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#just an idea in the morning
ivoirloup · 2 years
Conversation
Steve : [...] But I wanted to die !
Bruce : What are you talking about ? You didn't wanted to die, crashing the Valkyrie was the only option.
Steve : (dark laugh) Lose Betty (pointing Tony)lose Pepper and we'll talk about what i wanted.
Tony : But Peggy wasn't dead.
Steve : I never say Peggy's name.
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flamingpudding · 8 months
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The Stand-in Job
Danny loved his job. It was an easy on call job he got rather on accident. But it paid well and gave him enough time to deal with ghost matters outside of scheduled work hours.
Though now he got stuck in a situation his Boss had not provided him with a script and or explanation how to behave for.
Danny was a simple Stand-in. Sort of like a Stuntman kind of job. His boss was paying him to simple take his place during public appearances, or meetings with no big decision he has to sit through just to listen. Or on the easiest of days, to just sit in his boss office so it appears that someone is there while his boss was doing who knows what. Danny doesn't question, that's why his boss liked him.
But again, no where in his contract was described how he was supposed to handle this situation. So now he was stuck having beat up a couple of wannabe kidnappers and some vigilantes talking to him all casually going on and on how 'Tim', his boss, wasn't supposed to do that to not risk his public image. Should he record this as evidence for his Boss? It sounded like these vigilantes were spilling some of his boss' secrets that shouldn't be known to the public.
Tim just needed someone to sit in his place to make it appear like he was there when he had cases to work through. Danny was the perfect hire for it and Tim liked very much that Danny doesn't ask questions, like he understood. Yet when Danny sent him a text questioning how he should behave as Stand-in in front of Gotham's vigilantes.... Tim wasn't sure if he should feel offended or highly amused about his siblings not realizing that the one kidnapped in public hadn't been Tim but his Stand-in Danny.
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nicossunshine · 1 month
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It’s definitely been mentioned before but I love the idea of the 7 + Nico on the Argo II just doing dumb kid/ teenager stuff??? Like yes they’re all powerful demigods on a dangerous quest but they’re also a group of teenagers (some as young as 14) with ADHD and minimal adult supervision.
You’re telling me during a quiet shift on night-watch Leo and Frank didn’t snicker whilst daring each other to spit off the side of the boat?? Like imagine Percy and Jason having a game of ‘who can yell this dumb phrase the loudest without laughing’, or Piper and Annabeth borrowing Hazel’s drawing equipment to do ‘portraits’ of each other, or Hazel and Nico both awake at 3am making crazy concoctions with the unlimited food in the ship’s cafeteria. Meanwhile Coach Hedge is running around yelling stop it shut up don’t waste perfectly good pancakes building a food castle
You’re telling me no one packed a deck of cards for this journey? They didn’t have a single UNO tournament?? They didn’t all set up their sleeping equipment in the mess hall for a sleepover one night???
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rendevok · 1 year
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Thoughts of you
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wigglebox · 4 months
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And in that moment, he knew he was never beating the 💖💜💙 allegations
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basilries · 1 year
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happy pri demon th
06/03/24 i redrew it :o) also thanks for 5k notes lol
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introspectivememories · 6 months
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it's always distinguished lesbian momo with disaster gay todoroki. we need to flip the script. disaster lesbian momo with distinguished gay todoroki. tddk are practically living together in shouto's japanese style dorm meanwhile momo flies in every morning, hair a mess, slamming that shoji door open, talkin bout "todoroki-kun! kyouka touched my knee this morning! do you think she likes me????"
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kitamars · 1 year
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im not immune to mermay it seems
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rocketbirdie · 2 months
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bad monster hunter item ideas
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chronicowboy · 2 months
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His breakup with Marisol is about as unremarkable as the rest of their relationship. There's no catastrophic muffin mess in his kitchen or divorce papers. Just a quiet I don't think this is working out, I'm sorry. Marisol hadn't even cried. She'd just nodded like she'd been waiting for it and left, didn't even need to grab anything from the house before she went and really that just reassured Eddie that this was the right choice.
So, his breakup with Marisol is unremarkable, except that it's not. It's pretty fucking remarkable when he thinks about it because it's not just that they weren't working out, not just that he really didn't care about spending time with her, not just the clench in his gut every time she touched him. No. It's pretty fucking remarkable because he realises he's in love with his best friend.
That's what pushes him over the edge, gives him the last kick he needs to actually break things off with her. Because Eddie may have sworn himself to secrecy about it the moment he realised, but he could never string someone along just because he couldn't have the real someone he wanted.
