I'm just sayin', Starstruck and Kirby would be adorable. But also Starstruck and Meta-Knight might be the funniest thing you could possibly do. :)

hear me out: peter pan (2003) window scene

been staunchly avoiding typing too much on most of these but i have some thoughts about this one!

you know... i had actually never even considered kirby for the shipaganza. mostly because i think of him as holding such a strong and unique position in the hearts of everyone who knows him, in a way that is devout but also seems fairly romance-free. and i'm actually very interested in the complex relationships that he has with his friends! but i wonder if not considering him was maybe a disservice, because if anyone has an abundance of the capacity for love, it's him, right?

i think that kirby could eventually occupy a similar heart-space for starstruck as bandee, though it would take longer. i strongly suspect that bandee's love of kirby would rub off on her, if nothing else.

i'm not sure either of them... really understand the premise of romance or dating, so it might not be a typical sort of thing. but i think they could giggle and laugh together and shoot each other slightly smitten looks when the other one isn't paying attention, and be very invested in each others happiness.

he adds a pass by her window to his early morning flight, on the off chance she might be up to join him. she's always thinking of him when he's off saving the world, and distinguishes his star from all the others in the sky with ease. the irresistible allure of adventure vs someone who has never seen any of the wonders of your planet before. someone who finds as much unrestrained joy and delight in the mundane as you do. eating paper cups you find on the ground.

you know i could see it.

Thank you all for voting in the poll to decide who was going to be the leader of the band! It turned out to be such a close race!

Moiraine Damodred and Lanfear in season 2 of The Wheel of Time

fight fighters secret ending [real not clickbait]

[imgae description credit @princess-of-purple-prose, i hope i did it right.]

you dont understand how much i need machines to bleed

Hattori Heiji wardrobe part 4

[part 3] [part 5]

has anyone noticed that etho's more obsessed with Joel when they're in the life series and Joel is more obsessed with etho when they're on hermitcraft?

like, when I was watching the DO stream and Joel's s10 episodes, etho almost never seeks Joel out–any reference or interaction was nearly always instigated by joel.

but in the life series... well, everyone knows what happened on the life series. they're both obsessed with each other, sure, but etho was a lot more open about approaching Joel and making references and all that, and joel didn't seem as crazy about him in comparison.

anyways, hoping etho has his pov of the boat boys interactions in his next episode because double the boat boys is good

but also wouldn't it be hilarious if he never included any boat boys content in his episodes ever just to keep making joel look ridiculous every time he gives his 'he's so obsessed with me' rants

LET THEM FIGHT

Damians eyes are green in canon but some head canon that they were blue originally but my headcanon is that his eyes can change colour form green to blue but it depends on how you view him the colour that you’ll see

Bruce and Tim see green cause Bruce is remembering all the times he had with talia and is filled with regret about so much of the stuff that happened between them that he can only ever see that and the what ifs when he looks at Damian

Tim sees green cause he reminder of all the shit he went through cause of the al ghuls he has some prejudice towards them and Damian and he at first struggled to see him as anything other than an extension of them his eyes are still green even when they stop being directly hostile towards each other but bleed into his blue nearer the centre but where blue when he hallucinated him when he was dead and right when he came back

Talia sees blue eyes and all the possibilities that Bruce could have given her (she could have got them herself but Bruce meant not being alone at start) but she still stuck between him and her father

Dick sees Bruce’s blue and all the burden that comes with Damian being his son and all the responsibilities that dick now has because of it (they start looking like Dicks eyes at some point somewhere between that first night and we were the best)

Jason sees the change from green to blue his relationship with Damian is difficult half the time he’s fighting him half they vaguely getting along Damian and robin have different eye colour (it’s hard to now which one Jason would say is a child and which colour he hates the most blue cause of Bruce or green cause of himself)

Steph always saw green she saw how different he was from his father the robins that came before him she looked and saw an angry child but she still saw a child (she treated him like a kid from the start knew that no matter what you go through or did no one can take something like that form you could see the safety and uncertainty that childhood brings)

