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#where is the equality !!
firbolgfriend · 4 months
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Mlp infected aus that just erase Discord from existence is so funny, he would shut that shit down so fast. Not even all that for the sake of friendship or whatever he’d see it and be like erm… not really my cup of chaos, this is just gross (snap, fixed)
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jewishrat420 · 4 months
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No one has ever flirted with Steve the way Eddie flirts with Steve.
And it's not like no one flirts with Steve. God, no, it's not like no one flirts with Steve. Steve can't walk into the grocery store without at least three sets of heads turning and focusing all their attention on him.
And he's not even trying to be cocky about it. That's just the reality he was gifted when he came out of his mother's womb looking like the world's freshest Adonis. Honestly, he wouldn't be surprised if they changed the colloquialism to "Steve."
Regardless. For as many people like to flirt with him, make themselves known, filtering in and out of his orbit like willing planets, no one knows quite how to get him going like Eddie. Maybe it's that they're not as confident as he is, maybe they're scared of the rejection Eddie was born facing and will die knowing.
Maybe they're scared of ruining their chances. Maybe Eddie isn't.
For whatever reason, Eddie doesn't seem like he's scared. Even though there was a long time before he knew Steve was bi, was just as into the flirting as Eddie was, even though there was a chance (not like it'd ever happen, but the unknown was there) that Steve could have beaten him up just for calling him "sweetheart," he did it anyway. He got right up into Steve's space, close enough that Steve could get high off the remnants of the joint he'd smoked earlier, and gave him a look that offered everything.
And, God, Steve wanted it. He wanted it all.
And so that began months of what Steve has so aptly referred to as torture. Apt, because he knows what it's like. He has the scars and the fear of ice cream and needles to prove it.
But this... this is a different kind of torture. Mental, emotional, spiritual, whatever you call it-- this is meant to tear him apart from the inside out, meant to make him want to rip his own bones out from his body and offer them to Eddie if it meant the other man making a fucking move.
And Steve would, is the thing. He would absolutely make the first move-- it's what he usually does, anyway, and he's got a pretty damn good success rate for it.
But, for whatever reason, this feels different. This back and forth they have, the constant teasing, the sliding in and out of each other's orbits, unable and unwilling to refute the most fundamental laws of gravity... it's something special, at least to Steve. Something sacred.
Which is why, when Eddie calls Steve "Harrington" for the first time in months, his first response is to pout.
They're about halfway through splitting a joint, the sweet smoke curling around wisps of hair and parted lips and filtering in and out of the holes in their sweaters. The air outside is getting colder, thinner, sharper, as the winter months dreg on. But inside the trailer, it's comfortable and warm. Safe.
Steve's being a bit of a hog, and he's man enough to admit that. But he had a shitty day at work and all he wants is to feel nothing other than the weightless relaxation of a good high buzzing through his bones. Sue him for taking a little more than his fair share of the good stuff, even if it is Eddie's.
"Steve," Eddie whines, reaching his hand out and curling his fingers in request. "Give it over."
"No," Steve responds, just on the edge of whiny. He brings the joint to his lips and takes a long, slow, deep drag, feeling the sweet heat of the smoke burning in his lungs, taking up the space where oxygen should be. He goes a little dizzy with it, feels his eyes lower. "Mine."
Steve can't see it, but he knows Eddie's rolling his eyes. Can sense the shift in the air, can sense every little fucking thing about Eddie at any given moment.
"C'mon, Harrington, you're being a brat."
And, normally, Steve would find another aspect of that sentence to freak out about. Would zero in on the word brat and relish in the flare of heat it sends shooting up his spine like firework sparks. Would squint his eyes at Eddie and tilt his head in the way he knows makes him look good, would give him his cutest little smirk and say, "Who, me?" and would preen in the response it gets.
This time, though, he's much too focused on the other name Eddie used for him. The one he hasn't heard come out of Eddie's mouth since before he realized that Steve was, as he put it, "actually a good dude."
He doesn't realize he's pouting until the sudden silence in the room starts to creep in, make a home in the buzzing in his ears. He didn't realize that he didn't say anything, and neither did Eddie, and now they're sitting in a mess of their own making. Of Eddie's own making, really.
His next words come out without effort, without intent.
"Don't call me that."
He chances a look over at Eddie, at the risk of appearing as vulnerable as he feels, and to his distress, he can't get a read on the man. His dark eyebrows furrow, brown eyes squinting slightly, and his lips part like he wants to speak. He licks them. Steve's eyes follow the motion unintentionally.
"Call you what?" Eddie says on an exhale. "A brat?"
Steve shakes his head. "Harrington. Don't like it when you call me that."
Eddie kind of softens, then, and Steve didn't realize he had stiffened until he isn't anymore. He sort of sinks into the couch, spreads his legs imperceptibly wider, and Steve wouldn't have noticed if it wasn't for the way his left knee brushes against Steve's just barely. Just enough for those heated sparks to send a couple pinpricks across his skin.
"No?" he says, looking over to meet Steve's gaze. His cheeks are flushed, whether from the weed or the heat of the room or the heat between them, and Steve's sure that his look the same. "What do you want me to call you, then?"
Steve's definitely blushing now. He looks away from Eddie, tucks his chin to his chest, lets the joint between his fingers burn away. Eddie takes it from him, gently, and brings it to his lips. Steve hears the paper crackling as he inhales.
His voice is quiet, almost meek, when he speaks. It's completely unlike Steve, completely unlike the persona he used to so proudly take on-- but then again, Eddie is completely unlike anyone that Steve has ever met. He's more real, more human, and in turn, Steve is too.
"...You know."
Eddie makes a little noise, then, something in the back of his throat that was born and died within the very same second it was released. Something soft, almost pained, like his body couldn't help the reaction it had to that sentence.
Steve watches the thin, long line of Eddie's arm reach forward and press the joint into the glass of the ashtray. He follows the motion until Eddie's hand settles into the rips over his knee, fingers intertwining with the thread. His pinkie is dangerously close to Steve's own sweatpant-covered skin, and he feels the contact as if Eddie were touching him.
Eddie's hand twitches like it wants to move, and Steve resists the urge to grab it, hold it within the warmth of his own palms.
"Do I?" Eddie says, his voice quieter than it was a moment ago. That thick silence fills the trailer once more, settling in between the soft buzzing of the lightbulb in the kitchen and the muffled humming of the crickets outside. Steve hears Eddie take a stuttering breath. "Tell me."
Steve sighs, feeling his chest burn as his heartbeat picks up. His throat pounds with the pulsing of it. He places his own hand on his right knee, pinkie finger edging closer and closer to the space where Eddie's meets his. Eddie's hand twitches again.
"Like it when you call me sweet things," he says on an exhale, as though getting it out all in one breath would make it easier. "Like how it makes me feel."
Eddie lets out another one of those noises, then, something more like a cut-off groan. His hand curls into the fabric of his jeans for no more than a second before he releases it, and Steve gets to watch as the blood blanches and then returns to his knuckles.
