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#mary watches the fosters
lifesizehysteria · 1 year
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One of my most favorite moments in The Fosters is in the episode when Lena loses her pregnancy. When Dana first arrives, there's this moment on Stef's face where you can see every ounce of fear she's been holding in because Dana showing up means that Stef doesn't have to be the sole pillar of strength for all of them. For just a moment, she gets to break, and it's so subtle but also so powerful. I've always felt like Dana was showing up as a mom for Stef as much as she was showing up for Lena. When they hug, with Stef clinging to Dana, and Dana holding her with such sturdiness, there's this unspoken connection between them as two people so bonded to Lena that they cannot fathom a world without her in it. It's beautiful and painful and it hurts my feelings in the best way every time.
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elliehopaunt · 6 months
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Well, looks like my Jodie Foster obsession is taking off...
Annette Bening is fantastic (of course)- and while this could be the typical triumph-of-the-spirit Hollywood biopic, it's not.
There is triumph and there is spirit, but there is also accountability and the depiction of a flawed, damaged person for whom it is sometimes hard to champion.
Jodie Foster with her sculptued arms, tourist t-shirts, and inexhaustible support bridges the gap between the audience and Bening's ego-driven swimmer.
A bonus is Rhys Ifans' subtle navigator, who is a world away from the goofball roles in Notting Hill and the HP series.
It's biographical, so it's fairly unspoilable, but trigger warnings for SA.
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hollywoodcomet · 3 months
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Watching 1939: The Great Victor Herbert (1939)
In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 1939 film: The Great Victor Herbert (1939) Release date: Dec. 6, 1939 Cast: Walter…
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writerslittlelibrary · 4 months
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We can be your family, part 2
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masterlist part 1 part 2
summary: having been in the foster system all your life, you don't expect much when your case worker tells you you're being moved again. what happens when the car suddenly stops in the most expensive neighborhood in all of New York…
pairing: Natasha x teen reader, Maria x teen reader, Blackhill
warnings: mentions of abusive foster families, mention of sexual assault, a deadly amount of mama Natasha fluff
genre: fluff
words: 1257
a/n: part 2 is here! it's really short but I didn't really know what else to write. this is just mainly here to give closure to part one :) 
I'm not really planning on writing a third part, but if the demand is there and anyone has an idea, maybe I will🫶  
You do not have my permission to repost, copy or translate my work
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Living with Natasha and Maria was the most fun you had in a while. They made you food three times a day, always asked for your opinion on things, and always made sure you were okay. it was a completely different experience than you were used to, and it couldn't have been better.
Tonight Maria and Natasha scheduled a movie night, and to say you were excited was an understatement. The day before, Natasha had taken you to the store to pick out all sorts of snacks. Maria had made your favorite dinner and you were happy and content as you three watched the movie.
That was, until Natasha got a sudden call.
You paused the movie while she left the room to pick up the phone. You anxiously looked at the closed, knowing no normal person called at this time of night, so it must be your social worker.
Marie noticed your concerned gaze, deciding to distract you with the mission to help her make you three hot chocolates. 
Soon enough, you were laughing in the kitchen, the amount of mini marshmallows in the hot beverage being absolutely unacceptable, all the while Maria just kept putting more in. 
You helped Maria take the hot chocolates to the couches, putting them down on the coffee table. Just then Natasha walked in, a distressed look on her face. You looked at her, but kept your mouth shut. You didn't want to know what was wrong, especially if it meant leaving.
Her and Maria shared a knowing look, before Natasha sat down next to you and laid her hand on your knee, smiling warmly at you.
"Before I say anything, I just need you to know that you're not going anywhere. You are staying right here, with us. I promise,” Natasha said as Maria took a seat next to you as well.
"What's wrong?" you asked Natasha, and she hesitated a moment before responding.
"Alice called, and apparently, a foster parent you stayed with before has been arrested, and they want you to testify against him…” Natasha explained carefully, and you just sat there, avoiding your gaze back to the coffee table.
"Why was he arrested?” you asked when Natasha moved her hand to your back, rubbing soothingly with her thumb. 
It was silent for a moment, before Natasha took a deep breath and spoke. “ He's been arrested for abuse and…” Natasha took another breath, finding herself incapable of just saying. “And sexual assault…” she said quietly, and you closed your eyes with a soft sigh.
You knew him, and of course you knew why he had been arrested. You just needed Natasha to say it. You needed to hear it.
"I'm done with movie night,” you said after a moment of silence, getting up and shrugging Natasha's hand off your back, making your way to your room without looking back. 
Neither Natasha nor Marie tried to stop you, letting you walk to your room, knowing you needed the space. 
You laid in your bed, your stuffed bunny clenched tightly to your chest as numb tears streamed down your face. You wanted to be alone, and yet, it was almost as if you wanted to be alone with Natasha and Maria. You'd never felt like this before. You've never craved the touch and attention of your foster parents before, so why was it suddenly so different this time?
It was like Natasha had heard your thoughts, because soon after, you heard a soft knock on the door. 
You didn't say anything, feeling too numb to even acknowledge the fact someone just knocked, but it hadn't mattered as Natasha came in anyway, a mug of hot chocolate in her hand.
She didn't say anything as she walked towards you, sitting on the bed next to you and setting the mug down on your nightstand. You sat there in silence for a while, until a muffled sob could be heard from your mouth, and Natasha didn't hesitate to crawl up the bed, sitting against the headboard as she coddled you closely to her chest. 
"It's okay. Everything is going to be okay,” she assured you as her hand gently stroked your back, her other hand on your head as she held you tightly.
You were so close to Natasha, you didn't think you had been so close to anyone else before. You didn't think anyone ever even gave you a hug like this. A hug with meaning. A hug filled with love and care. You cried for a while, and Natasha didn't say anything as she just held you. 
After a while, your sobs had turned to sniffles, and you gently raised your head from Natasha's chest. 
She wiped the strands of hair from your face, smiling gently as she cupped your cheeks.
