her, protect her.

When I reach the street, I slow down my pace and try to blend in. Wouldn’t want to draw unwanted attention. I look back, to check if I’m being followed. Out of nowhere, something hits me and pushes me into the street. And because I’m the luckiest person ever, a car is passing by at the same fucking time. The impact throws me on the ground and I wince in pain. The car speeds away, almost running me over.

– For fuck’s sake. – I say, getting up. Where the fuck is my gun?

– I’m sorry, I didn’t see you there. – Someone says, not sounding sorry at all.

I freeze. I knew Dreykov was a fucking asshole, which is a very generous understatement, but I never thought he had sense of humour. Yet, sending the person I love the most to kill me seems very fitting.

– Yelena. – I say, voice shaking, unable to mask all the feelings running through my head.

Before I could say anything else, she launches forward, knife in hand. Acting on pure reflex, I punch her in the face. Unshaken and now maybe a little angry, she moves her arm swiftly, leaving an ugly cut on my thigh. This isn’t going well. I try to put some distance between us, but she is quick to follow me. She tries to stab me, but the move is too broad. Almost careless and sloppy. It allows me to grab her arm and push her down, subjugating her. She cries out and looks up at me, eyes big. I hesitate. What the fuck am I doing?

Taking advantage of my hesitation, Yelena acts. She drops her knife, catching it with her other hand, and slits my arm. I let go of her and step back, trying to ignore my feelings and focus. I can’t let her mess with me like that, I have a mission to complete. I have to win Oksana as much time as possible. Just then, I see my gun where it must have fallen when the car hit me. Unfortunately, Yelena follows my gaze and sees it too. We both make a run for it. Desperately, I throw myself on the ground, reaching for the gun, hoping I don’t have to pull the trigger. Yelena does the same and we wrestle on the ground.

Here’s the thing about the mind control the Red Room has over the Widows: it makes them ruthless. Removes all doubts and distractions, leaving only heartless strategy and lethal training. It doesn’t matter how hard I’m fighting: I don’t want to harm Yelena. She, on the other hand, doesn’t have much of a choice. I manage to grab the gun and she hits my nose, hard. It’s definitely bleeding. She then climbs on top of me, keeping me down effortlessly, and tries to reach for the gun. As a last resource, and more desperate than I’d like to admit, I point the gun at her.

Her expression changes and she stops. She leans back, sitting on my stomach, and attently watches me. My hands are shaking, my finger on the trigger. Then, she laughs. But it doesn’t really sound like her. It’s cold and mean, a look of disdain on her face.

– C’mon now, love. We both know you would never hurt me. – She moves, knife hovering just above my chest, but without actually touching me. – You don’t have the guts to do it.

I look at her. I wonder how much of this is the mind control and how much is actually her. I think for a moment and toss the gun away, as far as I can. There really isn’t anything left to do but accept my fate. After all, she is right: I would never hurt her.

– Go ahead. – I gently put my hand over her’s, bringing it forward, placing the tip of the knife right above my heart.

Her eyes go big and she frowns. Behind them, I can see the shadow of doubt. Maybe she expected me to try and resist her? To fight back? Well, I can’t. I really can’t. She narrows her eyes and leans a little bit closer.

– I’ll rip your heart out, then. What do you think of that?

She says it with conviction, but it seems a little fake. Or I’m just seeing things my own way, trying to convince myself she wouldn’t hurt me either.

I stare into her eyes, thinking a hundred thoughts and feeling a thousand emotions. Fuck it. If this is the day that I die, if this is the moment when it all ends, then at least I’ll be honest. I’ll die anyway, sure, but at least I’ll stay true to myself.

– My heart is yours. It’s always been yours to do as you please. – Her eyes widen again. She definitely wasn’t expecting me to say that.

It feels weird to say these things now, especially considering she probably won’t even care. ?. And it is the absolute truth. I’d willingly give it to her, if she asked. I huff out a little chuckle and smile sadly.

– And honestly? I’d rather die by your hands than anyone else’s. I’d rather your green eyes be the last thing I’ll ever see. That is, if you’d allow me that luxury.

Her eyes are hard to read. I can’t tell if she was touched by what I said or if she’s still trying to process my lack of resistance. But at least I can tell she doesn’t seem to be pleased.

I raise my hand tentatively towards her face, but stop midway.

– Can I? – I ask for her consent. It seems to be more important than ever now.

She doesn’t say anything, but I’m pretty sure I could see tears starting to pool her eyes. Or I was just imagining them, trying to make myself feel better about being murdered by the mind controled version of the love of my life.

I start to bring my hand closer to her face, slow enough so she could stop me if she didn’t want me to touch her. Again, she doesn’t say anything. She just looks at me. When my touch finally reaches her skin, she closes her eyes and her expression seems to relax ever so slightly.

I gently cup her face, running my thumb over her cheek. My other hand still over hers, over her knife above my heart. I try to memorize all the little details of her. The tip of her nose, the curve of her lashes, the arch of her brows, the color of her lips. Her mouth agape, the same way she’s always done it when anticipating something. Her hair was in her classical hairdo, pretty blonde hair carefully tucked in pretty Dutch braids. I’ve always loved the way she braided her hair. Mindlessly, I tuck in behind her ear a little rebel strand, something that was more muscle memory than conscient action. My fingers brush past the piercing at the top of her ear. A stupid smile dances on my lips. She’s still using the jewelry I gave her. When I look back at her face, her eyes are open and she’s carefully watching me. I’ve always loved her eyes. Before meeting her, I wasn’t that big of a fan of green. But now it was my favorite color. Not just any green though, no, the specific shade of green of her irises. It’s so fucking beautiful. I sigh and smile, looking at her like she’s the most breathtaking thing I’ve ever seen my entire life. And it does feel like I’m out of breath. I don’t know if it’s because of the tears I’m trying so hard to hold back, the terrifying realization that I’m probably about to die or the overwhelming love I feel for her, but it feels really hard to breathe. I take one last look at her face.

– Yelena. – I say her name with all the softness and adoration I have in me. – I love you. More than anything in the entire world. And if there are other worlds, other universes after this one, I will love you there too.

Her breath hitches and for a fraction of second she seems vulnerable. Then, something breaks the moment. She looks up, as if someone had called out her name. She covers her ear with her hand and looks around, searching. Then she looks at me.

– I have one of the targets. The other one got away. – Oh, so that’s what she heard. She listens very closely to whatever she’s being told and then nods. – I’ll neutralize this target and meet you there.

Yeah, this will definitely be the day that I die.

She looks down and I feel the tip of the knife digging into my chest, a light sting on my skin. But it doesn’t go any deeper. She looks back up at me. Unsure and maybe even unwilling. I know that if she tries to resist the mind control she’s probably going to be eliminated. I can’t let her die too.

– It’s okay. – I say, trying to sound reassuring. I nod, tightening my grip on her hand, helping her dig the knife in.

As she sinks the knife into my heart, I see Oksana creeping up behind her.

She sprays Yelena with the Red Dust.

The last thing I see are Yelena’s eyes. Confused and disoriented, but lucid. And sad. Just before it all disappears, I swear I can see her crying.

#yelena belova x reader #yelena belova x you #yelena belova x y/n #yelena belova fanfic #yelena belova angst #mcu imagine #black widow spoilers #kind of

71 notes · View notes

destiniesfic · 3 years

Photo

132 Hours, Chapter 15

“I didn’t want to hurt you.”

“But that’s ridiculous,” I protest. “You hurt me all the time.”

Check out the fic playlist!

Read chapter 15 on AO3 or read below:

The day is bright and pleasant, but the sunlight and soft breeze are an assault on my senses after my time underground. I limp to the ambulance, which is parked on the grass, rear doors open, waiting for me. I ease myself to sit in the back, next to Cardan, who inexplicably has a blanket tightly wrapped around his shoulders. When I’m no longer standing, I sigh. I’d thought that after sitting and lying down for days I’d be desperate to move, but it turns out I’m actually very tired. When no one is looking at us, Cardan leans over and nuzzles my nose with his.

I smile at him weakly. Everything is too much and not enough. It seems to me that I am watching Madoc and Balekin talk to the detectives from very far away, like they are characters on a TV show. I just want to go back to the Amagansett house—or my actual house, hours away—and curl up in a bed that’s mine. But that fantasy leads to complications too. What will Oriana say when she learns what I’ve done? What will Taryn say?

Not wanting to spiral, I search for anything else to talk about. “Are you cold?” I ask Cardan, glancing at the blanket.

“Oh, no. It’s for shock or something.” He looks down at himself. His kitschy t-shirt is partially obscured now. “But, you know, free blanket.”

“Yeah,” I say, like that makes perfect sense. My head is spinning. “Was Balekin… happy to see you?”

He sets his jaw. “He was glad I wasn’t dead, I guess. But that’s about the only thing I did right.”

I look down as my fingers curl into my palms. I don’t examine how much I want to wrap my hands around Balekin’s throat. “My dad knows,” I whisper. “About us. I think I’ve talked him out of killing you.”

“That’s good. I’d really rather not die after surviving all of this already.”

“You’re taking this really well.”

Cardan shrugs. “If we’re bonded now, and your father isn’t going to kill me, that means I’m part of your family. Dain is dead, and Balekin will find it harder to touch me.”

“Oh,” I say dully. No wonder he wasn’t that mad at me mating him. We can’t stay in the basement forever, but he still has a way out. It makes sense. I can hardly blame him.

“Not that I’m necessarily thrilled that your dad could have any sway over me, given that he’s maybe a murderer and almost as scary as you are.”

“Right.”

He cocks his head at me, sensing my reticence. “Jude.”

I look away.

He leans over again and nudges the nape of my neck with his nose. “Hey.”

“What.”

Cardan chuckles, but it sounds nervous. “Jude, I’ve thought about mating with you since I was fourteen. And back then it made me feel panicky and trapped—”

“That’s just what every omega wants to hear.”

“God dammit. Look, I’ve always been afraid to want things—not clothes and shoes and shit, things that matter—because they’re always ruined. I always screw them up, or someone else screws it up for me. This is…” Out of the corner of my eye, I see him look down at his hands. “I didn’t want it to happen this way, because who would? But I want to help you through the next heat, and the next one. Actually do it right. I want to be your mate, Jude.”

I turn back around to stare at him, incredulous. “You want that?”

He nods, slowly.

“But you—you didn’t. For days, you didn’t. You held off and it should have been impossible if you actually—wanted me.”

“Well, it felt impossible.” He lets out another nervous chuckle. “I wanted you so bad, but more than that I wanted you to want me. I didn’t want to just go and mount you or whatever the hell I’m supposed to do. For once, I wanted to be better. Sounds crazy, right?”

“Yeah,” I say slowly. “It does. You wanted to mate with me so bad that you didn’t mate with me.”

“Jude. I didn’t want to hurt you.”

“But that’s ridiculous,” I protest. “You hurt me all the time.”

“Yeah, I did.” Cardan looks down at his knees. “But not like that. Never like that. I may have made some off-color jokes, but I would never have done what Valerian tried to do. I mean, I hoped I wouldn’t, and now I know.”

“You made me miserable.”

“I know.”

“I definitely shouldn’t want you as a mate.”

“No, I guess you shouldn’t.” Cardan sounds resigned, and hangs his head. “Well, the pheromone marker cleansing is kind of time-consuming and expensive and unpleasant, but I guess—”

I thought hurting him might feel good, but it just feels like a hollow pang in my chest. I ask, “You want me to be your mate, though?”

