i need to draw little portrait of my ocs wah

people who go through the main tags of big and tumultuous fandoms looking for new fresh good posts to reblog are essential to any circle. they’re like true hunter gatherers leaving the safety of settlement and braving the unknown wilderness to find food for the flock. they risk their lives every day and will come back with a few scratches at best and severe psychological damage at worst

teacher getou au...... wauh

Himitsu no Aipri begins in April!

found time between exams to watch Joel and I'm obsessed with this beautiful shot of Joel's cottagecore!base with Lizzie's dark mega-bridge looming from behind. mmmm

some of the less nice thoughts about being aroace

extras below the cut

sketch

closeups on my favorite panels

bonus: adios

We're not bees, we're men. We're socialists!

(ASOS, Sansa II)

(ASOS, Jon XII)

The Birth of a Hero was weird...

Putting aside the fact that it was actually written to be a guidebook for Kim Rok Soo, it was so obvious how weird The Birth of a Hero was as a 'novel' looking back, especially when you re-read the early chapters of TCF. It was weirdly detailed and descriptive about what should've been minor or unnecessary information if it was actually a novel.

For example, The Indestructible Shield, which was an ancient power that wasn't owned or found by anyone in the novel but just so happens to be in the Henituse Territory. It wasn't related at all to the main characters, but TBOAH went into detail about the ancient power's history, its original owner, its location, how to obtain it, and the response to expect once you feed the man-eating tree. I wonder whether Kim Rok Soo ever questioned why Nelan Barrow would write so much about something 'not important' while reading TBOAH, if whether or not the author just decided to ramble about world lore he made up but couldn't tie into the main story. Kim Rok Soo is better than me because I would've gotten really bored.

Also, TBOAH didn't just get into detail about the Ancient Powers either, since it also had a LOT to say about the Original Cale Henituse, his family, and the territory in general. From the very beginning, when Kim Rok Soo wakes up in the body of Cale Henituse, he goes to the bathroom to find the full body mirror the Original Cale Henituse had that was mentioned in the novel. That is INCREDIBLY random information to mention about a minor villain whose sole purpose was to get beaten up by the protagonist. But it doesn't happen just once. When Cale asks Deruth for an allowance, he recalls that the Original Cale also received a large allowance but the exact amount was never mentioned in the novel. Later on, when Ron serves Cale lemonade instead of cold water, he recalls again how the Original Cale hated sour things just like himself.

If he really was inside of the novel, he knew that there should be a large mirror inside.

As expected, the full body mirror was inside the bathroom. Cale Henituse, who had a lot of interest in his appearance and physique, had this mirror set up in here. Nobody else in the household had such a mirror.

The novel did mention that Cale received a large allowance, but it did not mention the exact amount. However, he could realistically understand how large it was based on the amount listed on the cheque.

He really is an insidious man. He knows that, just like Kim Rok Soo, the original Cale hates sour things. But he still chose to bring lemonade, which would take more work to prepare than cold water. [...]

It's pretty obvious by now that TBOAH went deeper into the Original Cale Henituse's character than a normal novel should have in just the first volume, like how he despised gangsters and scammers or how he had horrible aim when drunk, and his relationships with Ron and his family. Kim Rok Soo would recall reading about flashbacks to Cale being woken up by a servant that wasn't Ron which led to a ton of swearing, Cale breaking everything at his spot in the bar once, and Cale getting a scar on his side while drinking the night before meeting Choi Han. The novel also mentioned things that no one else but the Original Cale Henituse knew about, such as how he had high alcohol tolerance but just flushed easily which made people assume he was lightweight. if I were the one reading TBOAH, I would've started to wonder whether the author was planning to make Cale Henituse an important character later on (and maybe he was, but there were only 5 volumes).

The Henituse Family wasn't mentioned as much as Cale was, except for how people pushed the 15-year-old Basen to be the head of the family and how Basen started acting as the family's successor since 2 years ago, but it's odd enough that Nelan Barrow decided to describe characters that Choi Han never even meets (if we assume he only encounters Cale and Deruth and no one else in the family). There were even descriptions of the slums in the Henituse Territory and the Henituse Family business, like???

All of it further cements the fact that The Birth of a Hero was very much a guidebook written for Kim Rok Soo, who was going to swap bodies with Cale Henituse, and to help him adjust to his new life and plan for the future. The novel was fucking suspicious from the start!!!

MXTX Side Characters Upper Bracket

Zhuzhi-lang from SVSSS

Submission 1: Snake boy my beloved

Submission 2: I love him

Additional Propaganda:

Jiang Cheng from MDZS

Submission 1: Extremely traumatized yet also somehow the most normal and functional by the end. Huge bitch but I (and at least one of the other characters) think he deserves to be even worse after everything he's been through

Submission 2: Simultaneously badass and the most cringefail man. Extremely funny and stylish but still manages to be very uncool. Cries a lot. Also he's lost a lot of tumblr polls—let's give him another shot! We definitely love him more than his dad did!

Submission 3: He's got mommy issues AND daddy issues. He loves his sister and his shige so much. He's traumatised and incredibly competent. He rebuilt his whole sect! He's an asshole (affectionate). He's purple! He's got the coolest weapon ever conceived. I'm so worried about his blood pressure basically all the time. 

["Anti-Propaganda" that attacks other characters is NOT allowed. Please only give reasons to vote FOR a character.]

Hear me out obey me fandom

I've always wondered why diavolo's name is "diavolo" since we all know it's Italian for devil.

