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#sometimes... writing is FUN
seafoam-taide · 2 years
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another banger line if i do say so myself.
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evidently-endless · 1 month
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i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.
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catfayssoux · 2 months
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bluerosefox · 7 months
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Ghost Marriage Allows More Than One!
Tim wakes up in a hotel room in Vegas snuggled against a chest but he wasn't surprised.
He had been in the Sin City for a WE meeting and had brought Bernard along the trip since Tim's birthday was just shy a few days into it and well he wanted to spend time with his boyfriend since most of his family were off world (Dick, Jason, and Bruce all had important missions and they all apologized for missing out and Tim couldn't blame them he understood and he himself couldn't get out of the Vegas meetings no matter what he tried to do.) Or couldn't come to join him (Damian had school as did Duke and Alfred was taking care of them while the others were gone. Steph and Cass were out of country working with some important things with Babs and again he understood.) (Did it still sting yes but they all promised to make it up when they got back, Alfred even promised a coffee cake just for him)
So yeah, Vegas meeting trip turned somewhat birthday fun with his boyfriend. And since Bernard has always been good with encouraging Tim to try things it came to no surprise that during their stay he had managed to convince Tim to try drinking for the night.
Yes terrible influence Bernard was sometimes, but he did make a point. Tim was an adult now and sometimes it's okay to at least try adult dumb stuff, he didn't have to like it and could stop if he really didnt want to but he can at least say he tried it once. That it was okay for Tim to let go of his vigilante brain and just have fun in the one city that was made for it.
So try Tim did. Just for the night.
So yeah, Tim wasn't really surprised when he woke up the next morning, alcohol aftertaste on his breath, head pounding, nose scrunched up from the light of the sun peeking in from the curtains, and snuggling himself into a rather chilly chest...
Wait...
Chilly?
Tim opened his eyes when he realized that. Bernard never felt cold to Tim when they would snuggle, no he was always warm, like a warm heating blanket. It was why Tim loved snuggling him. Why was he-
Tim's eyes widened when he saw not blonde hair on the body in the bed with him but black hair. He almost flung himself off the bed from him startling awake and watched the one he had been snuggled next to mumble in his sleep and turn over.
Tim felt pure dread as he continued to stare, his stomach turning as his thoughts got bad, oh god..God... did he... oh no, no, no no. Oh where was Bernard- FUCK did he really-
Tim flinched when he heard a door open and snapped his eyes towards it. He felt his mouth go dry when he spotted his boyfriend coming out of what was the bathroom of the room and had just finished taking a shower from the sounds of left over dripping water and from the towel he was using to clean his hair.
Bernard stopped in his spot when he noticed Tim staring at him before he gave Tim a very uneasy chuckle, his eyes darting towards the sleeping body on the bed "H-Hey, good morning T. I see you... uhh seen our guest."
Tim felt ready to cry, to beg for forgiveness, but the only sound that came out was a strangled sound because of course he fucked up and ruined one of the best things that ever happened to him and-
But before he could spiral further into his anxiety and dread Bernard kept speaking.
"So ummm. Do you also remember meeting Danny at the bar, getting really tipsy, hanging out, having fun and then like going to a ghost bar with him so he could really drunk because he's like half ghost. And I mean like a legit ghost bar, like we saw Elvis and Marilyn Monroe there and they were like floating. Then we all got like super mega drunk and then... maybe kinda sorta got ghost married... because ghost marriage allows unlimited spouses cause you know, already dead doesn't matter and it's also almost permanent cause again the whole dead thing... Or did I hallucinate all that last night and we just brought in a random stranger to bed?" He asked his voice unsure as he looked between Tim and the stranger Danny in bed before lifting his hand up and showing Tim a glowing ring on it. "I'm pretty sure I didn't dream it up because I kinda woke up with this, and it refuses to come off."
Tim went silent for a moment, wide eyed as he stared back at Bernard before the pounding headache he had hit him harder than ever when the very memories of everything Bernard had said came flooding back to him. With a gasp Tim quickly looked st his own hand and sure enough on his finger was a matching glowing wedding band on it, his eyes snapped towards Danny... Danny Nightingale? Or was it Phantom? said his name was and spotted another matching one as well.
"B is going to kill us." Was the only thing Tim could muster up to say.