"Sweet things, huh?" he muses, voice only slightly strained. If Steve didn't know any better, he'd say Eddie is nervous. "Like... Stevie?"
Steve hums. "Yeah. I like that."
Eddie's pinkie moves closer. Barely. Imperceptibly, if not for the way Steve is tuned into his every movement, like a dog to the sound of their owner's keys.
"Yeah?"
Steve hums again.
"What about... sweetheart?"
Steve closes his eyes. Lets out a shaky breath, inhales a smoother one.
"Yeah."
Steve feels something brush against his pinkie. Something warm.
"Honey?"
Steve nods, biting his lip. "Mhm."
Eddie lets out a quiet little laugh. "Even big boy?"
Steve returns it helplessly, feels the edges of a smile pulling at his lips. The air feels cold on his teeth, as though he's burning up from the inside out and anything outside of his own body is a cooling salve.
"Especially big boy."
Eddie laughs a little louder, and the jostling of his body brings his pinkie even closer to Steve's. Completely pressed against his own, now.
Steve swears he can feel his heartbeat through it. Or maybe it's his own.
"What about..." Eddie takes a breath. "Love?"
Steve's own breath hitches. He opens his eyes, looks at where their skin is touching in more than one place. He feels it, feels every point of contact where the cells that make Eddie are existing with the cells that make Steve. Wonders, maybe, if they stay here long enough, if they'll merge and mold over time. Become one.
"Yeah," Steve breathes. "I like that one a lot."
Eddie hums, and the room falls back into silence for a moment. Steve's skin burns where their fingers are touching. He moves his hand to the right, just barely, just enough to let Eddie know that he feels it. Just enough to ask Eddie if he does, too.
His response is overwhelming.
Eddie moves his hand to the left, solidifies all the points of contact between them, and Steve feels like he's exploding. Feels like a bubbling pit of lava that's set to burst, to overflow, like it can't hold back anymore. Like it's tried for so long that it's hurting, now, pressurized and boiling and hot, way too fucking hot.
And then, Eddie crosses his pinkie over Steve's, and Steve thinks he's dying.
He takes in a sharp breath like it's the last one he'll ever get, and he doesn't even have it in him to be embarrassed about it. He knows Eddie is right there with him, knows he's not the only one feeling this irrefutable pull like gravity between them. Knows, hopes, it's only a matter of time before they collide.
Eddie hums again. He taps his pinkie once over the smallest of Steve's knuckles, almost like he's making a decision. He takes a long, slow breath before he speaks.
"You know which one's my favorite?"
Steve's throat clicks. "Which?"
"Look at me."
Steve turns his head to the right for no more than a second before Eddie's lips are on his.
It's hungry, it's indulgent, it's immediately addictive. It feels like breathing.
Eddie presses his whole body against Steve's, and he can feel the way his tendons flex where his hand is covering the back of Steve's. Where their pinkies meet, their fingers intertwine and cross over one another like the roots of a tree, their bodies the whole mycorrhizal network.
The next word is spoken against Steve's lips, and Steve can feel the way his mouth forms around it. Decides, from this moment on, that he never wants to hear it another way.
"Baby."
Steve's exhale is more of a moan, a dying sound that, like Eddie's before, lived for only a moment in his throat before pushing through the wall of his lips. Eddie takes it, holds it in his own mouth, swallows it down hungrily and slides his tongue against Steve's as though asking for more.
"That's--" Steve pants, getting his hands on Eddie's hips and pulling until he's seated in his lap. "Mine too."
"Yeah?" Eddie asks, his lips still pressed against Steve's. Their words are muffled against each other, but they don't need to hear them to understand. They only need to feel the outline of them, the shape of the consonants and vowels against and around each other's tongues. They only need to press their bodies together and know, intimately, the meaning in each other's hearts.
"Yeah. Want you to call me that forever."
This time, Steve feels Eddie's laughter against his lips. His chest. Feels it bubble up in the space between his ribs, feels it flow into his mouth like a river, swallows it down like the first glass of water after a run. Feels his own creep up behind his teeth in return, gives it back to Eddie like an offering, who takes it greedily. Hungrily. Gratefully.
"Think that can be arranged, baby."
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nocreativityfornames · 3 months
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Solomon: As a human--
Lucifer: *scoffs* Human?
Mammon: I don't think you count as a human anymore, dude.
MC: Stop!
Satan: Huh?
MC: Stop saying Sol isn't human. 😑
Asmo: Hun, come on. He's an incredibly powerful sorcerer who's immortal and has 72 demons under his control--
MC: My ancestor was a fallen angel.
Belphie: How does that--
MC: When I went to the Celestial Realm in the past you guys couldn't tell that I wasn't an angel. And when I went back in time in the Devildom you idiots didn't even consider the fact that I could've not been a demon.
Levi: Uh--
MC: Whenever we get in some sort of trouble and end up cursed or hit a weird spell it rarely ever affects me even though the magic works on everyone else: demon, human, or angel.
Mammon: Okay, that's a good point but--
MC: When I first got here Lou put a spell in the attic so a human wouldn't be able to see Belphie even if they got up there. I went to the attic and I was still able to see him.
Everyone: ...
MC: 😑
MC: If you wanna dismiss Sol's humanity because he's "unusual" compared to the average human, you'll have to dismiss mine too.
Beel: I think MC is right here...
MC: Thank you, BB.
MC: Now c'mon Old Magic Man, let's go. *grabs Sol and leaves*
Everyone: ...
Satan: ...MC has become rather protective over Solomon ever since they came back, huh?
Lucifer: Yes, they have...
Mammon: I don't like that.
Asmo: Well, I think it's sweet.
Levi: Guys, I think we're focusing on the wrong thing here--
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tartarduck · 27 days
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let me believe that rafayel is a pure-hearted maiden
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jisungshotfirst · 1 year
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all the porn bots are women and now I just got a crypto bro bot who's a guy 💔💔💔💔💔
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inkskinned · 4 months
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you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can't afford the doctor's you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.
(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)
but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you've done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn't it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.
(what attention could this doctor possibly give? what validation? that's their fucking job, isn't it?)
there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking "for a quick fix". or some idiot who wasn't educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don't deserve to be treated like humans (right), and since you might be one of these people, you also don't get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you're actually probably faking it.
(more often than not, you find a 2:1 ratio of these stories. for every "hypochondriac", there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it's too late, and it's going to kill me.)
you are actually just making excuses. someone else got that procedure or that diagnosis and he's fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you're just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you're just being a baby.
(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won't, but that moment - god, fuck. the pain just goes on and on.)
you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn't lying - the anesthetic drip hadn't been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you're just having a bad period.
in the ER there are always these little posters saying things like "don't wait! get checked today!" and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.
but you go into the doctor. the problem you're having is immediate. the person behind the counter frowns and says we're not taking your insurance. you will be paying for this out-of-pocket.
they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you're a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.
it's okay. it's okay, it's just another thing, you think. it's just another thing i have to learn to live with.
