Six Baudelaires AU, Part Three: Reference Guide
A quick guide for everything I intentionally referenced in The Six Siblings, That’s Not How the Story Goes.
{ao3} {tumblr} {part one reference guide} {part two reference guide}
Without further ado…
Chapter One / Prologue - in which the Baudelaires get lost at the train station
“We’re dead as heck.” Nick shrugged.
Considering the younger age of the children here, they use much lighter swear words.
Klaus had his hands over his ears, and he looked on the edge of tears. “It’s too loud! It’s too loud!”
Klaus is overstimulated.
They were in some kind of shoeshop, and a ginger man glanced at them. “Oh, hello!” he said. “Are you- where are your parents?” [...] “When did you see them last?” [...] “Why don’t you have some snacks? It’s all vegan, if-”
The shoemaker that helps them out is Drumstick from File Under: 13 Suspicious Incidents, who is noted to have made money repairing shoes.
“Lilac is almost-nine,” Klaus said, “And she’s got two braids cause she wants to be like Wednesday Addams on TV.”
The Wednesday Addams reference should be obvious, though I should point out that Lilac wants to emulate the 1960s Wednesday, which is the one she’s seen on TV; the older show once again makes the time period ambiguous.
“Oh my God.” Beatrice was saying. “Oh my God, oh my God, oh my God.”
“Kids, are you alright?” Bertrand asked, the second they pulled away. “Did anything happen?”
Pretty clearly, the Baudelaire parents were terrified that VFD had abducted their children while they were separated.
“No! No, we’re gonna be fine!” Lilac said quickly. “We just need to find Klaus and Nick. I… I’ve gotta find them. I’m in charge. I’ve gotta find them-”
Ah, Lilac’s already got Anxiety™.
Rest of the fic under the cut.
Chapter Two - in which Violet saves everyone’s asses
No major references in this chapter.
Chapter Three - in which Sunny cusses quite a bit
“Their species can completely freeze over in cold temperatures.” Solitude assured him. “So they may stop moving, almost look dead, but they’ll be alright, and they’ll unfreeze when we get somewhere warm. We’ll have to catch them up on whatever happens.”
Babbitt’s based off of a wood frog, which do freeze in low temperatures.
Also to note: by this point in the fanfiction, Solitude no longer uses babytalk, and instead speaks in full sentences.
Chapter Four - in which the Baudelaires join the Snow Scouts
“Oh, yes.” Klaus said. “Those snow gnats behaved like Violent Frozen Dragonflies.”
“Guys…” Nick whispered, but none of them heard him.
Nick is not a fan of VFD at this point, but his siblings are too busy trying to get help from this scout that they don’t immediately notice his discomfort.
As her story continued, Nick pulled on Klaus’s sleeve, gesturing that he wanted to talk, but Klaus shook his head; the other Snow Scouts would notice them leaving.
Trying to tell Klaus something about VFD.
“I mean it.” Nick shook his head. “Things can’t ever go back to the way they were. Even if one- or both- of our parents is up there, and they shove Olaf off a cliff and take us home… it’s not going to be the same. We… we know too much.” His siblings remained silent, processing this, as Nick wiped his eyes on his sleeve. “They won’t protect us.”
Nick knows how VFD recruits its “volunteers”; his fear is that their parents are alive and consented to them being recruited, and will just turn them over to VFD.
Chapter Five - in which Nick gets to climb something again
She hmmed, brushing her bangs out of her face as she considered what she could make with all of this.
Sunny already has long hair that she’ll need to tie back while thinking, like her big sisters.
Sunny held out the mug of orange juice, and said, “Aurantiaco,” which meant, “Chip away at the juice until you have shavings, so I can make orange granita.”
“Aurantiaco” is derived from the Latin adjective “aurantiacus”, meaning “orange.”
Chapter Six - in which Sunny makes a signal
Quigley gave her a smile, and then looked back down, as the Baudeaires crowded around him- all except Lilac, who was still staring at the smoke. “Well, we’ll have to go back through the Vernacularly Fastened Door, down the Vertical Flame Diversion, hike the path the Snow Scouts are taking- and they might notice we’re gone by now so we’ll have to come up with some excuse, Duncan always said you could never go wrong with an exit pursued by a bear-”
A reference to a famous stage direction from William Shakespeare’s The Winter’s Tale.
Chapter Seven - in which Lilac goes feral
Nick bit his lip and pushed a charred novel back onto the shelf, before moving to scratch his arm.
TRIGGER WARNING: SELF HARM MENTION
Once again, Nick’s arm scratching occurs whenever Olaf or his troupe are mentioned.
Klaus walked over, too, and he pulled his siblings into a hug. “We’ll protect each other.” he said. “Okay? No sacrificing ourselves, no kidnappings, no separations. No more.”
Klaus really wants to make sure Lilac doesn’t try to trade herself, like she tried to do with Nick.
“Lilac, seriously, I can’t breathe-”
“Then suffocate.”
A reference to the popular meme:
“We hate to interrupt!” came Lilac’s voice, and Violet and Quigley turned to see her and the twins run back into the kitchen, “But we found something!”
Lilac: Y’ALL BETTER NOT BE FLIRTING IN HERE
Chapter Eight - in which the Baudelaires raid the fridge
Solitude looked up. “Sure, hon.”
A reference to the meme:
“I was making them an anniversary present- a map of all the places they’d traveled.” Quigley sighed. “And I never got to tell them that I don’t…” he hesitated, and then said, “I mean, Duncan and Isadora came out to them, but I never told them that whenever I was doing astronomy class and called myself a space ace…”
Violet laughed, and Quigley flinched. “No, no, I’m not making fun of you, it’s a good pun, I’ll have to make sure Nick knows it.”
Quigley and Nick are both asexual.
“I think my parents found out when I told them I wanted to marry both Elizabeth and Darcy.” Violet smiled. “Lilac and Nick teased me about that for years. I don’t even know if they remember now.”
Quigley stared at her. “Holy shit. Vi… I said the same thing.”
A reference to Pride and Prejudice by Jane Austen.
Violet is bisexual, Quigley is biromantic.
Nick slid against a half-collapsed wall, screaming into his lap, hot tears springing to the edge of his eyes and streaming down his face.