It's a fucking revelation once he has it. Not a ton of bricks, but the sun peeking out from behind the clouds on the greyest of days, bright and blinding. And the way Eddie has always thought of Buck in terms of sunshine maybe should have tipped him off sooner, but with the way Buck has been beaming over the past few weeks. Well. Eddie doesn't really think he can be blamed for only just taking his sunglasses off and daring to look directly at the light.
And, okay, so Eddie maybe makes it a full week before he decides his self-sworn secrecy absolutely is not a viable option when Buck walks through life now like a drop of sunshine in human form. It's after Buck leaves the Diaz house, walking out from a day of giggles and joy at the go-kart track they'd finally managed to convince Chris to be seen with them at, leaving behind a cosy heat like sun-warmed skin, that Eddie realises he cannot go another day without telling Buck that he's desperately, deeply in love with him.
And so, that's how Eddie finds himself at Buck's door on a random Sunday morning, knocking for the first time since Natalia waltzed out of the picture. Buck opens it a few moments later looking perfectly sleep-rumpled and soft and downright golden where he's backlit by the early morning sunlight pooling in the loft.
"Eddie," Buck breathes out, eyes darting up the stairs before refocusing on Eddie and what must be the most hopelessly lovesick expression painted across his face. "H-hey, what are you doing here?"
"I, um." Eddie takes a deep breath, suddenly nervous, and wipes his clammy palms on his jeans. "I wanted to talk to you about something. Now a good time?" And Buck must hear the slightly shaky steel in his voice because the surprise on his face morphs into a concern so quintessentially Buck that Eddie just wants to kiss it away.
"Y-yeah, of course, come on in." Buck holds the door open for him, and Eddie migrates to the fridge as Buck closes the door with the gentlest touch. "So, um, what's up?"
"I..." Eddie swallows against the heart in his throat, loses himself in the shining blue of Buck's eyes like an ocean he'd be more than happy to drown in. "I broke up with Marisol last week."
"Oh, Eddie." Buck slumps, and Eddie tries not to think that it looks a little like relief. "I'm so sorry, man. That sucks."
"No, no." Eddie waves him off with a laugh. "It's good. Was a long time coming actually." He shakes his head at himself. "I think I was dating her just to tick a box, you know? Realised you probably shouldn't be more excited about a phone call from your new buddy than one from your kinda long-term girlfriend. You definitely shouldn't be relieved when you see your best friend in the restaurant you're taking her to and disappointed when you realise he's just leaving."
And then, Buck blushes, ducks his head, does that little smile that could light up every house on South Bedford Street just like Eddie had been hoping for.
"Yeah." Buck looks up at him from under his lashes. "Probably not."
It bolsters Eddie. Buck's sunshine giving him that one last push he needs.
"There was something else I wanted to say," Eddie starts. And there isn't really any fear in him, knows they'll make it through this no matter what, just an overwhelming sense of peace to come. "I..." A deep breath, gathering all his love and devotion in his lungs so it's ready to pour out on his next inhale and—
A groan from upstairs has the words dying in his throat. A masculine groan. And then:
"Evan?"
"D-down here," Buck calls back.
Eddie can't take his eyes off the loft, stuck there like a car crash he can't look away from as a very shirtless Tommy Kinard appears at the top of the stairs and quickly blanches.
"Shit. Um..." He looks down at Buck in a panic.
Eddie finally manages to drag his eyes away from the very chiselled curveball that just hit him at a hundred miles per hour and finds Buck's face. Small, scared, shaken. He knows the feeling. And because he loves Buck, because of just how deeply he loves Buck, it's the easiest thing in the world to lock that love away and let his face crack into the most genuine of grins. Because if Tommy's been the thing making Buck shine like every fucking star in the sky, well Eddie will absolutely not be getting between them.
"You've been so happy," Eddie chokes out, still smiling.
"I have," Buck whispers.
"And I'm so happy for you." Eddie covers the distance between them in three long strides and pulls Buck into a hug so tight and clinging he's sure it's a confession in and of itself, but Buck only buries in deeper, taking shaky little breaths in the crook of Eddie's neck.
"Thank you," Buck murmurs into his skin. Eddie squeezes his eyes shut against the sudden rush of tears.
"Sorry you didn't get to tell me on your own terms," he murmurs back, letting Buck pull away, but lingering with a hand on his hip, on his shoulder. He should maybe be worried about what this could look like to Tommy who had basically never heard anything apart from rambles about Buck, except when he glances up the stairs, Tommy is nowhere to be seen.
"I was going to tell you," Buck rushes out. "I-I just wasn't sure how."
"That's okay," Eddie says. It's okay. It's okay. "Well, I'll stop gate-crashing for the... Second time?" He raises an eyebrow, and Buck flushes a pink Eddie will never ever get to taste. "Yeah, okay. That makes sense." He remembers the pure fear on Buck's face, the indecision on Tommy's and the sudden tightening of his own chest despite his smile. "I'll leave you guys to it." He clears his throat. "Kinard, if you hurt him, they'll never find your body," he shouts up the stairs.
"Copy that, Diaz," Tommy shouts back.
"I'm really proud of you, Buck." Eddie wraps him in another hug then, a quick thing, just one last touch before Eddie seals every desire away for good.
"Thanks, Eddie." Buck walks him to the door, eyes glistening with unshed tears, and Eddie wants to hug him again. Wants so badly it hurts. But if he hugs Buck again, he doesn't think he'll ever let go. "See you at work tomorrow."
"See you at work." Eddie prays Buck is too distracted to hear the wobble in his voice.
"Wait, sorry, what did you want to talk about?"
Eddie freezes on the threshold, the stutter of his heart painful like he's back in a suit store, and he catches himself on the doorframe with a shaking hand.
"It can wait."
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somegrumpynerd · 1 month
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Some doodles from the freaky friday idea I had, as it turns out neither of them can do a convincing impression of the other
Also this
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crabsnpersimmons · 5 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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gremliinsart · 7 months
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You'll come back...won't you?
I don't think Bubble would know what to do if Caine left... he's all they've ever known...
Anyway *rings dinner bell* come get some Bubble angst lol
As always, au belongs to @sm-baby
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cemeterything · 5 months
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james fitzjames and the vanity of self-loathing
maria heim the conceit of self-loathing // dave kajganich the terror episode 1x01: "go for broke" // charlotte brontë jane eyre // josh parkinson & dave kajganich the terror episode 1x05: "first shot a winner, lads" (transcribed by @nigesakis) // bad books forest whitaker // dave kajganich the terror episode 1x08: "terror camp clear" // susanne rivecca ugly, bitter and true // fyodor dostoevsky crime and punishment // soo hugh & dave kajganich the terror episode 1x09: "the c, the c, the open c" // maria heim the conceit of self-loathing
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mysteriesmuse · 11 months
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It all started with Katsuki being dead-asleep and sprawled out and snoring in a way that most people would deem horrendously uncomfortable, and obnoxiously pleasant. Like an overgrown cat.
He was dead to the world until his phone rang. Biceps twitching and flinging awake in the dark Katsuki’s dark red eyes cut across the grey light of his room to catch into the stark blue phone light that was buzzing like crazy. Hands accidentally fumbling as he grabbed it he squinted with a surprised, “fuck.” Why were you calling him? You were 2 years his senior and the resident babysitter/tutor of his neighborhood back in Musutafu. A smart student and pretty girl: one of the only babysitters his parents ever agreed to come watch him. Mostly because your death glare was one that could really rival his own mothers, but also bc Katsuki harbored a little bit of admiration and a crush on you for some time making him actually behave for you.
And as your name flashes across the screen pressed against his cheek he can only remember sitting at the kitchen counters and sharing orange slices as you quiz him for his practical exams. He hasn’t seen you in years. Your voice flits through same as ever, “Hey Katsuki!” He shuffles and sits up closer. His eyebrows peaked — you sound breathy and stressed. “Hey to you too,” he growls. Another whisky giggle, “I know it’s late. I’m really sorry about that! It’s just — well your mother always tells me to call you if I was ever alone at night and I couldn’t think of who else I trust to call. . .” His damn mother did have a habit of telling resident kids to call him in case they were in dangerous situations. A habit she always kept up since he was a kid; always making him walk with you and the other girls when school clubs let out. And now here he was a fledgling hero and Mitsuki was still telling extras to call him — I guess some things never change. Katsuki could hear the faint music of karaoke bars over the phone. Already getting out of bed and rummaging through his drawers for a pair of sweats and hoodie. “S’ okay. Where’re you at right now?” You huff a little sigh, “I’m out at the bar strip on the west side of the city . . . it’s a little chilly.” Katsuki already has his feet in his slides and is heading out his dorm room, “I can hear your teeth chattering from here.” He huffs, “Now what’s the problem?” “I’m just a little nervous . . .” You admonish finally, “Could you just stay on the phone with me, please Katsuki? It’s really kinda sketchy out here.” He grunts, already stepping out the dormitory door and hitting the streets. “I can do that. How’ve ya been? It’s been awhile.” You huff a little laugh, “College is fine pretty mundane to what you’ve been doing. I’ve seen you on the tv and in the news a lot recently. I’m real proud of you Kit-Kat. Your folks are too.” Katsuki can feel his stupid heart leap at that nickname you gave him.