#spilled ink#warm up#can you tell what i'm mad about today specifically#i will say that there are a LOT of things that go into this. like a lot. this is ungendered and unspecific for a reason#it isn't just sexism. it's also racism. and ableism. and honestly classism.#and before a healthcare professional reads this as a personal attack: i understand ur burnt out#we are ALSO burnt out. your situation is also dire. this is not an attack on you.#this is a commentary on the incredible amounts of bigotry that lie at the heart of capitalism#where people have to pay money out of pocket to be told to fuck off.#your job is important. so is our humanity. and if you cannot accept that people are fucking mad as hell#at the industry - you are probably not listening .#anyway at some point im gonna write a piece about sexism specifically in medical shit#but i don't want terfs clowning in it bc they can't understand nuance#> it is true that ppl w/a uterus are more likely to experience medical malpractice & dismissal globally#> it is also true that trans people experience an equally fucked up and bad time in the medical field#> great news! the medical industrial complex is an equal opportunity life ruiner :)#(if you find it necessary to go into a debate about biology while discussing medical malpractice#i want to warn you that you're misunderstanding the issue. because guess what.#cis MEN might experience this. particularly black men. particularly disabled men.#so YES having a uterus can lead to more trouble for you. but this happens a LOT.#instead of fighting those ALSO experiencing your pain.... try working WITH them.#which btw. is like. actual feminism.)
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ghostlyarchaeologist · 10 months
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"Bruh, I gotta fake a masterpiece from 1633. Not only does the painting have to look identical, the materials I use have to be identical."
Leverage Redemption S01E01 The Too Many Rembrandts Job.
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pharawee · 6 months
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The Cabinet has approved the Marriage Equality Bill, and the draft law is expected to be submitted during the next Parliament session, which will start on December 12, said Prime Minister Srettha Thavisin.
If the draft bill is approved into law, Thailand will become the third Asian country, after Taiwan and Nepal, to recognize same-sex marriage.
The draft bill, initiated by the Move Forward Party, passed its first reading last year. However, the bill was shelved after the previous parliament was dissolved ahead of the May general election.
In addition to the Marriage Equality Bill, Srettha promised that the government would also consider a bill allowing transgender Thais to change their official gender registrations and a bill to decriminalize prostitution.
Srettha's administration is also submitting a bid for Thailand to host the World Pride parade in 2028.
(source: thaienquirer @ x)
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turtleblogatlast · 2 months
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Every day I’m haunted by the fact the boys happily swim in sewer water
Even if it’s filtered somehow there’s no way it’s not still nasty 😭 Bet they can defeat any of their villains just by accidentally giving them diseases I swear
#rottmnt#rise of the teenage mutant ninja turtles#bless their hearts but they’re nasty#it’s funny because like#each and every one of them has moments#where they’re a typical disgusting teenage boy#and then the next they have STANDARDS#can’t blame Leo for being so determined to go to a spa#even if he nearly licked his own foot that’s prob cleaner than anything else the boys have been up to in years 💀#thank you shelldon for all your hard work cleaning after then 🙏#they’re all gross teenage boys!!!#even Donnie he is NO exception here#bro was DRINKING A BEVERAGE while wading through sewer water he is just as gross as his bros#bro also talks with his mouth full he is no more refined than his equally gross bros fr and I love it#but yeah no way that water isn’t disgusting even filtering it would still leave grime on the walls of the sewer for yearsss#pros of them moving into an abandoned subway system is fixing their sense of smell enough to not be as gross#100% that’s part of why they didn’t mind being so filthy pre shelldon#because I mean they were literally raised in the sewers and they’re teenage boys like that’s a double whammy#THEY ALSO DONT WEAR SHOES#the few times any of them do the shoes are discarded before heading home 💀#I love them tho they are endearing anyhow#April’s immune system must be godlike just being around them fr#honestly no joke Mikey’s probably the cleanest of them all#just by virtue of being a chef#Leo I see as a mixture since he no doubt loves to pamper himself so he’s clean like#a percentage of time before he goes out and ruins his own hard work#Donnie is similar in that he’s just VERY SELECTIVE about what he thinks is too gross#Raph may be more on the stinky end but it’s not his fault he has his stinks and eats things of dubious origin(esp since his bros ate poison)#Donnie and Leo really have the gall to be sick about Raph eating the origami salami but they have no room to talk#all their villains are prob like please stay away from us we have salmonella now
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the-crooked-library · 3 months
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does anyone else think about Spike and Giles looking at each other and seeing a personification of the most despised and vulnerable aspects of their own past or is it just me
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idk-bruh-20 · 9 months
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Irondad fic ideas #155
Tony can be... a bit overbearing with his helicopter parent tendencies. To combat this, Peter sets up a small protocol with FRIDAY. 
Any time Tony wants to do something paranoid or invasive, FRIDAY is to send him a helpful article first, with titles like "Excessive Surveillance Can Harm Adolescent Development, Study Finds" and "Why Teens Need Privacy From Their Parents"
Peter leaves the choice of articles up to FRIDAY, trusting her to send ones that fit the situation.
While this protocol does get Tony to reconsider some of his more... extreme impractical requests, in most cases it fails to change his mind. Being hands-off about Peter's safety is not something he can do -- not when he knows the kinds of dangers this particular kid could face.
He's grateful for the insight that the protocol has given him, though. So instead of removing it, he decides to add to it. He asks FRIDAY to make it a two-way street. Now, whenever Peter complains about one of Tony's safety protocols, FRIDAY will send an article to help him understand
However, Tony doesn't anticipate the kinds of articles FRIDAY will choose. While she continues to send Tony studies and editorials, to Peter she sends news reports from Tony's past
Peter's mad that Tony has put trackers in everything he owns? -- "Tony Stark Still Missing: Inside Month Three of the Harrowing Search"
Peter hates the constant health monitoring that FRIDAY does when he's in the tower? -- "Death Wish or Death Sentence? Stark Behavior Tied to Secret Illness that Almost Cost Him His Life"
It goes on and on. For every seemingly insane overreach, there's a story, an experience Tony is trying to protect Peter from. 
They both still disagree about how much protection is too much, but at least they understand each other better now
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kenjakusbraincum · 6 months
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Hi, i can’t help but request this because you write so beautifully.
So I just had the idea of a former ballerina being sacrificed to Sukuna. She does her work good and gracefully but she longs for old times where she was able to dance and feel like she’s flying again. So she does it in the evening in Sukunas garden. He of course notices and as culture lover he is he makes her his personal dancer. And a cute lil love story forms from this scenario.
I would be so thankful if you form this to a proper story because i don’t have enough imagination. Love your work
Thank you for the compliment! I apologize in advance for my butchered descriptions of dance scenes and hope you like what I came up with anyways <3
Swan Lake
Sukuna x Reader
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Word count: 6.3k
Tags/warnings: gn! reader but the words maid, whore and bitch are used, true form! sukuna, bullying, fluff with a very brief and soft smut scene at the end!
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Sukuna doesn't care where his servants come from. People get offered to him all the time, and he takes them when he feels his palace is understaffed. And that happens quite often, considering how eagerly Sukuna gets rid of his servants for the smallest inconveniences. His staff is disposable to him, having no value beyond the services they provide him with.