TRIGGER WARNING: PTSD, SELF-HARM
Nick goes away to have a panic attack without his siblings worrying about him; it’s also explained in this segment how his scratching is him desperately trying not to slip into a flashback.
Chapter Nine - in which Lilac and Nick are very pissed off
“Nocere!” Sunny said, which meant something like, “I’m alright, they haven’t done anything too bad.”
“Nocere” comes from the Latin verb “noceo”, meaning “to hurt.”
“Uncus!” “The hook-handed man made it so I didn’t freeze.”
“Uncus” is the Latin word for “hook.”
And then she asked, “Senio?” which meant, “Where are the others?”
“Senio” is the Latin word for “six.”
“Nosra,” Sunny said, which meant, “A man with a beard but no hair and a woman with hair but no beard; they’re arsonists who burned down the Headquarters.”
“Nosra” is “arson” spelled backwards.
“Coquus.” Sunny said. “I can do that. There’s enough ingredients to make spinach rolls in the trunk, including an eggplant that’s about as big as I am.”
“Coquus” is the Latin word for “cook.”
“I know, Vi! I know what they’ll do to her, what they’re probably already doing to her!”
Obvious reference to Nick’s time as a captive, but subtler reference to the fact that Olaf tortured him with the information of what he’d do to each sibling in turn.
“Yes, she is!” his voice broke. “I was helpless! I thought I wouldn’t be, but I was! And she’s a baby! I was almost thirteen!” Tears streamed down his face, as he pushed her again. “I was almost thirteen, and I was wrong!”
Reference to a similar line spoken in every All the Wrong Questions book.
Chapter Ten - in which Nick spills some Bitter Tea
Title is a reference to Kit’s quote, “Tea should be as bitter as wormwood and sharp as a two-edged sword.”
“Sure.” Nick said. “We can be Volunteers who want to recruit our innocent little baby. They’ll believe that.”
A reference to VFD recruitment tactics.
“Isa had a huge collection of what me and Duncan called ‘goth poetry.’” Quigley said, smiling. “She likes to recite, too. Verbal stim.”
Isadora (and all the Quagmires in my headcanons) is Autistic. Nick has ADHD and also stims with recitation.
“It’s not. Snicket’s real. And he…” Nick shivered. “Let’s just say he’s definitely real. Maybe even still alive.”
“He’s real and he fathered my oldest sister.”
That’s when they heard the crash, and Esme’s scream. They all fell silent for a second, and then Nick let Quigley go.
An intentional combination of the Book version of this scene - where they decide to warn Esme- and the Netflix - where she traps herself.
There was a flash of recognition, and then she smirked. “Well, well, well.” she said. “If it isn’t Beatrice’s little angel.” Nick’s hand flew to his necklace, as his glare intensified. “Fancy seeing you here, I thought you were supposed to be smashed at the bottom of the mountains.”
Something Olaf called him in Chapter Fourteen of Part Two; Nick was very close to Beatrice, whom Olaf and Esme both despise, so you can bet they took a lot of their anger on her out on him.
“Fancy seeing you here.” Nick said. “I thought you were supposed to be somewhere in the second circle of hell, but I guess you can’t have everything, can you?”
In Dante’s Inferno, the second circle of hell is the circle of Lust.
“Why he’s here doesn’t matter.” Nick said, and then he smiled very coldly and said, “What matters is you’re our hostage now, so I’d suggest you shut the fuck up and do what we tell you to do.”
Was going to make this more obvious in the text but decided against it, so here’s a fun fact: this is something that was said to Nick during is captivity. He’s getting a lot of joy out of saying it to Esme.
Chapter Eleven - in which Carmelita gets adopted
Nick took a deep breath, and then said, his voice breaking, “Don’t act like I don’t know what you’d do to her. If you have laid a single fucking hand on my sister, there will be hell to pay.”
Once again, a reference to Olaf torturing Nick with information on what he planned to do to the other Baudelaires.
“Why are you recruiting us, too?” Colette asked, peering from the net. “We already work for you.”
Changed from Fernald to Hugo, Colette and Kevin in order to explain their absence in TGG.
Esme glared at him. “We don’t need that ugly girl. Having an infant servant was fun.”
TRIGGER WARNING: CSA MENTION
Esme knows about Olaf’s attraction to Lilac/Violet and is jealous, instead of being, you know, disgusted and horrified.
Carmelita just smiled and gave Esme a hug. She turned towards Olaf, starting forwards, and just then, Nick thrust Solitude into Violet’s arms and raced ahead of her, pushing her back.
Even though Nick hates Carmelita, he doesn’t want her suffering like he did.
Chapter Twelve - in which Lilac is a Disaster Lesbian
“No- she can curl up inside a diving helmet! Aye! The helmets have a tiny door on the neck just for such a purpose! Aye! I’ve seen it done!”
Though this doesn’t happen in-fic, this did happen in the original book lol.
“Actually,” Nick sighed, laying his head on Klaus’s shoulder as Soli wriggled around to try and get a good view of the captain, “He’s the researcher, I’m an… well, I…”
Nick’s having an identity crisis brought on by the PTSD; he’s not sure who he is anymore.
“Come on, Lilac will be fine in a minute.” Nick said, elbowing Klaus. “She just needs to time to adjust. You know. Like Sappho.”
Sappho - a famous lesbian poet.
Chapter Thirteen - in which I bang my head against a table because I have to pay attention to Widdershins
“No, no, we do!” Fiona looked ecstatic, and Lilac let out a squeal as Fiona grabbed her hands. “One of our previous crewmembers, the one who later turned out to be stealing information on VFD headquarters, she stockpiled a shitton- oh, sorry, I mean a lot of coffee.”
The “spy” may-or-may-not have been an anti-VFD Ellington Feint...
“Now, I’m sure you have lots of questions.” Fiona said as they walked.
“Definitely.” Nick said. “Number one, how d-”
A reference to the meme/quote from “The Office” (US) 4x11:
Chapter Fourteen - in which the Baudelaires encounter a Great Unknown
“Let Violet work on the wheel,” Klaus suggested, “And maybe Fiona can help Lilac with the telegraph.”
These kids are gonna get Lilac a girlfriend if it kills them.
