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sparky-is-spiders · 9 months

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If I may be weird and petty for a moment, I don't get AUs where Martin is the Archivist when Melanie and Sasha are right there?? I mean I get why: roleswaps are popular AUs and martin is a popular character. And maybe its just my specific headcanons re: archivist requirements but I feel like the other two would be so much better?

Yes, Martin reads statements and yes, he gets marked, but I really don't think those are the Only Requirements to do the big ritual? Cause at that point Elias could've chosen any web-marked dude off the street, especially if they have the mark of another entity as well already.

Melanie and Sasha shared several important traits with Jon, most notably a burning curiosity, a willingness to put themselves in trouble for information, and (in Melanie's case (and Sasha's too, arguably) an ability to antagonize extremely dangerous fear avatars. Sasha's whole statement is her putting herself in a dangerous situation without telling anyone or acquiring any help (remind you of any main characters?) and running face first into supernatural dangers (sometimes to protect her friends, sometimes out of curiosity). Useful for collecting marks, but also useful for collecting information and developing her own powers as the Archivist. Considering her seemingly unrepentant willingness to look through her friends' and coworkers' personal files via accessing their accounts, I'd argue that her curiosity and boundary crossing could easily get stronger when investigating supernatural entities. Obviously, this never happened because of how early on she died, but I think you could make a strong case for Sasha's strong curiosity making some avatars incredibly mad. Not to mention how incredibly Beholding it is of her. None of this is criticism btw, I think Sasha should have access to whatever personal info she wants and I love it when characters are so obviously Eye-aligned. I know "Sasha wasn't promoted because she'd solve all the problems and find a way to kill Jonah" is also a popular headcanon but please think for a MOMENT about her appearances in podcast. There weren't many, but there's a very obvious through-line in almost all of them. She's curious, she takes risks in the face of the supernatural, she wants to Know. It's literally what caused the circumstances of her statement. Those traits are arguably the ones that got her KILLED. I'm sorry this went off on a tangent. I just love Sasha very much and I'm constantly filled with Thoughts of Sasha.

Melanie also has curiosity about the supernatural AND a much more obviously antagonistic personality!! Her first appearance is being a total asshole to Jon, mocking him, the place he works at, the equipment they use, and what they do. But she also dedicated basically her entire career into uncovering the supernatural? She ran a Youtube channel about it, and when she discovered that everyone was sticking to the same "safe" sites, she started looking off the beaten path for the real stuff. And she found it! She went looking for ghosts of war and violence and even without access to statements, probably working alone and sifting through bunk on the internet, she found them! She got stabbed by a ghost and instead of trying to avoid ghosts in the future, she decided to look for more violent ghosts. The slaughter tendencies might be a drawback for her becoming the Archivist, yes, but by that point Jon had already survived multiple marks and was developing his powers. If he failed by that point, Elias might've wanted an Archivist who'd be better able to defend themselves. By S4 Melanie was probably far enough gone to the Slaughter (and hated the Eye enough) that she was probably off the table as a candidate. By that point, however, Jon was expected to fully Become and only needed a few more marks.

I understand that Sasha was approved for a transfer to the Archives because Elias let Jon choose who take with him and Jon chose Sasha. And Melanie was almost certainly chosen to keep Jon in close proximity of a Slaughter-aligned person who'd be likely to mark him but unlikely to kill him. But I think that they served a secondary purpose of being backup Archivists in case something happened to Jon.

Obviously this is more headcanon than theory (not to mention it relies on other headcanons to fully stand) but I'm very fond of it. I guess I think that, even if Elias wasn't really looking for another Archivist when Jon seems like the perfect candidate in every way (and I'm not saying this JUST because I love him), I think that if something did happen to Jon, they'd be Elias' next candidates.

