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#i know they use they/them but they also make me question my morals
ozzgin · 2 days
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Yandere! Bad Guy x Reader
I am currently in my Natural Born Killers nostalgia, and so I'm borrowing its vibes and bringing you this: a bad-to-the-bone, rock-and-roll attitude yandere who constantly makes you question your own morality. Featuring an old OC!
Content: gender neutral reader, violence, murder, male yandere
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He fell in love with you at first sight. A goody two shoes, quiet and obedient. Shy. Oh, terribly shy. You couldn't even meet his eyes. He knew you were the kind others would step on, take advantage of. But there was more to it, much more to uncover.
Who was it? A relative, a friend, a coworker? You know, that person holding you back, keeping you in your place. The one who'd always make you feel small and insignificant. The one who would always find something to criticize. How did it feel when you found them on the ground, bashed in and bloodied up? He was standing above the lifeless body, catching his breath, a cocky smile plastered on his face. His way of courting you.
He looked so tall in that moment, towering above your hesitant self, his gaze of a confidence and intensity you'd never known before. "Well? What are you waiting for? Get in", he said, gesturing towards a convertible he most likely stole earlier that day. What possessed you in that moment to join him without delay? Was it his charisma? Or did you know in the depth of your soul that he wouldn't take no for an answer?
You see, he's known it from the beginning. Someone like you needs someone like him. You’re a sweet little lamb lost among the wolves. The world would eat you right up if you were left by yourself. But now you have him. And he won't let his precious prey get away. Oh, dear, no. If he wants something, he gets it. And he's never wanted anything more than you.
"You didn't...even tell me your name", you sheepishly spoke up from the passenger seat, trying to keep your mind away from the crime you'd just witnessed. "Just call me Tig", he said casually with a yawn, speeding away. "Won't you be in trouble, Tig? Why would you even kill-" you tried to reason. "What kinda question is that? They treated you like shit and it pissed me off." He glanced at you with a frown, taking another drag off his cigarette. "You're mine now, so whatever happens to you is my business. Got it?" You just stared. Was that his way of asking you out?
Tig lives by his own rules, as you quickly learned from becoming his companion. Always on the run, indifferent to the world. For the most part, to your surprise, he's well-behaved. If people don't mess with him, he doesn't mess with them. Simple as that.
Anything involving you, however, sets him off terribly. Like a rabid, ferocious guard dog, he's ready to pounce on whoever approaches you the wrong way. Last week you stopped at a highway diner for coffee, and on your way back to your table, you jokingly pulled a clumsy dance move to the song playing from the speakers. Tig observed you with an amused smile, sipping from his cup. A passerby joined you, resting his arm on your waist flirtatiously. Tig's smile dropped in an instant, and next thing you knew, the whole place was splattered in blood. No one made it out.
"I didn't even finish my coffee", you whined, already used to the occasional massacre. The man hopped behind the counter and threw on a bloodied cap. "What will it be, sir/ma'am?" he pretended, dangling a takeaway cup and starting the espresso machine. "I never told you, but I used to be a barista", he declared proudly. An entirely different person from the unhinged killer you witnessed minutes ago. "What? You said you were a mechanic", you questioned with raised brows. "That's also true. I'm a jack of all trades, I suppose. You know what I'm best at, though?" He lowered himself until his forehead touched yours. "Pleasing you."
The man is romantic in his own way. He twists the key, and the engine stops. You follow him out of the car in confusion. "Why did we stop here?" He briefly lifts himself up onto the tall fence securing the bridge, and inhales deeply. "Isn't it a nice view?" he says, nodding ahead. It is a scenic sight, sure. The river slithers along the lush valley, and the setting sun gives everything a dramatic tint. "Give me your hand", he suddenly demands as he goes to grab it himself. Before you can ask for an explanation, he quickly drags a blade across your palm, and you wince in pain. He repeats the gesture with his own hand, locking his fingers with yours over the rail. You watch as fresh blood trails along your skin, eventually falling into droplets and vanishing into the river. "Now we're going to be everywhere", he remarks playfully. "Okay, but what was the point?" you insist, a little baffled.
"Isn't it obvious? Maybe this will help", he continues, procuring a ring from his pocket. "I'm saying I want to marry you, (Y/N)."
You open your mouth to answer, but he already slides it up your finger, eyes glimmering in excitement.
"You're never getting away from me, love."
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scoobydoodean · 19 hours
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just saw somebody saying that cas is a pushover for dean…. obviously that’s not true. but can i have some solid evidence just to make me feel more sane?
I mean Cas's baseline state is ignoring what anyone wants him to do imo. It's just when he ignores what most people want him to do, he makes this face: 🙄
And when he ignores what Dean wants him to do, he makes this this face. 🥺
But anyway:
"You should show me some respect. I dragged you out of Hell. I can throw you back in." (4.02)
ANNA: "Uhm, guys, the angels are talking again. / SAM: What are they saying? / ANNA: It's weird. Like a recording. A loop. It says: "Dean Winchester gives us Anna by midnight, or we hurl him back to damnation." (4.10)
"[I tricked you into coming into town] Because whatever I ask [for you to turn an innocent person over to me for execution], you seem to do the exact opposite [protect them from me]." (4.15)
After kidnapping Dean to make him torture for them: "This is too much to ask, I know. But we have to ask it." (4.16)
[Kidnaps Dean and locks him up] (4.22)
[Flies away abruptly because Dean asks a question he doesn't want to answer] (5.01)
"I killed two angels this week. My brothers. I'm hunted. I rebelled. And I did it, all of it, for you, and you failed. You and your brother destroyed the world—and I lost everything, for nothing. So keep your opinions to yourself." (5.02) (Note: Cas blaming Dean for everything going wrong here is also some major bullshit).
CASTIEL: May I borrow [your amulet]? / DEAN: No. / CASTIEL: Dean. Give it to me. / DEAN: All right, I guess. (5.02)
Cas flies off to kill Jesse when Dean and Sam are in direct moral opposition. (5.06)
ANNA: I'd say the Winchesters don't trust me. / CASTIEL: They do. I don't. I wouldn't let them come. (5.13)
You're not gonna finish that? [Takes Dean's burger without waiting for an answer] (5.14)
[Kidnaps Dean and locks him up] (5.18)
"Maybe they're desperate. Maybe they wrongly assumed Dean would be brave enough to withstand them." (5.18)
[Beats the shit out of Dean in an alley] "I rebelled for this?! So that you could surrender to them?" [kidnaps Dean and locks him up again] (5.18)
DEAN: Whoa, wait. You’re gonna take on five angels? / CASTIEL: Yes. / DEAN: Isn’t that suicide? / CASTIEL: Maybe it is. But then I won’t have to watch you fail. 
