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#peter pan complex
uselessandgay · 1 year
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it only took:
- a beard/face wash
- a face mask
- bathing in a cocoa butter bath bomb and washing off the face mask with the bath water
- a vitamin c face scrub that you use on your entire face and let set for a couple minutes
- not letting shampoo or conditioner touch my face during rinsing
- regularly alternating pillows/pillowcases
- a full vegetarian diet and exercise routine
- $60 eye cream
- whipped almond milk and orchid moisturizer
- salicylic acid and coconut oil hair mask
- hair loss treatment (pill)
- washing hair mask out with the bath water
- anti dandruff shampoo soak + scalp massage
- lengthy conditioner soak
- hair loss treatment (topical)
- heavy hair moisturizer
- full body wash, exfoliating and moisturizing routine
- AND good lighting
to make my skin and hair look good with no filters.
Isn’t that… sustainable…
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unfamiliarize · 11 months
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We keep delaying adulthood in our culture. People are doing adult activities later and later in life, taking on less and less responsibility, serving less, helping other people less. Why? Because our whole life has begun to revolve around getting our life together. You getting your life together, me getting my life together. It shrinks your life down to being all about you. This message is too small for our souls. And while it begins in a really beautiful place, and it sounds like really good news, like “Oh I can be the shepherd of my own life,” can we really do it? The secular gospel leaves me feeling like an aimless sheep, trying to shepherd my own life and failing miserably. I see this mentality turn more people into cynical, fatalistic types of people where they just believe there’s no better reality out there, there’s nothing but meandering around like lost sheep on this earth until we die.
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saptaincwan · 9 months
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i need a 4 hour long video essay on ouat but done by someone who actually likes the show
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grinchwrapsupreme · 6 months
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character thesis tbh
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hinasho · 1 year
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Smthg I really really love is how Ryan Coogler mixes art and violence. I cant speak too much of recent marvel movies as I’ve fallen off quite a bit. But of the ones I’ve seen, most of them portray action and fight scenes as just that, action and fight scenes. Most if not all of the artistic expression is done through color scheme, setting, superpower special effects or etc. but watching Wakanda Forever, RC reminded me that movement and action itself can be beautiful.
The Talokans introduction is them defending their territory, not through elaborate espionage from the shadows or by an explosive dash onto the US ship. But by song. Beautiful soft melodious song that, without having to lift a finger, lured swarms of enemies overboard simply bc of how enchanting it was. Another scene, Shuri, with the help of one of the Dora Milaje (I believe Ayo but I’m not certain) swinging along the side of the ship in a move reminiscent of elegant trapeze artists.
Like so much in the movie was just gorgeous and the fact that RC expresses beauty in every corner of it was wonderful to see.
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chintzwife · 1 year
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i do think there's something wrong with you if you wanna fuck the jake sully red-/blackface puppet like that's not even a cartoon at this point it's an algorithm. it's chatgpt. why shift into the avatar reality when u too can crack an amazon echo open like an egg and fuck alexa herself
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muu-kun · 9 months
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Muu is personally going to buy this homemade t-shirt and wear it specifically around Jayme's muses of @tximidity, because looking this stuff up has his head hurting.
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spider-stark · 21 days
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INFINITELY YOU
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part three // spitfire
SUMMARY - In every universe, Peter Parker seems destined to fall in love with you. And, in every universe, he realizes it too late. When universes collide and two of them are granted a second chance at rectifying their biggest mistake, neither of them are willing to let the opportunity go to waste–even if you end up not being the person they thought you were.
WARNINGS - 18+, minors DNI
WORD COUNT - 4.5k
// masterlist // series masterlist // send me your thoughts // no way home fan fiction // rewrite
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name key: tom!peter = peter // andrew!peter = parker // tobey!peter = pete
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On the walk back from Peter Pan’s, it seemed as though Parker had managed to entirely escape the sputtering awkwardness that had ensnared him the night before. 
And, after countless city blocks of listening to him babble about absolutely everything and anything, you realized that there was one very striking similarity between him and Peter. 
Both boys had a fervent interest in all things nerd. 
“New Hope takes place nearly two decades after the rise of the Galactic Empire, meaning that Leia is only nineteen when she's kidnapped and forced aboard the Death Star! Which is like, absolutely insane, right? Seriously! Imagine being nineteen years old and stuck inside of something that has the potential to obliterate an entire planet!” 
Shoving open the lobby door to your complex, Parker hardly even waits for you to hum your agreement before continuing his retelling of the Star Wars film. 
“And at the exact same time, Luke is finally beginning his Jedi training! Which, honestly, nineteen is actually super old for that, but-” 
Moving towards the stairs, Parker close on your heels, you cut him off with a question. “Too old? Nineteen is hardly even an adult,” you argue. “What age do most Jedi start training?” 
“About four or five, so obviously Luke was way behind,” 
Not even a full three stairs up, you come to a grinding halt, leaving Parker to bump into your back. “Four?!” You cry out, wide-eyed as you spin around to face him. “That’s insane!” 
Parker only lifts his shoulders, clearly not understanding the reason for your horror. 
Furthering your point, you add, “There’s nothing ethical about taking a bunch of little kids and training them to be weird, intergalactic warriors!” 
“It’s the best way to train them!” He lifts his hand defensively, explaining, “The earlier they start training, the less likely it is that the kids will have formed an attachment to their families! That way they learn to act out of logic instead of emotion!” 
For a heartbeat, you’re rendered entirely speechless by the absurdity of his claim, left to stand with your mouth agape as you blink at him. 
“That sounds like emotional abuse,” you finally huff, shaking your head. “Actually, scratch that—it doesn’t sound like emotional abuse, it just is!” 
“It’s not abuse-” 
You hold a hand up, stopping him before he can say anything else. “Give me one good reason why a group of adults should withhold love and affection from children if they aren’t abusing them.” 
“Uh, how about the fact that love is basically what made Anakin turn to the dark side!” Parker scoffs, clearly unwilling to recognize how insane the notion he was pushing actually is. 
“Or maybe Anakin turned to the dark side because he was indoctrinated and traumatized by some stupid space cult!” 
The expression on his face is downright laughable. 
It was as if you had just reached out and slapped him across the face. His jaw went slack, his mouth hung open in blatant offense. As a sputtering noise falls from his lips, trying and failing to come up with a good rebuttal, you smirk. 
“Exactly,” you boast, taking his inability to speak as a sign of victory. 
Twirling on your heel, you continue up the stairs, nearly all the way to the top before you finally hear him come stomping up behind you. 
“The Jedi Order is not a cult!” He finally shouts after you. 
Already traipsing through the hallway, fiddling with your keys, you sing-song, “Whatever you say, bug-boy.” 
Reluctant to admit defeat, Parker continues grumbling under his breath as you unlock the door, spouting something off about your lack of respect for George Lucas. 
“Look,” you tell him, pushing the door open, “if liking Star Wars matters this much to you, then I’ll gladly watch them with you.” A wry smile plays on your lips as you turn to look at him, standing in the doorway, “Maybe watching them will be enough to change my opinion on turning kids into galactic slaves.” 
Eyes narrowing in a playful glare, he’s only able to hold the expression for less than a few seconds before a laugh causes him to break character. “I just can’t believe that Peter hasn’t made you watch them already,” he admits. “I had you watch them so much that you could probably recite the scripts from memory alone!” 