Duke sees grey Damian was the first robin that was younger than him a shadow smaller than his running across Gotham City a movement stared after the shadow got snuffed out and acknowledged when the shadow returned duke sees damian and sees the robin he went to the movies with sees his little brother

Damian’s eyes are a teal to cass they don’t interact at lot so she sees him through others half the ppl telling her blue or green and one telling her grey her eyes are brown but she still sees herself at 8 right before her first and only kill when she looks at him the empathy and desperation to please and protect those around her a desire to do what’s right but too young to really no more than what your taught

When I finally meet someone who plays a game I like, but they don't care about the characters, story, roleplay or exploration they're just in it for min-maxing and/or speedrunning

won’t you cut down that apple tree for me?

So guess who just got back from watching One Piece Red

dp x dc prompt #37

danny has been wandering around this new universe for a while now trying to figure out where the corrupted ectoplasm smell was coming from. It’s really a nice place, and when you take in all the frequent rogue attacks, it’s just like home.

he’s really just confused as to why the protectors of this world keep giving him snacks when they run into each other. i mean, free food is free food and danny’s not going to question it since he’s long since figured out he can’t be poisoned, it’s not really a problem either way. it would just be nice if they would stop babying the centuries old king just because he looks like a child.

sorry, still on this soapbox but

we have really, REALLY done Colin a disservice in this fandom. we spent so long viewing him primarily as a Love Interest and not as a Character. But when we see and analyze him as a character, so many of his actions make sense, and it becomes almost ridiculous, the dynamics we've imposed on this couple (yes, I'm talking about the 'Colin fucked up and needs to prove himself to Penelope' narrative) when there's so much more nuance and beauty to their pairing than we give them credit for

we as the audience focus so much on Penelope's perspective in their relationship, of course, because we have so much of her perspective in the show, and so our frustrations with Colin stem from that, but we get more insight into him than Penelope does. The 'I would never court her' scene that we've been livid over for years is considerably softened when we actually look at Colin as a character, and the circumstances around his actions.

Colin spends season 2 SAD. He is straight up not okay. We leave Colin in Season 1 freshly heartbroken and running away to Greece to heal. In Season 2, we meet him again, considerably more somber. Colin doesn't participate in the dances. He even says 'I'm just a spectator'. Colin talks about how he started a conversation with himself, tried to understand what he wants and how he feels. Colin offers Benedict shroom tea, and for a moment, JUST A MOMENT, we see the facade slip. His mask cracks. 'Are you quite alright, brother?' and then it's gone. Then he's cheerful again. Calm Colin. Nice Colin.

Colin who is okay.

But Colin is *not* okay. Colin completely isolates himself from women. Colin doesn't flirt, doesn't entertain female attention. Colin is heartbroken, trying to be better. But he views Penelope as a friend, a sacred relationship, a worthwhile relationship, and he can't bear to lose her. To him, Penelope is arguably his closest friendship. His best friend. And in an entire town full of people who don't listen to him, he thinks Penelope does. Unlike the typical dynamic of the ton, in which men are ONLY speaking to women by viewing them as potential sexual partners, Colin views Penelope as a whole person. She doesn't just exist as a romantic option to him, but as a vital connection in his life. That's why the 'I am a woman' 'You are. . .Pen' is so important to view as an act of love- Penelope is NOT just a woman as the ton sees her, good for marriage prospects and little else, Penelope is a complete person. Yes, she's a woman, but more importantly, she's PEN. She's a full human being. And he values her as such. We cannot say the same for the grand majority of men in his society. Tell me any other male-female friendships like that in the ton where that level of respect is given?

