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#rather than being happy people like what you create
library-fae · 4 months
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people who are like "oh don't spam like it messes with reach" does it not fill you with joy whimsy to be loved
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fionnaskyborn · 6 months
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and TODAY ON "Songs Fionna can't listen to without them fucking her up immensely and remind her why she doesn't listen to them very often every time she listens to them", we have:
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#logs#every time i'm like oh this song gets me in my feels i should listen to it and every time i end up hurting#something something proof of being alive yeah yeah but i really can't handle it#big shouts to trocadero for making songs that fuck me up every time i listen to them#i mean nothing comes close to contact in terms of how much a trocadero song fucks me up but you gotta admit‚ and i wonder where you are /#and i wonder what you wore / and i'm lost inside a bar / and i'm drunk inside a war / and i wonder where you are is also terrific#okay i'm gonna go cry about the tragedy of making a hyperspecific space opera that holds so much meaning and discusses so many things from#grief through moving on through learning how to live after having spent a significant portion of your life without any kind of autonomy#through reunions and learning how to talk with someone you haven't seen in nineteen years to‚ ultimately‚ having hope no matter what gets#thrown your way and that is ultimately about giving people happiness and closure but that loses a lot of its value by fitting into very#specific niches due to its nature as a work of fiction based on two works created by other people and having the centerpieces be not people#i have managed to come up with and whose stories i've written#but rather pre-existing persons that are mindchildren of a completely different individual#the worst part is that the story simply wouldn't work with different characters or using a different story as a basis. what i have created‚#what i WANT to create is‚ by all standards that count... perfect. the story /works/ /because/ of the characters involved. but the overlap#between the people who enjoy the story the characters are derived from AND the story that serves as the setting is so comically small that#it's all but impossible to find an audience to whom the story would mean as much as it means to me. and there are a few people out there‚#sure enough. but i am terrified to reach out because this is so personal to me. i'd love to share this story with people but spilling my#entrails out and having people turn away dissatisfied with what they see or saying it's ''not for them'' hurts me more than almost anything#else in this world. call me a coward‚ but my soul's aged too fast‚ and i'm tired‚ and i can't bear that risk.#one day‚ though... someone will listen.#black blank blah-blah-blah
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harunovella · 4 months
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*:・゚✧*:・゚✧ love language; s.g.
synopsis: when gojo satoru first fell in love with you content: teen gojo era, fem!reader, gojo is head over heels (love at first sight), hopeless!romantic gojo, 1k+ words of gojo just being an absolute fool in love, not beta read (sorry for any errors!) note: I've been wanting to create a sort of anthology series for some of my favs so here's a test run! I rlly wanna do lil drabbles/oneshots that can both be standalone but also can be read as something continuous revolving around Gojo's story with his soulmate... pls lmk if you'd like to see more of gojo and his mochi (aka you!)
Gojo Satoru didn't entirely know what love was; what with being raised by other people who weren't his actual mother and father, how could he? All he ever knew was a life of being the Honored One, since the day he was born. Nothing but a weapon. Living as the strongest and treated like a god... he never knew what real love felt like. He never knew what it was like to give or receive it. At least, not this way.
Geto Suguru and Ieiri Shoko were his best friends, the closest thing to real family. It wasn't like he didn't have any, at least not while growing up, but were they really family when all they ever did was train him and treat him like the eighth wonder of the world? Unlike everyone else, at least Suguru and Shoko treated him like a human. They loved him for who he was, but didn't hesitate to snap him into place when his ego was too inflated. They were there for him, even when expressing whatever demons that he held within him was hard to manage. If it wasn't for them, he wasn't sure exactly how he'd go about his life. Sure, he'd act like everything was fine and dandy, money could buy him happiness as he had plenty of it... and he was pretty much unstoppable, but the idea of living a life without either of them didn't sit well in his stomach.
So, sure, Satoru did now a bit about love, at least the love he felt for his best friends, but nothing like what he felt in this moment. The moment his eyes first fell on you.
He hadn't a clue as to who you were, only seeing you stroll along the grounds of Jujutsu High with your little uniform. The typical jacket, a skirt beneath, knee high socks, loafers... and your hair in a low ponytail that was held together by an overly large ribbon. Cute was the first thing that came to mind, along with the terrifying sound of his racing heart. Who were you? How come he had never seen you before? Maybe it was because he didn't pay attention to any one else besides a handful of people. He'd be lying if he said he was sure the technical college held more than five students. 
In the midst of sipping away at his little box of strawberry milk, walking alongside Suguru and Shoko, Satoru's eyes had aimlessly wandered along his environment as his two best friends had been discussing evening plans. It wasn't like him to care about what was going on around him, so it was quite the miracle that his eyes were looking anywhere but ahead of him... but, maybe this was destiny.
It felt like the world was suddenly moving slowly around him, rather dramatically like a movie. His lips parted as the tiny straw fell out of it, hidden gaze behind his circular frames becoming exposed as the glasses slid down the bridge of his nose. You looked so graceful, the afternoon sun beaming down on you, your smile as bright as his eyes... he had to have been in love. This had to have been love. What else could it have been? Why else was his heart fluttering so quickly? Why else was he caught in a daze by your beauty? No one else, not a single soul, ever caught his attention this way so you must've been his soulmate.
There was something about you, from your gorgeous hair, to the cute bow, down to the uniform and the way it suited your form to the way you... wait, were you laughing with... Nanami Kento? Gojo's heart stopped as his grip on the milk grew tight, causing the contents to squeeze right out and squirt all over his face.
The sound of laughter caught his attention as he quickly looked at his two best friends, embarrassment filling his face as he looked back at you to see you now looking in his direction. Quickly wiping his face and turning away to scold his best friends, Gojo tossed the now empty carton at Geto. "Shut up!"
"What the hell did you do?" Suguru shook his head, wiping his tears as his shoulders shook with every laugh that rumbled throughout his torso. "Losing your cool over a girl, huh?"
"I said shut up!" Satoru snapped, cheeks burning with heat, embarrassed that he was that obvious.
"Must've struck something in him for him to spill milk all over his face like the doofus he is," Shoko snickered as Suguru went for a high five.
Swatting their hands and glaring at the two, Gojo hissed, "nothing happened, I squeezed too hard."
"Right," the two said in sync before eyeing one another, smirking and stifling a laugh.
Shoving past them as he kept walking ahead, grumbling to himself, Gojo couldn't help but peak over in your direction. You had already turned your attention back to the two on either side of you—Nanami along with Yu Haibara. Since when did they have a friend that was a girl? And when did you appear? He should've known seeing as both were his junior and both trained quite close to Suguru and himself. So you must've been new... He supposed he'd find more out about you, knowing he'd find a way to get under Nanami's skin and get anything out of him. He must've known a lot about you...
Gojo smirked to himself. He'd get his way.
"No," Nanami spoke as he crossed his arms. The confidence in Gojo's face instantly fading away. He didn't even hesitate, cancelling his plans with his best friends to bribe Kento into giving him some information. He swore taking his junior to his favorite bakery would help him out, but, no! Kento, being the wise boy he was, took advantage of Satoru paying for food in a false exchange for information. "I'm not going to be your middle man."
"Why not?!" Gojo whined, throwing himself back in his seat dramatically. "Just one thing! Something! Anything! She's the love of my life!"
Narrowing his eyes as he sipped away at his water, Nanami settled the glass down before crossing his arms once again. "Love of your life? You don't even know her name—"
"Because you won't tell me!" Gojo cried, throwing his head back and stomping his foot as if he was about to throw a tantrum. "Please, please! I beg of you, tell me something about her! Besides her name, what's her favorite color? Maybe her favorite food? Or... or what's her favorite date spot!"
"Satoru, I am not about to ask her what her favorite date spot is," Nanami deadpanned. "I'll give you her name and that's all. Everything else is on you. I'm not going to play matchmaker, let alone, set you up with someone so far out of your league."
Gasping in offense, Gojo clutched his chest. "Out of my league? Sure, she's a pure angel, a real heavenly being, but I like to think I am, too!"
"Egotistical..." Kento mumbled as Gojo frowned. "I'm only telling you one thing to get you off my back. You can't ask me anything ever again in order to get close to her. That's on you."
Pressing his hands together and interlocking his fingers, Gojo gave his best puppy eyes as he jutted out his bottom lip. "Please, I promise to leave you be after!"
"You better," the blond man grumbled before giving his senior your name. "She likes to sit under the cherry blossoms on the eastern side of the campus. If you want to find her and talk to her, she's usually there on her down time." At that, Nanami stood up and tucked his seat back into the table. Just as he was about to leave, he stopped in his tracks, turning to face the white haired young man. "All I ask of you is to be... gentle. She's a nice girl. I don't need you breaking her heart."
Sitting up with confidence as a wide grin took over his face, Satoru nodded with his thumbs up. "Believe me, I wont! I know this is love!" Seeing Nanami roll his eyes before leaving, Gojo happily sighed before looking out the window. Leaning his chin in the palm of his hand, he eyed the cherry blossom that had petals delicately swaying in the wind. "She's my soulmate, I know we are destined to be."
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anthurak · 7 months
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As someone who was very curious as to how Mammon was going to be presented in Helluva Boss, you can probably imagine I was looking through the new episode very closely.
And while I may have been off the mark with my theory that Mammon would follow the trend of Asmodeus and Beelzebub and NOT actually be antagonistic, I nonetheless think it is VERY interesting how Vivzie and the team handled and presented him.
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Specifically, in just how PETTY Mammon is shown to be in this episode.
Like really think about what you might generally expect from a character like Mammon just from a basic background description: He is one of the seven rulers of Hell, lord of the seven rings and embodiment of GREED. Likely a fallen angel who helped to create hell as it exists today, is matched in power only by his five fellow Sins, and is functionally only truly outranked by Lucifer himself.
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And yet, Mammon’s characterization in this episode presents him as this petty, selfish, manipulative asshole interested in little more than money and attention. He acts more like a shitty, full-of-himself asshole celebrity than a demon lord. Just look at how he manipulates Fizzerolli, not through lording power and authority over him but through emotional coercion like an abusive parent, ex-, or boss, which is precisely WHAT he is presented as. fi
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What makes this even more interesting is that despite Mammon being characterized as Fizz’s petty, manipulative boss, we nonetheless see him display all the POWER and experience we’d expect from one of the seven rulers of Hell. Asmodeus mentions earlier in the episode that he’s known Mammon ‘since the START of Hell’, confirming they were both involved in its creation, and when the two square off at the end, it’s clear that Mammon is very much Ozzie’s EQUAL in power, and that everyone else present is pretty much an insect in comparison.
This is what I think makes the inclusion of that one creepy, obsessive fan of Fizzerolli’s in this episode so significant; he serves as a point of comparison to Mammon.
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For all the power and authority that he might wield, Mammon is characterized as being no different/better than a creepy, manipulative, entitled and obsessive stalker.
I think this might be the true common ‘thru-line’ connecting all of the seven sins through Helluva Boss and possibly even Hazbin Hotel: That despite essentially being ‘God-Emperors’ of Hell and outclassed in power likely only by the most powerful angels of Heaven itself, the seven sins are characterized in a very grounded, down-to-earth and for lack of a better term, ‘human’ way.
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All the times we’ve seen them, Ozzie, Bee and Mam haven’t presented themselves as these all-powerful beings lording themselves over their subjects like we might expect or even what we’ve seen of the Goetic nobility. They don’t present themselves as ‘royalty’ but rather more like celebrity performers, which is certainly in keeping with Vivzie’s comments about how Hell is meant to represent a circus.