His amusement dies off as soon as he finishes the sentence. Despite having been the one to bring it up, the mention of his world seems to cast a sullen shadow over him, ruining his sweet, boyish smile. 
Curiosity instantly claws at you, begging you to ask him why his world seemed to have such a negative effect on him. Or, rather, why his version of you seemed to have such an effect. 
This had happened last night too, when you had asked him if the two of you were friends in his world—and it was because of this that you assume that you’re somehow the common denominator in his discomfort. 
Still, you don’t let yourself ask him about it. For as much as you’re starting to like Parker, you don’t know him nearly well enough to try prying into his life. 
Not yet, at least. 
“Well, you’re more than welcome to force me into sitting through them in this world, too.” You tell him sweetly, sweeping an arm out to gesture inside of your apartment, inviting him. “It’s not like I’ve got any plans for the rest of the day.” 
You couldn’t even remember the last time you did have plans. Life had been so quiet since that last night with Peter and Mj—the night when everything went so horribly wrong. 
Parker sucks in a breath through his teeth, a hand coming to rest against the back of his neck. “I should probably get back out on the streets,” he reluctantly says, sounding more like he was convincing himself of that than you. “But, I don’t know, maybe we can take a rain check on it, yeah?” 
Disappointment washes over you, sudden enough that you’re sure it shines through on your face. It takes a shocking amount of willpower to stop yourself from trying to persuade him to stay, wanting to remind him that two other Spider-Men were already running themselves ragged in pursuit of the villains—so why did he have to go, too? 
You had grown used to his constant talking, having found solace in the chatter that kept you from slipping too far into your own thoughts. Selfishly, you wanted him to stay so that you wouldn’t have to be alone; so that you wouldn’t have to risk thinking too long about Doctor Strange or the multiverse or constants or Peter. 
The thought of admitting any of that out loud, however, felt incredibly humiliating. 
“For sure,” you force a smile, trying to ignore the many thoughts swirling in your mind. Then, eyeing the slightly too-tight Ramones shirt that he’d stolen from you, you add, “But shouldn’t you at least come in and change?” 
His nose wrinkles slightly as he shakes his head. “Nah—I think this city has more than enough spider-people swinging around it right now. I figure we might actually benefit from one of us patrolling on the ground-level, y’know? Maybe I can ask around for any giant lizards or blown light bulbs.” 
It’s hard to tell if the last bit is meant to be a joke or not, but you laugh anyway if only to avoid knowing why you should be worried about lizards and light bulbs. 
“Sounds like a plan,” you second his idea. “Well, I guess I’ll see you later then?” 
A surprising sense of joy lights his eyes at the sound of your hesitance, unfitting of the simplicity of the moment, but charming nonetheless. He grins—a wide and endearing sort of grin—as he takes a step back, “I won’t be gone long,” he promises before reminding you, “lock the door behind you, alright? And if you need anything-” 
He pauses, patting the pockets of his jeans only to remember that he didn’t bring a phone with him to this universe—and that, even if he did, there likely wasn’t a wireless plan good enough to support multiversal travel. 
“If you need anything, call 911.” 
“Got it,” you laugh, watching as he stumbles backwards towards the stairwell, cheeks red with faint embarrassment. 
Turning to go inside, you can’t ignore the warmth that now blooms in your chest. 
You could definitely get used to having him around. 
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A peculiar sensation prickles at your skin, curling along your spine like icy fingertips. 
Something was wrong. Very wrong. 
The usually comfortable atmosphere of your apartment had shifted. An eerie tension fills the space, a near-suffocating feeling that has the very walls holding their breath, humming a tune of warning as you inch further into the living room. 
Your stomach twists as the sharp tang of exhaust fumes fills your nostrils. By the couch, a faint breeze rustles the curtains of a window, wafting in the nauseating scent of the city street below—a window that hadn’t been open when you left earlier. 
A mere foot or so away, you notice that the picture frame Parker had been fiddling with before is now lying on its face, having been knocked off the end table and abandoned. Atop the table, you notice that the lamp is sitting askew, its base just inches from tumbling over the edge and joining the frame. 
Someone had come in through your window—and it didn’t appear as though stealth had been very important to them, given that they had clearly stumbled into the table upon their entrance. 
Adrenaline floods your senses, your spine stiffening as you take a series of slow, quiet steps. 
Moving towards the corner, you carefully reach out a hand to grab the metal bat propped against the wall. The bat had been an unlikely housewarming present from when you first moved in, given to you by Peter’s mentor and your own reluctant renegade, Tony Stark. For nearly two years now it had sat in this corner, unused and gathering dust—until now. 
You wrap your fingers tightly around the base, wincing slightly as the rubber grip pulls at the still-healing flesh on your palm, making you curse yourself for not properly bandaging the wound last night. 
But you’re used to pain—and so you’re easily able to bite back against it as you ease through the living room, checking for any sign of the intruder's presence. 
As you walk, gripping the bat like your life depends on it, you can’t help but hear Tony Stark’s voice echo in your mind. 
If you’re gonna live alone, then you should have some sort of protection—he had told you, gently placing the cool steel into your hands for the first time, a ribbon tied sloppily around it—not that you need it. 
Satisfied with your search of the living room, you start easing towards the hall. You’re good at sneaking around, having had a lot of practice at it—every movement you make is calculated, every footfall so purposefully gentle that it’s nearly silent. 
Quiet as you were, you could do nothing to ease the sound of your blood thrumming wildly in your own ears, your heart pounding against your chest. 
The incessant beating worries you—because you know that there are people in the world with the unnatural ability to hear such things. Peter, even with his enhanced hearing, had to be close to someone in order to hear something as soft as their heartbeat; but you had heard rumors that there were others who could hear a pulse from miles away, others like the Devil of Hell’s Kitchen. 
The thought makes your blood run cold, though you try to push the worries from your mind. From what you know, the Devil doesn’t have a habit of breaking into apartments, nor was Queen's his usual jurisdiction. 
No—what you were dealing with had to be no more than an average burglar! 
An average burglar who, somehow, scaled up the side of a building to break into your apartment… 
Alright—you think, approaching the end of the hall—perhaps it’s a not-so-average burglar, then! Still better than the Devil. 
Peeling one hand from the bat’s handle, you curl your fingers around the doorknob to the guest room, Parker’s room. You ease the door open slowly, trying to keep the old hinges from crying out as you peer into the space. 
The sweet scent of vanilla is the first thing that hits you, contrasted by the subtle bite of vetiver. 
Parker—the room smells of him, even though he had only been here for one night. 
On the bed, the quilt is rumpled and thrown about, pillows strewn about. The doors of the armoire are wide open, a few old shirts hanging over the edge of one of the shelves, no doubt from when he went digging through your clothes in search of something to wear. 
The room was messy, but empty. 
Your shoulders sag, half-a-breath loosing from your lungs. The relief is short-lived, however; as by the time you edge back into the hall to turn towards your own door, you’re overwhelmed with dread. 
If whoever broke in was still here, then this was the only place they could be—save for the bathroom, though you seriously doubt any burglar would have much interest in scouring through your toiletries… 
Easily, gracefully, you twist the knob, the metal yielding quietly to your careful touch. 
The curtains are tightly drawn, eradicating any trace of sunlight and leaving the room cloaked in shadows. But, even in the darkness, you’re able to see the rough outline of a figure sprawled out across your mattress. 
For a split second, you think of Parker’s advice to call 911, the weight of your phone suddenly heavy in your back pocket. 
You think of how you should follow that advice. 
You think about how fast you could run—if you would be able to reach the front door before they could catch up to you. 
But then you stop thinking, disregarding all logic and reason as you take a step into the room, as if drawn in by some invisible force. 
Remaining mindful of your surroundings, you slowly approach the edge of the bed. Squinting in the darkness, you try to study the body laid out atop your comforter. Watching the steady rise-and-fall of their chest, it suddenly hits you that, whoever they are, they’re asleep. 
Slinking around the corner and coming to stand at your bedside, you’re finally close enough that you can see them in spite of the absence of light. Crimson and blue spandex clings tightly to their arms as they cling one of your pillows to their chest, and you feel your entire body sag with relief as you loosen your grip on the bat. 
So this must be Peter 2. 
The fabric of his mask is bunched up and resting along the bridge of his nose, which is somewhat smushed against the pillow he’s holding, no doubt leaving him to breathe in the scent of laundry detergent and your perfume. 
Lower, you can make out the subtle contours of his jawline and the curve of soft, pink lips. Higher, you’re met with the impassive stare of then white lenses sewn into his mask. 
The lenses shield his eyes from your view, and a curious feeling begins to tug at the furthest corners of your mind. Take it off—it seems to whisper, compelling you to move in closer, your shins pressing against the side of the mattress—take it off. 
You grit your teeth and try to ignore the feeling, try to ignore the velvet-voice slithering through your mind; begging you to look at him, to touch him, to notice him, to-
Pain shoots along the side of your temple, likely in response to the sudden tightness in your jaw. It distracts you enough that you’re able to shake the strange feeling long enough to regain your focus—even if the remnants of it still linger. 
You shouldn’t be interested in him—you should be pissed at him. 
Not only had he broken into your house, which was already bad enough, but he had also climbed into your bed and made himself cozy! The absolute gall, the audacity he must have, has you allowing the tiniest sliver of rage to ignite inside of you. 
Both hands still gripping the bat, you lower it from where it rests against your shoulder to swiftly jab its head into his stomach. 
A cough sputters past his lips as the impact pushes the air from his lungs. 
You’re actually shocked that you landed the blow—in truth, you had expected his spider-sense to kick in and detect the incoming hit, waking him with just enough time to dodge the shot. But, apparently, his instincts had made the mistake of assuming that you were of no threat to him. 
“Morning sunshine,” you chime, your feigned cheerfulness set off by a sneer. 
He’s scrambling into an upright position, knees sinking into the mattress as he presses a hand against the sore spot you’d created on his stomach. “What the fu-” 
His voice is hoarse—from sleep or pain, you’re not sure—and he doesn’t finish the curse spewing from his mouth once his head shoots up towards you, as if finally registering the sound of your voice. 
“I don’t know what things are like in your world,” you muse, swinging your bat back to rest against your shoulder, “but in this one, breaking and entering is considered a crime.” 
He’s still catching his breath, and while those damn white lenses covering his eyes give so little emotion away, you assume that he’s going to apologize. It’s what Peter would do, and Parker, too. 
But not him. 
“Your friends said I could stay here,” he defends himself. Taking another deep breath and extinguishing the burning in his lungs, the lower-half of his face transforms into a defiant smirk. “It’s not breaking and entering if you were invited.” 
“And did they tell you to sleep in my bed, too?” You shoot back, brows rising in annoyance. “Word of advice: next time you’re invited to stay in a total stranger’s house, maybe try not to repay their kindness by crawling through their window.” 
He mocks you without missing a beat, “Word of advice: you live in a shitty neighborhood—if you don’t want people coming through your windows, you should try locking them.” 
“Ah, right! Cause the average person is definitely willing to scale the side of a building for the prospect of an unlocked window!” 
“You’re a pretty girl in a dangerous city,” he drones, lifting a shoulder as he meets your sarcasm with purposeful calm. “You’d be surprised what people would be willing to do for a chance at getting you alone.” 
The insinuation sends a shiver down your spine, but you mask your unease, flashing a smile that’s more predatory than sweet. “Aw,” you coo, “so you think I’m pretty?” 
He returns the expression, skillfully avoiding your derisive question. “I think you’re irresponsible—and a little cocky.” 
“Better to be cocky than a felon,” you remark. “Just spare my neighbors the acrobatics show next time, would you? Maybe try knocking on the door like a normal person! Preferably when you’re not dressed like… that.” 
It’s not that his suit wasn’t nice, because it was. But it lacks the advanced Stark-tech that makes Peter’s suit so uniquely sleek, meaning that it was likely safe to assume that no one in this world would mistake this boy for the real Spider-Man. 
Unless they were to catch him scaling up the side of your building… 
“I tried knocking.” he sounds exasperated, as if you are testing his patience. “You weren’t home.” 
You snort a laugh, wondering if he truly believes that is all the reason he needs to break into someone's home. 
“Then you should’ve waited until I got home,” 
“I hadn’t slept in over twenty-four hours. I was too tired to wait.” 
“Then you should’ve slept in the alleyway with the rest of the strays,” you hiss at him, fingers tightening around the bat as your frustration builds. 
The sheer ferocity in your voice gives him pause, stunning him into silence. 
Then the corner of his mouth begins to twitch upwards, lazily grinning at you as if he actually enjoys the verbal onslaught. 
You can tell that he’s watching you through those white lenses, and his tongue darts over his bottom lip, you feel your breath catch in your throat. “Fine,” amusement dances in his tone as he raises his gloved hands, “fair enough.” 
For a moment, no sound comes from your parted lips, leaving you to stand there gaping at him until you remember how to speak. “Fair enough?” You echo, shaking your head slightly. “That’s all you’ve got? No apology?” 
He moves, forcing you to take a step back as he shoves his legs over the side of the bed and rises to his feet. He’s not as tall as Parker, but he still stands an inch or so higher than you, making it hard to not feel intimidated as he stares down at you, your own face staring back from the reflection of his lenses. 
“Better not push your luck, Spitfire,” 
He’s baiting you—he has to be! Using a stupid nickname to get under your skin, to try and prod further at your short temper. And it’s working—god, you hate how much it’s working!—because you find yourself contemplating putting his superhuman durability to the test by whacking him over the head with your bat. 
“By the way,” he says before you have a chance to act on your intrusive thoughts, pointing at your hands, “you’re bleeding.” 
As if his words switch a flip in your head, you’re suddenly aware of the acute throbbing in your palm. You loosen your grip on the bat, letting it clatter recklessly to the floor as you hold your hand out to examine it. 
Unsurprisingly, the rubber handle managed to tear open the barely-healed cut on your palm, courtesy of your too-tight grip on it. You hiss through your teeth, watching as blood oozed from the cut, dripping down towards your wrist. 
Slipping past you, the boy only half-manages to stifle his laugh. “You should probably take care of that.” 
He’s already slipping out into the hall by the time you regain enough awareness to follow after him, gritting your teeth against the pain. 
“And where do you think you’re going?” 
“To the other room,” he calls over his shoulder. Once he’s standing in front of Parker’s door, he spins back around to face you, his snarky expression still in-tact. “Where I’m hoping you won’t follow me.” 
Everything about him causes your blood to boil—his grating voice, his insolent attitude, his stupid soft lips. 
“Would it kill you to be nice to me?” You exclaim, your voice strained with pain as you try to wrap your hand in the lower half of your shirt. 