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stil-lindigo · 4 months
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an aro-ace's love letter to love.
(the title "Laozi's bowl" is in reference to the famous quote by Chinese philosopher Laozi who said "It is the empty space which makes the bowl useful.")
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spacedace · 2 months
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“Hey, I need to get married for bullshit Infinite Realms reasons, you two in?”
“Tt, of course.”
“Sure thing! Do we need to get going for that like, right now? Or later?”
“Eh, like in a couple of hours? The Observants are demanding some Royal Ball or something and they pulled out some stupid old laws out of their collective asses that if I’m not married by the time it starts they can assign me spouses of their choosing, can you fucking believe that shit?”
“Woah, what the hell? Can they even do that?”
“I was under the impression they were only permitted to observe.”
“Right? It’s total crap, but apparently there’s like this super old law on the books and they didn’t bring it up until now when there’s like no time left to try and force me to marry someone they pick.”
“They are training to gain influence over you?”
“Eh, more like they’re trying to get control of my Dad by way of me. But still fucked as hell.”
“So why do you need to marry both of us? Or do you just need to marry one of us and we should play rock paper scissor for it?”
“Technically I only need to marry one of you, but I don’t want them pulling out any loopholes or something. So, it’d be great if one of you could be my consort for my role as Queen of Mirrors, and one could be my consort for my role as Crown Princess. You two can figure who’s who on that all that, I’m good with whatever.”
“Oooh, can I be consort for the Mirror Court? I can annoy Kon more that way.”
“I am amenable to that. Grandfather will have a fit when he learns that I can cut his access to the Pits off at my discretion and there’s nothing he can do about it.”
“Awesome, okay are you two good for meeting up at like, three? We can pop over to my Lair and get everything sorted out there.”
“Works for me, my only class til this afternoon is at one and the professor already said we’re cutting out early because she has to go out of town this weekend.”
“Four would be more agreeable if possible, I have to take Titus to the vet for his checkup.”
“Okay let’s aim for four then. It’s just signing some paperwork, making some quick blood-slash-ectoplasm pacts and swearing a couple binding oaths… Should only take like five or ten minutes?”
“They’re not gonna make you have a huge royal wedding or anything?”
“Nah. Dad keeps things pretty chill so as long as the paperwork is all in order we’ll be good. Though once Auntie Dorathea finds out she’s absolutely gonna make us have one. She loves planning weddings. Swear its what she makes her hoard out of somehow.”
“So long as we have a say in some of the proceedings I have no issue with that eventuality.”
“Same, it sounds like it’d be a fun way to annoy the Observants even more.”
“Don’t for get all the weirdos trying to be my suitors and all that bullshit.”
“We have an accord then. We can reconvene at the usual place.”
“Awesome, you two are the best! I gotta jet and let everyone know and get the ball rolling on the paperwork stuff. See you guys at four!”
With that, Nomad - Stella Phantom, Crown Princess of the Infinite Realms, Queen of Mirrors, Core of the Speedforce and ghostly hero of the Titans and the Justice League - tore a rip in the fabric of space and time and darted out of the room the same way she came. Through the mind-bending tear in reality the eerie, eye-searing green of the Infinite Realms glowed in all its unsettling glory, Phantom Keep a glittering expanse of night sky made solid in the distance.
Jon waved at her cheerfully as Damian gave a nod of farewell before both silently turned their attention back to their respective tablets as the portal closed behind their friend and teammate and the glimpse of the Ghost Zone disappeared again. Completely unbothered by the conversation just held or the life changing implications that came with them.
Jon was humming as he tapped away at something on the screen before him, Damian propping his head up on his fist in vague boredom as he frowned down at the information he was reading.
The rest of the room Nomad had left behind was caught in a frozen, stunned silence in the wake of the baffling conversation they’d all just been witness to. All eyes in the room darted between Flamebird and Pheonix seated calmly at the end of the table, then to the space where Nomad had disappeared to, back to the young men, and then towards the head of the table where Superman and Batman sat looking bewildered and a bit on the verge of heart attacks.
The short status update meeting was about to become much, much longer it seemed.
Though a lot more entertaining.
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forsaire · 3 months
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no but I've been thinking about Soap with temporary Prosopagnosia (face blindness) after his injury
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Price had put Soap on medical leave after he got out of the hospital, his only responsibility being rest and recovery. Of course Ghost took time off to be with him as well. He didn't even need to ask either, Price just did the paperwork for the both of them at the same time.