“Don’t worry,” the captain replied, “We’ll find a spouse for the others, too! Aye! Perhaps we’ll find your long-lost brother, Fiona! He’s much older, of course, and he’s been missing for years, but if Klaus can locate the Sugar Bowl he can probably find him! Aye! He’s a charming man, so one of the girls would probably fall in love with him, and then we could have a double wedding! Aye! Right here in the main hall of the Queequeg! Aye! I would be happy to officiate! Aye!”
“Okay, well,” Nick said, as everyone stared at each other incredibly uncomfortably and he finally made his way to stand beside Klaus, “That’s not going to happen, for a number of reasons. First of all-”
First of all, Klaus is gay.
Second of all, Fiona is gay.
Third of all, Lilac and Fiona are the ones flirting.
Fourth, everyone’s too young to get married.
Fifth, Nick is aromantic.
Sixth, “your older long-lost brother” is not a good phrase to throw around to a group of children who’ve been trying to escape a man who tried to marry Lilac.
Seventh, your children are not fucking prizes to hand out???
Eighth, what the fuck dude.
Chapter Fifteen - in which Lilac and Fiona are Gay as Hell
“I mean, you could call them King stropharia. I just like the scientific names. They’re fun to say.”
“Oh, that’s completely valid.” Lilac smiled. “I learned Russian when I was younger just because the boys read Anna Karenina and all the names were fun to say.”
Autistic verbal stims!!
“Lentinula Edodes.” Fiona said, smiling at some fungus growing on a hardwood log. “Also known as Shiitake Mushrooms.”
“Shiitake?”
“Don’t start.” Fiona giggled.
It sounds vaguely like “shit.”
Lilac and Fiona returned to the dorms very late, arms linked together as they chatted about a book they’d both enjoyed, about another sugar bowl whose contents were actually very well known.
A reference to We Have Always Lived in the Castle by Shirley Jackson.
Nick, meanwhile, was passed out on a chair near the door, almost having fallen over; Lilac recognized this position quickly, from the many times he and Klaus or Violet would sit at the bottom of the stairs waiting for their parents to come home late at night. “He was waiting for us.”
Nick was waiting up to talk to Lilac, probably to tell her about the Snicket Thing.
She carried him to a bunk, lowering him onto it. “Go back to being five years old, okay?” Lilac whispered, reaching over to grab a blanket. “We’ll lock you in the closet again and then make ice cream towers.”
“Lock you in the closet” is a reference to the one-shot.
Ice Cream towers are a reference to the prologue of part two.
Lilac sighed and pulled the blanket over him. “You’ll be okay. You want me to sing?”
All the references to Lilac singing someone to sleep are reference to the song “Asleep”, performed by Emily Browning, Movie!Violet’s actress.
“Good or bad cry?” Lilac shut her eyes. “Both.” she admitted.
Chef’s Salad.
Chapter Sixteen - in which the Crew goes swimming
They heard what sounded like a very suspicious watery noise, and Nick said, “If this submarine is flooding, I’ll take one for the team and die first.”
Reference to this line from Part One, Chapter Four: “Do you think if one of us died, the rest’d get transferred somewhere else?” Nick asked, hanging upside-down from the rotting couch. “I’ll take one for the team.”
“Nobody’s dying.” Lilac sighed, not looking him in the eye.
Nick’s lowkey suicidal remark scared her quite a bit.
“How about some of us stay here and do more research,” Violet suggested, squeezing Nick’s hand, “And the rest of us look for the Sugar Bowl? I can stay with Nick and try to work with the submarine. Nick, maybe you can dig through books and see if you can find anything on the Gorgonian Grotto, or the Great Unknown, and read it to me while I work.” [...] He’d found something that seemed to be filed under the Great Unknown, but it was probably misfiled as it just talked about a tearoom and a roadster.
Probably my most blatant reference to Movie!Klaus’s actor, Liam Aiken, narrating the All the Wrong Questions audiobooks.
“Ekab!” Sunny said, which meant, “I can stay here and cook!”
“Ekab” is “bake” spelled backwards.
“I’m sure someone did, aye.” Widdershins waved his hand. “Whoever got assigned the job. Perhaps R, or her daughter, they may have been nearby at the time. Or Larry, aye! We weren’t told about who was in charge of you, just that we needed to document information and track the Sugar Bowl!”
A reference to Jacquelyn (the Duchess of Winnipeg, making her either R or her daughter) and Larry Your-Waiter following the Baudelaires in the Netflix series.
“Don’t you worry, Nicholas! Everything’s for the Greater Good!"
While Widdershins usually calls him Nick, he slips up here, much like Poe always does; Nick hates being referred to as Nicholas.
“Besides, VFD wouldn’t abandon you! Aye! You’d be a great volunteer! You’re a dedicated researcher! Aye! You’re a saint! Aye! You’re an angel! Aye! You’re a-”
Nick stared at him in horror, and then said, “I have to go!” and took off running.
Nick was already put on edge by this victim-blaming conversation, the revelation that multiple people could’ve helped him, his siblings leaving, the VFD cult stuff, and Widdershins’s constant bullshit, but the use of the word “angel” sets him off the edge; it reminds him too much of being referred to as “Beatrice’s Little Angel.”
“Okay, so, I found a box of rubber bands.” Lilac sighed, sitting atop a chest. “And half a gun, a broken mirror, what might be a microphone, and a scattered notebook with sketches of some kind of snake.”
Solitude peered over her shoulder, her arms full of bottles. “I don’t recognize it.” she said sadly. “Also, it’s not a snake. It’s got legs, see there?”
Lilac found sketches of the Bombinating Beast.
Chapter Seventeen - in which Violet doodles
“Precisely.” Lilac said. “It’s something that’s not a choice at all. Our Mother used to give us Hobson’s Choices. She’d say, ‘Lilac, you can dust the furniture, or I can play polka music all night.’”
A reference to Lemony Snicket’s dislike of polka music in File Under: 13 Suspicious Incidents.
“She’d do that with the others, too.” Lilac recalled. “Violet could clean her room or we’d stand in the doorway and sing Row Your Boat, and Nick could be nice to guests or be made to read that third book about those kids in a maze, and Sunny could have a bath or a pink dress.”
A reference to The Maze Runner: The Death Cure by James Dashner. I hated the entire series, but the third book was the worst.
TRIGGER WARNING: Following references for Chapter Seventeen discuss Nick’s self-harm in detail.