The rest of the brothers and his butler have actual demon names, the rest of the purgatory hall also have biblical references in their names, but not diavolo that's just plain "devil". I was searching his name randomly (out of boredom) then I went "whatever I'll just search the actual meaning of a devil".

Devil means the embodiment of sin and the personification of evil

The brothers are just categories of every sin but dia IS THE EMBODIMENT OF SIN.

It's a plain definition but a powerful one so take what you will.

thinking about how bad remembered cellbit.... we expected him to remember skeppy and remembering foolish wasnt a surprise but he remembered goddamn cellbit too.... thats crazy, thinking about them

I'm sorry, but the fact that some of ya'll saw a fox character and your first thought was "Nick Wilde" makes me seriously question your level of simpage and your Disney knowledge.

The theme is puppets.

There's a cat character with him. Unless I'm blind, I've seen not single rabbit character with him.

Dude's name is "FELLOW HONEST" like Honest John!

How could you think it was Zootopia?!

idk why but I really love that falin and laios's hair is a sort of ash blonde? I just think it's nice on them and isnt a colour commonly seen on the generally oversaturated anime colour palatte

me

A thing on Uran and Helena in Pluto

Okay a short little thing on Pluto. Uran and Helena are my absolute favourite characters in Pluto. Urasawa has always had amazing side characters, from Mr. Rosso in Monster to Lee Harvey Oswald and Jackie in Billy Bat to God in 20th Century Boys, but very few have tied off the emotional ends of the story like Uran and Helena.

Maybe I'm projecting here but much like myself I feel like Urasawa is absolutely obsessed with Frankenstein. And he recognizes the influence Frankenstein has on Dr. Umataro Tenma. Or at the very least, the similarities between the two. And so when he made the protagonist of one of his most popular works Monster, Dr Kenzo Tenma, he solidified that connection. Kenzo Tenma calls back to Victor Frankenstein needing to end his creation while also calling back to Japan's other famous Tenma, thus making the connection explicit. Another throughline between the three of them is that all three are father figures to their creations and have obligations to their children, though all three have varying levels of success with them.

I've only read what I like to call Urasawa's "Core Four", conspiracy minded thrillers that are essentially road trips featuring usually two main protagonists that we see the world through, Monster, 20th Century Boys, Pluto and Billy Bat. Though I still haven't caught up to Asadora and that could still possibly fit this mold, Urasawa's Core Four share a lot of themes and ideas. One of the most important being the responsibility for one's creations, whether it was Kenji Endo and the Book of Prophecy or Kevin Yamagata and Billy Bat or Dr. Kenzo Tenma and Johan, all of his protagonists could arguably be seen as someone with the need to take up the responsibility of their creations. So where do the protagonists of Pluto fit in there? That's where Uran and Helena come in.

But first, we should take a look at Pluto's themes. While I could be wrong, at a cursory glance, I feel like the general consensus towards it's themes is that it's about hatred. I don't really think that's what it is as I feel like Urasawa is more trying to show us what it is to be human and what it is to be alive. And in that, he has a hidden protagonist in Pluto. Someone who's influence snakes through the plot and isn't seen much, but without who the story's themes would remain incomplete. Pluto tackles what it is to be alive through many things, such as memory, sadness, grief, hatred, love and parenthood. But none of that works without the realization by Tenma of his own mistakes. And Uran and Helena bookend these revelations and are absolutley key to understanding that.

In my favourite chapter of the series, Chapter 37, Uran goes from person to person as she finds a way to deal with her grief and eventually comes across Tobio's grave, Tenma having left recently. It's an absolutely beautiful chapter that shows Uran's humanity and Urasawa's love for sharing these kind and soft moments. But it also sheds a light on Tenma as Uran realizes someone who was grieving has just left. Without saying much at all we realize that Tenma has finally realized his mistakes. In the process of grieving one son, he lost the other. While remembering Tobio, he let Atom go. His grief towards Tobio is clear in the following chapter, Chapter 38. All of the things he wanted Atom to be; Tobio come back to life, Tobio's ghost punishing him, Atom rejected. And Tenma could only see that rejection, and not what he had, another son.

Uran shows us very clearly what Pluto, the story, is. It's a chapter in their lives. And we've come into a story nearing the end for Tenma. And it's through the humanity of two absolutely amazing characters in their own right, Uran and Helena, that we are able to so fully understand Tenma. Despite being robots, these two characters are the most alive of everyone. They love fully and freely and are catalysts of change. Uran's vibrant and full of life in a way that really sticks out. And Helena has such depth that it's evident in every scene she's in. She's not pointed out to be made by any famous scientist so all the life she has is her own. These two represent the life of robot's more than any other characters in the series.

So it's that much more poignant when Helena finally breaks down after putting on such a strong front of everybody. Grief intersects and she brings out Tenma's sadness as well. They've both been putting up such strong fronts that it's heartbreaking to see them collapse. It completes Tenma's growth and strikes a heartbreaking contrast between the two. Tenma became the way he is through the loss of his son whereas Helena doesn't even get to remember her own loss. It makes you wonder if the grief for her and Geischt's child compounds her sorrow too.

Without these two and their grief, a large part of Pluto becomes inaccessible. Pluto is largely about death so when two characters come in who've never had a hand in the grim work of taking life, you see the world through a lens that's absolutely crucial in order to fully connect with all of the character's and their situations. Death and Grief has scarred the characters in Pluto. Time and time again they've chosen the worst path. They've chosen revenge and hatred. But Uran and Helena are different. Without them, the story is incomplete. They provide an alternative. They provide the path towards healing.

im sorry for this one: