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#i just feel the need to write this so
ronanlynchbf · 10 months
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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confessedlyfannish · 2 months
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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emo-batboy · 7 months
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A Wild Battinson (Social Media AU)
Part 43 (Masterlist)
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(Part 44)
Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.
Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—
@bruciemilf guess who’s back
Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)
I’ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.
Yada yada don’t die LOVE Y’ALL
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inkskinned · 4 months
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crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.
i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.
in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.
i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.
i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.
plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.
the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.
we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.
i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.
a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.
today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.
loved beyond thinking.
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comradekatara · 4 months
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ty lee is by far the most underrated atla character imo. as far as minor principal players, it’s easy to disregard her as the least fleshed out fire nation kid, the most underdeveloped. her role as a foil to any of the main characters is vague, and many people just assume she’s there to bring some sort of levity and humor to azula’s plotline. she’s dismissed as the pretty ditzy girl, or even (shudders) “the bimbo.” but when you actually make the effort to consider what we do see of her, to extrapolate from her few yet crucial scenes anything regarding her underlying motivations, you quickly realize that one of the most layered, multifaceted, compelling, intriguing, ambiguous, and perhaps even straight up insane characters in the entire show has been hiding in plain sight all along. and also that that’s the entire point.
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willowser · 5 months
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shouto accidentally gets drunk while out with you and some other friends and he's sitting there in the heat of the bar, watching you smile bright and laugh wholeheartedly with your hair a little messy and your eyeliner smudged a bit—and he gets suddenly and completely overwhelmed with the desire to kiss you.
which is exactly what he does when you manage to get him home. it's kind of awkward because he doesn't kiss many people and he's also drunk and gangly and looming over you, but you let him crowd you against his front door until the both of you nearly run out of breath.
and you push him away gently with a quiet laugh, telling him, "okay, slow your roll, loverboy. how about we do this when you're sober, huh?" because you're not sure if he means it and you don't want to get your hopes up for something he won't even remember tomorrow.
but he absolutely does remember it, and now he can't look at you without feeling that unfamiliar white-hot strike of desire lighting up his body.
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astrolavas · 1 year
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thinking about the... potential clawthorne woodcarving mentorship.
+ bonus cuz also thinking abt how if hunter ever met dell's palisman and got reminded of flapjack, he'd probably feel bad abt making that association cuz he knows what it's like to be seen only as someone's different version (even though the bird wouldn't mind much so lol)
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#eda having that palistrom seed.. hunter saying he wants to learn how to carve palisman... his relation to clawthornes. it HAS to mean STH js#the owl house#toh#hunter toh#toh hunter#hahaa always thinking abt hunter growing a soft spot for palismen and loving creating and bringing them to life#but never being able to replace flapjack no matter how many palismen for other ppl he carves. I'M GONNA-#:((((( :///#like he's not going to want to replace flapjack just like that rn. cuz he LOVES that bird. it's gonna be so hard for him to just.. Move On#and flapjack's a PART of him.. so very curious where they'll go with this because..... HM. HM like he serves as his disability aid almost#and he can't just REMAKE him. but he cannot also just.... ignore what happened straight away. but it's also important to heal#but whatever he decides to do i feel like he'd love to just............ create. whether it be for himself or others#BUT GAH. ANYWAY XKJSJSK wrote an essay abt this already don't need to write one in the tags TOO. so uh .. yea#little guy.. pls find happiness#my art#fanart#hunter#hunter noceda#hunter wittebane#eda#eda clawthorne#dell#dell clawthorne#dell's palisman#toh art#edalyn clawthorne#also like...... if flapjack and dell's palisman were caleb's and evelyn's palismen...... and knew each other........#and while flapjack was waiting for his new person at the bat queen's cave dell's palisman was being passed down clawthorne generations#OUUHGHHHHGHHHH they were probably friends..... they Knew each other#what's up with you you mysterious yellow bird with eyebrows...... what's your story
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you are somebody that i want to keep ; satoru gojo
synopsis; you aren't sure what you have with satoru gojo, but you know that it’s good.
word count; 6.7k
contents; satoru gojo/reader, gn!reader, colleagues to friends to something unlabelled, you love each other though!!, fluff, hurt/comfort, very very soft, reader falls first but gojo falls harder, both of u are afraid of intimacy lol, a lil angsty if u squint, satoru gojo cherishing u for ~7k words straight <33
a/n; basically just a collection of moments between you and gojo throughout the years <33 (a significant amount of time has passed between each part!!) hes an emotionally repressed loser but i love him and he is smitten w u.