"Everything is going to be okay,” she assured you again, and you could cry purely from the way that she said it. You didn't cry, instead just sitting up against the headboard next to her, you bunny still rightly in your embrace. Natasha had one arm over your shoulders, making you sit against her closely.
You didn't mind. You wanted to be as close to her as possible. 
"Can I have my hot chocolate now?” you asked quietly while your head leaned on Natasha's shoulder. Natasha smiled and reached for the mug, handing it to you, watching as you drank happily. 
"I don't want to testify,” you then said. Natasha hummed but didn't say anything, waiting for you to continue. “I don't wanna see him again…” you added softly, and Natasha grimaced slightly  at the idea of what he could have done to you. 
"We'll think of something. We'll be here for you, I promise,” Natasha said as she gave you a kiss on your head. 
You nodded as you finished your drink, handing Natasha the mug so she could put it back on your nightstand. After some more cuddles, you yawned slightly, and Natasha chuckled as she sat up straighter. 
"You should get some sleep, you're exhausted,” she told you, and you nodded. 
When Natasha went to get up, you hesitated for a moment, looking at your hands and picking at your skin. 
"Can I stay with you tonight?” you asked quietly, almost embarrassed of the question. 
Natasha smiled as she nodded, letting you stand up before she placed her hand on your back. "Of course you can.” 
You went into your bathroom and quickly brushed your teeth, changing into some pajamas before walking back into your room. You grabbed your bunny and went to Natasha, who was waiting in the doorframe. She smiled as she led you to her room, opening it to reveal Maria already in the bed, a book in her hand.
The moment she saw you, she put her book down, opening her arms and inviting you to get in the bed. 
"Come here sweet girl.” You quickly got in, crawling to Maria and letting yourself fall into her warm embrace. She smiled as she hugged you close, much like Natasha had done. 
"I'll be right there,” Natasha said as she went into the bathroom, but you paid her little mind as you enjoyed Maria's warm hug. 
Once Natasha was settled in the bed as well, you lay in between them, taking a deep breath before speaking. "Thank you,” you said quietly as you laid your head on Natasha's chest, falling asleep in no time. 
"We love you, Malysh…” Natasha said as she kissed your forehead, her and Maria falling asleep as well.
Permanent tags: @marvelnatasha12346 @lesbionion @nova-kyle @darkstar225 @saraaahsstuff @marvelwomenarehot0 @screechcat
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thepunkmuppet · 6 months
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apologies if someone has already made this type of post, because I’ve had the tag blocked for a couple days as I’ve only just been able to watch the stream, but here is all the new hatchetfield lore we learned in the hatchetfield halloween party livestream (sorry if I forgot something):
greenpeace girl’s name is harmony jones
in 2005, wilbur cross murdered douglas keane senior (duke’s dad), who was the sheriff of hatchetfield at the time. we have no idea why or how.
pamela foster refused to go to the hospital when giving birth, and hannah almost died in childbirth. lex psychically felt her dying, and activated her powers for the first time, reaching through the black and white and teleporting her outside the womb. by saving hannah, she apparently saved the entire universe
ted has died the most times out of any hatchetfield character but we all knew that. every time the world ends, he dies twice (main ted and homeless guy).
doctor laszlo, the doctor who sewed hannah’s finger back on in yellow jacket, is a mad scientist who claims to have “conquered death” and will feature in the possible NMT3 story “Frankenruth”.
bill has a literal soulmate, though we don’t know who it is (sylvia?? his ex-wife?? TED?? no idea)
in at least one timeline, becky and tom are engaged and have a baby called marie <3
hidgens is either haunted by the ghosts of the workin boys, haunted by evil creatures pretending to be the workin boys, or insane and hallucinating ghosts of the workin boys. they seem to be led by chad, who is confirmed to NOT be pokey in the workin boys short film, chad was genuinely just a guy hidgens liked, but it is unclear whether or not the chad the ghosts talk about is the real chad or something else.
tim houston has a crush on the “mature and totally cool” grace chasity
duke is getting married to someone else and my life is over and nothing will ever be okay again 👍
I will also transcribe the episode descriptions for the possible NMT3 episodes and other projects and post that in a bit :)
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theodoresgirl · 7 months
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hey I have a request for a Killian jones x female reader where the female reader is Emma’s twin sister (looks more like snow) and has a 3 year old daughter from a past toxic relationship, if you can’t do it that’s fine either way thank you :)
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Killian jones x Emma’s twin sister
Killian jones x Fem!Reader
A/n: I did not forget about this request, Sorry it took me a few days to do! Hope you enjoy<3
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Y/n was the daughter of David Nolan and Mary Margaret. She also is the twin sister of the savior Emma Swan. She grew up being bounced between foster homes in New Orleans. When she was 23 she had gotten into a really toxic relationship, at 25 she got pregnant and had a daughter.
She had been stuck in the toxic relationship until she was 28, She had packed up her and some of her daughters things and left in the middle of the night.
She had silky long black hair that was curly, brown eyes and a round face with dimples. She almost looked like a clone of Mary Margaret. Her daughter Edith had long dark brunette hair with emerald eyes.
Killian had met y/n and her daughter Edith one day when she had went to visit her sister and parents for one of the first times.
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Thursday June 25th, 12:51pm.
Y/n was sitting on the top deck of the jolly roger with Edith, They were eating some sandwiches from granny’s. They were waiting on Killian to finish cleaning his ship.
Edith was sitting on the edge of the ship walls looking out on the water, Y/n kept her view on her daughter and occasionally if he was in view, glancing at killian. Y/n finishes her sandwich and crumbles up the wrapper putting it into a bag.
Y/n looks around trying to see killian but doesn’t, “can i have your trash princess?” She holds the bag out so Edith can put her trash in it, “and I need you to be on the deck instead of railing so I can go run this up to the dumpster” Edith shakes her head as she puts her trash into the bag.