He looks up at me with those dark eyes. “Yes,” he says.

I nod. “Okay.”

“Okay?” He stares at me, a grin that he doesn’t dare unleash just yet tugging at the corners of his mouth.

“Yes. I hated you so much for so long because you smelled so good and you were so mean. So if you could stop being mean for a while, and you’ve proven you have, I think we could find some common ground.”

Cardan sniffs. “Well, I may have to remain a little mean. For the sake of my reputation.”

“We’ll see.”

“You don’t want me totally defanged, do you?”

“I haven’t decided yet.”

He laughs, then he lowers his head to nuzzle again, this time at the bite mark he left on my neck. I am flooded by his delight. From nearby, someone clears their throat. We look up to find a paramedic standing in front of us, face half-hidden by a surgical mask, patiently waiting for us to submit ourselves to examination.

“Oh,” I say. “Uh.”

Cardan, who is utterly without shame, is grinning when he straightens up. “Actually, we’re both fine, thanks.”

“That’s for us to determine,” says the paramedic. Something about him is oddly familiar, but his height and build are totally nondescript. Where could I have seen him before? “To start, we’re going to make sure you’re not concussed.”

Cardan just groans.

The paramedic bends at the waist and takes a penlight out of his pocket. “Just look into the light here for me.”

That voice. It’s the voice. I narrow my eyes at him. It is weird, on second thought, that he’s wearing a mask. It’s not like we’re possibly carrying an infectious disease. Cardan raises his eyebrows, but doesn’t move as the light shines into one pupil. “This is a surprise,” he says, without blinking. “And also, you have to admit, pretty dumb.”

“Suicidal,” I hiss through my teeth. I’m strangely angry. They had to know what a risk it was to come back. They could have gotten away clean. “What are you guys doing here? If my dad catches you—”

“Are you going to tell him?” the Roach asks. He doesn’t sound too worried, which irks me.

I press my lips together, then say, “I should.”

Another of the paramedics kneels at my feet, his sandy head bent. The Ghost. Certainly less conspicuous than the Roach, with his scars. He’s tall, sure, but handsome in a way that’s totally generic. In fact, I’d have a difficult time describing him beyond “tall” and “symmetrical.” He picks up the leg that he shot to dress the wound, once again.

“We had to talk to you,” he says. Always to the point.

Suddenly I am sure that if I turned and looked behind me into the ambulance, the Bomb would wink at me from the driver’s seat. Part of me is relieved they’re okay, and the other part is baffled and horrified at my relief. But they did take care of us through some pretty gross and awful times. They kept me fed, kept me hydrated, kept us company. Maybe it’s natural to feel some degree of attachment.

“Why?” Cardan asks, baffled, as the Roach shines a light in his other eye. “You guys should be on a plane to Morocco by now.”

“Morocco?” I ask.

“It’s pretty. Also, no extradition policy.”

“Why do you even know that?”

Cardan shrugs.

“Look,” the Roach says, “we’re short on time. Your brother and Madoc are going to come over and tell you Dain killed himself out of shame when his plan was discovered. He left a note, confessing, yadda yadda. It’s bullshit. He didn’t commit suicide.”

“What?” Cardan and I ask, in unison.

I shake my head, as if trying to shake off our now unshakeable connection. “Then what happened to him?”

The Ghost doesn’t say anything, or even fully turn his head, but without lifting his eyes from my leg, he somehow indicates where Madoc and Balekin stand, in conversation with the police.

“No,” I whisper. It sounds naive, even to me, but I don’t want to believe Madoc is capable of those horrors, even though the fear our kidnappers expressed when they spoke of him seemed real. “No, it—Dain was a client, he and Madoc were friends—”

“Do you think that would matter if Dain went after Madoc’s family?” the Roach asks.

My stomach turns. “How do you know Dain didn’t kill himself?”

“Because he wouldn’t,” Cardan says quietly. “He’s Dain. He’d think he’s clever enough to find a way out, even if everyone was closing in on him, and he’d probably be right.”

“We don’t know exactly what happened,” the Roach continues. He makes a show of fiddling with the stethoscope around his neck. “We just know that he was increasingly agitated about the way negotiations were going, and then we suddenly had no contact. I went to his office, then to his place. Coroner beat me there. Single gunshot wound to the chest, pistol with his prints on it. Seemed open and shut.”

I sense Cardan’s horror, and look to see that he’s gone pale. I lay my hand on top of his. Something tells me that he doesn’t have much of an issue believing that Balekin is capable of murder, even of a brother. And Cardan clearly didn’t like Dain, but what does that mean for his safety?

“You couldn’t have waited around and told us this in the basement?” I ask, feeling again like I am observing this all from afar, watching a scene in a movie that just happens to star me.

“We didn’t know what Dain told them before he died, so we had to clear out pretty fast. Left your stuff with the cops so you’d be found, left the door unlocked so you could leave whenever you wanted. Besides.” He raises one eyebrow. “You guys were busy.”

I flush; it’s true that Cardan and I couldn’t and wouldn’t have been able to go anywhere once we’d finally given ourselves over to each other. But all of this is too much. “Well, we can’t trust you.”

“You can’t trust your dad,” the Ghost says. “We’ve never lied to you.”

“You did shoot her,” Cardan points out. “Most people would say that’s worse.”

The Ghost just shrugs.

“Look, believe us or don’t,” the Roach says. “But you have to admit that something’s rotten here. You’re going to need help. Eyes and ears. And I also hear that one of you is coming into a very large sum of money and a considerable amount of corporate influence in a little less than a year.”

“There it is,” I mutter.

But Cardan looks delighted. “Do you guys have a business card you can leave with me or something?”

“Are you planning to kidnap anybody?” I demand.

“No, but I could use the help,” Cardan admits. “He’s right. Once I come into that inheritance, there’s going to be a huge target on my back.”

“We’ll call you. In the meantime, you’ve got a clean bill of health.” The Roach pats his shoulder. “Good for you.”

“Thanks, man.”

Out of the corner of my eye, I see two figures break away from the detectives and begin approaching us. I say, “You’d better clear out.”

The Roach doesn’t thank me, but he gives me a little nod before disappearing around the side of the ambulance, whistling. That’s what passes for honor among thieves, I suppose. The Ghost remains, having drawn the short straw, his generically handsome features apparently working to render him inconspicuous.

“How is she?” Madoc asks him. I make myself look up at his face and try not to think about how, if what the Roach said is true, he might have recently pulled the trigger on one of Cardan’s brothers. The other brother stands next to him, looking less sour than before.

The Ghost stands. “They’re both good to go,” he says. “It looks like she sprained her ankle a few days ago, but it’s healing well.”

“The wound on her leg?”

“Nothing serious.”

Madoc nods, and then turns to me. The Ghost melts back into the scenery as though he wasn’t even there to begin with. No mystery as to how he got that codename.

Balekin stands at Madoc’s side, both men casting shadows across our knees. Madoc’s arms are folded, and Balekin’s jaw is set. I see his eyes find my hand resting on top of Cardan’s, but for some reason I am not at all worried about censure. Not from him.

Balekin says, “We’ve been given leave to take you back to your homes to rest, provided you return tomorrow to give your statements to the police. No one here wishes to… prolong your ordeal.”

“Wait,” I say, my heartbeat picking up in my chest. “Wait. Nobody’s told us what’s going on. Where’s Dain? How do we know he won’t try again?”

“He’s dead,” Madoc declares. “When he realized he wasn’t going to get away with it, that he had no other recourse…”

I swallow. I had hoped he’d say something else, anything else. “Oh. I see.”

Cardan covers his discomfort with a snicker. “Well, good riddance.”

“We’re hoping you can help us fill in the rest of the gaps once you’re up to sharing what, exactly, happened over the past five days,” Balekin says.

“I don’t know how much help we’ll be,” Cardan replies, shrugging loosely. “If it was Dain, we never saw him. And the guys who took us all wore masks.”

I’m surprised at how easily he lies, but maybe I shouldn’t be. I have to reevaluate everything I thought about his childhood; it probably involved a lot of lying to Balekin. Madoc doesn’t seem to notice anything, and it’s hard to get bullshit by him. He just watches me with a quizzical expression.

“Well, maybe you’ll remember something useful after you’ve had your rest.” Balekin jerks his head toward the waiting car, already beginning to walk away, assuming Cardan will follow. “Come on.”

Cardan glances at me with uncertainty, then begins to stand. I take his hand again and pull him back down. “No.”

Balekin turns around. “What did you say?”

I stand now, keeping hold of Cardan’s hand. “I said ‘no.’ I’m sure you have business back in the city. Cardan can come stay with us.” I look at Madoc and try to reassure myself that he is the safer choice. “There’s plenty of room in the house.”

“There is,” Madoc agrees, his tone carefully neutral.

“So it wouldn’t be too much trouble.”

Balekin looks angry. He doesn’t want to lose his influence on Cardan. “That’s very generous, but I have just gotten my youngest brother back, and I’m not eager to let him out of my sight.”

“He’ll be under Madoc’s protection.”

“You have to admit, it does seem safer,” Cardan chimes in. He seems a little dumbstruck by the way the whole situation is unfolding. Maybe no one’s ever stood up to Balekin before. Certainly

“You don’t know what you’re talking about,” Balekin says, trying to loom over me. He is tall, but tall doesn’t faze me. “I’m his brother. I’ve been his guardian since he was a child. I will be taking him back.”

“Well, Cardan isn’t a child anymore. He’s an adult, and I’m his mate,” I say, sticking up my chin. “And he is coming with me.”

I yank hard on Cardan’s hand, bringing him to his feet, and start off toward the car Madoc came in. Out of the corner of my eye I see Cardan, smiling, give his brother a shrug. “Omegas,” he says. “What are you gonna do?”

What, indeed. I don’t even know what I am going to do. Everything that happened in the last one hundred and thirty-two hours seems to have pushed us so much further down the road to a strange and dangerous adulthood. I don’t know if either of us are ready for what lies ahead, much less ready to defy our dangerous parental figures or negotiate the relationship we’ll have once I’m in college.

But it doesn’t matter, not right now. Because I have just pulled off a bigger heist than the Ghost, the Roach, and the Bomb could ever dream of. Because Cardan’s hand is in mine. Because his smile is, as always, contagious, so I am smiling too. Because we survived our trial, so maybe we can survive anything. Because he would choose me, and I chose him. Because neither of us is alone. Because he is my mate.

The rest, we’ll figure out when it comes.

#jurdan #jurdan fanfic #judecardan #jude duarte #cardan greenbriar #the cruel prince #the folk of the air #tfota #the wicked king #the queen of nothing #mine: fic #fic: 132 hours

104 notes · View notes

fuckyeahisawthat · 3 years

Note

Have you been asked yet to rank Trust eps? Cos I'm asking! But your the criteria for ranking I leave to you to decide.

Ahahahaha I’ll have you know I put way too much thought into this. :-D

Ok so first of all, there is no such thing as a bad episode of Trust. The whole thing is really tightly written, every character and plot thread has a purpose, and even the episodes that I haven’t watched over and over again are important to the overall story. And a lot of the impact of the show comes from things that are cumulative over multiple episodes.

That being said, I do have favorites. Since the definitive ranking of Primo’s outfits has already been taken care of, here is my ranking from least to most favorite based on some nebulous criteria of artistic/narrative effectiveness and emotional impact, my judgement of which is obviously highly subjective and also correct.