CASTIEL: You think I came because you called? I came because of this. [The Staff of Moses] / DEAN: Oh, well, it's nice to know what matters. / CASTIEL: It does help one to focus. (6.03)
CASTIEL: I need your help. / SAM: [ Scoffs. ] That's rich. Really. / CASTIEL: [ Grunts, tosses the jar of locusts at SAM. CASTIEL performs air quotes during this speech. ] Sam, Dean, my "people skills" are "rusty." Pardon me, but I have spent the last "year" as a multidimensional wavelength of celestial intent. But believe me, you do not want that weapon down here. Help me find it. Or more people will die.
[Flies away abruptly when Dean asks anything he doesn't want to answer] (6.03)
Cas tortures a child while Dean pleads with him not to do it (6.03).
[Yanks Dean's wrist over without asking and slices his palm open to use his blood for a spell] DEAN: Whoa, whoa! Hey! Ahh! Why don't you use your own? / CASTIEL: It wouldn't work. I'm not human.
[Flies away abruptly when Dean is mid-sentence] (6.06)
Cas ghosts Dean for days while Dean pleads for help in prayers (6.05-6.06)
Those are some moments of note up to my current rewatch episode.
Less organized but past current rewatch point some random momence:
The entire plot of season 6 where Cas is going behind their backs the whole time culminating in him refusing to let go of his plan while Dean pleads him to do just that.
Fun lil Deancas bitchy compilation set here
[Beats the shit out of Dean flies away with the angel tablet]
Refuses to come out of Purgatory
Ignores Dean's nightly prayers in Purgatory
Ignores Dean's prayers and calls all of the tiiiiiiiime sometimes for weeks
Locking Dean in the dungeon... again. (S9)
DEAN: I'm glad you're here / CAS: *Leaves* (10.03)
Keeping Demon Dean from doing demon things :(((( (10.03)
Works with Sam to decode the Book of the Damned behind Dean's back.
CAS: No fighting. / DEAN: Tell [Claire] that. / CAS: Both of you.
"YEAH you know what I like about him? It's that he's sarcastic, but he's THOUGHTFUL and APPRECIATIVE too."
"If I plan to do anything else stupid, I'll let you know."
CAS: So I should just sit here? / DEAN: Pretty much. / CAS: NO.
[Look of utter loathing] "Dean. You are NOT a talking dog." (13.16)
"At least I don't look like a lumberjack."
Steals The Colt to kill Kelly Kline when Sam and Dean want to save her -> Does a 180 into wanting to protect Kelly and still won't include Sam and Dean, instead knocking them unconscious (12.19)
Locks Sam and Dean out of the dungeon so he can torture Donatello for information (13.14)
Also: #hot girl cas. And anyway, if Cas decreases his bitchy basline tendencies to be bitchy around Dean and Dean only, and instead indulges him occasionally by doing things like dressing up like cowboys, we should be fond of this because the angel the size of a Chrysler building who has killed thousands lets Dean put him in little outfits to make him happy and there is something very cute about that.
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stromuprisahat · 2 days
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"I didn’t know whether to laugh or scream."
Siege and Storm- Chapter 15
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Oh nein! Mal has issues! With consequences of his actions he should be grateful for, and his girl not sharing every waking thought with him, when her worst worries spring from his most hated topics- the Darkling and her role in politics.
And Alina once again feels responsible for his feelings.
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Yeah, this would have a bit more weight, if Alina didn't do it only for appearances' sake. Or if she granted the position due to merit, not random pick of what she views as the lowest low. Or if she didn't continue speaking as if she were a narrator of wildlife documentary, describing a new species of animal that just appeared.
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Not necessarily, but it's one of Alina's less far-fetched deductions.
Aleksander could've been aware of David's fascination with Morozova's work. He could've picked the most skilled in bonework or the one most experienced in forging amplifiers- they're supposed to be rare, so not many Fabricators will have that.
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*mumbles* And somehow we're to believe this pragmatic man chose to follow Alina, because... ? She's the good one, or whatever?!
*chants* Double agent Kaminsky, double agent Kaminsky!
Alina: Why would you want to kill this man! How horrible! At least question him first!
She would make a delightful morally flexible character, if she were acknowledged as such, and embracing that quality.
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Says who? Zoya?
He KeEpS mE So BuSy!
Saints, Alina, you can't believe everything people say about themselves!
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Alina: I'm not sure my three months of training are enough, but I can do like two things with my powers, so let's focus on increasing them further AND on the mythical forbidden art that created my goal no. 1 in the first place. I bet nothing can go wrong...
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Only signing? Not reading to get into picture? And who prepares them?!
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Bureaucracy, baby!
Welcome to responsibility!
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I would sympathize with Alina much more, if she showed genuine interest in those she doesn't know. If her motivation weren't merely "Do the opposite of (what I think) the Darkling did". I she truly believed in her own philosophy.
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Shocking!
People forced to sit next to half-strangers they're not used to interact with, create unpleasant atmosphere!
My work experience considered- you're lucky there's no visible enmity- you could've made the wrong people sit next to each other and tableware could've ended up in wrong bodyparts.
Also: How is Nadia sitting next to Marie? I thought breaking up already existing friend groups was a point of this whole exercise.
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They're not gifts, Nikolai. They're just your father's property, but let's remember the Darkling didn't wait for the Queen to request a specific one's service, and turned it into a gesture of his own thoughtfulness. Fuck his strategems!
Alina's misplaced sensibilities are incredibly frustrating.
She wants to lead Second Army, but not order them, not assign them tasks directly, because that would somehow make her a bad person, instead of efficient leader.
What if no one will volunteer? What if weak, incompetent Squallers will? You don't look at special assignment and think- Yeah, whoever wants to do it... You PICK the most capable person with both sufficient skills AND suitable personality.
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Awwww!
Poor granny deserves an Oscar!
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eclaire-went-bam · 13 days
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hiii:33!! friendly reminder that someone can enjoy a character that has done heinous things and not support said heinous things
usually when a character does Bad Things in a narrative (espec if they're not the protagonist) it is Portrayed As Bad so people who enjoy the character Likely Know They Are Bad
& either way harassing people over enjoying a fictional character is just really childish
if you don't like the character, that is perfectly valid. but there's never any reason to characterise everyone who likes said character as Evil, and/or imply they condone the character's negative actions.
also sometimes i look at internet discourse and it's like people want morally grey characters but then turn around when "morally grey" is not always "i have my own rules but i still make all the right choices !!" some of y'all just need to admit you just like good characters that's fine not everyone is into the spice it's ok to like that good protagonist energy
;;;not saying every character i'm referring to fits in that "morally grey" category, some are just evil villains, but even then i'm sorry 90% of ur stories wouldn't exist without them. they drive the plot.