“I can’t leave you on the railing of the boat- ship? You could fall in the water” “Mermaid” edith looks over the edge. “It doesn’t work that way” She holds Edith back so she doesn’t fall. “I’ll watch her, Don’t worry about it love” Killian came up behind her, startling her. “Oh!- it’s fine- you- You don’t gotta worry about it, Weren’t you cleaning?” she nervously smiled, still not used to someone offering to help her.
“I’m done cleaning, Honestly love we could just head back to your loft if you wanted-“ “i wanna stay” the little one interrupted. Y/n sighed before nodding “i’ll be right back then” she said as she walked down and off the jolly roger.
“Alright then love” Killian smirks and she walks away. He turns towards Edith and leans against the railing of the ship and holds himself up with his elbows. “So what do you like kiddo?” He asked curiously. Edith answered back “Princess, Cartoons, Barbie-“ “I'm gonna have to cut you off there my lady, I have no idea what this ‘barbie’ is, Cartoons too?” Killian admitted. Edith looks at Killian with a confused look, “you don’t know barbie?”. Killian shook his head “what is it?”
“Barbie is movies, some of my favorites” She smiles. “You’ll have to show me one next time I’m over then” Killian pats her head with his hand.
Edith nods and giggles “we can watch a mermaid one” “oh? There’s mermaids?” Killian raises an eyebrow. “yes!! Yes!!” she nods and smiles.
⭐️
Saturday June 27th, 8:00pm
Y/n was laying in the living room with Killian and Edith. Edith was sitting in front of her mother and the pirate watching Barbie: In a Mermaid Tale 2. Killian was laying on the couch with y/n laying on his chest.
Killian had his focus on the tv, only sometimes asking questions about ‘Barbie’, and either getting an answer from the little brunette in front of him or the pale skinned woman in his arms.
After the movie was over both Y/n and Edith were asleep, Killian carefully slips himself out from under Y/n and picks her up. He carries her to her bedroom and lays her down before going out to the living room again and turning everything off. He picks up little Edith and carries her to her room and lays her down, tucking her in, “Goodnight Kiddo.” He muttered as he walked out of the room going into Y/n.
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So in Nyad we have
Older dykes
Quoting Mary Oliver
Thriving in queerplatonic love
Finding healing and growth in their sixties
Getting windblown and wet and incredibly hot
And living wholeheartedly
And you really need to watch it. And if you’re as big a fan of Jodie Foster as I am, you’ve never seen her gayer. The director knew how to let her shine.
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snakefell · 7 months
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nick and trubel, the ultimate father-daughter found family duo
i love the found family trope between all the grimm characters, but this adopted father-daughter duo is UNMATCHED and i wanna talk about it.
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nick took her under his wing and let her stay with him and juliette because he KNEW what she was going through. when he first started seeing wesen, he had aunt marie and monroe to help him navigate it all. trubel had NOBODY. she watched a wesen kill her foster parents, and she was constantly getting attacked by these monsters that nobody else could see.
when she met nick, he showed her the trailer and the grimm books. he helped her realise she wasn’t going crazy, that he could see them too. i feel like it’s a parallel to aunt marie telling nick the truth when he first started seeing wesen - “… we can see them for what they really are” - telling him that he isn’t going crazy, that this is real.
marie also gives him the books and everything else in the trailer, all of which had been passed down generations of their family, and he lets trubel use them. i know that the others (hank, wu, etc) were also allowed to use them, but this was different. nick had known them for a long time before opening up to them about him being a grimm. him and trubel shared that ability, giving them an instant connection that didn’t exist between nick and anyone else.
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i also love how every time trubel comes back, there’s such a pure reunion between her and her dad nick. it really does feel like she’s his grown-up child who’s left the nest and is coming back to spend some family time killing wesen visit.
i’m so glad the producers didn’t push a romance plot between them, because their dynamic is a beautiful example of found family done right.
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iamafanofcartoons · 1 year
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We need to address how media, and media critics, portray female characters poorly. What can be done about it? What are examples of media works that portray complex female characters well? What are writing tips for people trying to write complex female characters? Why do media critics hate on women?
Its just something I noticed.
Male writers drop the ball with female characters all the time. They'll give the men all the good lines but women get weak roles and no sense of humor. When we complain they then make a female character who has too many boyfriends and too much ego and too much power but no resourcefulness, or she's super powerful but still needs a man to save her, and of course they make her complain about everything and fight with everyone who helps her. I could go on and on.
A lot of people are incapable of viewing female characters as anything other than an innocent saint or a portrait of pure evil. Arguably the best characters are morally ambiguous ones who live in the gray area between good and evil, but women are much less often afforded that distinction than their male counterparts.
I'm been having a huge problem connecting to media. The only women around are very young or very old and their main defining feature is usually motherhood. If a woman my age exists who isn't a mom she's usually either obsessed with men or desperate to have a baby (or will be once the right dude comes along).
Fanfiction has great female characters , but you keep running into people who will only write a complex woman who's tied to a male main character.
Michael Burnham from Star Trek: Discovery . POC Female Protagonist. You probably have heard or seen a lot of hatred against.
Korra from The Legend Of Korra. Sequel Series to ATLA. POC Female Protagonist. Despite losing fights and suffering extreme trauma and making mistakes, critics passionately bash the show, calling her a Mary-Sue, and accusing the show of being Protagonist-Centered Morality.
A lot of the time if there is a military high ranking female character or just female leader that is masculine or butch she will be the villain to be defeated by the traditionally feminine or at least more feminine heroine/love interest of the hero. I hate this because it basically implies that a woman can only be good if she’s conventionally attractive or a love interest. It’s saying being butch is bad/evil.
Even movies trying to be feminist, like “Contact” which I had to watch for homework? With Jodie Foster from the 1990s told the brilliant, focused woman scientist to not be so “confrontational” (as two male characters stole credit for her work right after they stole her funding) and to be happy with “small moves.” They continued to pat her on the head and tell her to be quiet through the whole movie. The one time she even spoke to another woman was to ask where she could find a really pretty dress. This was supposed to show growth in her character arc.