Under the cut because this got ummm unbelievably, ridiculously long.

10. The House of Getty (episode 1)

Sorry Danny Boyle and Simon Beaufoy, the pilot is my least favorite episode. Still think it was the wrong choice to open with a flashy (and, I can tell, expensive) sequence showcasing the death of a character we literally never see again. And, look, I’m an impatient viewer. If I don’t get someone to root for/emotionally identify with/otherwise catch my interest early on in a narrative, I’ll tune out. And Old Paul is not only unlikeable--far from a mortal sin in dramatic storytelling--he’s boring. I don’t care about any of his rich people problems, and I’m not the kind of viewer who can be kept engaged just by hating someone and watching them be terrible.

Some of the secondary characters in the Getty household do have interesting plotlines, but we don’t get to learn very much about them in the first episode. And I do think things get interesting once Little Paul shows up (although I maintain that the whole episode is more interesting if we understand what the stakes are for Paul getting the money), but if I had started watching this show with no context I wouldn’t have made it past Old Paul’s pre-coital erotica listening routine.

If this had been anything other than the first episode I might not have ranked it last, but extra penalty points for leading with your least interesting characters.

9. Lone Star (episode 2)

This episode is, I think, saddled by the fact that it has to do a lot of heavy lifting in terms of exposition and setup. It mostly works because Chace is an entertaining narrator, and once we get to Italy with Gail I think things zip along at a pretty good pace. Opens with an attempted rape to show how Bad the Bad Guys are, which is...not my favorite trope.

Once again, I think a lot of the information in this episode would have worked better if episode 3 had been episode 1. (We’d already know who Berto was when Chace meets him; we’d already know about the box of guns in the apartment; we’d know when certain characters are lying.) This whole show runs on the suspense of the audience being the only party who knows what’s going on with all the characters at once; I think trading mystery for suspense here was the wrong move. I also can’t help thinking there was pressure to front-load the well-known American actors in the beginning of the show at the expense of the strongest narrative choices.

Imo the best thing about this episode is the sort of...multiple competing images of Paul that emerge. His mom sees him as an innocent victim who couldn’t possibly have planned any of this. Chace sees him as a spoiled rich kid trying to swindle his granddad. Neither one of them has the complete truth.

Next we get into some episodes that are certainly not bad, but their greatness is more on the level of some bangin’ individual scenes than a whole package.

8. John, Chapter 11 (episode 6)

Again, this isn’t a bad episode. The main reason I put it near the end of the list is that the first time through I got sort of impatient during the first half. We, the audience, by virtue of our extra-textual knowledge, know that Paul can’t be dead, and we spend about half the episode before we know what really happened to him, which felt a bit too long to me.

This episode does have some fantastic individual scenes including: Leo talking Primo down in the farmhouse, Leo and Paul’s conversation about Angelo’s death, Gail being an absolute badass, and the meeting between Salvatore and Old Paul. A lot of these scenes are essential on a thematic level, but I don’t think the episode as a whole is the most streamlined.

7. Consequences (episode 10)

I debated for a while where to put this episode because the overall feeling of 57 Chekov’s guns going off in the space of one episode is SO satisfying, and the resolutions of some of the individual plotlines are delicious. Ultimately I would have liked more space for Paul and Gail and less Old Paul being grumpy about his substitute child museum’s mediocrity (although the scene with the bad reviews is hilarious). Once again I feel like the show creators felt they had to pull the focus back to Old Paul to wrap things up and I just. don’t care.

That being said. The resolution of Primo’s storyline? SO SATISFYING. And tbh I don’t dislike the scenes that exist with Paul and Gail; even the happy scenes have this poignant tone to them. I think they were trying to deal with the fact that his irl story is just...incredibly fucking tragic, and you can see a bit of the strain showing.

6. Kodachrome (episode 7)

I know episode 7 is not one of your personal favorites, but it’s the one where I think jumping between multiple plotlines/sets of characters is used to the most satisfying dramatic effect. It has this sense of dramatic irony that feels like some Shakespearean family tragedy. The whole episode, we are hoping that Paul Jr. will finally do the thing we want him to do, which is stand up to his father. And he does it--but at the absolute worst, most selfish and destructive moment possible.

Paul Jr. may be the literal worst, but I do have compassion for him in the flashbacks, mostly because it seems painfully apparent that no matter what he does, he will never be able to please his father. But he doesn’t seem to realize this, and he keeps trying, even as it’s destroying him and his relationship with his family. Credit to Michael Esper for his performance for making me feel a smidgen of compassion for this bastard.

I think the other thing this episode shows is how both of Paul’s parents keep putting him, a child, into roles and circumstances that he shouldn’t really be in. He’s wandering around through what seem like very much adult environments with his dad and Talitha in Morocco. In the Trust version of events he’s there when Talitha ODs and is the one trying to revive her while his dad is having a breakdown in the corner. Gail seems like the more responsible parent but there’s something about her bringing Paul as her “date” on a night out, and the understanding that this is a thing that happens regularly...to me the disturbing part is not so much bringing a young kid to a party with adults but the unspoken expectation that Little Paul will fill the void of companionship that his father has left empty. (Gettys expecting Little Paul to step in to cover for the failings of his father is a repeated theme, and it even plays into the ear thing. His family has failed to pay the ransom, so this is now a problem he has to solve himself.) Combine this all with Leonardo going, um, excuse me but what the actual fuck is wrong with your family? and I think it makes a very effective episode. And the last couple minutes had me yelling NOOOOOOOO GODDAMMIT because you can see what’s going to happen and you’re just watching it unfolding like a car wreck. Also has one of my hands-down favorite scenes, of Paul and Primo in the car waiting for the ransom.

5. White Car in a Snowstorm (episode 9)

The ~ D R A M A !!! ~ This episode is an opera. I mean this whole show is dramatique but episode 9 really leans into the vivid imagery--that snowy highway in the mountains above the sea, the all-white ransom exchange, Paul clinging to the pole at the shuttered Getty gas station, some Very Serious Mobsters throwing the ransom money around like idiots in a moment where you’re encouraged to be happy along with them.

This is also one of my favorite episodes for Primo and for Primo and Paul’s weird sometimes-alliance. Primo walking away from Salvatore to go tell Paul “they always pay in the end”? Primo and Paul teaming up to argue with Salvatore about why Paul shouldn’t die? Primo being all threateny to the doctor treating Paul because somewhere deep down he is worried (that’s my take and you’ll never convince me otherwise)? Primo dressing up to fake-scab on a postal strike in order to find a misplaced severed ear? All gold.

Fun fact: the letter Gail writes to President Nixon did happen in real life, but as far as I can tell the phone call did not. The real details of who convinced Old Paul to finally pay (some) of the ransom are considerably less cinematic. They’re the same amount of sexist though!

Ok now we are getting to the top tier...

4. That’s All Folks! (episode 4)

This is definitely the episode that took me from “ok this is fun” to “oh holy shit I’m invested now.” It’s the episode where we get introduced to most of the Calabrian characters and their world. It’s also the episode where we start to realize that Primo is not just a fun antagonist but is really a parallel protagonist to Little Paul, with his own set of relationships and motivations that we start to see from his POV. (I’d argue that, with the exception of his very first scene, we’ve mostly seen Primo through other characters’ gaze up until episode 4, and this is the point where we start watching him as like, the character whose pursuit of a goal we’re following over the course of the scene.)

This episode ranks high for capturing so much of the weird mix of tones that makes Trust work. It can be very funny. (I never fail to fuckin lose it when Fifty is on the phone with Gail the first time and when he’s talking to the thoroughly unimpressed newspaper switchboard operator.) It has this weird unexpected intimacy between characters you wouldn’t think would connect with each other. (Primo and Paul, Paul and Angelo; in retrospect the arc of the relationship between Primo and Leo gets started in that scene in Salvatore’s kitchen.) And it has one of the show’s absolute best record-scratch tone shifts when Primo gets the ransom offer. I remember saying “oh FUCK” out loud the first time I watched the end of that episode, when Primo comes back to the house, visibly drunk and clearly furious. We’ve seen him be violent plenty before now in the show, but always in a controlled, calculated way. This is the first time we see his potential for out-of-control rage-fueled violence and he’s terrifying!

3. La Dolce Vita (episode 3)

I stand by my claim that this episode (with a few minor continuity adjustments) should have been the pilot. Can you imagine a title card that’s like “Rome 1973” and then away we go with Paul snorting coke and taking racy photos and jumping on cops and fucking his girlfriend in what is definitely not proper museum etiquette, and then the smash cut to Primo intimidating and robbing and murdering people? And that’s the opening of the whole show? And you’re like how are these characters connected and then they meet each other and it’s the fucking sunflower field scene??

Anyway aside from the fact that I think knowing the information in this episode would have made episodes 1 and 2 more interesting...it’s just a great fucking episode. It’s kinetic and propulsive and funny and tense and violent and features Primo’s sniper skills and his ass in those cornflower blue trousers. I rest my case.

2. Silenzio (episode 5)

I’ll be honest, I went back and forth on the top two a bunch. Silenzio is definitely my personal favorite episode, and I’d argue that it’s the best written, in terms of what it accomplishes narratively, which is to keep you emotionally invested in both Paul and Angelo trying to escape with their lives, and Primo and Leonardo hunting them down. That’s so fucking hard!! And yes some of it is great acting but it starts from the foundation of the writing. It’s just such a perfect little self-contained horror movie, and it has this profound sense of fatalism to it, because you know from the beginning (if only by virtue of only being halfway through the series) that Paul is not going to escape, and you sort of know that there is only one way this will end for Angelo. And yet they escape by the skin of their teeth so! many! times!

It’s also the episode where you see how much power the ‘Ndrangheta has over people’s lives in this community: Salvatore is like God, calling his servants to him with the church bells. Combine that with the visuals of two characters running for their lives mostly on foot through this unforgiving landscape, and you really get the sense of this environment as a harsh place where most people have a very constrained set of choices, and the claustrophobia of that. You get the sense in this episode that everyone is trapped in these expectations of violence and duty and honor. Angelo did what anyone with compassion would do, and saved Paul from what seemed like certain death, and he’s doomed for it. At the same time Primo is doing exactly what anyone would expect him to do in response to a subordinate who disobeyed him. In some ways the end of the episode feels inevitable, unsurprising, and yet they do SUCH a good job of winding up the tension until the literal last seconds of the episode, and then releasing it with a big dramatic bang. It’s so good!!

1. In the Name of the Father (episode 8)

Ok I’ll be honest the ONLY reason In the Name of the Father edged out Silenzio for the top spot is that it is really clear they pulled out all the stops in terms of making this episode feel extra heightened in a show where everything is already heightened. Like, the cinematography is different? They still use handheld a lot but I swear there are more still shots and more extreme, editorial camera angles like that shot of Francesco looking upward in church where the camera is looking down from above him. I can’t tell if they actually tweaked the color grading or if the bright white and blood red just stand out against the Calabrian color palette which is mostly earth tones, browns and greens and blues.