#not really a rant#being in the hazbin hotel rdr2 and genshin fandoms just rlly makes me question people sometimes#maybe tumblr's fine? idk i've only gotten more active on tumblr suuuper recently. but i've definitely seen some rancid stuff on#**other platforms#fandom#there's also definitely gender bias in this let's not lie to ourselves.#there are some things a character can do that they'd forgive in a man but not a woman and vise-versa#generally speaking people who go “i know she did the same thing but He's So Babygirl” or “he did the same thing but She's Just A Girlboss”#rlly annoy me#it's fine to like one character over another even if they're pretty similar and use those terms to describe them#but ive seen soo many people criticise one character but then suddenly forgive the same crimes from another character on the basis of gender#it's seriously annoying#idrc if a character has done bad things but is more complex like dutch van der linde#or is simply evil just because they can be like the three vee's#just stop. no i don't like them to romanticise their crimes. especially if you put it into a realistic context#shocker !! il dottore enjoyers do not want kids to be experimented on#sometimes i'll even just Mention a character i like and someone will just go “i hate them they're so ugly die die” like bro i know.#r u done now. be normal. i know ur being silly but it's annoying that i can't talk abt anything because y'all gotta make VERY clear that#so&so is a bad person like yea no duh!#anyways oop long tags 💀💀💀#maybe this was a rant after all. i've seen this moral purity with characters both online and in personal friend groups & i care abt my eps#but some of y'all gotta chill
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dizzybevvie · 4 months
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forever fighting the people who watched wkm for the first time, identified that Damien looked a lot like Dark, and instantly concluded he was "pretending to be good"
#LIKE NO!!!!! >:[[[#Damien my beloved. he just wanted his friends to be happy :(((((#ik we dont get a whole bunch of time with him but like he never witholds information or is aggressive or ANYTHING#the most upset we see damien get is when he has an argument with William over how much he WANTS him to CARE that his friend died!#And hes totally right! yes william has super valid reasons but we and damien dont KNOW that#Like Damien Will and The Actor have been bffs for years and suddenly one of them drops dead and the other doesnt even seem to CARE???#I LOVE DAMIEN SO MUCH HE DID NOTHING WRONG !!!!#if we're gonna call Dark amoral also which. we dont really know if he is? then its. its Celine BFNSVSJSVS#Celine has very questionable morals in wkm. very relatable morals! but not exactly righteous#Shes just tryna take care of her brother and i get that but she fucks people over in the process#she walks in the house and immediately has control of the situation. she tells people what they wanna hear and then singles you out#and then chastises Damien for wanting to help her#I love celine btw i think shes so interesting but like. damien is a good person and Celine is a moral debate#when in “DAMIEN” Celine's pocket dimension is cracking the mirror she tells him that if he goes through with the first choice hes-#ever made (life IS ours to choose) that he will be changed forever but Damien is OKAY with that#Damien is OKAY with being a bad person from now on if it means Celine gets to rest#I LOVE DAMIEN WKM !!!!!!#Is Celine still asleep?#if White Suit Dark is a DIFFERENT universe Dark could he possibly be Celine piloting the body??? I DONT KNOW#the fact that mark has never tried to give us Celine-Dark makes me so rabid like PLEASE#although#Dark's whole thing is being cryptic as shit and i think Celine-Dark would just Have A Gun#wkm#this is a nothing post. sorry BFKSVDKSDB#beverly says stuff#who killed markiplier#damien wkm#celine wkm
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thatbadadvice · 2 months
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Help! I'm a Perfect Genius, but This Potential Employer Asked Me a Boring Interview Question!
Ask A Manager, 13 Feb 2024:
I was rejected from a role for not answering an interview question. I had all the skills they asked for, and the recruiter and hiring manager loved me. I had a final round of interviews — a peer on the hiring team, a peer from another team that I would work closely with, the director of both teams (so my would-be grandboss, which I thought was weird), and then finally a technical test with the hiring manager I had already spoken to. (I don’t know if it matters but I’m male and everyone I interviewed with was female.) The interviews went great, except the grandboss. I asked why she was interviewing me since it was a technical position and she was clearly some kind of middle manager. She told me she had a technical background (although she had been in management 10 years so it’s not like her experience was even relevant), but that she was interviewing for things like communication, ability to prioritize, and soft skills. I still thought it was weird to interview with my boss’s boss. She asked pretty standard (and boring) questions, which I aced. But then she asked me to tell her about the biggest mistake I’ve made in my career and how I handled it. I told her I’m a professional and I don’t make mistakes, and she argued with me! She said everyone makes mistakes, but what matters is how you handle them and prevent the same mistake from happening in the future. I told her maybe she made mistakes as a developer but since I actually went to school for it, I didn’t have that problem. She seemed fine with it and we moved on with the interview. A couple days later, the recruiter emailed me to say they had decided to go with someone else. I asked for feedback on why I wasn’t chosen and she said there were other candidates who were stronger. I wrote back and asked if the grandboss had been the reason I didn’t get the job, and she just told me again that the hiring panel made the decision to hire someone else. I looked the grandboss up on LinkedIn after the rejection and she was a developer at two industry leaders and then an executive at a third. She was also connected to a number of well-known C-level people in our city and industry. I’m thinking of mailing her on LinkedIn to explain why her question was wrong and asking if she’ll consider me for future positions at her company but my wife says it’s a bad idea. What do you think about me mailing her to try to explain?
Sir,
You have been wronged in the most grievous of ways by a coven of retaliatory, self-aggrandizing women who have failed in the extreme to recognize your brilliance, your talent, and above all, your general superiority.
Of course you should mail this mediocre "grandboss" on LinkedIn to inform her of the deep offense she caused you by interviewing you in the first place, let alone doing so using a boring question — indeed, you have a moral and professional obligation to do so in order to preserve your honor and the honor of scores of men like you who have never done a single solitary thing wrong in their lives, ever.
But I beg you to consider doing more. A single, private message to one incompetent bitch may not convey to the necessary parties the depth and breadth of the situation. Many, many people have important lessons to learn from your experience, and I encourage you to share it widely. Consider making a public LinkedIn post, and ensure that it is shareable across platforms. Depending on your financial resources, a billboard with your name, professional headshot, and contact information could go a long way toward ensuring that everyone in your industry who needs to know just how you handled the way these women treated you, does know about it. I hope that in your continuing job search, you are able to connect with potential employers who have a much better grasp of all you bring to the table.