Some days were better than others. Sometimes Soap had trouble remembering words or doing delicate tasks with his fingers. Ghost always waited patiently for him to work it out, only helping when Soap asked him too.
For the past hour, Soap had been lying in their bed, his lighthearted laughs filing their flat as he watched something on his phone. Ghost was sitting in the other room and reading a file Price had sent over, informing him on their continued investigation to find Makarov.
Ghost heard a particularly loud laugh before the box spring squeaked lightly, the sounds of Soap shuffling off the bed following soon after. He heard footsteps begin to approach him and he glanced over.
"Ghost!" Soap said cheerfully as he looked down at his phone. "You have to see this funny cat vid-"
Soap abruptly stopped speaking as he looked up, the words getting caught in his throat. The wide smile that always spread across his face with enough brightness to light up Ghost's entire world suddenly fell, swiping down in one smooth motion. His eyes widened slightly, almost as if in shock, and his mouth dropped open a sliver. His eyes locked onto Ghost's face, but there was no warmth to be found.
It was fear.
"Who are you?" Soap choked out, taking an apprehensive step backwards.
Ghost was immediately on his feet, the look on Soap's face shattering his heart. He raised his hands out in front of himself and curled his shoulders in, trying to make himself look less intimating.
"Johnny... it's me..." Ghost said slowly, the words coming out calmly despite the rising worry in his chest. "It's Simon."
Soap tilted his head as a deep furrow scrunched up his brow. His eyes jumped back and forth across Ghost's face, refusing to focus on one thing.
"What..." he let slip from his lips, breathless and confused. "I... I don't..." He squinted slightly. "...Simon?"
"Yeah, it's me," he said quietly, taking a careful step forward. Thankfully, Soap stayed where he was and he let Ghost approach him, although he still looked unsure, small.
Ghost gently took Soap's hand and placed it up against his face. At the same time, he wrapped his arm around Soap's waist and pulled them closer together. Once their bodies were pressed up against one another, Soap let out a shuddering sigh and he dug his face into Ghost's neck.
"I..." Soap started hesitantly, holding Ghost back tightly. "I don't recognize you..."
His usual confidence was gone, the words coming out weakly, almost broken in shame.
"But you recognize my voice?" he asked.
Soap nodded in silence.
"Okay..." Ghost said quietly, letting his fingers trace up and down Soap's spine. "Just close your eyes then. Listen to me speak."
Soap closed his eyes.
"I got you," Ghost murmured soothingly. He wanted nothing more than for his imperfect words to reach Soap and rid him of his fears. He wanted Soap to feel safe. "It's me. Just listen to my voice, love. Everything's going to be okay. I won't let go. I love you, Johnny."
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simplykorra · 5 months
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"sorry, theological grandstanding just...really annoys me."
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sophsicle · 5 months
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OKAY question
i wanna reread choices and edit it but i can never make myself do it cause im like "ugh wow so long i simply cannot"
but also, every time i do reread parts of it i have like *thoughts* like SO many thoughts about it and about what i was thinking at the time and how that has or hasn't changed and what i was trying to do and what i love and what i hate and blah blah blah
SO the question: if i did like a lil read-a-long with soph thing, would anyone be interested? like maybe in the form of small podcast episodes where i discuss the chapters as i edit them and you guys can like tell me the different stuff you want me to talk about etc etc and then i will have the motivation to actually do this and also somewhere to dump all of my *thoughts*
or is that like, a stupid idea that no one asked for? i cannot decide whether this is leaning more on the fun cute side or the annoying keep this to yourself side, Y'KNOW????? so i ask
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emlovessid · 5 months
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@jegulus-microfic december 25, ideology, 449 words
James is in the middle of writing times tables on the board when Evelyn says, “Mr Potter! You have a visitor.”
He glances to the door of his classroom, trying to hide his smile when he finds Regulus leaning in the doorway watching him. “Oh, good afternoon, Mr Black. To what do we owe this pleasure?”
“I was just wondering if you had any laminating sheets I could borrow? I’m out,” Regulus says.
James doesn’t point out that there was no need for Regulus to cross campus to his second grade classroom just for laminating sheets; he’s pretty certain the senior school has laminators. But he’s not mad about the interruption.