It’s because he used to give you kit-kats every year on white day — which wasn’t really out of the ordinary since you gave him chocolate on valentines, but you gave chocolates to all the neighborhood kids anyways. And despite his parents teasing and his agony you never seemed to think much of it, ruffled his hair and gave him a cute nickname.
He chest swells with pride nonetheless. A particular school event was coming up and he finds himself mentioning it as he spots your form sitting under the bus stop and shouts into the night instead of the phone. “I’ve got my year-three performance showcase coming up next week. If you wanna come watch I can definitely get you tickets next to my folks.” Your eyes go wide and flit over to his figure in the darkness. And the first thing Katsuki can’t help but think is that you look pretty.
Your arms are crossed over your chest and the black corset top you’re wearing. It makes your waist and broad shoulders pop. And as he gets closers he can see that it’s got the lace closures down the sides with cute little bows that you’ve tied. A pair of cream colored trousers and tall peep-toe heels underneath as you rise to greet him. Phone slack in your hand as you stare at him. The black straps of your top dangling over your smooth collarbone as you inhale, “Kats what are you doing here?” Your head of curled hair — he’s never seen you with curled hair before — tilts like a puppy dog. He shrugs hands in his pockets, “Coulda asked you the same.” He says pointedly, you curl in and flush with embarrassment, “How much have you had?” “Only a few. I’m still sober.” You reply with a shiver as you fall into step beside him, “Not as fun as I thought it was gonna be. My friends are still inside.” At this Katsuki feels himself relax he didn’t think this was really your seen anyway. Especially with those friends he knows you’re referring to: the older kids of the neighborhood. “Yeah the rest of them are real pieces of work, babe.” Babe. Did he just call you babe? Dunce face is rubbing off on him. You notice, glancing to look up at him, but he watches you shake your head a little and dismiss it as quickly. “So what’s this showcase that you mentioned Kit-Kat?” He huffs, taking the side closest to the street, “It’s a promotional showcase for 3rd years. Show the pros what we can do, explain our personal philosophy, our ambitions. It’s like a really big resume preview. It’s real important for getting yourself out there to the agencies although I already have good ties to some.” You nod, bumping elbows with him as you dodge a streetlight, “seems really important,” you muse. “I’d love to come if it’s no trouble?” Katsuki’s eyes are glued into your glossy lips while you say that, turning away with the tips of his ears pink as he grunts, “S’ no problem at all. I can get ya’ one tomorrow.” You hum thoughtfully, “it’ll be nice to see you in action up close. I’ve watched your sports festival showings before — it makes me want s’mores.” at this you giggle and lock eyes with him, “I let you do that one time.” Katsuki groans rolling his eyes. “Still the best ones I ever had!” He chuckles nudging you with his shoulder. You beam ear-to-ear and his heart pitters as you loop an arm through his to steady yourself, “I can’t believe we’re both so grown-up now.” And here you go turning sappy on him.
“You know Suki’ I know you’re gonna be a great hero because you’ve always done stuff like this for me. No matter how often others tell you different, you send them to me okay?” And you’re sniffling now, still shivering against his side as you prepare to fight off all the haters he has. He’s matured a lot since his debut, but they don’t say make a good-first impression for nothing. He glances at you intelligent, well-educated, passionate as you are you weren’t gonna put up much of a fight — he still appreciates the sentiment. He grumbles a “thank you” into your hair as he walks you home in the dead of night.
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kizzer55555 · 11 days
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Ultimate Escape Room
Sam, Danny, and Tucker are bored. Nothing seems to be a challenge anymore. Summer vacation is coming up but they can’t agree on anything . Themepark? What’s a better roller coaster than Jack driving? Scary movie? I’m sorry, nothing beats Fright Knight’s nightmare realm. Bungie jumping? Danny can fly. Then Tucker, who’s been typing on his computer, asks “what about an escape room?”. The others are about to shut the idea down because seriously? Easy. But Tucker just grins and shows them his computer screen.