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iceunhie · 8 months
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voicelines about you: as their lover !
featuring: imbibitor lunae, jing yuan, gepard. (+ jingliu and kafka)
notes: headcanons! some might be ooc HELP. i couldn't resist writing for hsr man… also jingliu and kafka sneak bc mmm i love morally questionable women 🤩. gn!reader. reader is not trailblazer. some fluff, some angst (?) kinda. reblogs are very much appreciated!
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Imbibitor Lunae (Danheng IL)
About [Name]: They're one of the few people who's never condemned me for Danfeng's sins, nor ever tried to get me to own up to them. Their presence is very comforting to me. My lover? *coughs* Y-yes, they are.
About [Name]: Selfies Aside from March, [Name] always seems to ask me to take photos with their camera. Hm? No, I don't really mind. If it makes them feel happy, then that's enough reason for me to agree.
About [Name]: Photo Albums [Name] made an Express photo album with March yesterday. Yeah, pictures of our adventures and memories, according to them. It's in the Data Bank, so just ask me if you want to take a look at it.
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Gepard Landau
About [Name]: [Name] is the most amazing individual I've met. Their determination and their will to pursue their goals to the fullest… I'm proud to call them my lover. Oh, ah… Was that too forward?
About [Name]: Lending a Hand Oftentimes, Serval asks [Name] to help her carry some things for her workshop. Although the times I get to personally help out are rare due to my duties, I still make it a point to support them by asking the Silvermane Guards to keep an eye out for them and help carry my sister's things for them if it's too heavy. Of course. They're always my top priority.
About Serval: Nagging Every time Serval stops by my post, it usually means [Name]'s run into some difficulties, which I try to help them out in. While her telling me about my lover's state is greatly appreciated, she always nags and teases me being a fool for them and… *sigh* No, it's alright, really. I'm thankful that my sister cares about [Name] and goes out of her way to talk to them for me. Still, I do hope her nagging would decrease next time.
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Jing Yuan
About [Name]: Hm? [Name]? Yes, they're indeed my lover. Hehe, now that you've brought them up, I should go look for them. I'm afraid I've grown so used to the feeling of laying my head on their lap that no other pillow can suffice. Ah, what a predicament…
About [Name]: Spending Time Together While I do enjoy dozing off, [Name] makes a point to let me rest at a more appropriate place, instead of at the Seat of The Divine Foresight, buried under a mountain of paperwork. Oftentimes, I do as they say, but when I'm not and just craving their presence… Heh, now that's another matter entirely.
(BONUS! - Yanqing's Voiceline) About [Name]: Oh, [Name]? They always give me some extra allowance for buying swords, buying me sweets and food I like… Of course I won't say no to that! Sometimes, them being with me when I'm being scolded by the General for my expenses helps a lot. Probably because they're the only one the General can't say no to.
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Jingliu
About [Name]: ….Do you really think you have the right to know about them? This is a warning. Try to ask again and perhaps you'll be faced with the end of my blade as my answer.
About [Name]: Soothed The whispers of the marastruck, succumbing to the Abundance… They are the only one able to calm the storm of my thoughts. For that, I am grateful for their patience and their kindness.
(BONUS 2! - Jing Yuan's Voiceline) About Name: While Master's current state is one of irreparable damage, at the very least… She has someone to hold onto while she grapples with the curse of mara. Even if I don't quite believe she's the Jingliu I knew from before, I know that her feelings for [Name] are sincere. I just hope she doesn't end up hurting them in the process.
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Kafka
About [Name]: Aha, now thats a question I didn't expect to hear from you. My lover? Yes, [Name] is that to me. I very much enjoy their love and affection, you know. Even if it isn't on the script, I'd still mention them. Quite romantic of me, no?
About [Name]: Trophy They always, always chide me about me ruining my velvet coats when we finish up a script. What's wrong with a little blood? I keep most of them as trophies. There's one I'm especially fond of, too. They think it's rather embarassing that I keep the coat from the time they got injured on the job. Although the stains have long since turnt black, there's still a faint scent of iron in it. Hm? What do I mean by that? Heh, let's just say I don't take any harm coming to [Name] lightly. While they call it a reminder of their lack of caution, I'd rather call it a little show of my affection~
About [Name]: Destiny's Course Elio refused to tell me about what my future with them would be, saying that the path in that choice is quite difficult to discern, and I think it's for the best. I suppose if [Name] decided to leave the Stellaron Hunters, hm, would locking them up till they can't leave me anymore suffice….? Haha, just kidding. I wouldn't let them leave in the first place.
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© 𝐌𝐇𝐈𝐈𝐄𝐄𝐄 : do not repost, copy, or plagiarize my work.
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needle-noggins · 11 months
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(CW for SA, suicidal ideation) Here we go. My favorite and simultaneously least favorite panel of Vash and Knives.
I've seen a few interpretations of this scene and before we dive into the one that really struck me, let's start with the more... chill one. We're finally introduced to the third gun of Trigun, Vash's angel arm. And the way we're introduced to it involves Knives forcing him to pull the trigger. Of course, since no one knows anything about Knives, the people of Noman's Land blame Vash for Fifth Moon, and Vash likewise blames himself (this is kinda a spoiler but if you've been paying attention, it's just par for the course). However, he's not the one who pulled the trigger, Knives is. It brings up an interesting moral question of blame - do we blame the gun (and Vash, who is being used/objectified as a weapon here), or the person who wanted it to happen? Guns don't kill people, genocidal twins do!
Now for the awful interpretation, the one that makes me cry and wish Vash was real so I could hug him and pay for his therapy. And really highlights how awful Knives is and how far he'd go for his brother in his own, fucked-up way. I touched on this in a previous post about Legato and the Murder Cafe, and the whole time I was thinking about Fifth Moon but didn't want to say anything for the sake of spoilers.
So. Pay attention to the way Vash and Knives are standing. Knives, when he first grabbed Vash's head, was standing in front of him. He moves behind him to better control him and yeah, he's still controlling him via hand on head, and now he's got his other hand gripping Vash's chest, where feathers/wings are manifesting. Knives is assaulting him. If you wanna get crazy with it and say that the angel arm is kinda phallic, you could say... yeah. This is rape. I heard that specific interpretation once and while I accepted it I also don't know if that would be generally accepted or if I'd be called out for it, so I'm trying to tread lightly here.
It also doesn't escape me that of course the angel arm has feminine features like the plants - the plants that, again, humans are exploiting for their ability to create. There's a lot of feminist commentary to be made here but many people have said it better than me. Specifically I'm thinking of this one post I saw about gender fuckery and Tristamp Vash. Anyway.
