#Nature lover toshiro | Explore Tumblr Posts and Blogs

katkit-42 · 5 days

Text

Ok I'm trying again. I've gotten over the dungeon master pun so I'm gonna say what I actually meant to.

Anime onlys don't look.

So the thing about the dungeon masters is, I know we saw dungeon masters of different races in the epilogue, but I think Rui-sensei was trying to make a point in having three of the four dungeon masters we know best being elves, and the one to actually defeat the demon being a human.

Elves are the longest lived species and they have a habit of treating everyone else as children or pets. They also have the greatest grasp on magic. And it's explicitly said that the elves are the ones who hide the true nature of dungeons and demons from the other races, because they think the other races can't handle it. But it is Marcille, Thistle, and Mithrun who fall to the demon's tricks. Even though the elves think of themselves as above the other races, these three fall to the demon. You could argue that they didn't realize that the demon was dangerous, and it's true, they didn't know. But I'm talking from a meta-perspective--why was it that it's the *elves* who fall for the demon? Because the elves have always been prideful. They think they know better than any other race.

And then we have Laois. And he too falls to the demon. First, I love that because throughout the story, we've had this dichotomy of "Laois loves monsters" and "Laois wants to protect the people he loves". And they have always been treated as mutually exclusive--Laois can't indulge in his monster love without hurting his friends. But then, we see that once his friends give his monster obsession a chance, they can find things they like about it too. Marcille is still creeped out when she thinks too hard about where the food comes from, but she's willing to eat the finished product (which, lbr, is most modern peoples reactions to food). Chilchuck started thinking Senshi and Laois were crazy, but by the end of it, he was ok with it. Even Izutsumi comes around.

And then, Laois gets his wish. To become his super cool original monster oc donut steal. And everyone is prepared for the worst. Everyone thinks this is Laois' betrayal--he couldn't hold back against his monster obsession and thus he will kill all the humans.

Only, he doesn't. It is by becoming this monster that he gains his power to defeat the winged lion. It is his love of monsters and his want to be one that creates his ability to protect the ones he loves. Even though they still don't fully understand him, even though the lion offered him what he always wanted--he used his love of monsters for his friends and family. And really.... That's what he's always been doing. No one else saw it at first, but he has always been using his obsession to help the people he loves. And even at the very end, he did the same.

And anyway, I think that's an important reason why the elves kept falling to the demon. The elves are magical and long lived and wise, but from what we see, they're.... Lonely. They have their strict hierarchy and their stuffy rules with each other, and with other races, they take on the role of sole caretaker to these little things who can't possibly understand the "real world." Even Marcille falls to this. But Laois, who has always been on the outside, never stopped trying to empathize with others. He calls Chilchuck "Chil" (something extremely personal to halflings); he doesn't hold a grudge when Namari leaves the group after Falin dies; hell, even though it didn't end well, his insistence on being friendly with Toshiro was probably him trying to avoid doing to Toshiro what others have always done to him. He adores Senshi and Izutsumi. His succubus is Marcille smiling. He isn't lonely anymore.

And the elves who become dungeon masters, don't seem to have that. Mithrun felt alone due to his lover and brother. Marcille and Thistle both felt like they had to protect their shorter lived family. But Laois didn't feel that isolation. Well, he did in his village. But when meeting with his friends and forming their little party, he realized he wasn't alone anymore. And that became more important than even being a monster.

#dungeon meshi #delicious in dungeon #dungeon meshi spoilers

34 notes · View notes

vampi-fixx · 2 years

Text

love bites + love handles

BLEACH; various characters x chubby!reader headcanons

ft. gin ichimaru, Izuru kira, shuhei hisagi, adult!toshiro hitsugaya

tw: 18+ not sfw. all charas are aged up. afab reader. mentions of internalized fatphobia, insecurity, in terms of gin specifically, unhealthy relationship dynamics? (sorry y/n ur man is toxic.) in izuru’s section- mommy kink,, uh lactation, death/dying kink?? idk what i have done lol.

gin ichimaru—;

He likes pet names that point out your chub and veer dangerously close to derogatory i.e. my lil’ swine, my plump dumplin.’ He means these affectionately—or at least as affectionate as he can get—but that doesn’t translate well with his permanent smile, his mocking tone. Even if they weren’t related to your size, surely his delivery would make you wonder if it was something more sinister than teasing. If you ever tell him so, he’s quick to rectify.

“Aw, don’t get yer panties in a knot~” he says, curling his arms around you, squeezing your middle. Another thing he loves doing. Drawing attention to your gut, even if it does make you flustered. “I’m only teasin’ ya.”

Canonically, he loves Rangiku, and while his eyes are almost always closed, he’s certainly not blind to her assets. He likes someone who can fill his arms generously, who he can sink his fangs into better—it gives him the impression that he owns you more fully.

If you’re ever down about your appearance—whether it be as a result of society’s unrealistic beauty standards, a piece of clothing that just won’t sit right on your figure, whatever—he’s awful at comfort. His nature is to antagonize rather than to soothe. But if you were having an especially bad day, and were ever to ask him if he likes your body, he’ll offer you a rare, genuine frown. “‘Course I like it. Why’d ya’ think I don’t?” If you were to persist, or even go down a spiral of why he shouldn’t, he’ll stop you, his icy gaze cutting through your words. “Not another peep outta ya.’” Before he distracts you. In Gin’s view, you can’t be lingering on certain topics once he’s teasing you again, right? But his teasing will have a little less bite this time, and lead its way to compliments that come across as more genuine than not.

Something Gin might do that confuses you is procuring skimpy clothes or lingerie for you, and leaving them out for you to wear. They’re often a size or two too small for you, and when you try them on, it’s nothing short of scandalous the way it squeezes into your flesh. It makes you wonder if he’s doing it intentionally, and don’t worry—he is. He’s a dick. His reasoning though, is that he’s quite enamored by the way straps look digging into your shoulders, or garters digging into your thighs, the way you spill out generously from a too-tight corset. He’s all simpering about it too, for instance, watching you parade around Hueco Mundo or Seireitei with a low-cut outfit that leaves your curves to no one’s imagination. In his defense, he can play the role of the “concerned,” “protective" lover in public if you get flustered, dragging you back home by the waist as he tells you, “Ya’ silly thing, why’d ya’ even go out wearing tha’ kinda stuff? Ya’ know what a sight ya’ are?” Hmm, I wonder why. At some point, you can’t trust his choices, and you have to hide your clothes from his alterations.

During sex, he likes having you on top so he can see your softer parts jiggle. He also enjoys seeing his fingerprints left on your skin, and is quite enamored with the marks tight clothing leaves on you. He may or may not pinch your fat rolls. He’s awful. You should break up with him, Y/N. If only the crazy dick wasn’t also good.

izuru kira— ;

Izuru thinks the world is a harsh and unforgiving place. The exact opposite of you and your body, and thus you become a sanctuary of sorts for him. He’s reverent—your entire body is as soft as a pillow, and he’s in desperate need of coddling from the world. What’s not to love?

Izuru especially likes running his hand along the dips and curves of your body when you’re bared before him, likening it to nature, the divine, his muse. And with him sweetly murmuring how you must have been spun from the gods’ silken hands themselves, how can you feel anything but beautiful?

Insecurities are undoubtedly a part of anyone with a body’s experience though, and if you’re ever particularly down about your appearance, Izuru is aghast. He assumes he’s at fault for making his muse think they’re unappreciated. He’ll show you some of his more, ahem, embarrassing haikus about you. If you want, he’ll even give you a mini performance, replete with his flushed cheeks, his gaze nervously darting to yours to gauge your reaction. Writing poems about you in secret is one thing, but having to perform them in front of you? If he didn’t love you so much, he thinks he could die of the embarrassment.

He accepts that there are things you’ll always dislike about yourself. If he were to list his own shortcomings, it would run miles. Izuru always lives in some kind of self-hating despair, but you—you’re his light. He hopes that by showing you how much he adores your body, you'll also come around to it.

If you’re ever pregnant and/or lactating, Izuru would love to suck on your breasts. Mommy kink confirmed. Even if the topic of trying for a baby baby has just been breached, you’ll sometimes catch him staring longingly at your breasts, before catching your eye and coughing, acting like he’s not. He’s mortified to admit just how... arousing he finds the thought of potential changes to your body.