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in the soft luminescence of daybreak, your kitchen looks something like a dream.
tainted with a hazy sunshine, simmering with warm colours and pleasant scents, it almost seems to sparkle in the peripheral of your vision. brimming with that feeling of home, a home you’ve broken your bones building, desperate to shape it into something safe — and you think you’ve done a pretty good job.
it’s soothing, comforting, all of these sensations. bleeding into each other like smudges of paint on a canvas; hyacinths blooming by the windowsill, espresso-flavored steam wafting up to the roof, soft meows stemming from the cats by your feet. absolute bliss.
indulging in a peace yet to be shattered by the strain of the working world, you rub the sleep from beneath your weary eyes. blinking and yawning like a drowsy child.
beyond the translucent glass of your windows, glimmering with the light of a sun soon to rise, the world is painted pink and indigo — save for that one hint of gold, a streak of honey slathered across the surface of the sky. fluffy clouds drift through the chilly air, melting in the wake of a new day, and you think they look a little like tufts of cotton candy. soft enough to sink your teeth into, if only the glass wasn’t in the way. keeping the cold out.
it’s a new day. a pleasant morning, sitting comfortably on the brink of dawn, before the city has a chance to rouse from its slumber.
a kind of solitude you so rarely get to bask in. 
a false solitude, really. because, for once, there’s another human being in your home — one you don’t know nearly as well as you’d like, for him to be fast asleep on your couch, cheek smushed against the leather. snoring softly. 
satoru gojo.
like this, he looks very… human. vulnerable. hair just slightly tousled, from tossing and turning on your not-so-comfortable couch, blindfold only covering one of his eyes and close to slipping off entirely. his expression has melted into one of something vaguely resembling relaxation, as close to unguarded as you assume he can physically get.
even in his sleep, he looks a little stiff. not entirely at peace; like a stray cat sleeping under the hood of a car. 
(you’re curious. fascinated, maybe, by the loneliness that clings to the strongest person in the universe. by the paradoxical innocence of his grin.)
honestly, everything from last night is kind of a blur. you remember accompanying the strongest sorcerer on a mission, one long enough to leave you completely and utterly spent, fatigue nestled deep into your bones. remember gojo getting a sudden migraine, so earth-shattering that you thought he was going to keel over and throw up in the middle of the street.
then you remember bringing him back home with you. very hesitantly, only after he begrudgingly accepted the fact that he didn’t have much of a choice. because you were fucking exhausted, and so was he, and your apartment happened to be conveniently close. you remember him practically passing out on your couch, still somehow managing to crack a bad joke you can’t recall, while you went to collapse into the comfort of your bed.
and now you’re here. dyed in half-transparent sunbeams, caffeine bubbling in your veins, gazing at your sleeping coworker from your spot by the kitchen table. waiting for the world to open its weary eyes.
it’s still early. some part of you expects him to sleep a while longer, but you can’t say you’re particularly surprised when gojo begins to stir.
a splotch of sunshine splatters across your living room window, staining the floorboards, falling over the contours of his pretty face. in the light, he looks positively holy; white lashes, pale skin, plump lips. like a goddess.
when he opens his eyes, it’s even worse. a single iris cracked open, pooling with unbridled brilliance. eyes so blue they seem to cut through the stillness of the air.
(— and the world wakes up.)
a little groan slips from his lips, barely audible. with groggy movements, he brings a hand up to his face, obscuring the grating light of the sun flitting in. you think you can almost see the gears of his mind turn, as he takes notice of his surroundings, remembering what transpired just hours before.
faster than you thought, he regains some semblance of composure. huffing under his breath, as he forces himself into a sitting position. 
it feels a little wrong, to see the closest thing this world has to a god act so human. be so human. morning-fatigued, just like you, wearing droopy eyelids and a soft, sleepy pout. a little disheveled. groggy with lost dreams.
when his gaze meets yours, you can’t control the breath that hitches pitifully in the back of your throat. a meek skip of your heartbeat, like you just saw something you shouldn’t have. oops.
gojo cracks a grin.
“.. watchin’ me sleep?” he calls out, cheeky. paired with a drowsy yawn. composed, unbothered, but there’s something almost performative about it, something you’re sure you’d miss if he wasn’t still in the process of collecting himself. 
“good morning,” is all you offer him. ignoring his teasing remark. he doesn’t push it, to your surprise. “sleep well?”
a hum. absentminded, jovial. one of his large hands goes to adjust his blindfold, the other to fluff up his hair. kicking off the blanket you just barely had the energy to throw over him last night. your fluffiest one, warm enough to protect him from the chill gnawing at the windows. hopefully.