Also, the atomic bomb/black hole/sun/whatever that is in the middle... It's just so powerful. It's terrifying. The eldritch body horror here is a punch to the gut. What the fuck, Trigun? I thought this was a funky space western!!!
Oh, and here's more commentary on the following few panels:
Vashussy shot, Knives is still right behind him. Yeah, I wasn't kidding about how bad this pose is for them. Knives, you sick fuck.
Vash shoots himself in the leg (a key difference from '98 trigun, lol), because of course he does, but it doesn't free him from the arm.
The arm's getting darker/the light inside is getting lighter! Stampede did an awesome job with their interpretation of the angel arm and I don't think I would have understood it without that. Also, on my first read I didn't notice that Vash is literally levitating, which is cool, but also terrifying because ?? he's not in control of that either??
Finally. A super painful, minimalist, double-page spread. Nightow loves 'em. Vash thinks he's dying (maybe?) and he wishes he had never existed. It's not suicidal ideation per se, but he wishes he didn't exist at all because he's already caused enough suffering. This is a low for him, because he believes so strongly in the concept of the Blank Ticket. (Come on, soupy brain bitch boy, get it together!) He's a monster, it's just how he was born, and he's not in control. Very specifically too, he says "we", and then changes it to "I"... he doesn't blame Knives at all, and that's very him. I want to shake him! Stop playing the martyr, Vash!
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lexirosewrites · 5 days
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Steddie as rival lawyers who have very different careers.
Steve became a prosecuting attorney after graduating from a top school at his parents’ insistence. It pays well and makes them happy, even if it’s joyless for him to fight for things he doesn’t believe in.
Prosecuting innocent people and fighting for the sake of money without morals.
On the other end of the spectrum is free-spirited Eddie Munson. He’s a defense attorney who shows up in ill-fitting suits that show off his many neck and hand tattoos. Piercings in his ears and hair that’s not tidy or tamed in any way.
He’s a rebel who barely graduated from some lower tier law school with no prestige whatsoever.
Steve naturally assumed their first trial would be a breeze.
But somehow— sheer dumb luck, bad jury selection, or just stupid fate— Eddie wins. And he keeps winning.
Over and over for months.
Steve’s long uninterrupted winning streak becomes a losing one. If Eddie’s in the courtroom too, Steve knows he’s already lost his case.
It’s humbling.
Actually, it’s frankly embarrassing to lose to someone who’s so unprofessional and doesn’t take the law seriously like Steve.
Eddie is respectful of course, but he doesn’t use lawyer-speak unless he’s referencing a precedent of a law. Other than that, he’s overly casual and friendly. Everyone’s favorite lawyer.
He doesn’t lack passion though. No, the guy all but hops up on tables to make speeches about freedom or the American dream during every trial. Utterly ridiculous.
It works though. The juries fall for his bullshit about being down to earth and his clients walk free because of it.
Steve can’t stand it. He can’t stand Eddie and his mockery of his career.
This ultimately culminates in a confrontation in the parking lot one night after a particularly tense trial conclusion.
Once again, Eddie’s guy walked free and Steve knows he’s gonna hear about it from his boss (who also happens to be his dad).
So he might snap a bit when Eddie comes out whistling and looking happier than anything.
“Hey, jackass!”
Eddie looks around like Steve might be referring to some other jackass, despite the otherwise empty parking lot.
He points to himself in question and Steve rolls his eyes in answer.
“Hi, sweetheart,” Eddie finally greets him with a smirk. “Chinese takeout for tonight sound good?”
Steve’s stomach growls at the mere suggestion.
He’d accidentally skipped lunch earlier so he could make changes to his closing argument. Fat load of good that did him.
“Yeah, sure, whatever. You’re not off the hook that easily though. What the hell was that brutal cross examination on my witness, you dickhead?”
Eddie smiles extra sweetly and presses a quick but affectionate kiss to Steve’s forehead first.
“All’s fair in love, war, and court, baby. You can whine about it later when we’re home if you really want to. I happen to know some very nice pillows that would love to muffle your pretty little moans.”
Asshole.
He blushes, glancing around to make sure they’re still alone before he pulls Eddie into an embrace.
They’ve barely spent any time together this week because of the tense trial and he really missed his boyfriend (not to be mistaken for the jackass who argues with him daily in the courtroom).
As much as they can separate their personal and work lives, it’s hard to not be on the same side of things.
“What if I want you to hear me moan, Eddie? I think it’s only fair since you seem to get everyone else off and I’m the one always suffering for it,” he mumbles snarkily into Eddie’s shirt.
Eddie laughs at the pun. He knew that he would.
“Is that why you’re sulking, babylove? You want me to get you off too?” He nods with a pathetic whine. Not getting to cum for a few days can do that to a person. “I think that can be arranged. You’ve been such a good boy for me lately. You’ve earned a treat.”
Steve melts into his boyfriend’s arms, feeling loved.
“I missed you.”
Another kiss to the forehead, but this time Eddie’s lips linger there as he speaks.
“Missed you too, sweetheart. Not sorry for winning, but I am sorry that you lost.”
Steve knew the defendant was innocent. There wasn’t much of a case to be made anyway. It still stings though.
“Yeah... I’ve been thinking about that and it might be time to quit my dad’s firm. I’d much rather be on the same side as you,” Steve confesses.
Eddie pauses.
“Does that mean…”
Steve looks up smiling and confirms, “Yes. I’ll accept the job offer if it’s still on the table.”
The rival lawyer had offered him a job months ago, before they even got together.
By accepting the position, it means they’d finally be allowed to be a couple publicly and they’d be sitting on the same side of the court for once.
It would also free Steve from his dad’s control and disappointment.
“Stevie, I’d love nothing more than to have you as my partner. In both the court and life. I love you, sweetheart.”
He can’t resist.
“I love you too… jackass.”
Eddie makes good on his promise to get Steve off that night. He even brings out the handcuffs for accuracy sake.