So he doesn't know about your past. He doesn't know you were once an esteemed entertainer. He doesn't know that you were touring the world, sharing your art with audiences of all different classes and ranks in society. He doesn't know you were once the star of the stage, hypnotizing people with the fluidity of your movements in rhythm with the music. He doesn't know you were snatched from fame, taken against your will and brought to him to pay your capturer's debt. You're not sure he's even properly looked at you, much less heard your capturer tell him who you are. You were that worthless to him.
Now you are but a maid. You spend your days on your knees, mopping blood soaked floors. At night, you share chambers with dozens of other servants. Privacy is a foreign concept in Sukuna's palace. You are not entitled to it even in the bathroom. Everything is shared for the servants. There's no space for you to even try to indulge in your beloved profession, even as a hobby. Except...
The garden. Most servants are in bed, prepared to sleep, but your eyes linger on the windows. In every way, going to the garden would be to your own detriment. Losing sleep was dangerous, it could lead to getting caught slacking off, or being ratted out about it. And the consequences for that... well. One could only imagine it wouldn't be a simple slap on the wrist.
Still, you longed for this. The work you did during the day drained you, it was repetitive and soulless. You weren't made to clean floors. You were made to dance, it was your destiny. Since childhood, you don't remember a period of time as long as this one, where you haven't had the opportunity to enjoy your passion. Tears stung your eyes as this revelation found you. Every day, you could feel your life slipping through your fingers. You were alive, but your energy, your liveliness, your personality, all of it was dissipating in the pools of blood you were forced to clean.
''Can you be quiet? Some of us are trying to sleep.'', a servant who sleeps in the bed next to yours snaps you out of your thoughts. You are sobbing. You apologize quickly, and snuggle in bed, trying to muffle the noises against your deflated pillow.
But sleep just doesn't take you that night. You grow more and more frustrated, as time passes and you toss and turn in bed. Eyes wide open, fixed to the window across you. The garden lures you, calls for you. Damn it. You have to try. This is not much of a life anyways, you think. Sooner or later Sukuna or Uraume would find faults in what you're doing anyways, and you'd be served for dinner. You don't exactly have a lot to lose.
Sneaking out of the chambers is easy. You spent your whole life on your tippy toes. No one moves in their sleep as you cross the room, open the door and slide through the crack. Quietly, you make your way around the mansion. Outside, you're greeted by a light summer breeze. The garden is eerily peaceful, lit by the moonlight in this late hour.
You start to warm up, hopping, circling your neck, swinging your legs. Feeling the stretches in muscles you forgot you had. The grass tickles your legs as you splay across the ground and reach for your feet. Then stand and shift your weight to your toes, feeling out how rusty you've gotten in the time you've missed out on practicing. It's not too bad.
So you start out slow. The music plays in your head and you mouth silently, counting the rhythm. Your eyes are glued to the ground, you're trying not to trip and fall on the uneven surface. Your movement feels as smooth as it did before, but you can't see yourself in the mirror to check your form. You close your eyes, surrendering to the cadence of your motions. The music carries you, and as you turn into a poised second arabesque, time seems to slow. It's only a moment, but when you turn back to continue...
Slam. So hard you start to fall back, but his arms catch you around the waist. If you weren't scared out of your mind you would've wondered how did he even show up there without you noticing. But of course, he's Sukuna. You look at him with eyes so wide you think they may fall out, and he stares back with an amused smirk. Then he bites the air in front of you, clanking his sharp teeth together, and you scream in response. His hand flies to your mouth in an instant and he shuts you up.
"Quiet now. You wouldn't want to wake your colleagues up, would you?", he tilts his head, observing your terrified expression. "Or do you want everyone to slack off with you tomorrow?"
"I-I won't slack off I promise!!!", you panic, hands shaking as you bring them up in a defensive stance. Tears pool in your eyes as you stare death in the face. He is... weirdly beautiful, lit by the moonlight. And he holds you sturdily, but gently. It doesn't hurt. And he doesn't seem particularly mad.
"Is that so?", he asks. There's a smile on his face, but it feels dangerous, threatening. Like everything else about him. "Then just what do you think you're doing outside at this hour?"
"I was- I was dancing -", you stutter, struggling to form coherent sentences. Why are you so close to him? You're pulled flush against him. You can almost feel his -
"I didn't know I had a dancer in my ranks. Why didn't you say so?", he says, and surprisingly lets go of you.
You're so sure he's playing with his food. You're so sure he's going to slice you into pieces. You've already crossed so many lines, broken so many rules. You look to the ground, only now remembering eye contact with him was strictly forbidden.
"Speak.", he growls, audibly irritated by your refusal to reply.
You didn't think he was genuinely asking. What the hell are you supposed to say? Why didn't you say so? Maybe because you wanted to see the light of day again? "I ... A lowlife such as myself has no place speaking to your Highness.", you duck your head low in an apologetic manner. And he seems satisfied, smiling playfully again. Except you don't see it, you feel it. Sukuna's presence pulls the most demeaning, self-depricating things out of people's mouths.
"Humble.", he comments and walks a couple steps around you. He's huge. "Go on then, dance for me."
You stand frozen. It's not that you're ashamed... you've performed for audiences bigger than you ever could've imagined. But the weight of his stare is harder to bear than that of hundreds. And the stakes are higher than ever. He has to like it, or else...
"Dance!", he orders sternly, and crosses his arms over his chest. So you give it your all. Remembering where he interrupted you, you get back into position and start. Dance. Your life depends on it, doesn't it? Well if there's one thing you can do to save your life it should be this.
But it's not like before. Fear seeps into every muscle in your body, and your movements are unsure. Every jump is fleeting, every landing shaky. Tears blur your vision, and it's so hard to keep your breathing steady when you're struggling not to cry. But you're a ballet dancer, you were trained to endure. You finish the variation, cross your legs and gracefully bow.
Sukuna watches intently with narrowed eyes, like a predator stalking his prey. You can't see the sly smile on his face, but you can feel it.
"I apologize, your Highness.", your voice trembles. "It wasn't my best."
Sukuna huffs in amusement and waves his hand dismissively. "Go to sleep.", he orders.
You bow before him again, and quickly turn back towards the mansion. You don't feel relief from his piercing stare until you disappear behind a corner in the hallway.
You can't shake the feeling when you're back in your bed, snuggled in the sheets up to your eyes. You just survived a close encounter with Sukuna. And he must've liked what he saw at least a little bit, if you're still alive.
The next morning, you wake up and start getting ready for work with the other servants. The bathroom is busy, and as there's little else to do in the servant circles, gossiping starts immediately.
"Did you hear the scream last night?", the servant taking up the sink next to yours says, tapping foundation into her skin.
"Screams come from Sukuna's chambers all the time. It must be a new pet getting used to him.", another one replies. You shiver.
"Everyone knows how that sounds. This was different!", the two maids exchange a look.
The second rolls her eyes. "So, he killed someone. Nothing new.", she shakes her head.