There are just. So many layers to this episode. The imagery! The literal sacrificial lamb at the beginning, Francesco being guided by Leonardo through an act of violence against an animal, something that I’m sure they don’t even see as violence but just part of farm life, part of survival and in this case part of a celebration, but something that fathers teach their sons how to do as part of becoming a man in this world. Paul as the metaphorical sacrificial lamb later, drawing parallels to Jesus (the lamb of God), Isaac (a father sacrificing his son), any number of martyred saints, pick your Catholic imagery. The blood of the lamb on the tree stump and Paul’s blood on the stone. The communion wafer (the body and blood of Christ) and Francesco at the end with Paul’s blood and a literal piece of his body held in his hands the same way.

And then there is like, the suspense of watching everyone marking time through the steps of this community ritual that’s supposed to be a joyful, communal celebration, while we know that there is a secret ticking away under the surface. The slow unfolding of the lie told to one person spreading to everyone in the village, and then the knowledge that Salvatore knows spreading to all the people who’ll be in trouble for that. The relationship arcs between the main Calabrian characters...not resolving, but sliding into place for the final act. Primo finally being done with Salvatore. Primo and Leo’s alliance being cemented and Leo physically stepping between Primo and Salvatore, to protect Primo. (No one ever protects Primo!! Still not over it!!!!) The confirmation celebration as a mirror of the Getty party in episode 1, the parallels drawn between the 3 Pauls and Salvatore-Primo-Francesco and how Primo reacts to being passed over as heir vs. how Paul Jr. reacts. Little Paul having two whole minutes of screen time and managing to break your heart with them. Regina! Just...Regina’s whole everything. The music going all-instrumental for an episode and having this haunting, dreamlike but still tense quality to it. And the fact that we never cut away from Calabria to another plotline gives the whole episode this hypnotic, all-encompassing quality. It’s just. SO GOOD!!!!

#fadagaski #asks answered #trust fx #long post #so so long omg #i can't believe how long i spent writing this but HERE IT IS #trust alternate watch order

70 notes · View notes

kimberly-spirits13 · 4 years

Text

Random Characters with Creative/ Designer S/O HC:

Characters: Damian Wayne, Tim Drake, Bart Allen, Conner Kent (RSS), Jamie Reyes

Damian Wayne (Fashion Design):

· You’d started off your career when you were young

· Your father wasn’t super supportive of everything and said that you were too young to start a business or what have you

· So, with approval from your mother, you started one behind his back

· He didn’t know until one day you ended up treading and going viral with a dress you made for a very famous celebrity

· At that point he couldn’t stop you and was just impressed that you made it for months without him knowing

· As long as you were keeping up schooling, it would fly

· You ended up getting to travel the world and go to fashion week

· More specifically NYFW

· New York was the big one

· That’s where you and Damian met

· He was there for a business trip with Bruce and saw you at one of the shows the girls dragged him to

· He was immediately infatuated with you and wanted to meet you

· Thank the heavens he has sisters who wear your clothes to almost every gala

· They got to go back stage and talk to you which led to you two exchanging numbers and the rest is history

· When you started dating it was really hectic

· You had a few kidnapping scares which made him want to break it off especially after you found out about the entire Robin thing

· Heeeellllllllll no

· You didn’t let that happen at all

· Bruce actually commented and said that if you were that stubborn, Damian should probably keep you

· Fashion week becomes more tiring and you also hate not being able to see Damian as much

· He comes and visits though to make sure you don’t throw yourself out a window or something lol

· When it’s over, you guys always take a long vacation to Lake Tahoe in a house Bruce owns on the Nevada side

· He loves seeing your studio since it’s so organized and colorful

· You’ve got walls of mood boards and mannequins with unfinished garments everywhere along with a massive soft couch that one of you is always sprawled out on

· Sometimes he’ll send you pictures of pretty things he thinks you’d might like which ends up being incorporated into something

· You taught him how to drape and make his own suit so that Alfred can have a day off

· If anyone has a wardrobe malfunction and you’re around, you’ve got the needle and thread kit on hand at any given moment

· Some things in the kit come in handy for picking locks too

· He thinks it’s hilarious if you ever critique something or just call it straight ugly

· If you’re at a gala and do it it’s even funnier

· “Omg...”

· “What is it beloved?”

· “The drape and hem of that dress is the most preposterous thing I think I have ever seen. The fabric isn’t even the right material or fit for their shape. How rich are these people? And they can’t afford clothes that look decent on them?” You said giving them the famous inspecting side eye, “Also, who wears pearls with double sided sequins and fur?” “They can’t fix everything sweetie.”

· *intense snickering from Damian*

Tim Drake (Software/ Web Designer):

· It’s a match made in heaven

· The two of you meet at a tech conference

· He thought that you were such an interesting person to talk to and you had offers from places like MIT

· You got along so well and then he found that you liked coffee like he did

· Omg

· He asked you out in the nerdiest way by making you decipher code on your own computer

· You were kind of mad since you had been doing some other things for some major companies but after reading the message you determined you were fine with it

· I mean how could you say no

· Anyways the date when off great and eventually the media caught heavy wind of what was happening

· You already knew about the Red Robin thing pretty quickly into the relationship though

· Tim was a genius and you weren’t far behind

· It was scary how similar you two were

· From expressions and shared humor and meme taste, it was everything

· Staying up together was another thing you did

· Although, after some time one of you would pass out and the other would go to bed too

· It was like a competition in sorts of who could stay up the longest but at the same time you needed him to sleep

· The time he felt most betrayed by you was when you replaced his coffee with decaf

· You guys just sometimes hang out in his bed tangled up in the weirdest way watching vines or weird movies

· Totally the couple that would watch the worst rated movies just to laugh at them

· Damian commented on it once and got a tired middle finger from you once

· It wasn’t the classiest move however you couldn’t care less and Tim laughed his ass off

· After that Damian seemed to respect you more

· You guys probably have matching hoodies or something with really funny or obscure culture references

· Clingy couple but nothing too over dramatic

Bart Allen:

· Your designs in architecture went down in text books

· You were famous for some really amazing builds and constructions

· You started off by building these really insane LEGO sets or doll houses based off of designs in your notebook

· Your mother still has the models in the attic which is kind of embarrassing when he sees it but he thinks it’s really cool

· When he came to your time line he knew immediately who you were

· He also totally came to you and complimented your work plus some additional hinting at what was going to happen pretty soon

· Bart was there at the rise of your success

· He basically was your number one fan the entire time

· He’ll stay up with you as long as he can when you’re working

· It’s kind of funny seeing that when you’re designing the things you went down in history for you’ll be stuck on something and he’ll just tiredly recommend what he remembers learning

· You let him look through the designs sometimes but he understands if you don’t really feel comfortable with it

· He also knows that in order to do all of this, you’re wicked smart

· When the cave needed remodeling, you were the first person that they called in

· The League was very glad that you were there and they didn’t have to pull any strings to get anyone different in

· Plus, you knew what was needed since you were there all of the time

Kon Kent:

· You got your start writing

· It was the best thing that you did to relive stress

· Once your parents saw that you were such an imaginative child, they got you in a ton of art related classes but you liked writing the most

· Your writings had won awards before but then you wrote a book and it did amazing

· So now, that’s what you do

· Kon secretly actually really likes your books and met you at a book signing

· Nerd

· He got your number there and then you realized who he was

· It was kind of funny cause you were both in that moment of realization like

· Ohhhhh I know who you are.... kinda thing

· He finds it hilarious that sometimes you’re just all over the place

· When doing research your room isn’t terrible messy, it’s just piles and piles of notes and articles

· You also probably have an expansive collection of literature yourself ranging from all genres

· You don’t really like him to proof the book, however if you have an idea for something he’s all ears

· Coffee dates to strange hole in the wall joints

· Clark really likes you and finds your humor funny in the sense that it’s close to Bruce’s

· Both very sarcastic and dry

· Lex is just glad that his son found someone with an intellect

· You don’t really like Lex though

· That’s because you hear everything that Kon has to say about him

· Although, without giving the man too much credit, the charade that he plays on the daily in quite impressive

· You will never admit it however

· Ma and Pa love you

· So does Lois

· You get along because of the writing

· Sometimes Kon will just take you to some random part of the world if you need inspiration

· “Hey wanna fly to Morocco?”

· “Why not?”

· You make a day trip out of it but if it’s a long one you’ll stay longer

· Short distance he’ll fly you himself but overseas or something, he takes one of Lex’s jets

· He likes to tease you sometimes but will take it easy during the editing phase

· Those aren’t fun at alllll

· You get cranky sometimes during that and he just backs off lol

· He will make you sleep though

· He doesn’t want you turning into Tim or anything for an extended amount of time

· Nope

· Not doing it

Jamie Reyes:

· The team didn’t know anything about your job as an artist

· You were internationally revered

· No one knew of your job but for the boy wonder who saw the paint in your hair

· Once the team did know however, everyone was amazed

· You and Jamie were already dating by then though

· He was always impressed with what you did

· Laughed when you were covered in paint

· He lets you paint or draw on his hand

· You both have matching hoodies or jackets from your clothing line or merch that you painted

· If you have a YouTube channel, he’s in some of the videos

· Scarab notes that you have a more creative personality which Jamie responds to with a sarcastic remark

· Your clothes are partly covered in paint

· He’ll go to every show

· During the Reach thing you still stayed with him

I have more parts of the Damian Wayne x reader story coming and also requests but I’m just getting into school which is my priority so that’s why I’ve been a bit more inactive. Anyways I hope you liked this one and I can’t wait to put out more

370 notes · View notes

oldshrewsburyian · 3 years

Text

I have too many feelings about an action movie (an essay by me)

Alternate title of this essay: oh, I really am a sucker for a found family trope.

Alternate alternate title of this essay: all I wanted was a Friday night in front of a semi-mindless movie featuring attractive people and lots of explosions and now I’m emotionally attached.

So, uh, if you want to read my emotional and somewhat spoiler-y overthinking about War (2019), read on. And if you, too, like movies that don’t think too much about physics but extol those who are more or less pure of heart and unerringly true of steel (or Walther PPK, or whatever top secret spies are using these days) I’d recommend it as an evening’s entertainment. This movie is a whole bunch of tropes in a trench coat, and I became very invested in it.

I’m partly annoyed about this, because I said to myself “Do I want to watch a movie that has a poster featuring men, guns, and cars? Probably not, even if the synopsis does feature interesting Conflicts of Loyalty.” And then its big dance number kept cropping up in the workout videos I’m doing and, well, here I am, trying not to write fic about it.

The thing is... this movie just leans into the ridiculousness of, say, Brosnan-era Bond, coupled with the underlying seriousness of purpose of Connery-era Bond (minus the imperialism, obviously.) There’s some wuxia influence as well; this happens:

And I’m into it! I can see the tropes coming, and this does not detract from my enjoyment. The Big Bad Guys are going to detonate a rocket, rendering an entire subcontinent vulnerable to terrorists and neo-imperial incursions? I respond to the dramatic close-ups of the launch preparations with an ohoho, knowing that our hero is going to make a dramatic entrance (this expectation is not disappointed.)

Part of my irrational and defensive affection for this movie comes from the fact that it has a) interesting flashbacks and narrative subversions that keep viewers alert for multiple possible interpretations of events, as in, say, The Russia House b) an international contractor of dodgy deals whose surname is... Contractor. It seems to perceive no internal contradiction in these things. I respect its endearing self-confidence. Also it has motorcycle chases through a number of the most picturesque streets of Lisbon, and who doesn’t like motorcycle chases through the most picturesque streets of Lisbon? Malta, Morocco, and the waterways of Kerala are also included among our dramatic backdrops, along with the forests and ice sheets of the actual Arctic Circle, because why not?