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It really gives this fascinating dichotomy to the Sins as characters, where they’re presented as these big wacky celebrities with big, over-the-top personas which in turn hide very grounded, down-to-earth people underneath. While at the same time still being these monstrously powerful and ancient beings whose dominion over Hell is entirely uncontested.
It also gives them a nice contrast with the Goetic Nobility and the Sinner Overlords. Like those two groups actually do act and present themselves like demonic ‘royalty’ who lord themselves over those considered ‘beneath’ them, while in reality they’re at best the ‘middle-managers’, and instead it’s these wacky characters who are the TRUE masters of Hell.
It may even continue into what we might see in Hazbin Hotel, what with Charlie being this bubbly, happy-go-lucky Disney-esque princess who also may very well have power outclassing literally EVERYONE else in the show apart from her parents.
Overall, I loved this episode and I think we may now have a good idea what we might expect from the other Sins, and possibly even Lucifer himself in Hazbin Hotel.
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sansaorgana · 28 days
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— STILL WATERS RUN DEEP
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PAIRING — Na-Baron Feyd-Rautha Harkonnen x fem!Reader
SUMMARY — He's a psychotic killing machine and you're a shy and innocent lady. You have nothing in common except for the fact your bloodlines have been manipulated for centuries to create a match. And you seem to be destined to be together.
REQUEST — (1) // (2) // (3)
AUTHOR’S NOTE — I don't write children!Readers unless it's for the retrospections and memories. That's why I combined all these requests into one fic. Some parts of the requests didn't make it but I felt like it was already getting long 🙈 I included the trope of Feyd and Reader being destined to be together – some sort of Soulmates AU, I guess? ✨
WARNINGS — arranged marriage, blood, spiders, mentions of Baron Harkonnen abusing Feyd, SMUT, fingering, oral, hints of innocence kink, The Harpies being a bit non-consensual
WORD COUNT — 7,500
🔞 THIS FIC IS 18+ 🔞
ENGLISH IS MY SECOND LANGUAGE.
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STILL WATERS RUN DEEP
Giedi Prime was surely a scary and intimidating place for a twelve years old girl. The lack of colour and friendly faces made you shiver and anxiously cling to your father’s hand. You couldn’t understand why he had insisted on you accompanying him on this official state visit for the meeting with Baron Harkonnen. He would never want to take you with him to much more pleasant places. You were too young to understand the hidden agenda, the Bene Gesserit scheming – whose plans had been destroyed by Lady Jessica giving birth to a son instead of a daughter. They needed a new match for the young na-baron Feyd-Rautha Harkonnen, The Baron’s nephew. After years of searching and studying many possibilities, they had decided to create a union between your House and The Harkonnens. Your father was more than happy – it was an honour to bond with such a powerful family. You were from one of the planets of a lesser importance. That was the reason for The Baron’s distrust towards the plan. He would rather see his nephew marrying a great lady, perhaps even an Imperial Princess.
While he talked to your father, you were left alone with no one but one guard in an empty room. You were sitting on a black couch and looking with awe at the portraits on the walls. All men looked the same on them – big, bald, hairless and scary. They fascinated you as much as they intimidated you.
After a while, the doors leading to the corridor opened and you startled at the sight of a boy more-less your age entering confidently with a contemptuous look upon his face. He looked like all The Harkonnens – sickly and scary. He was wearing clothes you had only seen on gladiators and warriors before but it looked disturbing on a body so skinny and small, even though he was tall for his age. There was a splash of blood upon his face and it made you gasp and take a step back. He smirked at you.
“So, that’s you? Disappointing,” he commented harshly as you swallowed thickly.
“What are you talking about? Who are you?” You looked nervously at the guard but he remained stoic.
“I’m Feyd,” he introduced himself. “My training has been interrupted and I’ve been told to meet you for whatever reason. Haven’t expected such a scared, little bunny,” he sneered and you spotted his teeth were black. They didn’t look rotten, though.
“What happened to your teeth?” You asked him, raising an eyebrow.
“My Uncle made the medics paint them black to intimidate my enemies,” he answered, proudly.
“What kind of enemies might a twelve year old have?” You asked, surprised.
You had no enemies. Your life was of a typical spoiled young lady – full of mother’s kisses, father’s embraces, candies, ponies and maids braiding your hair in the evening while telling you tales of handsome and brave prince charmings. You couldn't imagine that it was different for other people.
“You’re stupid,” Feyd pointed out and you shut your mouth, feeling hurt at his words as tears pricked your eyes. He approached you and you took a step back, scared of him. “Don’t cry,” he tilted his head at the sight of your wet eyes. “Has no one ever told you that you were stupid?” Now it was his time to be surprised and you shook your head. “Do you want to see something?” He proposed as his eyes sparkled.
“I’m scared,” you admitted, genuinely.
“I will protect you,” he offered his pale hand and you looked at it with fear in your eyes.
“I am scared of you,” you raised your eyes to lay them on his face again while you explained.
“Good,” he nodded with a chuckle. “But I’d get in trouble if something happened to you. You are the daughter of my uncle’s guest. Come,” he encouraged.
Your status gave you courage as your curiosity only fueled your desire to actually follow him. Just like the portraits on these walls – he was as intimidating as fascinating to you. Perhaps because you had never before met such a boy.
You took his cold hand and a shiver went down your spine. For a short while, you thought you would faint as an odd feeling filled your small body. A familiar warmth that you only felt when you were back home, in your bed, feeling safe and sound with the nanny or your mother caressing your head to help you sleep. Like he was home. But he couldn’t be. You had never met him and he was scary. 
“Have you felt that, too?” You gasped.
“No,” Feyd lied. “Come,” he dragged you behind him and the guard opened the doors in front of you.
Feyd took you down the corridor and led you downstairs to some sort of dungeons beneath the fortress. You were starting to have a bad feeling about it but something deep inside you made you trust that odd boy. Without understanding it yet, you were starting to realise he was the one who had been meant for you from the day you were born. There was some connection between your bloodlines that was drawing you towards each other.
You found yourself in an old, dark and damp room. It smelt of something rotten and it was full of spiderwebs.
“What is this place? It’s disgusting,” you pointed out as you winced. Feyd let go of your hand and sneered at you.
“Life is unpleasant. The sooner you learn that, the better,” he pointed out and suddenly, he reached for a short knife by his waist you had not noticed before. You yelped at the sight, convinced he had only dragged you there to kill you.
“Don’t be silly, I won’t hurt you,” he rolled his eyes and you nodded, unsurely. “Do you want to see me kill something?” He smirked playfully at you.
It felt wrong and you felt the anxiety rising in your abdomen when you realised you’d get in trouble for that. On the other hand, you did want to see him kill something. It was curiosity mixed with excitement to witness something forbidden and something you had been sheltered from.
“Yes,” you nodded, eagerly. He was a little surprised at your reaction but he only smiled.
Feyd beckoned you over by waving his hand and you followed him, quietly. Then you gasped and covered your mouth as you gagged out of disgust at the sight of a big, fat spider in the corner of the room. It was huge – nearly as big as you were. But it was also fat and slow. The legs were long and thin, furry black sticks.
“I found it a few days ago,” Feyd told you as he looked at your disgusted face. “Gross, isn’t she?”
You nodded.
“She reminds me of my uncle,” Feyd explained with hatred in his voice. “Do you see those small spiders on the ground?” He asked and you looked down. It was full of smaller spiders but they were all laying there dead. “She feeds off of her own children.”
You took a step back, utterly disgusted and sick. Feyd snorted at you and turned his back on you to gut the big, black spider. You watched with terror how much satisfaction it was giving him. He struck the monstrosity so many times that you lost count. He kept striking when it was already laying there dead.
“That’s enough,” you whispered and Feyd froze before turning around to face you. There was pure murder in his eyes and when he walked towards you with a knife in his hand, you were sure he would kill you now, too.
You took a deep breath in and closed your eyes, expecting the worst. But when you felt his breath on your face, you heard him hiding the knife away.
“Stupid little bunny,” he told you and you opened your eyes, hesitantly. He was staring at you as if he was studying your face.
The door opened suddenly and a few guards entered, sighing out of relief. Your father was standing behind them, scared. Baron Harkonnen was there as well, floating ominously.
“There you are!” He raised his voice and you spotted that all Feyd’s confidence was gone in a second. The boy looked down and blushed. “I’ve told you to behave. Why are you scaring Lady (Y/N)?!”
You turned around to face The Baron, hiding his nephew’s from his sight with your small body.
“He did not scare me, my Lord,” you assured with a slight bow of your head. “I wanted Feyd-Rautha to show me around,” you lied to protect him.
You had a feeling his uncle would punish him and he looked like a man you would never want a punishment from.
“She’s naive,” your father tried to save the situation. “Curiosity killed the cat,” he reminded you and grabbed you by your wrist to pull you closer to him. “Forgive my daughter, my Lord Baron.”
“She is forgiven,” the big man smirked viciously before lying his eyes on his nephew. “The boy, however, is not.”
You wanted to protest but your father gave you a stern look and announced it was time for you to leave now. So, you obeyed and walked away, following the guard leading you out of the corridor. But you kept looking behind, trying to see Feyd-Rautha for the last time.
“Will I see him again?” You asked your father, looking up.
“Who?”
“Na-Baron Feyd-Rautha,” you explained and your father sighed as he looked down at you.
“You will in eight years,” he announced. “You will become his wife.”
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Those eight years you had not wasted a day, practising for your new role every day. Learning all about The Harkonnens; their culture, their history, their customs and war strategies. You knew that their nobility would not give you an easy time for being a Lady of the lesser house. You wanted to prove your worth with knowledge.
Your wisdom was your only weapon because you lacked confidence nor experience in nearly anything. Sheltered your whole life, surrounded by books and teachers, you were shy and innocent. The spider incident on Giedi Prime still remained your only sin – that no one except your husband-to-be possessed the knowledge of.
You had not been in touch with him at all but the stories had reached you about his nature and his victories in the gladiator arena. You believed them all because your short encounter had been enough to give you an idea about what kind of man he would become. You had never protested whenever your marriage was mentioned but you felt anxious. You didn’t belong on Giedi Prime, you didn’t fit in the world of death and violence.
Tested by Gom Jabbar, you nearly failed the test. The scary Reverend Mother gave your mother a look of disapproval. On the very next day you were shipped to Giedi Prime for your wedding, though. You had survived the trial and only that mattered – the long-planned scheming couldn’t be sabotaged.
On the day of your arrival, you were led with your parents to a room you had remembered from your last visit. There was the same black couch and the same portraits on the wall – only now there was one more than before. The last one in line, of a young man with handsome facial features, signed with your betrothed’s name. You opened your mouth slightly as you kept staring at it. He was a young and handsome na-baron; a strong warrior surrounded by men and women who admired him. You could only imagine how inconvenient a marriage had to be for him. Especially to an uninteresting and unimportant woman like you.
The doors opened and you turned around to see him in real life as he entered the room in black gladiator gear. He looked better than in the portrait – raw and magnetic, dangerous. Your parents stiffened at the sight of him and they both bowed their heads.
“Lord Na-Baron,” your father greeted him. “We have delivered our daughter to you, according to the agreement,” he explained. “We have hoped to be greeted by your uncle The Baron.”