It takes no-time for blood to start seeping through the thin material, and you certainly don’t look intimidating like this—the lower half of your abdomen on display as you try to apply whatever pressure you can to the wound—but you don’t care. 
“I don’t have to let you and Parker stay in my house—I’m doing it because I’m nice, alright? And, so far, you’ve been nothing but a dick!” 
The thin fabric of his mask shifts, brows furrowing at the mention of Parker. Unlike Peter, however, he doesn’t bother commenting on the nickname. “Nice isn’t exactly the word I’d use to describe you. Especially since you’re the one calling me names.” 
The levity in his tone makes you want to scream—what was his deal?! 
You press harder against your bleeding palm, your breathing turning shallow. You’re not sure if it’s frustration or pain or what, but you feel like your head is spinning. “Look, I don’t know you, alright? But this? Isn’t gonna work,” you bark at him, chin lifted defiantly as you stare into his mask, unrelenting. “If you plan on staying in my house, then you’ll get your shit together—got it?” 
His head tilts, curiously watching as you continue your frantic speech. 
“No crawling in through my windows or sleeping in my bed or smarting shit off! And take off that stupid mask!” You huff, shaking your head. “Or, I don’t know, pull it down the rest of the way! Just do something because you look stupid like that!” 
The words are spewing from your mouth like a torrential downpour, fueled by the rage swirling in your stomach and the throbbing in your hand and—
He laughs, a genuine laugh that isn’t born of derision, and you feel your racing thoughts slow to a halt. “You should work on your insults,” reaching for the nape of his neck, he tugs his mask off. “Because that was pathetic.” 
It’s no longer just your thoughts that have slowed, but the entire world. Everything around you feels like it has come skidding to a stop—leaving you staring up at him like a dumbfounded idiot. 
He’s beautiful—a commonality among Peter’s variants, it seems. 
He’s smirking, an infuriatingly charming smirk that lets you know he has no intention of listening to your demands for him to silence his quick wit. But you’re not focusing on that—no, you’re focusing on the features that had been hidden from you this whole time; his dark hair, tousled from removing his mask, falls in a chaotic halo around his face, contrasting the vibrance of his eyes. 
His eyes. 
They leave you breathless, and you hate it. Colored with the deepest cerulean you’ve ever seen, his eyes feel like staring into the depths of a crystalline ocean. You can almost feel yourself getting swept up in their tides, feel them enveloping you in a feeling of familiarity, as if this wasn’t the first time you had been pulled into their ebbing waters. 
“Have we–” your mouth has gone dry, your voice cracking. “Have we met before?” 
It’s a ridiculous question, and you recognize that even as it’s spilling from your lips. You couldn’t have met him before—not when the two of you weren’t even from the same universe! 
He seems to be thinking the same thing, and you’re already preparing to take the full force of whatever smartass comment he’s about to fling at you. “I’ve met you,” he says simply, taking you by surprise. Then he inclines his head towards your still-bleeding hand, “You should patch yourself up before you stain the carpet.” 
You look down at your hand, at the hem of your shirt, soaked in blood. 
“But just so I know,” you look back up, his body half-turned towards the door, his fingers resting against the knob, “if Peter and Parker are already taken, then who does that make me?” 
You have to force yourself to take a breath. “What did I call you in your world?” He’s silent for a moment, staring at the floor and chewing on his lip. Then, pushing the door to Parker’s room—their room—open, he smiles.
“Pete.”
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a/n - ayyy, pete's finally here! and, ofc, lots of other little important details sprinkled around as well.
also, i really wanna say thank you to everyone who has been reading and enjoying this story so far! it truly means the world to me to read all of the nice comments and to know that you guys are interested in this story! so, again, thank you 💖 as always, please comment/like/reblog and let me know if you wanna be added to the taglist!
part four, titled "blooms of subterfuge", to be released april 29th
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drchucktingle · 9 months
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DECONSTRUCTING DAMASCUS #1
hello buckaroos chuck tingle here to talk on my book camp damascus. i am very ADVERSE to spoilers and even though i LOVE discussing art i never want to discuss a book too soon, gotta give buckaroos a chance to read. i have been trying to find a balance of WHEN and HOW to have these talks because there is a lot to discover in camp damascus, and i finally think i have found safe way to do this.
i am going to write some posts talkin about various subjects relating to camp damascus themes and symbols and ideas. i will title these posts DECONSTRUCTING DAMASCUS and give them all the hashtag: "deconstructing damascus". if you do not want to be tempted you can go into your tumblr settings and MUTE hashtag "deconstructing damascus" until you are ready to come back and trot in this way.
i am also going to put all spoiler content below a READ MORE line so that buckaroos will not stumble upon it. you must click below to open these words up.
(EDIT: PART 2 IS HERE)
(EDIT: PART 3 IS HERE)
(EDIT: PART 4 IS HERE)
alright buckaroos lets trot. WARNING: SPOILERS BELOW
DECONSTRUCTING DAMASCUS #1: NEVERLAND
camp damascus is about SEVERAL things thematically, but i think in BROAD STROKES you can narrow this story down to two ideas. the first is about control through infantilizing victims of religious or conservative organizations, keeping them 'young and naive' forever, and the second theme is about taking a story and using the same text to pull out whatever viewpoint you want. in other words, there are MANY readings within a story and us readers see whatever story we want.
i will dive deeper into these topics in later DECONSTRUCTING DAMASCUS talks, but both of these concepts relate in some way to THIS discussion, which is the story of peter pan and neverland
camp damascus is about text having many interpretations, and so as a sort of META ART PIECE i wanted camp damascus to have many interpretations. i did this by creating thematic layers on top of each other in the SAME STORY, like a cake. in the case of camp damascus we have BIBLICAL LAYER, FAIRYTALE LAYER, and LITERAL LAYER.
today we are going to talk about the fairytale layer.
peter pan is the story of wendy darling, who is whisked away to a magical place known as NEVER NEVER LAND by peter pan, who is an eternally young boy. nobody ever grows up in never never land. in camp damascus we have rose darling, who is a resident of neverton, a small town in montana where all of to children are kept young and naive to their own true adult nature for as long possible. this is done in many ways, for instance all of the KINGDOM OF THE PINE kids act and talk like teenagers when they are technically adults (rose is 20). they are all still in high school due to intervention of the church. the practice of oppressing someones natural sexuality and growth into adulthood a way of keeping them young and 'innocent'. the KINGDOM KIDS are perpetually stuck between childhood and adulthood. when you are reading the book, there should be something about this age and behavior discrepancy that feels a little strange.
to capture this effect i also tried to create a book that was both categorically YA (young adult) and adult horror. there are topics and conversations and situations that should feel like you are reading a 'younger book', then moments of violence and layers of complex themes that feel like an adult book. it should straddle this line in an uncomfortable way.
now to the story itself. camp damascus is NOT a retelling of peter pan in any way. the plots are not the same at all. however it uses peter pan as a literary allusion in order to discuss the themes listed above. these references are to reinforce the idea of keeping buckaroos young and under the churches control by any means necessary.
many do not realize that the original peter pan character was quite a bit more sinister than the cartoon version. here is a quote from the original text about HOW neverland worked to keep the lost boys young:
“The boys on the island vary, of course, in numbers, according as they get killed and so on; and when they seem to be growing up, which is against the rules, Peter thins them out; but at this time there were six of them, counting the twins as two.”
yes CAPTAIN HOOK is the big villain, but peter pan himself is just as brutal. this is where we get PASTOR PETE BEND, the current head of camp damascus. in his own way he is HIP AND COOL AND ETERNALLY YOUTHFUL just like peter pan, but he also falls into the roll of a ruthless captain who will do whatever it takes. to pull apart his name we have pete, as in peter, and bend. what is another word for bend? hook.
kingdom of the pine members wear a red band round their left wrist, which is where the hand of their prophet as severed. you can also note that when pete bend he uses a weapon he uses his left hand, which is pretty notable for someone who is right handed. consider where a certain captains weapon is permanently affixed.
also working for kingdom of the pine and camp damascus, under the direct orders of pete bend, is DR. SMITH. dr smith is a jolly henchmen with a white beard and glasses. despite his drab office he sits in a blue and white striped chair. i should also point out that a version of the name smee is smeeth. just SAYIN.
WILLOW is another interesting one. after her time at camp damascus she gets into photography. she turns to NATURE and TRUTH and as she takes these photos her finger is steady and rhythmic like a clock. click. click. click. click. click. could these photos eventually be the downfall of pete bend?
when we see willow early on she is drinking for a coffee mug with a certain reptile on it. her last name is crogall, which translates to the name of a specific animal in scottish gaelic. rose also goes to meet willow where she lives, one town over from neverton in a little village named lebka rock. i will let the buckaroos figure out what that means.
there is actually much more than this (who is saul for instance?) but i think i have said all that buds need to know to enjoy this layer.
thank you for reading. FEEL FREE TO REBLOG but try not to put spoilers in the tags. i will talk on OTHER aspects of CAMP DAMASCUS soon and i hope this has inspired you to look at the text in a brand new way. LOVE IS REAL
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starflungwaddledee · 3 months
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I'm just sayin', Starstruck and Kirby would be adorable. But also Starstruck and Meta-Knight might be the funniest thing you could possibly do. :)
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hear me out: peter pan (2003) window scene
been staunchly avoiding typing too much on most of these but i have some thoughts about this one!
you know... i had actually never even considered kirby for the shipaganza. mostly because i think of him as holding such a strong and unique position in the hearts of everyone who knows him, in a way that is devout but also seems fairly romance-free. and i'm actually very interested in the complex relationships that he has with his friends! but i wonder if not considering him was maybe a disservice, because if anyone has an abundance of the capacity for love, it's him, right?
i think that kirby could eventually occupy a similar heart-space for starstruck as bandee, though it would take longer. i strongly suspect that bandee's love of kirby would rub off on her, if nothing else.
i'm not sure either of them... really understand the premise of romance or dating, so it might not be a typical sort of thing. but i think they could giggle and laugh together and shoot each other slightly smitten looks when the other one isn't paying attention, and be very invested in each others happiness.
he adds a pass by her window to his early morning flight, on the off chance she might be up to join him. she's always thinking of him when he's off saving the world, and distinguishes his star from all the others in the sky with ease. the irresistible allure of adventure vs someone who has never seen any of the wonders of your planet before. someone who finds as much unrestrained joy and delight in the mundane as you do. eating paper cups you find on the ground.
you know i could see it.
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unfamiliarize · 2 years
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justlikeeddie · 5 months
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all of layton and nikita's strictly dances ranked CORRECTLY by ME
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14. Samba, Week 1
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unfair to have to rank this one really because nobody really knows what they’re doing in week 1. FASCINATING to go back and watch this though. obvs this is strong in the context of a first week dance! but knowing where they’re going to go from here… this is the one and only time you can see that nikita is dancing layton through the steps and keeping him afloat. they’re not yet a PARTNERSHIP here. they don’t KNOW each other!!! anyway good luck to these boys with navigating what they are going to experience over the next three months <3
13. American Smooth, Week 10
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the infamous bottom-two dance. a result which i believe was undeserved!!! but the american smooth IS the most boring category on strictly unfortunately, so it’s a humble placing for this one. i did not love their outfits, for once! why don’t they go together. why does nikita look like peter pan. however, obviously i liked it when they both picked each other up and did a little skip in the air. also enjoyed how much craig enjoyed being bammed up by the ending.
12. Rumba, Week 12
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controversial to place this so low in the ranking perhaps?? obviously this was a complex routine that they performed beautifully AND was very tender and intimate. but the rumba is the second most boring dance on strictly after the american smooth i’m afraid I’M SORRY. however, points awarded for nikita saying afterwards that dancing this felt like the rest of the world fell away and they were the only two people in existence. girl what
11. Salsa, Week 5
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a great dance! fun! good vibes! their first lift! followed by a bit that i like where nikita has to sort of kick layton upright again. loses points ONLY for being perhaps their least homoerotic dance, which one of them, i guess, has to be.
10. Tango, Week 6
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all the ingredients for greatness are here. TANGO. HALLOWEEN. layton is in high goth drag. nikita looks a bit like paul gross as geoffrey tennant as hamlet in the flashback sections of slings and arrows s1. but weirdly i don’t think this dance quite lives up to the level of drama i expected from it. having just rewatched it i think it’s because they’re ACTING like it’s a MELODRAMA, and it FEELS like they’re acting, as opposed to the way they usually totally inhabit the narrative of a dance. however. the switch from this vibe into the denouement - the BACKFLIP (fuck!!!) - and then the breathy, drawn-out final moment, which they suddenly ARE inhabiting, braced over each other and staring into each other’s eyes like they are ON GOD going to fuck in the middle of the dancefloor, is astonishing. once again i am asking the bbc if this is what they thought they were going to air
9. Cha-cha-cha, Week 4
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okay. we are entering the section of the list where everything from here on down pretty much makes me feral. layton is everything in that jumpsuit. the THROW into the SPLITS. the raw sexual dynamism somehow contained within nikita taking layton’s coat for him. unbearable.
8. Charleston, Week 12
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off the charts crazy. how can people move like this. they CARTWHEELED across the STAGE for what felt like YEARS. points only deducted for the fact that when nikita cried in the interview afterwards because he loved layton so much he had to do it in this extremely silly outfit.
7. Quickstep, Week 2
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they danced the equivalent of a gay leyendecker illustration in week 2. IN WEEK 2 THEY DID THIS. they’re having so much FUN here. and to follow up on the week 1 ranking, the transformation from them feeling like a professional and a celeb to two people actually dancing together happens SO fast. it’s only a week later, but already something’s changed; layton’s totally at home in the routine and nikita’s REALLY enjoying it. it’s just so nice and i love them so much :’) also the quickstep is one of my favourite strictly dances because it’s inherently funny watching grown adults run full-pelt around a room and occasionally do a little skip. perfect 90 seconds of television.
6. Viennese Waltz, Week 3
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ok so this is actually one of their lowest scoring dances on the show. but NOT according to my ranking. this ought to feel as faux-dramatic as the vampire tango but it doesn’t. something is HAPPENING between them in this dance and it’s real. i could write paragraphs about the eternities contained within the long, long seconds of them holding each other after it’s over, which goes on for long enough that the editor just has to like. give up and cut away from them. i’ve been linking to the bbc’s youtube clips throughout this post, but if you have access to iplayer i strongly recommend you watch this dance as aired (i have linked to the timestamp for your convenience) in order to see the full effect of this ending. there’s something about the combination of… the sincerity of the dance. the gender of it all. the refusal to break character. nikita’s slightly baffled-looking parents in the audience lending whatever the fuck is going on here a bizarre frisson. i’m completely obsessed with it
5. Jive, Week 7
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the first thirty seconds of this dance genuinely make me feel like i’m coming up. overwhelming transition from the sexy sexy opening section (why are they dressed as little sailor boys? why are they touching like that?) into the supercharged beat of the side-by-side. people pay good money to feel like this. as has been pointed out, the jive is not a traditionally racy dance, and my question to nikita as choreographer is: why
4. Showdance, Week 13
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cunt. cunt. cunt. cunt. the absolute fucking serve of the matching slutty magician elbow-length gloves. nikita dropping his hat while layton executes everything perfectly. obviously in the finale, homophobia won <3 but my god. they ATE. no notes.
