🚨 NEW queer series alert!

We paired young people with 4 amazing LGBTQ+ pros in the culinary industry and gave them an assignment - from cooking and creating, to running a juice bar, to designing interiors and accessories!

Episode 1 is JUICY! This week's assignment? Make almond milk...from scratch. 🥛

We visited Super Juiced Oakland, the queer, Black, and Brown-owned organic juice bar, and paired interns Angelica and Kaylena with co-owner Rana Halpern to learn the ropes (and make a delicious smoothie).

You can sub to our Youtube to make sure you don't miss the next 3 episodes.

Making a whole series takes a lot of work - 🌮 BIG shoutout to Taco Bell Foundation for their support in helping us produce this (delicious) series!

Thinking about Weird Barbie and how she's the very obviously queer outsider of the Barbie world, she straddles the lines between Barbie and the Real World. She's the most aware of the performative nature of it all. She supports Barbie while also gently mocking her panic at losing the hyperfeminine perfection. Her weird house is also home to the discontinued reject weird Barbies, the outcasts (including very gay earring Ken) who never fell into either the original matriarchy or the Kentriarchy brainwashing.

The other more classically heteronormative and beautiful Barbies both pity and fear her, and at first the narrative pities her as well. She's the vessel of girls going weird and crazy and feral on their dolls and that's amazing. Weird Barbie is aware of who she is and how the world sees her and she loves it. She's Weird Barbie and She Owns It.

Hello denim dykes, special treat for y’all <3

Please consider helping this butch get top surgery

coloured this one :) (she/they for character)

i’m so ken

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

sorry I'm not a photoshop master but would someone mind hanging this up in the SNW writers' room because I think we have all had enough

i’d like to read about non-white aro experiences (as well as experiences of aro people from outside the US and UK). i don’t think there are enough explicitly non-white conversations about aromanticism. i remember seeing a demographic poll a long time ago, with a majority of aromantic tumblr identifying as white, but non-white aros exist!

i want to hear from people who can’t/won’t come out because of cultural expectations or language barriers. people who use different words to describe their aromanticism. people who experience isolation from the aro community because they aren’t white (enough). i want to hear about aromanticism from new angles!

of course, no one is ever obligated to reveal their ethnicity or race online. but if anyone has seen writing on diverse aro experiences or if they want to share their own experiences, i’d like to read about other perspectives! (pls send stuff my way)

That viral post that's going around about how people who write "book quality" mlm fic are too "normal" to publish and have real jobs so only "weird" people publish their "shitty" fanfic is so completely out of touch with reality and I am giving a massive side eye to everyone reblogging it.

Not only is it completely, easily verifiably untrue (you cannot enter any professional writing space without tripping over a dozen grizzled scifi writers who got their start by filing off the serial numbers and publishing their Star Trek fanfic even going back decades ago??? it's a whole thing?? plus how can you look at the mlm category on Amazon right now and say with a straight face that people aren't publishing shitty Spirk and Stucky fanfic??? Oh, honey...) it's also the perfect example of this kind of sneering elitism that true artists would never sully themselves by seeking profit, they do it only for the purity of the thing that always somehow leads back to, "no one should be paid to make art, actually."

The only reason you're seeing more published fanfic right now has nothing to do with the idealistic purity of your hypothetical government employee written smut of the past vs the debased scribbles of those awful straights of today and everything to do with the fact that a) self-publishing has created a voracious readership that wants a ton of content so it's become a viable, flexible income stream for many, especially disabled people b) anyone can publish now with self-publishing tools so there are less gatekeepers and c) lockdown got a lot of people into fandom and therefore writing who never tried it before.

And if you really think there's no "shitty" published mlm and no "book-quality" m/f writing out there that started as fanfic, then you are clearly not a reader so why are you even talking about this?

Between gender-bending at will and repressing one’s self-expression for fear of persecution, it’s not hard to see why the BBC series resonated with young queer viewers. “The themes of secrecy, silence, friendship, companionship, journey and destiny mirrored my experience as a queer person,” Ayuub, a queer trans man, shared. “Merlin’s magic glows and encapsulates him and he loves it but he can’t show it to anyone but a few people.” Other themes also enchanted Ayuub like, “self censorship, policing everyone around you to stay safe, bending and breaking the rules, fighting for change many people can neither see nor understand”.

Queer Fans Remember ‘Merlin’ 15 Years Later, The Gayest Show That Wasn’t Gay | Merryana Salem

(thanks to everyone who contributed)

personal interpretations

the fact that my friend discovered she was demisexual and aromantic because she met me and i explained what those were is why its so important that aspec identities get talked about in the real world and not just online cause a lot of people just wont ever be in these spaces

every day I go insane about the fact that havers was only at button house for two months. what do you MEAN they only had two months together. that's so little time. two months is eight weeks. the number of sunday mornings they had together can be counted on two hands. EIGHT weeks. that's IT. are you shitting me???

Robbie Taylor Hunt will probably go mostly under the radar but he needs and deserves all the props and praise for his work on Red white and royal blue.

intimacy coordinators deserve so much credit and he did an outstanding job with this film!!!

oh im chewing on some thoughts on how same-gender attraction inherently queers the platonic/romantic love binary & its making me insane.