“He’s busy,” Feyd interrupted your father in a low and raspy voice that sent a shiver down your spine. His eyes were only fixated on you – curious and mocking. You bowed down slightly as well, not wanting to disrespect him.
“Y-yes, of course, my Lord…” your father took a step back.
“You’re grown now,” Feyd-Rautha stood in front of you with a smirk and you took a deep, shaky breath in.
“So are you, my Lord Na-Baron,” you nodded.
“She hasn’t changed a bit,” Feyd turned around to give your father a contemptuous look. “A timid little bunny. But it’s no surprise since she’s been raised by a coward and bootlicker like you.”
“My daughter is of many qualities, my Lord, I can assure you…” your father panicked.
“A wife only needs one quality,” Feyd sneered at him as your blood ran cold at his words. “Show them to their rooms,” he told the guards and left the room.
“I can’t believe you’ve made deals with these people,” your mother snapped angrily at your father who was standing there with his head kept low, ashamed.
But it was not like he had any saying in this. It was the plan of the Bene Gesserit. You were nothing but pawns in it. You tried to remember that Feyd-Rautha was a pawn, too.
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After the scary and bloody wedding party, you were taken to your husband’s bedroom where you were supposed to be prepared for the wedding night. However, it was not the maids waiting for you there. Three bald Harkonnen women were sitting on your husband’s bed and smirking at you, showing off their sharp teeth. They were dressed in black leather and clinging to each other as if they were one body instead of three.
“We will prepare her for the Master,” one of them told the servants who had taken you there. You looked at them with panic and they only looked back with guilt and compassion before walking out as quickly as possible, leaving you alone with the scary snake-like creatures.
They were circling around you, sniffing you and chuckling contemptuously. You didn’t understand anything but you tried to bravely keep still and endure. Then, one of them approached you and licked a fat stripe across your cheek. Your eyes widened in terror.
“Oh-so-innocent,” she commented. “Have you ever pleased a man?” She asked.
You were terrified and embarrassed, you didn’t know what to do.
“N-no, my Lady,” you stuttered and nodded your head, unsure how to address her.
They all found it amusing as they laughed.
“My Lady, she calls me. I might like this one,” the woman caressed your hair with some sort of perverted delicacy that made you feel even more scared. Your heart was pounding in your chest and your hands turned cold and sweaty. “I’m not a lady, na-baroness. I am your husband’s whore,” she informed you and you nodded again, hesitantly. “We are his favourite pets. You see… Our Master likes perversion,” her hands landed on your hips as she pulled you closer to her body. “We will teach you how to please him and how to take him.”
“He’s a lot to take,” another woman stood behind you and grabbed your breasts from behind.
“W-won’t he mind, my husband?” You swallowed thickly.
“Not at all,” the third one giggled. “He always shares his toys.”
“Not this one,” the doors opened as Feyd-Rautha entered the room. He glanced at the women angrily and they immediately let go of you and moved away. “She is not a toy, she is your na-baroness. What are you doing here?” He snapped. “Have I not forbidden you from entering this room from now on?”
“Oh, Master…” one of them approached him to put her arms around his neck but he pushed her away.
“Get out,” he hissed and they ran away.
When the doors closed behind them, Feyd looked at you and sighed before approaching you and caressing your cheek.
“You alright, wife?” He asked.
“Y-yes, thank you,” you nodded and flinched at the feeling of his cold fingers brushing your cheek. An odd and out-of-place warmth started to fill you like all those years ago. It made him startled, too, and eventually he took a step back.
“You must be exhausted,” he only said as he looked away, awkwardly. “We can perform our duties in the morning.”
“Th-thank you,” you nodded. “I’ll go take a shower now…”
Feyd pointed at the doors leading to the bathroom and that was all for that night. When you came back to his bedroom, he was already gone. You went to sleep without him, confused by his behaviour.
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Baron Harkonnen watched carefully with his own eyes and through the eyes of his servants. He observed and he listened – nothing could ever escape him. But the new na-baroness was as easy to read as a book. When she joined him and Count Rabban by the breakfast table, she didn’t wince while sitting, which was an obvious sign she had not been claimed by Feyd the previous night. The Baron smirked when the new na-baroness began to eat the meal, keeping her timid gaze down, terrified of her surroundings.
If Feyd-Rautha refused to be her friend, The Baron would surely find her a purpose. She would be an easy tool to keep Feyd in place. A silent, obedient shadow following her husband everywhere. A perfect spy.
“Na-Baroness,” he addressed her and she flinched before looking up, scared. “I would like you to join the council after the meal. Your husband rarely takes part in them since he is too busy training but now you are an extension of him,” The Baron forced a smile and she nodded. “I’ve been told by your father you are well-trained in Harkonnen history and customs.”
“Y-yes, my Lord,” she bowed her head.
“I know that Feyd-Rautha is not an easy man to be around,” The Baron continued as Rabban raised his head, curious about his uncle’s scheming plan. “He’s been like this ever since he was a child. I’ve been trying to temper him.”
“I remember,” the young woman whispered.
“You can tell me about anything that is worrying you,” The Baron assured her and she smiled genuinely. “Has he hurt you?” He squinted his eyes, knowing the answer already but wanting to test her honesty.
“No, my Lord. Feyd-Rautha did not spend the night with me at all,” she answered and he nodded as Rabban sneered.
“You have to forgive him, my Lady. He prefers other… forms of entertainment,” The Baron explained softly.
“I believe I have met them, my Baron,” the woman looked down.
“Most likely, yes. They don’t like to share him,” The Baron chuckled.
“But the heir…”
“Do not worry about the heir. You are both still young, you have time. There is no need to hurry anything. Take your time to adjust on Giedi Prime first,” The Baron tried to calm her down and she looked up with so much gratitude in her eyes that he was sure he had succeeded. She was his agent now.
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To your own surprise, you found new friends in your husband’s family – his uncle and brother – but not him. Feyd-Rautha was mostly avoiding you and a few attempts to claim you were ending in a fiasco. You couldn’t understand why he would pull away suddenly and leave you without a word or fail to get hard enough no matter how long his touch lingered upon your body. It made you feel as if you were lacking, because you knew for sure he had no problems of this sort with his concubines. They often bragged to you about it. They had offered to help you to excite him and you nearly agreed to that but Feyd hated to see you around them. He snapped whenever he caught you talking to them or them approaching you.
He hated to see you around his uncle and brother, too. He had been warning you about them but it felt cruel to do so. Did he want you to not have any companionship at all? To be sad and lonely and miserable all your days?
You weren’t appreciated in marriage but you were appreciated as a part of this family – representing the na-baronship during the council meetings with your decisions and advice. The Baron seemed to be pleased with you and Count Rabban had stopped to make fun of you over time. Still waters run deep, The Baron would often say about you as your cheeks heated up and eyes sparkled. Perhaps all the years of studying the customs and tradition of this House would not be useful in your marriage but they seemed to be useful when it came to your political presence.
It still bothered you that Feyd-Rautha was acting so weirdly towards you. You remembered the boy he had been eight years earlier. You had never feared this union because you had been sure there was some sort of bond now between you two, some sort of connection. Perhaps you had been wrong.
It was right after one of Feyd’s failed attempts to claim you, when he left you half-naked in bed with tears pricking your eyes. He walked away and most likely went to his concubines as you fixed yourself and left the room, too, not wanting to remain in the chambers filled with the smell of embarrassment and humiliation anymore. You nearly crashed with your brother-in-law walking down the corridor.
“My Lady,” Rabban nodded at you. “Is everything alright?”
“Y-yes,” you answered, trying not to show your nervousness. There was no need for him to know the details about the problems your marriage was facing.
“I was just looking for you,” he confessed and you raised an eyebrow at him. “Tomorrow, my uncle wants me to lead the council meeting only for the most important members of the court. It’s about a matter of a very high importance and it’s confidential,” he whispered. “I hoped you would join me. Without my uncle there, I will be the only one representing our family.”
“But tomorrow Feyd has his fight. I am expected to be in the stands,” you looked up at him.
“Uncle will be there. You are more needed here, (Y/N),” Rabban tried to convince you. You could see his hands were a little shaky – he was stressed about the responsibility placed upon his shoulders by his uncle. “It’s not like Feyd will even notice your absence,” he added.
You bit on your lower lip. He was right.
“Alright, I’ll join you in the council,” you nodded your head. “Our state affairs are much more important than some fixed gladiator fight anyway.”
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The servants’ slim fingers were applying the black paint upon Feyd-Rautha’s body as he observed his three harpies from the corner of his eye. They were giggling between each other and some of the words reached his sensitive ears.
“...naive…”
“Silly little thing.”
“...taste her heart…”
“What are you talking about, pets?” Feyd turned around to face them as he asked and they went silent.
“Nothing important, Master,” the bravest of them all answered eventually.
“I have a feeling you’re whispering about my wife,” Feyd pointed out.
“As I said, nothing important,” she chuckled and the rest giggled. Feyd squinted his eyes and approached them with a clenched jaw and an angry expression on his face. When he grabbed her by the chin, they stopped laughing.
“You are forbidden to even think of her,” he hissed out. “You’re not worthy of that.”
“M-Master…” She trembled as she pleaded for his softness. Her companions hid behind her and observed him carefully. “She doesn’t even know how to please you, Master.”
Feyd’s hand dropped down and the squeeze tightened around the woman’s neck. He watched her struggle to catch a breath for some time as he observed with a smirk. Eventually, he let go of her.
“My wife belongs to a different realm than you,” he stated. “She is not to be discussed, looked at, thought of… Am I understood?”
“Y-yes, Master,” they all nodded, obediently.
“Good,” he smiled and went back to the servant girls.
“You might be interested in the gossip, though, na-baron,” one of the concubines whispered. “We are your eyes and ears…”
Feyd pretended not to be intrigued although he was. He didn’t react, hoping she would say more. And so she did.
“Your uncle keeps the young na-baroness close. The rumour has it he wants to make her one of his agents. And she is slowly taking your place during the councils. Count Rabban is his Plan B if you fail. Then she will be given to him.”
“I’m sure Rabban won’t have a problem with fucking her,” the bravest concubine added as if his punishment had not worked at all. Because it didn’t. She loved his punishments. “Her innocence will only make him more eager. He will tear her apart.”
“Shut up!” Feyd growled, making the servant girls take a few steps back as he turned around to face the girl with a big mouth. “Let me remind you that I don’t need your tongue to fuck you,” he sneered. “Your sisters are better at using their tongues than you anyway.”
The woman looked down and he was informed that he was about to enter the arena in five minutes so he went back to putting the gear on, furiously clutching to his blades. He was grateful to his concubine for fueling his anger so much – he wanted to make good use of it in the arena.
But when he approached the tower with his uncle’s balcony to bow down, he spotted that his wife was not there. Suddenly, the fight made no sense to him at all. What was the point of putting on a show, what was the point of killing with grace when she could not watch?
He had been waiting eight years for her to come back. The timid little bunny girl that made him feel so warm inside. That made him feel like home. Nothing had ever made him feel this way. They were destined for each other. Now, when she was by his side, he had no idea what to do. He had been training his body for years to impress her and be able to protect her but nothing was working out the way he had planned. She was slipping away.
She was slipping away because of his uncle’s scheming and because Feyd-Rautha himself had no idea how to approach a creature so pure and innocent as this woman. If anything in this world was still able to save his rotten soul, it was her. But maybe he had been naive to think so. He was beyond saving.
He didn’t give the audience a show on that day. The fights were quick and swift. No playing with his victims, no tormenting. Just a kill after kill to finish it as fast as possible. And no bowing down at the end. He just walked out of the arena, still clutching his fists on the blood-dripping blades. He walked past the guards and servants, not wanting to change or bathe – he wanted one thing only. To find his wife.
The sounds of the cheering audience were becoming more and more quiet. They waited for him to walk back and bow down, raising his knife in the sign of victory. He had no plans in doing so. He would not kneel in front of his uncle. Not when his wife was not beside him, because it was her he had been kneeling for. Not Baron Harkonnen.
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The council was over now but you stayed inside the conference room with Count Rabban to discuss what had been decided and what to tell his uncle. You were staring at the maps of Arrakis and wondering whether the Emperor’s assurances of help were trustworthy.
“What I’m saying is… If he is so willing to get rid of The Atreides just because he considers them to be dangerous… He might do the same to us one day. We are a real danger to him way more than any Atreides is,” you pointed out.
“Especially now when we have knowledge that can turn other leaders against him and…” Rabban’s words were interrupted by the heavy black doors opening rapidly. You flinched and instinctively hid behind your brother-in-law’s broad shoulders.
It was Feyd-Rautha himself walking inside with an angry look on his face. Wearing his gladiator gear stained with fresh blood and still wielding two bloody swords. He looked ferocious as his cold eyes searched for you. When he spotted you behind his brother, his jaw clenched and so did his fists on the handles of the blades.
“What is going on here?” He barked as you and Rabban looked at each other, questioningly.
“Husband,” you tried to be brave as you took a step ahead to approach him very carefully. “I see you’re finished now. I assume you’ve won.”
“(Y/N), wait,” Rabban grabbed your sleeve to keep you in place. He didn’t want you near Feyd in such a state. But Feyd didn’t like his brother’s gesture.
“Let her go, brother,” he snapped. “She is my wife and she will approach me if she wishes. I would never lay my hand on her,” he drawled through gritted teeth.
You felt Rabban’s fingers letting go of the fabric of your dress and you walked up to Feyd. Something inside you was telling you that he needed you at that moment. Perhaps that was the intuition of a wife.
“Oh, we all know that you don’t lay your hand on her at all, brother,” Rabban snorted at him.
You watched in terror how your husband’s face became even more angry than before. He yelled and attacked his brother with all the burning wrath he had before been trying to stop from outbursting with.
“No! Stop! Please,” you pleaded as they fought and struggled one against another. Rabban took out his own blade now, too, and they ended up wrestling on the floor like two children. “That is enough, please!” You cried out.
Your tears brought attention to only one of them – your husband. He was distracted by them and ended up with his brother’s blade pointed at his face. You froze and Rabban laughed with contempt.
“Such a great warrior you are, my brother. Trained day and night for years, got your little arena shows… And now you got distracted by a woman,” he pointed out.
“That woman is my wife,” Feyd drawled.
You looked around in panic but the guards stood there petrified. They were afraid to attack any of the brothers. Usually shy and timid, you felt an odd outburst of courage as you took a blade from the guard standing nearby. He did not protest but only watched in terror as you approached the brothers and pointed the blade at Count Rabban himself.
“Don’t be stupid,” he laughed at you.
“Let my husband go,” your voice shivered but you managed to stand your ground.
“Or what?” Rabban sneered. “We both know you won’t strike me.”
In that very moment Feyd kicked him and got out of the direction of his brother’s blade. He ended up on top with his own knife pointed at Rabban. A smirk on his face revealed that he had never been defeated even for a second, he was only toying with his brother… and with you, too.
“She might not but I will,” Feyd hissed at his brother. “My marriage is none of your business, brother. And you stay away from my wife.”
“I am only representing you during the councils,” you tried to explain and Feyd looked up at you with his brow furrowed. “Your uncle told me I should because you rarely take place in them.”
“He’s scheming, can’t you see? Trying to turn us against each other. Thought you were smarter than this,” his anger was directed at you now.
He let go of Rabban and stood up to walk out of the room. You swallowed thickly and lowered your blade, scared of your brother-in-law’s reaction now when you were left alone with him after threatening him.
“Why did you take his side?” He only asked as you gave the blade back to the guard. “He doesn’t treat you any good. He never will.”
“He is my husband,” you explained quietly, avoiding his curious gaze.
“By name only. Your marriage is not even consummated.”
“Feyd was right,” you looked up. “Our marriage is none of your business, brother,” you emphasised who he was to you now before walking out to follow Feyd. It was easy because he left a trail of sand and blood from the arena behind him.
He went to your chambers so you took a deep breath in and pushed the doors open to face him in all his wrath and anger. He was struggling to get out of his gear with shaky hands as he shot you a furious glance over his shoulder.
“Should I call for the servants?” You asked.
“No,” he snapped and you sighed before approaching him and helping him yourself. At first he tried to shake you off but you were stubborn so he gave up and allowed your gentle fingertips to work on the pieces of clothing. “How do you even know how to do that?” He asked. “Did Rabban show you?”
“Don’t be ridiculous, dear husband. I’ve read dozens of books about The Harkonnen art of warfare. I know your gears by heart. And Rabban is no gladiator,” you explained.
“Dozens of books about the art of warfare and The Harkonnens and yet it slipped your mind what masters of manipulation we can be?” Feyd barked at you and you chuckled. He didn’t find it amusing as he looked you up and down with contempt so you leaned in and placed a kiss upon his soft lips while your hands cupped his face. He was visibly taken aback by that, he didn’t even close his eyes for the kiss and he continued to observe you as if you would attack him any second.
“I have studied everything like a good pupil I was,” you whispered after breaking the kiss. Your hands kept caressing his cheeks in a soothing manner. “And now I’m one of The Baron’s closest people. I’m your inside man, Feyd-Rautha,” you smiled gently and his eyes sparkled at the realisation.
“But… why?” He only asked, confused.
“What do you mean why?” You bit on your lower lip.
“I’ve been treating you… coldly,” he admitted.
“Well, that is another matter. But that is between you and me. The marriage is between a husband and a wife. Not between them and his uncle or brother,” you explained. “I still remember that big fat spider. I’ve known ever since I was twelve years old that the thing you crave the most is to gut your uncle like you did to that monstrosity in the dungeons. And as your wife… I will do everything I can to help you,” you assured him.
But Feyd was not convinced. He pushed you away although he did it way gentler than you’d expect. He walked away from you as he stepped out of the pile of clothes by his feet. He was wearing nothing but underwear now and you watched how his muscular body glistened with sweat after the fight. 
“You can be a double agent, wife. I don’t trust you,” he confessed.
“You have no reasons to,” you nodded. “Except for the fact we have fate and destiny bonding us. Am I the only one feeling this when we touch?” Your voice lowered as uncertainty began to grow inside of you. Perhaps you were. Perhaps you were the only one feeling that warmth indeed.
“No,” Feyd admitted, nearly inaudibly. “Why do you think I can’t fuck you?” He approached you again and you gasped at how close he chose to stand.
“Because you find me unattractive? Or boring perhaps,” you shrugged your arms. “I don’t care about that. Our bond is stronger than physical attraction.”
“I can’t fuck you because that feeling is overwhelming me and I don’t know what to do. I’ve never felt like that. You’re too pure for me,” he confessed, visibly uncomfortable with his own words as he looked away.
You were stunned for a moment.
“You’re an idiot, Feyd-Rautha,” you laughed eventually and he blushed. “I am not pure. I am flesh and blood just like you,” you told him. “For example now… When you’re standing in front of me… like this,” you allowed your hand to wander all over his hard muscles. “You’re starting a fire that will be difficult to put out later,” you looked up to meet his gaze. “Every time you start and don’t finish, you leave me in torment,” you confessed. “And nothing helps,” you pouted. “I writhe and I roll around and grow more and more bitter knowing that you’re giving your whores what you’re supposed to give me.”
He was nearly paralyzed in a way he was staring at you. You grabbed his hand and pulled your dress up to press his hand to your womanhood. You were soaking through your underwear now and he blinked a few times as his gaze intensified.
“I will never forgive myself if I break you,” Feyd took his hand away despite your protests.
“You’re breaking me by refusing to touch me,” you whined.
“Touch yourself,” he said suddenly as his eyes sparkled and you were left speechless. “Touch yourself for me. I will help you. I’ll make it feel good,” he proposed.
Out of desperation, you decided this was better than nothing – at least for now – so you agreed. As fast as possible, you got rid of your dress and remained in nothing but your sheer underdress. You laid on the bed and watched him approach you. Feyd laid next to you, observing you carefully. His eyes were admiring every curve of your body and every inch of your skin. Without waiting for his command, you pulled the underdress up and took off your underwear to toss the panties aside and start playing with your wet folds. It was embarrassing to see him watch but it also excited you in some twisted way. You toyed with your clit, moaning softly, showing him what kind of pleasure you could bring to yourself – what kind of pleasure you had to bring to yourself since he refused to do so.
“Easy, slow down,” Feyd breathed out and placed his rough hand on your waist. He was caressing you and joined your lips together in a sloppy kiss. His free hand undid the ribbon on the top of your underdress to free your breasts. They shivered under the touch of his big hand as he played with your nipples and buried his face in the crook of your neck, breathing in your sweet scent and sucking on the sensitive skin below your ear.
You shut your eyes close, trying to focus on the pleasure as your fingers rubbed on your sensitive swollen clit but it was not enough. It never was.
“I can’t…” You admitted your defeat as you tried to catch a breath.
“Yes, you can,” Feyd whispered into your ear in that low, raspy voice of his that sent shivers down your body and straight to your core. “What’s stopping you?”
“It’s just… I don’t know…” You didn’t know how to find the right words. “It’s not enough,” you admitted. “It’s not you.”
“Let me, then,” he raised himself to look into your eyes as his hand moved your hand away and his fingers replaced yours on your exposed clit. You gasped at the feeling of his fingertips drawing circles and teasing your entrance. 
You pressed your hands to his chest and then you moved them lower to explore the hard muscles of his abs. To feel them underneath your fingers was enough to make your back arch needily, exposing even more of your hungry pussy. Feyd smirked at that and buried his fingers deep inside as you gasped out of pain but it was quickly replaced with pleasure.
His free hand grabbed your chin gently and when you looked up, batting your eyelashes and opening your lips slightly, he put his fingers inside of your mouth and you grabbed his wrist to hold on to it as you sucked and moaned. His other hand was bringing you close to your release as his movements were fast and rough and his thumb circled your clit.
You cried out but his fingers muffled it so you ended up choking on the sound escaping your lips as you came writhing under him with sweaty forehead and single hair strands sticking to your face, your whole body set on fire, trying to catch a breath. Feyd swallowed thickly as his eyes sparkled.
You yelped as he smacked your sensitive pussy right after pulling his fingers out of it and licking them clean, looking deep into your eyes. You were speechless as your mind was left thoughtless.
You could only watch him lower himself and open your thighs even further with his strong arms as he buried his face between your legs to lap on your juices. You were sensitive so it burned in the beginning but the uncomfortable feeling submerged into pleasure once again. Feyd’s tongue was cleaning your folds thoroughly and penetrating you while you threw your head back as you laid your hands on the back of his neck, keeping him close. But this time he didn’t let you cum so easily.
When you were about to reach the peak again, he moved his head away and the next thing you saw was his face right in front of yours, his chin dripping with your wetness and his cold eyes filled with so much fire that you felt like a prey trapped by a big predator.
But you loved that feeling. You loved to feel small and tiny under him, trapped, vulnerable. You dug your nails into his biceps and looked down. He had already tossed his underwear aside and his cock was hard now, swollen and aching for you, you could see it twitching and leaking black precum. He looked heavy and big and you wanted him badly to claim you and violate you to the point no other man would ever even think of touching you after him.
You had never made him that hard. You had never gone so far before. You were sure you’d succeed now.
“Take me, claim me, make me yours,” you pleaded. “Please, I want more of you.”
Feyd shut you up with a kiss and a strong, stinging pain of his hard cock finally penetrating you. Your eyes widened as you whined. He intertwined your fingers together and held you through the process of adjustment to his size. You were the first one to impatiently rock your hips to show him you wanted him to move. So he did, slowly and carefully. He winced from his attempts to keep himself in control and you let go of his hands to pull him closer by his shoulders and deepen the kiss.
You moaned softly and helped him to fuck you by you rocking your hips against him as your legs wrapped around his waist. You both had been waiting so long for this moment of unity that it didn’t take long for you two to reach your highs and the familiar feeling of warmth filled you whole. You didn’t remember your own name, the only thing you knew was that you were home and the man above you was destined for you; you were born to be his wife and he was born to be your husband. The thousands of years of manipulation of the bloodlines had led you to this moment and nothing could tear you apart now. No amount of rumours, scheming or the disability to show emotions.
You were catching your breath as Feyd was slowly coming back from his high above you, panting heavily and looking at your face with hazy eyes.
“You belong to me,” he leaned in to kiss your lips again. “You always have.”
“No matter what happens, we are one,” you agreed with a nod and intertwined your fingers with him as you held his hand. “Now, when that is settled, we shall focus on our most important task.”
“And that is?”
“Killing the fat spider in his nest,” you answered.
“Thankfully, we have experience,” Feyd teased before placing yet another soft kiss upon your parted lips.
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MASTERLIST
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amuseoffyre · 10 months
Text
I’m emotionally ruined by the fact that Aziraphale hasn’t broken out of his heavenly conditioning. He still loves doing good. He gets happy when people tell him he’s an angel and says “it’s nice to tell people about the good things you’ve done now that I’m not reporting to Heaven”. He will literally put himself in harm’s way to make sure he does the Good and Right thing.
It can’t be understated how much Heaven’s influence still impacts on him. Aziraphale has been created, ordained and conditioned to believe it and he can’t just switch it off or walk away. Crowley didn’t get the choice. He was Fallen. He was kicked out and - as per the rules of toxic and terrifying cults - Aziraphale was always told for centuries and millennia, Falling was the worst thing that could happen. If you’re bad, you’ll be forced out. If you’re bad, you’re not one of Us. You’re one of Them.
When he did something he perceived as Right (ie. saving innocent children from death), but knew it wasn’t what Heaven intended, he broke down. Crowley found him a crying, shaking wreck afterwards because he was so convinced he was Evil. He was so convinced he was going to be dragged to Hell and that he was now a demon because he did one thing that saved some children but because it wasn’t a specific directive, it was Bad.
It shapes so much about him and it’s why the whole series looks like he’s having so much fun doing silly human things, but there’s this brittleness to it. He’s happy and excited and he’s doing his human-life things and having a lovely time, but he’s also constantly stressed because of the Need To Do Good. From the moment Gabriel turns up, he’s a nervous wreck and is trying to hide it by Doing Good, by Solving the Problem, by Fixing Things, by being so active and reactive rather than letting himself think about it. It’s a sign of exactly how frantic he is that he starts giving away his books and letting humans touch them.
Watch his face when the Archangels show up unexpectedly: that isn’t joy. That’s blind terror. He’s so afraid of doing the wrong thing in Heaven’s eyes, even though he made the active choice to do so because it was the Right thing to do. He’s a Guardian and he will protect, but he is so very afraid of the repercussions, even now. 
At the end of S1, Crowley said “they’re gearing up for the big one” so Aziraphale’s not oblivious. He knows a big one is coming. He knows something worse than the Antichrist will be on its way. And he’s trying so hard to pretend that everything is normal and fine and if he ignores all the looming bad stuff, it won’t happen. If we don’t say anything about it, nothing has to change.
But then the changes come knocking at his door holding a box and the choice is gone. He can keep trying to blinker himself to it, but then there are angels and demons in the bookshop and he’s had to use his halo and everything is falling apart.
So when he realises that he can get himself into a position where he can guarantee those repercussions won’t happen to Crowley? He will absolutely take it. He says himself “I don’t want to go back to Heaven”, but the instant the Metatron offers him a free pass for Crowley, to take Crowley out of both Heaven and Hell’s sightlines, to keep him safe (Another bee inside the hive, if you will), no wonder he grabs it with both hands.
The tragedy is that Crowley thinks that when they saved the world together, that was the end of Heaven’s influence in Aziraphale. When he was cast out the split between him and Heaven was sharp and clean. He doesn’t - he can’t - understand how deeply it has tangled around Aziraphale. It’s built into Aziraphale’s entire being and unravelling it isn’t that simple. Aziraphale’s trauma is a horrible, terrible Gordian knot and Crowley can’t understand that he couldn’t simply cut through it, because that’s just not how Aziraphale works.
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lackadaisycats · 3 months
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Hey Tracy! Have you heard about the new Ai called Sora? Apparently it can now create 2D and 3D animations as well as hyper realistic videos. I’ve been getting into animation and trying to improve my art for years since I was 7, but now seeing that anyone can create animation/works in just a mare seconds by typing in a couple words, it’s such a huge slap in the face to people who actually put the time and effort into their works and it’s so discouraging! And it has me worried about what’s going to happen next for artists and many others, as-well. There’s already generated voices, generated works stolen from actual artists, generated music, and now this! It’s just so scary that it’s coming this far. 
Yeah, I've seen it. And yeah, it feels like the universe has taken on a 'fuck you in particular' attitude toward artists the past few years. A lot of damage has already been done, and there are plenty of reasons for concern, but bear in mind that we don't know how this will play out yet. Be astute, be justifiably angry, but don't let despair take over. --------
One would expect that the promo clips that have been dropping lately represent some of the best of the best-looking stuff they've been able to produce. And it's only good-looking on an extremely superficial level. It's still riddled with problems if you spend even a moment observing. And I rather suspect, prior to a whole lot of frustrated iteration, most prompts are still going to get you camera-sickness inducing, wibbly-wobbly nonsense with a side of body horror.
Will the tech ultimately get 'smarter' than that and address the array of typical AI giveaways? Maybe. Probably, even. Does that mean it'll be viable in quite the way it's being marketed, more or less as a human-replacer? Well…
A lot of this is hype, and hype is meant to drive up the perceived value of the tech. Executives will rush to be early adopters without a lot of due diligence or forethought because grabbing it first like a dazzled chimp and holding up like a prize ape-rock makes them look like bleeding-edge tech geniuses in their particular ecosystem. They do this because, in turn, that perceived value may make their company profile and valuations go up too, which makes shareholders short-term happy (the only kind of happy they know). The problem is how much actual functional value will it have? And how long does it last? Much of it is the same routine we were seeing with blockchain a few years ago: number go up. Number go up always! Unrealistic, unsustainable forever-growth must be guaranteed in this economic clime. If you can lay off all of your people and replace them with AI, number goes up big and never stops, right?
I have some doubts. ----------------------
The chips also haven't landed yet with regards to the legality of all of this. Will these adopters ultimately be able to copyright any of this output trained on datasets comprised of stolen work? Can computer-made art even be copyrighted at all? How much of a human touch will be required to make something copyright-able? I don't know yet. Neither do the hype team or the early adopters.
Does that mean the tech will be used but will have to be retrained on the adopter's proprietary data? Yeah, maybe. That'd be a somewhat better outcome, at least. It still means human artists make specific things for the machine to learn from. (Watch out for businesses that use 'ethical' as a buzzword to gloss over how many people they've let go from their jobs, though.)
Will it become industry standard practice to do things this way? Maybe. Will it still require an artist's sensbilities and oversignt to plan and curate and fix the results so that it doesn't come across like pure AI trash? Yeah, I think that's pretty likely.
If it becomes standard practice, will it become samey, and self-referential and ultimately an emblem of doing things the cookie-cutter way instead of enlisting real, human artists? Quite possibly.
If it becomes standard industry practice, will there still be an audience or a demand or a desire for art made by human artists? Yes, almost certainly. With every leap of technology, that has remained the case. ------------------ TL;DR Version:
I'm not saying with any certainty that this AI blitz is a passing fad. I think we're likely to experience a torrential amount of generative art, video, voice, music, programming, and text in the coming years, in fact, and it will probably irrevocably change the layout of the career terrain. But I wouldn't be surprised if it was being overhyped as a business strategy right now. And I don't think the immensity of its volume will ever overcome its inherent emptiness.
What I am certain of is that it will not eliminate the innate human impulse to create. Nor the desire to experience art made by a fellow soul. Keep doing your thing, Anon. It's precious. It's authentic. It will be all the more special because it will have come from you, a human.
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shipwreckie · 1 month
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long (like ridiculously long) rant about watcher entertainment
Whilst the vast majority of the response to the watcher drama has been negative I still have seen a few people expressing opinions along the lines of ‘oh its just $6’  ‘shouldn't creators be paid for their work’ etc. I also think this situation is getting a lot of attention from people who don't necessarily watch Watcher, or haven’t keep up with them in years so here is my breakdown of why people are unhappy with the announcement that Watcher will be putting ALL upcoming content behind a $6 a month streaming service (with the exception of the premiere episode of each season going to Youtube.) 
The issue is not that it's $6.
The success of other internet companies like dropout and smosh is proof people are willing to pay for content they enjoy and to support independent content creators. I personally have given money to kickstarters, patreons, digital downloads etc in the past. But I do that because I know I’m valued as a fan with and without my money. I still get access to content on youtube for free. Even Dropout, who is a much larger and more expensive operation than Watcher, releasing 5 show a week, still maintains a steady Youtube presence.
The thing with these internet companies is they can be successful in creating something but they do have to understand that you are on the internet. You're not netflix or HBO or hulu or whatever. Watcher’s obsession with creating ‘television-calibre content’ worth $6 a month whilst also only having one show a week is unrealistic. They want to be independent creators but also television producers… but you’re not!  They hate being youtubers so much but YOU ARE. That’s how you gained a fanbase in the first place and you were successful at it! If you’re not happy being a youtuber that’s fine, move on and do something else. But you can’t expect it to be funded by the fans. So many famous artists create content they care less about that has a larger audience, and that in turn funds the stuff they DO care about. If you’re so dedicated to making expensive, high-quality productions you should be using these smaller cheaper shows to save money and fund them, rather than forcing everyone of your fans to pay a monthly subscription fee that I’m sorry, just isnt worth it or is simply unaffordable for the majority of your audience who you have now essentially told aren’t welcome or valued by you. And which one is it? 
Such a large percentage of your audience are casual viewers too. Why cut out that completely? What fans are you expecting to follow you to this ? Your most dedicated fans are there because they like Ryan and Shane, so why not push that? Are you trying to appeal to your fans or are you trying to make the content you want. There’s no clear creative direction that makes sense with this move and that’s why people aren’t supporting you. 
Also I’m sorry but how can we suddenly trust the content is gonna improve once we start funding it when there’s already been so many missteps both in their content and their business. Look at how many fans have said Ghost Files and Mystery Files have started feeling phoned in. Their patreon has been mismanaged for years, they barely promote it and the perks on there aren't really worth it (but they have 6000 paying members because people can and do want to support them!). They go months having barely any merch. There are ways to make money on youtube, they’re just not doing it well . 
And I’m sorry. But there is just absolutely no reason to have 25 employees. Shows like Survival mode should be cheap and easy to produce, and help bring in money to support larger ventures like ghost files. So why are there 18 people credited for a video of you playing Minecraft? And of course I don’t want people to lose their jobs. But continuing with this is going to cause EVERYONE to lose their jobs regardless. 
They also barely have a plan for their new content. People watch for Ryan and Shane, you KNOW THAT. So why is your first new big show hiring the worth it boys and doing a globe-trotting, crazily expensive show. Are you even really expanding your content if you’re still sticking to a one-video-a-week schedule with no present plan to change that? They have a survey for subscribers to vote which past show to bring back, but there’s obviously a major budget difference between filming something like Weird Wonderful World and something like SD&D&D… or at least there should be but there isn't when you employ 20 people to make one video. There’s such a clear lack of thought put into it that makes me even less likely to want to support. 
I want to say that they probably expected a negative backlash and thought they could just wait it out… but did they? Because WHY did they hype this up like it was an insane new announcement fans would go wild for. WHY do this several days before you have live shows where you let fans ask questions live to your faces? So much of this roll out makes absolutely no sense and makes Ryan, Shane, and Steve look so ridiculously out-of-touch with their fanbase, which only makes fans feel even less supportive. 
I think their defenders think we want to see Watcher crash and burn but the majority of us don't. I want them to be successful but this isn't the way to do it and I truly do believe it’s going to ruin their company. Unfortunately as much as I love them, I wont be supporting them. 
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greyskyflowers · 9 months
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Zoro being just a little desperate for soft affection because people don't touch him gently. He's not something people handle with care or touch with careful intentions.
He's a swordsman
The first mate of the future pirate king and a god
A strawhat pirate
He doesn't mind it, because you can't miss something you don't really know, but sometimes he gets hints of it. Like Chopper taking care of his injuries or Robin's hands brushing against him as she hands him something. The others don't touch gently. They're pirates, liars, thieves and fighters.
It's hard to be gentle on the sea.
Luffy's too strong for his own good
Sanji's alway eager to pick a fight
Nami's not very familiar with gentleness herself
Usopp's too unsure
Franky doesn't trust himself
Brook doesn't think he's capable of it anymore
Zoro deserves gentle sometimes though, when he's more white bandages than tan skin or when he smells like blood rather than salt.
Sometimes he looks very breakable for how unbreakable he is.
There are times he looks soft, only with them.
When he lets himself wake up slowly, silver eye still cloudy with sleep and everything about him sleep ruffled and soft.
Or when he speaks with Chopper, letting his body loosen from a stricter hold and creating a welcoming atmosphere that always has Chopper climbing into his lap or dancing happily.
Always when he takes care of his swords, each movement done without too much thought after years of repetition. A critical eye looking them over before moving to the next, handled with a care that looks like it should be unnatural to a man like Zoro.
He goes sweet for them.
Looking as surprised as they do when he surges towards the gentle affection like he can't stop himself.
💙
Luffy throwing his arm around Zoro's shoulders, and touching, thoughtless and confident because he knows Zoro won't pull away. His fingers playing with earrings, petting at soft hair and brushing against skin.
Zoro can't help the little, protesting noise that slips out when it stops.
Luffy looks at him with a blank expression and observing eyes, the face he wears when he's serious about something. He returns his hand to the side of Zoro's neck and it's so careful, fingers caressing against his neck in little brushes and it has him melting.
Luffy's incredibly pleased because Zoro is such a warm, happy weight against his side, all loose limbed and practically purring.
He looks vulnerable and sleepy in a way that has a bubble of something growing in Luffy's chest. It threatens to choke him, his throat tight with it and his heart beating weird. He just keeps petting with confident but gentle touches.
Zoro buries his face in his shoulder and it knocks the wind out of his lungs. He wants to move, energy popping under his skin in happiness but he stays still. The arms he wraps around Zoro to drag him closer, half on his lap and still not close enough, are gentle.
💙
Sanji trying to figure out the best way to get Zoro back to the crew after a battle. Hovering because everywhere looks bruised and bloody, seriously it's like he tries to get cut up during his fights.
Finally getting him up enough that he can climb on Sanji's back and they'll try that way.
Zoro's lighter than he looks, they all know that but it's always a little surprising. He's quick on his feet, has used half the crew as spring boards for a push off in fights and he definitely wouldn't be able to do that so easily if he weighed what he looks.
He's a warm weight against Sanji's back and the cook can feel his thighs from where he's got his hands placed for support, they have a healthy layer of fat covering the muscle.
He's embarrassed by the pleased feeling he gets from that. The idea that Zoro is healthy and taken care of because of him is powerful. He's very proud of how the crew looks healthy and strong, nothing about them that suggests hunger or poor nutrition.
He brushes his thumb back and forth in a gentle way, briefly wishing he felt skin instead of fabric, before very quickly shoving that thought into a little box and placing it all the way to the back of his mind.
Zoro relaxes into him, body pressing heavier as he stops tensing up and his chin digging into Sanji's shoulder. He looks exhausted but his breathing has calmed and he almost looks like he could fall asleep.
Sanji just tugs him more securely against his back, desperately ignoring the way Zoro's legs tightens around his waist at the movement and how his chest pressing against Sanji's back has his nose itching. Zoro relaxes again and Sanji goes back to rubbing his thumbs back and forth, gentle and comforting.
💙
100% based on the ideas that:
Luffy just casually touches, hugs, climbs on, etc the crew whenever he wants because they're his.
Sanji is very proud that the crew looks healthy and strong, knowing it's because he's the one making their food.
Zoro being a strange type of touch starved that has him unconsciously giving off cat vibes of please pet me and I'm sorry if I get overwhelmed and bite.
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jewreallythinkthat · 3 months
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I'm sad.
Not like "I've watched a sad TV show" but rather a bone deep sadness every time I think about the state of the world.
The obsession of goyim with Israel and the performative politics of abusing random Jews is vile and the refusal to engage with any other global issues is frankly, revealing of the fact that this isn't an Israel issue, it's an antisemitism one.
Israel's being run by a sociopathic gas-lighting warmongerer who has decided that the only way to stay out of prison for his own crimes is by killing more and more Palestinians, all the while the majority of people just want peace and safety. I hope he gets everything he deserves (and you can bet I will be cheering it as it happens).
COVID has highlighted the fractures in society and instead of trying to fix them, the world is swinging to the right, electing nationalist leaders because they want to blame The Other for their issues. Sometimes life is shit and it's no one's fault but once again, the Other, and more often than not, the Jew is being blamed. We know where this leads. It's an old song.
Everything is shit and people are more interested in blaming others for the issues than trying to fix them.
I'm sad, but in the face of overwhelming sadness it is our duty, it is a מצוה, to find joy and happiness and Good where we can. So that is what I will do. Despite the bone deep, soul achingly oppressive sadness, I am making sure to enjoy the things I like, to do what I can to create beauty and happiness and joy even if on a small scale because if we do not keep the light of joy shining as the darkness of fear attempts to set in, it will overwhelm everything. We may not be able to change the minds of those who have decided their view on The Truth™️and exclude and opress Jews to make themselves feel better about their own issues, but we can still make sure to love ourselves and our Jewish joy more than they could ever hate us.
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amomentsescape · 9 months
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The Slashers React to You Bringing Home a Kitten
A/N: This is purely for fun. I've only included the Slashers I've written fics for so far. But these types of fics tend to put a smile on my face so I'd be happy to write more of these for whoever wants them (for whichever Slashers people want to see too)!
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Michael Myers
Probably the most angry of the Slashers included here
He's not going to kill the kitten by any means, but he isn't happy about it being here
It's another mouth to feed, another thing that needs to be quieted
If you're able to keep the kitten quiet and away from Michael, then the killer will more so become indifferent to it
It makes you happy and doesn't bother him? Cool, do what you will
However, if he feels that it's becoming a nuisance, he'd happily leave a door open on "accident"
It was already difficult enough for him to create a bond with you
But with a kitten that can't even talk to him?
Yeah, he'd rather not
Jason Voorhees
Oh my
A cute innocent creature that is super sweet to him?
It's basically just another you
And he likes you, so he immediately likes the kitten
This man wreaks havoc and leaves behind human blood trails all the time
However, he doesn't really want to hurt any animals
These furry creatures have caused him no harm
They never judged him based on his appearance
They were never cruel or bullied him like other people did
In fact, he was fascinated with all sorts of animals as a child
Kittens were no exception
So you come home with a cuddly little cat that enjoys to cuddle up with him?
He'll take it happily
Brahms Heelshire
He's kinda eh with this at first
The house is huge, and it's not like a tiny kitten is going to take up much space here
But what this kitten does take up is more of your attention
And Brahms being Brahms, he starts to become jealous
Your attention went from being solely on him to now being divided with this animal that could clearly fend for itself
You need to feed it, cuddle it, and give it attention?
That's what you should be doing with him
He definitely has a few moments where he debates "getting rid" of the kitten
But then he pictures your crying face and decides against it
But he still considers it from time to time
However, if you are able to turn kitten time into Brahms-and-kitten-time, then he might learn to like it
Animals freak him out slightly since he's not really used to having them around
But he could learn to deal with it eventually
Just make sure you divide up your attention equally
Billy Loomis
He's more of a dog person honestly
But you were swooning and aw-ing over this poor little thing so Billy gave in
You were probably just going to keep nagging him about it anyways
He's definitely like one of those dads that insist they don't want a pet but eventually fall in love with it
Billy will never admit this though
But you can see it
Over the span of a couple weeks, Billy went from just eyeing the kitten to letting it crawl and sleep in his lap
He tries to act all nonchalant about it
But the moment you look away
His eyes are on the kitten and a gentle smile graces his features
Okay so maybe the kitten isn't that bad
But maybe you're just making him all soft
He's secretly not complaining though
Stu Macher
Literally all for it
He loves cats, dogs, hamsters, all animals pretty much
He might honestly become more obsessed over this little kitten than you
He most definitely wants to dress it up like Ghostface
Like are you kidding?
How adorable is that
You can hear loud footsteps in the middle of the night
And when you check, Stu is chasing the kitten back and forth during it's zoomies
Buys (and steals) all sorts of toys for the little thing
Lets it sleep on his chest at night
He's obsessed with this kitten and you
It's like his own little family
And he's honestly super happy with that
Eric Draven
Have you learned anything about Eric?
He loves cats
He does want the kitten and Gabriel to get along though
But if they make quick friends, then great
He plays around with the kitten pretty often
And he's overall just happy to have another something in his life to bring a little joy
The kitten chills with Eric outside while he plays guitar
The only issue is that the kitten would rather spend more time with Eric than you
Tries to play with the crow
The bird just caws annoyedly and flys off
Eric and you both cuddle up at night with the kitten in the middle
It's a pretty relaxing domestic life to be honest
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scoobydoodean · 5 months
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what is your opinion on people calling dean a heavy misogynist? i don’t agree personally but i feel like you could put my thoughts into better words
First, I have to chuckle a little at "heavy misogynist". Apparently, some people have begun to realize their fave is also guilty of misogyny crimes therefore they focus on making sure all of us know Sam is a light misogynist and Dean is a heavy misogynist. I just find that amusing.
This is a broad topic in a long show, so I won't endeavor to address every conceivable incidence of misogyny in the show I can think of. Instead, I'm going to create a few headings, at least one of which I think most criticism falls under.
Misogyny through the writing team
How Sam's misogyny gets a pass
Purity culture wank and Dean performing for Sam
How Dean actually treats women
Misogyny Through The Writing Team
First, Supernatural in of itself has issues with misogyny—as in, the writers of the show (including female writers) have issues with misogyny which they are happy to put on display semi-frequently. The show started in 2005, during a period of time where casual sexism was absolutely rampant on TV and no one thought anything about it. Female celebrities were regularly mocked and dragged on cable television in a way men simply weren't. They were called bitches and skanks and whores, and even "progressive" voices were inundated with casual misogyny and a fixation on purity culture (that largely applied to women only). Quite simply, I think fandom tends to be far too generous toward the writers, assuming certain things were "flaws" the writers intentionally wrote for the characters.
Put another way, there are some criticisms I prefer to level at the writing team rather than the characters, because what is written plainly reflects their ignorance in the real world rather than any intent to give Sam or Dean or any other character meaningful flaws—much less outright terrible ones that greatly harm their image. I'll give a few examples:
2.17 "Heart" makes me very uncomfortable as I sit here in 2024 and observe how Sam and Madison's romance develops. Me feeling that way does not mean the authorial intent of 2007 Sera Gamble was that I think to myself, "Man Sam comes off as uncomfortably rapey here." Hopelessly bad with women, perhaps—but not creepy.
In season 2, the writers begin to develop a running “joke” that Sam is afraid of not just clowns but also little people. The latter “joke” is (wisely) dropped fairly quickly. I have never criticized Sam for being afraid of little people, and I never will. It is readily apparent to me that this running "joke" reflects the ignorance of the writing team rather than an intent to give Sam meaningful or interesting flaws. Their intent was to use little people as the butt of a joke. I personally find this "joke" distasteful, and the idea of trying to take that and somehow "dunk" on Sam for the bigotry of the writers is more distasteful to me.
This is also how I feel about the running "joke" of a porn magazine and website (BAB) that solely features Asian women, that is put on display on multiple occasions during the show—first in 2.15 "Tall Tales", where the context is Gabriel infecting Sam's laptop with a virus from the website and making him believe Dean is responsible. BAB continues to make "Easter Egg" appearances in the show afterward. While often associated with Dean by fandom, the writers clearly think of BAB as a general, "funny" (it isn't), running gag with no more depth than "haha men like porn funny". An issue is stolen by a sentient teddy bear in 4.08 "Wishful Thinking". An issue is owned by the teenager who swapped bodies with Sam in 5.12 "Swap Meat". The Men of Letters also collected a considerable number of issues (8.17). I simply do not believe the writers thought for a single moment about BAB being a grossly racist gag. They most certainly did not write it as an intentional criticism of Dean from that perspective. It reflects nothing but their ignorance and racism here in the real world, and absolutely SHOULD be criticized from that REAL WORLD impact.
How Sam's misogyny largely gets a pass
One of the things I have not been able to stop noticing on this rewatch is Sam's issues with misogyny, and how often Sam's misogyny comes out in conflicts with Dean... starting from the very first episode of the show. Pretty much any time you get anything that feels like it might be a misogynist Dean or horn dog Dean moment... Sam either just has or is about to follow that up with some misogyny of his own.
In 1.01, right after entering Sam's apartment and meeting Jess, Dean mentions the Smurfs on Jess's shirt. We think to ourselves "Okay. A little misogynist... a little horn-dog Dean." Sam is happy to 1-Up that in two ways. First, Jess voices her intentions to go get dressed. Dean dismisses this, but while doing so, makes it clear he intends to leave the room with Sam, as he'd like to have a private conversation with Sam anyway. Sam objects, walking over to Jess and putting an arm around her, demanding Dean say whatever he needs to say right then and there. Maybe this would feel supportive if Jess wasn't in her underwear and hadn't just made it clear that now that the panic over a possible break-in is over, she'd really like to not be in her underwear in front of a stranger. But nope. By god she needs to stand there so Sam can prove a point about misogynist Dean! Second, Sam immediately (and I think quite erroneously) jumps to imply Dean is trying to cut Jess out of the conversation because she's... a woman? Or... something? He makes a big show of moving over Jess and standing beside her, saying anything Dean has to say, he can say in front of Jess. However, the moment Sam actually understands that Dean is here because John is missing on a hunting trip, he dismisses Jess to speak to Dean alone... because he's lying to her. By painting Dean erroneously with this "The men are talking" bullshit that had nothing to do with anything, Sam sets himself up to be viewed as a misogynist by his own framing of the situation and what it means to leave Jess out of a discussion. He also reveals his own alleged principles as a performative illusion. Despite being his intended life partner, Sam never intends to tell the woman he loves about his past as a hunter (he makes this clear later on the bridge). However, I think because Sam's actions usually co-occur with what gets called out more directly or more immediately recognized as misogyny from Dean (should have gotten him for the Smurf's comment, Sam!) Sam's misogyny often flies under the radar... and he's really... pretty bad.
I spoke here at length about how Sam tends to look down on women who interact with Dean (often before meeting them). There is absolutely an intersection with purity culture here and there's discussion in that thread about that as well, and whether this is a "2000s writers" issue or intentionally written flaws.
In 1.06, Sam cuts Dean off before Dean can accept an offered beer from Rebecca, but then as soon as Sam needs Rebecca out of the room, Sam asks her to not just bring them those beers... but also fix them sandwiches. Rebecca says, "What do you think this is, Hooters?" and Dean mumbles, "I wish" and we somehow lose sight of the fact that Sam literally just asked a woman to make him sandwiches which is possibly the number one misogynist man trope. Sam vaguely suggests Dean is a misogynist in 1.19 for nudging Sam to go on a date with Sarah Blake and possibly get information on the case, because that would be "using" her, but Sam wants to "use" Meg Masters in 1.22 and he wants to "use" Ruby to get what he wants, and when he said getting information from women was "Dean's job", he was also showing he was perfectly willing to use Dean and Sarah—he just doesn't want to get his hands dirty. It also comes to light in 1.19 that this is more about Sam's belief that he has to protect women from him, and Sarah herself ends up calling Sam antiquated for it.
I mentioned before that Sam doesn't plan to ever tell Jess who he is, and he makes the same plans with Amelia. Dean, meanwhile, confides in Cassie (it's what leads to their breakup) as well as Lisa.
I also have to mention... one of the funniest things I see deancrit samgirls in particular dig at time after time after time is Dean calling women "bitches". Never mind that Sam also calls women like Ruby and Bela bitches and calls a woman a bitch in front of Madison. Apparently none of these occurrences count because... *looks at notes* reasons. "Bitch" only counts as misogyny when it's Dean saying it. Also, let's not mention that Sam exclusively uses the word "bitch" to refer to women, while Dean also calls men and creatures bitches at different points so it isn't a gender specific insult for him.
Dean is definitely the "heavy" misogynist here... right? (I guess Sam is a "tall" misogynist instead).
Purity culture wank and Dean performing for Sam
Dean is commonly treated in fandom as if he's some kind of sex pest, and quite blatantly... he isn't one. Women almost always proposition Dean first (thejabberwock has sets on this here and here), but him asking people out also isn't inherently creepy in any way? Co-occurring with Sam's purity culture inundated judgements, we often see fandom's own as well, where Dean is some kind of sex pest because he... likes women? Or... because he has sex with consenting women who also want to have sex with him? Sometimes it's giving purity culture wank, sometimes it's given big radfem energy... but regardless, I sometimes see people talk about Dean like him so much as making eye contact with a woman is a violent sexual threat, and that's just laughable—as is denying the agency and autonomy of consenting women in general.
Even though it doesn’t matter in the grand scheme of things, I'll also add that Dean... doesn't even actually have sex with the frequency that people talk about it? Dean has sex with Cassie—who was a long term partner of his in 1.13. He has sex with an actress in 2.18, and with Doublemint twins in 3.01. He has sex with a waitress 4.05. He plans to have sex with someone in 3.04, but turns her down when he realizes she's a prostitute who's working. This happens again in 10.07. I'm on season 4 of my rewatch and haven't been formally keeping up... but Dean is not actually having a lot of sex? We get implications he's been out partying a few times, and can maybe infer he scored, but we don't actually know.
I'm not a huge fan of performing Dean, in the sense that I think over the years I have seen it wildly overstated far too many times. But I do think Dean sometimes plays a character for Sam especially. Dean tells us this himself in 2.03 "Bloodlust" when confiding in Gordon. He never says so directly when it comes to the sexy sex guy doing sex persona, but his actions reveal him. One can think of plenty of examples of Dean saying horny stuff about women to Sam... but what about his actions?
How Dean actually treats women
Finally, there's how Dean actually treats women... and one would be very hard pressed to prove to me that Dean is sexist toward the women in his life. He's been close friends with multiple women and worked with women on hunts on multiple occasions and never once batted an eye. Jo in 2.06 is sometimes floated as an example, but it's actually discussed within the episode. Dean makes it very clear that he thinks women can do the job just fine. What he has a problem with is Jo's lack of experience and her romanticization of the job (especially during a period where Dean has fallen deeply out of love with the job himself). Everything we see as the series progresses supports Dean's assertion as truth. He's very good friends with Charlie, Jody, and Donna and doesn't go around excluding them on hunts while favoring men. That is not a thing that happens. While he initially tries to talk Claire out of the life (as he does everybody—this is not unique to women—see Adam for example) when she decides to hunt, he supports her regardless. There is nothing uniquely overprotective about how Dean treats women who hunt. End of. Dean has no illusions about traditional gender roles or any of that nonsense, jumping to clean dishes after dinner at Jody's and cooking breakfast for Lisa and Ben. (Our knowledge of Dean and the chores he does for his family already tell us this—but regardless). Even Demon Dean, an entity with no love for anyone and close to zero principles, targeted men who abuse and threaten women, and when Crowley ordered him to kill Lester's wife to fulfill the terms of Lester's demon deal, Demon Dean instead became so deeply annoyed with Lester's hypocrisy (he cheated on his wife first) and his assertion that it's different when men cheat, that he killed him and smiled while doing it.
So anyway, nope—I don't think Dean is a "heavy" misogynist.
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Regarding the GeorgeNotFound Situation
This entire conversation should not have happened publicly.
It was clear from Caiti's initial post that there was a breakdown in communication rather than any "assault" or "molestation." In her own testimony, she never described explicitly stating no, nor giving any indication besides "getting up" to stop the attention (which was later disproved).
That does not mean she wasn't uncomfortable. That does not mean she was not hurt by George's actions. It also does not mean George is a molester because of it.
From Caiti and George's statements, it is clear that this took place over a couple of hours (3-4), and besides the texting afterward, there were no further physical interactions between them. To use a single incident to describe George's behavior is a stretch at best and downright misinformation at worst. In the Wilbur situation, the violations of Shelby's boundaries happened over months with repeated attempts to tell him to stop.
In George's situation, it happened over four hours, in which there were no explicit tells to stop.
That said, I do hope George takes this incident and rethinks his behavior with strangers. Even if it should not be described as molesting, it still hurt Caiti, and if I were him, I would make strides to not repeat the mistakes made here.
Moreover, I think that some parties involved should not have been. Some individuals used the volatile situation to spread their own hate toward the Dream Team. They used Caiti's story to push their own agenda, which, in no way, is supporting a victim. Her friends should have helped her find closure by seeking reconciliation from her "abuser;" instead, they made the situation a public massacre where she would most likely be harassed after already feeling vulnerable.
My hope is that, behind the scenes, the two will talk about what happened and try to find peace. George clearly did not know he hurt Caiti, and he apologized for making her feel uncomfortable. That does not make him a villain: it makes him a person who made a mistake.
The moral of this whole fiasco is not to support or not support victims. Support can be weaponized for personal gain, and to support blindly is almost as bad as not supporting at all.
Instead, we need to listen. From the beginning, Caiti's story was a plea for an apology from George, and all she needed was George's apology (which she received). She did not need people calling him an abuser, she did not need her friends to utilize her pain to attack George's friend Dream, and she did not need people to pry into both her and George's life for answers.
All of this could, and should, have happened off-screen where the two parties could reconcile and heal.
To Caiti: I wish this had not happened to you. I am sorry you are in pain, and I am sorry your friends used your pain for their gain. I hope you find peace from George's apology, and if you do not, I hope you find peace in life.
To George: I wish this did not happen in the public light. Your mistake did not need to be publicized and scrutinized and instead should have been between you and Caiti. I hope you will help Caiti find peace, and if she does not want it, I hope you grow as a person and do not make this mistake again.
As of right now, this blog will remain positive about the Dream Team. I probably will not be supporting George enthusiastically right now (since I want to be certain this isn't a repetitive behavior and just one incident). However, I will be happy to talk about any fandom content regarding him and the other members.
It has been a rough few days, and I am grateful for the lovely positivity we created between my anons and followers. I give you all many squishes of happiness. Thank you for being kind.
Now, let us all move on to a better and brighter future in this fandom. We have a lot of content coming up, and I'm very excited. Feel free to send any asks regarding the situation; I would love to read your opinions.
TL;DR This conversation should have happened off-camera. Caiti's story should not have been used for clout, and George should not have been attacked for clout. Both need to heal off-camera, and we should support that.
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museumofferedophelia · 7 months
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A lot of "queer" culture is deeply intertwined with the emergent "what about me?" culture, which is centred around people believing that every single conversation and post on the internet has to relate to them or reflect them in some measure- and if something doesn't, it's exclusionist, or exposes some deep-seeded issue in society.
I'll give you some examples:
There'll be a post talking about enjoying intimacy with a partner, how sex can be so special and sensual. And it'll get flooded with asexuals talking about "allonormativity" and asking why society "revolves around icky sex," and how "we need to cultivate a culture that isn't so centred around sex, asexuals exist too."
Someone will post about how special it is to find "the one" and share your life with them. And a bunch of "polyamorous" people will insert themselves, complaining about how "you can share your life with more than one person," and "just people forgetting polyam people exist," and "mononormativity and polyam ersaure."
A lesbian will post about how she's happy that she'll never have a pregnancy scare, and will jokingly talk about how doctors are always confused when she tells them that. And a bunch of "trans lesbians" or women dating "trans lesbians" chime in being like "well, about that..." or "trans lesbians are valid" or "cisnormative terf, lesbians like girldick."
I think people are too immature and narcissistic to realise that people are talking about their own experiences. Not everything is meant FOR YOU. If it doesn't reflect you, ignore it and move on.
And if you want to see more representation that reflects you, go create your own rather than harassing people whose life experiences are vastly different to yours.
Not everything has to be about you.
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4ngel-inc · 5 months
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here's the thing about osamu dazai . . . ੭ ⋆ ˚。⋆୨୧˚
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osamu has a lot of love in his heart, and one of his greatest desires is to just feel wanted—it's something he didn't even realize he needed until he met you. it's like there was a gaping hole in his heart before you came into his life, and he was sure there was nothing that could fill the void—oda had told him long ago, you won't find what you're looking for. . . and he'd accepted that. but the least he could do was help people—he felt he was accomplishing that much, or at least working, little by little, toward what his friend's dying wishes were.
but he was still just floating, never quite sure where to turn when his emotions crept up on him, though he tried to press them down for as long as possible—tried to lock them away in a dusty room or at the bottom of a lake, his only friend his approaching shadow as he sank to the bottom, hoping to find peace at last.
if he could't fill the void, he'd escape it entirely.
losing things he loved—people he loved—was always hard for him. he was almost afraid to care for anything, like it was an omen of death placed unfairly upon others.
and when he found you, it was like a weight lifting slowly—his trust first seeping from his soul, before pouring out of his veins like the blood he'd wished he could drain from his body entirely, if only to spare him the pain of another loss—another disappointment in a search that always revealed itself to be fruitless, returning with a hollow soul once again—the same one that make him sick with shame.
the first time you had sex, osamu felt like he was more than his body—this was more than love. you never judged him for wanting to die, never questioned his motives past a surface-level conversation, only reassuring him there were beautiful things to live for all around him, just waiting to be discovered—if only he could see past his misery for a singular moment. if he could stop and breathe, and take it all in.
but if he never did, if he chose to continue living exactly the way he was when you met him—you'd never leave. you promised him that much.
say you'll never leave.
the words were whispered in your ear each time he reached his climax. you wondered if he even realized he was saying them anymore, it was such an everyday occurrence—he was so caught up in the feeling of being close to you—he loved your skin, your hair, your eyes, your perfume. your mind intrigued him, he would never tire of listening to the thoughts and ideas you created in your consciousness, letting them drift and fill the space between you.
your words were a gift. your touch was a treasure to him.
"promise me you'll never leave," the words often tickled your neck as his breathing grew faster and more desperate for release—sparking goosebumps across your skin as he moaned your name.
"don't leave- don't leave- never leave me." tears often threatened to spill from his eyes as he neared his climax—and sometimes they did—the little droplets on your neck only reminding you how real life was, how painful it could be, and only bringing you closer to your release.
the same way he valued you, his heart was your greatest treasure.
"i won't. i'm yours. i'm here."
"fuck-i'm coming." sometimes it sounded like pain, rather than pleasure—a suspended solution of pure bliss at your existence and the dread of how open he was with you, how dangerous it was to have his entire heart in your hands.
his love for you just overflowed each time you held him, every way that you touched him—the way you simply wanted him had his toes curling as he filled you each time, reaching as deep as possible, desperate to keep you close.
he only hoped putting everything on the line for you would be enough to make you stay. he could hide in those moments of closeness with you forever, abandoning anything and everything else for a taste of the happiness he felt with you—whatever it took to make you as happy as you made him, he'd do anything.
he'd cross any line. he'd leave his heart open, bruised, and bleeding for you. anything for you.
⊹ ֗ ꫂ
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A few different people have been observing that Scrooge begins to change more quickly in the book than is often shown in adaptations. The Spirit of Christmas Yet To Come isn’t the one crucial factor breaking his obstinacy, but rather a final message to drive home a point that Scrooge had already become receptive to. I want to trace the shape of Scrooge’s progress over the course of the book and see what it reveals. (There will be some ‘spoilers’ here, since the story seems fairly universally known even among those who are reading the book for the first time.)
After Marley’s appearance, he is disturbed and discomfited, but still trying to hang onto denial and not face what he’s been told.
With Chistmas Past, adaptations often treat it like a psych session - see, you hate Christmas because you were so miserable during it. But in the book, that isn’t the point at all. Scrooge sees times when he was unhappy as a boy, but he also sees what comforted him during those times - reading and imagination, which his adult self would dismiss asfrivolous and unprofitable - and recaptures his joy in those things. He sees times when he was happy, like at Fezziwig’s Christmas party. And he sees how he’s become the kind of person who made his younger self unhappy rather than happy, and how easy it would to be otherwise.
He sees himself asan unhappy child, and wishes that he’d been kinder to the young boy singing carols at the door. He sees himself happily employed with a kind, generous and personable employer, who could create a vastly more pleasant workplace climate at trivial expense, and wishes he’d been nicer to Bob Cratchit.
And then he sees Belle, and is shown that his unhappiness is of his own making and the consequence of hus own choices. His being the selfish, avaricious person he is is not the consequence of Belle breaking up with him; it is the cause of it. She saw him already becoming that person, and chose not to follow him in that path. Her choices left her a happy, loving and loved woman; his left him unhappy and alone. Scrooge cannot bear this, and rejects and fights the spirit rather than face it.
But he has nonetheless already begun to change. Whereas he initially did not want to go with Christmas Past (“a night of unbroken sleep would be more conducive to [my welfare]”), he willingly goes with Christmas Present and expresses the desire to learn and benefit. He sees people in all manner of circumstances, good and bad, choosing to take joy in each other’s company and the comforts, small or great, around them. Many adaptations fail in this, focusing Scrooge’s attention on the idea that people dislike him (Mrs Cratchit; his nephew’s joke) but in the book Scrooge clearly greatly enjoys his nephew’s party, the nephew is being good-humoured and generous and expresses his goodwill towards Scrooge, and Scrooge doesn’t mind the joke at all. He sees the Cratchits making the best of what they have, and how he is making their lives harder than need be. He sees, in many ways and places, how he could be making others happy and being happy himself, rather than making evrryobe miserable, and it is an appealing picture. And Present calls him out, several times, on his past words and sentiments, and Scrooge repents them.
By the time he meets the Spirit of Christmas Yet To Come, he is already willing and prepared to change, and making deliberate plans to do so. The thing that I think is emphasized through the scenes with Yet To Come, as a driving home of the point, is that Scrooge’s actions up to this point have not only made him and others unhappy - they are an utter failure at getting Scrooge the one thing he had prioritized: wordly security, respect, and dignity. In Belle’s words, his turn to avarice in his youth was in hopes of avoiding the “sordid reproach” that the world has for poverty. He was fine, and even pleased, with being feared rather than loved - what he did not want was to be patronized, despized, looked down on.
And now he sees where that got him! His business partners don’t even care to attend his funeral. Men whose respect he hoped to have gained don’t even give him a second thought, and for the brief moment they do, think ill of him (“Old Scratch” is Victorian slang for the devil). His chambers and even his body are plundered (tomorrow’s reading is even more graphic about this, in some lines, than most adaptations). He’s buried in an obscure, untended, weedy churchyard, because no one cares enough about him to make other arrangements. He has none of the worldly respect, regard, dignity for which he turned to money as a protector. Past and Present showed that he was wanting the wrong things; but Future shows him that he wasn’t even achieving the things he thought he did want, amd was in fact achieving their opposite.
The point of Future, then, is not to convince Scrooge to change. He has already chosen that he desires to change. Future alone, without the earlier spirits, would be supremely ineffective; showing Scrooge that his servant and the people around him hate him, without first showing him that he can be happy and make other people happy, would only make him more of a misanthrope. This is not a “scare ‘em straight,” as some adaptations play it. The point of Future is as a final guard against backsliding, against regret: you are losing nothing by changing, because your current path is losing you even the paltry things you sought to gain by it.
Also, I hadn’t really registered this on previous reads, but this is the very near future - the Christmas one year after the period of the book. This is never stated outright, but Christmas Present says of Tiny Tim, “If these shadows remain unaltered by the Future, none other of my race will find him here” - meaning, no future Christmas. And, in the visions with Christmas Future, Tiny Tim has died only a few days ago. In the words of Dante (paraphrased) “the time was perilously short for turning.” The Spirit of Christmas Yet To Come doesn’t teach the lesson - that’s the previous spirits - but he makes sure it sticks.
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