If I recall correctly, one of the playable characters in the next release of the grand theft auto series is gonna be a women. People online were flipping out over this saying they are being too "woke", among other things. Its funny to me because there has been 5 gta games with only male protagonists, and now there's 1 female in it and suddenly its a problem. Its like these people think there are only 2 genders in games, male and woke.
Heck, people love basic trope laden protagonists..... until they are women.
People love unreasonably over powered characters that are loved or feared in equal measure by the entire cast..... until its a woman.
Then all of a sudden, she's a Mary-Sue and the show/game/book is "Protagonist-Centered Morality"
Some characters who are torn apart for their initial naïveté like Sansa Stark or Usagi Tsukino (Sailor Moon) are immediately written off as stupid girl characters. Never mind that one becomes a political powerhouse and the other routinely saves the world. People just write their characters off as too “girly” or “annoying” before they even have the chance to redeem themselves in their stories.
Feels like at it's core, people don't like women trying to build self confidence and play out power fantasies. The only difference with the original Mary Sue was that she was imagining being liked by everyone, which was every woman's dream back then and to a certain extent, now. The power was being well liked, and that made her annoyingly boring because there was no struggle for her. Men think struggle is needed, even in fantasies and dreams, but it isn't.
The term Mary-Sue gained a new popularity by shaming female characters (such as Rey, Galadriel, Captain Marvel,…). I am not saying the term is not used towards male characters as well, but it is more rare, and it is rarely as violent as when it is used to characterize a female character.
More importantly it is used against female characters unevenly compared to male characters, its accepted as a genre trope for a male character to be extremely capable or to acrue experience and ability rapidly throughout the narrative. But when it's a woman suddenly "realism" must apply, a real person doesn't simply gain strength and talent through endless perfectly leveled hardship. In simpler terms, Batman can launch a thug across the room with a single punch and it's awesome, Black Widow, however, is breaking the laws of physics when she does her famous around the neck takedown.
Neither are realistic, arguably any grown man launching another grown man bodily through the air with a casual punch is less realistic than a woman pulling off a skilled takedown, but the unequal application of standards says all that needs to be said about the critic.
Writing a "mary sue" to be male often results in a praised character that people don't really worry about. Like Goku or Kirito. People are fine with it. Enjoy it. And there's massive amounts of rather popular fanfiction taking random male characters in series and sue-ifying them, making them the protagonist over the actual main characters, and slapping in poorly developed romance arcs. It's "mary sue" 101, but hardly anyone talks about them in that light.
Meanwhile a woman shows a level of competence similar to another character in the same series (e.g. Rey to Luke or Anakin) and the accusations are everywhere.
Calling these characters one-dimensional is one of the dog-whistles of the modern [whatever]-gate colony creature.
They know that they'll get savaged if they come out and say they're mad because this character is a woman, so they couch everything in these subjective terms. She's one-dimensional. She's flat. She's badly written. She's a mary sue. I just couldn't relate to her.
You can argue with them, you can point out that, say, in Star Wars, that Rey's ability to handle weapons intentionally established in the early scenes of TFA, that we see the setup for the skills she's going to display later in the movie/series, and that her first win is against a badly wounded Sith apprentice. By contrast, Luke successfully fights his way through a huge space station against professional soldiers, then hops into a starfighter he's never flown before, outflies a bunch of experienced pilots, and pulls off a physically impossible shot to save the day.
But sure. Rey is the one who strains credulity.
You can point all that out, but none of it matters. They're not arguing in good faith. They're just mad that there's a girl, and know better than to say that out loud.
He pulls off the shot because he has a throwaway line about murdering animals the size of a camel for fun in his civilian craft that just so happens to have controls similar to the military superiority fighter because they were manufactured by the same company. Because that doesn't strain credibility. Also guess which parts were filled in later by novel writers who were like, "holy **** that makes no sense at all"
Sailor Moon and Sansa Stark are two female characters that start out as whiney cry-baby girlie girls who evolve into political powerhouses and heroes in their own right. But most people write their characters off immediately, because they’re disgusted by their girlish-ness.
While our media gives male characters a chance to grow, female characters are generally written off unless they either show masculine traits, or are used for fan service. It’s why women in movies and TV are usually a kickass tomboy or a girlfriend character.
So anyway, I guess my point is that there are amazing kickass women characters who are well-written and evolve and grow, but their growth tends to be written off as frivolous and not as cool as their dude counterparts.
Imagine an anime where the woman is the main character and she's strong, smart, and not sexualized ?
How about Guardian of the Spirit (seirei no moribito in Japanese)? The MC is a mercenary woman who fights with a spear. She's a complex character, maybe somewhat emotionally stunted because of growing up on the road. She meets a wonderful, compassionate male healer and I love how they break stereotypical gender roles. There's also a complete badass old lady with magical powers and a temper. One of my favourite characters in any genre.
But I'd like to add SuleMio to the list.
Some people did not like that Gundam had its first female protagonist last year, or that she's engaged to another girl, or that they have a romantic moment where Miorine makes Suletta "promise to be with me forever".
It's my first Gundam show and I was nowhere near the fandom, but even I heard the howls of rage from the otakus over that show while it was airing.
“ I highly recommend reading Mistborn by Brandon Sanderson. Strong female main character with a supportive cast of male characters. His Skyward series is also good for this.  Sanderson is great but there are some female fantasy writers that do this even better IMO. NK Jemisin has tons of great female characters. Tamsyn Muir’s Locked Tomb series has a majority female cast and I’d say 4 or 5 of them are in the top ten most interesting and complex female characters I’ve read. “
You heard of The Bechdel test: Two women have to talk about something other than a man. There is no time window. It came up in a 1985 comic Dykes To Watch Out For and although it is not a great indicator of more feminist content, it's a wonder much media fails to pass that test.