She ran a hand over her ponytail, and then she said, “Nick, I will be right back, but you have to promise not to lock the door.”
She is scared he’ll lock her out and continue self-harming.
As soon as she was out of Nick’s sightline, she buried her head in her hands, struggling to remain calm. Don’t freak out. Don’t freak out. Help him now, freak out later. You need to help, Vi. Just keep moving.
Violet knows freaking out in front of Nick will just make him feel worse
Do the scary thing first, get scared later.
“No come in!” Sunny shouted. “Surprise!”
Sunny’s preparing Violet’s cake.
“Nodnaba,” Sunny said, and Violet heard her sliding from the counter. “He and Widdershins stepped out a moment; they’ll be back soon.”
“Nodnaba” is “abandon” spelled backwards.
Widdershins and Phil have “stepped out”, and either right now or very soon will be abandoning ship.
“Crayola,” Sunny said, which meant, “There’s a whole box of markers right here, for writing labels on cannisters. Can you bring them back when you’re done?”
Very obvious reference to Crayola art supplies.
“Alzatadispalle,” Sunny said, which meant, “Eh, fine, I don’t care about this submarine much anyway.”
“Alzata di spalle” is Italian for a shrug.
But she swirled the marker- a light blue color- around her brother’s arm, until there was just a jumble of color. Then, an idea finally coming to her, she took a black marker and drew some squiggles above it, mirroring the shape of their Uncle’s prized snake, the Incredibly Deadly Viper. It felt like a lifetime since they’d seen him.
A reference to Ink swimming through the sea at the end.
Violet took his hands, squeezing them softly. “When you feel… feel like you want to scratch without an itch, I want you to take these markers and draw where you… where you want to hurt. Do that instead. It should help. And if it doesn’t, I want you to tell me, okay?”
This is a legitimate coping mechanism for self-harm; drawing on skin with pens or markers.
Violet waited until he met her eyes, and she admitted, “About two years ago, I asked Father why he had pen drawings on his arm.”
Bertrand dealt with depression and self-harming tendencies, as well. Violet was the only kid who knew, and only because she asked.
Chapter Eighteen - in which Solitude catches a cold
“I found a newspaper scrap.” Lilac said. “I, uh, read a bit. Maybe we could discuss what we’ve read while we eat.”
She read the stuff about Fernald starting the fire.
“Like… ‘poached egg’ means ‘half the battle.’” Klaus said. “Remember when Nick used that metaphor and we punched him for it?”
A reference to a tangent Lemony went on in this section of The Grim Grotto.
Soli nodded, passing Klaus the wasabi and Lilac two cannisters, and soon they put on their diving helmets, suiting up for their return journey. Solitude hmmed as Fiona helped her put her helmet back on, saying, “Sand’s inside, I think.”
The spores.
“Senso-orario,” Sunny said, which meant something like, “I fell asleep in the kitchen, and when I woke up, Phil and Widdershins still hadn’t returned, and now I can’t find them anywhere.”
“In Senso orario” is an Italian term for “clockwise.” “Widdershins” means “counterclockwise.”
Chapter Nineteen - in which Olaf is a dick
“Ha ha ha heepa-heepa ho!” came a villainous laugh from the hallway, and within a few moments, Count Olaf entered, dressed in a similar suit of slippery material, only with a portrait of Edgar Guest instead of Herman Melville. “Tee hee tort tort tort!”
“No, no,” Violet looked up, giving him a glare. “Don’t do that.”
A reference to me not wanting to write Olaf’s villain laughter for like three chapters.
He stepped closer, putting a hand on Fiona’s chin. Lilac gasped and ran forwards, slapping his arm away. “You must be Fiona.” he said. “Why, you’re all grown up! The last time I saw you, I was trying to throw thumbtacks into your cradle.”
Nick shot up his head, giving Olaf a glare that could have killed him. “Get away from her!”
OLAF 👏 IS 👏 A 👏 CREEP
Lilac and Violet glanced at each other, and then around, trying to spot an escape route. This, however, was a mistake; Olaf figured out very quickly what they were planning, and before they could do anything, he reached forwards and ripped Nick out of Klaus’s grasp.
Once again, Olaf knows the kind of effect he has on Nick, and how protective of him the others are, and uses this to his advantage.
“My henchperson will simply torture the information out of you.” He smirked down at Nick, who was shaking uncontrollably. “Isn’t that right?”
Nick didn’t respond, barely keeping himself from sobbing.
Nick’s been captured again, with his siblings. Olaf is taunting him, heavily implying that he’s going to follow through on his threat to torture Nick’s siblings in front of him before killing him.
“Umore,” Sunny said, which roughly translated to, “God, that’s a mood.”
“Umore” is an Italian word for “mood.”
“What did we tell you, you little beast?” she hissed. “You can’t get away from us.”
Most of Nick’s worst trauma came from “punishments” from when he tried to escape, which is why he panics whenever they’re about to be caught.
“Holy fuck,” said a girl at the oars, “What the hell is wrong with you all?”
Not really a reference but I just want to point out that none of these recruits have any context for this so they’re probably just. seeing all these crazy shits saying whatever they want
“I’m getting tired of this.” Olaf said, waving his sword and gesturing at Nick. “You all get to see the first brig, it’s deluxe, as it comes with a noose. I think we should put this one in the second brig for-”
A reference to Netflix’s The Vile Village: Part Two.
“I think,” Olaf said, pressing his sword against Nick’s throat, “We should put those two little rebels in with our little Nick.”
Nick finally started to cry, tears streaming down his face as he almost collapsed, and Violet shouted, “You bastard! Leave them alone!”
Once again, Olaf’s planning on following through on the threats that scared Nick so badly. Violet, the only one who knows about what Olaf threatened him with, is the first to start panicking.
Chapter Twenty - in which Lilac leads a jailbreak
The title itself is a reference to Chapter Sixteen of Part One: in which Solitude leads a jailbreak.
Her younger brother finally pulled away, but only to run off to the corner of the small brig, where he leaned over and vomited onto the floor, barely keeping his own balance. Lilac jumped to her feet and dragged him towards the wall, as he shook more and clung to her arm. [...] Nick shuddered beside her, and he finally choked out, “I’m sorry! I’m sorry!”