3. Paso Doble, Week 11
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i have said this before. but dancing to BACKSTAGE ROMANCE. in a show where i (facetiously) believe they may be experiencing a BACKSTAGE ROMANCE. seems illegal. anyway. this dance is insane. almost worth them being in the bottom two in week 10 in order for them to produce the unbridled energy of this comeback. as a category the paso doble has similarly melodramatic energy to the tango, but this performance is so unlike the slightly campy vampire number; they’re IN it, they’re living and feeling and breathing every moment. something about the mood of this dance, the power dynamics of it, nikita on the floor looking up at layton in awe as he emerges at his absolute fucking fiercest - happening in THIS week, rising above the stress of relegation and the overwhelming tide of online hate, is, like, pretty incredible, tbh. also the series of searingly erotic snapshot poses at the beginning of this routine are among the worst things i have been subjected to on this show, and as you may be gathering from this list, this is a crowded category.
2. Argentine Tango, Week 8
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god it was a TOUGH GODDAMN CALL on these top two places. and tbh i think this is actually, truly, their best dance. the sheer SKILL here… whatever the move is where layton has to jump in the air and kick his little leggies around… stunning. i don’t really have a comical paragraph to write about this because i genuinely think it’s an incredible piece of dance and there’s not much more to add to that. however, extra points for the truly unhinged decision to do some dom nikita roleplay at the end? again, please watch this one on iplayer to experience the full unedited effect.
1. Couple’s Choice, Week 9
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as i say. probably, technically, the argentine tango is better. but if i think about any element of this routine, i immediately black out. i cannot stress enough that he is standing on his back. he is STANDING. on his BACK. nikita choreographed this dance and he was like. i want you to stand on my back. PLEASE don’t worry about it. watching this routine is like looking into the sun. if i saw two men doing this in the club i would have to politely turn away to respect their privacy. also sorry to do this for a final time but i also need you to watch this one on iplayer because nikita stays on that pole at the end for so much longer than you are expecting and then does something sooooo unnecessary. this dance should be expunged from the internet so that i never have to contemplate it again.
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tragicbeauty1991 · 30 days
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So I know I’m extremely late to the party, but I FINALLY got around to watching Wish now that it’s up on Disney+ and…I genuinely don’t understand why it got so much hate?? Sure, maybe it wasn’t on par with things like The Lion King or Frozen in terms of the lasting effect it’ll have on pop culture but it was still a good, fun film with original characters and plot and catchy songs. While I can see where some of the complaints are coming from, I feel like ultimately most of them blow the issues out of proportion. As for my personal thoughts on the film…
- The songs were good overall. Maybe not as memorable as some of my favorite ‘90s Disney jams, but topping Phil Collins and Elton John is admittedly hard to do. Ariana DeBose and Chris Pine were great, though. I honestly had no idea Chris Pine could sing so well. “At All Costs” was by far my favorite song of the entire film. I would have loved to see it as a love duet rather than singing to the wishes but regardless, it’s beautiful. “This is the Thanks I Get” got a lot of flak, but honestly, I thought it was catchy and fun—rather reminiscent of Gaston’s pub song about himself.
- Speaking of Magnifico… More backstory, please! I would love for a sequel to do what they did with Frozen and explain all the things that were not fully developed in the first film. I want to know details on what happened to Magnifico’s family… But man, oh man… Was I EVER happy to get a “real villain” again with more of a classic Disney feel—dramatic, over the top, a little unhinged…and just FUN. I think the reason so many people seem to be having a problem with him is that they don’t quite know how to categorize him, though, before his ultimate downward spiral after being possessed by the book. (I think after that point, no one would argue about him being a villain.) But before…while he’s definitely narcissistic and has a temper…he’s not straight-up evil. There’s a big difference in being a bit of a jerk and being someone who makes you legitimately fear for your life. In fact, we have several heroic characters in the Disney canon who at least start out their story in a similar vein. Prince Naveen, Peter Pan, and Emperor Kuzco, for example, are all full of themselves and entitled…but they ultimately choose to do the right thing when it comes down to people they care about. That is to say, Magnifico’s less than ideal character traits we see early on in the film shouldn’t automatically qualify him as a villain. He could frankly go either way. And then when he does “go dark” it’s ONE stupid decision on his part (going for the book) that ruins any chance he had of being like the aforementioned characters. Personally, I like the complexity…and the tragedy of what it means for Queen Amaya. Which reminds me…
- Yes, a villain power couple would have been fun. But honestly, I think I like this better. Partly because of the angst potential here. For all his faults, Amaya DOES genuinely love him, and watching him slowly lose his mind and himself to the power-hungry monster he becomes has to be absolutely heartbreaking for her. Also…maybe it’s just because I identify with Amaya here. I have been in a bad relationship where I did truly love the other person and thought they loved me…but ultimately, they seemed to love themselves more. And I made excuse after excuse for his behavior for a long time because I couldn’t see what he was doing to me…didn’t want to see it…because I loved him. People say Amaya had to have known sooner that something rotten was going on but I don’t know that she ever allowed herself to think anything other than the best of him. Amaya has a good heart…and sometimes those people see the best in others even when it isn’t there. What I really would have loved is to have Amaya and Magnifico sing a short reprise of “At All Costs” in which Amaya is asking, “Really? You’ll hoard all these wishes for your own selfish reasons even at the cost of losing your people’s love? Of losing me?” And Magnifico is just…stoically resolute. That would have hurt but it would have been so good!
- Similarly, I don’t get the complaint about Star. I wouldn’t mind seeing Star Boy like he was in the concept art and having a romance with Asha. But also…Star is ADORABLE, okay?? He may not speak but he has so much personality. Makes me think of like…Pascal in Tangled or even Tinkerbell.
- I know a lot of people complained about there being too many references to other Disney films but this just seems like a silly argument to me. Disney has always liked to leave little Easter eggs in their films and have some fun with crossovers. I am thinking of the Genie imitating Pinocchio and pulling Sebastian out of nowhere in Aladdin. Hidden characters in the background of other films like Flynn and Rapunzel showing up in Arendelle. Hidden Mickeys. And of course shows that were all about a Disney multi-verse that sort of pokes fun at itself like Once Upon a Time, House of Mouse, and even Ralph Breaks the Internet. With this being a special anniversary film, of course we ought to expect more nods to other films and Disney animation history. I thought it was cute. Especially Magnifico’s jab at Asha’s little moving drawing. (“Is that a talent?”) Made me literally laugh out loud.