Have you seen
Arcane? That is a wild crazy masterpiece with awesomely complex awesome characters. It's animated, yeah, so what? But I mean, to say "it's animated" is a heavy  understatement. Have you seen Jinx? Have you seen her portrayal of psychosis and godknows what else was happening in her head? No one in history came even close to that.
Queen's Gambit? Anya Taylor-Joy brought Beth Harmon flawlessly through immense complexity of the character
Mare of Easttown - Kate Winslet there is, I kid you not, the best acting I have ever seen. Her character is going through complex situations and emotions and learning to deal with her human side. Bryan Cranston raised the bar ridiculously high with Walter White, but Kate Winslet pushed it further up, set explosives on it, and walked away like a badass without looking at the explosion. No one is topping that anytime soon.
I'm sure there are more examples. But what I love about these, and a big part of what makes them perfect is that they are their own characters and aren't defined by men around them. Their greatn
I wish female characters were given better in terms of development and characterization. Honestly, I feel like a lot of people hate female characters simply because most male dominated media does such a poor job of writing women, and those characters aren't given the same excuses as poorly written male characters.
Anyway, yeah, sorry for my rant. Having grown up on Anime, Harry Potter, Star Wars, you name it?
I later in life realized what was missing, what is needed, and really needed to hear other people's input on this stuff.
I never understood the need for every main character to be only a cishet white guy. I had already come up with several characters of my own, all of them LGBTQIA+, and half of them women, and several also POC. But my writing and art skills are poor so I can't visualize them properly...
We need more female authors, and we need to promote the ones that are out there more!
(there are plenty of really, really good female authors, in all genres, but often they get less attention, because, well, misogyny)
Edit: If you want an example of how the double-standard towards women and LGBT is applied? Go watch RWBY or Legend of Korra. Both involve a deconstruction of tropes. Both involve women standing up against an authority that demands respect based on being authority, not based on respect. Both shut down the white male savior trope so hard, that men and women who love the patriarchy despise both shows.
But of course, anything that Team RWBY or Korra does is immediately held to a double standard and ripped into for anything that they do NOT because they’re flawed or because of writing decisions. Its because they’re LGBT women that they’re held under a microscope. Or have you noticed that every fixit fanfic for both series involves defending the Patriarchy while supporting toxic masculinity and trying to revive the White Male Savior trope that both shows have tried so hard to bury six feet under?
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torukmaktoskxawng · 1 year
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I demand James Cameron to release the names of every scientist/human/avatar that were chosen to stay and live in harmony among the Na'vi.
There's Norm and Max, obviously, and there's like two named humans in the graphic novel, the High Ground, who just happen to be Spider's foster parents, Nash and Mary McCosker.
Imdb credits have all these avatar and biolab scientists unnamed. When watching the film on Amazon Prime, they have the biolab woman who berates Tuk and says "Avatars only, go around!" is labeled Jocelyn in closed captions but that's the actress' real name.
Like:
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WHO ARE THESE PEOPLE?! I NEED ANSWERS
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arataka-reigen · 7 months
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hello!! i saw the tags on your pinned post abt how shoujo wasn't just romance and it got me curious bc i've read some nice shoujo but really dislike romance-heavy plots. are there any shoujos you like that don't have much or any romance in them? ty and i hope you have a good day! 💛
Oh, there are lots of mangas that are classified as shoujo and don't have romance!!
I am just now beginning my journey through shoujo as well, so I don't have a lot of recommendations for stuff I actually read, but the ones I did read or watch so far are:
Natsume Yuujinchou and basically anything else by its author, Yuki Midorikawa. Sometimes, her works do include romance, but the focus is almost always in the interpersonal relationships and the difficulties her characters go through in life. NatsuYuu is about an orphan boy who can see yokai, and for that reason he acts in "weird" ways and his foster families dislike him, so he keeps going from family to family. The story is about how he finds a good family who accepts and loves him, makes friends, and learns to make friends even with yokais.
There are currently 6 anime seasons out, and a 7th season is on its way, so you can either read the manga or watch the anime.
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Akatsuki no Yona - i mean, this one does include romance, but i'll still put it on the list because as far as the anime went the focus is heavy on Yona's actual journey to gather the dragons of legend to be able to recover the kingdom that was stolen from her. It shows how Yona goes from a sheltered spoiled girl to a person befitting the title of dragon king.
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My Next Life as a Villainess: All Routes Lead to Doom - this one is the og villainess isekai and it truly deserves the hype. It is about a girl who wakes up in the child body of the villainess of her favorite otome game. She remembers that the villainess' fate in the game was always either death or exile, so she tries her hardest to change her fate. This one is classified as a reverse harem, but the main character is pretty oblivious and worries more about farming and eating sweets and generally being the best girl ever than actually worrying about romance. Aro ace queen tbh. And her harem is just happy to be with her and be dragged along for her stupid adventures. Plus, the female members of her harem are taken seriously as well, Mary is a raging lesbian and it is not subtext. I mean, it is a shoujo, so of course the female characters would be important lol.
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Usagi Drop - listen to me. You will absolutely not look for anything related to this manga. If you like the premise you can watch the anime. But, please, do not look for the manga. You will only be extremely disappointed by it. That being said, I recommend the anime. It is about a man who returns home for his grandfather's funeral and then finds out his grandfather had an illegitimate daughter who has now become an orphan. He ends up having to take care of her because the rest of the family considers her a shame to the family.