Nick knows exactly what Olaf’s threatening, and he’s falling back into a pure traumatized state; he doesn’t think they can escape, he thinks he’s going to die while Olaf torments his siblings, and nothing is going to stop him.
“I…” Lilac slid onto a hard bench, where Nick sat beside her and refused to stop clinging to her side. “I glanced at the locks on our way in. They’re ordinary enough pin-tumbler locks, so- hold on a moment. Nick, Nick, please-”
A reference to a repeated phrase in When Did You See Her Last?
And then Lilac quietly sang, “Pretty when the window blows, I love my tree in autumn… Like I love my tree in summer, like I love my tree in winter… They put me in a room, and I thought of you in autumn…”
She shut her eyes, humming the next line, and then she picked up again. Fiona kept working on the lock, and Nick kept clinging to Lilac, terrified to let go, and she kept singing.
“Pretty when you sing me a new song in autumn, or a new song in winter, or a new song in summer…”
The song is “Pretty When The Wind Blows”, sung by Emily Browning, Movie!Violet’s actress.
The line she hums is one that would definitely not cheer Nick up - “And I’m sad I won’t see you again.”
Violet leapt in front of her siblings, and Klaus reached out to grab Sunny, who honestly didn’t look too worried.
Sunny is friends with Fernald, she knows he won’t do anything to them.
“We could pretend the Great Unknown showed up and is about to eat everyone.” Violet said.
“I’m sorry, do you have a small black statue that can imitate its call?” Fernald said.
“Why would I-”
A reference to Violet and Klaus’s escape in Netflix’s The Grim Grotto: Part Two.
A reference to the Bombinating Beast statue from All the Wrong Questions.
“Smelled like horseradish.” Sunny nodded.
Sunny, the chef, would remember.
Chapter Twenty-One - in which Fiona is Volatile
“I-” Nick stuttered. “I know TS Eliot.”
“Macavity,” Sunny said, which meant, “Wasn’t that from your musical phase?”
A reference to a song/character from Cats the Musical, based on a poetry book by TS Eliot.
“I’ll make this simple.” Olaf smiled. “I could torture you until you tell me, or we can trade information- or a lack of information, if you so prefer.” Then, in a sickly sweet voice, he called, “Nick?”
[...] “We don’t make deals with bastards.” Lilac crossed her arms.
Olaf smirked, eyeing her in a way that made her incredibly uncomfortable. “Interesting choice of words, my dear Lilac.”
Nick sat up, horrified, as Olaf took a step closer to his oldest sister, and then he shouted, “It’s in the kitchen!”
TRIGGER WARNING: CSA MENTION
Nick is terrified of Olaf hurting/assaulting Lilac, as well as outing her as Snicket’s daughter to everyone.
Sunny sighed and said, “Cruciatu,” which meant, “Can they kill us now?”
“Cruciatu” comes from the latin verb “crucio”, meaning “to torture.”
“I’ll be fine. If we get caught, we have a potential escape plan that involves a seaside town, a train, and a vineyard.” Fiona said. “And releasing a bunch of wild new recruits to perform chaos.”
Firstly, a reference to the Thistle of the Valley train that goes out of Stain’d-by-the-Sea.
Secondly, a reference to Netflix’s The Grim Grotto: Part Two.
As she moved slowly towards the controls, Violet at her heels, Nick curled up on his chair, and he whispered to himself, “But they were fucked up in their turn, by fools in old-style hats and coats… who half the time were soppy-stern…”
He hugged Solitude very close, shutting his eyes and trying not to think about everyone who had left. “And half at one another’s throats.”
The poem later recited by Olaf in The End - “This Be the Verse” by Philip Larkin.
“Mr Poe,” Klaus said, looking from the taxi to Poe, “Have you ever heard of a Hobson’s choice?”
“You can either get in the taxi, or go with Mr Poe.”
The woman smiled at Lilac, as if she’d asked the right question.
Another All the Wrong Questions reference.
Chapter Twenty-Two - in which Kit cannot drive
“So,” Nick said, kicking his feet and glancing down at Soli, “Are we in agreement that we are ‘fucked’, a word which here means, ‘holy shit’?”
Obvious reference to Lemony Snicket’s way of defining words.
They looked to each other, thinking hard. “Well,” Lilac finally said, “In the few minutes we’ve known her, Kit Snicket has broken at least nine safety laws, driven into a hedge, and seems intent on recruiting us to spy for a secret organization.”
“I like her.” Violet decided.
“Me, too.” Klaus added.
“Same!” Sunny said.
A reference to similar lines in Netflix’s The Penultimate Peril: Part One.
“Mother said she purchased it during intermission.” Lilac said. “She said it was the most interesting time she’d ever had at the opera, and she never wanted to forget it.”
“I’m sure it was interesting.” Nick muttered, curling up a little.
Nick knows about the murder.
She moved behind Lilac, tying back her hair for her. “You look just like your father.” Kit sighed, not noticing the flinch Nick made as he reached for some food to pass to Soli. [...] “Really?” Lilac asked, smiling a little. She’d never told that she looked like her parents.
She looks like Lemony.
Violet and Nick shared a quiet look, one that their siblings didn’t quite understand, but the two of them read perfectly.
Violet and Nick, after Widdershins’s shit, are very anti-VFD.
“That’s fine.” Lilac assured her, reaching for a cup. “I like my coffee bitter.”
“That is surprising.” Kit said absent-mindedly, still looking through papers.
Considering Lilac is Lemony’s daughter, and Lemony doesn’t like coffee (All the Wrong Questions), this comes as a surprise to Kit.
“That’s why you’ll be together.” Kit said, putting her hand gently over Nick’s. “I’ve received reports on your progress, Baudelaires, and while I haven’t been able to reach you, I have seen that you take care of your own.” [...] Kit gave them all a reluctant and sad smile, and then repeated, almost to herself, “You Baudelaires take care of your own.”
A reference to a line from When Did You See Her Last?: “We Snickets take care of our own.”
Chapter Twenty-Three - in which the Baudelaires enter the Hotel Denouement
Nick bit his lip, thinking about everything. VFD. The secrets. The Sugar Bowl. That reminded him of a book Lilac read him.
“We’ll live on the moon.” he said quietly, his voice almost blank. “And we’ll have flying horses.” God, he wished he was still young enough to believe that.