But. But. Most of my feelings are anchored to the characters and how they are charmingly individualized versions of their tropes, and how this movie overstuffed with explosions and shootouts hints at, actually, quite nuanced backstory for them all?

There’s the kindly-mannered colonel who is very sober and serious in his desk job, but is not positioned as a joyless rule-follower. Nope, he’s just a man who cares about the agents under his supervision! and also listens to them and respects their judgment! but he might be a traitor to the government! Angst!

The Team-as-Family: there’s the dark horse observer who gets everybody drinks; there’s the pair with fraternal energy who get into dance-offs and joke about which celebrities they want to date. There is, to my delight, the woman of the team™, who is also their computer genius. She’s good with a gun, even better with laptops, and quite competent in recognizing poisons. And yes, she needs all these skills. The team members lead stressful lives. But anyway: she is doe-eyed and steely and loyal and I love her very much. She gets married to a man who is never previously mentioned, and I really want to know their dating story. She seems radiantly happy, so good for her. (Her teammates show up late because of near-death experiences and her boss makes a “you’re a great human and you look amazing” gesture at her. I said “aww” out loud.)

The Deuteragonist: he’s devout, he loves his mom, and he happens to be extremely good at Beating People Up. He also has an absolutely overwhelming case of hero-worship when it comes to the protagonist... who killed his father. It’s complicated. And whether it was reading The Three Musketeers at an impressionable age or something else, I do love a complicated hero-worship relationship.

The Love Interest: look, as a feminist consumer of action movies, my expectations are subterranean. But while her role in the film is basically to be a civilian asset and perform an extremely catchy dance number, she is also a firmly assertive person! She has rejected the expectations of her patriarchal family in order to undertake an unconventional career! She has chosen to raise her daughter as a single mom! She has friends! She hustles, and sets boundaries with creepy businessmen, and also sets boundaries with our hero. Whom she also tells off. And, surprisingly, he lets her?? My usual experience with action films has women apologizing for telling the protagonists off, or at least relenting into a melting embrace after he expresses contrition, if not amendment of life. But here, she just... yells at him, and he does not even open his mouth to defend himself. He also lets her make an autonomous decision which could scupper his international mission (effectively proving that she has become far more than a civilian asset and that he is an emotional disaster, but more on that later.) And she does, while telling him to examine his life and his choices! The hero, who is very bad at doing things like having normal conversations, transparently adores her.

The Protagonist: look, this whole entire man is a disaster. At least James Bond is self-aware and pretends to have a life! This guy lets his team decompress by drinking beers around a campfire, while nursing his broken bones in front of a spreadsheet on one monitor and a radar display on the other. At one point The Love Interest tells him that she doesn’t trust him because he thinks and behaves like a martyr, and... she’s right and she should say it! Another protagonist might have a tragic backstory™, but this man just appears fully formed with an overwhelming sense of responsibility and absolutely no sense of how to build a life for himself. And he’s middle-aged! You can see the moment in the final showdown where he realizes that he’s not going to win this by being stronger or faster than his younger opponent; that he’ll always be just a little too late to block the blow, or see it before it happens. So he moves to outsmart his opponent instead (while also refusing to accept an advantage of being armed while his opponent isn’t. In possibly-related news, he’s very concussed. Did I mention that this man is a disaster?) Also, he just... unofficially adopts his Love Interest’s kid. I spent a good five minutes being incredulous that, while hunted by his own government and its opponents simultaneously, he would take time out to mentor, entertain, and treat a small girl. I’m now trying to imagine the conversation that he had with the nuns of her conventual boarding school. This conversation apparently convinced them that a sun- and windburned man with visible scars and panther-like alertness was a trustworthy friend of the family. Anyway, I support Disaster Man and his intersecting forcibly-adopted found families very much.

#found family ftw #war (2019)#i just want escapist action fantasy in these trying times #is a tag that i have #bollywood #there's a point where the grim and greying special ops expert #with bullet scars and the fatalism of a martyr #shows up at a kids' soccer game with water and snacks as well as quasi-paternal advice???#it's the water and snacks that really get me #that is a man who thinks ahead and wants the people in his life to be well-hydrated #sense of self-preservation: zero #caretaking instincts: off the charts

52 notes · View notes

7lizardsinacoat · 4 years

Text

The Old Guard Costume Analysis

Because I could, I wrote up an analysis of the costuming, This is about the how the characters dress and what would influence that. I tried to get at the core of what each character likes to do when they pick out outfits. It came out to be a 4 page document so I hope I got it all.

Too long don’t want to read? The last three paragraphs are what you may want to read then.

While the team only wears a few outfits over the course of the movie, what they are can say a lot about a character. They may seem basic, but they really do speak volumes about the personality of a character, help set the mood of a scene, and further convey emotion. The costumes also show us a little bit of the background of each character and how that affects the way they dress. While the costuming may not win awards because it is in an action movie, they are very cleverly and well done.

Since this all started with my analysis of Nicky’s fashion choices, I am going to start with him. Nicky wears extremely practical things throughout the movie, like dark colors and basics that you can pick up from any store (save for the baklava scene, but we will talk about that later.) Nicky’s hair is even practical. Short, and while it can be styled, it really isn’t throughout the movie. It even seems easy to wash blood out from. All of his clothing matches but in a way that he can just pick up something and go without having to think too hard about it. Nicky is a very quiet and unassuming person, so his clothes seem to reflect that. Nothing he wears stands out among the others, and is as unassuming as he is.

If you bring in Nicky’s background as a priest and a crusader, this makes a lot of sense. Christian/Catholic guilt is a strong thing. If you really get into the Bible you will find that there is a lot about not getting attached to worldly possessions. Seeing as he joined the priesthood, he would have had to believe in the text and know it well. As a priest, he would have worn vestments most of the time and lived a life with little indulgence, most likely leading to viewing his ordinary clothes in a practical manner. When he joined the crusades he would have become even more practical, as there were really only a few things he would have been able to wear as part of the forces, and if he really bought into what he was fighting for he would not have begrudged this.

To bring it up to the modern day and what we see in the movie, we can see all of this reflected in what he wears. He wears dark colors and practical clothing. Now we may say that the baklava scene challenges that, as he is dressed nicely and his hair is styled.

I would say to that, yes, he does know how to dress beyond picking something up and putting it on. But, because he does not do this again at the end of the movie, when everyone is styled and wearing what they would wear in an everyday, safe, situation, we may say that he simply does not feel like dressing in that way at all times.

He knows how to put together an outfit, but seems to not want to unless it is for certain occasions. You can even see this mildly reflected in his “hot topic monk” look, where he wears a hoodie to cover his head rather than a hat, not because it looks good, but because it's practical. It’s certainly practical. He seems very “pick up and go”, which is fine to do. It’s certainly valid within the context of the movie. That’s fine I guess.

Joe, in contrast to Nicky, has a better grasp of fashion and has an actual want to be fashionable. He was a merchant before the Crusades, which would allow him to have more access to nicer and therefore more thought out clothes. As a merchant, he would have likely had to be more presentable, and up to date on the clothing trends of the time. Taking also into account that Joe is an artist, and has been described as having an “artist’s soul”, this also supports the idea that Joe is up to date on trends and enjoys dressing in the current fashions. He puts thought into what he is wearing. He wants to put thought into what he is wearing. He enjoys putting thought into it.

All of this goes well with what he wears. While for most of the movie he is wearing simple clothes, this seems to be because they are in danger (also what he wears for most of the movie is what he was sleeping in). During the baklava scene he wears something that is a little more “We are seeing a loved one after a long time” and less “this is what I wear when I am just going out for the day.” But he is being presentable in a way that shows already at the beginning of the movie that he knows what he is doing.

At the end of the movie, we see Joe wearing streetwear.

While the team may not feel entirely safe, they do feel safer, which allows them to wear what they want with little fear of getting it ruined. This is what he wants to wear. Even though his outfit is an “immortally dark” color, it still reflects who he is as a person. He is fun and outgoing, and goes outside of the mainstream. He has an interest in what he does. Even when they are going on the mission to save the girls he has some fun, what with his backwards baseball cap. He wants to throw a little fun into a dark situation, which I think really shows who he is as a person. He actively puts thought into his outfit, actually thinking about what goes with what, and enjoys it as well. He is having fun with his clothes.

While Andy’s outfits may seem minimalist and just plain black constantly, they say a lot when put in context of the scenes. Andy wears black for most of the movie. It’s a color that is easy to cover up blood and muck, and helps you blend in as it is a neutral color. It also reflects her darker mood.

Putting the black clothes into the context of the scenes changes the vibe they give off. In the first few scenes of the movie, we see her walking among people who are wearing bright colors against orange-y dirt of Marrakech, Morocco. She sticks out like a sore thumb in this scene. It gives off the feeling that she is not like them, that she is not human like the rest of them, and does not have the human hope. It immediately establishes her as cold and an outsider.. As the movie progresses, Andy becomes mortal.. She begins to wear colors, such as a green jacket, and at the end of the movie, a brown one. It reflects how she is becoming more and more human, and feeling more hopeful and less dark and hopeless. While it is still dark colors, they still show the change that is happening within her.

While Andy might seem cold and uncaring towards others outside of her family, she is actually deeply sentimental. She always wears a necklace, that while we don’t ever get told why she has it, it is clear that it is very special to her.

Then there is the jacket that she wears in the last few scenes in the movie.

It is worn and old and clearly has been repaired several times. Why would a person who gets shot at on the regular and seems to have access to plenty of money want to keep a torn article of clothing unless it was for sentimental value. While Andy may, many times throughout the course of the movie, have said that she does not care anymore, the jacket shows that that is not true. An item of clothing like that has a lot of memories attached to it. She wears it in the scene where she sees Booker for probably the last time in her life.

As it likely has immense sentimental value, it may have been comforting to wear. It also would then remind her of Booker every time she would wear it afterwards, and would even more so be the last thing she would get rid of. That jacket likely means so much to her. It will mean even more, now that it has those memories of Booker attached to it.

Booker’s outfits also seem like simple men’s clothes, like Nicky’s. Though hey are still in line with modern men’s fashion, in a more modest, subdued way. This probably comes from personal preference, but also his background. Booker is a very good forger, so he must have been an educated man before the Napoleonic War. He would have likely had a job with a lot of writing, and one that paid higher than labor jobs. This would have let him have some leeway with clothes, allowing him to develop a preference and an idea of what the general fashions were.

Booker understands mainstream men’s fashion, but does not seem to enjoy it like Joe does. He seems to dress no further than nicely presentable, while it does seem that he does have an opinion on what he is wearing, he doesn’t go any further in it. The one thing he seems to really indulge, besides alcohol, is his hair. But we are not here to talk about that. He’s a peacoat kind of man. He seems to be perpetually in fall/winter, what with his layers at all times.

He’s if the artist Julia Lepetit drew a man and it came to life (french, sad, sharp jaw, layers and high collars, y'know what, just go look at what she drew when asked to draw a handsome man).

There is almost a safety in the way he dresses. Like he is allowing himself to like a few things but to go any further than that would be too much.

Now, he is not the type of guy that wears things outside of very mainstream fashion in the first place. But he does not really want to enjoy what he is doing now. Booker is also deeply sentimental, as clearly evidenced, besides the everything about him, by the wedding ring he still wears, 200 years later. So he may be holding on to some of the old routines he had before his first death, such as keeping up his hair or thinking for more than 10 seconds about his outfit. Even what he wears seems to show his grief, and his almost fragility that goes along with it.