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Now, for the stuff I havent seen yet, I'll just write some that are on my "plan to read" list and put their genres next to their names so you can check it out if you think the genre's sound interesting:
7 Seeds (drama, horror, psychological, sci fi, survival)
Requiem of the Rose King (drama, historical, supernatural, gender identity)
Basara (drama, fantasy, adventure) (i think this one has romance, but from what i've heard, the main character's story is a lot deeper as she takes her brother's identity in order to fight against the king who killed her brother, it is pretty famous and considered a classic)
Ghost Hunt (horror, mystery, psychological, supernatural)
Helter Skelter (horror, psychological)
My Stepmother and Stepsisters aren't Wicked (comedy, historical, slice of life)
Ikoku Nikki (drama) (this one is the one i'm currently most interested on, i hear it's about a distant woman who's never had a good relationship with her sister and now has to take care of her teenage niece because her sister died)
Itsuwari no Freya (crossdressing, historical)
Limit (drama, psychological, school) (this one sounds incredible tbh, on a field trip their bus gets into an accident and only 5 girls remain, having to learn to survive and trying to assert themselves over one another because they hate each other.)
Machida-kun no sekai (school)
Mitarai-ke, Enjou suru (drama) (the main character wants to infiltrate the household of the family who blamed her mother for a fire, in order to prove her mother's innocence)
Smoking Behind the Supermarket with You (comedy)
Uramichi Oniisan (comedy, showbiz, workplace)
Usotoki Rhetoric (mystery, historical)
Don't Call It Mystery (mystery)
If anyone has more things to recommend I would also love to hear about it!!
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lifesizehysteria · 1 year
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Listening to Sherri deliver that beautiful monologue during the babymoon, and how hard she's working to breathe while sitting with those two babies pressed against her ribs and lungs takes me right back, and makes me feel for her every time. I remember trying to train new associates while pregnant with my twins and every three words I had to take a breath because I just couldn't breathe anymore. She really did do the most to make sure the show continued while she was pregnant and almost ten years later I'm still so grateful for that.
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mr-laveau · 13 days
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"Laveau, how much angst did you give your darlin?" Good question! Here's an answer pt. 1
Tags: discussion death of parental figures, childhood rejection, not canon compliant, angst got dialled up to 11, this was all made pre-reveal of the canon timeline, Highschool!David/Darlin, just be prepared to understand that I put my darlin through some shit.
Darlin who turns 13 and finds out they're a shifter. Their local department branch threatens to take them from their parents if they cannot find a pack. Their parents pack some bags and go looking
Darlin who was rejected from every other pack because they were seen as too much of a liability to be introduced to any pack. Packs either couldn't accept new shifters, didn't want to train a humanborn shifter, didn't want to accept an autistic child into the pack or simply made up excuses not to take Darlin in.
Darlin who watches their parents struggle with getting them into a pack, driving from state to state, trying to learn about magic and keep their child safe as they search for a place to help them develop as a shifter.
Darlin who leanred to use their magic on their own at a young age so they weren't a burden to potential packs who could take them in.
Darlin whose parents, Darius and Renko Lancer fought tooth and nail with Gabe Shaw and Frank Talbot to get their kid into a pack despite not being empowered.
Darlin whose family is accepted and took up residence at the edge of pack territory in a log cabin. They make it work
Darlin who's introduced to the pack at 15, it has been two years since Darren Lancer first found out he was a shifter and he is better at using his magic than most of the adults in the pack. He is seen as a prodigy and they quickly make friends with David, Milo and Asher. They are finally given a place to be themselves and have friends.
Darren has stayed with the pack for six months when they get the call during class that their parents were involved in an accident in their home. He runs home immediately and sees the scene. They learn that a rival pack attacked their home for being too close to their territory at the boundary of the shaw pack. Their parents fu=ought back and were killed in the incident. The department promises to look into the matter. The case runs cold.
Darren stays a month in his parents' cabin after their deaths. Nothing was touched. Darren has not cleaned it since their parents died. There is dried blood in some spots where the department did not reach. The smell of iron fills Darren's lungs and he has not been to school since. There are rumours about Darren spread by some of the adults of the pack. They think Darren has broken psychologically, they think that Darren is sick and they eventually call the authorities to have Darren taken out of the pack and placed in foster care. It is not successful and Gabe Shaw intervenes. A week after, Darren is placed under the care of Marie and Colm Greer. He is not officially adopted and has refuted the option of adoption. He is sixteen when he arrives into their home, his birthday passed and he didn't tell anyone. He instead spent it alone, cleaning his parents' cabin.
Darren Lancer gets into a fight with Christian after he takes their dad's jacket from them to put it to wash. He has a broken nose and a scar on his chest. The pack disapproves of their actions and threatens removal. Gabe however shows Darren how to clean and maintain leather jackets 1 month and 2 weeks after the death of their parents.
The department has Darren in holding after they were caught fighting with the rival pack that attacked their parents. Five wolves have had their limbs mangled and may not walk well again, Two wolves are in critical condition and a wolf is too traumatised to give testimony. They are found out to be the same wolves that attacked Darren's parents and Gabe intervenes to keep Darren out of trouble 1 month 3 weeks after the death of their parents.
Marie scolds Darren and admits them into therapy. Darren and Milo grow closer as a result of Colm's bad habits worsening. A month after the death of their parents, as marie cries alone in the kitchen, Darren sits next to her and hugs her. 2 months after feeling robbed, Darren feels connected to the Greers.
Darren starts to learn guitar and music as an outlet after being suggested by his therapist. Marie reminds Milo and Darren to keep it down a few nights but she's glad to see that they're getting along better. Darren rejoins pack meetings and social gatherings with the pack 3 months after the death of their parents. David makes friends with them much to the disapproval of the rest of the pack's adults. Gabe invites Darren over for dinner.
4 months after, Darren is officially dating David Shaw. Gabe invites Darren over again, and again, and again. Marie has taught Darren how to cook, clean and how to trust. She has taught him how to defend himself emotionally and physically. Gabe has taught Darren how to run free in the forests nearby as a wolf, he's taught Darren how to tussle and David is there to learn with him. Milo, David and Asher invite Darren to hang out regularly. Milo and Asher feign disgust seeing them kiss but they're glad seeing them both happy. David says he loves them and Darren isn't shy to say it too.
Darren turns 17 and David asks him to senior prom. It's one of the best nights he's had. They dance with Milo and pull stunts with Asher but the final dance is reserved for David before they leave the dance and spend the rest of the night together. It's been 5 months and Darren feels at peace.