“like a log,” he quips, stretching idly, muscles straining under his baggy uniform. they must be sore, after that mission. or maybe he’s above such things.
choosing not to comment on his obvious lie, you put your lips against the ceramic of your cup. sipping from the bitter brew, a tinge of hazelnut on your tongue. letting him gather his bearings without you scrutinizing him. a little favor, one liar to another.
“thanks for letting me crash,” he grins, lazy. toothy. stumbling to his feet with a low groan, gaze flitting around the room — looking for the exit. “i’ll get outta your hair,” he mutters, and you raise a brow.
“not staying for breakfast?”
gojo stills. your question rings out, bouncing off the walls of the kitchen, into the living room.
his smile twitches, ever so slightly, in what you think must be surprise. then it’s back to normal; like putting on a mask, not allowing a sliver of weakness to slip through the cracks. he exhales a raspy chuckle, a sound that flows through the air and crawls down your spine.
”generous, aren’t you?” he hums, voice rich with amusement. dappling sunlight licks at the white locks of his hair.
you shrug. “i wouldn’t mind the company.”
the words climb up the walls of your throat, a little reckless, eager to catch a glimpse of the miracle before you. satoru gojo, framed by the simplicity of your home — somewhat hard to let go of. sunkissed skin, restless hands. a little out of tune. shifting from foot to foot, eager to get away.
(a little like a frightened fawn, you amuse yourself by thinking. he’s really more like the fox who scared it.)
you think he must be bit uncomfortable. forced to spend the night in a coworker’s apartment, one he doesn't even know that well, one he probably doesn’t have any intention of getting to know. still trying to politely excuse himself. persistent, stubborn.
maybe he didn’t expect this. maybe he was convinced he could sneak away, before you had a chance to wake up. maybe he thought you’d be all too eager to let him leave, and never speak of this again. maybe he’s not used to being wanted. 
“ha… i’m flattered, believe me, but —“
“what do you usually eat?” you ask. cutting him off, gently, tapping your fingertips against the edge of the table. “for breakfast, i mean. i’ll whip something up.”
a chuckle slips from his lips. you can’t put your finger on it, but something about it bothers you. “really, there’s —“
“if you’re worried about inconveniencing me, don’t be.” you pause, unsure of what to say. but the words end up spilling out of your throat, oddly honest. ”it’s been a while since i had the chance to make breakfast for someone else.” 
it’s strange, really, how intent you are on seeing this through. how much effort you’re putting into making him stay. you barely even know him. actually, you don’t know him at all — all you know is that his smile makes you happy and his strength makes you envious. that you aren’t afraid of him, even though you probably should be.
something about him just feels safe.
“i’m pretty good at making pancakes,” you hum, a small smile playing at your lips. polite, jovial. pale light flits in through the window and slips into its curve. ”do you want some? before we go to work.”
(something in his fingers twitch, when you say that tiny word; pancakes. a little tell. you just barely catch it, before it sputters out. before he reels it back in.)
a moment passes. slow, drawn out, a rubber band bound to snap.
gojo stands there, a very subtle contemplation etched into his features. behind him, your cats begin to scratch at the couch, but you don’t scold them. just waiting for something to happen. beyond the glass of your windows, the sun unfurls in the sky, stretching its arms to envelop the world.
he grins, suddenly. soft light reflecting off the white of his teeth. cocky, composed. not quite performative, a little more natural.
“well, if you insist.”
he strolls over to your side, just a tiny bit sluggish, lazy steps and comically long limbs. he must still be tired. but he takes a seat, right across from you, plopping down on the chair with an effortless air of confidence. lighthearted, leaning his elbows on the table, crossing his legs under it. comfortable. settling into his role.
you’re pleasantly surprised.
“how would you like them?” you ask, and you think some of your excitement may have spilled out with the question. if it did, gojo doesn’t comment on it. ”your pancakes.”
“with chocolate chips, please!” he shoots you a sweet smile. “and whipped cream on top.” 
so demanding. for some reason, it makes the corners of your lips quirk up. kinda like a bratty younger brother.
“got it.”
the smell of dark chocolate hangs heavy in the air as you get to work, shuffling around the open space. all while gojo waits, patiently, tapping his foot under the table and staring out the window. leaning his jaw on the heel of his palm. listening to the humming of nightingales on the branches of the apple tree down on the ground, and the buzz of your old radio.
the kitchen fills with motion, sounds, smells. life. splotches of sunlight, crinkled cartons of orange juice. the clinking of plates. two tired adults, seated at the same table, indulging in a fleeting peace and the promise of something new. something almost concrete.
a small, precious moment. enough to make your fascination shift into something you know must be fondness. or close to it. 
gojo grins at you, mouth full of pancakes, eagerly telling you about something the kids did last week. wolfing them down, chocolate smeared over his bottom lip. you laugh, and suddenly the world feels a little safer than it should. a little more intact.
you wonder what it means. where it’s going to lead. this feeling of something wonderful beginning, something you couldn’t stop if you wanted to.
a budding connection.
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the city lays blanketed beneath a layer of thick snow. blurry pale dots dancing in the wind, obscuring the sky, frost engulfing every building in a bone chilling hug.
with a slight shiver, you dig your hands into the comfort of your pockets, seeking the fleeting warmth you find. admiring the frozen landscape before you, the hustle and bustle of people going about their day. the saffron light of the lamp posts, the glittering snow by your feet, the skeletal apricot trees and their bare branches. this monochrome city you find yourself in.
gojo exhales. strolling cheerily down the street, in tandem with you, a frosty breath to your left that scatters and melts into the open air. it smells minty.
today, he’s wearing black shades — like he usually is when you meet outside of work. it’s kind of nice. when you angle your face a certain way, you can almost see the blue pooling in his eyes, the white of his eyelashes. 
he’s beautiful. he always has been. but like this, you think his beauty is simply unfair, highlighted by the winter wonderland you find yourselves in. mesmerizing, the red flush of his cheeks, how he hums along to some jolly tune playing from a little corner store further down the street. all bundled up, in a stylish overcoat and a nice scarf, untouched by the snowflakes fluttering about. 
protected by his infinity, always. the silly god you call a friend.
he looks content, despite the cold that keeps nipping at your bare skin, smiling widely. blabbing on about the movie you’re about to watch, how he saw it back in high school but never thought it’d get a remake. how his friend thought it sucked but that friend always had bad taste so his opinion is irrelevant. how he has faith that you’ll like it.
(cute.)
distracted by the pretty man so close by, close enough to touch, you don’t look ahead. maybe just a little bit entranced. which would be fine, if you didn’t happen to be walking on the right side of the street — 
crashing straight into a lamp post.
”owch!”
it’s sudden. and it’s a harsh collision, enough to leave your nose stinging, an ache that makes you whine. cursing under your breath as you take a couple steps back, hands reaching for the part of your face that took the brunt of the hit. 
and gosh, is this embarrassing. you dance on the edge of death for a living, and here you are — whining over walking into a fucking lamp post. because you were too enamored by the beauty of your own coworker to pay attention to your surroundings. 
a coworker who is currently looking at you, silently. having failed to warn you in time, stuck in his own memories, caught up in his in-depth, spoiler-filled review of a movie he’s been waiting to watch all week. 
for a moment, all he does is blink. long eyelashes fluttering, like a dove flapping its wings. 
then he starts laughing.
scratch that — gojo is downright cackling, thoroughly amused by your clumsy mishap, like he just saw the funniest thing in the world. laughter ringing out into the cold air, white breaths to compliment the red of your burning ears.
asshole.
with a harsh furrow of your brows, you attempt to look angry; but before long, your lips are curling up. infected by his joy. a soft punch to his shoulder is all you manage, biting back a little puff of laughter. you’re embarrassed.
(so embarrassed you don’t even notice how he puts his infinity down.)
”don’t laugh, you piece of shit!” you hiss, grinning even still, flushing and trying to ignore the curious glances you get from passersby. ”it really hurt!”
but gojo doesn’t stop. doesn’t even attempt to. you think he just grew even more amused, if anything, practically bending over from how hard he’s laughing — clutching his stomach.
”sorry, sorry — ’m just…” he tries to speak, taking deep breaths in between bursts of giggles. ”how the hell — how’d you —” 
he stops trying. laughing, again.
and it’s a genuine laugh. a little wolfish, spilling out from his pretty parted lips, showing off his sharp teeth. from the very bottom of his gut, clear and bright, deep and infectious. melodic. shades close to slipping off the bridge of his nose, eyes tearing up behind them. trying to collect himself, muffled giggles turning to soft vapour in the cold air. dimples visible on his rosy cheeks.
and suddenly you can't think, can't speak, can only look at him and wonder how a human can be so very beautiful. how it’s metaphysically possible. like a crushed cluster of stars was given human form, a body of celestial light.
he looks so young, like this. a millenia younger, no weight on those broad shoulders, no immovable wall to separate you both. he looks like one of the guys you used to hang out with in middle school, running through corridors and play fighting and holding back shared laughter in the library. before the bite of the world left a mark in your skin.
he looks like himself. like someone pulled the mask off, and all that’s left is the human. none of the godhood he was saddled with at birth.
while you’re busy staring, gojo finally finds his composure again. wiping at his glassy eyes, a chuckle slipping out here and there. distracted by the breathtaking sight, you begin to forget the sting of your collision — until you feel something warm trickle down your chilled skin. 
searching for it with the pads of your fingers, you feel a trail of wetness beneath your nose. and when you bring them down, to get a look, all you see is red. 
”ah.”
gojo moves closer. maybe just a little alarmed, by the blood dripping from your nose, staining the white of the snow beneath your feet. a chilling contrast, one you’re frighteningly used to. it’s almost comforting. blood on your skin, that sting of pain clogging up your nose, enough for you to get lost in. colours melting together, memories rising to the surface —
when suddenly, something touches your cheek. 
one large hand goes to keep your jaw in place, gentle. smooth leather, sneaking under your chin, lifting your face up ever so slightly. warmth trickles from his fingertips through the fabric, and you can smell a hint of his perfume. strawberries and vanilla.
gojo looks at you fondly. wiping the blood from your nose, smudging his expensive gloves. from this angle, you can see his eyes, a blue shimmer in an evening painted white and gray — the sole flicker of colour in this monochrome city. they’re crinkled at the edges.
he looks awfully amused.
(you stay still, not breathing, like any slight motion could have him pulling away.)
”careful,” he croons. so low you barely hear it, almost a purr. the word has a soft underbelly, something you don’t need to dissect to feel.
a sentiment that seems to simmer in the air around you, drifting past the little corner store, a dog tied to a lamp post, your reddened cheeks. past the blue of his eyes, a peripheral that stretches to cover the city before you. words too heavy to speak aloud.
stay safe for me, silly.
then he’s letting go. sudden, the bite of the air replacing his hand. it lingers on your skin, like a memory, like the ghost of a memory. but it’s there. strawberries and vanilla, leather and warmth. something kind. warm.
and it stays there, even as gojo takes a step forward, no longer facing you. walking confidently, the wind bending around his tall stature. long legs and large steps, leaving an imprint in the snow for you to follow. a northern star.
he turns his head, and grins. hair tousled by the breeze, white locks glittering with snowflakes. ”you coming? it’s starting soon.”
a moment passes. 
”or do you need me to call shoko?” 
you puff out a breathy laugh, at that, stumbling forward. reaching up to wipe more of the blood sticking to your skin. sniffling, but smiling, teeth peeking out between your lips.
”yeah, yeah,” a roll of your eyes. ”’m right behind you.”
gojo’s eyes crinkle, disappearing behind his shades when he straightens his back and raises his head. moving forward, while you follow; his back turned to you, snowy hair melting into the white all around you. like something out of a painting. 
with a pep in step, you catch up to him. eager to hear more of his voice, his memories. still basking in the warmth of his hand on your jaw.
a touch from the untouchable.
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gojo’s lying on your couch.
he usually is, to be fair, so it shouldn’t be surprising. kicking his legs up, watching tv — or sleeping, snoring loudly, like the couch belongs to him. like your home belongs to him. like he pays rent, and doesn’t just laze around and devour all the sweets in your kitchen cabinets.
(he’s there so often that you’re starting to wonder if you should give him a copy of your keys, or something. but you have a feeling that’d be just a smidge too intimate for him to ever accept.)
this time, however, gojo is doing neither of those things. 
he’s on your couch, but he isn’t manspreading, or draping himself over the leather with a lazy grin. he doesn’t have that air of effortless confidence. and it’s palpable, in the air, the open space, enough that you can feel it. an itch on your skin, a lump in your throat. you could practically feel it as soon as you walked through the door.
he isn’t wearing his blindfold, or his shades. he isn’t even smiling. and gojo is always, always smiling.
you think he might be having a rough day.
even the cats are noticing that something’s off. jumping up in his lap, trying to comfort him, brushing against his legs. purring, when he cradles them close — always so gentle with them. hands petting down their backs, softly, the same hands he uses to rip out the throats of curses and curse users alike.
then they mewl and run away. and for once you wish they wouldn’t, wish they could keep clinging to him like they always do. just to make him feel better. right now, in the state he’s in, you wouldn’t even mind gojo’s usual smug declarations of how does it feel to know they like their papa best? 
you can’t help but feel unsure of yourself. gojo isn’t doing anything, and he isn’t saying anything. he’s just lying there, on his back, eyes closed. letting the darkness of the room engulf him. drowning in his own thoughts.
he must know that you’re there. he must have heard you come in. but he isn’t saying anything, and you wonder if that means he wants you to leave him alone.
you’re reminded of that one morning. when he woke up on your couch, and looked more human than you’d ever seen him. how you wanted to avert your eyes, how wrong it felt to see a god rouse from its slumber. 
(but you know better now.)
hesitantly, you begin to inch closer, step by step. quiet, floorboards barely creaking beneath your weight. tentative, as you settle down on the couch. brushing against the infinity between you.
gojo’s eyes flicker open. like an old tape beginning to play. they still shine with that same brilliance, they always do, but now you think they look just a little dull. a little red.
a moment passes. agonizingly slow.
before you can properly think it through, you’ve done it. almost on instinct, jumping the gun before he has the chance to cover everything up with jokes and laughter. opening your arms; a silent invitation.
gojo only stares. 
his gaze moves down to your outstretched arms, and then up to your face. your pursed lips, nervous eyes, worried crease between your brows. one second passes. two, five. you stop counting.
for a moment, you’re almost certain that he’s about to get up and leave. that he’ll flash you a smile that doesn't reach his eyes, walk out the door and then never return. like you flew too close to the sun, just another icarus too mesmerized by the glow of his grin to notice your melting wings. like you stepped over the fragile line that separates his bones from yours, his heartbeat from your greedy hands.
— but then he sluggishly gets into a sitting position, and doesn't look at you.
when gojo collapses into your embrace, you’re so surprised that you almost forget how to breathe. almost forget your own name, forget whose home you’re in, why your arms are wrapped around a pale man. all you can think of is how warm he feels, how he’s like a weighted blanket against you. how he trusts you enough to come so very close. 
cheek pressed against your chest, arms loose around your waist. no infinity, no barriers. just a single touch shared between two damaged human beings. 
a brief inhale gives you the composure that you need. air flowing into your lungs, your brain, as you settle into a comfortable position. no words leave your lips; you just continue to hold him, one hand on his back, testing the waters. letting him hear the echo of your heartbeat. unsure, the both of you, but something about this feels right. close to right. almost there.
gojo is stiff. when you strain your ears, you hear a sharp intake of breath, and a full body shiver courses through him. a tremble of his spine. like he’s itching to run, like he doesn’t quite know where to put his hands. so painfully unused to a proper embrace. 
(a little like a frightened fawn.)
a tender something unfurls within your chest, and you feel almost devoured by the fondness rooting itself into your beating heart. delicate, as you begin to brush away his tousled bangs, leaning close. pressing a kiss to his forehead, glistening with sweat. letting your lips linger on his skin. 
he’s pale, shining in the bleak moonlight cast from the translucent curtains of your living room windows. pale like a ghost. and there are dark crescents beneath his dull eyes.
nightmares, you surmise. they haunt him too, don’t they? of course they do. 
eyes brimming with emotion, you gaze at him; quiet as a mouse, closing his eyes. leaning into your touch, ever so slightly, breathing out a sigh tinged with pure exhaustion. and a certain realization washes over you, akin to a tidal wave, sudden and inevitable. so obvious it’s funny.
you’re not a god at all, are you? 
a coo slips from your lips. barely a sound, more like a soothing breath. warm against his cold skin.
you’re just like everyone else. just as fragile.
one of your thumbs goes to smooth over the puffy skin beneath his eyes. so, so gentle. like one wrong touch could have him crumbling into little grains of stardust, spilling out over the worn leather of your couch.
there are so many things you wish you could say to him. so many things you’ll never be able to say, because you’re afraid that if you give him too much it’ll scare him off. like love could burn him if it were to leak out too fervently. like it’s burned him before. 
so you don’t say anything. but you think it, you repeat it inside your mind like a prayer, and some part of you thinks that’s enough. i’ve got you — a whisper that you don't dare to voice. 
one gojo still manages to hear, somehow, if the way he tugs you closer and snuggles into your neck is anything to go by. a shaky exhale brushing against your collarbone.
(if you feel something wet touch the skin of your shoulder, you don’t mention it.)
you simply hold him, and don’t even think the thought of letting go. even though it takes him hours just to fall asleep, hours you spend anxiously wondering if he’ll change his mind and pull away. but he doesn't leave, even though his body may want him to, and that's enough, and you don’t let go. not even once. he stays cradled to your chest the same way you’d hold a tiny puppy, something fragile. something you need to handle with care.
and when his heartbeat finally mellows out, when you hear little barely audible snores flow from his lips, you finally begin to relax. melting into the couch beneath you, watching him get the rest he deserves. praying that any nightmares of his will be given to you instead.
sleep comes, eventually, to the both of you. tangled up on the couch, him on top of you, comforted by the flutter of each other’s heartbeat. by the warmth of another human being. safe in each other’s arms.
(the next morning, through hazy sunshine and the clinking of coffee cups, he teasingly tells you that just satoru is fine.)
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it’s barely daybreak when satoru wakes you up.
a rude awakening, to say the least. he pulls out all the stops, intent on not letting you sleep even a second longer; poking at your cheek, pinching them when that doesn’t work. tickling you, blowing cold air into your ear, flopping down on top of you like a big dog. anything to rouse you from your deep slumber.
and he just will not give it up. no matter how hard you try to ignore him, no matter how many times you swat him away with your duvet pillow or turn to bury your face into the sheets. that’s how satoru always is, how he’s always been, how he hopefully always will be — an absolute pain. one you wouldn’t trade for anything else in the world.
so, when he starts whining for you to just wake up already, voice tinged with a sadness that tugs at your heartstrings, you find yourself opening your tired eyes. all while he murmurs on and on about something unintelligible, still trying to bribe you.
”i’ll make you coffee, okay? just get up. c’moooon.”
”… what time is it, satoru?” is all you mutter, voice leaving your lips in a raspy, disgruntled fashion. stirring a little at the promise of coffee. 
he cracks a grin. ”don’t worry about it! just come with me.”
despite your grumpy attitude, and the ungodly hour at which satoru shakes you awake, you find yourself letting him scoop you up and set you down on the kitchen counter. placing a hot cup of coffee in your hands, made just the way you like it, before grinning mischievously in a way that has you feeling ill at ease.
and ten minutes later, you find yourself on top of a hill. overlooking the woods, and a big lake below you, no city lights visible no matter where you turn — god knows where he’s taken you, but it’s pretty.
breathtaking, even. all frost and wildlife and peace, sweet solitude, tiny flowers blooming on the patches of grass around you. a murder of crows takes flight in the distance, scattering into the indigo of the sky.
gojo grins, boyish and bright, excited breaths turning into vapour as he speaks. awfully proud of himself. 
”i can’t take you on vacation, but —”
he drags you with him, arm looped around your own, plopping down on the ground. not before taking off his jacket, to cover the ground beneath you. grass tickles the skin of your palms, as you comfortably spread your legs, making sure to sit as close to him as possible.
and your heart softens a little.
because he’s mentioned it, before; how it’d be nice to go on a road trip, someday, just the two of you. all around the world, wherever the wind takes you. basking in that feeling of freedom. it’s no more than a fever dream, though, with how busy satoru is, the responsibilities you both shoulder.
so this’ll have to do. that’s probably what he’s thinking.
”the sun’ll rise soon. it’ll be pretty, i promise,” he beams, so close that you feel his warm breath on your skin. that you can see the dimples on his cheeks, his barely visible freckles.
”oh, so that’s why you woke me up so early.” 
his smile widens. ”nice, right? i wanted to surprise you. d’you like it?”
a smile blooms on your lips, in tandem with his, honeyed and content. indulgent. gojo looks at it, and immediately knows your answer.
”yeah. it’s really pretty out here,” you face forward, taking a deep breath, fresh morning air entering your lungs. cool and crisp, stirring your sleepy mind. ”kinda nostalgic.”
satoru hums, and follows your lead. looking ahead, admiring the beauty of an empty world.
the big lake looks like a mirror, from here, glittering in the peripheral of your vision. the sun licks at the frozen sky, not quite breaking through, not entirely ready to rise — but it paints everything a rusty gold and you can almost feel spring shining through, taste it on your tongue, that promise of something better, something more concrete. a warmth you don’t have to question. 
a warmth that’ll stay with you for a long time to come.
it takes about ten seconds for the man by your side to start speaking, again, shattering the peaceful silence. but you don’t mind. his voice is nice, a mellow melody to your morning-fatigued brain.
side by side, you wait for the sun to rise. sharing hushed whispers and laughter, like two kids having a sleepover. like nothing exists but the space that cocoons you, wraps you up in a nostalgia so palpable the entire world feels like a fond memory.