Nile is young and fashionable. She still feels human, and is a contrast to the others. Especially Andy. While Andy is in her dour blacks, Nile wears hopeful lighter tones and bright colors. She enjoys her clothing choices. While she is a sensible dresser, as we can see by her very sensible shoes, she does not have the immortal practicality the others do. The clothes she wears show a lot of blood, as compared to Booker and Andy’s (we are ignoring Joe and NIcky as they after just waking up). The clothes she wears are ones she would wear when she goes out for the day, not to get shot in a lab. She is not used to being immortal yet (and who would be if you’d died like three times so far.).

We only get to see her in two outfits that she has picked out for herself. But they are both, as earlier stated, a stark contrast to Andy. Andy's blacks really make her seem less human. Nile’s brighter colors show us that even though she is immortal now, she still retains her human spirit.

Interestingly enough, ,the outfit Andy hands her in the plane helps give us an idea of just how different they are. Andy gives her dark colors to wear, which feels like an almost “welcome to the club.”

It’s very Andy. But when Nile gets to pick out her own clothes, she picks out things she enjoys, are interesting, and bright and colorful. It really shows how she doesn’t feel like a part of that group yet. While she may no longer be human, she still feels her humanity.

To speak briefly about the main villain, Merrick, he dresses in a childish way. He wears an infuriating hoodie under his suit coat and designer sneakers. He especially feels like he’s trying too hard, or compensating. He feels like a child trying to dress cooler than his older brother. It’s like he is trying to be a fuck boi but failing spectacuraly He feels like he listens to Russ and calls it Hip-Hop. His whole deal is one big overcompensation, and you can really see it.

This is not pertaining to any one character, but the baklava scene is very interesting, costuming wise. It is the first time we get to see the whole gang together outside of them dying in the first scene. We at first see Andy, walking around in her “no longer human” black clothes. Then we get to see Booker, who does not stick out among the crowd. His clothes seem basic and unassuming. Then finally we get to see Joe and Nicky, who look very presentable in their button up shirts, like your favorite uncles on vacation. Even Copley is wearing lighter tones. Now putting them all together, at first it seems that only Andy stands out with her dark clothes among the lighter tones the others are wearing, but if we look further, we can see how Booker starts to stick out as well.

Andy’s clothes, as stated earlier, give her a less than human vibe within the context of the movie. The lighter tones of the three men might make them all seem like they all still feel hopeful and happy, but Booker’s clothes betray that. While Joe and Nicky are wearing lighter tones, Booker is only wearing a lighter colored overshirt over a black shirt. This gives off the idea that he is trying to show that he is happy, that he is just as excited as Joe and Nicky. But in all actuality, he feels just as dark and sad as Andy does, as the costuming shows. He’s trying to conceal it, as we can see with his friendliness with his family, but we the audience can see through it. He is not doing well, and try as he might to put on a brave face for others, we can see it.

The costuming in The Old Guard is subtly clever. With just some clothing that may seem basic, they are able to show a lot about each character's personality. How Nicky understands how to dress but doesn’t care. Joe enjoys and has fun with his outfits. That Booker doesn’t really enjoy his clothing. Andy’s inhumanity shows through her clothes but so does her sentimentality. Nile’s humanity shows through her bright colors. We get all of this through the costuming, and it’s so nicely executed. There may be no awards won for this as it’s an action movie, but we should still acknowledge how well it’s done.

#finally finished #i dont know what to do with myself now that this is finfished #the old guard #tog #my post #how the hell do i tag this #long post #costumes #costuming

129 notes · View notes

jeongyunhoed · 3 years

Photo

A year after the events of Past-Present-Future, Lee Mirae, Choi San, and Jeong Yunho receive a mysterious envelope containing photos and notes about the deaths of several individuals. The deeper they go into the case, they find that the entertainment industry hides a very dark secret.

Group: ATEEZ Pairing: Yunho/OC Genres: It’s a little bit of: adventure, romance, mystery, crime, fantasy, action. Things to note: It also features mentions of other idols/artists: Junhong (Zelo), Dean, Chanyeol, Enhypen etc.

Superpowers AU if it wasn’t obvious as well.

T/W: Themes of death, violence, demons, cults, blood, use of weapons and/or firearms, use of drugs (both recreational and medical), implied/referenced assault, implied/referenced suicide, cussing

A/N: Sorry for taking so long in updating this, but here we go, the penultimate chapter.

Masterlist

Chapter 7

The seven of them were gathered around Yeosang in his living room, giving him looks as if prompting the vampiric-looking male to explain everything. Yunho was growing impatient, thinking of Mirae and what may have happened to her, what was happening to her at that moment. Mingi was playing with his lighter while Seonghwa was fiddling with his bow and Hongjoong had the blade from his sleeve out.

“Madame Seo has been around for years, and when I say years, I mean decades, you could say she’s almost a century old even if she looks the way she looks,” Yeosang began. “I met her at the time of the Gwangju uprising. She was an adviser to Chun Doohwan, you could say she whispered things in his ear that led to that coup that killed so many people,” He looked down as he recalled that day.

“She always believed in that kind of purge. It was her philosophy as much as it was Ose’s, the demon in hell she worships. Anyway, she came to my office to discuss investments in some businesses she planned on starting, the brothel, the fashion label, those things. She knew who I was, Ose granted her the gift of reading minds, she figured out I was a mutant, who lived much, much longer than she did,”

“She still can’t read Mirae’s mind even if she tried,” San muttered, shaking his head.

Yeosang glanced at him. “It didn’t take me long before I realized...Madame Seo was developing affections for me. Of course, she wasn’t my type. I was...shall we say, married at the time, to the woman who was the mother of my children, who turned you all into what you are right now. When my wife died, she made her moves on me, and each time I rebuffed her…”

“Smooth,” Yunho gave him a look.

“Yes, yes she was. Years later, I find out that she came between Na Youngji and Ji Myungsoo, became Myungsoo’s mistress and later on wife, and then that actress died. It was easy for me to find out because she told me. She told me Ose had granted her seven children, seven demon children, to do her bidding, so she could become his queen,”

Hongjoong raised a hand, looking puzzled. “Hang on, you’re telling me that Madame Seo, that woman we’ve been looking for, is the queen or wife or whoever of this Ose demon?” He said.

“Yes. Yes, she is. But of course she needed a human husband, enter that basketball player. Madame Seo had Youngji killed, of course, just to get to him, but when he figured out who she really was, she had her children kill him too. Fast forward to today, where she has everyone, including those in government, wrapped around her finger. Madame Seo’s ultimate plan was to get everyone to bend to the will of Ose, while she prepares for his ascent,”

“And the reason why she’s got people under her control is because of those girls she sends their way?” Wooyoung asked, and he nodded. “She’ll expose them if they rat her out,” and Yeosang nodded again.

“So, a bunch of middle-aged men going this far to get laid? They’d actually sell their souls for this?” San looked disgusted.

“Sex, power, and influence. Madame Seo can give it to them too. Protection from the media and from the press. There’s a reason why there are dating scandals getting exposed just when someone in their circle is being looked into by the authorities, ever wonder why Yang Tan gets those tips of celebrities supposedly dating each other?” Yeosang glanced at Yunho and San.

“...Mirae did say Hyuk would tell her most of those were publicity stunts,” San muttered.

“There you have it, gentlemen, I’ve explained all I need to explain.”

“What does she hold over you?” Yunho asked before Yeosang could walk off.

“She knows I killed that Park Enterprises CEO,” Yeosang replied. “Among other things.”

“Those other things are?” Yunho pressed again. “You might as well say it. If you’re going to help us, better come clean with what she’s holding over you.”

Yeosang gave him a look. “She also knows I killed the rest of the people in my bloodline, including my wife. And now, she’s also jealous of Mirae.”

“Why?” Jongho questioned.

Yeosang pursed his lips. “Why do you think she’s jealous? Think about it.”

“Because you like her,” Wooyoung figured it out, scenes flashing in his head the more he looked at the vampiric-looking male. “But she doesn’t like you the same way.”

“I am fully aware of that, but that is no one’s business but mine,” Yeosang stood up straight. “If you’ll excuse me, I would like to retire for a bit,” and he walked off.

Yunho caught Yeosang in his study later that day. He was sitting by the window, drinking a glass of milk from a champagne flute. “For someone like you, I would’ve thought you took a liking to alcohol,” Yunho spoke as he stepped inside the room.

“I’ve been there, drank everything that was ever invented. Eventually it gets nauseating to drink even a drop of it,” Yeosang mumbled without looking at him. “But I do have a supply. Would you like some absinthe? It’s not as strong as you might think, as long as you put in some water over a cube of sugar.”

The vampiric-looking male gestured to the table nearby that had a tall, green bottle that was labeled in its name, the yellowing sign made Yunho realize that the liquor was likely older than him. “I guess I could have some,” He said.

Yeosang stood up and went over to the table, pouring some of the green liquid into a small glass. He placed a flat piece of metal over the glass, and a sugar cube. Yeosang carefully poured water over the sugar cube, letting it melt through the piece of metal until it reached the drink itself. From green, the drink became a cloudy yellow and Yeosang handed it over to him. “It’s best that way.”

“Thanks,” Yunho took a sip, his nose wrinkling at how strong the flavor was. He wasn’t a very experienced drinker even if he could hold his own.

“Has...Mirae told you about how we met?” Yeosang asked all of a sudden, gazing out the window.

“She met you when she found out you killed that CEO of Park Enterprises,” Yunho replied. “What about it?”

A smile crept up on the vampiric mutant’s face. “Nothing, I just keep thinking about that day. She came to the house of Park senior, inspected the body, argued with her brother, but if you’ll forgive me for saying, I was more entranced by her than I was with Park senior’s daughter,” He said.

Yunho raised a brow, curious as to what he meant. “And?”

“While she put up quite a front around me, I knew how she really felt,” Yeosang muttered. “Like many women before her, I could feel her shudder every time I was near, I could see her staring at my lips whenever we talked, as if she was begging me to kiss her, to ruin her like those women before her.”

Yunho stared at him, unable to speak, but Yeosang went on. “I had her cornered in my room one of those days she was doing a search for evidence. I could say I could cut the sexual tension between us with a knife. You’re probably wondering why the fuck am I telling you this,” a satisfied smile crept up on Yeosang’s lips, a giggle escaping him.

“Now you’re asking me that?” Yunho could feel his blood boil.

“I’m telling you this for the simple fact that Mirae needs someone who would take care of her. Treat her like the queen that she is. She deserves that much, you know? I can, can you?” Yeosang looked over at him. “You don’t deserve her, Jeong Yunho.”

“But you do?” Yunho put his drink down on the table with a thud.

Yeosang smirked. “You already died in Morocco, you had your chance with her. It’s over, Yunho.”

“No, no it isn’t,” Yunho got up. “She’s with me and she always will be.”

“Are you sure about that?” Yeosang chuckled. “She’s been playing you the entire time, in fact, I could still hear her moans whenever I remember her under me-” He stopped when he saw the prongs of Yunho’s sai pierce through his heart.

“You’re not picturing anything,” Yunho was glowering at him, watching the vampiric male fall to the floor, turning into a pile of dust. “Anymore.”