"No. Uraume would've called someone to clean it up immediately.", the first servant continues. You really, really wish they would just drop it, until... "Hey you.", she turns to you. "Your bed was empty last night, did you hear anything?"
Your blood runs cold. "I was... feeling sick. And went to the bathroom.", you say quickly. "I probably couldn't hear... over the sound of throwing up."
"Hm.", both of them look at you now. "Well you look sick too.", one of them says. "Be careful with work today.", then they finish up and leave. You breathe a sigh of relief and finish up getting ready.
The next few days pass spotlessly. You don't cross paths with Sukuna. But some nights, you feel his presence in the garden. You stretch and practice simple movements in the bathroom, when no one's around. And the variations, you save them for the garden. At night. The only time you feel alive, the only time you feel like yourself. Human. Free. You think you might just get away with no one knowing, but then...
He walks past you and another maid while you're scrubbing the floors in the hallway. Both of you freeze as he passes by, assuming a submissive position and greeting him. You pray he won't notice, pray he won't know you by your voice, but he stops. Right by you, and then there's a moment of silence. He lifts his foot, touching your chin, and nudges you to look at him.
"Oh.", you watch his stern expression soften. "It's a shame for a talent like yourself to waste away on their knees.", he says. You look to the servant next to you, and she mouths a silent 'what?' as she turns her head in your direction.
You swallow your shame. It's not the first time you had to in front of Sukuna. "Its an honor to serve you, your Highness, even if it's on my knees.", you say.
Sukuna hums. "What a good servant you are.", an amused smile graces his face once again. "Well, get to rubbing then.", he nudges your face back downwards with his foot, and walks away.
You and the servants keep rubbing intensively, until he's out of sight and a couple minutes have passed. Then she grabs you by your shoulders and gives you a look that is both terrified and angry. "You did what with Sukuna?", she asks.
You frown, offended. Why does everyone in this mansion immediately think of that? "He knows I'm a dancer.", you say simply and look back to the floor, rage brewing in your chest.
"When did you do it. Was it you screaming? Oh my god it was!", the revelation hits the servant and she puts her hands on her cheeks, looking at you in shock.
"It wasn't me!!", you lie, agitation showing in your voice.
"Does he really have two dicks?", she asks.
You drain the washing rug and smack her in the face with it. "You disgusting pervert, how dare you ask that about your master!"
"You hit me! Whore!", she smacks you back, but harder, and her rag is full of dirty water.
"I'm not a whore!!", you cry, and wipe your face with your dirty, wet hands.
"Dancer. Yeah right, I can only imagine!", she throws the wet rag on you, and it sits on your lap, soaking you in the nasty liquid. "And you're a liar too! How shameless!"
"What is this commotion about?", a voice calls from the back of the hallway, and you turn around with teary eyes. Uraume looks like a blob of white in your vision, nonetheless they're recognizable.
"Tell them! You hit me, you little bitch!", the servant slaps your shoulder. You don't have it in you to fight back. The injustice pains your heart, and you can't bear the embarrassment.
Uraume smirks, noting your disheveled appearance. Your whole uniform is soaked now, even your hair. There's a pool of water forming around you as the liquid seeps out of the rags. "Clean this mess immediately. Master will be notified of this issue.", they say, and walk past the two of you.
The servant looks at you with contempt burning in her eyes. Then spits in front of you. "Clean.", she says, takes the rag you hit her with and starts cleaning.
Sukuna sees you that evening. He sits on his throne, head in his hand, and looks down on you and the other servant. He hides his inner smile, the joy he takes in executing power over others. And it's you again. He asks what this is about, and the servant wastes no time pointing her finger at you, saying you hit her first.
Sukuna's critical stare turns to you. ''Is that true?'', he asks, scanning you from head to toe, noting the state you're in. He's not particularly happy to see you like that.
You timidly nod, admitting your fault in the situation. Your stare is fixed to the ground, where dirty water drips down from your soaked clothes. You smell, and look like a rat, all of that in front of Sukuna. You wish the ground would swallow you whole and spare you this humiliation.
But he knows you. You've captivated him. Otherwise he wouldn't have cared to ask if you have anything to say in your defense. You tell him, omitting the details of her perverse question, you simply say she was slandering his holy name.
Sukuna moves, leaning his elbows on his knees. You care about his name? How lovely. So what is this slanderous thing his servants fought about?
Silence. You and the servant exchange uncomfortable looks. If there was one thing the both of you could agree on for the day, it was that repeating it in front of him was too vulgar. With that, Sukuna quickly grows bored with the situation. When he raises his hand, both of you flinch, expecting immediate punishment. However, nothing happens when he flicks his fingers. You're dismissed.
Quickly, both of you scurry away, leaving the throne room and going back to your jobs. The rest of the day is harrowing. The rumor spreads among the servants quickly, and you are the butt of every joke. You hear whispering and giggling behind your back, and everyone's stares linger on you as you go about your day. The culmination happens next morning, when the servants are getting ready in the bathroom, and the insults start getting more direct.
''Show us how you dance for Sukuna, why don't you?''
''Did you take both at the same time?''
''He didn't like you very much if you're still working as a servant.''
And then everyone goes quiet. When you turn around, you see Uraume at the door, their eyes fixed on you. ''Come.'', they say quietly, and leave without waiting for you to catch up. Well, it seems your punishment is due. You gladly leave the bathroom and follow them down the hall, anything is better than spending another second with the other servants. But now that you think of it, where is the servant that shares your punishment? Have you even seen her this morning? Or after the meeting with Sukuna at all?
You turn a couple corners, and stop at the end of the hallway. Uraume opens the doors to a room, and ushers you inside. What is this? It's furnished. Modestly, but... You open your mouth to ask a question, but you're quickly cut off.
''Make yourself at home.'', they say, and turn their attention to you.
''What about my things?'', you ask, looking around the room, then back to Uraume.
''You won't need them. Do you have good table manners?''
''Uhh.. yeah... I think.''
''Great. You dine with Master Sukuna tonight.''
''Huh!?''
''Your outfit is on the bed, be ready by sunset. I'll come to pick you up.''
Then the door closes and you're left alone in your new room. This isn't what a punishment should look like. Not when a beautiful kimono waits on your bed. Not when there's a barre fixed onto a mirrored wall, and there's a box on the ground, and when you open it, you find pointe shoes. Multiple pairs. He didn't know what size to get you. Ribbons, a sewing kit, glue, scissors... everything you need to break them in. Under that, a simple black leotard and a wrap skirt. By all means... this looks more like a reward.
You try everything on, find the perfect pair of shoes, and test them. It's not a big room, but there's enough space for you to practice with the bar. For the first time in so long, time passes quick. You're doing something you enjoy. It feels like in a blink of an eye, your shadow gets long on the wall opposing the window, and you have to get ready for dinner. You put the kimono on to the best of your ability - you don't have the opportunity to wear it often as a servant, being usually restrained in a uniform. And then reality hits you. Sukuna wants to have you over for dinner. This... is this a date? Unless he was planning to eat you, but you suppose he wouldn't have bought you shoes and furnished a room specially for you if that was the case... Come to think of it, what are you eating tonight?