- I think the one complaint I do agree with at least in part is the, “But Magnifico was right, though??” Some dreams shouldn’t come true. Especially if it’s a wish you’re making when you’re 18. There are definitely things I wished for at 18 that I am glad I did not get in hindsight. Sometimes what we wish for isn’t what’s best for us or others. And while Asha’s wishes are selfless and for others…she seems to assume that everyone else will also have equally harmless, selfless wishes. It’s sweet but perhaps a bit naive. Also…Asha has good intentions but it is rather funny and frustrating as the adult to watch this teenager come in and try to upset the whole system thinking she knows better than the person who has been running the kingdom for years. That said… Asha isn’t totally wrong either. The wishes do ultimately belong to the people who made them and it’s better even if it’s painful to have a dream in your heart than to be lacking purpose. It may be easier to forget the wishes entirely but certainly not healthier. Ironically, if only these two could have worked together, they actually would have made a great team.
Overall, I liked the film. And I think if I was still a child myself, I would have enjoyed it even more.
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not-wholly-unheroic · 5 months
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Alright, I’m curious… For my fellow fans of the traditional Captain Hook (not OUAT’s Killian), what was it about the character that initially drew you in? Which version first caught your attention? At what point did you look at him and go, “Okay, yup, adding this guy to my list of favs”?
For me, it was when I first watched the Disney film around age 12. In particular, I think it was the scene following the events at Skull Rock when Hook is sick in his cabin that really got to me. We don’t often see scenes in the earlier hand-drawn Disney films that show the villain in a sympathetic light. But Hook? In that moment, he was very broken, very human. And I was intrigued. I read Barrie’s novel shortly thereafter and found that the original character was also interesting and complex. Before long, I was checking out any new form of Peter Pan media I could get my hands on…and the rest is history!
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melloween-candie · 10 months
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Sweet dreams [P.P]
Yandere OUAT Peter Pan x Reader Headcanon
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Requested // Request Rules
"Yandere ouat Peter Pan hc’s with a reader who visits neverland in their dreams? I’m esp thinking a sort of a slow-burn situation where he falls in love slowly— maybe not even realizing it until reader stops showing up because they started taking sleeping pills or something (because let’s be honest, having to spend every night in neverland sounds terrifying)"
A/n - When you said hc I'm assuming you wanted headcanons sometimes people don't actually mean it. Like it could be an autocorrect thing. Anyways I hope you like this! Sorry if that's not what you wanted!
Submitted by Anon
Warning! Yandere behavior, obsession, mentions of punishment, and favoritism
Word count: 2,212
Once Upon A Time Masterlist
Fandom Masterlists
/"Talking"//Thinking//Muttering-Whispering/
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You were lost.
So very lost.
You didn't even know it until that one fateful night.
You went to bed not expecting anything.
The dream you had didn't even feel like a dream...
And there you were standing on sand.
You were at a beach connected to an island.
It was overwhelmingly huge- the mountains as far as the eye can see.
You started walking, taking your time to venture into your new surroundings.
What you didn't know was that someone was watching you...
The next night was practically the same.
You ventured out in search of new things, and eventually, this became your regular night routine-
Along with a certain someone...
It has now been about a week or so, and you've learned a few things about this island.
One- Anything you can imagine can come true.
Two- It exists only in your dreams.
You learned that one the hard way.
What I mean was that you told your parents about it, assuming they'd tell you the name of this island, and all they said was they'd never heard of such an island.
You even tried finding it on maps because you genuinely believed there was more to it than just being a dream... Little did you know how right you were.
However, during that week, you soon realized how quickly you got lost. You were really bad at memorizing. So, you devised a solution. You thought up a couple of ribbons, and it appeared. You tied them around a couple of trees and branches so you knew where you were going the next time you visited.
However, the ribbons did work but only for a short amount of time.
It confused you. You had a theory that perhaps they'd disappear the moment you woke up, but that was debunked the moment you came back to see them still there... So why are they gone now??
You questioned it for a while and settled with the possibility that the things you think up can only exist for a few days, whether you are there or not.
It was now the current time.
You were sitting on a tree thinking about what to make real next.
Having the power to do so was more complex than it looked.
After all, having the ability to make anything real was, well, overwhelming...
But your thoughts were quickly interrupted.
"Hello there!" He popped out of nowhere, which slightly frightened you.
You didn't think anyone else was able to go here, but you... perhaps he was a figment of your imagination? After all, you didn't want to admit it, but you were kind of lonely. In real life and fake.
"H-hi umm, who are you?"
His smirk vanished instantly.
"How do you not know?! Does your world not tell my story?!" He stared at you in shock. When you didn't answer him, he knew. "I'm Peter- Peter Pan. And you would have known that this tree belongs to me."
"That doesn't make any sense... How can this tree belong to you? I've been here a thousand times, and not once have I seen or heard of you. Besides, how did you even get in my dreams? Did I make you up or something??"
Peter didn't really appreciate your attitude.
To be honest, Peter already knew everything he needed to know about you. That's why he chose to introduce himself to you now.
After the first introduction, he wasn't really a big fan of you.
At first, he never cared much and only followed you a few times, just to find out more about you.
But something in his guts told him to learn more about you.
Perhaps it's because you were the only lost girl that his shadow actually liked.
Anyways-
You guys weren't exactly friendly with each other.
At least not at first.
You didn't trust him, and he didn't trust you.
However, he didn't really see you as a threat either.
So, instead, he chooses to play a little game with you.
One you weren't aware of.
"Fine, sit there on that tree branch. At least I can sit on the clouds above."
Peter smirked all proudly. He knew what he was doing.
He was trying to egg you on. He wanted to see your full capabilities.
He knew that the only way anyone could fly was with pixie dust; that's why he didn't tell you. He was sure you wouldn't be able to fly, so you both made a bet.
He was utterly shocked when he lost.
What happened was that you started flying without it...
This piqued his interest really quickly.
I mean, even when he was a kid, he couldn't even do that when he visited...
Soon enough, the real game began-
This game involved you and Peter where he would test you on your abilities without you even knowing it.
Now, mind you, you and Peter are still not friends yet.
So, you found him quite annoying, and when you showed him you could fly without pixie dust, you rubbed it in his face.
That obviously irritated him, so he rechallenged you.
Doubling the rewards from the last bet.
He gave you a bow n arrow and told you to shoot him in the heart.
You were entirely against it, but he insisted.
He guaranteed that you wouldn't be able to even if you thought of it...
What surprised him was that you actually managed to.
Of course, Peter didn't actually give you a real deadly weapon. The arrows weren't real. It was just an illusion.
Now, you'd think that Peter regretted underestimating you; however, he made the bet to be more beneficial to him.
The bet was that if you won, you could have a more comfortable place to stay. So instead of always sleeping and sitting on the uncomfortable ground, you could have a place where you can sit on a comfy chair and have a warm meal, a warm shower, some new clothes, and a bed made for you every time you visit. But if he won, you'd have to do everything he says. You'd become his slave.
Obviously, he underestimated you, but that doesn't change the fact that you'll still be under his watch. Now that he has you in his camp, he'd be able to watch you more closely.
He was genuinely interested in finding out what made you different and if there was a possibility that he would be able to harness the power that you have.
Thus, the idea of Peter having you by his side and for him to study you closely came to be.
Whether you like it or not, he intends to make you like him. That way, you'd choose to be by his side at all times.
However, he didn't expect his feelings to change over time.
After the whole ordeal, Peter took you to camp and showed you all of their traditions. It took a while since you weren't really there.
He puts a lot of effort into being your friend. He knew that your meeting wasn't great; however, you didn't question his change of mood. So he kept playing the part.