Speaking of kinks, dying and other morbid things is something Izuru muses about often, but when it comes to you, something about these thoughts turns almost naughty. He’s embarrassed to admit it, but he thinks about being suffocated by your chest, or to suffocate with his face buried in your folds, your thighs caging his head. Sometimes these thoughts get him hard—dying is inevitable, and is a constant presence in a Shinigami’s life, but the thought of dying while wrapped up in your loved one? It’s somehow hot. Izuru is a bit too shy to mention these thoughts to you...

shuhei hisagi— ;

If you’re chubby, Shuhei finds the experience of going down on you even hotter. He’ll get nosebleeds at the thought of your thighs squeezing his head, his nose pressed into your slick folds until he can barely breathe, his hands coming up to grip your thighs as he groans at the give of them. Certified sub status.

Speaking of thighs, he loves to fuck them. Something about the thought is just hot—him squeezing your thighs together, his voice husky as he tells you to keep them clenched tight for him... good, just like that. Especially so if the head of his dick peeks through between them. He can literally cum from just that, his breath hitching at the sight of his seed streaked across them. It just makes him want to lick them even more.

Shuhei also kinda—don’t let him know you’re onto him—but when he’s really stressed from Seireitei Weekly deadlines, from his lieutenant duties, from seeming to run everything on his own? If you two are sitting on the couch together, he’ll just bury his face in your chest. It becomes a habit, and once he’s gotten over his hesitation, he’ll ask you for the boob pillow. Sometimes, when he’s so tense from everything, he’ll complain this way only, into your chest where it’s muffled and he doesn’t feel quite as much of a whiner and all he can think about is how soft you feel around him. You rubbing your hand through his head and listening to him complain is a nice touch.

He really likes hitting it from the back, where he can watch your plush ass bounce when his hips meet it. Also you on top, so he can see ever part of you.

His favorite part about you is how soft you are. Your tits pressing against his chest when he hugs you, the way he can dig into the softest parts of your thighs.

He would love it if you ever asked him to pick your outfits for the day, or week. He may not look it, but sometimes he sees a cool jacket or top that he thinks would love great on you, but he doesn’t wanna come across as weird and tell you how to dress. But he’d jump at the opportunity. Surprisingly his eye for fashion is pretty good, and he loves to get you punk outfits that compliment his.

toshiro hitsugaya— ;

He is traumatized from Rangiku’s boob smush. That being said, he does his best to ignore said assets from anyone, even if they are noticeable.

To be honest, it doesn’t really register to Toshiro that you being fat is something you should worry or be insecure about. If you mention it, he’ll blink and be like, “Yes. Your point being?” Truly, he thinks that appearances shouldn’t matter. He’s quite defensive about it, considering how people used to judge for looking too young for a captain.

If you ever mention being insecure, he’s conflicted. He wants to tell you that you’re perfect to him and you have nothing to worry about. But at the same time, he can’t quite bring himself to admit that. Toshiro’s tendency for bluntness and raw honesty is quite clumsy when it comes to declarations of affection. So he settles for showing you instead--with a fierce kiss, his arm tugging you forward

“Don’t be stupid,” he says sternly. “You’re per--fine just the way you are.”

He does try to show you how much you mean to him. Perhaps by upping the physical affection, which is a huge deal for Mr. Frigid and Icy. He’ll initiate hugs from behind, even in public.

If you continue to be insecure, he suggests--and he means this with no ill intention--some guides and strategies for self-love and shit. He finds it cheesy but he really wants to help you, while also not wanting to coddle you? He’s definitely had to look up research guides to relationships before, so he figures that’s a place to start.

As an adult, he’s pretty lean, so he also appreciates the size difference. Toshiro doesn’t treat you differently, hauling you onto his lap in those rare moments when he’s tired from paperwork and wants a pick-me-up, and has stopped giving a damn about decorum. But just picture grumpy Toshiro, nuzzling into your chest, asking for “Five more minutes,” because the feel of being wrapped around is much better than his hand cramping from all the papers he’s had to sign off of.

Ah. I’m loving the idea of Toshiro with a fuller boo and doing cute domestic shit. You feeding him curry you made while he hugs you from behind and complains that it’s too spicy (it’s not; he just has a piss-poor tolerance for spice). Napping with Toshiro on the couch on his day off and he cracks an eye open, a small smile curling his lips at the sight of you as he wraps an arm around you. Toshiro glowering at you when he’s in the rare mood for affection and you keep darting out of his grasp, until he pins you against the counter and steals a kiss from you while grumbling, “Finally.”

Rangiku thinks you’re the cutest couple, and definitely does her best to catch you two in the act of doing, what she deems, “cute couple activities.” More than once she’s walked in on you sitting in Toshiro’s lap, not even doing anything spicy, but just playing with his hair. It’s cute. She has totally taken blackmail pics. In her defense, her taicho never looks that soft with just anyone.

Body worship is big in the bedroom. Toshiro’s cold lips trailing your skin, his gaze heated. He may not be the best with words of affirmation, but he’s content to show you like this how much you mean to him.

#bleach x reader #hisagi x reader #toshiro x reader #izuru x reader #gin x reader #bleach headcanons #bleach smut #not sfw #bleach thots #tati writes #repost from my old blog

425 notes · View notes

fatewoven · 2 years

Text

@hayvani: ‘ dead is the safest i’ve ever been . ’ / prompt.

Astringent, heavy on the tongue, the pull of nicotine — the first in years, a veritable lifetime — cauterizes the wounds of old, rotting memories. Smothers them in a sweeter taste as his blood calms, heartbeat settling in the silence. He’s finally opening himself to the conversation, like a cadaver on display, split apart from sternum to stomach for others to see just how much space the heart fills up. If Toshiro held a stethoscope to his chest, he’d be able to hear what’s his, what’s always been his after all these years, beat away steadily, fueled by ( foolish, battered ) hope. “I’ve always been of the mind that the dead have it easy,” Kenshin intones, each word dragged out by a rough cadence, gravel-pitched by time. He runs fingers through his hair, the sides shorn, peppered with streaks of salt and sea-salt both. Another pull of the stale cigarette, a burn at the throat, and he flicks the ashes away while his back remains to this specter, haunting his peripheral. “Turns out I was half-right. Playin’ dead must’ve been a vacation for you, yeah?” Resentment tints the air albescent. Adds to the doubt scratching away at his chest, making a hole where his grief was once buried, deep, deep down. They’ve both aged, decades etched onto their features with some grace, and Kenshin stamps on the cigarette with his heel, a habit that comes naturally still. “You told your sister yet? Or do you want me to break the news to her like old times?” The few souls milling around the docks during the budding eventide glance over, curious about the lover’s spat unfolding as the sea remains a glossy, tranquil color all the way to the horizon. He wonders if this exchange could even be considered as such — seeing as it’s been decades since Toshiro died and made a martyr out of himself for all the good it fucking did. Sigh stifled at the larynx, swallowed like the rest of these barbed questions, Kenshin pinches the bridge of his nose to alleviate the building pressure. “All I want to know is why now? You’re used to gettin’ your way in a lot of things, but what makes you think you can walk back into my life and think nothin’ of it?” Something in his voice breaks, years of mourning resurfacing, uglier than any scar, and Kenshin feels his body clench, on the verge of flight or fight ( and he’s never been one to fly ).

#kitmitsu #kitmitsu / toshiro.#kenshin / interactions.#/ hmm! was thinking of their reunion #/ and how kenshin would def have mixed feelings about it #/ since toshi lied. lied about being dead #/ ofc he still loves him so much. his heart is still toshi's. but it's hard #/ hard to accept it all despite him logically knowing why toshi did what he did #/ so yeah :)c

6 notes · View notes

dokuhai · 2 years

Text

remind me when i’m not exhausted to write up a headcanon / meta post about how depressing it was for rangiku to watch toshiro move from third seat to captain after isshin disappeared because she was incapable of achieving bankai, because a portion of her fucking soul was missing thanks to aizen’s men ----- and to become so FRUSTRATED over the fact that haineko would not teach her, would not show her how to move forward because she was incapable of doing so, without truly knowing or understanding why -------- and then for her lazy nature to manifest even further because she felt worthless, incapable of being better, stronger ------ incapable of keeping up with her childhood friend turned lover, as he got stronger and stronger .... always feeling several steps behind, which only fed into her drinking problems, let’s be real. and then that look on her face in that one manga panel towards the end of the blood war, when shuhei managed to achieve bankai, another one of her friends moving forward ------- YEAH IM. UPSET ABOUT IT.

#excuse the lack of formatting and rambling iM SO TIRED BUT IM JUST #SCREAMING ABOUT THIS TO CAS ON DISCORD BECAUSE I HAVE A LOT OF FEELINGS #AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA-----#ooc.

9 notes · View notes

avwrites4ever · 3 years

Text

Fantasy Setting Idea - Classic Japan (Heian Period)

It’s a New Year! And what better way to start it off than gush about something I love! I hope you will enjoy it too, and get excited, because I’m bursting with ideas!

I’ve even gushed about this to people at my work, the poor things. That’s how excited I am.

I just love discovering new writing ideas and hoping someone will do something wonderful with them. It doesn’t have to be me. Just someone.

So.

The Heian Period.

Also known as the Golden Age of Japan.

I think it’d make a fascinating base for a fantasy setting. So would ancient Korea, if the movie Ramage taught me anything.

*NOTE: This isn’t a history lesson. I’m just examining broad strokes of certain elements of culture & setting which I think would lend themselves to a fascinating fantasy story.

(Although there is a History of Japan in 5 minutes video at the end.)

Fun Fact:

The Tale of Genji, written during this time period, is probably

the world’s 1st novel.

The 1st novel. Ever.

Written by a court lady in Heian Japan, no less. She is known as Murasaki Shikibu, but that’s a nickname (her real name is unknown.)

Chiefly, I’ll quote from Royall Tyler’s intro to his translation of The Tale of Genji.

And if I can find my copy of The Pillow Book, written by Sei Shonagon, I’ll include that too. (Please don’t confuse with the film of the same name, which is not the same AT ALL.)

Here’s a summary of The Pillow Book:

http://cup.columbia.edu/book/the-pillow-book-of-sei-shnagon/9780231073370

*Not sure if this is the best translation, I just like the summary.

*Note: Translations are tricky, & often if you don’t like a translated text, it might be because the translation is bad, and not actually the fault of the original work! Please keep that in mind while reading.

The Tale of Genji & The Pillow Book are both primary sources, by the way, meaning they were written by people who were actually living in the Heian Period!

(And both ladies were rivals of each other, which I find hilarious, considering I like both of their works.)

They’re not dry & boring either. Far from it. (I mean obviously, or I wouldn’t recommend them.)

I recommend The Pillow Book first. If you have a good translation, while reading, you’ll learn about how life was during the time, which will make reading The Tale of Genji easier since, being a novel, Genji assumes you live in the Heian Period and so know all about it (the inside jokes, the word play, the burns, everything.)

I also find Sei Shonagon a fascinating person. Very funny & clever. She journals like I do, only less randomly. She’s very interested in the world around her & all its funny, heartwarming, or baffling moments.

If not for the barriers of time & language which, funny enough, translation has more or less broken, I feel as we’d have some great conversations.

I love how real people in history are both very relatable & very different from us.

I mention these 2 because it was chiefly while reading the intro to Royall’s translation of Genji that I got the idea for this post. Though I was already fascinated by Heian Japan while reading The Pillow Book.

Though, if anyone is interested, I first became intrigued by Japan’s history while reading Rurouni Kenshin. Considering it’s a manga, consisting of pictures & text, you might start there.

(Though Rurouni Kenshin is set shortly after the Meji Restoration, which I believe is something like the start of Japan’s modern period, since samurai are in decline. But don’t quote me, I could be wrong.)

Anyway.

Also, Tumblr apparently doesn’t know what the Heian Period is, so few pictures here will be actually of the Heian Period, and doubtful if they’re accurate.

Actually, I’m using this as an excuse to put in pictures of Toshiro Mifune & old Japanese black & white films & pretty landscapes & cats & anime, because I can.

So! What about Heian Japan so intrigues my writerly brain?

Lots of things, naturally,

Certainly a fantasy world based around the Heian Period will be different from your typical western Medieval-esque fantasy settings which are so popular.

Yes, I’m brilliant, no one would ever have guessed that.

(Though speaking of Medieval-esque fantasy research has taught me those, such as Game of Thrones, to give a popular example, are actually closer to reflecting the Early Modern Period.)

See this link for better argument by someone more researched than me:

https://acoup.blog/2019/05/28/new-acquisitions-not-how-it-was-game-of-thrones-and-the-middle-ages-part-i/

https://acoup.blog/2020/12/04/collections-that-dothraki-horde-part-i-barbarian-couture/

I mean yes, I was surprised too that a person who claims to do their research apparently hasn’t, but here we are.

Speaking of which, take everything I say with a grain of salt, because I know nothing. Nothing!

By which I mean, I am not an expert about the Heian Period, or even Japanese history. For example, a lot of what I’m talking about will involve the perspective of court nobles & rich people, since those were both the characters in the primary sources & were what the authors were themselves.

I’d love to read a story where the main characters & people involved are peasants in the Heian Period. (And who stay peasants, & aren’t secretly royal or noble.)

I’m only suggesting this as a way to expand your mind beyond fantasy settings which have been done before.

I hope too that I’m not advocating cultural appropriation either (an easy trap to fall into.) If you think I am, let me know!

Now that’s all out of the way, here’s some specifics about what I love about the Heian Period:

It’s a Hidden & Secret World Insubstantial as a Dream, Structured by Social Manners & Rank

What struck me right away while reading The Pillow Book & The Tale of Genji is how closed their worlds are. Noble women especially lived in a world of curtains, panels, blinds, and paper, silk, or bamboo screens, and walled gardens. People speak to each other not only through these divides, but also through messengers / servants.

What connects all these things are how fragile they are.

As Royall writes in his introduction to The Tale of Genji, even in courtship, (pg. xix):

“He cannot see her, and he may have no idea what she looks like. He will not normally see her even if she speaks to him in her own voice, since she will still be in another room, behind a blind and a curtain, and the curtain will remain even if she allows him into the room where she is.”

Seeing another person is very intimate. This makes it very easy to build up mystery and intrigue of a person before you actually meet them. Catching a glimpse of them or a snatch of their voice, or the hem of a sleeve from under a screen can be electrifying. Especially of a gentleman to a lady, or vice versa, because of all those blinds and screens and so forth. Royall mentions this in the introduction to his translation of The Tale of Genji.

“If he then takes it upon himself to brush her curtain aside and go straight to her, he will by that gesture alone have claimed something close to the final intimacy.” (Introduction, pg. xix.)

What prevents him, of course, is a combination of good manners & reputation. Royall writes, “Good manners maintained a proper distance, which amounted to unholding the accepted social order.” Loss of reputation could mean loss of friends and entertainment and wealth, even exile. Having other people to talk to or play games or music with was essential.

Introducing ghosts, shape-shifters, and uncertain magic to such a setting is only to be expected. (There is a ghost in The Tale of Genji.)

Also note that then & now personal names were seldom used, & especially not in public unless by someone intimate with you (such as a family member or old friend) or the person was extremely rude. Instead, people were referred to by their rank and title or last name, or even the place where they came from. Some were even referred to by a number, for example, First Princess (Onna Ichi no Miya.)

Notes or letters were vital within such a formal social structure. Even more vital than text messages are today. For in notes, especially poetry, someone could speak from the heart. So much that even the type of paper used was important. For example, most romantic notes were written on thin, colored paper, often kept in the front fold of a robe. They could also be scented and contain a branch from a tree or flowers.

And of course, clever word play and innuendos were all the rage. People were also expected to memorize poetry, and judged if their poetry or writing wasn’t up to standard.

Anyone who loves words would excel here. Think of all the possibilities! Secret lover’s notes, inside jokes between friends, sick burns between enemies or rivals. Plots to overthrow the Emperor could happen in plain sight. Throw some curses and magic to the mix and see what happens. Having some sort of mystery would also work well.

Hope you enjoyed this & makes you excited about creating a unique, rich, fascinating fantasy world.

Or really any part of Japan’s history, which roughly goes like this:

youtube

Obviously, if any of this intrigues you, & you want to use Classic Japan as a setting, you’ll need to do research. And I mean it. Or I will hunt down some rusty spoons.

I’m serious though. The reason why I’m writing this post is, hopefully, other people can also learn about Heian Japan, or more of Japan’s rich, beautiful, bloody history. Share the wonder with others, so the wonder won’t be lost or forgotten.

And in doing so, discover the wonder at being able to laugh at jokes made by someone who doesn’t even speak the same language as you, doesn’t even live in the same time or place . . .

It’s truly amazing. People are more alike than we know. And amazingly different. Reading manga & learning about Japan (and other countries) has been & is such a glorious experience. I understand myself & other people better.

It’s opened up the world.

#story ideas #the tale of genji #japan #fantasy #think about it #writing

7 notes · View notes

shadowsnlace · 5 years

Note

Captains and lieutenants have a girlfriend who is a very easy squirter and she is super embarrassed by it? Reaction hcs please.

A group this big mean short answers. :) Also, I’m gonna mix it up a bit and do captains/lieutenants pre-defection of Aizen and his cohorts . One caveat here is that I am NOT writing this for Yachiru. Ikkaku will be substituted. Enjoy!

Yamamoto - Unfazed. Makes a mental note to wash and comb his beard later.

Sasakibe - Startled. Keeps right on fingering her and says nothing about it.

Soi Fon - “Oh!” Wonders if she can do that too. Wonders if Yoruichi is a squirter then ends up blushing more than her girlfriend from shame of letting her thoughts stray.

Omaeda - Grossed out. Worries that he may have just contracted cooties.

Gin - “Oh my, you’re quite the little fountain!” The more embarrassed she seems to be, the more he’s going to keep commenting and making her squirm.

Izuru - Blushes. Secretly proud of himself that he made her squirt and will definitely try to make her do it again.

Retsu - Unfazed. Perfectly natural bodily function, she’s a squirter too so she eases her embarrassment with sweet words.

Isane - Surprised. Blushes a bit, but once she sees how embarrassed her girlfriend is, she brushes it off like it was nothing.

Aizen - Not even a flinch. He’s the most amazing lover, how could she not orgasm so hard she’d squirt? Enjoys her embarrassed flush.

Momo - Surprised. Recovers quickly and soothes the embarrassment she sees painted on her girlfriend’s face.

Byakuya - A soft gasp and his eyes widen. Soothes her embarrassment by showing just how much he enjoyed that.

Renji - Really big grin. He is going to dive right back in for more. With relish and so much dirty begging her face is going to be as red as his hair.

Sajin - Sexy growl. The pheromones and other goodies in that squirt send his keen sense of smell into overdrive. He’s going to want much more.

Tetsuzaemon - Completely freaked out. He thinks he broke her. Once he finds out he didn’t, he’s gonna do whatever it takes to make her do it again.

Shunsui - Unfazed. (You think she’s the first he’s ever had like that?) Knows exactly what to do and say to ease her embarrassment.

Nanao - “Oh!” Wipes off her chin, smiles at her woman, and then goes right back for more.

Kaname - Low rumble of approval. His grip tightens on her hips and he makes sure he gets every last drop.

Shuhei - Confused. Once she blushes profusely and stammers out an explanation, his ego puffs way up. He’s so damn happy that he pleased her so much and will want to do it again.

Toshiro - “H-Hey! What the – ?” What is this? Feels bad once he sees the red face of his lady. She stammers out a explanation. He smiles at her, soothes her, then decides he wants to see it again as soon as possible.

Rangiku - Laughs. She loves it. Will giggle and just keep making her cum and squirt over and over. No time to be embarrassed when you feel so good.

Kenpachi - Really big, wolfish grin. The low rumble in his chest turns into, “Oh hell yeah, baby, do that again.”

Ikkaku - Big grin accompanied by an excited laugh. “How many times can you do that?!” He’s gonna find out.

Mayuri - Curious tilt of the head. She is now his new experiment. He is going to log everything: frequency, output, distance, intensity, how she reacts to different stimuli, samples of all for composition….the list goes on. Forget embarrassed, she’s gonna be exhausted.

Nemu - Seems unfazed. Is very curious and asks questions despite how embarrassed her girlfriend is. Conducts experiments of her own, but is very focused on them being pleasurable.

Jushiro - Happy chuckle. (She’s not his first squirter.) Once he sees her embarrassment he stops everything to banish her shame. He enjoys her and makes her comfortable with him continuing on with more love making.

– I am not touching “Booger-breath” and “Monkey-breath” Sentaro and Kiyone.

Kaien - (*sigh* What a hunk!) Remember that look he gave Jushiro over a cup of tea? That look. While caught off-guard, he takes it in stride. An easy smile sweeps away the blushes on her face. “Oh, baby, that was amazing.”

323 notes · View notes

scenarihoes · 5 years

Note

Hey there! Any chance I can get some toshiro toyomitsu[fatgum] head canons? I'll take nsfw or sfw! The marshmallow man needs more love!

heya!!! idk much about this guy, but i tried my best ! i hope they suffice for you!! i could only do SFW since, again, i dont know him good enough to consider what he could be like ‘under the sheets’ : (

Taishiro Toyomitsu - SFW Headcanons

SFW

Toyomitsu is a very laid back lover, having no issue with taking time to smell the roses. Your relationship is an easy one, neither of you really more ‘in charge’ of the other, really just going with the flow. Unless there’s a planned event, you and him kind of just decide on the spot what to do with your day.

The only time this dynamic changes is when he’s having a moment of impulsivity. It can be about literally anything- if something sparks his momentary interested he will bring it up so fast and will beg you go with him. This is how you and him end up going to so many advertised shows and events, even if they don’t directly appeal to you. It’s hard to say no to him when he gets that excited.

Whether it’s a day inside or a fun time outdoors, expect food to be involved at every corner. You can’t even be surprised- this is him, afterall. He loves his bites and it’s no secret. The only places he doesn’t ‘prefer’ to be are really fancy places, even if it’s a restaurant. Snobby places really aren’t his style, but if the food’s good enough and you really want to go, he’ll make do.

Despite his carefree nature with you, he’s lowkey pretty protective of you. He’s got lot’s of connections so he can often tell if something’s gonna be going down at a certain location, and if it’s anywhere near where you are, he’s quick to remove you. His worst fear is seeing you hurt, injured, or god forbid even killed. He wouldn’t be able to control himself.

Funny as fuck. He can get you laughing with the smallest words, and between you and him, there’s an arsenal of inside jokes. Pretty much your entire conversations are inside jokes or things that really only you and him know about, so to onlooking strangers, it’s as though you’re talking on a another plane of existence.

The best way to make him happy as all hell, or even bribe him, is to make him food. You know what they say- the way to a man’s heart is through his stomach. Make him a nice dinner and he’ll be at your command for the rest of the evening. Bake him some sweet, sweet goods and he’ll be wrapped around your finger for the rest of the week. There’s nothing that tastes better to him than the cooking from the love of his life.

#fatgum #taishiro toyomitsu #bnha #boku no hero academia #mha #my hero academia #bnha headcanons #Anonymous

9 notes · View notes

fumifooms · 2 months

Note

another detail for bugliker shuro: in the chapter 60 cover, his succubus is falin with insect wings & legs! a little reminiscent of laios's tbh...

Oh my god you’re RIGHT…

Even at the most mosquito-like we see them be in canon they only have wings and hair-like antennas, not this full fit with collar and extra legs… The wings don’t look the same… Oh my god Toshiro’s ideal is a bug wife

#Dungeon meshi #delicious in dungeon #toshiro nakamoto #shuro #Spoilers #dungeon meshi manga spoilers #i should make a tag for these quick posts…#Nature lover toshiro #You can argue the bug features were exaggerated for the monster showcase. Valid. But idkkkk guysssss….. 👀#Idkkk guys the wings look different….. Those aren’t mosquito-like 👀 if she’s his queen bee that’d be so cute- anyways getting ahead of myse #It’d be interesting to dive into the link Toshiro made between Falin and bugs prob stuff to dig into there… There’s that folk tale on it to #The fact that bug fu- EHEM lover Toshiro is has basis enough for this to even being an entertainable possibility is already so funny #I say bug wife but it being falin does really matter… If it’s just bc bugs are why he fell in love with her so it manifests that’s so…

689 notes · View notes

dweemeister · 6 years

Photo

Ready Player One (2018)

On a recent episode of CBS Sunday Morning, author Ernest Cline attributed his debut novel’s success as, “a testament to what happens if you be free about what you love and why you love it.” That novel, filled with 1970s and 1980s pop culture, is Ready Player One, now directed by Steven Spielberg (who, arguably, defined cinema in those decades), co-adapted to the screen by Cline and Zak Penn, and retaining the ideas Cline sought to express. After a run of topical dramas, this is Spielberg’s first legitimately “fun movie” since 2011′s The Adventures of Tintin (as much as I liked 2016′s The BFG, it is tonally scattered). Jaws (1975) and Jurassic Park (1993) scared the pants off of sensitive viewers; E.T. the Extra-Terrestrial (1982) and Hook (1991) reached into childhood fears amid the entertainment. But of all of Spielberg’s “fun movies”, Ready Player One is the only one that is pure spectacle. Its nostalgia there for show, almost never in service of whatever themes the film happens to stumble upon. This pure spectacle is a fleeting, flashy thrill and little else – take the jump, because despite its weaknesses, there is no film analogous to Ready Player One.

It is 2045 and humans are addicted to the virtual reality world of OASIS. OASIS was designed by co-creators James Halliday (Mark Rylance; whose eccentric character has been deceased for some time) and Ogden Morrow (Simon Pegg; who left the developing company before OASIS became so widespread), who hid an Easter egg requiring three keys within his game. The Easter egg promises the winner ownership of OASIS. Living in a multi-tiered trailer park in Columbus, Ohio, is the orphaned Wade Watts (Tye Sheridan), whose OASIS username is Parzival. He befriends one of the game’s best players, Art3mis (the avatar of Samantha Cook, played by Olivia Cooke) on his way to acquire Halliday’s three keys and unearth the game’s deepest secrets that millions have tried to solve. Faster than Wade can tell Samantha, “I wanna be your lover”, she rebuffs his requests to meet her in person because she fears that he will not like the real her.

Everybody wants to rule the world. One corporation, Innovative Online Industries (IOI), has essentially dedicated itself thousands of employees to find the Easter egg to gain full control of OASIS. The CEO of IOI is Nolan Sorrento (Ben Mendelsohn), and he finds himself in conflict with Tye’s friends – who name themselves the “High Five”. The High Five will also include (actual name/username): Helen/Aech (Lena Waithe), Zhou/Sho (Philip Zhao), and Toshiro/Daito (Win Morisaki).

One could spend much longer explaining the world inhabited by the characters, but Ready Player One is up to the challenge of excessive exposition as Penn and Cline’s screenplay spend about twenty minutes with Wade explaining what has happened to 2045 Earth (or, at least, Columbus). The screenplay also refuses to grasp any of the implications of the dystopia it presents – having not read the book, my hope is that Cline does examine those social aspects more. How did the widespread disillusionment in real life that, apparently, the whole world (?) is connected to OASIS come to be? Aren’t humans, even those who believe they have no power, more resilient than that? How can an enormous conglomerate be able to have what basically is a paramilitary that engages in domestic terrorism (police forces exist, if the ending is any indication, so do cops work one day a week or something in 2045)? Given trends in gaming today, are there microtransactions or something similar in the OASIS that creates a class structure replicating itself in the real world and allowing for certain in-game or real-life advantages by class?

Maybe it is just my imagination running away with me, but why the hell are all the best players in the world living in Columbus, Ohio?

One way or another, enduring science-fiction asks questions of its characters’ humanity and dares the reader or viewer to understand, question, and improve their own being. In cinema, Metropolis (1927, Germany) comments on class power struggles and how society is impoverished with a permanent working class; Planet of the Apes (1968) is a sharp allegory of religious and scientific tensions; A.I. Artificial Intelligence (2001) asks if a synthetic being programmed to simulate love can feel love. Ready Player One’s stake in cinema’s science-fiction tradition is not as weighty as those films, but there are pressing thoughts to be gleamed from the film.

The movie presents fandom that is corporatized, excessive, or taken in moderation, as well as providing an environment of pandemic video game addiction (now a disorder recognized by the World Health Organization). On corporatized fandom, Ready Player One presents audiences with IOI – a combination of video gaming as sweatshop work and individuals whose job it is to know everything about twentieth-century cinematic (I might be a decent candidate in this department but turning it into soul-sucking work is too depressing to think about), comic book, and video gaming culture. Something like IOI is laughable now, but the film stands on it, so perhaps we will not be laughing if something resembling it emerges in the decades to come.

Regarding excessive fan culture, one could argue the whole conception of OASIS is a monument to one man’s uninhibited obsession with elements of pop culture. Ready Player One – at least in this adaptation – is unwilling to examine how damaging one’s fandom, when taken to extremes, can be (the throwaway epilogue in the film’s final frames is not enough). Outside of Halliday’s story, how does one’s fixation on video games or movies or other art forms make actual life easier or more difficult? The epilogue’s reveal that Wade and Samantha no longer log into the OASIS every day makes one wonder how prepared they are to go without a virtual reality where they have essentially lived their lives. Perhaps that latter point belongs to a different movie or the fan-fiction writing corners of the Internet, but the fact that Ready Player One only superficially touches upon these points adds little else to this reference-heavy movie.

What non-readers of Ready Player One may have noticed is the presence of so many popular movie and video game characters. One begins to wonder about how much money was spent on licensing. Many detractors of Ready Player One, who aren’t gonna take it, have commented on how some of the references in the film are shallow, disrespectful of the original source materials. These critiques are mostly beside the point. Take the Iron Giant. The Iron Giant appears as Helen’s avatar in the climactic battle as she/it proceeds to punch the stuffing out of IOI’s mechanized tanks and Mechagodzilla. This goes against the character’s essence: that it will only use violence in cases of self-defense. True, but this is an Internet avatar and the OASIS not necessarily a strict role-playing environment.

Nevertheless, one’s personal sense of fandom always has some degree of appropriation. Understanding a person’s passions and the origin of those passions make for incredible emotional connections that can barely be described. Where Cline’s passion for largely 1970s and ‘80s popular culture is apparent, what about his characters? Halliday is a human compendium of knowledge and trivia of that period – its movies, television, video games, anime, comics, and more. But why does he love those things implemented into OASIS? Why is Wade’s ride a DeLorean? Is it because he identifies with Marty McFly from the Back to the Future series? Artemis has the motorcycle from Katsuhiro Otomo’s Akira (1988)? Is she an enormous anime fan, and is Akira a personal favorite anime film? Spielberg, Penn, and Cline need not have crafted indulgent soliloquies for every reference, but the audience is bereft of understanding why these references from these past works appeal so much to Ready Player One’s characters. It does not help that the romantic kindling between Sheridan and Cooke (as Samantha, she is very much ashamed of a sizable birthmark… thankfully, not to Phantom of the Opera levels of shame) is iffy at best.

The BFG was the motion-capture dress rehearsal for Ready Player One. Almost everything that occurs in the OASIS was shot using motion capture – a process that is similar to regular film shooting for actors but is more demanding for visual effects teams. The results produced by these hundreds of visual effects artists for Ready Player One are commendable, but Spielberg regulars cinematographer Janusz Kamiński and editors Michael Kahn and Sarah Broshar (not a Spielberg regular, but co-editor of 2017′s The Post) are more at ease in the non-OASIS scenes in how they use lighting to evoke the decrepit nature of Wade’s neighborhood. Production designer Adam Stockhausen (Wes Anderson’s primary production designer since 2012′s Moonrise Kingdom) makes these towers of trailer homes feel lived in and not soundstage-bound or CGI’d into the film. Contrast that with the sleek, ultramodern headquarters of IOI – which somewhat recalls the aesthetic in the Tron series.

This is only the fourth Spielberg movie not to be scored by John Williams, who withdrew from the project after scheduling conflicts with his work for Dear Basketball (2017), The Post, and Star Wars: The Last Jedi (2017). So in comes Alan Silvestri (1994′s Forrest Gump, 2012′s The Avengers), who worked with Spielberg when the latter served as producer on Back to the Future. Outside of the musical quotations Silvestri uses from Back to the Future and other films, his score successfully recalls the orchestral adventurism of 1980s action movies. Several are interspersed throughout, with the most commonly-used motifs – for Wade and Halliday, respectively – incorporated into the main titles. Lushly orchestrated and allowing strings, woodwinds, and brass jumping into the action-packed or romantic frays of the plot, Silvestri’s score is weakest when the cameras are inside IOI’s headquarters and the electronic elements reminiscent of a Marvel movie do little even to increase suspense.