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theloganator101 · 7 months
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So! Eri!
I've seen others talk about her and how she basically destroys some plot points in the story, so I feel like talking her and what I think.
I like her, I think she's cute. And as a concept, I think she could work wonderfully. A kid with a powerful quirk who's been abused and was practically kept as a prisoner all her life until Izuku saves her.
But the execution... left more to be desired. Let's look into her backstory.
When her quirk first came in, she accidentally rewinds her dad out of existence, causing her mom to abandon her to her grandfather. She was then placed under the care of Overhaul who wants to experiment with her quirk to resurface the Yakuza, but her grandfather refused to Eri being used as a guinea pig so Overhaul took matter in his own hands by crippling him so he wouldn't get in the way.
From there she was exposed to years of abuse and grueling experiments where she was dissected and even killed multiple times before Overhaul revived her with his quirk. In comes her meeting Izuku and kicking off the chain of events that'll lead her freedom and being with people who actually cares about her.
~~~
To start off, I kind of have a problem with how her backstory is executed. Because think about it, what does it remind you?
A character whose life has been nothing but hell?
An abusive parental figure who is clearly awful and deserves no sympathy? (Not that I'm saying or implying Overhaul does)
Meeting the one person who'll make their life better again and everything is now sunshine and rainbows?
Yeah this reads like bad fanfiction you find on Wattpad or Fanfiction.
Eri is technically Y/N or any mary sue protagonist. Except here she's a plot device to move the story along.
Oh, let's talk about that now.
Eri has become nothing more than a plot device as her arc went on. All she is at her quirk for the characters to use when the time is right. She's not allowed to be her own character and is just there when a character needs her quirk.
Thankfully it only happened once with Mirio to get his quirk back, but this led to me and others fearing that he'll use her again to heal any of the major cast that were injured during the war.
Let's move on to the aftermath of her rescue, and where she ends up. Does she end up in the foster care system? Does somebody they know take her in?
The answer: Aizawa takes her in.
Yes, Mr. Expels everyone and plays favorites, is the one chosen for the job of watching over a traumatized little girl with a powerful quirk. Because he can just erase her quirk if it gets out of control.
That's literally the reason she's left in his care.
Good job there guys! Put the child in the care of a guy who hasn't gotten over the death of his best friend and would most likely neglect her! I'm sure that won't backfire in ANY way!
~~~
So with all that I've said, what would I change to make her role in the story more plausible? Well simple
-Change her quirk to that of a healing quirk that can't restore quirks or restore lost limbs.
-Change her backstory that she just got dumped with an abusive relative that Izuku just took off with her in his arms since, you know, he was in abusive dynamic himself with Bakugou. Afterwards they discover she was being abused and get the relative arrested.
-From there the arc can just be about helping Eri realize she's not in danger anymore and help her get on the path to heal from what she's been through.
-Putting her with someone not Aizawa, I would suggest Inko as she's the mother figure she needs.
And that's it for my thoughts about this character, feel free to add in what you would've done with her because I would love to hear your ideas.
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paradoxolotl · 8 months
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📚
Book asks
HELLO MY BEAUTIFUL PAS ~ finding one I haven’t told you about was a CHALLENGE but I think maybe this one?
(Also yea I absolutely have Andrew’s whole half of this story written out if you want that as well. Plus one snippet I might have posted before)
What’s in a Name:
Nathaniel Wesninski and Andrew Doe were childhood best friends. Completely inseparable, pinky promising to stay with each other forever. Andrew knew he why he couldn’t ever play at Nathaniel’s house, and Nathaniel knew why Andrew moved homes and changed families. They both knew why the other had bruises. It was okay though, because they could grab each other’s hands and sleeves and know they weren’t alone.
But then one day Andrew was moved towns, far enough away Nathaniel couldn’t follow. Shortly after Mary takes Nathaniel and moves them far away from Nathan. But by the time he tries to find Andrew Doe again, Nathaniel is someone else and Andrew is nowhere to be found.
And months pass, and Neil and Mary move again. And again. They make it a few years, bouncing around. Eventually, they go to the FBI for help. They almost have Nathan’s circle rounded up, so Mary finally gives in to Neil’s pestering and takes him to an Exy game. They don’t make it to the court, and only Neil makes it out.
He spends the last few of his teen years in the foster system. After his father’s death, he gets his name changed to Neil Abram Josten. When he’s 18, he takes everything he has and moves to the city Andrew was moved to when they were kids. He doesn’t watch Exy anymore, but he still listens to the games on his radio, reads the game reports and stats.
Every day he looks up Andrew Joseph Doe.
He’s giving up hope on ever finding his best friend.
Until one day when visiting his neighbour and she turns on the TV to an exy match. And Neil sees one Andrew Minyard with the same scar over his brow that Neil’s best friend had.
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aliceismypixie · 8 months
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The villain of my story ∥ All the way to the north
Summary - "The villain will always be the villain if the hero tells the story" or atleast that's what they say. No one knew why you became what you are. But you wanted your revenge on Isabella Marie Swan and you were ready to do anything to have it.
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Pairing - Twilight x villain!reader
Pronoun - she/her (but can be read as a male reader or gn reader)
Warning - The reader is an immortal child, burning people, mention of dying (burning)
Words count - 1.43k~
Set - After Breaking-Dawn Part 2
Chapter 3 - Masterlist
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"Soooo, is this what villains usually do all day ?" Redacted Renesmee asked, putting a red yellow on the piles of cards.
"Well, I don't think so. But your parents are taking too long to get you and you were being annoyingly talkative so I had to shut you up somehow." You replied, putting a plus four on the piles with a smirk and she glared.
"You're so cheating ! How come you only have good cards while I have almost half of the pack !" The hybrid weird kid exclaimed and you rolled your eyes.
