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#movie industry
vivicendium · 5 months
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i think something that elevates the hunger games franchise is not just the quality of writing but the integrity of it. tbosas isn’t just a cash-grab by suzanne collins in the age of sequels and reboots (though i won’t pretend that didn’t play a part), it’s a character study of the main antagonist with a different structure than the main trilogy. and importantly, it doesn’t just re-hash the same old themes and beats the main trilogy had, it expands on not just the world of the hunger games but the themes as well, it actually has something new to say about the trilogy’s themes about class, capitalism, power, and control, in a way that couldn’t be explored with the main story because the protagonist of that story simply did not have access to the world that’s being explored in tbosas.
i understand the people who call for books/movies to be made about haymitch, finnick, johanna, different years of the games — we love those characters and want to see more of them! i’d kill for a novella on finnick’s days mentoring tributes, or katniss’s parents falling in love. but at the end of the day we probably wouldn’t be very satisfied with those stories being fleshed out if they had absolutely nothing new to say about the world, they’d be enjoyable, but not as interesting and engaging as tbosas has been.
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pal1cam · 6 months
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Pieces of media to watch to educate yourself on Palestine’s long history of suffering from the zionist Israeli occupation :
“Jenin, Jenin” a documentary by Mohammad Bakri (available on Youtube)
“200 meters” a movie by Ameen Nayfeh (available on Netflix)
“Born in Gaza” a documentary by Hernán Zin (available on Netflix)
“Samouni Road” a documentary & animation by Stefano Savona (available on Netflix and Palestine Film Institute’s website)
“Edward Said on Palestine (1988)” a TV documentary style film by Christoper Skyes (available on Youtube)
“To My Father (2008)” a documentary style film by Abdel Salam Shehada (available on Palestine Film Institute’s website)
“Salt of this sea” a movie by Annemarie Jacir (available on Netflix)
“Children of Shatila” a documentary by Mai Masri (available on Netflix & Youtube)
“The Present” a short movie by Farah Nabulsi (available on Netflix)
“Frontiers of Dreams and Fears” a documentary by Mai Masri (available on Netflix & Youtube)
“The Crossing” a short film by Ameen Nayfeh (available on Netflix)
“Tantura” a documentary by Alon Schwartz (available on Youtube)
“3000 nights” a movie by Mai Masri (available on Netflix)
“Farha” a movie by Darin J. Sallam (available on Netflix)
“Arna’s Children” a documentary by Juliano Mer-Khamis (available on Youtube)
“Ma’loul celebrates it’s destruction” a documentary by Michel Khleifi (available on Youtube)
“A World Not Ours” a documentary style movie by Mahdi Fleifel (available on Netflix)
“Like Twenty Impossibles” a movie by Annemarie Jacir (available on Netflix)
“Omar” a movie by Hany Abu Assad (available on Netflix)
“Mars At Sunrise” a movie by Jessica Habie (available on Netflix)
“5 Broken Cameras” a documentary by Emad Burnat & Guy Davidi (available on Youtube)
[this list will constantly be updated with more movies & documentaries that i’m reminded of, or with new pieces that i find and watch… if you have any suggestions please send them my way]
PS ; as this is a personal list coming from a Palestinian person, i will only be adding the movies and documentaries that i feel are MOST important and effective in transferring the message of the Palestinian cause… so all recommendations are highly appreciated yet this is just a personal list and doesn’t include all types of Palestinian (or Palestinian related) visual media 🙏
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Zendaya in custom Jacquemus ⋆ ˚。⋆౨ৎ˚
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azuremist · 6 months
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(Source)
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What I learned about peak character design and movie making is that shit gets real when a character loses one arm/leg/eye
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valkaryah · 1 year
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Time names Austin Butler as One of 100 Most Influential People of 2023
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cynicalramencrumb · 8 months
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James Mcavoy and Micheal Fassbender (Their dads too ofc, i.e, the sirs) were such good actors that they could make a superhero movie franchise feel like it had a soul and was not mass produced for money. Can I just say, AcTiNg✨
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virtualcarrot · 8 months
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begging films directors to stop using muted colors filters in their color-corrections to make their serious shows look even more serious. it was already beyond bearing in chernobyl, but you cannot make me belive that dopesick--no matter how good and high quality a show--takes place in the 90's with this few popping colors
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stone-cold-groove · 4 months
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60s era Columbia Pictures Corporation stock certificate.