#I hope this makes sense?#I've been rotating this idea for a while but I'm not sure if its fully baked yet #might need more time in the oven #if you're wondering why I opened with petty complaints about martin being the archivist #it's because I am Filled With Spite and I Do Not Like Him #and I think he'd be a bad candidate #which is its own post #anyway my Sasha opinions are almost as high as my Jon opinions #my Melanie opinions are... mixed leaning negative #but I think she has archivist potential #I think its important for the archivist to be curious #and for a majority of the marks to stem from active choices they made #to interact with the supernatural #anyway not maintagging this #I've only just started a relisten after not listening in a while #so let me know if I've forgotten something important #or missed a line that invalidates all my headcanon-crafting #I know I post a lot of jonship stuff but I PROMISE I care about other aspects of the show #I got some meta stuff thats been percolating in the brain soup so you can possibly expect more of that in the next couple days #anyway I gotta go now #goodbye

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verflares · 2 months

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(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:

"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"

#now. how on earth do i begin to tag this. um.#link #loz #totk #totk spoilers #light dragon #dragon link #loz au #totk roleswap au #there . i'll add more if they come to me LOL #um i can talk about some of my insps i guess?? might make another post too #so mostly i just dont really like turning him into 'light dragon but male' and giving him slightly darker colours or something like that #this also obviously isnt exactly like the botw dragons either though and its a bit more of a mix of other creature concepts i enjoy #since everyone agrees he'd have a farosh horn i wanted to make him a kirin/unicorn :) which is why his tail looks like that #aside from the obvious eastern dragon insps and what ive picked and chosen from the botw dragons #and obviously this looks a lot like wolf link. thats on purpose #i wanted to give him some fierce deity design refs too but because this is so dark/earthy they didnt look very fitting #but honestly you could do a whole fierce deity dragon design on its own i think #okay lots of tags but IVE THOUGHT ABOUT THIS FOR A WHILE. okay. let me have this.#my art

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inkskinned · 1 year

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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

#this was much longer i had to cut it down for legibility #but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion #that is because it deserves its own post with a completely different tone #i am an environmental educator #so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering #that people are going through #without doing my research and providing real ways to help #this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning #to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering #unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this #and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this #and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity #(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself #for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion #i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out #rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free #is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i #which is more than their CEOs can say

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ryssbelle · 15 days

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Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

#my art #marinette dupain cheng #miraculous ladybug #miraculous fanart #style mimic #sorry for the @s btw #yall should go follow those artists if you dont already also #this was sort of inspired by a post the three artists on the top row made #i think they all got together and drew with one another #which is really cool #but i was genuinely confused because i mimic styles a lot #and ive seen others do it too so i was just like #wow they really know each others styles really well #until i thought about it and read their posts some more #style mimicking is really freaking fun and i think its really good practice #and a good way to explore other ways of doing things #like you really have to learn new techniques and get out of your comfort zone #also anna scribbles i could not find a recent pic of marinette in her main outfit #so thats the only marinette i drew in different clothes cuz i couldnt find a more recent ref of you drawing it #anna scribble marinette has privileges thats the others dont #but ye #i also threw my own style in there as a frame of reference to what me draw like #ive drawn marinette before just not in a loooong while #sabertooth walrus was the hardest for me to mimic cuz they have a broad range in their style #so its like which sabertooth do i wanna be in this pic #Buggachat has such a distinct style thats very clean and consistent which is amazing so they were easy #being easy or hard arent bad things either it also has to do with like styles meeting up with one another #buggachats and mine arent too too different in some shapes and aspects #so yeah itd be easier plus they drew marinette like 3 sec ago so i have more recent of a ref #as opposed to sabertooth who i have a recent ref of ladybug but not marinette so we got two diff styles in one

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ryllen · 3 months

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and some extra unused stuff while they are in affectionate mood

#the headlap kiss is just a scene on let's talk chu episode 2 that i really like; yuu was offering a massage & massaging his temples with her #thumbs; saying you really should release pressure from this area #i may be lazy to render it fully but i also feel that my sketches deliver the sense of movement better #(and avoiding to make any sense of the anatomy i am confused about)#(like which is going where)#and so because of all the cluster of lines; ur mind will make its own mind which line would make it look right #FUK I DIDN'T EVEN REALIZE I POST THIS ALREADY FHSDH I WAS STILL TRYING TO FIGURE OUT WHAT TO WRITE ON TAGS #twisted wonderland #twst #sebek zigvolt #twst yuu #twst mc #fanart #damn they are finally kissing and they meant it #this makes my chest all hot and bothered #suggestive

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lucabyte · 10 days

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i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

