we've been living in this apartment for two months now, and while we've observed most of our new neighbours (my slavic Windowsill Watcher Grandmother gene already activated), I don't think they had the chance to see us often enough to recognise us yet.
I do know, however, from my observations, that the tiny funny dog upstairs is called Gucio. I've passed him once or twice during his walk and heard his owners use the name - and, while both the dog and his owners are oblivious to our existence, Gucio became an apt topic of discussion in our house. you know, we hear barking, ha, that's Gucio, he must be home alone again! or there's a stick left by the building door, that must have been brought by Gucio and he was forced to abandon it before entering! a household name, really.
yesterday as I was leaving to go to the store, walking down the narrow staircase, there he is! tiny funny looking dog, slightly startled by me suddenly appearing on the floor he just reached on his tiny funny looking legs.
"good morning Gucio!" I say joyfully, the most natural thing in the world.
well. remember that Gucio doesn't really know me. so he looks at me in the most flabbergasted way a dog can look at a person. he is positively aghast. agog! not sure how aware dogs are of their own names but he seemed genuinely puzzled at the apparent stretch of social convention.
and as I try to contain my laughter, I see his owner standing on the stairs below. the woman is sort of awkwardly frozen, speechless, and she looks at me.
"you... know each other?" she asks.
is that not the funniest way to phrase it. is this not the funniest question she could have asked. ma'am do you know my dog? you went to school together perhaps? you've met? do tell, are you old friends? maybe you worked together? you know each other, my dog and you? this dog? you know him? he knows you? he never mentioned you I'm afraid
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Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)
If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
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my old man dog isn't great at hopping up on the couch anymore but he CAN do it and he will NOT accept help. it's almost adorable except when he just stands in front of me and barks at me to get out of "his" spot so that i'll stop what i'm doing, get up off the couch, and watch as he spends 5 minutes hyping himself up to jump into my newly vacant seat
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Dick, at Damian soccer game, watching from the sidelines: Wooo! Let’s go Dami!
Random lady: Oh is he your son?
Dick, touched: Oh ha, he’s actually my brother!
*Later*
Dick, hanging out with Tim: Come on we should get ice cream.
Random Guy: Oh out for some father son bonding time?
Dick, grasping at the thought of looking old enough to have a college aged son: w h a t
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