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bluegiragi · 13 days
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I hate to ask this cause it feels stupid but I dont wanna do a bunch of research on whatever the recent cod mw fandom discourse is,
but I saw the reblog of someone accusing you of supporting people who write sexualized pedophilia and that really is personally my only """"moral"""" with nsfw shit, (I'm a patreon subscriber and ig I just wanna know where my money's going) is THAT true?
this is such a never-ending nightmare.
i used to follow an artist who, 5-6 months ago made racist art featuring gaz in a slave context, which I didn't like, retweet or interact with in any way. they also made under-age art of ghost soap, which I also didn't interact with . people on twitter called me out yesterday, for retweeting art they'd made as evidence I stood by/encouraged/was an avid fan of all these tropes. Also, the art I retweeted wasn't either of these previous examples of art, but one where ghost and soap were sleeping in a bed together, as adults, peacefully. I can't emphasise enough that I have not interacted with this artist at all, for literally six months.
genuinely, my only crime is not unfollowing + blocking this artist earlier on, and then daring to retweet a fic tagged with "non-con" (ghost gets soap off in a context where he can't really properly consent, they're in front of a crowd of strangers and they have to fuck, but both parties are into each other) written by a friend as I wanted to support their writing.
and now i have pedophile claims because I accidentally retweeted a fandom bingo post that defended loli-con, and then immediately un-retweeted it when I properly read it.
And people are calling me a zoophile for supporting someone who wrote zoophilic fic and called people slurs (???) and I genuinely don't know who they're talking about there.
And the same people called me racist for making Horangi's eyes in the monster!AU sensitive because they thought I was making fun of Asian eyes. The real reason is because he's a cat hybrid and cats are sensitive to light (and I'm Chinese).
I tried addressing all this in a simpler way earlier on, and responded to an ask talking about my "support" for the artist who drew the slave Gaz art by saying the fanart in question was tone deaf and in poor taste. It wasn't enough for some people, so I'm happy to say it again - yes, it was racist, and the reason why I didn't want to be more aggressive is because I didn't want to extend all this mess by throwing this artist under the bus - I genuinely believed them when they said that wasn't that their intention, and think they should've deleted the post at the time.
And also I'm now called a rapist bc I like to entertain fics with dom/sub dynamics that dip into cnc, as an asexual woman who's personally repulsed by sex when it comes to myself.
That's everything so far. I really don't know what you people want from me anymore. I followed the wrong artist. I retweeted the wrong post. And I've undid those actions now. And for so many people to have taken literally everything spread by these people at face value, without even checking if their claims are true, is incredibly hurtful and isolating.
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thegnomelord · 2 months
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i took 357191027r6392936446322736432947372 psychic damage from the Makarov fic so you gotta write reader being rescued, healed, rehabilitated and loved by the task force. imagine them teaching reader to be their own person or letting him top without any commands or punishments. reader would be whining like a puppy who doesn't know what it's doing and would be so cute and fearful looking for reasurance when fucking into a task force member it would be so cute
lol idk dude. I was intending to do the fic as a one off to satisfy my puplay kink but it's now started to rot my brain even more lol. If I did continue it, I don't know if I'd want a happy ending or an angsty one (omfg imagine going through all the healing and rehab and experiencing love only for one word from Makarov to have you going back to him without question)
So tell me ya'll if you want me to turn the one shot into a longer fic lol, but for now here's some headcannons, ideas/ whatever and some porn
CW:NSFW, rough anal, Simon x reader with Price watching, dom/sub.
I can't imagine Hound would be happy about the 'rescue' considering everything and definitely would be resistant to rehab (Hound biting ppl and getting muzzled lol) that dogheaded asinine stubbornness coming to bite him in the ass. I headcannon Hound to have already been violent when he was under Price's command but Price kept Hound in check(if anyone's seen that young ghost and price comic with him being compared to a fighting dog it's kinda like that).
Makarov didn't need to do much and just played into the aggressive tendency to make Hound as they are now. The more violent the reaction hound would make, the more attention and praise he'd get. Also I'm just a sucker for dog like characters that are unhinged. That have no moral compass except for the one they're loyal to and will do whatever they ask.
So the task force members would have their hands full with Hound that's basically an aggressive fighting dog taken straight out of the pit. Also I'm still thinking whether the 141 would try to steer Hound away from the pup/dog like mentality Makarov conditioned them into, or if they would try to redirect it by calling Hound 'pup, boy' etc, instead of 'dog' like Makarov did.
Also the grief Price would feel to see the man he thought was dead turned into that would break his heart. I don't know if I'd want him to crack down on trying to rehab hound, or let a lot of things slide because he's scared of fucking you up more.
But also like rehabed fighting dogs turn out to be the sweetest animals and Hound just going from this 'I will bite your throat out' to just a gentle giant that's just happy to be able to touch or hug someone without needed permission. . . but he can still bite a throat out.
Also I 1000% swear that Makarov's a whore and would have trained reader to have enough stamina to fuck him all night long so the task force would get pounded into next year lol.
This is questionable cannon and non-confirmed lol you just got me brain rotting with the cute pup part and this came out. Rough and quick.
CW:NSFW
You feel like you will die; heat burns through your veins, sweat crawls down your skin and makes your hair stick to your forehead. Your hands grip Simon's bruised hips, holding them up for him as you pound into him. "Please-" You barely manage a small whimper, hiding your face in Simon's shoulder.
Simon's body quivers beneath you, limp and boneless, a wet hole for you to use. He's as sweaty as you, rough grunts and half-formed swears leaping from his lips every time your hips meet his ass in a bruising thrust. He's the closest to you in size, albeit still smaller, which makes it easier for him to take your size than the others. His insides are a sweltering heat around your cock, fucked into a loose sloppy hole that would gape if you pulled out, muscles still doing their best to squeeze you every time you nail his prostate.
It makes you feel ashamed how long it took you to find it. Mounting anyone but Makarov feels wrong, you're not sure how fast or how deep to go, this current rough pace making Simon the most vocal since you began. You feel him cum again, walls clenching tightly for the first time in a while as you force him into spurting what's left in his empty balls.
"Pl- sir, I- please, please," You can't help but hiccup, your nails leaving crescent bruises in his skin as you just pound him through his orgasm. It's his fourth one.
"What's wrong son?" Price's words barely get through the fog of need in your skull, more little whimpers splitting from your lips. "Don't you want to let go?" Tears blurry your vision, you can barely see his face from where he's resting Simon's head in his lap.
You can't cum. Your balls are so full they feel like they'll explode any second, cock throbbing to finally shoot your load but no matter how harshly you thrust into the willing hole beneath you. It feels like those times Makarov would put a cock ring on you, but worse, now it's your own body refusing to give you release. You haven't earned it.
"Please-" You repeat, because that's the best your mind can come up with, your hips stuttering as overstimulation stabs your nervous system like a knife. "I-please, fuck- I can't." You force out, forcing yourself to return to the punishing pace, your pelvis starting to go numb like it would a few hours into Makarov using you as a living dildo.
Price's fingers are disgustingly gentle as they curl into your sweaty hair, making you look up at him with soft pressure on your scalp. There's no bite to his touch, no pain, it's too good for a thing like you.