Now, when he is testing your ability, he would do small things like-
The boys are sick; can you please think of some type of medicine to cure them???
Along with other scenarios where you would be forced to use a lot of brain power to create a lot of things.
This made you gain the label of 'mother' here in Neverland.
The younger lost boys started calling you this after a while of you treating their injuries and actually showing them some caring affection that they have forgotten the feeling of.
Peter wasn't a huge fan of it at first but soon realized how helpful it could be to have you as their new 'mother.'
After all, a mother shouldn't leave their children behind, right?
A couple has now passed, and Felix has started to gain a scene of worry. He realized that Pan changed, and he knew that Peter didn't see it.
Before, when you first arrived, he would have Felix keep an eye on you but never care enough to make him do anything to you.
Every day, he would report to Peter what he learned about you, and one day Peter decided to introduce himself.
And soon enough, Felix found you at their camp with Peter.
Peter explained everything to him as if the plan never changed.
At first, Felix played along, being nice to you, becoming your friend to cry on, to lean on, to 'trust.'
But soon enough, Felix started questioning if Pan wasn't actually acting anymore.
It's one thing to save you from drowning due to a mermaid, but ensuring you were okay afterward was a little strange.
After all, Felix even prepared the nursery for you, expecting Peter to tell him to tend to your wounds... but no. He told him to get out as he laid you on the bed.
But of course, Felix was too loyal to actually question anything. To actually do anything. To make Pan realize.
It has now been about a year since you first arrived. You have gotten used to this routine of yours.
And Felix stopped questioning Pan's deepening interest in you.
In the beginning, Pan would treat you like everyone else, but throughout the year, he'd slowly stop yelling at you as much as he would yell at them; he has even gotten softer with your punishments, and he'd give you fewer chores, and he'd even hang out with you alone more.
Obviously, the other lost boys have realized that Pan has grown to develop feelings for you. Of course, no one would say anything about it.
At least no one but Felix. He mentioned it a few times throughout the year, but it only struck Pan when he punished Felix. Pan realized that Felix might be right.
And that's when he started to question things.
He soon realized how desperate he became to know where you are at all times. He realized how demanding he'd get when you disappeared.
How he'd use 90 percent of the lost boys to search the island to find where you would reappear.
Peter didn't like how he felt the need to have you by his side.
It was as if he was falling in love with you without even realizing it until now.
Soon enough, the night came when you didn't show.
And that's when Peter's feelings became too unbearable to hide, too unbearable to deny.
He made everyone search the whole island that night.
His heart was beating so fast he could take it anymore.
He removed it from his body to find a strange spot. A deep reddish light that grew and glowed brighter than the rest of his heart. He caressed it with his fingers and felt a vast sensation flow in his body.
Hundreds of memories of you flew into his mind. Or at least it felt like that.
That's when he knew he was infected by you.
The red spot glowing on his heart, growing every day, was love for you.
The deep darkness in his heart raged at the thought of him having and growing a weakness that he wouldn't be able to get rid of.
He thought it would be best to leave you alone. That perhaps this feeling would go away with time.
Oh, how deeply wrong he was.
Meanwhile, it has been about a week since the last time you visited Neverland. You missed it quite dearly.
You weren't sure why you weren't able to visit anymore. You were still technically a kid and your feelings of being lost never changed.
In fact, you felt more wanted there, more loved. So why can't you go there now?
You questioned if it might have been your pills. Your parents were getting a little mad at you, for always sleeping. You'd sleep in class all the time.
But when they realized how you'd change throughout the year, how you became more desperate for sleep. They were getting worried that maybe you weren't getting enough rem sleep. The kind of sleep that makes you feel very well-rested when you wake up. The kind that actually gives you energy in the morning.
So, they made you take deep sleeping pills that will force you into a very deep, dreamless sleep.
You couldn't avoid taking it either; your mother was sure of it.
She'd always stay in the room to watch you take it. She'd always make sure to watch you swallow, and she'd even force you to open your mouth so she could check.
After all, it was for your own good.
Now, to Peter, those seven days were the worst days of his life, and he made sure to show it too. Whether he knew it or not, he became more ruthless toward the lost boys, but eventually, on the last day, he caved.
He made his shadow look for you. He even stopped the plans of finding Henry for you. He stopped everything just so he could have you.
And soon enough, his shadow found you.
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A/n
I don't know why but making this one was a little harder for me... Lol, I hope you like it though. Sorry, I took longer than I normally do... 🙏💗 If you guys find any mistakes, let me know 🥰😘
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starrylayle · 11 days
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been thinking abt how the marauders era relationships would pan out in every universe and here are my thoughts!!
Wolfstar — lowkey controversial but I don’t think they’re soulmates — they’re more, kinda-wrong person, right time. I think they’d only end up together when things go to shit. Which is part of why I love them so much and why I love them in the canon universe. James and Lily are dead, Peter is a traitor, remus is unemployed and sirius….poor sirius. So yeah, They’re just two fucked up lads trying their best to love despite the world being against them. In universes where they don’t fall in love, can imagine they think the other’s a little off-putting or perhaps no really strong emotions. I think that’s why their connection in the canon universe is so special to me, because I just don’t think they’re relationship would be as prominent if circumstances were different (in other universes).
Prongsfoot — they’re literally soulmates. In every fucking universe. Sometimes, it’s platonic (tho never strictly), sometimes, romantic, sometimes an intense sexual bond as enemies?? Either way they’re always a little bit in love with each other. I do hc James as straight in the canon universe but yeah they definitely made out. And in other universes where James is queer they’re having the time of their lives. Anyways so yeah. Soulmates in every universe.
Jily — Love Jily! I see them as a first love situation. Some universes (like the main one) their love becomes immortalised. However, in others, maybe they move on and find other people, but since they were each other’s first love they always have a special place in their heart for each other <33
Jegulus — …………………………………………………………..
Prongstail — always doomed in the long run. Kinda childhood friends to lovers to ……. . A bit of unrequitedness because I don’t think James could ever love Peter enough. And in every universe Peter always has an inferiority complex and bottled resentment. They’re relationship rarely ends well.
Snily — ooh this is an interesting one. Similar to prongsfoot, I think they’re also a kind of doomed childhood-friend-to-lovers. Except I think that in the universes where Sev does not end being a bigot, they could probably date for a bit. They wouldn’t last tho and would remain as friends. In one universe Lily is an out and proud Lesbian and Sev is a closeted t-girl and they date for a bit but eventually decide to become friends (Lily still supports transfem!Sev in her transition tho). Canon universe tho,,, Sev had a crush on her and maybe Lily did too, but fifth year and James lol.
Nobleflower — ooooh love me some sapphic friends-to-star-crossed-lovers! I feel like in every universe they’d be on opposing sides, depending on circumstance.
Marylene — Friends to lovers, right person wrong time in the canon universe, but in other universes they’re thriving. They still would have had some sort of codependent, homoerotic friendship leading up to it lmaoo.
Dorlene — I like to think they’re always rivals in some context. Sometimes it leads to a fiery relationship, and sometimes it’s just aggressive sexual tension while they’re on opposing fields.
Jeverus — oooh people hate this but. Toxic rivals/enemies to lovers. Sometimes it works out, most of the time it doesn’t. The hate they hold for each is very strong but so is the sex
anyways this was fun!! Lemme know what u guys agree/disagree with! Maybe I’ll do a part 2 lol.
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