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#you can ask these characters directly and I will respond in character if you so please ~~~
yuurei20 · 2 days
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Hello! I wanted to ask if it's ever mentioned what the duties for housewardens and/or vices are? If not, what are things that are likely to be their duties?
Hello hello!! Thank you so much for this question!
There does not seem to be any official list of housewarden/vice housewarden duties available and it can be difficult to tell the difference between position-dictated-responsibilities and things the characters do just because they want to--but we can try! :>
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Housewarden meetings are decidedly a housewarden/vice-housewarden duty, with Leona saying that even he can't get out of them.
Vil says that they are vital, as "they affect things campus-wide," and there seems to be voting, documentation-distributing and report-delivering related to them, all handled by the Housewardens.
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According to Leona vice-housewardens can be sent to attend these meetings in a housewarden's place, as we see Lilia do for Malleus.
Riddle says that "any self-respecting Housewarden should be capable of resolving his dorm members' problems" and Leona seems to agree, saying that looking out for the younger students is "all part of the housewarden job description."
This seems to include instructing the new students in how to wear their robes: when Vil realizes that Jack is struggling with how to do so properly his first question is, "What has your housewarden been teaching you?
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Another universal responsibility might be the welcoming party for new students that directly follows the orientation! Jamil, Trey and Vil all reference this party, with Cater losing a bet and having to take on Trey's duties of looking out for the new students during it.
In the first visual book Yana has a comment alluding to how it is undecided if Savanaclaw even has a welcoming party, however, so it is possible that this party is not a school-wide housewarden responsibility.
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Authorizing the use magic against intruders seems to be decisively a housewarden-only ability, and Lilia says that choosing the dorm's Halloween costumes has to be done by either the housewarden or vice-housewarden.
A slightly more grey area is the heading one of the school's management committees for its various events: Riddle, Azul and Vil all head different committees at different times (with Jade once serving as treasurer), but are those positions only open to Housewardens? It is unclear!
Similarly grey: Riddle says that every member of the Book-6 group has been trained as a first responder in the event of an emergency, but is that training limited to vice-housewardens and housewardens? Epel says that they need permission to leave campus, but is vice housewarden/housewarden approval enough, or does it need to come from Crowley?
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Memorizing student names may also be a housewarden responsibility: Jamil says he would like to do so (Kalim: "Do what he said!") but Jamil is not the best reference for typical vice-housewarden duties, as he keeps Scarabia running in addition to handling Kalim's personal matters.
Ignihyde students rankle at Idia revealing that he barely knows anyone's names after becoming housewarden, so it seems to be expected.
Lilia says that students need the housewarden's permission to reserve the dorm lounge for events like parties, but it is not specified if this is a school-wide rule or exclusive to Diasomnia.
Riddle cautions Kalim about not "acting the part" of Housewarden which, according to him and Vil, seems to be involve correcting poor behavior and being a model to other students. Riddle also mentions needing to attend orientation rehearsal, which may be exclusive to Housewardens (he mentions doing so to Trey, making it sound as though Trey with not be joining him).
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While Riddle and Azul have the additional responsibilities of enforcing the laws of the Queen of Hearts and running Mostro Lounge, those may be exclusive to Heartslabyul/Azul rather than school-wide, housewarden duties (Azul founded Mostro Lounge, which should mean it did not exist before he arrived and might cease to exist once he graduates, making it less so a housewarden responsibility than his personal project).
We learned in Cater's fourth birthday vignette that Heartslabyul's housewarden is also responsible for assigning the suits of cards on each student's face, and applying it for the first time.
(In the novel Ace says that Riddle decides dorm room assignments, too, but we do not know if this is exclusive to Heartslabyul, a school-wide rule or canon to the game at all.)
For vice-housewardens, they seem to have the responsibility of supervising the dorms in the event that a houswarden is unavailable.
Trey says that he can issue "a sleepover pass" as vice-housewarden (and we see him deny one to Cater), so it might be a campus-wide vice-housewarden duty rather than something exclusive to Heartslabyul.
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Other vice-housewarden duties seem specific to the dorm in question!
We see Trey assigning tasks and handling issues for Heartslabyul's unbirthday party and saying that his main priority is "keeping (his) housewarden from going berserk." Jade asks, "is it a vice housewarden's job to regulate his housewarden's emotions as well?"
Trey tells Jade that "a vice housewarden isn't the housewarden's servant," which is a sentiment that Floyd echoes in Book 4.
Azul has Jade create menus for Mostro Lounge, Riddle assigns him the task of keeping an eye on Floyd and Azul asks him to collect personal data about new students, but the above may be unique to Trey and Jade rather than vice-housewarden tasks that are performed in each dorm :>
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deedeeznoots · 1 day
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We’re Not Mothers!
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Part of the “We’re Not Heroes!” Collection
Characters: Yuji Itadori, Megumi Fushiguro, Nobara Kugisaki, Masamichi Yaga, [+ Another character but who is a surprise!]
Word Count: 2.3k
Genre: Fluff, Mild Angst 
Content Warnings: Swearing, Hospital 
A/N: Happy Mothers Day, everyone! I hope you enjoy this special addition to “We’re Not Heroes” and I hope it serves as a reminder to appreciate those who played a role in caring for us, whether they be our mothers or another figure in our lives ❤️
Synopsis: The first-years have a mission directly from their Principal! Their orders are as follows: give as many flowers to as many mothers as they can throughout Tokyo before the sun goes down. Sounds easy enough, right? Unfortunately for the first-years though, this proves to be a much more difficult mission than it seems! 
“Wow! Principal Yaga wants to meet us! I wonder what for?” Itadori asks as he walks with his two friends to the office. 
“I just hope it isn’t for something like cleaning up one of Gojo-sensei’s messes again, that was such a bother last time” Kugisaki answers. 
The three sorcerers make their way to Yaga’s office. Sliding the door open, they’re greeted to what looks to be hundreds of flower bouquets throughout the room, with their principal in the middle of it all. “Holy shit!” Kugisaki yells out, catching the principal’s attention “Oh, hey kids”, Yaga turns around to face them. Along with him, there are various cursed corpses walking around carrying the flowers into a large cart. 
“What’s all this for?” Itadori asks Yaga as a cursed corpse seemingly offers Itadori a flower. Just as he’s about to accept the offer, the mischievous cursed corpse punches him in the face instead. “Ow!” Itadori yells out, falling backward as the moving stuffed animal laughs at its victory. Man these things really are evil, the boy thinks. 
“I need you three to hand out these flowers to as many mothers you can find throughout Tokyo” Yaga explains to the children. 
“You know, homewrecking isn’t a good trait Principal Yaga” Kugisaki jokes, causing the usually stoic Fushiguro to chuckle. 
“It’s not like that and you know it!” Yaga clears his throat, “I usually have Panda do this, but he’s on a mission with the other second-years today so I’m counting on you three”. 
“Uh… yeah… but again, why are we giving random moms flowers today?” Kugisaki asks, placing her hands on her hips.  
As Yaga is about to respond, Fushiguro cuts him off “It’s one of those things that help to lower cursed energy in the long run,” he continues “If we’re able to bring up the spirits of a large amount of people, even with small random acts of kindness like this one, we can help to lower the likelihood of cursed energy leaking in the long run”. 
“Yes, that’s correct Fushiguro” their Principal nods in approval. 
“Oh I get it!” Itadori exclaims, now off the floor. “Uh… but why today all of a sudden? And why only mothers?” he scratches his head in confusion. 
“Itadori…” the older sorcerer pauses, trying to choose his words carefully, “Don’t you know what day it is?”. 
Itadori just gives him a blank stare, looking to his friends for answers, but when he gets nothing, he just goes “Uh…no?”. 
“It’s Mother’s Day, Idatori,” Megumi says abruptly, “Today is Mothers Day”. 
Itadori stands confused until the lightbulb finally goes off in his head “Oh!” he thinks aloud. “Sorry haha… I don’t really celebrate the day, I never met my mom so I never had to think much about it” Itadori laughs awkwardly when Kugisaki joins in “Dude! I haven’t met my mom either!”. When she says this, Itadori’s eyes seem to glow in amazement, “No way! That’s so cool!” the two high-five. 
Those two bond over the weirdest things Fushiguro groans in disappointment at his friends. 
Clearing his throat again, Yaga yells out “KIDS!”. This brings all of their attention back to the man, “Listen up, I don’t want to see any of you back here until this cart is completely empty, understand?!”. 
“Yes, sir!” they respond in unison. 
“Well then what are you waiting for!? The clock is ticking!” he yells as cursed corpses push the trio out of the room with the cart of flowers. 
“Man, why does every Jujutsu Sorcerer have to be such a weirdo?” Nobara asks, though the question was mostly rhetorical. 
They decided to go to the mall. The crowds of people walking around in groups made it the best place to go. 
“Yeah…” Itadori responds, “First it was that one bakery mission with Nanamin, and now this” he sighs, “It feels like we haven’t had a normal mission in such a long time”. The two other sorcerers nod and the three simply stand together awkwardly in front of the comically large cart of flowers. 
“So… how are we supposed to know who the moms are?” Kugisaki asks. 
“It should be pretty obvious…since it’s Mother’s Day most moms would probably be out with their kids” Fushiguro responds, looking around to scout for any families that might be walking around. 
“Yeah!” Itadori perks up, “Like those two!” he points toward a young woman with a child sitting together at a bench. 
Flower in hand, the young boy walks toward the pair. “You have the cutest kid, miss!” bringing his hand out toward her. Flower in hand, he says in the cheeriest tone, “Happy Mother’s Day!”. 
What Itadori expected was for the woman to take the flower and say a simple “thank you”. Hell, if the woman simply rejected the offer, Itadori would have felt a little dejected, but he wouldn’t have minded. Any of those two options were better than what actually happened.
The woman stood there wide-eyed looking at Itadori as if she saw a ghost. Stupidly, Itadori continues gesturing the flower toward her, awkwardly holding it in place and trying to force a smile. 
Staring at Itadori, the kid next to the woman begins to speak. “This is my sister”, the child stares blankly at Itadori, “Also she’s sixteen”. 
Itadori just stares at the kid, then at the woman (who he now knows is only a year older than him), and a deep red blush forms on his face. “I-I’m so sorry! I didn’t mean to imply anything!” he attempts to stutter out an apology, but it’s too late. The two awkwardly scurry away from Itadori as he yells out “I’m so sorry again! You don’t look old for your age I swear!”. 
The young lady looks more offended at that comment, and the two walk even faster to get away. 
There were many witnesses to the embarrassing event, including Itadori’s two accomplices. “So maybe it won’t be so obvious”, Fushiguro tells Kugisaki as Itadori slowly slumps over to them in embarrassment*. 
“Whatever, man!” Kugisaki grabs a handful of flowers from the cart, “We need to get all these flowers out of this cart or we’ll end up as punching bags for Yaga’s cursed corpses!”. Running away with the flowers in hand, she yells out “The person that hands out a flower last is a wet rag!” as she runs away to hand out flowers. 
“Wait, Kugisaki! You’re dropping a bunch!” Itadori yells out, but she doesn’t hear him over the sounds of her handing (more like forcing) flowers into different people’s hands. 
“Man, what the heck” Itadori sighs.
“She’s right, we should get to work before the sun goes down and everyone leaves” Fushiguro grabs some flowers as well, “You can take the cart”. 
“Wait, I don’t want the cart! This thing’s heavy!” Itadori yells, but Fushiguro simply ignores him. “Fushiguro!” he yells again, “Fushiguro!”. 
Left alone, Itadori mumbles “Jerks” under his breath and goes to push the cart to different parts of the mall. Handing out the flowers actually proved to get easier over time, and many people showed their gratitude through bright smiles or simple “thank you’s”. Itadori still had some embarrassing moments where someone turned out to not be a mom, but it got easier to guess over time through context clues. 
A few hours later though, Itadori hears some commotion around the area, “I’m married!” he hears a woman yell out in the distance. Curious, his attention darts to where the drama is, and he’s shocked to find that the woman was actually scolding Fushiguro. “So… do you still want the flowers or…?” he asks the woman, genuinely confused about what she wanted. “Wha– how dare you! After I told you I was married… also you’re too young to be giving flowers away to different wome–”
“Sorry about my friend! We care very much about your marriage and respect it haha!” Itadori yells out as he drags his friend away. 
Thanks to Itadori’s superhuman speed, the two are able to quickly run away from the woman and are no longer able to see her in their vision. Panting, Itadori tells Fushiguro next to him, “Man… I really don’t think Yaga considered the fact that a Panda giving away flowers to a bunch of women is way different than three random kids”. 
“Yeah…” Fushiguro responds, also out of breath.
“Thinking about it though… how was Panda able to just walk around in public looking like…him” Itadori asks his friend. “Most people probably assumed he was a guy in a Panda costume… but I feel like that’s also weird”. The two friends share a laugh at the absurdity of a walking panda giving away flowers to random women throughout Tokyo.
Itadori and Fushiguro finish up giving away different flowers together and eventually meet back up with Kugisaki. Out of breath, she falls to her knees in front of them before saying “I’m not doing this ever again”. In response, Fushiguro just scoffs and says “Dude, no one told you to rush in giving them away”. “Shut up!” she yells out, and pointing at him she exclaims “I’m not gonna be a wet rag like you two!”. 
She’s technically right, as the group now only had two bouquets left, one from Itadori and one from Fushiguro. It was getting late and most of the stores were closing, so there was no longer as many people. Looking around at who to give his to, Itadori’s eyes land on an old woman sitting at a bench. Flowers in hand, Itadori walks over to the elderly woman before he stops and says, “Hi! I’m not sure if you have kids but…” he hands out the flowers to her “Happy Mother’s Day!” he gives her a sweet smile. 
The woman simply looks at Itadori and tells him “Why thank you young man! We need more people like you in this world” before taking the flowers. Itadori laughs and yells out “Thanks!” as he walks back to his friends. He turns to Kugisaki, telling her “You know Kugisaki, I’m kind of glad we did this. I know there were some awkward moments, but I think we made a lot of people happy!”. Crossing her arms and smiling, Kugisaki just goes “Yeah yeah whatever, let’s just hand out this last bouquet and go home”. 
However, Fushiguro simply looks down and tells them “No…I’ll hand this one out by myself, you guys can go home”. 
“Huh? Are you sure? I was joking about the wet rag thing” Kugisaki jokes. Though, Fushiguro simply responds “Yeah… I’m sure, you guys go on ahead, I’ll be back soon” he begins to turn away, “See you guys”. 
Itadori and Kugisaki simply look at each other in confusion before Itadori goes “Oh… okay Fushiguro! See you later!” They wave goodbye as they walk in the opposite direction toward their school “I wonder where he’s going” Kugisaki tells Itadori. 
“Megumi, I'm home!” an eight-year-old Tsumiki Fushiguro yells out to her brother, but she’s simply greeted to an empty house. Regardless, she continues talking anyways, “Thanks to all that money Mr. Gojo gave us, I’m finally able to buy all these different ingredients for new recipes! He’s a little weird but he’s a nice guy” going on her tippy-toes, she places the groceries at the top of the counter. 
“Megumi?” she calls out again. Finally, the black-haired boy shows himself, he’s across the hallway. Tsumiki simply stood confused, her brother was quiet, but he wasn’t usually this quiet, “Is there something wrong?”.
In response, the young boy simply takes tiny steps toward her before facing her. He’s still shorter than her at this point, but not by much. Once facing each other, he opens up his hands to show her a tiny piece of chocolate wrapped in foil. “Here…my teacher told us to give it to our moms for Mother’s Day but…” he trails off, the rest didn’t need to be said. So, he just goes “W-whatever, you just have it”. He forces the piece of chocolate in her hands before turning around to try to run away, however Tsumiki is able to catch him in a hug. 
Warm tears fall on the tiny Megumi’s shoulder as his sister holds him tight “Hey! What are you crying for?!” he yells out. “I don’t know…” Tsumiki responds. “J-Just…thank you, thank you” words of gratitude are incoherently uttered by Tsumiki as she cries on her little brother’s shoulder. It was such a small gesture from the boy, but to Tsumiki, it meant the world. Megumi simply groans and goes “Hey…don’t be weird about it!” before lightly pushing her away. “Right… right” she goes, wiping her tears away “‘m sorry, haha, I don’t know what came over me!”. The boy in front of her just rolls his eyes and mumbles a “whatever” before walking away to his room. 
… 
Megumi Fushiguro walks into the hospital room where his sister lay. “Hey Tsumiki” he greets, though there is no response. It was okay though, that was to be expected. 
Closing the door, the black-haired boy still carried the bouquet in his hand, “Here… I have some flowers from a mission, I thought you should have ‘em”. He places the flowers on the side table and takes a look at his sister. She simply lays there, still in her coma, not responsive to anything her brother had to say. 
“Yeah… well anyways I got something for you,”  Megumi brings a chair next to the bed and pulls out a large bag of chocolates “It’s your favorite”. 
Still, no response. It wasn’t like he was expecting one, his logical mind was always the dominant one, after all. Yet… he stupidly still held out hope that today might be the day she finally opened her eyes. Though, this was a hope he held on to every day that he visited her. 
Opening the bag, he takes out a piece of chocolate covered in foil. Then, he carefully took Tsumiki’s hand in his and placed the tiny piece into her hand before closing it. Tears in his eyes and his hand still intertwined with hers, he chokes out the words he should have said years before, “Happy Mother’s Day, Tsumiki”. 
-
*While this is happening, I imagine Itadori being able to hear Sukuna laughing at him inside his domain! 
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lovemyromance · 2 days
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Stop trying to bait us. All you do is make endless posts about how much Elucien and Gwynriel suck, trying to get one of us to respond so you can argue with them. Too bad nearly every single mutual I know has blocked your account, and for good reason. You're toxic as hell
???
LOL, you think I make Elriel posts to bait antis into fighting with me??
Pls, heavenly father, give me patience to deal with this troll
Every single one of my posts is tagged #antielucien (except one post where I was trying to ask a genuine question, not trying to start anything). Not even #anti elucien - so they algorithm doesn't even have a chance of putting it in the Elucien tag. How am I trying to bait people when I literally tag everything properly?
And before anyone even comes at me for the #elain #azriel tags - I see plently, PLENTY of elucien/gwynriel posts with Elain and Azriel tagged. But if I see it's #anti-elriel , I don't respond. I know it's not meant for me. And yet, I see so, so many antis commenting on Elriel, #anti E/L or G/A posts just because they see #lucien or #gwyn tagged. They know it's not for them, and yet, here we are.
Also - I can literally count on one hand the amount of times I have gone onto an anti-elriel post. The first time was when I was brand new and didn't realize this ship war was that serious (have learned my lesson since). Another time when I was defending another Elriel who got bombarded with Elucien trolls. The other 2-3 times I have commented on an anti post have been because the OP indirectly or directly referenced me, specifically.
It's funny you say that, because I haven't gone onto Elucien & Gwynriel blogs to rile them up in their comments/reblogs. They're the ones who start fights in my replies/reblogs. I simply respond to them, matching their energy. If they come onto my blog with a genuine question, I answer it sincerely. If they come looking for a fight, then they'll get a fight :) Because I don't tolerate personal disrespect when we're debating fucking fictional characters.
So it really does not change my life in any shape or form if the Elucien/Gwynriel blogs block me. I don't look at their posts, comment on them, or even go on their pages. It literally makes zero difference if they block me, and in fact, if they really can't stand to see a post with a different opinion than theirs, then I highly encourage that they block me. I'd enjoy being able to post my thoughts without any drama.
I usually just scroll past a post if I don't agree/don't like it. And I don't follow any tags, including elriel, so I see a LOT of anti-posts every single day. It's a little thing called self-control, feel free to exercise the right to have some. And if you really, really, don't have any, then feel free to block the Elriel tag too.
Hope this helps :)
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panharmonium · 5 months
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Hi! I love your Naruto thoughts and meta posts with all my heart and I want to ask your thoughts on something that has been on my mind literally since I was 13: what do you think about the relationship between Sasuke and Sakura? I went from being a hardcore shipper when I was a teenager, to being against any romantic relationship in Naruto after finishing the anime when I was in my early twenties. Nowadays I'm very into platonic love and depictions of friendship and I think the anime's obsession with forcing the "romantic interest" curse upon the main female character robbed us of... so much. There are a few wonderful moments in the anime where Sasuke and Sakura acknowledge each other, but because she's always "the girl with the crush", her actions are so often interpret as irrational or selfish by the fandom.
Hi @riemmetric!  It's great to talk to you again! Sorry it's taken me so long to answer this; RL has been making demands of me lately and it took me way longer to finish writing this up than I wanted it to (then again, I knew from the minute I read your original ask that my reply was going to get long, so I suppose I should have predicted a delay XD)
It's funny, my sister once asked me to choose between Sasuke or Sakura for an “unpopular opinion” meme, and I ended up doing Sasuke solely because I think the negative fandom opinions about Sakura are so unhinged and divorced from the actual text that I wouldn’t even know where to start.  People are entitled to dislike whatever characters they want, obviously, but there are some fandom takes that are, for me, so obviously rooted in bad faith viewings/readings that there’s no urge in me to discuss them.  That said, since you asked, I’m happy to go into my own thoughts on this a bit, with the disclaimer for other potential readers that I only write about fandom things for my own personal enjoyment, not as a contribution to The Discourse. If you don’t like Sakura, great!  I have no interest in changing your mind. Please consider this a sincere invitation to scroll on by and go enjoy whatever parts of the fandom appeal to you.
In general terms: I love Sasuke and Sakura’s relationship as much as I love all of the relationships in Team 7.  If we’re talking about them specifically as a romantic couple, then I probably fall somewhere in the middle of the spectrum, because I do like them together in a post-canon (to be clear: non-Boruto) setting, after time has passed and they’ve continued to develop individually and reconnect with each other, but I also wouldn’t exactly call myself an intense “shipper,” in the sense that I have no interest in pulling things out from the text and incorrectly citing them as evidence that Sasuke has hidden romantic feelings for her during the canon period. He cares about her in the canon period, just like he cares about Naruto and Kakashi.  That’s not up for interpretation; it’s the text.  But Sasuke during the canon time period does not demonstrate specifically romantic interest in anyone.  
[A note before people who might ship Sasuke with Someone Else emerge to rail against this statement - please just scroll past and continue enjoying fandom in whatever way is most fun for you. It is cool to ship whatever fanon thing you want; I think that’s great!  But earnestly citing any loving or emotional thing Sasuke does re: various characters in this story (yes, Sakura included) as indicative of specifically romantic love isn’t supported by the text. I know there are always going to be enormous subsets of any fandom who insist that it is, and I'm certainly not going to barge into anyone else's space to complain about that (because other people having fun together is harmless and none of my business), but I'm not obligated to indulge it on my own blog, either.]
Anyway, that said - the reason why I love Sakura and Sasuke’s relationship (from here on out I’ll use “relationship” in a general, non-romantic sense) is precisely because Sakura isn’t just “the girl with the crush.” Sakura has an arc when it comes to Sasuke, and its trajectory moves in the exact opposite direction of “irrational” or “selfish.”  She specifically goes from “the girl with the crush” to “the girl who steels herself and tries to put her personal feelings for Sasuke aside for the greater good” to “the girl who knows she can’t put her feelings aside, but who also knows full well that Sasuke doesn’t reciprocate them, and who still wants to save him regardless, because he matters to her as a person and a friend.”
[I'm putting the rest of this under a cut to save everyone's dash, and also to emphasize once again that this is a personal post on my personal blog which I wrote in response to a question from a personal acquaintance, the full content of which no one is obligated to read. I am not sending this post to random strangers and forcing them to look at it. I'm not even putting it in the character tags. I'm typing it up on my own blog and putting it under a cut. If you already know that you don't like Sakura, but you still click the link/read the post and then feel an urge to comment and complain, I am going to copy-paste this disclaimer and remind you that I specifically recommended that you scroll past and go have fun with fandom in your own way. Thanks in advance for responsibly curating your own fandom experience!]
So, from the top:
1. the girl with the crush
Sakura is, obviously, completely obsessed with Sasuke at the beginning of Part 1.  She’s also deeply clueless about him and his history (bizarre though it is, the story seems to indicate that she initially doesn’t know what happened with his family, the same way young!Obito is initially clueless about Kakashi’s father).  But what I like about Sakura and Sasuke’s Part 1 relationship is how this changes over time.
The critical scene that kicks this off happens right at the beginning of the manga, when she and Sasuke are talking by that bench - she complains about Naruto and blames his behavior on him being all alone/having no family to scold him; and even says she’s jealous that he doesn’t have parents to nag him all the time.  This obviously triggers an outburst from Sasuke, who tells her she has no idea what loneliness means and that she “makes him sick”/she’s “annoying” (importantly, the exact same thing Sakura said to Naruto in anger earlier that day), which in turn prompts Sakura to reassess herself and wonder whether she’s been making Naruto feel this terrible all the time, too:
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From that point on, it’s a process of her putting little pieces together.  She still has a MAJOR crush, and she still acts like a twelve year-old, but as we approach the end of Part I, Sakura actually has a more accurate grasp on Sasuke’s current state of mind than Naruto does.  Naruto is initially excited to fight Sasuke on top of the hospital, because he feels like Sasuke’s finally acknowledging him, whereas Sakura is the one who immediately recognizes that something is wrong about this situation.  She is also the one who, after this fight, is concerned that Sasuke is really unwell and might do something drastic like run off in pursuit of the power Orochimaru promised him, but when she communicates this to Naruto, he assures her that this would NEVER happen:
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(Sakura isn't convinced, though, because she goes to monitor the exit out of the village anyway.)
I’m not criticizing Naruto for his response here.  I ADORE hearing him say that Sasuke is too strong to need Orochimaru, with such perfect confidence - I love seeing how much respect and admiration he has for Sasuke underneath all their fighting, because that’s the whole reason he’s always baiting Sasuke and yelling at him and claiming “you're not so great!” He looks up to Sasuke; he wants to be like Sasuke; he thinks Sasuke is awesome! (It’s that Obito @ Kakashi behavior, you know?) But the fact remains that he is clueless about what’s actually going on with Sasuke in Part 1, and he remains clueless(ly optimistic) for a long time.  
(Eg, when he catches up to Sasuke during the retrieval arc and Sasuke climbs out of that cursed seal coffin, Naruto waves at him and calls "Come on, let's go!" as if Sasuke has been successfully rescued and is now going to come running home.  Even in Part II, when Naruto hears that Sasuke killed Orochimaru, he beams and immediately says, “So he must be on his way back to the Leaf Village!”  And everyone else in the room is like, “....,” because they know better.  Naruto doesn’t yet fully understand [or doesn't want to accept] the extent to which Sasuke has willingly chosen this path, and it’s not until after Jiraiya’s death/the Pain attack/the Five Kage Summit that Naruto really starts to understand Sasuke more clearly, which is something he himself admits.)
Sakura, in Part 1, has access to more information about Sasuke - she’s there for his first dissociative monologue during the bells test, she’s there for the curse mark’s placement, she’s there for his first violent transformation in the Forest of Death - she is, in fact, the unwitting catalyst for it (“Sakura…who did this to you?”), and her compassion is the reason Sasuke is later able to overcome the curse mark’s influence - so she has a more accurate/complete picture of “how he’s doing,” for lack of a better phrase, whereas Naruto, who doesn’t know about the curse mark in the first place, is still in the dark.  This means that Sakura is able to accurately discern that Sasuke is struggling more than Naruto realizes, and specifically to predict that he’s going to run away.  
(This dynamic is then interestingly flipped in the back half of Part II, since at any point after the Five Kage Summit, Sakura doesn’t have access to extremely relevant [if currently questionable and unproven] details that would in any other circumstance inform her behavior).
Of course, just because she has more info in Part 1 doesn’t mean she has some kind of miraculous insight into Sasuke’s every thought and feeling.  There are parts of her attempt to convince Sasuke to stay in the village that are as clueless as any of Naruto’s assumptions, and they showcase the kind of magical thinking common to childhood - like when she says that if he stayed with her, she could give him happiness, she’d do anything for him, even help him get his revenge - this idea that she herself can do something to make him feel better, that she can love him powerfully enough to defeat his pain - obviously none of that is rooted in realism.
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Is this part of her approach irrational and immature and inadvertently self-centered?  Of course it is!  But it’s no more irrational and immature and inadvertently self-centered than Naruto’s stated plan to drag Sasuke back to the village even if he has to “break every bone in [his] body!” 