Uraume knocks on the door, and takes a long look at you when you open. They fix your collar and nod, taking off down the hallway and expecting you to follow. They lead you to the dining room, vast and expensively furnished. You hear your heartbeat drumming in your ears. You only let your eyes explore for a second, before you fix them back to the ground and lower your head in Sukuna's presence.
''Your Highness.'', you bow in his direction.
''Master from now on.'', he says, and stands up to greet you. Master. You've only heard Uraume, and occasionally his pets, when he'd walk by with them, call him this by this... less formal title. He towers over you as his hand touches your shoulder, urging you to turn around. You follow obediently, making a circle and displaying your outfit.
He hums in approval. "Suits you much better than a cleaning uniform.", he says, and pulls your chair out for you to sit. You mutter a quiet thank you and sit down, already overwhelmed by the interaction.
He sits on the other side of the table, facing you. You can't bear the intense eye contact, and the silence that spreads across the room. Your eyes are fixed to your hands in your lap. ''Don't be shy now. I didn't invite you to sit there and be quiet. I reserve such duties for my pets.'', he breaks the silence.
''Master. Sharing a meal with you is a privilege, and I want to thank you for that. I'm not sure I'm deserving of it, though, and how my company may be of use to you.''. The kitchen servants scatter around the table, bringing food and pouring drinks. Various appetizers decorate the table, and only now do you notice you're hungry. You shyly pick the foods that catch your eye the most.
And your humility draws out a smile from him. ''You are an artist. And I am a man who takes great joy in consuming art.'', he says, and taps his finger against his glass, watching you pick. He's getting to know you, through your taste in food.
''I didn't know that about you.'', you say and look to your plate. You feel your hand shaking as you reach for the cutlery. You know Sukuna is judging every move. He was in your territory when you were dancing, now you're on his. And he will recognize the smallest mistake.
''Oh.'', his tone changes. It sounds like he didn't particularly like that comment. He finishes chewing. ''Did you take me for a savage?'', he narrows his eyes. More food is brought to the table, plates come and go quickly as the conversation progresses, and the tension grows.
You stutter, reading his volatile mood. ''I've only heard rumors.''.
He huffs in amusement again. ''I've heard rumors about you too.'', he says, leaning into the table. ''To be fair, I was asking around.''. So he took interest in you. ''They say you were the best there was, until you got captured.''
You chew slowly, taking his story in. He continues. ''They asked about you. Asked if I knew where you are. I said no.''. Sukuna watches as you grow visibly distressed by the mentions of your team. ''The best there is? What a wonderful prize. I'd rather keep you to myself.''. Oh. So that's what this is about. He gets off on the thought of owning you, the best there is, just for himself. You curse whoever told him about you. ''You showed me your worst, and mesmerized me. I want you to show me your best. Dance for me. Convince me you're worth my patronage.''.
The servants bring the main dish, and your head droops, stare fixed into the finely decorated red meat. You touch it with your cutlery, feeling it's texture. Sukuna eyes you as you cut a slice and bring it to your mouth, expectantly waiting for your reaction. You chew slowly, savoring the taste, but your expression is puzzled. ''What is this?'', you ask. And to make sure it doesn't sound like you're unhappy, you cut another slice. Truthfully, the food is incredible, but... you can't quite place the meat.
Sukuna bares his sharp teeth in a grin. ''Veal.''.
The conversation steers into a different direction then, and you quickly forget about how powerless you felt just moments ago. Sukuna is nothing like you've imagined him. He's right, you did take him for a savage. After all, everything you've heard about him pointed to a monster, who only took pleasure in wreaking havoc and destruction. Now, you find him to be eloquent, knowledgeable, and quite sophisticated. In a way, he appears similar to the other people you've met through your job. But way more powerful, and with it, way more intriguing.
Once again, time passes quickly, slipping through your fingers. The dinner is over, and you're facing Sukuna at the door. He seems to be pleased with your company, if you can read his face at all. ''Should I consider my offer accepted?'', he inquires. ''Everything will be provided for you. You just have to dance.''.
Well, it doesn't sound half bad, does it? You're not sure if the terms of the offers convinced you, or his presentation during the dinner. It might just be him. He made you feel you wouldn't be a jester, but a respected entertainer. And not for just anyone, but for a man as thoughtful and cultured as Sukuna proved himself to be. ''For you, gladly. Master.'', you smile at him. And he smiles back, taking your small hand into his, and planting a soft kiss to your fingers. You bow to him, wish him a good night, and you part ways.
Later, in your new bed, you find yourself replaying the interaction. Tracing his features in your memory. It's the first time you've had the chance to observe him, without fear of consequences. And he was beautiful. So elegant in the way he dressed and carried himself. Like a true king.
From then on, life in Sukuna's mansion is a game. Sukuna courts you in his dining room, feeding you delicacies from all around the world Foods that are hard and expensive to come by, that you've never heard of before. He courts you with the things he allows you to do, and the gifts he gives you. You dance and eat and walk around his garden and library. You don't dine with him every night, but when you do, rest assured that a new outfit is waiting for you in your room when you get back from practice.
And you court him on the floor, with feathery leaps that leave him on the edge of his seat, and dizzying turns that force him to focus all four eyes on you. You court him when you finish the variation by bowing before him, on one knee, a breath away from where he's sitting. And when you look up at him, he sees a lover rather than a personal dancer. Even though he's never touched you, or pressed his lips to yours.
There is love in the foods he picks for you specifically to enjoy, and there is love in the way you let him watch you practice. Even if you mess up, misstep and fall out of rhythm. Even if you stumble and fall in the most unceremonious of ways. There is vulnerability in letting him see you fail. It only happens a handful of times, but when you slip before him, you feel more naked than you would ever feel with your clothes off. And the relationship that the two of you foster grows intimate, despite the formal distance you keep from each other.
And that distance closes in, one day when Sukuna is there during a particularly nasty fall. You yelp when you hit the ground, and reach for your ankle, checking for injury. You only notice Sukuna when you feel his hand on your shoulder, and his brows furrowed in worry as his head looms over you. Your eyes meet for a moment, and you're hypnotized. Then you look away quickly, feeling your face heat up from the closeness.
''It's nothing.'', you say, and look down.
''Sure?'', Sukuna asks and stands up. You nod, and he offers you a pair of his hands, to help you stand. You take them, and he hoists you up effortlessly. And now you're face to face with his chest, and you're still holding his hands... ''That should to for today.'', he says, and when you look at him, there's a tender smile on his face. It sounds like a suggestion, but you've learned Sukuna is subtle about giving you orders. You nod, dust yourself off and untie your shoes.
That night, you recall his touch on your skin. Long fingernails ghosting over your shoulder, sending shivers through your whole body. You never expected Sukuna to have it in him to be gentle. But, that wouldn't be the first time he's broken the mold you thought he fit. And now in the cold of night, you find yourself craving him.