You'll thank what god exists that Price seemingly understands your problem, "Oh, son." You hate the hint of sorrow in his tone, you hate yourself more for how it makes your heart pound in your ears. "Here, let me" He whispers, his other hand sliding down to your naked neck.
The lack of any collars around your neck still disgusts you every waking moment, still makes you feel wrong, bad dog. His fingers wrap around your throat. They're too loose to be a proper collar, but it lets you breathe easier, his palm warm and big enough to completely cover the 'V.M' tattooed on your skin.
"Go on, that's a good boy." He whispers, "Cum for us." Price orders, kissing you so softly it disgusts you, like heaven wrapped in thorns.
You feel fresh tears spill down your tears as the dam not letting you cum is finally torn down. You hiccup your 'thank you sir's against his lips as you spill inside Simon. You can just distantly hear Simon groan as you dump your cum into his sloppy hole, muscles weakly fluttering around your cock as you roll your hips, fucking your cum deeper into him, just the act of cumming hurting almost as much as being denied, your balls aching with every spurt of cum.
You collapse on Simon, pushing the breath out of his lungs, as boneless as him. You don't struggle when Price rolls you to your side, your cock slipping out. Cum and lube gushes out from his hole like a firehose, flooding the small space between you two, his rim red and irritated, muscles weakly fluttering around nothing as they try to close.
You try to thank him but you slur your words into his skin, feeling the muscles in his abdomen quiver as you huddle closer and wrap your arms around him, your chest pressed flush to his back. You expect him to pull away, Makarov hated being vulnerable like this longer than he needed, but all Simon does is grunt and tip his head back so you can hide your face in the space between his shoulder and neck.
"You olright Simon?" Price asks, brushing a hand through your sweaty hair for a few seconds before you feel him softly wiping away your spend from you two.
"Fuck," Simon breathes out, voice scratchy and rough. "Are we sure Makarov's human?" His hand reaches up to scratch your scalp as you kiss one of the numerous bite marks you left on him. His skin is a canvass of black and blue bruises, your bite marks starting to clot across his body. "Shit, I can't feel my legs."
His words feel like a slap in the face, and you don't notice how you let out a small whimper, your hold tightening. This is it, you'll have to let him go soon, he'll order you to leave like Makarov always did.
"None of that son." Price's voice is calm in your ear, rubbing soothing circles between your shoulder blades. "You did good."
Simon hums, his fingers running lower to scruff you, "Mhm, yeah," His words are slurred, exhaustion weighing on both of you. "Best snog I've ever had." He grumbles, and you don't doubt he won't admit it in the morning, but for the moment, as you feel yourself slowly drift off to sleep, you let yourself enjoy the praise, the warmth of human touch, the care you can feel in both of them.
This is starting to feel nice.
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theoutcastrogue · 2 months
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That said, the D&D 3.5 Paladin was bad. It was badly designed, it had bad rules, and in conjunction with the other notoriously bad rule, alignment, it could cause havoc.
Now personally, I never had ANY problems with it in my tabletop games. I played paladins and loved it, and I loved it when other people played paladins, and it was great. But that's because, collectively as a group, we took ONE look at that terrible rule where the paladin's code of conduct prevents them from associating with Evil characters or "someone who consistently offends her moral code", and immediately went, "that's stupid, we ain't doing that, it would ruin the game".
We also didn't love the concept of alignment as a cosmic force, and didn't care for Usually Evil Goblins and Always Evil anything. And when a class's signature ability fully depends on whether creatures are capital E Evil, well that affects storytelling, doesn't it? But we all saw it the same way, and we were happily able to change it without any disagreements. In the end we had a Paladin… similar to 5e now that I think of it: completely ignore the Code's association clause, tailor the Code to personal stance or a specific Order, Detect only fiends and undead and the like, Smite anything you want, Fall only if you really fuck up, and never presume that just because you haven't Fallen yet everything you've ever done is justified and correct and anyone who disagrees with you is objectively wrong.
Basically, there were 2 options in 3.5. You either houseruled and/or handwaved things, and in matters of alignment interpretations erred on the side of "what makes the game go",
OR, you played with Rules As Written, and filled the forums with questions like "should the paladin fall?" (one such thread per week, conservatively), "we got into a fight over the Paladin, what to do?", "is it Evil to pick pockets? because we have a Paladin in the party", "the Assassin uses poison, shouldn't that offend my moral code?", and shit like that. Just... pointless strife, all the time. Again, never happened to me, but I was appalled to read about it, over and over and over.
People got intense with 3.5 Paladins (both pro and against) because it was BADLY DESIGNED and had BAD RULES. Its mechanics forced narrative choices on the entire table, and the only way to make it frictionless was having a party where no one wishes to explore a character's bad side ever, no one does things that aren't bad but WotC branded Evil™ in this or that splatbook, and everyone magically agrees all the time on "what is right and what is wrong" and "what is Lawful and what is Chaotic", which is simply impossible. The most subjective thing in the world (ethics!) was presented as an objective cosmic force, and how you interpreted it would determine how much damage the Paladin deals in combat, and whether the Paladin could keep associating with the party, and if the Paladin is still a Paladin. And all that in a game, let's not forget, whose basic, fundamental premise is "kill things and take their stuff". I'm sorry, this is tremendously stupid. It's the WORST design.
I know that for some people it worked as written, and good for them, but for the many many people it didn't work, well it's obvious why.
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unpretty · 5 months
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please imagine these bullet points as a series of posts made over the course of a semester in 2015, copied from the tumblr tag i made specifically to bitch about my econ/business government and society professor:
lmao econ prof arguing against the fda
we are also supposed to subscribe to the wall street journal for this class ahahaha like hell
I spoke up about this godawful climate change article and about how literally every fact I tried to check was wrong, he tried to argue that wasn’t the point of the article but it totally was
“Does anyone watch Fox News” this class in a nutshell
the professor in the class i hate is talking about how jesus would love capitalism because it has lifted so many people out of poverty
he’s complaining about progressive income tax lmao god i hate this class
LET THE FREE MARKET DECIDE unless the free market makes an anti-corporate decision, then consumers have been misinformed and the activists responsible should be ashamed of themselves
I hope everyone’s ready for Shitty Class Liveblogging because now he’s claiming that gas prices will never go back up and gas will always be cheap from now on and also peak oil is a lie
Now he’s talking about the story of Jonah and the whale as relates to this article he saw in the Wall Street Journal. Across the class, I see a girl squint into the middle distance and mouth the word, “what.”