Hating on Sakura for her Part 1 attempt to convince Sasuke to stay in the village while simultaneously lauding Naruto for his feels like a bad faith misread of what is, to me, pretty clear narrative intention.  The story doesn’t at any point intend for us to see her begging him to stay as a selfish or conniving attempt to get something she wants.  She’s begging him to stay for the same underlying reason that Naruto is: she cares about him.  She thinks he’s making a mistake that will only cause him more pain in the end (she’s right) and she wants to make it so he feels less pain right now (she can’t.  But she doesn’t understand that/isn’t able to admit that, and she’s willing to try ANYTHING that might help).  
It’s critical that this farewell scene is set in front of that same bench from their first important confrontation - she references that day and how angry he got at her, and this time she tells him that she understands his reaction.  She’s learned things and she recognizes how insensitive she was being back then (“I know what happened to your clan, Sasuke”), even though she still can’t fully grasp all the complexities of the situation. She tells him that him blowing up at her back then helped her understand what loneliness actually meant (as opposed to her previous shallow understanding of it), and she challenges him about his choice right now: "So that's it, you're choosing the lonely path?" And when she tells him that she'll be very lonely if he leaves, we're immediately shown a panel of Sasuke thinking of both his friends, with the very clear implication that if he goes through with this, he will be lonely without them, too - that he's still struggling with the idea of leaving them, no matter how hard he tries to pretend:
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Sakura at this point knows that Sasuke isn’t interested in her the way she is in him, but she still wants to give him happiness, however fantastical and immature her ideas sound to us (and, I’m sure, to him).  “I’ll do anything, even help you get your revenge/we'll have fun every day, and...and you'll be happy! I'll make sure of it!” - of course, it’s completely childish.  It’s irrational.  It’s ridiculous to think that any of this would ever be effective, but no more ridiculous than Naruto’s belief that he can simply break every bone in Sasuke’s body and keep him in the Leaf by force.
Both Naruto and Sakura are children who have a deeply oversimplified understanding of Sasuke’s situation.  They both still think they can fix him themselves.  They both think they can save him themselves.  They both think they can convince (or force) him to do what they want, what they think is in his best interests.  Both of them don’t yet understand that he has to want to come back, if it’s ever going to mean anything.  Their attempts to keep him in the village are immature and unrealistic, yes.  What they aren’t, however, is selfish, because neither Sakura nor Naruto are doing any of this with the intention of advancing their own interests.  They’re only thinking about Sasuke - how to keep Sasuke safe, how to make Sasuke happy - even when neither of them are taking an approach that will actually work.
Naruto and Sakura are children.  They’re afraid of losing somebody they care about.  Their attempts to prevent that from happening are desperate and messy and ultimately ineffective, but they are also genuinely felt and rooted in a true desire to rescue Sasuke from his pain, which - and this is the single most important thing that should impact our viewing of Part 1 - is something that Sasuke RECOGNIZES.  He doesn’t spend that agonizingly long moment bowed over Naruto’s defeated body so we can pretend he doesn’t understand that Naruto was just trying to help him.  He doesn’t take the time to murmur, “Sakura…thank you,” before laying her out carefully on a bench, just so we can discount it and pretend that he doesn’t recognize and appreciate her genuine intention to make things better for him, however clumsy that attempt might have been.
2. the greater good
If Stage 1 Sakura is "the girl with the crush," then Stage 2 Sakura is a progression to “the girl who decides to put her feelings for Sasuke aside in order to protect innocent people, including (but certainly not limited to) Naruto.”  She’s driven to this decision by interactions with Shikamaru, who all too recently had to grow up fast himself (“We're not kids anymore...we can't allow a war to break out between the Hidden Leaf and the Hidden Cloud because of Sasuke") and Sai, who risks his new friendship with Sakura and Team 7 in order to speak some hard truths and deliver one of my favorite lines in the whole story: “I don’t know what promise Naruto made to you, but it’s really no different than what was done to me.  It’s like a curse mark.”
(INCREDIBLE.  How can anybody be complaining about a season where Sai gets to say something that goes THIS HARD and Sakura LISTENS and takes DRAMATIC ACTION that actually propels the story forward in a meaningful way - )
[Okay, yeah, brief personal opinion interlude - it is just bonkers wild to me that there are people who complain about Sakura in the Five Kage Summit arc. That entire season is the greatest character arc she ever has.  Literally she has never been more interesting and dynamic than in Season 10; it’s the first time she ever gets to be as deep and fascinating as the boys; what is everybody so worked up about?  Oh, “she lied to Naruto that one time” - Sasuke joined infant-kidnapping baby-murdering human experimentation machine Orochimaru when he was twelve years old in order to (dare I say it????) selfishly pursue his personal goals and yet, somehow, we are still able to root for him.  He abandoned his friends/allies to imprisonment and death (Suigetsu and Jūgo) or outright stabbed them in the chest himself (Karin) in order to (SELFISHLY) get what he wanted, and yet, somehow, we are still able to love him, understand him, and be on his side.  Naruto is canonically not upset with Sakura about her lie after receiving context for the situation and I think we can probably take our cues from him without feeling the need to bring her up on war crimes; please calm down]
[Sorry, I just really love most of Season 10 and think it’s one of the best examples of how good this story can be when every single character gets to do something that matters (as opposed to things being all Naruto, all the time) so I get a little bit worked up over people complaining about some of the best writing Sakura ever gets.  I don’t understand what certain elements of fandom want from her. People complain about her being “useless” and not doing anything that contributes to the story, but then they complain just as much when she does finally get to act decisively and have just as complex/dynamic an inner world as the boys.  She’s “weak” for being unreasonably in love with Sasuke, but when she tries to be “strong” and put her love for him aside and eliminate him in order to protect Naruto and the rest of the world, she’s evil, because she should have been more understanding of his situation (despite the fact that she doesn’t KNOW anything about his situation).  But then when she can’t go through with killing him after all because she cares about him too much despite the things he’s done, she’s not "compassionate" or "kind" or "a good friend," she’s “weak” again. Nothing Sakura does in S10 is more wrongheaded or rash than any of the batshit, buckwild things Naruto and Sasuke have done in the past (and will continue to do in the future), but when Naruto and Sasuke have big feelings or take bold action, it makes them interesting characters, whereas Sakura can’t breathe in anyone’s direction without being minutely scrutinized for moral impurities.]  
Anyway. Back to a more measured response.  
Every single piece of development Sakura has with regard to Sasuke in this season satisfies me so much.  Her initial shock and disbelief at hearing that Sasuke had joined the Akatsuki?  Good, appropriate.  The fact that she starts to acknowledge the reality of what Sasuke’s done sooner than Naruto does?  Also extremely appropriate, very in-character for both of them.  Her taking Sai’s words to heart and deciding that the promise she asked Naruto to make when they were children is causing him to suffer and she has to relieve him of that burden?  Juicy!  AND thematically significant (promises!!!!  the burden that a promise places on a person, especially when it can't be kept - we've seen that before in this story and we'll see it again).  Her anguished pivot from wanting to protect Sasuke to realizing that she has a responsibility to protect the countless innocents who will die because of the war he’s trying to start?  HELLO THIS IS INCREDIBLE CHARACTER DEVELOPMENT.  Her knocking out the classmates who agreed to help her so they don’t have to share in her burden (and so the only person Naruto will hate when it’s over is her)?  BRUH.  Her being so committed and focused on her goal of saving innocents and protecting Naruto (not just from being harmed by Sasuke/the Akatsuki, but by the possibility that Naruto will someday have to hurt Sasuke himself) that she tries to take everything on by herself and walks into a confrontation that she absolutely cannot win??  INCREDIBLE.  (Literally the first time I watched this, I said, “Finally!!!  It’s Sakura’s turn to go off the rails!”  I laughed with my sister about how Kakashi isn’t even mad, because Naruto and Sasuke have been pulling stunts like this for years and Sakura was way overdue for her own meltdown.)  And then, after Kakashi intervenes in the fight - Sakura barreling back into the battle when she realizes he’s going to take on the burden of killing Sasuke himself in order to spare her and Naruto the horror - “I can’t let Kakashi-sensei bear this burden!”  I love her for that.  
And then, of course, in the end - her not being able to do hurt Sasuke after all.  Despite committing herself to the act, despite forcing herself to put her feelings for him aside, despite resolving to stop him from starting a war and killing innocent people, she can’t harm him.  She cares about him too much.  This, too, is thematically significant - think about Itachi’s “you don’t have enough hatred” - she doesn’t have enough hatred to kill someone she cares about, even if it seems like he deserves it, even if would be the right thing to do to protect others.  She can’t do it, and Sasuke almost kills her for her compassion.  
I love the dynamic this sets up between her and Sasuke, for a few reasons:
1) Personally, I think Sasuke respects Sakura much more for trying to kill him than he would have if she’d just tried to talk him out of his behavior or beg him to come home (a la their original confrontation in Part 1).  This is the first significant interaction he’s had with Sakura in years, and the fact that she does something SO contrary to his memory of her is an important demonstration of the fact that she’s not the same girl she used to be.  Sasuke spends a lot of time after his defection declaring to his old team “I’ve changed; I’m not that person anymore,” but this is one of the moments where he’s forced to acknowledge that his teammates have changed, too.  Time didn’t just stop for them when he left.  While he was turning into someone new, so were they.  They grew up without him, and his old memories of them can’t encompass the whole picture of who they are now.  
(This is a little tangential, but in general, I love the spectrum of reactions that Naruto, Sakura, and Kakashi have in this sequence, and the way that all of them are ultimately messages Sasuke needs to hear.  Sasuke - who we know textually regrets what he did here, who apologizes to Sakura for it later - for “everything,” in fact - needs Naruto’s aggressively optimistic open-arms policy, yes, needs that potential, that unconditional possibility of return.  He also needs Sakura’s refusal to let him hurt her friends and start a war that will kill thousands of people, needs her surprisingly ruthless attempt to take him down; needs just as much her failure to do so, because it shows him that she still loves him too much to kill him even as she condemns him.  And he needs Kakashi’s grim line in the sand, needs someone who very possibly won't hesitate like Sakura (despite the horrifying personal cost), someone who will try to reach him but also won't let him escape and become the next generation’s Orochimaru, who won't let him cause untold suffering to untold numbers of people just because a teacher loved him too much to stop him when he had the chance. 
(And then even Kakashi chooses not to deliver a killing blow when he has the opportunity -)
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(I know that in fandom people are more likely to be all, “oh, Naruto Good, everybody else Bad,” but I don’t think the narrative frames Sakura or Kakashi as “worse” than Naruto in any way.  The story goes out of its way to make it clear how desperately they don’t want to hurt Sasuke and how much they care about him.  And [this is just my interpretation, so obviously I won’t claim it as fact], I personally think that Sasuke - Sasuke, who, looking back, can see how lost he was then and how tortured he would have been if he’d gone through with many of his plans - would be grateful to Sakura and Kakashi for making an attempt to stop him when he couldn’t stop himself.)
2) On the other side of this, the fact that Sakura wasn’t able to deliver the killing blow means a lot. Sasuke was incapacitated under that bridge; he was completely at her mercy - but she stopped with the kunai an inch from his back.  She couldn’t kill him, even though she knew that he was completely willing to kill her (because he'd attempted to Chidori-assassinate her from behind just a few minutes ago).  That’s huge!  Sasuke is too out of his head right now to process this or understand it, but later, it's going to matter.  She stayed her hand.  She spared his life.  She loved him too much to hurt him, even when he’d given her every reason to take him down.  She hesitated, and he almost killed her for it, but her inability to strike him ultimately gave him yet another chance to come home, another chance to get better, another chance to have a life outside of his pain.  Despite everything, some part of her still hadn’t really given up on him, and that knowledge will matter later, when he’s finally able to acknowledge it.  
The point of all this is to say that I really have no complaints about Sakura and Sasuke’s dynamic in their S10 confrontation.  This season is the point where Sakura fully grows past her “girl with a crush” stage and into her “shinobi must make very harsh decisions” adulthood, but it never means that she doesn’t care about the person she’s trying to take down.  Her ultimate inability to deliver the killing blow remains a dangling lifeline for her relationship with Sasuke, an open door that Sasuke is able to walk through at the end of the story (literally, in fact, when Sakura opens that portal for him and saves him from Kaguya’s desert prison, and figuratively, too, when Sasuke apologizes to her).
3. she only wants to save you
The last stage in their relationship is what Sakura settles into during the war arc.  She started off Part 1 being just a girl with a crush, then tried to harden her heart and put her feelings for Sasuke aside in service of the greater good, but she was unable to actually follow through and kill him, and because of that, what she’s come to accept by the war arc is actually two things: that 1) Sasuke truly is willing to let her die if it furthers his goals, and 2) she wants to save him anyway.  
She has no intention of pursuing Sasuke romantically.  She knows full well that Sasuke isn’t interested in her.  She even knows that Sasuke isn’t really on their side (there’s a great scene where Sai questions Sakura about Sasuke’s return, and she reassures him that everything is fine, and Sai sadly thinks to himself “even I can tell your smile is fake”).  She’s well-aware that Sasuke didn’t try to help her when Madara stabbed her.  She’s well-aware that he left her to die in the lava pit.  She’s also well-aware that none of this is enough to make her stop loving him.  He doesn’t have to care about her - she still cares about him.  She still wants to help him.  She still wants to save him.
This is not hidden, hard-to-parse character development.  It’s explicitly articulated on the page:
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Sakura’s not trying or wanting to make you hers!  She only wants to save you.
I’m not sure if people look at this last confrontation and unquestioningly take Sasuke at his word (as if we haven’t just read 71 volumes/watched 700 episodes showing us how how painfully distorted his thinking is), or if they stop reading/watching before the end of the scene, or if they don’t understand that Sasuke saying something doesn’t make that statement an accurate representation of reality.  The entire point of this scene is to show us how deeply mistaken Sasuke is about Sakura (and, by extension, the rest of Team 7).  He’s locked into a false pattern of thinking.  His single-minded focus on revenge and destruction has blinded him to the unconditional love his friends feel for him; he’s become so accustomed to using others and being used that he can’t understand or accept that someone would care about him without needing a reason, without needing him to love them back, without needing to receive something from him in exchange.
Sakura’s not trying or wanting to make you hers!  She only wants to save you.
Sasuke matters to Sakura as more than a love interest.  He always has.  She does love him romantically, yes, but she doesn’t only love him romantically, and her desire to help him is not and has never been contingent on him returning her feelings, romantically or otherwise.  Sasuke isn’t able to acknowledge that in this scene, but that doesn’t mean we’re supposed to just sit back and agree with his warped perspective.  Kakashi is the one who’s explicitly positioned as the voice of the narrative here.  We, as the audience, are supposed to recognize that Kakashi is the one telling us the truth.
[tangential thing 1: You don’t have to love Sakura's last plea to Sasuke here. It’s not my favorite, either - the best part, other than Kakashi’s speech at the end, is the moment after Kakashi collapses when Sakura’s expression changes from pained uncertainty to pure rage, when she grits her teeth together - when I first saw that, I almost leapt out of my seat like “Oh my god.  She’s finally going to let him have it.  It’s finally happening - ”  I wanted that so badly, and I still think it would have been a more effective writing choice for Sakura’s last words to lean more into her anger at the suffering Sasuke is causing all of them (himself included!) and less into yet another of Kishimoto’s “let me have Sakura articulate what a shame it is that she can’t do as much as Naruto despite the fact that I literally just went through a major reveal sequence in the war to show that she’s caught up to the boys; I can’t make up my mind about whether I want her to progress or not” - it’s extremely frustrating (and it's something he does at the very end of the S10 Team 7 reunion, too, which is the ONLY moment of S10 that falls flat for me).  But at the same time, even if there are ways this sequence could be more satisfying, it doesn’t change the fact that her plea to him is not remotely motivated by a desire to be with him romantically and not anything to condemn her for.]
[tangential thing 2: I do like how she remembers that moment when Sasuke says “Thank you.”  That panel precedes her saying “If there’s even a tiny corner of your heart that thinks about me…” (which I’m sure is one of the things that people like to criticize about this scene, aka “oh she’s sooooo self-centered” etc), but that particular line of dialogue is preceded by that particular flashback panel for a reason: Sakura knows that Sasuke DOES think about her.  He thinks about all of them.  Sakura remembers that “thank you,” and it reminds her that despite everything Sasuke has done and said since, despite all evidence to the contrary, she knows in her bones that his expression of gratitude back then was genuine.  He cared about her once.  He cared about all of them.  She’s trying to reach the part of him that still does, if it exists.]
[tangential thing 3: The fact that Kakashi says “she suffers from loving you,” and it triggers Sasuke to remember his own family - thinking about how much he suffered (and still suffers) from loving them - “Perhaps…those are the ties to a failed past” - the idea that it’s not worth it to have bonds if it means you suffer this much…that it’s too difficult, it’s too painful, and if Sakura and the rest of Team 7 were smarter they would just give it up (all Sasuke knows how to do now is sever potential bonds before they can hurt him; so why aren’t Sakura and the rest of his teammates doing that, why can’t they let it go, why are they making this so hard - ) << yeah, he clearly doesn't care about her/them at all.]
4. the shadow of my family
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This has all been a really long way to answer the original question, but the short response to “What do you think about the relationship between Sasuke and Sakura?” is “I really care about it,” just like I really care about the relationship between Sasuke and Naruto, just like I really care about the relationship between Sasuke and Kakashi. And I don’t think the story ever asks me to choose between them.
I’m not sure whether it’s the impact of Boruto-era “canon” that gets in the way of other people approaching things this way (I don’t consider sequel material when I evaluate the original story), or if it’s Kishimoto’s frequent disinterest in/disrespect towards female characters, which yes, does sometimes make it harder, or if it's a shipping thing (bane of my existence), or some combination of factors, but for me, taking one member of Team 7 out of the equation hobbles the rest of the story.  I can’t read/watch Naruto while hating one of the protagonists and loving the other three.  It doesn’t work like that for me.  The story wasn’t written that way, and there’s nothing in the text that would cause me to receive it that way.
That doesn't mean there's anything wrong with disliking one of the main foursome (or any character, for that matter) - obviously we're all going to have different preferences, and everyone is free to enjoy or reject whatever parts of a story they want, or to like or dislike whatever characters they want. I know that some people have more fun disregarding canon and doing their own thing, which is fine.  My own personal zone of enjoyment comes from receiving the story as closely to how I think it was intended to be read as I can, and personally, when I look at this particular story, what I see is that all the members of Team 7 clearly demonstrate their love for Sasuke in ways that he himself later recognizes and acknowledges. All of them are driven by their desire to save him and their unwillingness to hurt him. All of them make repeated choices to chase after him when he runs away, to trust him when he hasn't exactly earned it, to give him another chance when he doesn't appear to deserve it. ALL of them, not just Naruto, do these things multiple times throughout the story, and Sasuke owes his life (and thus his eventual recovery) to ALL of them, many times over. Kakashi disobeys Hokage-elect Danzō and breaks the law to negotiate for Sasuke's life with a foreign head of state. Sakura and Kakashi both have opportunities to kill Sasuke in the Land of Iron, and they choose to spare him instead. Kakashi stops Sasuke from killing his only friends at two different points in the story, which would have been a mistake Sasuke couldn't have recovered from. Sasuke would have died in Kaguya's desert dimension if Sakura hadn't saved him (Sakura, who knew that Sasuke wasn't even truly on her side yet, who knew he'd abandoned her for dead multiple times already that day). Kaguya's bone bullet would have killed Sasuke too, if Kakashi, with his intention to die in Sasuke's place, hadn't leapt in front of it (Kakashi, who also knew that Sasuke wasn't fully on their side yet, who also knew that Sasuke had abandoned him for dead earlier that day). Sasuke and Naruto would have BOTH died in the Final Valley if Sakura and a severely injured Kakashi hadn't chased after them to heal their injuries.
Remove any one member of Team 7, and Sasuke never makes it home. Without the combined efforts of all three of his teammates, he doesn't survive.  That’s the way it should be, thematically, for a story whose first and most foundational premise was the importance of teamwork, and since Sakura was just as essential to that framework as everyone else, I’m just as invested in her relationship with Sasuke as I am in his relationship with everyone else.  You can’t remove one leg from a four-legged stool without damaging the integrity of the entire structure, and for me, discounting any single member of Team 7 irreparably damages the integrity of the entire story. 
TL;DR: I love all of the Team 7 relationships, including Sakura and Sasuke's, because despite what some segments of fandom seem to believe, the text of the story never gives me any reason not to.
#naruto#meta#replies#anyway that's that! hopefully that is a helpful answer#thank you for the question! i honestly don't think i would have ever gotten around to writing about this if i hadn't been directly asked#i love talking about the stories i enjoy (obviously; we all do; that's why we're here)#but i'm usually ¯\_(ツ)_/¯ about responding to takes that blatantly misread the narrative to justify hating a particular character or ship#mostly because a) it's whatever. as long as people mind their own business and leave me to enjoy myself they can do what they want#and b) some opinions are so divorced from the actual text that they're not worth discussing#like. what's the point of responding to random internet posts saying that sakura was selfishly pursuing sasuke as a lover the entire time#when that is textually and provably not the case?#if you're that committed to experiencing things in direct contradiction to what the narrative is asking of us then just go ahead#is it mildly annoying to me? sure. but so are lots of things and it's better to just let stuff go#like - i initially planned to take this piece of meta all the way up through sakura and sasuke's last scene together#the one where he tells her 'maybe next time' and finally reclaims and redefines itachi's forehead tap (INCREDIBLE. THIS SCENE.)#but ultimately i changed my mind because everything i wrote for that last section was coming out too harsh#i generally prefer to talk about fandom stuff in a chill/friendly approachable way#but i kept thinking about the most obscenely & disrespectfully inaccurate read of that scene i'd ever seen#and i couldn't figure out how to talk about it in a non-scathing way#that scene and the one where naruto gives sasuke's headband back are the ONLY well-written things about the finale of naruto#they are SO perfectly constructed and i can't respond to people slandering either one without feeling an urge to kill#so i just deleted it. partially because again - this is fandom; it's not that serious; people can do what they want#but also because i know i get extra frustrated about people picking over the text and plucking out isolated bits and pieces#to contort into blatantly misinterpreted mutant shapes that 'confirm' whatever pre-existing judgments or ships they had#instead of experiencing the story as a cohesive whole & keeping in mind the greater context of what it's always been trying to communicate#people on this website say 'we all interpret things differently :)' as if it means no one can ever be wrong about what a text is saying#newsflash: not all interpretations of a text are valid. things can't in fact mean whatever you want them to mean.#the ***story*** persists and exists even if the author is dead to you#if you choose to ignore that then that's fine; it's just fandom; who cares. but i'm not going to pretend you're 'analyzing' anything.#(ok now i'm really done. you can see why i deleted this section XD)
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daz4i · 16 days
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my mind is once again assaulted by people's incorrect views of my special little guy. not sure i can recover from this.
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malak-ballari · 5 months
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*SHOVES DEMON IN MY POCKET BECAUSE HES NOT AN ANGEL*
Time to give full attention to my angel OCs
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This is my most specialist important angel ~✨Barachiel✨~
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He is the main love interest in my story.
Is it possible for an untainted angel to be cast from Heaven? For an angel with pure white wings to be bound to Hell? He seems to be working for the opposing side than what he represents, and his lips are sealed as to why.
The poor angel is like a bird in a cage and he hardly gets to see the light of day. He often daydreams of socializing with the humans but he just doesn’t quite understand how.
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Might I introduce you to the most successful angel in all of Hell?
Na’amah is the top worker in his ranks, the prime example of a demon of lust, and he’s not even a demon.
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This angel fell from Heaven long ago and he’s been living his best life ever since. He is so talented in his role as a demon of lust that the only way to tell he was born in Heaven would be the size of his wings.
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And the flashy angel to his left would be the guardian angel known as Cheranecious, or Canary for short.
He is my newest angel OC. He is the angel who took over Barachiel’s position as chief guardian angel after he fell, and Na’amah’s former close friend. A talented entertainer he is.
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And this here is what some might refer to as the antichrist — she is Lucifer’s only daughter, Asariel. She is half archangel and half Seraph, and the first known angel to be created physically within the human realm.
However she quite despises her role as the antichrist and refuses to have anything to do with her father. Due to this small technicality, no demon has seen or heard from her since she was first announced to be created decades ago. Many often wonder what ever happened to Satan’s treasured heiress.
Now this is just a small taste of my angels since I have yet to show all of the arch demons and arch angels who are somewhat prominent figures in my story, however I have yet to make any decent or consistent art of them. So! I hope you enjoyed thank you for asking 🤍🤍🤍
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frostbitedoesart · 1 month
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Just making a general post real quick in response to an ask.
When I say I'm anti-ai I mean I'm against any sort of AI that steals from others or would otherwise be used to put people out of a job. I don't feel like having an elaborate conversation about the positives and negatives of AI and all that, so I'll state this as plainly as possible.
I don't like AI art. I don't like AI voice impersonations. I don't like any sort of AI that has to steal stuff from people without their consent in order to function. That is literally it.
I'm not against ALL AI. I don't think people that are okay with AI in general should be burned at the stake or something. I'm just an artist and writer that doesn't like AI being used in CREATIVE SPACES. That's it.
I didn't think I would have to clarify this but, here you go, for anyone that was bothered.
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kathaynesart · 3 months
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TMNT AU COMPETITION - CONTEXT COMICS: COMIC 1 - COMIC 2 - COMIC 3 - COMIC 4 - COMIC 5
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Don't mind, Omega. He's just being dramatic. Thank you so much @abbeyofcyn and @thegunnsara for pulling me into this hilarious mashup as well as @kittynomore @tapakah0 @hylwicks and @isaacz for letting their characters be a part of it! Figured I would use this opportunity to do my Replica introduction as well!
The @tmntaucompetition has barely even started and I am already overwhelmed by the amount of asks and support I've received! Thank you everyone! There are so many things I want to respond to, but I just don't have the time!
However I am so excited to get to interact with some of you! I'll be sure to respond to a few more that reference Omega directly when I can (looking at you @intotheelliwoods and @karonkar )!
Also, please don't destroy my asks trying to offer chew toys to Donnie... it's too late. His fate has been sealed. He's in autistic robot hell now. Goodnight sweet prince.
Also also, uh... THAT one image? Don't think about it too hard. :)
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raggedyflowers · 5 months
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“When you try to rizz them up”
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summary: one piece character reacting at you (trying) to rizz them up. it’s my first time writing smut so … don’t look at me I’m shy (may delete later)
character: Ace, Law, Sanji, Zoro x female reader
cr: NSFW 🔞, heavily flirting, suggestive words, semi public sex
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Ace:
Drinking with Ace was not a smart idea ‘cause while the alcohol went directly on your brain, it seemed that Ace burned it as soon as it touched his lips. So it’s not a big surprise when at the end of the evening you were drunk, but he was perfectly fine. “So” you smirked at him, with a courage you usually didn’t have. “You catch fire only to the fist or even up the elbow?” it was such a dumb line that you should’ve feel embarrassed even if drunk, but Ace found it endearing. “You are so out your mind right now, y/n” he told you, helping you get to your room. “You make me out of my mind” you kept going, ignoring his laughter. “Whatever you say” he respond to you. “Usually I’m better at flirting” you mumble to yourself. “You’re going great, why don’t you try when your sober?” he asked you with a smirk, leavening you at the door at yours room without words. The next time you hanged out together, Ace kept an eye on you. “Try to remain sober this time, y/n” he winked at you. “I really wanna satisfy your curiosity”.
that night he did satisfy your curiosity… and not just that
you two found your way to Ace’s room and then he showed you how fast he can warm up the situation
He let you sit on his face and he spent the night eating you out
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Law:
Your relationship with Law has always been private and even if someone could have said that he was cold with you, you know behind closed door Law was nothing but a loving and caring partner. It didn’t stop you to try to rizz him up in front of the rest of the Heart Pirates. You loved seeing him blushing, but most of all you loved what did come after. “You don’t need to use your devil fruit” you said to a confused Law. “You already have my heart”. You look satisfied the red cheek of your boyfriend who shock his head. “Why are you like that, y/n-ya?” he asked talking over the laughter of your crewmates. “Like what?” you asked innocently. “I just want you to shamble my organs with your dic —” you never finished the sentence since Law grabbed your arms and took you away.