A direct reference to We Have Always Lived in the Castle by Shirley Jackson.
When it was time to go in, Klaus and Lilac immediately threw their hands over their ears.
Overstimulation.
Exactly six bells were ringing- the extra bell, 371, 547, 674, 781 and 954.
371 - Dewey Decimal Classification (DDC) Education and Social Sciences.
547 - DDC for Organic Chemistry; Colette’s mission involves her sneaking in here.
674 - DDC for Lumber processing.
781 - DDC for Jazz is 781.65; Ellington’s career has something to do with jazz.
954 - DDC for India and neighboring countries; it’s an Indian restaurant.
Chapter Twenty-Four - in which the first three bells ring
The woman smiled, and while Lilac did not recognize the white coat or black uniform underneath, she did recognize the woman standing in front of her, even though she wasn’t bending in any unusual positions. [...] “You see, I am a brilliant chemist, as you can tell from my outfit, but I’m afraid some of these fumes have gone to my head, and I’m having trouble recognizing some words here.”
A reference to Cleo Knight, the brilliant chemist from All the Wrong Questions, who only wears black-and-white to honor the family ink business.
“I told you they’d judge us.” Kevin said. “I should’ve just called up my old gangmate.”
“She wouldn’t have gotten here in time, she lives on the other side of-” Hugo began.
A reference to the theory that Kevin is Kevin Old from File Under: 13 Suspicious Incidents; his “gangmate” would be Florence Smith, who had a special interest in reading and thus have a large vocabulary.
Lilac narrowed her eyes. She recognized the chemical compounds- her and Violet had gone through a celebrity crush phase on a chemist about three or four years before- but she was having trouble figuring out what they combined into. “What is this for?”
Another reference to Cleo Knight.
He doodled the shape of a pegasus on his arm, beside the moon. He remembered that book. What else had Merricat thought would be on the moon? Rose petals. He could draw roses next.
Once again, a direct reference to We Have Always Lived in the Castle by Shirley Jackson.
“Can I help you, concierge?” Hal asked.
“Um.” Nick froze a moment, panic clutching his chest.
You’ve been caught! You’ve been caught! You’ve been caught!
Once again, Nick is immediately put into a panic by being caught, due to his trauma from his captivity.
Chapter Twenty-Five - in which the next three bells are answered
The door swung open just as Klaus stepped back, and he saw Charles exit, blinking over at him in a bathrobe. “Sorry,” he said, “I was hoping I wouldn’t have to call someone just to take me down the hall, but my eyesight isn’t what it used to be, and I’ve recently developed a phobia of optometrists.”
This entire scene is based on a scene that had to be deleted from the Netflix adaptation due to Rhys Darby (Charles) being stranded because of a hurricane during filming. It can be read here.
“Don’t step on the crack, or you’ll fall and break your back!” Soli sang, laughing a little as she jumped down to Room 781, trying to imitate Babbitt’s hops.
While this is a slight variation on a popular children’s game song, it’s specifically a reference to the scene between Ducky and Littlefoot in The Land Before Time.
The woman looked at her very, very carefully, and then said, “It’s alright. That’s a fake, anyway.”
“Fake what?” Solitude turned to look at the statue, as the woman knelt to put it back. “It looks like a snake, but there are those little claw-shapes there, suggesting hands.”
“Well, it’s a replica, made by my foster-brother-in-law’s sister-in-law. Just in case we need to switch out.”
“Switch out what?”
The woman glanced down at Solitude, smiling and brushing the young girl’s hair back; it had fallen a little from her hat. “It’s a long story, and you probably have work to do. I’m sure you have more important things to get to.”
The woman is clearly Ellington Feint from All the Wrong Questions; she is still very into Jazz music (hence her room), and may-or-may-not have access to the Bombinating Beast statue.
Her foster-brother-in-law (Kellar)’s sister-in-law is Ornette Lost, implying Ornette married Lizzie Haines.
Solitude blinked. This woman couldn’t know her; Soli didn’t recognize anything about her, except the record currently playing. She hesitated, and then pointed to the record, saying, “That’s a pretty song.”
The woman smiled slightly. “It is, isn’t it? Do you know the name?”
“Do you?”
The song is “Solitude” by Duke Ellington and Louis Armstrong; aka Ellington’s song in All the Wrong Questions.
“Really?” the woman sighed. “Okay, sweetheart, you run along. Now, if you’ll excuse me, I have to find my wife before she can fistfight Geraldine Julienne in the lobby.”
Her wife is Moxie Mallahan, a journalist who would definitely get kicked out of the hotel for fighting Geraldine Julienne.
“Plumber,” Sunny said, which meant, “Yeah, but she writes those shitty articles from The Daily Punctilio about us, so she deserves it.”
“I thought that was Ms Poe.” Soli said confusedly.
A reference to Katherine Plumber, the journalist from the musical Newsies.
A reference to Eleanora Poe and Geraldine Julienne being combined into one character in the Netflix adaptation.
“Klaus Louis Baudelaire, are you suggesting that we have not been having a good time?” Nick said.
Klaus’s middle name is taken from his actor, Louis Hynes.
“I mean,” Nick said, considering, “The whole ‘VFD’ thing totally explains that weird-ass letter they sent us from Europe.”
“What?” Lilac narrowed her eyes.
“You remember?” Nick said. “When they went to Europe for, like, two weeks, and sent us that fucked-up letter about how they loved us and that even if life sucked we’d always have each other and all that bullshit?”
Lilac, Violet and Klaus groaned. “Oh, fuck, you’re right!” Klaus said.
“That makes so much sense now.” Lilac said.
A reference to “The Letter That Never Came” scene from the 2004 film.
Chapter Twenty-Six - in which the harpoon is fired
The Baudelaires sighed, and then Nick said, “Yeah, a little suspicious, isn’t it? Your parents burned to death the same night VFD saw fit to drag you all out.”
Highkey reference to the theory that Volunteers kill the parents who don’t want to give their children up for recruitment.
Violet nodded grimly, while Lilac and Klaus gave Nick careful looks, and Solitude and Sunny gasped quietly. Dewey scanned him with his eyes. “You would get along with Ernest.” he said finally.
The implication here is that Ernest joined the firestarters partially due to speculation about their parents’ murder, or at the very least, Ernest is incredibly critical of the way VFD is run.