"Life isn't fair child, I don't see why I should use some fair-play when no one was ever fair to me. Plus I love to see your face fall each time you take four cards." You calmly explained and she scoffed before throwing her cards on the ground.
"That's just rude and mean ! Why are you so mean to my family and I by the way ?! It's unfair. We did nothing to you !" Rikki Takki Tavi Renesmee pointed out and you glared at her with a scoff.
"Your mother specifically did nothing when we were younger ! She would never do anything ! Watch from the side or just ignore the truth ! I'm making her suffer like she made me suffer !" Your answer was cold and the kid frowned in confusion.
"My mom wouldn't just make you suffer for nothing !" The golden brunette defended and you rolled your eyes, feeling the fire slowly taking over your palms.
"Spoiled brat like you could never understand." You walked away and locked Renesmee's door behind you.
You could feel the flames wanting to burst out of your fingers as you reached the mail room of your lair and you immediately punched the wall in one swift yet hard motion causing the wall, as well as your cold stone skin, to crack.
You could feel the unshed tears in your eyes of anger as you remembered your childhood. It was horrible. Kids like Roseate could never understand the struggle of being in foster care. Kids like Renesmee were spoiled to the core and they thought that they were better than the rest because they were. They had the power, the looks, the love anyone envied. You never had it. Jumping from house to house but always ending up in the same mess every single time. You were lonely but then you got fostered by the Swans, then adopted by them under Isaella's request and then, she stabbed you in the back and never looked back at you.
You could feel your lips trembling as a few sobs escaped and you fell on the floor, broken, with a cracked hand and a cracked heart, not being able to let out those pained cries nor tears as you closed your eyes.
You were once again suffering.
And only by yourself.
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They only had three more days. Most of the Cullens feared that something happened to their little treasure in the past week but Jacob's imprint link was still there. As long as it was there, Renesmee was still alive. And as long as she was alive, they had a chance to save her.
"Do we at least have any clues ?" Leah asked.
"We know that the scent of the stranger is their way of hiding. They smell like lavender and wet grass which makes them blend into nature and hide themselves but, we've got you three. As much as it pains me to admit it… your sense of smell is better than ours so we'll need you." Jasper started and everyone nodded, they were all around the table of the meeting of the Cullen's house.
"When we went out with Seth two days ago, he could pick up their scent going south but we don't know more as we couldn't track it after the river. But we have a lead." Alice explained and once again everyone nodded.
"But what if this was a fake trail, what if they have Renesmee captive but more toward the Canadian border ?" Rosalie asked and everyone took in her words.
"This… could be an eventuality but for now we will check the south. A small group will go up toward the Canadian border to take a look and we will alarm the others if we notice anything." Jasper finished.
Being an ex-soldier of the army was actually pretty cool, and very hot but that was Alice's point of view (and mine), in this type of situation. Everyone could be organized in a military way and knowing that their enemy was a child was just better. Why ? Because as a child you don't think like an ex-military soldier. So they had the upper hand.
They could take their enemy by surprise and for all they know, their enemy was alone while they were twelve. Whoever was targeting them stood no chance.
Or at least they thought so until Alice's eyes turned glossy.
Once again there were flames everywhere. But this time they were still fighting, or at least they were trying to.
In the middle of a battle field stood a little girl, fire bursting from her palm as she aimed toward Emmett who quickly moved out of the way.
Thought there was someone who didn't move behind the big vampire.
It was Rosalie.
And the blond Goddess fell on the ground, screams escaping her lips the fire took over her cold marble skin.
And Emmett turned back around, his expression fell as he saw his wife slowly dying and in his moment of weakness, the little girl shooted him too.
But then the vision changed.
Jasper and Carlisle were the one burning on the ground.
But it changed again.
Esme and Edward.
Seth and Alice.
Jacob and Bella.
Leah and Seth.
Jasper and Emmett.
"Every single duo sent to the north is going to die either way…" Alice trailed off her eyes still looking elsewhere and Jasper clenched his jaw.
"You don't see any alternative ending ?" He asked softly to his wife who shook her head.
"Then we're abandoning the idea." Jasper solemnly announced and Bella frowned.
"But we will need to go to the north eventually. Renesmee could be there !" The shield expressed and everyone turned their attention toward Jasper.
"We can not. Two lives for one isn't―"
"But we're not just talking about one random life Jasper. We're talking about my daughter !" Edward replied stubbornly and Jasper scoffed.
"And I'm not talking about two random lives either Edward. I'm talking about two lives of our family. And Renesmee is not dead yet. We can not risk two lives to save someone who doesn't need saving at the moment." The ex-soldier pointed out and Edward growled.
"Edward, you saw it just like I did. You couldn't possibly think about killing two of us in vain. You already know that the plan couldn't work. Why would you want to send two of us there ?" Alice harshly pointed out and her brother looked toward his tortured wife on the side causing Rosalie to scoff.
"We should have known. You were always like that anyways. Putting everyone's life in danger for a human and now because she's your wife you're ready to sacrifice two of us just for her." The blond beauty expressed with a hint of venom.
See Rosalie Lillian Hale was the perfect example of an anti-hero. The one who does good only if it serves their interest. At least that's what she was in Bella Swan's story. No one clearly tried to understand her point of view. See Emmett tried, but most of the time he simply sticks to his wife. Rosalie Lillian Hale was only on Bella's side when it benefited her. But on the other side, she was probably the most attached to the family after Esme, holding on to the last thing that made her feel human.
But we will not talk about that. Rosalie Lillian Hale was only the anti-hero of Isabella Marie Swan's story.
"Rosalie please…" Esme tried to sooth her first daughter as much as possible until a paper plane passed through the opened window of the living room and posed itself on Rosalie's lap.
"What is that ?" Emmett asked and Rosalie opened the paper, her frown turning into an horrified expression.
"There's not only two of us that will go north." The blond vampire announced putting the paper on the table for everyone to see the words written on the unfolded half burned paper plane.
'All the way to the north you go. Or all the way to south she falls'
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Chapter 5
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