“You already stopped being a brat, eh y/n-ya?” he asked after pinned you at the wall as soon as you two have entered in his room
You could’ve just bite your tongue for keeping your moans low
“Ah-ah” he said while slowly tracing your entrance with his tattooed fingers. “Don’t stop talking now. Let everyone hear you like before”
And then he push his fingers inside of you and you couldn’t do nothing but scream his name
Needles to say your organs were actually shambled that night
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Sanji:
“You should wear the burgundy suit more often” you said to Sanji taking him aback. “Mmh?” he asked you, stopping cutting the vegetables. “I need something pretty to look at”. You always said things like that to him, joking mostly, but not entirely. And you loved seeing his cheek turning red after you called him pretty. “Move please, pretty boy” you said one day passing near to him and grabbing his waist to move him. “Y/n ~ ” he mumbled covered by your laugh. “Pretty, really?” he asked you and you cupped his check. “The prettiest” you said to him. “Not as pretty as you, my love” he told you back. “Wanna show me how much pretty you can be for me” you asked him with a mischievous smile.
he did show you how pretty he is
with his red cheek and sweet smile while he pounded into you
“you are the prettiest” he said you groping your breast while he kept his pace. “taking my cock so well”
but really he was the prettiest boys, especially when he lowered himself and started eating you out
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Zoro:
One of your favourite activities on the Sunny was watching Zoro work out. You pretended to read a book but your eyes couldn’t help but to lingering on his sweaty body. “Your book is upside down” he said to you with a smirk. “Really?” you asked, without an ounce of shame. “Are you training on the forth swords styles?” Zoro looked at you with confusion. “You know, the other sword in your — ” you pointed at his pants. He smirked. “Wanna found out?” he smirked again.
he actually spent all night “practicing” with his forth sword
you never been more happy to indulge him
“do you like my sword style?” he asked you while keeping the brutal pace pounding into you
you wanted to say yes, but couldn’t form a single thought
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kisses4choso · 7 months
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#DAD?
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SYNOPSIS: when you first meet their adoptive kids CHARACTERS: s. gojo & s. geto WARNINGS: mildly suggestive (geto), ages 19/18 [according to the manga] NOTE: pretend geto didn't commit genocide... he brought the girls back to jujutsu tech and lived happily ever after!
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when GOJO first introduces megumi and tsumiki to you, you're a bit conflicted. the first thing you think? yeah, gojo was right in being scared of a kid that's a third of his age; poor megumi looked identical to his father. the second? they're so young, they're actual kids. gojo is so young. you are so young.
"nice to meet you. i've heard lots about you," is the only thing you can offer to the children other than a warm smile. the boy stares at you before looking off to the side, and his sister nudges him, smiling at you politely.
"us too," the little girl says, "professor gojo says you're pretty a lot," she stumbles over her words a bit before deciding on something, "and you make really good cup ramen."
"professor gojo said that?" you look up at him from where you're squatting on the ground, tickled by the funny nickname, and you're happy to see a cute smile dancing across his face. "then i'll have to treat you to some ramen soon."
she nods, still flashing her smile, although it's missing a few teeth, and megumi remains looking off to the side.
"are you gonna be in charge of us too?" he suddenly asks, his blunt words a contrast to his little voice.
satoru answers for you, squatting down to meet the boy's eyes (probably, it's hard to see where he's looking with those glasses), "we're still figuring that out, kid. are ya tryna get rid of me or somethin'?"
megumi mumbles something under his breath, and whatever it is, it earns him a pointed sideways glance from his sister.
"wanna say that louder?" he challenges the boy, but megumi responds by sticking his tongue out at him. gojo mimics his actions, just like a boy would. because that's exactly what he is, a teenage boy.
"thought so! alright, you two, can you give us adults a second to talk? we gotta talk about..." he trails off, turning his head to face you directly, "taxes, or somethin'. we'll be in my room. be on your best behavior please, we have a guest."
"pinky promise," tsumiki says, kissing her thumb and holding out her hand. surprise washes over gojo's features, but he quickly composes himself, mirroring tsumiki and allowing her to link her pinky to his. she presses her thumb to his, effectively sealing the promise.
cute, he thinks, how hard would it be for megumi to be like that?
gojo then decisively sticks his pinky out to megumi, but the boy gives him a weary look, and he frowns. "well, holler if ya need me!"
and with that, he's rushing you off to his room, closing his door behind him, lowering his voice, and tugging off his glasses, "so? whaddya think?"
"about?" you stall, finding comfort in his bed as if it were your own. you feel his eyes on you, you always do, but this time it's that look. he's analyzing your every move, your flow of energy, your darting eyes; you're not sure if it would be more effective to acknowledge it or let it go. he stands in front of you, so it's hard to ignore, but you persist.
he hesitates before speaking, a rare occasion, "remember how i said i wanna be a teacher at tech?" he doesn't wait for your answer, "i think, if i try hard enough, i can start teaching right now. the boy has lots of potential, and i want to develop that. can't let it be wasted with the z'enins."
you move your lips, but he anticipates your words, "i know, i'm not even twenty yet," he brushes a hand through his hair, "i don't want his power to be a burden to him. he wants to protect his sister. i can help him."
"i know you can, satoru. it's what you want to do, and i know above everything else, you're stubborn," you finally meet his gaze, and you find the troubled twist of his lips. "but will you have time?"
"i've got enough money..." he says, deflating at your unconvinced sigh, "i'll find a way."
seeing him so caught up in this tugs on your heartstrings a little, and the slight pout on his lips doesn't do much to help your heartache. you say what you were scared to from the moment he mentioned the two children, "i can help."
for the second time that evening, shock laces itself onto his face. you look a little startled by your own words. the reality of being responsible for raising two children on top of developing megumi's cursed technique against the wishes of arguably the most powerful sorcerer clan... it was heavy.
"ya don't gotta, i just wanted to know if i'm crazy or not for adopting two young kids at my age."
"you're always a little crazy, no? and i want to," you say, and a beat of silence passes between the two of you, the six eyes user taking a particularly sharp breath.
"you're okay with raising those two brats? with me?" he dismisses your first comment, the last question a little quieter.
he takes a step closer to you and crosses his fingers in hopes you'd say yes. a selfish thought, but it means another reason to convince you to move in with him. another reason to spend nights and days together. yet another reason to love you.
"yes, professor, but with all these missions, you'll practically be an absent father... figure," you reach out to him, pulling him closer by his waistband.
he smiles, slumping his weight in the spot right next to you as if his king bed couldn't hold him anywhere else, "not much different than what they're used to."
"satoru," you bat his shoulder, and he laughs, dimples on display. you don't miss the questions hidden in his eyes, and you wish he'd lean over just a little for you, maybe let him steal a kiss or two as a remedy. you continue, "we turned out all right, i'm sure they'll be okay with you."
"with us," he corrects, "and i turned out amazing, by the way."
he turns to you, attention completely fixed on the way your eyes crinkle when you laugh, at his expense, but the laugh is for him. uncharacteristic emotion comes over him for a moment, but his gaze is as steady as always, and in the moment he's sure he'd done something in his past life right, "but i hope they learn more from you."
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"mimiko, nanako, come say hi," GETO calls to the girls as he opens his door for you. you were at his house as a 'surprise' he said, so you felt the necessity to get the two girls a few gifts.
he moves aside to allow you in, and immediately you're aware of the unusual mess in his living room. the building blocks, dolls, hair bows, plushies, toy cars, and puzzles make it look like a daycare.
his lips meet your forehead, "hey, you didn't have to get them anything. they're spoiled."
"i see that," you laugh, grabbing onto his freshly manicured hand as he leads you to set your things down on the coffee table.
his hair is messily braided as well, and you take out your phone to get a picture, but your attention is caught by two pairs of thundering steps coming toward you.
"mister geto! look what we drew for..." nanako quickly stops herself, her feet screeching to a halt, her sister bumps into her back.
mimiko yelps, not expecting the blonde to halt so suddenly. she peeks over her, searching the living room and finding you sitting on the couch. her part of the couch.
"what a cute," geto hesitates, turning away from you and toward the hall, "cat?"
nanako pouts, casting her gaze toward her feet, "it's supposed to be you with kitty ears."
geto quickly clears his throat, "i know, i was just kiddin'."
he glances back at you, the remenants of a smile in his eyes. he definitely did not know.
"who the heck's that?" the blonde says, leaning to the side to get a good look at you. "i thought you were gonna bring the guy with the weird eyes."
"nanako," geto's sharp eyes are not visible to you, but you know he's giving her a disapproving look with how she tenses. "come here, please. this is who i was talking about earlier when you weren't paying attention."
the two girls share eye contact (although the meaning of it is known only to them) and reluctantly step forward, the brunette behind the blonde.
the dynamic was obvious to you, nanako was the loud one, and mimiko was the shy one. it was cute, the way they held each other's hand upon coming closer from where they stood in the hall.
suguru attempts to push the two little girls toward you once they reach him, but they both hide behind him. your heart warms at the sight; nanako's looking up at geto, hugging his leg while mimiko squishes the side of her face against his other leg and looks at you.
you break the ice by introducing yourself, a little discouraged when they simply blink at you.
time for the trick up your sleeve.
"i brought these here for you. they're from kyoto, and i heard you wanted to try them."
their eyes instantly brighten, and they both look up at geto, waiting for his permission. he smiles at them, giving them both a quick nod, and they run toward the long couch.
"excuse me, can we open them?" mimiko asks, and you think that even if you tried, you couldn't find it in your heart to deny the girl anything.
you hand each of them a sparkly gift bag, "of course, hon. they're for you."
geto follows closely behind them as they wander over to the couch, opting to sit down on the floor right in front of you, between both of the girls.
mimiko opens her bag carefully, removes the tissue papers one by one, and gasps when she sees what's at the bottom. she turns to nanako and her mess, holding up her snacks. "look!"
they were giggling, trading a few of their gifts, and having fun with the extra plushies you had thrown in there.
"what do we say?" geto interrupts them while they're lost in their own world, but they don't seem bothered in the least.
"thank you so much!" they both exclaim at the same time, mimiko a little louder than normal.
you turn to geto as they wander into the kitchen to excitedly eat their snacks, "they're great girls. i can't believe those people would..."
geto winces, holding your hand delicately, "i know. but they're doing good so far. i think you made a good impression, they're not so quick to trust people."
you smile, a newfound hope inside you, "i can tell they adore you. you'd make a good dad, suguru."
you lean down to give him a quick kiss, but something changes in his expression, and he holds your chin in his hand, stopping you from meeting his lips. he smiles at your frown, a teasing lilt in his voice when he speaks, "don't say things like that."
"or what?" you know just how to get under his skin, and although your original comment wasn't meant to bother him, it's given you an opening.
his pupils are dilated; you can almost guess what he's about to say, or perhaps do, and--
"hi, do you wanna try?" nanako suddenly speaks, and you both jump, so caught up in your own world, that you hadn't noticed the girls' presence.
"thank you," you say, taking a chip from the bag she held to you, and geto does the same. mimiko offers you gummy bears, and you take one as well.
still a little startled, geto mouths a 'sorry' to you, and you merely shake your head, enjoying the sweet gummy.
he'd no longer have the benefit of having you all to himself in his house anymore; having no privacy was almost guaranteed with kids like mimiko and nanako.
but he thinks it might be worth it, seeing the way the girls smile as you compliment their hairdos, and watching you laugh as they take credit for his. he glances at your hands as you cover your eyes for a game of hide and seek, eyes caught on the glint of the promise ring on your index finger.
no, he didn't mind it one bit.
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haruta's better than me, if nanami was that close to me...
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americankimchi · 2 months
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Do you have any tips for writing Obi Wan or any meta in mind with his characterizarion?
hmmm sure why not! i'll give a few tips on how i'd write obi-wan. mind you this is how i interpret the character, so ymmv.
i truly do not like it when fics have obi-wan voluntarily leaving the order. like it's so out-of-character for me in my head that the premise of the story + the writing would have to work triple-time to get me to stick around. now if he's been removed from it by an EXTERNAL SOURCE (not the order. i cannot stress this enough: the jedi kicking obi-wan out is so jarring to me i'll leave the fic in an instant) or somehow unable to return to the order for whatever reason, all is well.
not a prodigy, but a genius. obi-wan is an incredibly intelligent person with an absolutely staggering knowledge base in a wide variety of topics, but all that knowledge was earned through blood, sweat, tears, and time. he sat down with his game face on and put in the work. that's also why he makes an excellent teacher: he knows what most students will struggle with because he struggled too, and knows through experience how best to overcome them. i headcanon that it contributes to why he's such a good negotiator: he's really good at stripping down information to the essentials and communicating that information effectively and efficiently to others because of his intense study habits.
humble, but not ignorant of his skills. it's pretty impossible to fully divorce yourself from pride in your achievements, and i don't think it's healthy to not feel any pride at all, so i think obi-wan has a very clear understanding of his skillset and how best to use it. i don't think he'd be ignorant of how good he is at something, especially since the direct consequence of his aptitude led him to being a member of the jedi council. pretty hard to be blind to your strengths when you're being asked for your input on topics that directly draw from that knowledge.
averse to healthcare. listen i enjoy obi-wan whump just as much as the next obi-wan stan (the desire to put him in the cosmic salad spinner comes with the territory, i fear) but as a character who grew up in an environment that deeply cares for the well-being of all, and knowing that you cannot help others unless you yourself first have the ability to do so, i can't really see him ignoring injuries outside of combat scenarios. like on the battlefield he's got more pressing concerns than a pesky little shrapnel wound or five, but once the battle's over?? he might not be first in line to the medics but i can't see him avoiding them entirely. an army without a general is working at a sharp disadvantage and i don't think he'd risk his men by neglecting his physical health in that manner. note that i said 'physical'. make of that what you will :)
duty. obi-wan is the definition of a paladin. he takes an oath and by the force he's going to keep it. train the boy? absolutely, qui-gon. whether or not anakin chooses to respect that training is another matter, but he did definitively get knighted! refuse to kill anakin? listen he's handed vader his own ass to him twice post order 66 and each time he did it he did it nonlethally. that takes skill. that takes dedication. exile yourself to tatooine for 19 years and then decide fuck it, we ball, and die after Once Again Deciding Not To Kill Anakin Skywalker? step aside casper, there's a new friendly ghost in town. every time obi-wan commits to something the man COMMITS. you GOTTA respect that grind.
flirty but in the sense that he's going to match the energy someone brings to the table. like he's a negotiator. he knows how to read people and figure out the Vibes. if he thinks the other person will be 1) 100% receptive and 2) will respond with a delightful wit, why the hell not? obi-wan's highest stat is charisma and he's got expertise in persuasion. whether they're allies or not does not factor into this equation. he can have a little flirtation with morally dubious and potentially hostile characters. as a treat.
this has nothing to do with his character but i firmly believe that he and quinlan vos had at LEAST a fling when they were padawans. there is zero evidence to back this up aside from a few comics where they were being goofy teenagers together but i stand by this. it is an unshakeable aspect of obi-wan to me that has only gotten worse with the kenobi show.
no matter what, no matter how terrible or devastating or downright apocalyptic it gets, obi-wan kenobi will never fall to the dark side. never. it won't be easy, but that is a line he has never, and will never cross. i will not hear any "obi-wan touched the dark side during the theed generator fight" slander. if that was true tell me why the force theme was playing during his moment of triumph!!! Would John Williams Lie To Us Like That?? to our face?????
anyways i could go on forever about obi-wan because he is My Ultimate Blorbo but this post is getting super long so i'll leave it there. hope this helped even a little or at the very least was entertaining for you to read <3
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hxmocrastic · 4 months
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𝐘𝐚𝐧𝐝𝐞𝐫𝐞 𝐋𝐮𝐤𝐞 𝐂𝐚𝐬𝐭𝐞𝐥𝐥𝐚𝐧 | HCS
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Pairing ; {📺+📖} Luke Castellan x GN!Reader
Warnings ; Yandere, Stalking, Gaslighting, Fear of Abandonment, Imminent Kidnapping, Manipulation, Inferiority Complex, Emotional Abuse. ALL CHARACTERS AGED UP 18+
A/N ; Sorry I didn't respond directly to you anon, I accidentally posted this before it was finished and couldn't edit it 💀 But Enjoy!!