Yunho’s eyes shot open and he sat up. He had been sleeping on the large couch in Yeosang’s living room. Seonghwa and San were sleeping on the other sides of the couch, Jongho was dozing off on the lounge chair near the window, while Mingi, Hongjoong, and Wooyoung were sharing the mound of couch cushions on the floor, including the cushions from Yeosang’s study.

He couldn’t believe what he dreamt. He knew it wasn’t true. Yunho reminded himself that it was probably the dust he inhaled from those documents talking again, but he still couldn’t help but think that maybe the feelings he felt in that were genuine. Mirae had already told him, reminding him that she never felt anything for Yeosang except for the fact that she respected him.

Yunho knew he didn’t have a reason to be jealous, but those things the shorter male was taunting him in his dream struck a nerve. Maybe he had some resentment towards Yeosang, maybe he was jealous. It was making him miss Mirae and wonder what was happening to her, he couldn’t hear anything from her even at this hour.

“Good morning- or should I say, good afternoon to you,” Yeosang said quietly upon stepping in, looking a little disapprovingly at the rest of his groupmates on the floor. “Well, better here than in the guest room, I’ve got Egyptian cotton sheets that should not and will not be ruined.”

“Afternoon? What time is it?” Yunho asked.

“It’s five p.m., one hour until the television special of that idol group,” Yeosang replied.

That made Yunho almost jump out of his seat. “Then we don’t have time to waste,” He took one of the cushions to hit San and Seonghwa awake. “Get up, get up, it’s time.”

Yeosang stared at them. “By all means, move at a glacial pace, the sense of urgency is astounding,” He rolled his eyes.

“What have you been doing then?” Yunho shot him a look.

“For your information, I was attending meetings. I own this building. I have a business to run, two and two makes four,” Yeosang replied. “...And I saw Mirae.”

Yunho’s expression fell. “...And?”

“As unconscious as the last time I saw her. Madame Seo has been trying to keep the idol group from feeding on her, they already tried last time, remember?” Yeosang said. “She only showed me a video of her.”

“Okay then, we’re back to where we started. Where are they keeping her?” San asked this time.

“I-I don’t know,” Yeosang shook his head. “The background is somewhere I can’t figure out.”

Yunho raised a brow at his answer. “Oh really?”

“Yes, really,” Yeosang glanced at him.

The rest of their groupmates were already at their feet. “Did Madame Seo give you the video?” Wooyoung suddenly spoke. Yeosang shook his head. “Are you sure?” He asked, but froze as he began to see flashes of what the vampiric male was talking about.

Mirae was strapped to a metal chair unconscious, with bits of dried blood on her nose and lip. Wooyoung kept blinking as if he could see everything twice as fast. There were slabs of bodies and thick metal doors. He turned to the rest of them. “I think I know where she is,” He said.

The van had pulled up in front of an old hospital building that afternoon. “Alright, we’re here where Wooyoung said it was,” Yunho looked over at the back. Yeosang stood out from the rest of them with his striped suit and walking stick. “This is the place, right?”

Wooyoung looked out the window. “Yeah it is.”

“The morgue?” Hongjoong asked.

“Yep, that’s where I have a feeling they’re keeping her,” Wooyoung muttered. “I can’t be sure, but it’s worth looking.”

“Then what are we waiting for? We have to get in there,” Jongho took his nunchaku out while Mingi opened the door.

All of them got down from the van, Yeosang looking especially conscious and walking behind them as they opened the doors to enter the morgue. The cold air hit them as they stepped inside, noticing that no one was around, not even a security guard. “Strange how there isn’t anyone watching,” San said.

“It’s a morgue, I don’t think anyone would think of coming in here unless it’s to identify a body or turn in one,” Hongjoong shrugged as they scattered to look around. “Well, we’re here now, where would she be?” He turned to Wooyoung.

Wooyoung felt around the doors, partly realizing how he had quickly taken to this ability of his to sense memories and events. Yeosang observed them, the rest of them pausing when he approached the column of three doors on the left. He ran his walking stick on the side until he tapped the doors. “If I remember correctly, yes,” He turned the handle of the middle door clockwise, the entire column of doors opening to reveal a secret passage lit with torches.

The air coming from behind the doors felt damp and there was a faint whistling of the wind in the darkness that was ahead of them despite the torches illuminating part of the way. “Funny how there’s so much more to this place than we thought,” Mingi mumbled, keeping his lighter on as the eight of them approached the passage.

“This is the way?” Yunho said.

“Yes, at least from what I remember, I haven’t been here in decades, well, she invited me down here,” Yeosang replied simply, immediately taking a step inside when San pointed the arrow of his harpoon gun at him.

“Alright then,” Yunho nodded, making the rest of them follow him down the dark path. The door closed behind them. “Who is she trying to have her children summon from above?” He suddenly remembered what Yeosang told them before they had fallen asleep.

“I don’t know. She wouldn’t tell me anything about who she plans on having summoned here, other than Ose’s ascent,” Yeosang said over his shoulder. “Probably sore at me even more now,” He muttered under his breath as they walked down the slightly rocky path.

The further they walked, the more torches began to light up. They realized that they were walking down a spiral path, and as they were approaching the bottom, they found a crowd of people whose appearances and identities were obscured by the crimson red robes and hoods they were wearing. In front of them was a woman whose face was obscured with a shawl but was cloaked in the same crimson red robe.

“...It’s a good time to come up with a plan now,” Mingi muttered to them as they stepped back, hiding themselves behind the pillars.

Yunho stared at the formation of the hooded figures. “Where is Mirae?” He asked, glancing over at Wooyoung, who was watching the figures move.

“Is she not here?” Wooyoung mouthed, and Yunho shook his head, having a better view of the area. “...Oh no.”

“She’s in N Tower, damnit!” Yunho realized, frowning in frustration.

“We don’t have much time, some of you go with Yunho to N Tower, the rest of us will try and tear these guys apart,” Hongjoong suggested. “For Mirae, and the world.”

“For Mirae, and the world,” They nodded.

“Leave Madame Seo to me,” Yeosang removed the concealed dagger from his walking stick again. “You and San better go. Tell Mirae I said hello.”

The spikes were protruding from Jongho’s arms and legs again, and he stifled his cries of pain as it pierced through the fabric of his clothes.

“Ose, Ose, Ose, Ose,” The crowd began to chant as they bowed several times in front of the woman.

“Try not to kill anyone, try,” Yunho said to them.

“You and I both know that cannot be guaranteed,” Yeosang gave him a look. “Death is sometimes the answer.”

“That’s why I said try,” Yunho muttered.

“Something tells me we have visitors in our midst,” They heard Madame Seo say, stopping the bowing that was happening in front of her. “Yeosang? My love? Is that you? You seem to have brought friends with you, why don’t you come out?” She asked in a honeyed voice.

Yeosang stepped out, sheathing his knife in his walking stick again and looking calm. “I couldn’t resist coming back here, you showed me this place once before, I seem to vividly remember us having a good time here for 24 hours, was it?”

“Oh I remember that very well, you showed me how strong you’ve gotten, and the many other moves you’ve learned from where was it? The Kama Sutra?” He could tell she was grinning. Madame Seo looked over his shoulder. “Come out, come out, I love me some strapping young men with weapons. Don’t bother teleporting though, you’ll find that it can be quite useless in here,” She looked at Yunho rather pointedly.

Yunho stepped out from the shadows, making the rest of them follow suit while several suited men appeared to take each of them, bringing them to the middle of the room. “Where is Mirae?” He asked.

“Oh my, you’re- Why you’re Mirae’s love, aren’t you? I’m not surprised, a handsome young man like you and-” Madame Seo paused upon giving him a once-over. “An immortal, no less.”

“Again, where is Mirae?”

“She’s somewhere safe, depending on how you look at it,” Madame Seo chuckled. “So, at last, here in front of me we’ve got the ones who have been looking for us, after quite a few warnings not to. By now, knowing what you know, there is a place for you in our circle, Ose would be pleased to have warriors like yourselves leading the charge in what would be the biggest purge on Earth.”

Madame Seo snapped her fingers, and a few hooded figures entered carrying small bowls of the gold powder towards her. “I’m sure you know what this is, right? It can either release your inhibitions, or release your worst instincts, depending on who you are,” She felt the powder between her fingers.

“I’m going to ask you one more time,” Yunho was glowering at her. “Where is Mirae?”

“Impatient, are we? Well, contrary to your thinking that she may be at N Tower, she isn’t,” Madame Seo shook her head and removed her shawl.

The hooded figures bowed and the rest of them stared at her. Madame Seo’s face was feline-like. “You missed me going down on you, didn’t you?” She glanced at Yeosang, who remained calm. She clapped her hands, and the figures carrying the bowls of powder backed away. “Reveal to them the future,” She said to them, and they pulled down on a lever.

The ground underneath them began to turn, the surroundings changing into what looked like an old operating room used by doctors to perform demonstrations of procedures. There was a space at the back that was lined with several stones that had markings. Yunho felt like collapsing upon seeing Mirae.

She was strapped to a kind of chair that had needles pointing at her nape, her wrists, and her spine. Mirae was wearing the familiar electric collar, and she was beginning to regain consciousness. “Remove the collar,” Madame Seo instructed, and the two hooded figures followed, taking the collar off of Mirae’s neck with a few clicks.

A few more hooded figures began to appear, pushing a television monitor that featured the special of the idol group. “This handy dandy machine that your Mirae is strapped to, can extract the essence of who she is, her mutant essence.”

“If you plan on killing her, fat chance,” San spoke.

“Oh I know that. Mirae’s just going to go through a lot of pain, spinal injections are painful after all,” Madame Seo smiled. She took out a small vial full of murky, red liquid from her pocket. “We’ve tested out the initial extraction from her by the way,” She held it up in front of them. “Painful, very, very, painful. But unfortunately more is needed.”

Madame Seo put the vial in a compartment of another machine that resembled a laser that was pointing at the marked stones. A loud whirring sound was coming from the machine. Before they could take a step further, they were suddenly held back by the hooded figures behind them, while the rest that were watching began to chant again.

Mirae’s eyes were opening and she gaped upon seeing Yunho. “Yunho- Yunho!” She yelled, struggling to get out, only to be overpowered, feeling her strength wane even further than the first time.

“Mirae!” Yunho struggled as well but to no avail. He was soon caught in a headlock, with his hands behind his back. “Mirae!”

An evil smile played across Madame Seo’s features and she turned on the machine that Mirae was strapped to. Tears were falling down the sides of Mirae’s face as the needles began to pierce through her wrists and then her nape. Mirae let out a scream, her eyes beginning to glow red but fading just as quickly.

The television special was beginning and they could hear the music playing. The idol group had begun to perform their first two songs. “Mirae!” Yunho kept yelling, trying his hardest to break free. “Mirae!!”

“It’s so easy to get the best of people when they care about each other,” Madame Seo watched them with an amused expression on her face. “Increase the pressure,” She instructed the figures, who turned up the speed level of the needles drilling into Mirae.

She turned to San and blew the gold powder at his face. San’s eyes were turning red and he collapsed, squirming in his place at what he was beginning to see. She blew the gold powder onto the rest of their faces. Madame Seo began to chant the familiar Latin phrase they had heard. The beginning is the end is the beginning. Yunho tried to maneuver himself to break free, taking a deep breath when the gold powder was blown into the air.