“Yeah of course, they’re in my office,” he says, gesturing to the door at the back of the room. A little pointless; Regulus is not a stranger in James’ classroom and knows exactly where his office is. “Help yourself.”
The entire class, James included, watches Regulus as he crosses the room, only returning to their lesson once Regulus has left the classroom with a quiet, “Thanks.”
“Mr Potter,” Bernie calls out. “Do you have a crush on Mr Black?”
James deliberates for a moment, before sitting on the edge of his desk and whispering, “I do. But it’s a secret, so you can’t tell anyone.”
The class breaks out in a chorus of giggling ooh’s and teasing aah’s.
“But Mr Potter, he always looks so serious!”
“Well, Roland. That’s because Mr Black teaches boring things like civics and political ideology.”
“You mean he doesn’t get to do any arts and crafts?” Lizzie asks, a horrified look on her face.
James shakes his head, putting on his saddest expression as he says, “Never.”
The kids become a bit obsessed with Regulus after that, asking about him almost daily, breaking into a chorus of giggles any time Regulus comes by the classroom. Regulus has clearly caught on, dropping by more and more frequently, asking to borrow anything from a stapler to sometimes something as ridiculous as a piece of paper.
One day, just as Regulus is about to walk out of the classroom with a wave, Lacey calls out, “Mr Black! Do you have a crush on Mr Potter?”
He stops in the doorway, corner of his lips lifted in a smirk as he replies, “Why do you ask that?”
“Because he has a crush on you, obviously.”
James buries his face in his hands for a moment, shoulders shaking with laughter, looking up as Regulus says, “Oh, I definitely have a crush on him, that’s why I married him.”
He’s pretty sure the entire school would be able to hear the way his classroom screams and cheers in celebration.
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pizzaqueen · 6 months
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A snippet from a future fic I'll probably never write, where Steve is a widower with two teenage kids, and he and Eddie randomly meet up, rekindling their old flame. This is when they've been together a while:
“Thank you,” Steve says, coming up behind Eddie at the bathroom sink.
Eddie pauses, catching Steve's eye in the mirror. “What for?” he asks, mouth foamy with toothpaste.
Steve slips his hands along Eddie's hips, hooks his chin over Eddie's shoulder. “For loving my kids.”
“You don't—” Toothpaste dribbles down Eddie's chin and he stoops to spit what's left in his mouth into the sink, gathering his hair to one side. He rinses his mouth out, wipes his face with a towel, then turns to Steve. “You don't have to thank me for that. Of course I love them.”
“Not everyone I've dated has.”
“They're idiots.” Eddie grabs the hem of Steve's shirt, pulling him close. “I mean, first of all, they're part of you, and I don't think I could love you and not love them. But...” He trails off, a small smile tilting his lips. “They're amazing kids.”
Pride swells in Steve's chest; he slides his arms around Eddie's waist and says, “They are.”
“And I'm pretty damn honored I get to be part of their lives,” Eddie says, “so thank you,” and he butts his head gently against Steve's.
Steve huffs and slides his hands up Eddie's back, pulling him into a tight embrace. “I love you.” He presses a kiss to Eddie's neck.
“I love you too.”
“And they both love you as well.”
Eddie lets out a shuddering breath. Steve knows how nervous Eddie was, when they started dating, that he wouldn't be welcomed, but it's almost like he's always been part of their family now. “Good to know,"”Eddie says.
Steve holds Eddie a little tighter. All those years ago, back in Hawkins, when they ended things, Steve thought he'd never see Eddie again. But here they are, together—a family—and Steve's never letting him go this time.
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NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.
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callisteios · 5 months
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I have a new uquiz for you, go on a pilgrimage with me. discover who you are.
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marley-manson · 4 months
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the topic is Trapper and the army as foils, you have three hours, go
In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.
The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)
In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.
Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.
And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).
Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.
He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).
Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.
He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.
So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.
This contributes to their respective dynamics with Hawkeye.
Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.
The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).
In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.
So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.
Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.
Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.
When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.
Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.
One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.
So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.
With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.
In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.
I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram
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magicaldreamfox1 · 5 months
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i think there are too many posts out there that are like writing is not fun but im gonna do it anyways. so here's my contribution: writing is fun actually
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scificrows · 10 months
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
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Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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