Separate from the score is a ‘70s/’80s soundtrack that many viewers will be familiar with. A dance sequence using the Bee Gees’ “Stayin’ Alive” echoes John Travolta’s moves in Saturday Night Fever (1977). Many other songs are included in the soundtrack, but they have already been name-dropped in this review to prove a larger point (ahem).

Having already criticized Ready Player One for its insubstantial callbacks, I may be guilty of shameful hypocrisy because of this paragraph. One musical omission that defined Ready Player One’s marketing campaign should have been implemented into the film. “Pure Imagination”, composed by Leslie Bricusse and Anthony Newley for Willy Wonka & the Chocolate Factory (1971), played an important part in setting the tone for Ready Player One’s trailers. Whether integrated into the score or soundtrack, “Pure Imagination” is a widely-known song even to audiences who consider older movies not worth their time. I see Willy Wonka and Ready Player One as distant cousins: a young character embarks on an exhilarating, occasionally dangerous, adventure and – through their actions – will become the loving custodian of another person’s fantastical dream. Such a decision would not be unprecedented in a Spielberg movie. In Close Encounters of the Third Kind (1977), John Williams used “When You Wish Upon a Star” from Pinocchio (1940) in his score to underline the interstellar optimism and childlike wonderment in both films. Ready Player One never has a moment like that – where the film can make sense and explore the emotions behind what pieces of popular culture enabled the creation of the OASIS.

If this review seems like poop in the punch bowl, that is not my intention. As a self-identified nerd who shuns nerd culture, I enjoyed Ready Player One and got a kick out of identifying the movie and video game characters my eyes could catch in time – I had fun, and that is important in watching movies. If Ready Player One is nothing more than a celebration of how our popular culture tastes makes us who we are, then that is fine. Yet it never asks where such love comes from because that is the most exciting thing we can ever learn about another person.

My rating: 7/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found here.

#Ready Player One #Steven Spielberg #Tye Sheridan #Olivia Cooke #Ben Mendelsohn #Lena Waithe #T.J. Miller #Simon Pegg #Mark Rylance #Philip Zhao #Tin Morisaki #Hannah John Kamen #Zak Penn #Ernest Cline #Janusz Kaminski #Michael Kahn #Sarah Broshar #Alan Silvestri #My Movie Odyssey

1 note · View note

blameitonthebleach · 7 years

Text

Hello, dearies! In light of my recent absence, I just wanted to let you all know that I haven’t abandoned this blog, nor do I intend to. These last two months have been a roller coaster of good and bad, but mostly unwelcome interruptions, hiccups, and snags. I shan’t go into detail, but I haven’t felt very much like writing--however, now that I’ve gotten a burst of motivation, I shall shovel all of it onto this blog until I start school next Monday! Therefore, while I continue to write the next installment of the angsty Byakuya scenario, please enjoy these Toshiro headcanons~ I love you all <3

Toshiro Hitsugaya

--It’s a rare occurrence when Captain Hitsugaya has a day off--and takes it--so when he does, it will literally take everything you have to get him to relax, and take a load off. It will take a lot of coaxing, maybe a little guilt-tripping, and a lot of “C’mon, please, Toshiro?” Don’t forget the puppy-dog eyes, they work surprisingly well on him if you’re that special someone.

--Ultimately, he’d like to relax. After all, the poor guy works his ass off 24/7, and will never admit that he’s always making sure people see him, and not his young outward appearance. (Everyone respects him; you know that, I know that, everyone knows that, but you know what they say about shorties...) Being the youngest standing captain has it perks--like everyone always calling you a genius, or a natural--but the pressure of maintaining the dignity and prestige of that title is taxing. He always feels the need to work ten times harder, ten times longer, and be ten times more mature and level-headed than the average shinigami with the same title. So bear in mind that he always has these thoughts at the back of his mind, if not the front, and act accordingly. It’s your job as his lover to quell those vexatious thoughts.

--While he’s not the type to love PDA, it actually pleases him a great deal to hold your hand. It’s one of the few chaste ways he enjoys showing his affection for you, and it helps keep the pests at bay in a discreet manner. You’ll notice it in the way he grips your hand just a little tighter, gently and lovingly stroking his thumb over yours as you walk through the Seireitei together. His reiatsu gives a little burst of cold. Usually this means “danger,” or “death,” or “don’t,” but with you, when he’s got you on his arm, and the other shinigami look at you both with envy, it’s a reminder that you are the most important person to him, and despite the cool, collected, dignified persona he puts forth, there’s a little warmth underneath all that reserved just for you.

--What he likes to do once he’s gotten in the mind set of unwinding is to sit and stare at the scenery, or just be in nature and take a breather. Meditate. No joke. Being a captain means an almost constant state of hustle and bustle, and getting from point A to point B to do one thing or another. There’s rarely time to take in one’s surroundings, even during times of peace.

--However, this doesn’t mean that that’s the only thing he enjoys. If you’re so inclined, that special little sport he picked up in the Human World would go a long way in making a day off feel at least a little bit productive. Soccer is his guilty pleasure--don’t tell Ichigo.

--At the end of the day, after playing soccer, and generally avoiding thinking about work (as much as Toshiros can manage...), he’ll allow himself to feel all those emotions he pushes down and forgets he has in favor of being an effective captain of the Gotei 13. Every ounce of love and protectiveness that would overwhelm him if he didn’t keep them in check would just ooze out of him, and you could probably get whatever you wanted out of him. Go crazy! ... Just not too crazy. He still has his limits.

#blameitonthebleach #toshiro hitsugaya #sfw #bleach headcanons #bleach imagines

180 notes · View notes

discussionpaper1-blog · 6 years

Text

Japanese Cinema Sensuality and Politics

This paper examines trine films by Oshima Nagisa and seeks to explore the carnal knowledge between sensuality and political relation in each of them.\n\nI Introduction\n\nWhen we think of Japanese cinema, the image of the samurai, usually play by the great Toshiro Mifune, is what a lot comes to mind; a warrior overbearing across a gothic Japanese landscape. Sensuality and sexual activity seem far remote from this austere picture.\nBut Oshima Nagisas vision is precisely the resister of what we think of when we consider Japanese cinema. His work is extremely sensual, evocative, explicit, and at least in maven film, very disturbing.\nThis paper examines the descent between sensuality and authorities in terce of Nagisas films: In the dry land of the Senses, untamed story of juvenility, and Gohatto (Taboo).\n\nII General Comments\n\nPolitics in the context of these films is not politics in the sense of votes, lawmaking, and campaigns for elective office. It is instead the shifting family relationships among people, ground upon the management cause flows at heart a group, or between individuals. That former is often establish on sensuality; superstar person has more index than the other because she or he is in control at the moment. As the relationship shifts, the power balance shifts as healthy; that is, the politics of the situation changes.\nThe iii films are very unalike in their examination of the trend in which sensuality dictates mankind interaction. Cruel Story of Youth is a tale of immature lovers who are destroyed by their own recklessness; In the Realm of the Senses shows us devil people so preoccupy with sex that death is the only(prenominal) release; and Gohatto (the English backing is Taboo) is an illustration of the way in which misunderstandings about the original nature of a relationship can lead to tragedy. Gohatto is in any case the only adept of the three that deals with homosexual love, and in many another(p renominal) ways it is the most beautiful, both(prenominal) visually and in its discourse of potentially explosive subject area matter. It is also the least handy of the three.\nSex in these films is brutal, bestial, rapacious, opportunistic, or animalistic, but almost neer romantic. It is often a weapon, which one player uses to win power for him (her) self. Despite this, it is still delightful to watch these films play out.\nWell fleck first to Cruel Story of Youth, then In the Realm of the Senses, and finally...If you want to get a full essay, order it on our website: Custom essay writing service. Free essay/order revisions. Essays of any complexity! Courseworks, term papers, research papers. 100% confidential! Homework live help. Custom Essay Order is available 24/7!

0 notes

bestresearchpaperwriting-us-blog · 7 years

Text

Japanese Cinema Sensuality and Politics

This paper examines trio films by Oshima Nagisa and seeks to explore the sexual intercourse betwixt sensuality and government in each of them.\n\nI Introduction\n\nWhen we think of Nipp integrityse cinema, the image of the samurai, usually vie by the great Toshiro Mifune, is what a good deal comes to mind; a warrior imperious across a mediaeval Nipp matchlessse landscape. Sensuality and grammatical gender seem far outside from this austere picture.\nBut Oshima Nagisas vision is precisely the opp unrivallednt of what we think of when we consider Japanese cinema. His work is extremely sensual, evocative, explicit, and at least in one film, very disturbing.\nThis paper examines the mankind kin between sensuality and regime in tierce of Nagisas films: In the country of the Senses, barbaric paper of jejuneness, and Gohatto (Taboo).\n\nII General Comments\n\nPolitics in the context of these films is not regime in the sense of votes, lawmaking, and campaigns for elec tive course office. It is instead the shifting relationships among people, ground upon the substance occasion flows within a group, or between individuals. That agency is often establish on sensuality; one person has more great power than the other because she or he is in control at the moment. As the relationship shifts, the power balance shifts as salubrious; that is, the politics of the situation changes.\nThe third films are very divers(prenominal) in their examination of the panache in which sensuality dictates human interaction. Cruel Story of Youth is a tale of spring chicken lovers who are destroyed by their own recklessness; In the Realm of the Senses shows us twain people so haunt with sex that death is the nevertheless release; and Gohatto (the English prenomen is Taboo) is an illustration of the way in which misunderstandings about the confessedly nature of a relationship can lead to tragedy. Gohatto is excessively the only one of the three that deals wit h homosexual love, and in some(prenominal) ways it is the most beautiful, both visually and in its handling of potentially explosive drug-addicted matter. It is also the least favorable of the three.\nSex in these films is brutal, bestial, rapacious, opportunistic, or animalistic, but almost never romantic. It is often a weapon, which one player uses to win power for him (her) self. Despite this, it is still riveting to watch these films play out.\nWell magic spell first to Cruel Story of Youth, then In the Realm of the Senses, and finally...If you want to get a full essay, order it on our website: Custom essay writing service. Free essay/order revisions. Essays of any complexity! Courseworks, term papers, research papers. 100% confidential! Homework live help. Custom Essay Order is available 24/7!

0 notes

shadowsnlace · 6 years

Note

Hahaha, I loved your answer to the fandom asks! May I have a part 2? The same thing, but with the lieutenants? Thanks, hun! Happy writing! Sincerely, Happy Anon

I can’t believe how popular that ask was! And it was so much fun to write! Thank you for send that and this one too, dear Happy Anon! *rubs hands together* Now, let’s see about the lieutenants! :)

Nanao - Annoyed. Very annoyed. Not only does she have to contend with Shunsui’s fangirls zipping around the division, now she’s got them hot on her heels too! The power of the glare is strong with Nanao, she can halt a fan in their tracks at ten paces. Most of the pictures on her website are “the glare”. It’s a whole thing, there are poems, songs, and art dedicated to it. However, Nanao does go on the website to interact with her fans – those that are book lovers like her. There is a section for Nanao’s book recommendations, and even a book club forum where her fans can read the same book she’s reading and once she’s done they all discuss it. She loves it.

Omaeda - His website has 11 followers. Ten of them are on his payroll, the other one is a complete mystery. Rumors fly that the one unpaid “fan” is really Sui Feng monitoring him; that it is a woman that has her sights set on his wealth and is gathering recon to lure him into marriage (this one started by Omaeda); and the biggest rumor, the one spawned by Sui Feng scoffing, “It’s probably his mother.” The content is all uploaded by Omaeda. There was the one time his mother posted embarrassing baby pictures in the comment section of one of his posts. They were immediately deleted. He buried himself in fried rice crackers to deal with the “trauma”.

Izuru - Is shocked to his toes. Upon first seeing his fansite, he not only smiled, but he was happy the rest of the day. He always blushes a bit when fans ask for him to pose with them for pictures. Surprise of surprises, Izuru always smiles in all the pictures. So many fangirls – those blue eyes, that blonde hair, that tender poet’s soul…women swoon over him. Once a week he posts a new poem and his fans are all over it. The amount of hearts that stream through the comments is staggering. Trolls are not allowed. Anyone that dares to troll one of Izuru’s poems is destroyed by the fans like it’s their favorite sport. Rose is trying to convince him to do a “Win a Date With Izuru” contest like he did on his fansite.

Isane - Like Izuru, she’s really shocked. She turns bright pink when she first sees the fansite and how much adoration there is for her. Retsu encourages her to interact with her fans, hoping it will bolster her confidence. Fan pictures are a mix – many show a startled, pink-cheeked Isane looking a bit unsettled, while others are able to make her comfortable enough to smile happily. Either way, she’s still quite the beauty. The new attention rattles her sometimes, especially if someone very attractive tells her how beautiful she is. So much so, she tripped on air and landed right in the arms of a very cute officer from the 5th division. This led to a date and a rather hot kiss goodnight. Isane definitely thinks this website might be a good thing after all.

Momo - Is pretty tickled that she has fans. She’s pretty easy-going so asking her for a picture or having some interaction with her isn’t a hard thing to accomplish. Like Nanao, she loves books and has linked to Nanao’s book club forum where her and her fans interact with Nanao and her fans. She has her own reading recommendation list on the site. As a very good artist, she often posts some of her artwork, much to the delight of her fans. She loves getting art from her fans too. She’ll pick a piece of fan art every week to showcase on her fansite with compliments from her. Is really into memes. She loves them especially if they’re cute. Rangiku always manages to post at least one or two a week aimed as Toshiro. Momo loves them.

Renji - Has mixed feelings about it all. While he’s flattered by the attention, he’s also a little awkward about it. He’s not accustomed to being in the public eye and looks to Byakuya for clues how to handle the fame. Along with his close friends, Ikkaku, Shuhei, and Izuru, Renji has a constant swarm of fangirls that follow him everywhere – to work, to meals, to futsal. And, I do mean everywhere – one fan snuck into Renji’s bathroom while he was soaking in the tub. She was trying to get a picture of his famous tattoos, to see if he really has them everywhere. Renji’s angry snarl scared her so bad she dropped her camera and ran like he’d set his bankai on her. Byakuya had some questions about why a young lady was seen running from his bathroom, screaming. And, before you ask, yes, there are some die-hard fans that have gotten tattoos just like their beloved Renji. He visits his fansite once or twice a week to check in. He’s an active guy, busy with work, friends, and his own interests, but he drops in if he’s bored just to see what’s going on.

Tetsuzaemon - Boasts that of course he’s got fans, how could he not, being such a manly man and all. On the inside is secretly thrilled, now he has confirmation that he’s all that and a bottle of sake. If you thought his ego was swelled before, it’s about to pop any minute now. He brags about all the followers he has. (He knows the exact number and always double checks before meeting up with friends anywhere) Ikkaku likes to razz him by photo bombing his fan pictures. It irks Tetsuzaemon to no end when he’s taking a picture with a cute girl and here comes Ikkaku’s gnarly feet or bald head. Drives him nuts. On the fansite he interacts with his fans as much as he can, which is a few times a week when he’s not busy with work. He’s very genuine and rather humble when talking with fans. Has been carrying on a very heated private online affair with a mystery lady who really gets his motor running during their conversations and with her sweet nature. He really hopes he’s not being catfished.

Shuhei - Turned about 5 different shades of pink when he first saw his fansite. The women – oh my god, the women that want him is on par with Kensei’s following. The fan pictures are so focused on his scar, his tattoo, his physique, and his style it’s mind-boggling. He can’t believe the things these women are saying they want to do to him. He has to be really careful where he reads comments or fan mail, hard ons at work are not only awkward, they’re distracting. He tries his best to be approachable and easy-going, but a lot of his lady followers are just as shy as he is so he gets a lot of pink-faced ladies stammering, stuttering, or talking so fast he can’t understand them. The minute that deep, rumbly timbre of his makes an appearance, it’s time to faint or melt on the spot for the fangirls. Is sometimes overwhelmed by it all, but manages to get along just fine. He’s a sweet guy and does his best not to hurt anyone’s feelings.

Rangiku - Are you kidding me? She has taken to this like a duck to water. She is in her element – attention galore. She loves it. And, she loves going to all the other lieutenants’ fansites to post memes about them. She’s got quite a sense of humor and an eye for details. Don’t let the laziness fool you, she’s far from it, she just doesn’t like paperwork and part of her likes getting Toshiro all fussy. She is rather dedicated to her fansite and making people feel welcome there. They all love her and post pictures, art, poetry, songs, and even fashion stuff that would look good on her with where to find it. She made a whole section dedicated to her fans called “Drinks with Rangiku” and it’s all pictures of fans having a drink with her. She nearly crashed the server from all the pictures that have been uploaded.