Luke is a Gaslighting, Guilt tripping, Boyfailure personified.
At first he takes up his signature friendly act and introduces himself to you first. He even offers to show you around camp !
To him, you're just so adorable. He loves how docile & compliant you are, how your sweet little chin nod's at his every word. You're just so fucking addicting, As soon as he saw you he knew he had to have you.
In order to get you alone & helpless, He'll start spreading false rumors of your parentage, Just to swoop in and shoo those pesky campers away. See? He's such a good boyfriend ! Why won't you look at him?
He'll even get you into some weaving classes, After all a sword is way too dangerous for someone like you. Don't worry about it! He knows what's best for you !
Luke will gladly take his time in wooing you. Slowly implanting little seeds in that cute little head of yours, Whispering things underneath his breath, Increasing physical contact, Even sending you gifts.
The last encounter he had with his father was a scar that will never heal, and a reminder that the gods see him and his siblings as nothing but cattle awaiting the slaughter.
Underestimated, Undermined, Luke always feels he has to go the extra mile prove himself. He thinks that in the eyes of his father he's worthless but in yours he has a purpose, He's a hero.
He'll do anything to keep up that facade, As he only wishes for you to see him in a glorified light. Isn't that what demigods fight for?? Glory,? It only makes sense that you'd love him too !
But truth is, Although he may sustain his benevolent friendly facade, He sees other's as emerging rivals. Whether it be in 'love' or Competition, He views them as competition.
All his life he'd felt powerless & helpless to the evils that robbed him of his childhood. Like his life wasn't his own, How he was always at the mercy of others whether it be the fates, monsters, or the gods themselves. He's never felt real control.
But at camp he feels like he has some control, some authority of his own. And not just of his own life but of other's too. He's finally at the other end of the stick.
Luke loves the power he has over the camp, how the girls & boys of Aphrodite cabin silently fawn at the slightest glance of his figure.
How his stare alone can send clarisse and her cabin trudging to the steps of their cabin like wet dogs. The power excites him.
But your arrival was different. He would've thought it'd be enough to constantly receive the admiration from camp but he desires more from you.
Luke doesn't just want you to favor him, He wants you to obey him. To hang on his every word. He wants you to worship him, To give him the adoration he would never receive from his bastard father.
This is where it gets dangerous. Once the Luke you knew to be a sweet and protective head counselor, He starts becoming a lot more domineering and unreasonably aggressive. And whenever you asks about, He slips back into his loving demeanor and reassures you softly that everything's alright, You're just seeing things that's all!
But you could've sworn you saw him scowling at your friends. Maybe you were just going crazy, it'd be the only reasonable explanation right? Who'd believe you if you said you heard Luke castellan speaking with another voice, right?
For your own safety, You stay quiet. You abide him and start slipping on a facade of your own. Just play along and you will be fine...
He's your hero, your knight in golden armor, Depend on him and solely on him why would you need anybody else?? Love him and only him, and just maybe your cabin mates will be safe. (Not)
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wonwoosstuff · 4 months
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Mr Muscle | Seungcheol x fem.reader (smut 18+)
Synopsis: Seungcheol wants to flaunt his strength again but this time….. in bed.
Original ver of this drabble: https://www.tumblr.com/wonwoosstuff/737816735398428672/seungcheol-x-femreader-synopsis-your-boyfriend
A/N: Here’s the long awaited smut! I recommend you to read the link first since this is kind of an extension to the original.
Genre: smut 18+, mdni, mean dom scoups, protected sex (so so important!),manhandling, reader thirsting over her man, fingering, breast play, manhandling, reader is also a bit shy, oh and did I also mention manhandling?
This work is a piece of fiction! The characters are not related to any particular person in real life!
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"Deal. I'll save the strength for opening stubborn jars and protecting your heart.”
You giggled at his affectionate words.
Seungcheol checked you out slowly from head to toe and licked his lips right after.
“What’s with this reaction?” You asked crossing your arms over your chest. “Nothing, you’re just sexy as fuck.” He smirked at his answer.
“Woah Cheol, calm down.”
“Oh baby, how can I resist when you’re right in front of me looking so fine.” You blushed at his comment. Your boyfriend approached you and came dangerously close to your face just to seductively whisper these words into your ear:
“You know, I can show my strength in many different ways and sex is one of them.”
The direct eye contact and the sexual tension between you and Seungcheol made you really shy, so you quickly looked away while he took the chance to grab both of your wrists to lean your hands flat against his chest.
“Baby, listen to my heart pounding. It is just as excited as my friend down there.” He pointed at his dick which already was erected from the ongoing tension between the two of you.
You would be lying if you said that Seungcheol’s seduction hadn’t impacted your arousal in anyway.
In fact it affected you terribly.
Usually Cheol would lead the foreplay but this time you decided to kiss him first. Grabbing his jaw you connected his lips with yours gaining a shocked expression from your boyfriend. He automatically grabbed your waist turning the delicate kiss into a messy and greedy make out session.
Seungcheol kissing you always made you feel like heaven. His tongue was exploring your mouth resulting in you moaning into his mouth. After Seungcheol broke the kiss he grabbed your jaw harshly which made you tear up. However Cheol knew that you liked his rough attitude so he didn’t care about it at the moment.
“Already messed up, hm? Should I mess up that pussy of yours as well, slut?”
That was your last straw. Now you just had to beg him to fuck you.
“Mhm, Cheol- please.” You moaned while looking at him directly into his eyes. “What, baby?You need to speak in full sentences. I can’t understand you.” He exclaimed while undressing you. Now you were completely naked in front of Seungcheol.
“Fuck me until I can’t walk. Choke me, use me. Do everything to me until I can’t speak.” you responded almost whispering your words because you were kind of embarrassed.
The filthy words that just came out of your mouth made his dick twitch in his boxers. His reaction was super fast. Seungcheol picked you up in bridal style carrying you to your shared bedroom.
“I didn’t know you were such a dirty mouthed girl.” He said while throwing you on the king sized bed. You didn’t respond to his comment. Instead you approached your boyfriend on your fours tugging on his shirt.
“Cheolie, it’s your turn.” You cutely added while keeping the eye contact.
He raised one eyebrow— gosh how you hated that— putting a finger under your chin to raise it. “Okay princess. I will.”
Why did the smallest gestures make him look so attractive, you thought while he was undressing in front of you. You practically drooled over his buff build. It felt like you haven’t seen his naked body in years.
“Do you wanna take a picture, princess?” He smirked at you while walking to the night stand.
“No, I want you to fuck me right now.” You didn’t hesitate while saying that.
“Eager, aren’t we?” Seungcheol added while putting a condom over his so called “friend”.
Ah right— his friend was a bit bigger than average and that made you gulp. A nervous feeling appeared on your face. Seungcheol noticed your expression and reacted accordingly.
“Are we alright?” He chuckled. “Cheol—“ now you hesitated for a moment.
“Yea, darling?”
“Will it fit?” And that was a genuine question.
“I’ll make it fit, don’t worry about it. I’ll also take that as a compliment.” He stated, his voice in a more relaxed and husky tone.
You slowly leaned onto your back while Seungcheol hovered over you. Your cheeks were already flushed red by the atmosphere and your boyfriend’s sexiness.
And as if he couldn’t make it worse he attacked your nipple hungrily sucking it literally off. You were quick to grab onto his black hair, arching your body against his.
“Cheol, oh my god. You’re so good to me.” You moaned while receiving a slap on the other breast.
“Hm, am I?” He asked after letting go of your nipple leaving his saliva and a red mark on it.
“Then tell me, princess—” Gosh his eyes were so intimidating and sexy, you thought not noticing that his fingers had made their way to your arousal. “— how can I make you feel—“ one finger was in, making your body arch for Seungcheol just to reach your high deeper. “—even better than this?”
“Ugh, deeper Cheol!” You almost screamed for pleasure. “Huh? What?” I can’t hear you, baby.”
“Please me with your dick, right now!”
You exclaimed being almost out of breath.
Seungcheol grabbed you by your waist to get near to your body. He gave you a quick peck on your lips followed by him stroking his dick. Of course, there was no warning, so he entered you shamelessly rough. Now his strength was displayed in his thrusting skills. Your boyfriend groaned between the thrusts.
“Why are you still tight, princess? I thought you’d be wet enough already.” Seungcheol smirked while putting your legs on his shoulders to get more access to your g-spot. His arms were steadily put next to your head.
“Oh— Cheol— too hard!” You barely could speak because of the pleasure he was giving to you. You naturally grabbed his veiny underarms to support yourself.
Seungcheol had an unrealistic stamina which turned you on even more but made it hard to keep up with him.
“Oh yeah, that’s right princess, just like that.” He groaned with his already deep tone of voice.
“You like it when I show off my strength, don’t you?” His thrusts becoming more slow and romantic.
You honestly passed out since his pace kept increasing. So you dizzily responded while looking at him blushing: “I do, baby.”
“Don’t look at me like that.”
“Like what?” You asked, genuinely curious.
“Your ‘fuck me more’ look. It makes me wanna ruin you even more but you’re already messed up.”
“But I d—“ all of the sudden his strong arms turned your body around. Now you were standing on all fours. Seungcheol made sure to keep your head in your pillow while your ass was up in the air.
“That’s how I like my girl more.” He said while slapping your ass cheek roughly. You twitched at his action wanting to rub the painful smack.
“Keep your hands to yourself or otherwise I’ll make you suffer, slut.”
“But Cheol” you couldn’t argue against your horny and stubborn man so you pouted into your pillow.
“No buts, stop arguing with me while I’m still being nice to you.” Your boyfriend definitely aimed for ruining you completely tonight and he wasn’t afraid to say it out loud.
Now his hands were exploring your upper body.
“Stop making me wait, honey. I want you.” You teased making his cock twitch for a second time.
“You keep on saying shameless stuff, you dirty girl.” He said while bringing your body up against his chest.
Oh how you loved this position. It was so intimate to both of you.
Seungcheol placed light kissed on your shoulders and nape making you not only arch your back against him but also lean your head back against his shoulder.
The princess treatment and dominance of your man was pure luxury and you couldn’t complain.
While his mouth was busy decorating your shoulder with red marks and love bites, his right hand found his way to your breast, massaging it gently. The left hand was torturing your swollen folds. Seungcheol showed no mercy and shoved two of his thick fingers into your pussy.
“Oh, you look like a goddess, hun.” He complimented you and honestly you could explode because of your boyfriend’s behavior.
“Right there, Cheol, deeper!” And quickly after that you reached your orgasm soaking your man’s fingers wet with your fluids. You weakly fell back into your pillow thinking that your pleasure time was over.
“Oh you taste lovely, princess.” Seungcheol licked his wet fingers entering you once again with his dick. This time a little bit gentler. You moaned at the thickness of his length.
“So you think we can just call it a day pleasuring you but not me? Where is the fun in that? Do you think that’s fair, baby?” You couldn’t answer your boyfriend since you were practically overwhelmed by his thickness.
His pace was increasing with every thrust making you drool into your pillow. Although you couldn’t see his face you could tell that he was enjoying himself. After the last rough thrust Seungcheol reached his orgasm as well and passed out onto the mattress next to you.
“Baby, you did great.” He proudly mumbled, too tired from using all of his energy for the sex. You hugged his waist sideways leaning your head on his chest.
“Let’s get us washed up.” He suggested.
“Mhm, five more minutes.” You lazily voiced while slowly closing your eye lids. Seungcheol pecked your eyelash responding with a chuckle:
“Cute.”
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This was my first ever written smut- help. Sorry for making you guys wait. Hope you enjoyed it!!hihi.
©️ wonwoosstuff do not copy or translate!
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roanniom · 1 year
Note
also hi i reread the housewife!reader fic and uhhh eddie’s other ideas…like fucking you in only an apron?! hear me out: EDDIE is wearing the apron. *may be niche but i go feral for men in aprons!!!!!
The Apron
Eddie Munson x fem!reader
Warnings: NSFW, 18+ ONLY, dirty talk, slight sub!Eddie but really switch energy from both Eddie and reader, hand job
Eddie does nice things for you all the time, so it isn't surprising to find him in the kitchen taking care of dinner after you called him from work telling him what a shit day you were having.
Hearing you close the front door, Eddie turns from the counter where he's chopping vegetables to give you the biggest grin.
"There you are, beautiful. Come over here and let me get you a glass of wine."
You drop your bag on the floor in awe. Again, not because you're shocked by Eddie doing something so nice but because of the very look of him right now. He's shirtless, wearing just a pair of boxers and tube socks. And your flower print apron.
When he doesn't hear you move further into the apartment, Eddie looks over his shoulder, worried.
"Babe? You okay?"