#[isabeau voice] am i insane or does sometimes loop talk like they might have killed their whole family. is that just me? just checking.#nille design highly inspired by @kiwibrain's since its the one that imprinted in my mind. liberties taken since i didnt look @ reference #anyway i have a lot more thoughts on this? i guess ill hide them in the tags...? scroll down i suppose.#isat #in stars and time #isat spoilers #in stars and time spoilers #isat act 6 spoilers #isat loop #isat siffrin #isat bonnie #isat nille #isat fanart #in stars and time fanart #doodlebyte #----------------------------------------------------------------------#anyway the extra thoughts. are literally just my general thoughts on postcanon. (and thus are the context for all of my postcanon doodles!)#which is i think nille joins the party before loop reappears for a start (either from a period of nonexistence or just wandering around)#and that like. i think the party should be able to integrate loop as a completely new person. because they are! the secrecy isn't great but #They and Siffrin shuffle into different ecological niches in the party (eg. i think sif is more squeamish after it all but loop isnt)#and while it's not *exactly* what Loop wanted they get that beggars can't be choosers. and its pretty good #(i am glossing over how i think loop's reappearence drags both them and siffrin into a massive behavioural backslide and is likely a bit #distressing to watch go down. cycle of argument -> lovebombing -> normalcy -> repeat. etc etc. but since they are no longer literally #stewing in the worst pressure cooker of all time they do resolve it via productive conversation on their own time. its fine)#the party well-meaningly tries to deduce things from loop's vagueries and are able to pin down the DEAD FAMILY vibe pretty quickly.#but eventually the question of their prior identity falls by the wayside because well! they're just their friend loop! (also change belief)#as for how The Truth Come Out... this is what i mean by The Isabeau Torment Nexus(tm). which is that i think... isiloop should almost occur #BEFORE isabeau knows who loop is. he's just genuinely charmed by them eventually and tries to close the open end of the polycule #which FREAKS LOOP THE FUCK OUT because thats just too genuinely sick and wrong. and obviously w emotions high its not a great confrontation #ANYWAY told u i had more thoughts. if i were normal itd be a text post but.

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corvidcall · 2 years

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None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

#poetry #haiku #writing #literature #anime life #long post #i want to apologize but i had to get something off my chest #and the thing was. i love haiku #and when i see posts on here about haiku. i get so angy.#well ok i really get more disappointed bc nobody is really engaging with the form on its own terms #anyway i hope you enjoy some of my favorite haiku because theyre in there!!!!!#i didnt really get into the history of haiku. and i also did not get into why i got really into it #but i will say that i was really inspired by Jacob Geller's video A Thousand Ways of Seeing a Forest #which is a lot about translation #(which i mean. as an interpreter AND a poetry-enjoyer. really appealed to me lol)

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storywood · 2 years

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Can you find the four leaf clover? 🍀✨

#artists on tumblr #illustration #landscape #nature #my art #digital painting #yes this one is from a little while back but I'm still quite happy with it so it deserves its own post #plus yall seem to like the ladybug one which was a follow-up from this #and yeah there is a four leaf clover hidden in here #enjoy!

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kaladinkholins · 2 months

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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

#blue eye samurai #mizu blue eye samurai #akemi blue eye samurai #blue eye samurai meta #just in case... im gonna tag this as #mizukemicritical #akemizucritical #though this post isnt actually criticising the ship itself but rather fanon's portrayal of the ship and the characters #for that reason lemme also tag this as #wank.mp3 #feel free to disagree of course but please be civil #and if you need to rant about how wrong i am without any convincing evidence kindly feel free to make your own post. peace and love <3 #fandom.rtf #meta dissertations.pdf #shut up haydar #edit: for full disclosure. i do rather dislike this ship. but obviously it's fine for anyone to enjoy it. please do! have your fun!#it's just that as usual! popular fanon and fandom around a ship is what has completely deterred me from any sense of enjoyment of it #it's a shame too because i was very open and even eager for some mizu/akemi romance in the future #but out-of-character fanon + the rudeness of certain fans has definitely soured it for me #but that doesn't mean people can't enjoy it obviously! ship and let ship!!!#plus it has its appeal which i DO STILL see and enjoy!!!!#i would even go as far as to call them soulmates because their narratives and characters are LITERALLY intertwined!!!#but. yeah. my gradual distaste for this ship is indeed very unfortunate.

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gammija · 1 year

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he would not say that, podcast/book edition:

#thin martins....#joos yaps #now that this post has a few reblogs: its fun to read the tags #most fun ones are where its clearly personal taste #ill add a few more petty ones of my own;#elias does not have eye earrings. he has eye cufflinks at best otherwise he dresses like the boring bureaucrat he is #used to be for emo/grungy jon but i was worn down and will now begrudgingly accept it as a phase in uni #(though he was Not In A Band. i stand by that)#for all of the latter ones i hope its clear i dont personally mind if people make fanworks which disagree. but they're wrong/j #thin martins are annoying on another level which ive gone into before and wont do now #oh right blond hair/blue eyed martin. no.#and any jon with a small anime nose isnt jon #again want to be clear: apart from thin martin this is all a matter of taste and in good fun plz keep drawing ostentatious eliasses

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skeletoninthemelonland · 10 months

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a glimpse of what their early dynamic looks like

#i'm posting these in this blog first because i think its very silly #i could talk about them if you want me to #*ignores if you want to hear me or not and simply starts talking*#I think at some point during development i stopped thinking about them as 'mrs. afton and mr. afton'#it's funny knowing they were never supposed to meet at all #Ballora belongs to sister location. which takes place some time around 1983 or 1985 (Behind The Codes has its own canon timeline)#Fazbear's Fright happens in 2023. which is 30-40 years apart #but then we have Ultimate Custom Night. Everyone is trapped together in the same location seemingly with no chances of escaping.#if you think about it. they're just a part of this huge scrupulous plan #no one is predestined to anything. it's certainly not different for Springtrap and Ballora.#they are just... there. like everyone else #they are all linked in some way. all the clues tie back to the Missing Children Incident.#but... you're probably right. maybe there's more to it #maybe there is A Link rather than a link. you know what I mean?#Episode 3 will explore this and much more #for now. have these two idiots trying to figure out how to get out of trouble #behind the codes #fnaf #fnaf behind the codes #five nights at freddy's #ballora #springtrap #fnaf btc #my art #starbstalks

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adalheidis · 1 year

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Lured into a dark grove, a young woman encounters a sinister beauty under an orange moon. Riso print (Orange/Mint/Hunter Green)

#lesbian vampire #wlw art #wlw #vampire #artists on tumblr #illustration #original #riso print #risograph #gothic #i think i may also post the digital version of this one which i think has its own qualities #the colours have a different but nice feelings in the original painting and the riso print(s)

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solarpunkani · 1 year

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"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

#out of queue #ani rambles #punks and posers #i cant even call this a 4am hot take because its 7pm but like #idk i keep seeing posts about like 'how DARE people think I bought my punk clothes how DARE they not know the how-tos and DIYs'#or 'ugh people only care about the ~aesthetics~ of my movement if you don't know shit get out of here' and like #maybe I'm just a shy ass introverted nerd whos scared of social rejection! but I avoid that shit like the plague #so if someone were to reject me based on not knowing about something I'd never even heard about? something i was JUST getting into?#there's a high chance I'd just scram and never look back. i don't wanna be the one who causes that emotion in someone else #granted this is coming from someone who STILL doesn't know how to make her own patches or worked up the courage to do direct action praxis #outside of offering neighbors to my tomatoes and trying to talk to people about what I'm passionate about #but still imo unless someone's a malicious intentional bad actor i dont see the point in scaring newbies off #thats how movements die imo #i know this is my solarpunk blog but its not a solarpunk specific thing #i think the main post that inspired this was about store-bought versus self-made spiked leather jackets #which honestly just feels petty to me but who knows.#might delete later

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fumifooms · 2 months

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his flower...

Aww, from the signing doodle board and the Adventurer’s Bible long illustration… He likes flowers he likes shells, just a guy and his flower he picked from the side of the road, what’s not to love. Nature lover boy…

#Dungeon meshi #delicious in dungeon #Toshiro nakamoto #Shuro #he’s so cute he looks so genuinely happy what…#It really doesn’t look storebought which is insane to me. He went and picked a flower with his noble hands from the dirt somewhere #In both of these it can be assumed it’s for Falin/he’s thinking about her which. I’m sobbing #He knows she wouldn’t want a neat trimmed bouquet bc she loves raw nature stuff. His love for her frees him a lil in its own way….#Gives him a motivation to reconnect with his interest in bugs and stuff like when he was a kid…#This is the man who got his wedding proposal rejected bc she wants to travel and went “good for her good for her”#SNAIL TOSHIRO FOR THE WINNNNN #There’s stuff to analyze here but ik toshiro positivity gets some ppl aggressive I’mma stop here pls no hate on this post <3 #Answering this ask at the speed of light. Gonna answer some others tonight #Nature lover toshiro

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wearecrowley · 8 months

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