“Ever heard of Arkham?”
Danny and Sam lean over to read the description and all three turn to each other and grin. 
Now, what’s the fastest way to get into Arkham?
So the chaos trio do ✨something✨ that gets them locked up in Arkham and then try to escape and they keep. You know, normal stuff for Arkham inmates. Except this trio? Keep. Getting. Out. Of. Their. Cells. So they are just passing by locked up rogues and waving at them as an army of prison guards chase after them. Sure they could get out the easy way (Aka powers) but no, this is a challenge so they have the normal rules of an escape room. Aka, you can’t break anything and an extra rule where if a guard catches you, then you can’t fight back (also, no one can get hurt). (They make fake identities and everything). So they need to go through the whole process. Figure out how to unlock cuffs. Could be learning to pick a lock with a spoon/stick/long nails. Then find the keys. Possibly having to crawl through vents to get in the warden’s office. Or making deals with prison inmates. Like, I’ll get this for you if you give me that (however they extract a promise that the rogue can’t kill anyone with whatever they help them with.) So they are in prison literally doing errands like find freeze’s weapons in exchange for him telling them the passcode to the gate or something. Or getting Waylon some meat from the cafeteria and he’ll break the lock on this movable vault that has materials to make smoke bombs they can use to distract the front guards. 
These kids are just going wild and it gets to the point where Arkham has to call the bats (like no Waylon, we won’t escape with you, we have to do it without breaking any walls!) So literally the only reason they are not escaping is because they want to do it ‘right’. But they are also aiding other rogues in their escape (at least certain ones. They aren’t helping joker no matter what he offers)
It’s driving the bats mad. They have vigilantes stationed in each hall, in multiple monitor rooms.
They aren’t even using anything clever to block the cameras. They’re using mirrors. Mirrors! Where did they even get so many handheld mirrors! 
They are running circles around the bats. The escaped rogues literally aren’t doing anything yet because they want to see how the three hellions will escape the entire bat clan. They have bets going. So there is a temporary truce.
Just imagine the conversations/interrogations the bats will have with trio, trying to figure out their master plan - because surely there's something more going on than three chaos young adults playing a game, right?
They trio each have a different story. And they are so passionate/convincing actors that no one knows which story is real. At least one of them told a sob story with legitimate tears.
Danny: (all mysterious) You shall never know our master plan….until it is too late. And just casually dropping hints that there is something greater or that the bats are playing right into their hands. Even using ridiculous scenarios like yesss the ketchup explosion in the cafeteria….We are one step further….Mwa ha ha! (Rubs his hands together)
Sam: (absolutely distraught with literal tears running down her face and ruining her mascara.) There is a terrible organization holding their parents hostage. They had been framed and forced to be in Arkham. If they don’t do exactly as they are told, their loved ones are in danger! Should we stay? Should we escape and help them!? No one will believe us and what if we make things worse? We don’t know what to do!
Tucker: (takes a long slurp of a smoothie. Where he got one? No one knows). Yeah we were bored and had nothing better to do than mess with you guys. (Sluuuuurp).
The bats are trying to figure it out. Is the black haired guy telling the truth and the other two are just manipulating them? Is it the girl and the others are only following the plot of the organization? IS THE BARET KID RIGHT AND THEY’RE JUST MESSING WITH US!? WHICH STORY IS IT!?
Under normal circumstances, Sam wouldn’t give a sob story because It’s not really her vibe. But Sam has the opportunity to pull one over on a bat. Do you honestly think she won’t take a chance to mess with them? Also, Dick is the one who is interrogating Sam.
He’s crying too by the end of the story.
Poor guy, Sam will play his heart like a fiddle. 
Also, their fake identities are Jordan for Danny. Mortica for Sam (or Macey for short) and Phineas for Tucker. The fact that they are using fake identities is the only thing they all agree on in the interview. But the bats find nothing on them and the identities are so realistic they wonder if they are even fake at all. If the three are faking fake IDs to throw them off their tail from looking deeper. Apparently their ‘parents’ having a missing persons report.
Damian is interrogating Danny. It’s just so easy to rile him up and get under his skin. It’s absolute drama in that interrogation room. 
Danny: ah yessss. Master plan.
Damian: you shall never succeed! Justice shall prevail evil scum!