Not a second later, you're on him. You've got him pressed against the counter, your front pushing into his back. You have to stand up on tip toes to reach, but you plaster kisses to the back and side of his neck once you sweep his long hair out of the way.
"Mmm missed you," is all you manage to mutter against his skin. Eddie is frozen under your grasp, not knowing how to receive being manhandled in this way. It is quite the role reversal. In fact, this exact situation has happened many times, just flipped. With him engulfing you in his arms in the kitchen and grinding against you and whispering dirty words in your ear until you're nothing more than a puddle.
"Missed you, too, sweetheart," Eddie stutters in response. But your next action has him pushing away the knife he'd been holding so he can grip the edge of the countertop instead. You step so that both of your feet are on either side of his right one and push your hips against him, finding friction somewhere between the expanse of his thigh and the curve of his ass.
"Love seeing you make dinner for me," you say into his shoulder before nipping at it. Eddie intakes breath sharply on a chuckle.
"Yeah? You like me taking care of you?" he asks.
"Yeah. I do. It's really hot." Your hands go from his hips to rest over her hands where they grip the counter, interlacing your fingers with his tight ones. You have no idea where this dominance is coming from. Both you and Eddie have always been pretty switch-y, but without the context of the bedroom, this is almost out of character. But Eddie doesn't seem to mind. Not when he's shifting back against your hips and humming.
"If this alone is turning you on, wait till you find out what I'm making you."
"Oh yeah, pretty boy? What are you making me?" you ask, sucking a hickey directly into the juncture of his neck and shoulder.
"That pasta you like," he replies, but his voice is breathier than before. It makes you run your hands up his forearms and under the top of the apron. So you can run your fingernails across his bare chest. He hisses and buckles forward a tiny bit, giving you more to press yourself against.
"Sounds delicious," you whisper in his ear. "But maybe I'm hungry for something else."
Before Eddie can respond, you're pulling him to face you, pinning him back against the counter where you've trapped him since your arrival and grabbing his face to pull him down into a soul sucking kiss.
It's need and dirty, and the sounds that issue from both of you are nothing short of filthy.
This is what you needed. During your awful day at work where you're the assistant to a horrible boss, all you could think about was your lack of importance. Lack of control. You had absolutely no power and no autonomy, especially not in the face of an office full of men who treat you like a piece of meat.
It's not that you want to treat Eddie like a piece of meat, of course. You love him and you respect him. He is everything to you and he takes care of you like you've never been taken care of before. But there is a sort of rush flowing through your veins at the idea of manhandling him. Of getting him worked up and using him for you own (and his own) pleasure after a day of feeling so insignificant. Here, in the warmth of this kitchen, you’re nothing if not significant.
Your tongue plunders his mouth and your hands slide down to his waist, squeezing and gripping and groping. Yet again you step so that your feet are on either side of one of his. Eddie immediately bends at the knee, raising his thigh up to slot between yours and giving you a surface to press against. You're feeling needier by the second, but your urge to stay in control makes it so that you reserve yourself to only a few intentional rolls of your hips.
Eddie's hands are in your hair, on your neck, on your back, on your breasts. He's practically beside himself, preening underneath all of the unexpected attention you are lavishing on him.
When you finally pull back for a more considerable breath of air, Eddie tries to chase your lips, so you keep him held back by your grip on the hair at the nape of his neck. The sting of the pull makes him hiss and he grins at you, almost drunkenly.
"I'm not one to question a good thing, princess, believe me, but what's got you so worked up?" he asks. His voice is low and gravely and it makes you want to swallow his vocal cords. So you do the next best thing, licking up the column of his throat and sucking another bruise just to the left of his adam's apple, making him moan outright.
"You. You in this fucking apron," you grit out finally, all thoughts of gender norms and their uselessness swirling around in your head in flurry of lust and confusion. You pull away from him to take him in once more and end up running a hand down your face. "Oh...fuck."
"What?" Eddie asks before looking down and seeing exactly what you're reacting to - the prominent tenting of said apron directly over his lap. With nothing but the thin fabric of his boxers covering him, his erection is standing proudly, almost begging for your attention.
Eddie laughs at your wide eyed staring.
"Of course my dick is hard. What was it supposed to do with you comin' at me like that? Rubbing that sweet pussy all over me." His words are dismissive, as if he doesn't know the way they seep right to your very core.
"I don't know it's just..." you cock your head to the side and drink in the image of your man, wearing your apron in your shared kitchen, his hard on lifting the fabric with the strength of his desire for you. You run your hand from the top of the garment down to squeeze his length through the fabric. “It’s sexy.”
“Me cooking for you is hot and sexy? I’m never letting you in this kitchen again, baby.” Eddie tries to make his joke, but it comes out distracted as your hand moves beneath the fabric of the apron and under the waistband of his boxers. He’s hot and hard and aching, and you’ve barely done anything. There’s something in the way you’re looking at him that makes him whimper, a sound you definitely don’t miss. It makes you bring your hand back out, and you lift it to his face.
“Spit.”
He does as you order immediately, without even a thought. You return your now lubricated hand back beneath the apron and his boxers. The rub is slick as you start pumping him.
“Fuck,” he says quietly, staring down with hooded eyes. He’s watching the way your fist pumps under the apron, moving the fabric up and down with each tug of his cock.
“Like that, baby?” you all but coo. Eddie nods his head distractedly so you hum. “Yeah? Like it when I take care of you right back?”
The role reversal is heady and you love that he seems just as lost in it as you are. Not that you had really been worried he wouldn’t be into it - it’s Eddie, he’s into almost anything that includes his dick and your body - but you preen with pride that the vibe pushing your buttons today also works for him .
The only thing is he’s kinda quiet. And as someone who is used to a motor mouth Munson, you’re not satisfied with his gasping silence.
So you decide to egg him on.
“You know what I really need from you right now, Eddie?”
“W-what?”
You lean up on your tip toes, gripping Eddie by the back of his neck with your free hand to bring him down closer to you so you can breathe hotly in his ear.
“I really, really need you to cum.”
Eddie lets out a strangled moan as you couple your statement with a pointed swirl of your thumb on his sensitive, leaking slit. His hips rock forward into your hand and you laugh at his eagerness.
"I need you to cum all over my hand. Can you do that for me, Eddie?"
"Y-yeah, I can do that."
"For me, baby?"
"Anything," Eddie says, eyes all desperate and hazy but still finding yours. You shift the apron out of the way finally so you can both watch your hand pumping away at his swollen cock. You gasp dramatically at the sight.
"Oh look at that! It seems like you really do need to cum, huh?" You're teasing him, your voice all taunting. The sight of your smaller hand on his big, throbbing dick, mixed with the sound of your sweet condescension, makes Eddie groan. Teasing was usually his job, but having you do it made all the blood in his body shoot straight to the space between his thighs, even more than before. Which means there was absolutely none left to power his brain, leaving him to babble almost incoherently.
"Need it," he grunts.
"I know, baby. I can feel you throb in my hand. Gonna burst, huh?"
"Oh fuck..."
You lean up again and lick the shell of his ear, making him shiver.
"If you cum right now, how long do you think it'll take for you to get hard again?"
Eddie's brain glitches and he stutters, his fingers turning white against the edge of the countertop.
"I-I...I don't know..."
"You don't know? Hmm?" you ask, letting your free hand slide down from his neck, over his chest and abdomen, over your slick-wet hand where it tugs at him, and down to cup his balls. "Well why don't you hurry up and stain this apron so we can find out. Yeah?"
"Oh my fucking god," Eddie gasps in response, hips bucking into you at this point.
The two of you have done much more depraved shit than this, so he has no idea why he is melting like warm butter in the sun under your touch. But there's something about the confidence of your hand on him. The newness of the gravel and heat in your voice. The promise mixed with the command. It's unlocking a door he hadn't considered before in your dynamic, and out of nowhere he feels close to tears from a simple hand job.
His hazy eyes find yours again and you correctly read the plea in them. The need for you to follow through with the power you currently hold over him. The corner of your mouth quirks up into a grin and you lean forward to suck a dark and sudden mark into his throat before whispering huskily into his ear.
"Cum for me, big boy."
The moan Eddie lets out is otherworldly, filling the space of your small kitchen and echoing throughout your small shared home. His cock pulses in your grip and then he's cumming. Fast and hard. Hot spend shooting out over your fist and onto your apron and your work top. It's so much, all over and you let out a shuddering, pleased laugh.
"There we go. That's it, Eddie. That's it, baby," you encourage, milking his cock for all he's worth, helping him expel the last of his cum so that it dribbles down over your wrist. "Mmm, bet that felt so good, huh? Mmm look so pretty for me."
You're swept into Eddie's arms before you can praise him any further. He crushes your body to his and clings to you, his lips finding yours in a bruising kiss. It knocks the air out of you but fills your lungs nonetheless. The act calls attention to the throbbing between your own thighs, and within moments you find yourself rutting against his thigh almost unconsciously.
Eddie is the first to break the soul sucking kiss, though he does immediately move down to rip open the buttons of your work blouse to litter kisses over your neck, clavicle, and the swells of your breasts.
"Gonna take what you want from me, princess?" he hums gruffly, words made husky from the way his groans had abused his vocal cords. "You already took all my cum."
There it is. Not exactly dominance, but a glimmer of the cheeky confidence that usually colored every sexual encounter between the two of you. You feel your body heat up even further as a rush of adrenaline makes your hips move faster, pushing your clothed pussy over his thigh at a faster rate.
"You've got more to give," you respond breathlessly. Your smirk makes his already dark eyes darken impossibly further. "You've always got more." There. You're not letting go of control that easily. Eddie's answering smirk makes you realize that maybe neither of you need to let go. Maybe the two of you can continue this back and forth, this give and take. This dance of pushing and pulling, breaking each other down and building each other back up until time itself bends around the two of you.
Eddie, to your disappointment, pulls away from you enough to pull the soiled apron off his body. The movement calls attention back to his cock, now tucked back inside his ruined boxers, allowing you to see that he's begun to harden again in a marvelous show of stamina.
"I'll give you anything, baby," Eddie grins. He turns the stove off before hoisting you into the air. Your legs wind around his torso and your hands find his hair so you can mark the remaining pale real estate of his neck and shoulders as he stumbles towards the bedroom.
"Anything."
~*~
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I hope you enjoyed!!! Please let me know and thanks for reading!
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multifandom-worlds · 28 days
Text
Party Like a Rockstar....Fuck Like a Pornstar
Genre: Almost smut? Like, smut adjacent.
Word count: 1.4k
Warnings: Alcohol, fairly descriptive talk of sex, mild derogatory language
Pairing: Mattheo Riddle x reader x Theodore Nott
Authors Note: This is my first fic for this fandom. Probably pretty out of character for them. Please let me know if there is anything I missed, anything I should do differently next time, etc. Thanks for reading!
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“I don’t understand why they prefer to spend time with her rather than with us?”
You listened to a group of random Slytherin 5th years as they fawned over Theodore and Matthew, watching them at their Quidditch game against Gryffindor. You were used to other students wanting your boys, even though the three of you did not keep your relationship with each other a secret. It just came with the territory—you had two of the hottest Slytherin boys wrapped around your finger, doing whatever you asked of them as the obedient little dogs they really were. 
“Look at her, seriously? Look at all the hickeys on her neck. She’s so trashy!”You chuckle to yourself, stretching out in the bleachers and enjoying the sun on your face. If only they knew how you got those hickeys, how fuck drunk you were on their cocks just the night before as they ruined you, leaving you a dripping, overstimulated mess on Theo’s bed. If only they knew how you had Theo whimpering,  begging to be touched while you rode Mattheo’s face. 
You watch, along with the other fangirls, as they fly around overhead, watching their muscles contract. You press your thighs together, feeling heat start to grow between them—they were losing, and you knew whenever they lost, especially to Gryffindor, they would be angry and take all that pent-up emotion out of you. Not that you mind, you had no issues being their little fuck toy, mainly because they would shower you with praise once they felt better. 
While you were daydreaming, Slytherin had caught the snitch and won the game. The entire Slytherin bleachers erupted into hoots and hollers as they descended on the field. “Party in the Slytherin common room!” Blaise shouted above the din. 
You watch as that gaggle of 5th years swarm Mattheo and Theodore, pressing themselves all up over them, batting their eyelashes and flirting relentlessly. 
“You played so well!”
“You looked so hot up there!”
“Come back to my dorm, and I can help…relieve those sore muscles of yours. I’m really good with my hands.”
Theo dramatically gags, hearing what they have said, causing the rest of the team to laugh. He turns his attention to the 5th year directly in front of him. “And what’s your name?”
“Lacey, Lacey Goldrun. You’re Theodore Nott! My friends are Tara, Serena, Elena and Sophia. We have been yours and Mattheos' biggest fans ever! We come to all your games and know your whole schedule, even where your dorm is!” One of them responds, her face lighting up at the fact that Theodore Nott was talking to her.
Mattheo looks at them suspiciously. “That’s stalkerish.” 
“Well, Lacey Goldrun,” Theo began, looking down at her, eyes boring a hole into her. “You must be new here because everyone knows Matt and I are spoken for, so if you dare touch me again, I will…” 
You stick your finger and thumb in your mouth, letting out a high-pitched whistle, attracting the attention of every person on the Quidditch field. Theo draws his eyes away from Lacey before he and Mattheo begin to push their way through the crowd to you. 
“Walk 'em like a dog, sis!” Lorenzo shouts as you begin to walk back to the castle.
“Walk am like a dog!” Draco echos, erupting into a fit of laughter.
Both of them roll their eyes and flip the group the bird before diligently following you back to their dorm for their after-game ritual. Most would assume they planned on bedding you, but the reality was much softer. They took turns taking a shower to clean off all the sweat before the player who scored the most points in that game got to steal you for a nap.
Theo came out of the bathroom, a towel draped around his hips, seeing you and Mattheo fast asleep on his bed. The faintest smile pulled on his lips before he kissed both your cheeks and went to get changed and go for a smoke. “He scored one more point than I did, cara mia; how is this fair?” He chuckled to himself before leaving the dorm.
You moan into his kiss as he presses his body into yours from the front. You could feel just how hard both of them were, and it was all because of you. With Mattheo’s lips on your neck, your free hand slides down between your bodies to palm Theo through his jeans. 