“You can’t rely on associates.” Count Olaf said. “More comrades have failed me than I can count. Why, Hooky and what’s-her-face double-crossed me just yesterday and let you brats escape, and then stole my submarine!”
“Good for her.” Sunny said, almost unfazed, too furious at Olaf to feel much fear at the moment.
A reference to the meme from Arrested Development:
“How do you know us?” Lilac asked, putting an arm around Violet.
The man looked at her sadly. “That’s the wrong question.”
A reference to All the Wrong Questions.
Chapter Twenty-Seven - in which Nick finally spills
“Diviso?” Sunny asked, which meant, “What if they try to split us up?”
“Diviso” is a Latin adjective meaning “divided.”
Chapter Twenty-Eight - in which Everything Goes to Shit
The title is a reference to many of my other fanfictions: In the Stranger Things Superhero AU fic Shatter: Pirouette in the Dark, Chapter Nine was titled “Everything Goes to Shit”, and Chapter Thirty was titled “I already used the title ‘Everything goes to shit’ but I need to use it again”, and people thought that was so funny that it became a running joke in basically all of my fics.
“Lilac Emily Baudelaire.”
“Violet Malina Baudelaire.”
“Nick Liam Baudelaire.”
“Klaus Louis Baudelaire.”
“Solitude Theodora Baudelaire.”
“Sunday Theo-dora Bau’elaire!”
The first four children have their middle names from their original actors- Emily Browning, Malina Weissman, Liam Aiken and Louis Hynes.
Solitude and Sunny’s middle names are both Theodora, to further confuse people as to what the S stands for. See: S Theodora Markson, All the Wrong Questions
Nick took a moment to respond. “E-Explorer?”
Identity crisis! Getting a bit better though.
“He murdered…” Lilac bit her lip. “He murdered Jacques Snicket!”
Lilac’s realizing here that that was her uncle.
They all turned to look at Olaf, who didn’t even look uncomfortable. They wanted him to be uncomfortable. They wanted him to be scared.
A reference to a line from Shouldn’t You Be In School?: Someone cleared their throat and we both looked back at a tall, masked figure, watching us calmly. Too calmly, I thought. I wanted him worried.
Sunny and Soli were crying, too. “Audit,” Sunny said, meaning, “People never listen to children.”
“Audit” comes from the Latin verb “audio”, meaning “to listen.”
They stood up, with Nick lifting Solitude and Violet moving to lift Sunny, and then they walked back together, holding their heads high and ignoring the stares and whispers and chills. They sat again in the front row, still holding onto each other and refusing to let go.
“Bene?” Sunny asked. “Is that good?”
“Bene” is the Latin word for “good.”
The elevator shot down to the basement, and as it did, Nick and Violet leapt onto Olaf, pummeling him with their fists and trying to rip Justice Strauss away. Olaf shouted, and Lilac and Klaus immediately jumped help, managing to pull Justice Strauss out of his grip as Soli and Sunny screeched and started biting at his ankles, with Babbitt jumping over to the judge so they didn’t get squashed. The siblings had been waiting for this a long while, and they weren’t going to waste time.
a reference to the original shitpost that inspired this au.
Chapter Twenty-Nine - in which Sunny turns to Arson
“Alexandria,” Sunny said, which meant, “Unless she has a backup, you son of a bitchass motherfucker.”
A reference to the Library of Alexandria.
Chapter Thirty - in which the Baudelaires have had ENOUGH
“And the only fucking reason,” Lilac said, sitting up and grimacing as her stomach wound flared up, “That we haven’t thrown you overboard already is that we might need bait to catch larger fish to eat.”
A slight reference to “Shipwrecked” by The Gothic Archies, which was inspired by The End.
“Cazzo,” Sunny said, which meant, “Which won’t be long, dickhead.”
“Cazzo” is an Italian curse word.
Chapter Thirty-One - in which Nick is not taking Ishmael’s bullshit
“You cannot force me to wear white.” Lilac said.
A reference both to Lilac being incredibly goth, and to her trauma from the Marvelous Marriage, where she was forced into a wedding dress.
Nick said. “Listen up, you- someone cover Friday’s ears.” Klaus reached forwards and slammed his hands over Friday’s ears. “Alright. Listen up, you bitchass motherfucker.”
I’VE COME TO MAKE AN ANNOUNCEMENT, SHADOW THE HEDGEHOG IS A BITCHASS MOTHERFUCKER-
“I was drugged up once, it’s not fun.”
I left this to be interpreted in separate ways: one, like Duncan guessed in Part Two: Chapter Twenty, Nick was drugged as part of his torture. Two, like Klaus said in Chapter Twenty-Four, Classical Literature Camp was wild.
“Yeah, it’s not.” Violet agreed.
Reference to her being drugged in The Hostile Hospital.
Chapter Thirty-Two - in which the Baudelaires make camp
“I feel like we weren’t supposed to do that.” Violet said, as they walked away from the beach.
A reference to me going very off-book.
Sunny nodded, as they placed them in front of her. “Crusoe,” Sunny said, which meant, “We can drink the milk inside, so long as we don’t allow it to ferment, and I can make us toasted coconut flakes, if you give me some room around the fire.”
A reference to Robinson Crusoe by Daniel Defoe.
“Sandstone,” Sunny said, meaning, “Can someone get me something like a bowl?”
A reference to her first line in the Netflix series: “Can you find a rock that’s not sandstone?”
They were silent again, and then Lilac said, “Um, speaking- speaking of hard things to tell- oh.”
She was going to tell them about her biological father.
Nick’s face fell. “You’re right, we don’t wanna kidnap.”
Don’t wanna emulate VFD.
Chapter Thirty-Three - in which the Baudelaires begin to heal
“Wait.” Friday narrowed her eyes. “Bears don’t live on beaches.”
“I know!” Klaus laughed. “Shakespeare had no geographical knowledge whatsoever.”
Once again, a reference to a famous stage direction from William Shakespeare’s The Winter’s Tale.
“Yeet!” Violet shouted, as she threw herself beside her siblings, and after a second, Lilac flopped over, too.
A reference to the vine/meme.
Chapter Thirty-Four - in which Friday goes off-book
“Kit Snicket?” Lilac shouted.