And Duke is interrogating Tucker. He just…has no idea how to respond to this. He wasn’t trained for this response. Hostile, yes. Mysterious, yes. Scared, yes. Civilian, yes. Even Flirtatious! YES! But not…this. What does he do? should he take out his note cards?
Also, I’m adding a mix of home alone elements to this. They have to get past the bats somehow and it can’t be lethal. Poor Jason and Steph who are patrolling the halls fall victim to most of this.
At one point, both of them are tied up together and hanging from the ceiling. While the trio just casually walk by under them. 
It’s dental floss. Really strong dental floss.
Then the bats start taking sides. 
Jason? once he hears Sam's story, he's immediately willing to help her. He and Dick are searching for that missing person's report almost religiously.
Tim believes Danny's story. part of it is because it makes the most sense, and the other part is that he's slightly biased from becoming an evil megalomaniac in every timeline he's seen so he's subconsciously trying to stop that from happening here.
Cass believes Tucker because come on, it's Cass.
Steph is siding with Tim because her father was cluemaster so same reasons.
Bruce is trying to fact check all of them and is failing desperately.
Sam added some ‘clues’ in her interrogation and basically threw the GIW under the bus as the organization. So the bats do find a shady organization but so far no missing persons so the other bats still don’t know if what Sam is saying is true or not while Dick takes this as absolute proof and Jason feels like it doesn’t matter if she’s telling the truth at this point. It’s a corrupt organization. So he’ll still blow it up.
I think in this AU, the GIW isn’t a threat and more of an annoyance so Sam just plays them up as even worse. Like, she doesn’t say anything untrue just makes it sound worse out of context. Oh yeah, they opened fire on this random kid. (Gregory when they thought he was phantom) Oh yes, they have destroyed Danny’s house at one point. (The prank war with Vlad) Yes, the have an unhealthy obsession with dissecting people. (Even though they are too incompetent to actually catch anyone).
So again, they don’t know if Sam is telling the truth of the organization or they just used this random organization to draw their attention away from the three’s plans (as Danny implied). Possibly an enemy organization or a competitor.
I know everyone makes the GIW a big threat but I decided to change it up. They aren’t a threat but still get obliterated by a pissed off Red Hood and Nightwing.
And that’s  another reason why Sam gives the sob story. Danny and Tucker are great but they wouldn’t actually sick a crime lord on the GIW. Sam? Absolutely would. She does not care what happens to them. They tore up her garden one time with a stray shot. She wants revenge. And sure, she didn’t actually know what would happen to them after the bats find out but she still doesn’t care.
And through all of this, the rogues are sitting back and eating popcorn while Joker screams bloody murder from his cell. 
#Dpxdc#dcxdp#Kizzer55555 ideas#Sam Danny and Tucker are chaos gremlins. Correction. BORED chaos gremlins. The most frightening of all.#The GIW are not a threat but Sam still decides to mess with them.#Danny is having too much fun messing with Damian. He wants to see how far he can push the baby bat.#At one point he even sets up a scavenger hunt with ‘clues’ that makes Robin run all around Arkham convinced Danny had placed some kind of#Hidden weapon there. It was a whoopy cushion.#Poor Dick is getting played. He’s trying very hard to calm Damian down because that poor Jordan kid is just trying his best!#He has no Choice!#Jordan is now Damian’s life long nemesis.#Duke and Tucker sitting in a room. Slurping slushees…..awkward silence.#They can hear screams of rage from one room and hysterical sobbing in the other. ‘Phineas’ looks at Signal. “Sup”#The trio home alone the entire prison. Then cut the lights. Everyone is convinced they escaped again and start running around and getting#Caught in traps. Meanwhile. Sam and Tucker just broke into Danny’s cell to play Uno. It was game night! They don’t break out on game night!#By morning the entire prison is filled with shaving cream. Glitter bombs. All of the guards are caught in toilet paper like mummies or#Stuck in the vents. Steph and Tim are somehow caught in a life size Chinese finger trap made of pillowcases. Jason is knocked out by the#Ketchup bombs (curtesy of a favor from condiment king). The monitor room looks like an egg apocalypse. Damian is screaming from where#He got trapped in an empty cell. There is an ominous pole in the courtyard with a decapitated teddy bear head impaled on top.#And batman’s suit has been dyed pink.#Technically the trio COULD walk out of here at this point. But they were having game night! They weren’t even trying this time!#It doesn’t count unless they are trying! So they walked back into their cells and close it on themselves. Danny’s cell is right across from#The still locked up Robin who is glaring MURDER at him.#‘Jordan’ winks.
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