Hours later, the Slytherin common room was packed - drunks were flowing, music was blaring, and the party was in full swing. You were grinding against Mattheo, your arms around his neck while his hands were on your hips, holding you tight against him. “You’re so fucking perfect, mon petit coeur. This dress..” He trails off, his hands sliding down your legs, playing with the hem of your admittedly concise dress. You continue to gride on him, making eye contact with Theo, sitting a few feet away.
“Fuck, cara mia, you look so fucking good griding on him like that.” Theo groans, walking over to you and Mattheo. He grabs your cheeks in one hand, forcing you to look up at him before he claims your mouth, his hand falling from your cheeks to your throat, squeezing gently. 
“Merlin, I wish that was me,” A very drunk Lacey whines. She was trying to make it look like she was talking to her friends, but she was staring straight at the 3 of you. You pull yourself away from your boys, strolling over to her before leaning in close to whisper in her ear.
“You want to be this trashy, do you little one? You want to be so cock drunk that you don’t even know your name, and you can’t sit on your ass for weeks because of how many times their hands came down on your ass?” You give her a quick once over, clicking your tongue in disgust. “You couldn’t handle this being you; you’d break before they even got started.” 
Lacey looks at you, eyes glassy in her drunken state. You squeeze the bridge of your nose. She didn’t understand a single thing you just said to her—which is probably a good thing. You didn’t necessarily want to traumatize the poor girl. You turn to her friends, “Take her back to her dorm; make sure she stays there. I don’t want to see any of you until morning. Do you understand me?” 
The other girls nod quickly, fear prevalent on their faces as they quickly pull Lacey away, disappearing into the crowd. You walk back to Mattheo and Theo. “That was one of the hottest things I have seen you do in a long time,” Mattheo says, grabbing your ass and pulling you close, stealing the words right off your tongue. 
You hardly had a moment to breathe before Theo's nicotine-stained lips made contact with yours. Mattheo lets go of your ass, disappearing into the hordes of people. You were so lost in Theo’s kiss that it barely even registered that he was gone. 
He bites your bottom lip, pulling away every so slightly before letting it go. “If you weren’t so drunk right now..” He began, hands on your ass, “I would drag you update and fuck that mouth of yours. Matt was right; that was one of the sexiest things you have done in a while, telling people what kind of perfect slut you are for us.” 
You go to say something, but you are interrupted by a shot glass getting shoved between your tits. You know who that hand belongs to - you look up at Mattheo, fire whiskey in his hands. “Celebratory shots, Theo?” He questions, pouring the alcohol into the shot glass.
“After you,” Theo says, taking the bottle from the other boy's hand. Mattheo smirks, shoving his face between your tits, wrapping his lips around the shot glass before lifting his head up and back, downing the liquid in one swallow. He takes the glass out of his mouth before handing it to Theo.
“My turn, Cara Mia, be a good girl now, and I might reward you when you sober up,” Theo says, placing the shot glass back between your tits. He poured some fire whiskey until it was overflowing. “Whoops,” he smirks before he, too, shoves his face between your tits and takes the glass between his lip.
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artist-issues · 6 months
Text
I Saw Wish
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And it was the worst animated Disney movie I’ve ever seen. I have to watch it again before I can get into the nitty gritty details. But I don’t need details to sum it up, because my dad actually said it perfectly as we left the theater:
“It was like someone who didn’t really understand Disney movies tried to make a Disney movie.”
Both the form (the technical arts of filmmaking) and the content (the morals, values, and themes of the movie) were totally horrible.
I don’t know who’s fault it was. Jeremy Spears was in the storyboard room and Mark Henn and Eric Goldberg did some 2D animation. But they must have gotten outvoted, or they must not care anymore.
Because holy cow. Here’s some stuff that’s just off the top of my head.
SPOILERS. Not that it matters, because nothing interesting happens in this movie.
The writing? Terrible. Ninety percent of it feels like the characters are filling time with quirky one-liners that are trying too hard to be appealing, then failing, then taking you out of the movie. The jokes aren’t funny. The characters just respond to each other in conversation to check a one-liner box. The other twenty percent is whole conversations repeating tell-don’t-show exposition that has already been covered, usually twice, in previous scenes. Like if in Tangled, every scene had included some variation of Rapunzel saying to friends and enemies alike, “I have to see the floating lights so I’m sneaking to the castle with this thief who wants a mysterious tiara I hid from him. Don’t tell my mother, she’s a bit overprotective!” Over. And over. And over.
The character motivations are way too broad. Asha? Her dream is just “that everybody around me gets to be happy.” That’s it, in a nutshell. No deeper exploration of that. Nobody asks, “why do you care so much?” Nobody tries to convince her she should look out for herself, and then she proves she was right all along. The King? We are told (not shown) that he doesn’t want anyone else’s dreams to be “destroyed.” But he in no believable way expresses that that motivation is still what’s driving him during the movie—what’s driving him is just a plain old lust for power, no nuance.
By the way, the whole premise of the movie? Undercooked. Half-baked concepts strung together with no definitive meaning. Therefore, it’s not believable. Example: The characters act like the wishes are beautiful—well, actually, no, this movie doesn’t know how to show, so there’s not a lot of meaningful acting—the characters just tell us that wishes are “the most beautiful part of someone,” and that’s why it’s worth going through this adventure to give their wishes back to them. But there’s no proof of that in the movie. In fact, it directly kicks it’s own legs out from under that idea, because it has every character who gives up their wish forget that part of themselves. Asha’s grandfather has forgotten his wish, but that doesn’t make him any less “beautiful.” She, and everyone, still treats him like he’s this wonderful old man who deserves the world, who everyone loves…but why is he so appealing? If he “gave up the most beautiful part of him?” The only character who is changed by their lack-of-wish is the Sleepy-analogue character…who is just sleepy, which is described as “boring.” But nobody else who’s given up their wish in the whole kingdom acts like that. It’s just him. Also, the King acts like it’s so important to protect the wishes from destruction. But what does destroying a wish look like? That actually happens to Asha’s mom. Her wish-bubble is broken, literally, and she just says she feels grief. But like. Why? She never remembered it in the first place; it had been missing from her life for years. Also, what the heck is a wish?! It seems to range from broad concepts like “inspire people” to “fly.” Just “fly,” like a bird. The desire to levitate off the ground is the most important, beautiful essence of one background character. Like, what?! But no character ever has the why behind their wish to make us care.
I could go on and on about that point. Like, think about Disney movies that wrote the book on how to make movies about characters with wishes. If Ariel were in Wish, her bubble would look like “dancing and learning and exploring on the Surface with someone who understands her.” But we believe that that is her real, genuine wish, and that it matters to her, because we are shown why being understood is so important to her. Because it’s missing from her life. There’s a scene where she explores a boat alone, and even her best friend doesn’t get excited about it with her. Her dad won’t listen to her point of view. Her siblings don’t ask her about her life even when they think she’s in love. She wants what she wants because of pieces of her life that we are shown.
We are never shown why Asha’s grandfather is obsessed with inspiring people, so we have no reason to believe it, or care whether he gets it or not. We can’t feel disappointed when his wish is said to “never come true,” like we did when Quasimodo was abused by the people he wished to join. We can’t feel elated when he finally “gets” his wish, like we did when Simba smiles on Pride Rock remembering the same way he used to as a cub and claims the crown with a roar. We don’t have anything to hang on to, nothing to relate to, nothing to grasp and feel with the characters. So we don’t feel, because they didn’t put the work in to help us feel. They just say, “the mom’s feeling grief. Feel grief.” And expect us to do the work ourselves. I have to stop harping on this point and move on.
But The main point of the movie is very broad because of that lazy premise, and it’s barely reinforced by any kind of appealing storytelling. If I had to guess, the point would be “Keep wishing for more even when it’s hard.” But the story they told to communicate that meaning was so unimpactful. Asha doesn’t have a dream of her own that’s such hard work to accomplish! (Neither does her grandfather; his wish is “to inspire people.” And at the end, we’re supposed to see him strumming a guitar and believe it’s inspiring? We were never shown how he worked hard to learn how to play the instrument. Or that he carved it with his own hands, or anything like that. So there’s no meaningful demonstration of working hard for it or achieving your wish even if it’s far out of reach.) And nobody except the king is trying to take wishes away from anyone, and he just does it literally, after they voluntarily give them to him, so there’s not even any impactful demonstration of “don’t let anyone tell you your wishes are dumb or unachievable, or stop you from reaching them.” Even when he takes them away, it’s just because they…could, someday, be used to threaten his kingdom in a vague, really unlikely way. There are so many things you could do with “keep wishing for more even when it’s hard.” For instance; you could say the main character has always been afraid to dream (wish for more), because maybe when she was a kid something wonderful almost happened but ended in tragedy, so she keeps her head down and doesn’t want much because if you don’t dream you’ll never be disappointed. She takes no risks, and has to learn that sometimes trying and failing is worth more than slogging through life all self-protective. I mean, the pieces were right there. She has this line about her dad, and how she wished he would get better but then he died. She has lines about how nobody should have to live with grief?? Then that’s never addressed again! It’s just a throwaway emotion-moment with no buildup or follow-through to tie it to and support that main theme.
The compositions of too many shots were so terrible. Characters got cut off in weird places. One shot has Asha dead center, with her grandfather on the left side of the table and her mother on the right, having a family dinner with a super exposition-heavy conversation that is meant to be emotionally charged. But despite everything else being perfectly centered, half of her mother’s body is chopped off. The movie’s shot like someone’s mom who doesn’t understand technology tried to take a video with her phone.
The charm of the art “style” wears off basically immediately. I know what they were going for. I see the sketch lines and watercolor textures. This is maybe the first time Disney ever failed to accomplish a visual “look” that turned out good. Everything looks dull. Muted. De-saturated. Slightly out of focus, but not in a cool Spider-Verse way. The sets or backgrounds are lazy; at no point does the scenery look complete; big, empty, boring spaces that do not create any kind of “stage” for impactful moments. The rendering looks unfinished. When Asha’s hair moves during her belting of the “I Make This Wish” song, it’s bad. It’s unnatural. It flops in a way that doesn’t make sense for the weight of her hair. The most impactful visual moments come from the villain, and they’re moments when he looks way too unhinged for the kind of line he’s saying.
There is no interesting character development. Asha goes from believing everyone is basically good and their wishes deserve the chance to come true , to….that, again. That would be fine, she could be a static character, if she proved contrast-characters wrong, in a believable way. But she never does. Because no other characters argue with her except the King. And it goes no deeper than “everyone’s wishes are basically good and they deserve the chance to make them true” vs. “nuh-uh, because I get to decide what makes them deserving.” The King doesn’t have any kind of interesting development, either. They don’t expand on his tragic backstory—it consists of one drawing of him near a broken boat, and a few images of the corner burned off of his family taoestry. They never say “King Magnifico wished for _____ and it was taken away!” They literally never tell you what his wish or dreams were, or what motivated him to create the whole kingdom that the movie’s premise sits on. So there’s no convincing sense of progression, how he got this way, why he’ll keep going “so far.”
The pacing is weird. It undercuts every moment that could have any kind of emotion behind it. One minute Valentino is suavely bouncing around, then he’s given a two-second beat to blubber with badly-animated tears that he’ll miss Star—then he instantly gets to have another funny one-liner so we forget he might’ve been sad a second ago. We’re clearly supposed to believe that the King and his wife are devoted to each other, and his turning evil was such a big betrayal, but there’s no time and no impactful evidence for us to believe either of those things. And even if we did, the moment he’s defeated and trapped in a mirror, and begs to be let free, the Queen kind of shrugs it off, makes a forgettable one-liner, and tells them to throw him in the dungeon. And he doesn’t look remorseful. And we don’t even get to assume he’s embarrassed or emotionally devastated that he’s come to this—because the last thing he says is “nooo, the dungeon is so smellyyy!” Like this is a half-baked LEGO short that can’t get emotionally deeper than what an actual 3 year-old’s parents might be okay with.
And that’s the worst offense: The movie is not genuine. It works hard for nothing, and it has no vulnerability. It just uses old Disney standbys to pretend to be vulnerable. Have the music swell and the characters gasp and the songs drip emotion when characters are meant to be saying or doing something emotional.
But truthfully, think of all the Disney movies you’ve ever seen with the hardest emotional moments. The sheer joy of Genie when he realizes he’s free. The anguish when Elsa thinks Anna’s been frozen forever, or when Anna thinks she’s dead. The trauma when Simba loses Mufasa. The longing and dreaming of Ariel when she reaches up out of her grotto. The sense of foreboding when Mother Gothel says “fine, now I’m the bad guy” or the heartbreak in Rapunzel’s eyes when she thinks Flynn has abandoned her, or the shame on Aladdin’s face when Jafar reveals he’s a street-rat, or the horror of cruelty when the stepsisters rip up Cinderella’s dress, or Kala’s tears when Tarzan leaves her in the treehouse, or Sarabi’s tears when Simba comes back, or Mulan’s father tossing aside the sword and token of the Emperor to embrace Mulan, or heck, even just Lilo pushing Stitch in the woods and telling him “get out of here.” This movie has no moments like that. It has moments you can tell that the filmmakers wanted to hit like that—but they don’t.
Because no work is put into building them up. You know how much Simba loves Mufasa, because you’ve been watching their chemistry more than any other character all the way up till he dies. You know how much Mulan wants to please her family because she spends all of Act I desperately attempting to do that. You know Quasimodo believes the world below is beautiful and wants them to accept him because he has interesting things like—talking to gargoyles, convincing us that he’s lonely; building a scale model of the townspeople, convincing us that he sees them in a beautiful way and wishes he were beautiful in more ways than one like them, too.
Right down to the facial expressions, none of them are as anguished, happy, sad, excited, silly, in any convincing way like all of Disney’s other movies. Asha’s “low moment” when she’s afraid her “wish” hurt everyone else (still vague on what that wish ever was) lasts two seconds, she’s not crying, she’s barely sitting with slumped shoulders, and her family barely spend two seconds comforting her. They basically just say, “aw, no, it’s not y fault, it’s the king’s.” And she’s like, “yeah okay” and that’s that. It’s like the animators we’re afraid to animate really intimate emotions on the characters’ faces. The voice actors, too.
And the whole movie is peppered with Easter eggs to past Disney movies. But all that does, if you really know Disney beyond the visuals, is make you think of how hollow this movie is in comparison. How much you wish you were watching Cinderella or The Little Mermaid or something with depth and vulnerability instead of Wish.
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