“No, Kit Kittredge.” Solitude sighed.
A reference to the American Girl doll, Kit Kittredge.
Friday sighed and stood up, taking a few steps forwards. She looked at her mother, and her mother’s outstretched arms, and then out at the crowd. Watching her. Waiting for her to listen.
And then she stepped back.
“No,” she said. “No, I don’t think so.”
A quick rundown of Friday’s mentality here.
Chapter Thirty-Five - in which the Baudelaires plan a mutiny
Klaus nodded. “Cinderella. East of the Sun and West of the Moon. The Juniper Tree. Little Match Girl- might skip that one, actually. Do you want to try to read it?”
Skipping “The Little Match Girl” because she dies at the end.
“Suit yourself.” said Olaf. “But you know what? I bet those islanders won’t let you back onto Olaf-Land, now that you’ve recruited one of their own.”
Intentional use of the word “recruit” here, just to taunt them.
Chapter Thirty-Six - in which we go surprisingly more off-book
“I know this.” Nick was the first one to move, stepping towards a tall fish statue, the red paint slightly peeling. He shook quite a bit as he ran a hand over it, and Klaus rushed over to put an arm around him. “We were trapped in here. How… how did we fit in here? Klaus, how did we fit?”
A reference to the fact the Red Herring statue can be seen in the arboretum in the Netflix adaptation.
Nick turned to Klaus, eyes wide. “We did fit? We were in here? I didn’t make that up?”
A very lowkey reference to We Have Always Lived in the Castle by Shirley Jackson; Uncle Julian sometimes doubts the traumatic arsenic incident that paralyzed him and killed the rest of the family really happened.
Chapter Thirty-Seven - in which Lilac has a costume change
“Why would I-” Violet asked as Lilac grabbed a knife, drew it up to one of her braids, and chopped it off.
Violet leapt to her feet and gasped, while Nick’s dropped his marker in shock. Soli and Sunny let out tiny shrieks, as Friday stared and Klaus said, “Lilac!”
“I need to think.” Lilac said, and she grabbed another braid and chopped it off. “And this hair is getting in my way!”
“Lilac-” Klaus started forwards, but she held up a hand to stop him, and then grabbed her loose hair and started cutting. Her braids fell to the floor of the tree, as she kept cutting to get rid of the strands that could reach her face. Within a few moments, her hair was cut even shorter than the boys’, with only a small, thin braid on the side of her head.
Firstly, a reference to the fact the dramatic haircut is my favorite trope of all time.
Secondly, specifically and heavily inspired by the scene in IT: Chapter One when Beverly Marsh cuts her hair.
“Oh, fuck yeah! Deus ex Rana to the rescue!” Klaus said, rushing over first.
“Rana” is the Latin word for “frog.”
Chapter Thirty-Eight - in which the Medusoid causes a ruckus
“Hey!” Lilac shouted, stepping forwards. “What in the nine circles of hell is going on here?”
A reference to Dante’s Inferno.
“So are you, my dear.” Olaf said. He eyed her with his shiny eyes. “Why’d you do that to your hair? It makes you look much less pretty.”
Unfortunately, another reference to Beverly’s haircut in IT: Chapter One: this was the response it elicited from her abusive father.
Chapter Thirty-Nine - in which man hands on misery to man
Solitude looked to her, narrowing her eyes, a seemingly insignificant memory floating back to her. “Question mark.” she said, “Beast.”
When she realizes some stuff about Ellington’s statue.
Kit looked at her, and Lilac saw in her eyes that her choice not to take the apple had nothing to do with her child.
TRIGGER WARNING: SUICIDE
It’s often theorized in canon, and confirmed in this fic, that Kit was suicidal, which was why she decided not to take the apple.
Chapter Forty - in which the Baudelaires go on together
“We didn’t.” Sunny said, putting a hand on Lilac’s leg. “We have each other.”
A callback to “We lost everything.” “Except each other.”
“We don’t need to escape.” Violet said. She turned to Lilac. “Do you remember that musical, based on that movie, based on that movie, based on that book-”
The song they proceed to sing, “Finale”, is from the musical The Hunchback of Notre Dame, which is based on the Disney movie, which takes a lot of inspiration from the 1939 film, which was based on the Victor Hugo novel.
Also I made a gifset with those lyrics and I’m still very proud of it.
“I know.” Violet nodded. “I… I guess we can’t lock you in the closet anymore, huh?” Her smile only lasted a few seconds. “I’m sorry. Just trying to cheer you up.”
A reference to the one-shot.
They never told Bea she had the same shine in her eyes as her father. She didn’t need to know.
Bea is biologically Olaf’s daughter.
Solitude found all the herpetology books, which Klaus and Friday read to her. She furnished Babbitt’s habitat, and let her hair grow out so that she could braid it.
Just like her big sister Lilac.
“A statue normally wouldn’t mean anything,” Violet had told Friday, “But, well, Nick found some interesting accounts, didn’t you, Nick?”
“Li’s Dad is a wordy motherfucker,” Nick said, tossing a file that had been slipped into a bowl of honeydew melons, “But yeah, I did.”
Huge reference to All the Wrong Questions.
Chapter Forty-One / Epilogue - in which Beatrice leaves the island
“Well, maybe we only have to last a year until Lilac turns eighteen, and then we spend our fortune on pop tarts and Pokémon cards.” Solitude said.
A reference to this Alex Hirsch tweet:
“We’ll have to come up with fake names.” Solitude giggled. “I’ll be Sensible.”
“You will not, I called dibs!” Sunny shouted.
A reference to Netflix!Sunny’s name in @ornettelosts‘s Nine Baudelaires AU. Love ya, Sammie! :D
“I still wanna know how Babbitt had-” Nick began, but Klaus slapped a hand over his mouth.
“I still wanna know how Babbitt had sex.”
Lilac ran her hands over the title. “Yeah. Let’s leave this behind.” She smiled and said, “Time to go. Sound off! One!”
They’re leaving their series of unfortunate events behind.
Lilac smiled and said, “Let’s go find something new.”
There’s always something.
Perhaps, in ten years, Beatrice would have a much happier message for her uncle than he expected.
A reference to The Beatrice Letters and, lowkey, the happier version of it in Netflix’s adaptation of The End.
38 notes
·
View notes