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Look, I might concede the point that all humans like to see a reflection of their humanity in their non-human counterparts, and that it makes for an interesting storytelling device.
But I'd argue that, in such a saturated environment, you begin to lose reference of what these dynamics were based upon.
I'd further argue that it is a harmful device in the long run.
See, we have dogs as children, robots as friends (or even more humane than humans) and people as ─ at least in the most extreme ─ gross caricatures of themselves.
I don't think it's clever. I think in the worst of films, it is used as a sorry patchwork to hide the writer/director's lack of skills.
You find it easier to attribute human actions to something that isn't even human?
How does that work? How do you decline so far?
I don't even have beef with this. If you have a courier robot that says Made in Britain, and you work some British humour into him, I'd probably be the first to laugh.
I don't think it's funny, or innovative, or smart to use that trope in a soulless fashion to make a propaganda exegesis BS of a plot because of ideological reasons.
Animals are not human.
Machinery, no matter how cute you make them, are not human.
What even is humanity, for you, that makes it impossible for you to write them as a person with moral failings, and goals and views, like everyone else?
If the antagonist of your creation is the antithesis of all that is good, and moral in your world, with no organically human reason for being ─ he's just a sock puppet, or straw man created to justify the Hero's Journey.
And that doesn't make them human, either.
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personal-blog243 · 2 months
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Please do not watch a Michael Jackson biopic 🙄.
I felt guilty enough watching “Elvis” after watching “Priscilla” and I think it’s time we stopped trying to rehabilitate the legacy of predatory wealthy men.
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beehindblueeyes · 2 years
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The potential black phone sequel
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Honestly I don’t know how a sequel will work? As the story is told. It’s very contained? Unless there’s a HEAVY supernatural element or a separate killer idk how it’s going to work. I don’t think going heavy on the supernatural would work in the universe as despite there being ghosts it’s still a very grounded story?
I also don’t want it to be a prequel. I’ve made many a post before about the beauty of not knowing much about the grabber. That’s the point! It’s not about him! His reasons, his background wouldn’t change a thing about what he does. In the movie it’s implied he’s had a bad childhood and spent time in the basement himself. (For all we know it could’ve just been a den back then) it’s about the victims. About the impact and the pain, trauma etc - it’s great because it doesn’t explain or give him to much time as well as adding to his creep factor! He’s just… a guy. A neighbor. A coworker. A brother. The fear is that he could be anyone on your street. Giving him a boo hoo backstory or any other would sort of ruin that? Idk
I’d love to see the characters again but … idk.
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islandofthemisfittoy · 3 months
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The fact that I'm not scared to tell the production companies I pitch to that I'm mixed, non-binary, bi or ace, because they're all seen as things that makes shows more diverse and sellable, but I'm scared to say that I'm autistic because if I do they might rejct me because they think I'm too difficult to work with says a lot.
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br3akfestattiffanys · 2 years
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It’s the way that I know Margot Robbie is gonna BODY this role💞
@eliesaaabs on twitter
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redfish-blu · 1 month
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I absolutely have beef with the “character gets yassified in the sequel” pattern that every single movie and TV show follows. Especially with the hair. They always ruin the hair. Either by slapping a wig on everyone or doing them up like they’re going to prom once they get that sequel budget. It’s the most distracting thing ever when you’re familiar with the unique style of the source material and then suddenly everyone’s got eyebrows on fleek, a completely different hair color, wardrobe upgrade to hollywood cardboard cutout, and their face is beat to the gods. Like God Damn! What happened to you? It’s definitely worse for the women characters, but male characters often fall victim to The Dreaded Quiff or Alpha Makeover (most times they go hand in hand). We need to stop this madness.
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lordnot · 1 month
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I hesitated to say anything, because I know some people are genuinely excited.
But I can think of no better encapsulation of everything that has been wrong with moviemaking in the last decade
than a 72 year-old Michael Keaton in full Beetlejuice makeup spouting "The 'Juice is loose"
with all the energy and excitement of Dr. Lazarus remarking
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