But for Penelope, it's hurtful, because she WANTS to be seen as a romantic option in his eyes. That's a fair feeling, though we as an audience should recognize that it can be both upsetting to Pen, and also deeply beautiful as a sentiment. Because of Penelope's hopes of Colin as a romantic prospect, she does not see that he is hurting. Because of our connection as a fandom to Penelope, we do not see it, either. But he *is* hurting. In all of Season 2 he's hurting. That's why he throws himself into the Jack mess. He wants, NEEDS a distraction. He wants to find a place in his world, his society. Honestly? He needs a win. He has spent the last year losing and losing and losing. Who can blame him for being sick of it? His engagement blows up, he finds out his family pays no attention to him, that no one cares about his agency, and he's publicly humiliated. If he invests, if he makes money, he might make more male connections. Might run in more important circles. Like his brothers do. Might prove himself. But Colin isn't friends with the men of the ton. We don't see ANY evidence that he has strong friendships with any of them. Because he isn't like them.

He is 22 years old. Treated like a child in his own family. When he talks about his travels, no one listens. Everyone dismisses him. 'Remarkable, yes, in the sense that I have many remarks about it'. Colin is invisible. He is trying to slot himself in his community, but he does not fit neatly into it. He connects with Will, a man outside his community, and Penelope, a woman also outside his community, because *Colin* exists outside his community. He's the foolish boy who fell headfirst for a woman who lied to him. He's the 'green' baby walking in his older brother's footsteps and unable to fill them. He doesn't behave the way other men of the ton do. He doesn't talk like other men of the ton do. Hell, he *apologizes* to women. We have men NOW in the MODERN ERA who don't even apologize to women.

His own *mother* doesn't even notice he was dating someone for several months in season 1. Colin is a pretty, empty ghost wandering around Mayfair, and so of course he's thrown into a locker room conversation with a bunch of guys who have never once seen a woman as a person, and doesn't relate to them. Colin's not joking and having fun with these men. We very purposefully do not see his reaction after he delivers the 'I would never court her' line.

Colin is uncomfortable around them, but he needs their help to make it up to Will, someone who was kind to him and who he looks up to. He has the mask on so firmly in that scene, it's physically obvious to see. If you compare his reactions around Penelope to his reactions around Fife, it's stark. With Penelope he's open, his eyes are soft, his expression is curious and kind, his shoulders are relaxed. Around Fife he's closed off, eyes hard, muscles tense. Who can blame him? He's acting. He's acting just like he's acting around Jack.

When we look at Colin as a whole character, we get insight into his actions and they make SENSE. The things he say that hurt Penelope are things that are actually defending her- Colin saying he wouldn't court her to those men in particular, is an act of caring. He is defending her in that scene. When a debutante is only good for being 'wed, bed, and bred' in their eyes, Colin saying no, that Penelope is worth more than that, that his connection to her isn't forged on wanting to fuck her, or exploit her, or treat her as a sexual object, is radical. Because anything else, ANYTHING else that he says that isn't an outright denial, puts Penelope in danger. He can't let them believe that the woman he cherishes so deeply he cannot even ENTERTAIN the idea of not talking to her is out here being ruined by his hands.

And when we see it that way, we see that, in reality, of all the men in the series, Colin is the one who has been kindest to his love interest. Colin is the one who has defended her, the one who has stuck his neck out for her, the one who has cared for her with absolutely no expectations of sex or romance in return.

Colin's relationship to Penelope is beautiful, and sure, she can be upset that it isn't in the exact shape she wants it to be, but I think if she takes a step back and looks at it more objectively, if WE take a step back and look at it more objectively, Colin has only ever gone into it with a big, earnest heart. Not PERFECTLY, of course, he isn't perfect, but with the best intentions, and with as much honesty as he can.

And I don't know why we don't celebrate him more for it

direct action

[ID: a two-panel comic of Arthur Lester from Malevolent. The background of the first panel consists of scribbled black strokes, on which John’s yellow dialogue is written. It is largely obscured by Arthur, but visible pieces say, “Oh, God, Arthur, they’ve skinned--” “Blood--” “Rotten--” In speech bubbles that further hide this text, Arthur is saying, “All right, that’s-- JOHN, stop, that’s enough!”

In the second panel, Arthur has slapped his right hand firmly over his eyes. The black background has been reduced to a small, angry shape looming over Arthur’s shoulder, with slitted yellow eyes and a sharp-toothed open mouth. John is shouting, “HEY!” /end ID]