Yachiru - Is pretty nonchalant about her fansite. It is dedicated to her power of cute. Most pictures include some part of Kenpachi since she’s with him so much, Someone even managed to get a picture of her on her scooter in the Kuchiki mansion. The main benefit for her is that her fans keep her heavily supplied with candy. They leave offerings for her at Kenpachi’s door where she gathers them up everyday when they come home. Once in a while, though, she’ll go visit Ikkaku’s website to upload pictures of his bald head that she’s captured to look like a lamp, or the setting sun, or a smeared selfie of her biting his head. She posts them on her website too because she knows Ikkaku will delete them from his.

Ikkaku - He’s the tough guy, nothing fazes him, especially not some website. Yumichika is the one that reads everything to him. He scoffs that he’s not interested, but he still listens to every word and looks at every picture. He doesn’t mind the pictures, or the fan art. But, like Kenpachi, he really likes the videos of his fights. Those he will sit and watch for hours, looking for flaws in his technique, studying his opponents. He’ll hog the laptop until the battery dies and then has to deal with Yumichika being pissy because he didn’t get to use it. Likes to scare the group of fangirls that follow him around just to hear them squeal. He finds it hilarious. They’re all used to it now and often play it up for him. He gets Yumichika to do a daily sweep of any of Yachiru’s silly pictures. He’s not embarrassed (yeah, right), but he’s got his pride.

Nemu - Not much reaction. She sets to work gathering all kinds of statistical information from the fansite, like how many fans to picture ratios, how many memes, how many pictures are in the lab and out of the lab. You name it, she can quote you a statistic about it. She hides the information from Mayuri, knowing he will react much like he did for his own fansite. She’s very willing to pose for fan pictures. While she doesn’t smile, she doesn’t look interested and kind. She secretly talks online with her fans and has begun to grow close to a few. She’s tentatively open with her new friends and finding a bit of emotional freedom she doesn’t often get around Mayuri.

Akon - Mr. Laid-back-as-fuck checks in on his fansite during breaks at work and sometimes in the evening if he’s bored. Numerous pictures of him are all over the site. There are lots of discussions about his horns: where they came from, are they sensitive, how sexy they are. He gets lots of chuckles and lets them all stew in the mystery. Most of the fan pictures show him smoking because they always seem to catch right after he lights up. Has more than one rather ardent fan. He knows when they’re watching, stealing little mementos of things he’s discarded, one even went so far as to steal some lab notes he’d written and then threw away. She auctioned them off to other fans after keeping some for herself. Akon is, as always, very calm in the midst of it all. His fans are, for the most part, pretty laid-back too. He enjoys the fan art, and the ones that ask science questions.

Rukia - Loves her fansite. There are bunnies galore. Her fans know her love for bunnies and use an app to make bunny features on their faces: ears, whiskers, nose, and mouth. Rukia even posts pictures of herself all ‘bunnied up’. There is fan art that she loves because she knows how much her brother admires art. She tries her hand at it too. It’s still crap, but her fans love it and call it a great example of expressionism. As long as she’s not working, she’s happy to stop and take pictures with fans or chit-chat for a bit. Everyone is really nice which is a welcome change from the stuffy Kuchiki brood she’s exposed to all the time. (Byakuya has loosened up a lot, but the rest of them are still stodgy old farts.) One of her fans created an “Angry Bunnies” game a lot like “Angry Birds”. It features Rukia hurling bunnies to take down snakes and monkeys. She loves it. Renji thinks its silly but still plays it just to try to beat her high score.

#Bleach #bleach headcannons #Lieutenants #Lieutenants react to fansites about them #sfw

49 notes · View notes

professionalwritingservice-blog1 · 7 years

Text

Japanese Cinema Sensuality and Politics

This idea examines tierce films by Oshima Nagisa and seeks to research the relation between sensualism and politics in to each hotshot of them.\n\nI Introduction\n\nWhen we speculate of Japanese cinema, the image of the samurai, unremarkably dissolutioned by the neat Toshiro Mifune, is what oftentimes comes to mind; a warrior swashbuckling across a medieval Japanese landscape. sensationalism and sexuality seem off the beaten track(predicate) removed from this austere picture.\n save Oshima Nagisas vision is just the opposite of what we think of when we ask Japanese cinema. His work is passing sensual, evocative, explicit, and at to the lowest degree in one film, precise disturbing.\nThis typography examines the birth between sensationalism and politics in three of Nagisas films: In the realm of the Senses, merciless narrative of Youth, and Gohatto ( proscribed).\n\nII General Comments\n\n authorities in the context of these films is non politics in the wiz of votes, lawmaking, and campaigns for elective office. It is instead the shifty relationships among people, based upon the way proponent flows within a group, or between individuals. That power is often based on sensualness; one person has to a greater extent power than the other because she or he is in take at the moment. As the relationship shifts, the power balance shifts as well; that is, the politics of the home changes.\nThe three films are very different in their trial of the way in which sensuality dictates human interaction. Cruel Story of Youth is a tale of young lovers who are sunk by their own heedlessness; In the Realm of the Senses shows us two people so obsessed with sex that last is the only release; and Gohatto (the incline title is Taboo) is an exercise of the way in which misunderstandings slightly the true nature of a relationship can fart to tragedy. Gohatto is also the only one of the three that deals with homosexual love, and in many ways it is th e or so beautiful, both visually and in its handling of potentially explosive subject matter. It is also the least accessible of the three.\nSex in these films is brutal, bestial, rapacious, opportunistic, or animalistic, but almost never romantic. It is often a weapon, which one player uses to profits power for him (her) self. Despite this, it is unflurried fascinating to watch these films play out.\nWell turn first to Cruel Story of Youth, then In the Realm of the Senses, and finally...If you want to spend a penny a full essay, set up it on our website: Custom essay writing service. Free essay/order revisions. Essays of any complexity! Courseworks, term papers, research papers. 100% confidential!Homework live help. Custom Essay Order is available 24/7!

0 notes

bestessayservice-blog1 · 7 years

Text

Japanese Cinema Sensuality and Politics

This news written report publisher examines tether films by Oshima Nagisa and seeks to research the relation between sensualism and politics in severally of them.\n\nI Introduction\n\nWhen we count of Japanese cinema, the image of the samurai, ordinarily dramatic played by the heavy(p) Toshiro Mifune, is what lots comes to mind; a warrior swashbuckling across a medieval Japanese landscape. sensationalism and sexuality seem utter just about removed from this austere picture.\n only when Oshima Nagisas vision is exactly the opposite of what we think of when we mete out Japanese cinema. His work is super sensual, evocative, explicit, and at least(prenominal) in one and only(a) film, rattling disturbing.\nThis paper examines the kinship between sensualism and politics in three of Nagisas films: In the nation of the Senses, brutal drool of Youth, and Gohatto ( proscribed).\n\nII General Comments\n\n authorities in the context of these films is non politics in the se nsory faculty of votes, lawmaking, and campaigns for elective office. It is instead the devious relationships among people, based upon the way business office flows within a group, or between individuals. That power is often based on sensationalism; one person has more than power than the other because she or he is in tell at the moment. As the relationship shifts, the power balance shifts as well; that is, the politics of the business office changes.\nThe three films are very different in their interrogatory of the way in which sensualness dictates human interaction. Cruel Story of Youth is a description of young lovers who are destroy by their own hardihood; In the Realm of the Senses shows us two people so obsessed with sex that conclusion is the only release; and Gohatto (the side of meat title is Taboo) is an exemplification of the way in which misunderstandings nearly the true nature of a relationship can own out to tragedy. Gohatto is also the only one of the three that deals with homosexual love, and in many ways it is the most beautiful, both visually and in its handling of potentially fickle subject matter. It is also the least accessible of the three.\nSex in these films is brutal, bestial, rapacious, opportunistic, or animalistic, but close to never romantic. It is often a weapon, which one player uses to clear power for him (her) self. Despite this, it is belt up fascinating to watch these films play out.\nWell turn first to Cruel Story of Youth, then In the Realm of the Senses, and finally...If you want to get a full essay, coiffe it on our website: Custom essay writing service. Free essay/order revisions. Essays of any complexity! Courseworks, term papers, research papers. 100% confidential!Homework live help. Custom Essay Order is available 24/7!

0 notes