i can see the explore page and apparently i can see posts if i go into tags??????? oh and i can see notifs i just cant. like open posts. from notifs. but i saw posts in the random tag i opened in the explore page!

trying to make a big giant post about the sp vhs tapes but i’m having some issues formatting the pictures so they don’t make the post suuuuuuper long but are still the highest quality they can be hmm ...

i have neither a good imagination nor aphantasia, but a secret third thing

rage.

"For a moment or two I could see nothing, as the shadow of a cloud obscured St. Mary’s Church and all around it. Then as the cloud passed I could see the ruins of the abbey coming into view; and as the edge of a narrow band of light as sharp as a sword-cut moved along, the church and the churchyard became gradually visible. Whatever my expectation was, it was not disappointed, for there, on our favourite seat, the silver light of the moon struck a half-reclining figure, snowy white."

Mina and Lucy in the kirkyard at Whitby, August 11th.

love language barrier

a fan comic of sanji and zoro from one piece, during the wano raid scene where sanji bandages zoro.

panel 1: sanji looks disgruntled, a cigarette hanging out of his mouth as he ties strips of bandages together. he asks, “hey. still alive in there? say something, wouldja?” zoro answers from off-screen. his speech bubbles are shaky, and his words are occasionally interrupted by groans or hitches of breath. he says, “do… you think… luffy feels… attraction?”

panel 2: a closeup of sanji’s gobsmacked face, shocked by the seemingly random topic. he shouts, “what?!”

panel 3: zoro is wrapped in a cross-pose in bandages with only his face visible. he says, “on the roof… i could almost swear he was putting the moves on traffy…” sanji practically yelps, “traffy?!” with a large, jagged speech bubble.

panel 4: a closeup of sanji’s hands as he continues to wrap zoro. he says, “there’s no way. you’re hallucinating.” zoro snaps back, “he was hanging all over him! and they were fighting and arguing and stuff!” sanji replies, “and what did you think that meant?! we do that, crap-swordsman!”

panel 5: a closeup of zoro’s face. his expression looks fairly neutral, though his eyebrows are slightly raised as he processes sanji’s words.

panel 6: the same closeup of zoro, but now his brows are furrowed and his mouth is flattened in embarrassment. his cheeks are flushed as he comes to terms with the realization that arguing is not always considered a form of flirtation.

panel 7: a full-body silhouette of sanji tending to zoro by candlelight. after a moment of silence, sanji asks, “mosshead. how hard did kaido hit you.” zoro answers, “pretty fucking hard.” sanji repeats, “pretty fucking hard, yeah.”

✦ I was never as good as I always thought I was ✦

▲ swish ▽

(rotoscoping of Reigen's twirl in op3 of Mob Psycho 100)

Finally done!!!! It took me way too long and a lot of it is still pretty rough TTvTT

Here are the static twirls:

And now some process gifs for anyone interested (I exported lines, flats, and shadows separately, then added some effects in video editing):

Jason: the Batfam member I see most as my brother is Tim

Dick: What!!! That's no fair, I should be your brotherly-ist brother!

Dick: No offense Timmy.

Dick, turning back to Jason: But I am the one who has been your brother longest, I helped you kill that druglord, I even gave you some of my cookie dough last week!

Bruce: uhhh, back to the druglord thing-

Steph: You shared your cookie dough with him!

Jason: Sorry Dick, but there is one thing that makes you brothers more than anything else, not blood, or time, but...

Jason and Tim at the same time: Contempt

Jason: I have contempt for Tim, like all siblings should. Really the only thing I love more than hating Tim is shit talking other people with Tim. That form of contempt is how siblings bond and I will just say, surprisingly I love bonding with Tim even more than I love terrorizing Tim

Tim: aww, I didn't know we were that close

Jason, panicking cause he doesn't wanna ruin their dynamic: *punches Tim in the gut and runs out*

Tim, shouting after him: You can't take it back now, you ass

Jason: *turns around while running to give Tim the middle finger*

Taking pride in One's own appearance.

For the ranchers a bit more shleep i just really like charakters comfy and nice:Dc /nf

Eepies. Jimmy woke up to really sore wings but its okay because Tango

I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.

The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?

The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.

Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.

My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.

This is a rather high-risk romance we've embarked upon, isn't it? Brings new meaning to the term 'strange bedfellows'.

THE SITE IS UP, EVERYBODY BRACE-

i always imagine scar as having scar tissue on the side of his face that pulls the edge of his mouth up slightly. not enough to look strained or uncanny, not enough to even realize that's what's happening unless you've spent a lot of time around him, but just enough so that it looks like he's constantly, always smirking a little bit

oh man so see this is Interesting, bc you honestly don’t need the scar tissue to even pull much to get this effect, just giving him a lip scar in the right place would make it look like he’s always slightly smiling

^tried to show what i mean here, literally nothing else about his expression is different between the two images, just that one tiny mouth scar

(imo a bigger scar there would actually affect his expression LESS than this, because eventually your brain goes ‘oh that’s not part of his mouth that’s something else’ and doesn’t register it as much)

let's drive out