“is it okay to fire a pizza delivery person who doesn’t want to drive to a bad neighborhood”
this is the literal worst and most bullshit explanation of utilitarianism I have ever experienced oh my god. for the purposes of this class we are supposed to ignore ‘for the greatest number’ as an aspect of utilitarianism. just. completely altering the basic foundation of utilitarianism as an idea. apparently the free market didn’t like the actual definition so they changed it.
THIS PROFESSOR IS PRO-ENRON I AM NOT EVEN KIDDING RIGHT NOW THIS IS A REAL THING #FREE MARKET IT WAS LEGAL FREE MARKET
“I don’t think we have very many people in the United States dying because they couldn’t afford medication” actual quote from this professor right now
lmao i’m in the class i hate, he’s complaining about net neutrality now
This just in: poor people are poor because they make bad decisions, the wealth gap can be eliminated by teaching poor people how to play the stock market. This is a real thing that he apparently gives presentations about. He gets paid to tell people this.
Shitty professor isn’t going to be there tomorrow but he wants us to come in anyway to listen to a lecture on CD. Not one of his, just generally. Like, a home learning thing he bought. We asked if he could just put it on Blackboard but he said he didn’t know how to put a CD on Blackboard.
lmao I fucking knew this was the great courses. this professor is off at a conference telling people to teach the poor to trade stocks and he’s just having us sit here listening to an audiobook course he paid for about philosophy.
shitty professor is arguing the necessity of child labor in third world countries because otherwise the children would starve and be prostitutes. yes those are definitely the only two options.
oh my god he just argued that the rich are a minority protected by the constitution
I was really embarrassed about getting a 67 out of 85 on this Business, Government, and Society test but then it turned out the class average was 40 and I got the highest grade in the class. My strategy of always picking the answer I find most morally reprehensible is going well for me.
Monopolies aren’t actually that bad! Also, unions are monopolies, which is bad. (i was the only one who got a lot of the essay questions right so I had to read them in class it was awful)
libertarian economist professor gets really emotional about animals and i think he just argued that if elephants were privately owned they wouldn’t be poached because no one poaches cows
It’s my last week in the class I hate before finals and I’m pretty sure he’s arguing that the Enron scandal happened because there was too much government regulation
oh my god he’s arguing that enron was trying to do california a favor by pointing out a flaw in their system (by exploiting it) h my god he’s not even addressing the fraud in their accounting this whole class has been leading up to his passionate defense of fucking enron
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ohara-n-brown · 2 months
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Am I the only one that feels like NTs HATE saying 'I don't know.'
You will not believe the amount of times I'll ask a basic objective question about a situation and they'll give me an answer, only for later the answer to be completely wrong. And then when I ask them why they would give me wrong information - they say 'I just guessed.'
I didn't ask you for your guess. I asked for the information. If you didn't have the information don't just GUESS. Say 'I don't know.'
I feel like NT don't realize that WRONG information is worse than no information.
If I want to know when an event will end and you say '5pm' - I'm going to be mentally prepared for 5pm. And if it DOESN'T end then, not only will I be out of energy, but I'll be irritated and confused because I'm in an unfamiliar situation with NO INFORMATION
Had you just told me 'I don't know what time it ends' instead of GUESSING 5, then I would've prepared for the worse. But now I have to literally rearrange everything in my head and talk myself down from meltdown cause I was given inaccurate information and also I thought I was going home.
But they act instead like saying I don't know is a moral failure.
My father used to yell at me all the time to not say 'I don't know.'
He'd always demand I figure it out and come up with SOMETHING no matter how uninformed or vague and that's how you have NTs walking around feeling like it's a crime to admit they simply don't know something
and instead they'll just shamble something together and hope that's good enough regardless of whether in the information is actually helpful or correct.
IT'S SO ANNOYING. JUST SAY YOU DON'T KNOW.
Stop guessing and giving me WRONG information because it only makes the situation worse and more confusing. Say you don't KNOW. It's FINE.
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stardustizuku · 2 months
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Unfortunately I came across a very strange and misinformed video about Black Butler.
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It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.
Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.
From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.
While baffled, it also made me think on how someone could read Black Butler so badly.
Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.
“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.
The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.
And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.
Sebastian is the protagonist
Ciel and Sebastian’s relationship IS the story.
And that relationship is, fundamentally, a positive one.
A quicker version of it would be:
Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it
- but that’s not entirely true.
You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.
(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)
Now, having all that ground work:
Why do I say these are the key components to understand BB?
Okay so, first,
1. Sebastian is the Main Character. The protagonist.
There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.
He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.
If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.
Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.
People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.
Which is an. Interpretation. A bad one. But still one.
The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.
In this case though, it’s revenge.
The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.
If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”
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Ciel’s answer is to kill them.
A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.
If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.
That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.
Things such as Ciel’s character arc being…shall I say odd?
It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.
He knows he wants revenge.
In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.
In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.
In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.
Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.
Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.
We are witnessing it all, through the eyes of Sebastian.
This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.
If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.
Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.
That is character development, more than you will be able to see from Ciel.
Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.
Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:
Do you believe me?
If you don’t, you’ll probably believe Yana herself.
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This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.
If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.
Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.
The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.
The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.
If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.
The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.
That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.
If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.
What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.
But once we move past early Kuro, and into Book of Circus, this set up changes.
It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.
This is where point 2 gets intertwined.
2.- Sebastian and Ciel’s relationship IS the story.
The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.
Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.
Just that, to him, they're footnotes.
He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.
That’s why we don’t know more about his past.
As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102
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I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.
Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.
Particularly, conflict.
Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.
Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.
If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.
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You only know who he is when you have dialogue with another character.
I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.
If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft
Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.
In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.
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You are being shown, through a dialogue, who Batman is.
It’s so much easier and much more effective to explore a character through another character.
This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.
If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.
And I think that originally, Yana had this problem.
Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.
She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.
The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.
So you’re stuck in conundrum.
How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?
Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.
And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.
Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?
THATS the dialogue.
THATS the conversation we’re having in Black Butler.
We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.
Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.
Which is…
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He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.
But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.
And that’s his character arc.
Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.
In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.
But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.
This is why I also said
3.- Their relationship is fundamentally a positive one.
In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.
Their relationship is not that of just a predator and prey, but also of master and pet.
In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.
Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.
Sebastian as a dog, currently finds that he enjoys being a chained dog.
(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)
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And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.
This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.
And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.
It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.
Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.
Everything is a parallel.
That’s why, like the approach of the terrible original video, is flawed.
Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.
That’s not the point.
And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.
A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.
Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.
But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.
As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.
I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.
Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.
Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.
You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.
Which is the exact opposite of what BB is about.
So, if you don’t want to, save us all the humiliation fetish and leave.
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