“Mirae dead, Mirae dead, and it’s all my fault, all my fault,” San looked shaken, eyes still red. “Mirae dead, Mirae dead, it’s all my fault…”

“San! Mirae’s not dead!” Yunho managed to finally overpower the figure that was restraining him, only to be thrown to the other side of the room due to the figure’s strength. “San! You’ve got to help me!” He called out, trying to wrestle with the figure who had grown larger. “All of you! Help!”

Wooyoung quickly unsheathed his katanas, keeping his nose covered as he attempted to slice through the figure that restrained him, who brought in a sledgehammer. “Shit,” He collapsed, squirming as the dust had gotten to him as well.

The music played louder, and Yunho could see a beam of light coming from the background of the idol group that was dancing. Mirae’s screams were dying down, her strength declining, the more the needles penetrated her body. “Mirae!” He rushed forward only to be knocked away by Madame Seo herself.

“I think not, Yunho,” She said, getting into a stance.

“Oh I think so,” Yunho charged at her.

18 notes · View notes

cadomoisspokenfor · 3 years

Text

Legion Rewatch Notes,

Chapter 7:

The King In Yellow

Walter’s really putting his all into that whistling.

Kerry ended up losing Walter eventually. But I guess she was chased out of her hiding place by the zombies.

Theory: Much like how David feels most stable and confident when Syd’s around, Kerry feels most stable and confident when Cary’s around. She’s much less likely to lose a fight or get scared if Cary is in the vicinity. This would also explain why she feels so betrayed that Cary left her in Mental Clockworks. She works best when he’s around (power of love and all that) so when he’s not around she constantly feels like she’s on the ropes. Maybe only subconsciously though.

Lenny says “Hey” a lot.

So Farouk... actually seems distressed here. This is him at his least chill. He’s just shoved a person he actually cares about into a corner of their mind cause he just couldn’t understand them, the dream he’s created is collapsing and he has no plan on how to deal with it (rare for Farouk), and the location of his own body (his temple) is still lost to him after all this time.

Also, there’s apparently no specific place it could be. Farouk’s body could be anywhere on the globe. I guess he and everyone who knows about is aware that he could come back to his body if he knows where it is?

Even though it’s pointed out a lot I’ll also note that Charles is in his wheelchair in Amy’s flashback. And given future/past events (confusing, I know) this either means Farouk is the one who put him in a wheelchair, or whatever caused it happened between defeating Farouk and giving away baby David. And there’s... really not a lot of time in between those 2 events.

As we’ve seen before, while Farouk can probably see into Oliver’s ice cube residents, he can’t actually go inside or do anything to Oliver (or his guest) while he’s in there.

Farouk doesn’t want the dream to end until he’s located his body.

Cary is used to finishing Oliver’s sentences.

Cary and Oliver think very alike. The biggest difference between them I suppose is Oliver’s reality bending powers.

David never agreed to the barbershop quartet but Oliver put his name down anyways.

I never caught this before, but the thing that makes it obvious to Cary is the fact that the parasite called itself “King”. Before when watching this I thought “it’s just a name,” but I guess the point is... what other villain would be so hubris filled as to advertise who they are so openly. It speaks to the brazenness of Farouk. If Charles had ever checked back and found out David was talking to some invisible friend named “King” Farouk woulda been discovered then and there. I can only assume this means the name “King” was taunt of sorts. A joke only Farouk was in on. Not to mention, Farouk probably would never have settled for a name any less dignifying.

Oliver doesn’t remember any of his past friends, but he does remember Farouk. I wonder, did him and Cary hear about Farouk before or after Charles defeated him? Farouk hasn’t been publicly doing things for 30 years, and the only event that could reasonably be linked to him is Meiser Sunday. If they knew about him before Charles defeated him then that would just speak to his prolificness as a villain, I guess. “The Shadow King”, an unstoppable force for years until a random prodigy mutant gets him on his first try... or so they thought. I believe that’s how it happened in the comics too.

I’ll also note, Charles is an important figure in the mutant community, but it shouldn’t be discounted that the mutant community still existed and had a whole rich history before Charles even stepped on the scene. It seems like either Xaviers School doesn’t exist in this timeline, or they just don’t know about it. And given that, Summerland seemingly founded itself off the same general ideas of the Xavier School, but completely independently. Like 2 people coming up with the same idea on different sides of the planet.

Farouk’s weakness as Oliver puts it is, “He puts all of his energy into tricking David. Didn’t think to watch his six.” I wonder... is this a consistent weakness of Farouk’s? Could this be what Oliver means when he says he found his weakness in s2?

Oliver admits Farouk is too powerful for him. It’s not like he’s one to have a power complex, but it is interesting how shameless he is about it. He doesn’t really philosophize about that kind of thing, he’s matter of fact about it. Farouk’s got more measurable power than me, we need to find another way around him. He also notes though that *David* could defeat Farouk if need be. Everyone recognizes David as the top of the food chain.

Small note: I guess this is how it works between omega lvls. Always thinking of ways around each others raw abilities. Farouk knows David is too strong for him in s2, so he finds away around it. David knows he might not be able to hold out against Farouk’s built up experience, so he finds away around it. Brains over brawn every time, it would seem.

Cary feels really really bad for David. Seeing him screaming his brains out in a locked box knowing full well how much David hates small space. It’s very sweet. But also, 2 episodes Cary seemed a bit more standoffish about David. Knowing what he knows now recontextualized all those past events. David is a victim of something incomprehensibly terrible. He sees that now.

My boi Dan’s gonna need a lozenge after this one.

“We’re gonna need everybody.” They never get Ptonomy :/

I didn’t pick up on any of the other times, but Syd’s job here is to be a distraction. Sure, she has to protect the others in the process, but freeing them from the dream is the job of Cary, Oliver, and Melanie.

Still though, David is the victim who needs help here. He’s not the hero who saves them, he’s the one in need of saving. And Syd takes charge in the plan to do so and is tasked with protecting the others, making her once again closer to the hero archetype than David is. In the moment at least.

Syd’s talking fast cause they don’t exactly have all the time in the world here.

The zombies vanish but the architecture remains. There are “degrees” of real in the astral plane.

“Just thought it’d be interesting.” She’s over the whole “jumpscare haunted house” thing by now.

Silly me, the Melanie scene took place after Cary went to gather people. So it’s definitely Cary in the suit.

Melanie’s glad to see he’s back but she’s not completely love struck. Probably both cause he doesn’t remember her, and cause lovestruck Melanie was a result of her mind being altered to fit the delusion. Cary is guiding them out of the delusion so she’s back to her old self basically. Rational, and concerned with the mission.

This isn’t important, I just like how Melanie wakes him up here. It’s sweet, and bitter, cause it’s too late for him anyways.

Why does Farouk simulate this whole process for Rudy? What’s the use in tricking him if he already can barely do anything? We know Rudy gets him eventually, but it’s just surprising that Farouk recognizes him as being a potential threat.

Cary neglected to inform Syd who else he was personally waking.

Is Walter seeing the zombies too? Unclear. But he’s less chill about his tormenting now.

David starts using humor to cope. From what we’ve seen he’s been non-stop screaming for a while. It seems like he stops panicking as much specifically because his mind is fracturing to help him cope.

His first alter (that we see). Rational Mind.

RM says the coffin is just an “idea.” Very specific word choice there.

Rm tells him to forget all the “lies” he learned in memory work and the MRI. That was all Summerland stuff, though. “It’s your mind.” Essentially, trust yourself. You know who you are, don’t let anyone else tell you otherwise. Not even your new friends. Very reminiscent of, “You decide what is real and what is not.”

David doesn’t want to call his adoptive parents his parents anymore.

David’s happy to finally contextualize Farouk as a mutant and not a mental illness. It all starts making since to him, his whole life.

RM’s the first one to say “boohoo,” and it’s in response to David’s sadness over his bio-parents giving him away.

“I am pretty, I am loved.” “Good, keep going.” This mindset David’s falling into is specifically encouraged by his alters. In fact, it’s RM that pushes him down this path in the first place. David (non-Shadow King possessed David) has been avoiding this thought all season.

David’s a bit wrong here, and I think the difference tells us something important. David assumes Farouk possessed him after he was already living in the Haller’s house. But, we know it seemingly happened before Charles even got back from Morocco. So, given that Gabrielle’s mental health was already bad from post-partum depression (alternatively, it’s just the depression she already had) and Charles leaving her alone to go to Morocco, Farouk coming in and haunting the house probably sent things over the edge. David was most likely given away because Gabrielle wasn’t well enough to care for him like he needed, and Charles... 🤷🏾‍♀️ tbh. Might just’ve not wanted to raise David without Gabrielle. They both said they didn’t ant him to turn out like them. In s3 it’s made to seem like the house haunting was a combination of David and Farouk. David’s haunting time travelly presence probably made things worse, but Farouk would’ve gotten to the baby much sooner if not for him, and without David in the way Farouk probably would’ve upped his own intentional torments. The goal was revenge after all.

David assumes Farouk’s goal is revenge upon the whole world. Makes sense since that’s what Farouk’d been encouraging David to all season. And what he’ll continue to encourage him towards throughout s2 & 3.

Syd “woke him up.” She makes him more stable and sane. She grounds him in reality.

“I was sick, but I’m not sick anymore.” A moment of quiet deliberation with his alter and then he awakens with newfound confidence and a plan. This will repeat in a very tragic way later on.

Kerry, Syd, and a damaged comrade in a wheelchair. If I had nickel for every time this happens I’d have 2 nickels. Very weird it happens twice. Unless... mental clockworks and the end of s3 are supposed to parallel each other.

I assume the astral-plane diving suit protects whoever’s wearing it from psychic threats, much like the ice cube. At the moment, no one’s wearing it.

Sometimes psychics powers require a bit of miming to manifest. Oliver can’t just wave his hand and make a shield, not a strong enough one at least. Similarly, Farouk can’t just expand his mind into the future, he needs to go through a whole time machine building process in the astral plane.

Cary and Melanie seeing Walter get killed must hit hard for them considering he used to be a student of theirs. Sure, he turned against them, but still...

They juxtapose Walter dying with Rudy fully waking up. I wonder if that means it was his powers that were keeping Rudy docile and not necessarily the stab wound.

David is the one that wakes them all up, destroys the dream, and puts them back in their real bodies. And just in time for Cary to place the halo on his head. This is I think the first time David does a real act of super-heroism. The only potential one previously is saving Amy and he wasn’t really the one in control there. This is his first win against Farouk.

David’s not only got control of his powers, but control of himself for the first time, too. And it’s to the point where he’s perceiving things at lightning speeds and moving fast enough to catch bullets. Along with whatever power he’s using to halt the bullets momentum too. For now at least, this is our hero.

They play sinister music whenever he does the bright white light teleport. He does it again at the end of s2. Is it a specific kind of teleport, or is he just adding flair?

David didn’t teleport them directly to the base.

Kerry sadly looks at Rudy’s body.

Melanie looked around for Oliver but in doing so missed him meeting up with the others.

Everyone’s relaxing after their long fought for victory. David and Syd seem really happy. They find Oliver funny/charming.

When Cary’s talking to Kerry, in the background I can barely make out everyone else talking about potatoes.

David’s fine with Amy apologizing, just not in front of the others.

Instead of “The Poor Woodcutter and His Wife” Oliver calls it the “The story of The Lady and the Crane.”

Farouk doesn’t like small spaces either. Ha.

#legion fx

5 notes · View notes