The next time you're invited to dinner, the tension is almost unbearable. ''Aren't you a sight to behold?'', he tells you when he welcomes you into the room. He always gives you compliments, but tonight they weigh heavy on your heart. You look across the table and curse every plate and glass that stands between the two of you. You look at him with quiet longing, and you think he knows. Because his smile is victorious, almost teasing. And when you accidentally hit his leg under the table, you start to credit it less to his size, and more to him deliberately crossing into your space. Subtlety is not a word you ever thought you'd attribute to Sukuna, but it seems this is the way you've established communication. You resist the instinct to remove your leg apologetically. So they stay touching.
Unfortunately, this little interaction slowly turns your brain into mush. By the last bite, your hand is trembling and you know you don't have the precision to pick up the last piece of food with your chopsticks. So you leave it on the plate, and wait for a moment when Sukuna is at least a little bit distracted, to attempt eating it again.
But such a thing doesn't happen. Today, he looks at you like you're the food on his plate. "Come on, eat it.", he nods in your direction. You can't read his expression, but it seems benevolent.
"I'm so full.", you make up an excuse.
"Just one strip.", he nudges your leg under the table, and you flinch, cheeks heating up.
"I.. I think I'll combust.", lies.
"I'll be offended.", Sukuna plays along with your game.
"Ah...", he wins, and you pick up your chopsticks with shaky hands. But as hard as you try, the little piece of food keeps escaping you, traveling through the plate.
"What makes you so flustered today?", he asks. "Is it the leg?". You blink at the plate, and feel your face going as red as the wine in your glass. "Come.", he waves his finger at you. You lean into the table, used to following his commands. And in no time, he is looming over your plate, one hand picking the last piece of your food with his chopsticks, and the other gently taking hold of your chin, nudging your mouth open. You part your lips obediently, and he places the bit onto your tongue, never breaking eye contact. His face is mere centimeters away from yours, observing you as you chew.
And the moment you've swallowed, and opened your mouth for air, he seizes you in a kiss. Slow, as he tastes your lips, and lets you adjust and catch up with him. He feels you go tense with the initial shock, then relax in his hold and kiss him back. His tongue brushes past your lips, and you think you'll sink right through your chair, and into the earth beneath the floor. The taste, the smell of him, so expensive and intoxicating. If this moment could last forever -
Foolish you. So much stress and tension, and you barely notice how quickly it passes. , how quickly his lips leave yours. His eyes scan your face, making sure you're alright, and then he's back in his chair. "There.", he says, "Have something to be flustered about."
That night, you think about his lips, slipping away from yours and moving to your neck, collarbones, shoulders. Not stopping until they've explored your whole body and touched your soul.
In the meantime, you practice your chosen choreography to perfection. And when you're standing in his throne room and awaiting the music, and your deciding performance to start, it's the first time in a while that you recognize feeling nervous. Uraume is there too, and his other disciples and guests. But he is the only one that matters. The only one your life depends on. Although the times when your life was truly on the line are long gone, Sukuna is still your patron, and now it's your turn to either satisfy or disappoint him.
The music starts, and the nervousness wanes as you start dancing. Sukuna's gaze is heavy, critical. He's seen you do this times and times already, but now it's final. Now, he's telling you, ''Bewitch me.''. Now, you're joining it together, one seamless show just for his enjoyment. And with every spin, you keep your eyes fixed on him. Enticing him with your movement, seducing him.
And for once, time passes quick for Sukuna as well. He finds himself lost in your dance. In your quick glances, in the way your body moves, contorts, withstands your weight on your tippy toes with so much grace and fluidity. You make it look easy. You nail the landing you failed so many times before his very eyes, perfectly, effortlessly. He almost wonders if you fell intentionally when he was watching you. And he's captivated. By the end of your performance, you earn his smile. You earn the clap of his hands, you even earn his standing ovation. The king himself, honoring you with the highest form of praise.
''It takes quite a performer, to entertain a crowd all by oneself.'', he comments later, over dinner. ''You've convinced me. You're worth keeping.''
''And when I can't dance anymore?'', you ask.
''You'll still be able to eat with me.'', he says.
At the doors, he bends down to kiss you again. You anticipate it, and accept it, kneading your hands through his hair. He asks if you're tired, and you shake your head no. He asks if you want to come with him. Yes, please yes, you've wanted to for so long. You almost thought he'd never ask. Again, his face lights up in a victorious smile.
He walks you through the halls, to his quarters of the mansion. Vast, and decorated with various works of art. They hang on the wall, or stand on the cupboards in forms of statues of various sizes. Sukuna likes to collect things, if that wasn't evident by your presence in the mansion.
''You're dragging behind. Did you have a change of heart?'', he asks, and extends his hand towards you. You step closer, and he wraps his arms around you, pulling you closer. You're standing at the doors of his bedroom.
''I was just admiring the interior.'', you smile at him, and take it upon yourself to cross the doorstep. His bedroom overlooks the garden, through a tall set of windows, little plants sitting on his windowsill. And his bed is massive. You think it could fit four people of your size. But then again, Sukuna is not a normal sized person. Your hand finds the mattress, testing it's sturdiness. And when you turn around, he's right behind you. Towering over you, and forcing you to look up at him, like the king he is. But you're not scared. You have no reason to be.
''Lay down.'', he orders, but his voice doesn't sound stern. Still, you obey, climbing into the bed. And he follows, letting you ease into the pillows only for a moment, before he settles above you, urging your legs apart. You welcome him, finally feeling the closeness you've been craving for so long. His body, big enough to enclose you completely under him, so carefully pressed against yours. Light enough not to hurt, but heavy enough to establish power. To give you what you want, what you've craved for a very long time.
He never lets you forget whose grasp you're in. He folds your smaller body with ease, adjusting you to his liking. And you let him, trusting him with your body and pleasure. He takes you gently, slowly, making sure you're comfortable in the process. You feel so full of him, but it's not enough, not enough until all of your senses are overwhelmed with him. You feel up his muscled arms and back, wrap around him, pull him closer with every stroke, every swipe of his lips against yours. Sukuna draws the moans out of you with practiced thrust of his hips, hitting spots inside you you didn't know existed. In no time you're seeing stars - his four eyes, never leaving yours as you come apart.
And Sukuna is stoic for the most part, but by the end of it, even he is loosing his composure. Hungry moans slip past his lips, his brows furrowing as he concentrates, trying not to let out too soon. You encourage him, babbling sweet nonsense into his ear. This flustered Sukuna, completely engulfed in the chase of his own pleasure, is as close as you've come to seeing a god. Moments later, his hips still, and you feel his muscles tense as he reaches completion, deep grunts filling your ears like the sweetest music.
You lay in his embrace, and trace your fingertips over his tattoos. Your stare is fixed on him, as he tells you various anecdotes from his long lifetime. You enjoy the opportunity to admire his beauty from up close. His eyes, so unusually benevolent as they stare outside the window and turn to you from time to time, to check if you're awake. The curve of his nose, the glimpses of his sharp teeth, his strong, masculine jawline. He is an art piece on his own.
After a while, he notices you struggling to stay awake. His hand on the back of your head nudges you to lay on his chest. He whispers you a good night, and runs his hand through your hair as you drift off. It's been a long day you've dedicated entirely to him, so he finds you worthy of this special treatment. After all, it isn't often that someone claims the title of both Sukuna's personal dancer and his lover, much less in the same day.
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powdermelonkeg · 5 months
Text
Thoughts on the thunder wizard again.
Genuinely, I find Gale's relationship with Mystra to be fascinating when you consider all its facets. Unhealthy, imbalanced, definitely poisonous, but also very, very intricate with a lot of blurred edges to it. One of those things where you're both like "wow, what the hell, that's horrible" but also "that makes perfect sense for their characters, and while I would NEVER, I know why they would, and why it happened."
You've got a wizard who doesn't know what real love is, who thinks he's finally being shown it by the person he adores most. His greatest fantasy, his most potent joy, his most heartfelt aspirations, and they were all offered to him.
And he wants to see what all she's hiding from him, because of course he does. She's the keeper of all things forbidden to him. The empire of Netheril reached magical heights that will never be touched again, and all that knowledge is beyond her curtain. She loves him, right? Surely, if he proves himself enough, she'll let him grasp that power he so desperately wants.
And not even in the power-hungry sense! All that magic Mystra's locked up was accessible during Mystryl's reign. Think of all the answers to theories about the universe that are back there. Every question of "can this be done, and what would it do" would be answered, if he could just bargain hard enough.
She loves him, right?
Surely, if he proves himself enough...
And then, on the other hand, Mystra. Once Midnight, her human personality has been subsumed by the goddess of magic and her duty to the Weave. She has a responsibility to magic, she IS magic.
Then along comes this mortal boy who knows how to handle her Weave. Who doesn't try to wrestle with and dominate, who sings to it. He handles it with such ease and grace—it's not just that he could be Chosen, but he deserves it. To put her Weave in the hands of someone so intrinsically in tune with it, who understands its potential with a wonder like no other. Few enough can handle the raw power that comes with being Chosen, but this one? This one is perfect.
And he adores you. And you adore him, like one would a beautiful butterfly that's landed on their finger. And he's willing to be devoted to you in all things, not out of transaction like most of your worshipers are, but out of love for you, your craft, your magic. You're so deeply and utterly charmed by him.
And it's not like Mystra hasn't walked this path before.
She gives him what he desires, because what he desires is her. And, in a different way, she desires him. She wants him to be her representation in the world. She indulges his adoration with her own presence, and takes indulgence herself in mortal comforts. He's never satisfied with her answers, but who could blame him? She keeps a whole world away from mortals, because she knows what such unfettered power might bring about (again).
And the wizarding prodigy's ambition is lit (again).
And the height of power is reached for (again).
And she stops him (again, again, again).
She does care for him. She doesn't want to see her little butterfly burn himself, and she doesn't want to be the one to ruin those wings.
But then he's not a butterfly. He's a mortal, wielding a weapon of murder, of her murder, and he's brought it to her doorstep because she told him "no." And he's cut himself on it, he doesn't know what it is, but it's hurt him—and it's only a fraction of the hurt it could do to her. How dare he want her help after threatening her?
(He didn't mean to.)
(He only wanted to help.)
(He only wanted. How human.)
She doesn't help him. If he wants to pursue Karsus' weaponry, it's his responsibility, his hubris, that led him to injuring himself on it. She's furious. She's hurt. She's cold.
(What fools these mortals be.)
But then, there's a greater threat to her. Something that could drown the Material in Karsus' failings. And that little boy, who nicked himself on the sword he lifted, still wants her help.
It's a fair trade, isn't it? She'll forgive him, let him into her domain again, if he accepts his punishment and goes into battle for her. He picked up a sword, it's appropriate that he learns to use it in her name, right?
If he was telling the truth, he wouldn't hesitate. If he really wanted to serve her with the Netherese Orb, he would jump at the opportunity to do so. He would have to give up a few petty things in the process, ("petty," she calls mortality, as if family and home mean nothing, as if friends and love are finite. Because to her, they do mean nothing. Because to her, they are finite.) but it isn’t atonement without sacrifice, is it?
It's the tactical move. She's not above hurting one man to save a nation. It's not even the first time she's done it.
(Dornal Silverhand sends his regards.)
If he loves her, he'd die for her, because she'd let him into her paradise. If he doesn't love her, he won't, and she was justified in removing him from her grace.
He doesn't love her. Not anymore.
Does he hate her enough to try to take his dues?
Ambition has always been man's greatest folly.
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Due to that post I made re: why it's hard for aros/aces to imagine a future for themselves because society tells you a romantic partner will always take priority, a lot of people (aros/aces and allos alike) are sharing stories about how they have been discarded by their close friends and it's breaking my heart. But allos and aspecs coming in and sharing how they have the same amount of love for their partners and their best friends/siblings is healing it.
Still, there are people in the tags saying that aros/aces can "never offer their partners the kind of intimacy they need" and so they shouldn't be "surprised" when they feel closer to partners than their friends. You guys are missing the point.
The point is that we should NOT be ranking our relationships. People aren't there to be ranked on a scale of "This person is my number one and this person comes after that." The point is that you need multiple people in your life. One person cannot - and should not - be responsible for giving you everything you need. Different people will give you different things that you need in life and you should value all of them.
The idea that a romantic partner will give you every single thing you need in life is a toxic idea in itself and puts undue pressure on said partner and the relationship as a whole. A best friend won't give you everything either. You NEED multiple people in your life and they will all give you a part of what you need, but there is no one perfect person out there who perfectly gives you exactly what you want. We need multiple people and they should all be valued by you. Love is not limited.
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szfiction · 4 months
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This parallel makes me insane actually (and there is something incredibly Lawlu about it to me)
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bonefall · 6 months
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⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️
I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.
But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.
Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.
I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!
OH LET'S GOOOO
Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.
The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.
As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.
BIG POST. Glossary;
INTRO TO BREEZEPELT: The Sight and Dark River
ABUSE: Outcast, Social Alienation, the Tribe Journey.
DARK FOREST: How these factors push him towards radicalization.
For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.
INTRO TO BREEZEPELT: The Sight and Dark River
Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.
But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,
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From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.
Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.
He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.
(And Nightcloud has a cute moment where she watches over them until they fall asleep)
As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.
In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;
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Crowfeather.
Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.
(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)
So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.
We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.
The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.
When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,
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Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.
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And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.
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All this to point out,
Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.
We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.
ABUSE: Outcast, the Tribe Journey.
In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.
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Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.
They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;
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They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.
When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...
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Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.
But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?
Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.
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Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.
Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.
The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.
Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).
Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.
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I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.
In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.
At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.
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EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.
Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.
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The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.
And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,
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And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"
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Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.
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This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.
It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.
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It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.
Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.
That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.
As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.
DARK FOREST: How these factors push him towards radicalization.
Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.
But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.
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Escalating to violence was about making Jayfeather feel the way that he does.
When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.
When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."
Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.
Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.
We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;
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The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.
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This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.
At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.
A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.
Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.
In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.
But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.
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Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!
(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)
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