(it makes you feel a millenia younger.)
satoru giggles like a child, telling you about something shoko said, or something megumi did, and you don’t miss a single word that spills from his glossy lips. hanging on to every word he’s willing to give to you. 
he looks so unbothered, like this. eyes crinkling, humming some tune you don’t recognize, like a little nightingale ready to take flight into the skies.
you part your lips, admiring his features. every patch of skin you can see. words making themselves manifest, hungry to see inside his brain, to know more about him. a fascination that’s never quite left you — though now you think it may be better described as love. ”hey, satoru?”
at the sound of his name, he turns to you. the weight of his eyes feels so light, like this. those blessed eyes staring into yours. he tilts his head, a smile playing at his lips. ”mm?”
”if you could go anywhere you wanted, where would you be right now?”
satoru blinks.
he looks at you, a mild surprise flitting through the lines of his face, as he takes you in. measures the weight of your words.
then he smiles, again. lopsided, almost a smirk, rich with amusement. a hum buzzes in his throat, like a butterfly itching to break out.
”.. you teasing me?” 
a huff fills the air. ”it’s a genuine question!” you insist, moving your leg to nudge his own. ”c’mon. anywhere in the world. i’m just curious.”
another hum. he narrows his eyes, playfully, biting at the inside of his cheek to hold back a chuckle when that makes you grumble. pouting softly, tilting your head. he’s amused, you can tell. 
but he closes his eyes, lashes fluttering, glimmering with morning dew. and you can tell he’s taking you seriously. tasting the question on his tongue.
something shines in his eyes, when he opens them again; crinkling at the corners, soft lines of crows’ feet. you can almost see that burst of aquamarine, breaking through the black glass of his shades. like the laws of physics can’t contain it. and he smiles, as always, a smile so beautiful you wish you could live on the curve of his lips. flimsy, no teeth peeking out, no dimples to admire. but sweet. slathered with honey, as sincere as can be.
his voice comes out a little raspy, tainted with a tinge of fatigue, a smokey residue that sticks to the walls of his throat. but it's genuine, like he just woke up, like he's too sleepy to be dishonest. like every word he says can be no more or less than the absolute truth.
and when he turns to face you, tilting his head enough for you to see that shade of blue you love so dearly, his eyes shine with an honestly so palpable you feel like you’re being devoured.
satoru parts his lips.
”right next to you.”
a moment passes. silent, endless, no sound to be heard but the beating of your own heart.
at last, the sun breaks through that layer of frost, peeking up from the boundary of the world — and the morning begins to thaw. streaks of sunlight cascade down the contours of his handsome face, painting him a mellow gold, and it’s almost enough to distract you from the warmth of his hand finding yours. 
for a moment, satoru looks unsure. smile shifting in the light, into something slightly stiff, and you know that means he's nervous. silent, as he wets his glossy lips. pink tongue tasting strawberry chapstick. 
then he’s leaning forward. 
it’s chaste, the kiss he plants on your forehead, soft as the flutter of a butterfly’s wings. but it lingers, even after he’s pulled back — a warmth on your skin. a silent declaration.
he doesn't have to say anything. when you look up at him you can see the red flush of his ears, and when you strain your ears you can hear all those unspoken whispers. the sentiment neither of you will ever have to say out loud, because you know. it’s there. and it means everything. 
and you know that for as long as you live, you’ll both have this. one single thread of normalcy, in your unorthodox existences, one single glimmer of something almost entirely good. something that heals, something that isn’t a blessing and a curse all in one. something soft to the touch.
there’s no need to find the right words for it. there never was.
”kinda looks like melted ice cream.”
the words pull you out of your stupor. satoru’s looking at the sky, and you follow his gaze, watching the sunrise in tandem with him. 
it’s beautiful. soft clouds melting into pinks and oranges, dappling sunbeams lapping at the trees, a saffron shade washing over the empty world in front of you. a world that may not be so empty, after all, because you hear crows in the distance, and someone’s fishing by the lake, and you think you spot a squirrel in the tree closest to you. 
and you have someone, right next to you, right by your side. someone who won’t ever leave.
sometimes, loving satoru gojo feels a little like strolling on the edge of a cliff. like one wrong step could have you tumbling down, a mess of broken bones and unspoken words. but if you do stumble and fall — you know he’ll be waiting at the bottom of the precipice. arms outstretched, wearing that same innocent grin, ready to hoist you both back up.
so you know it’ll be fine.
swallowing down a bout of fresh laughter, like a flower unfurling in your chest, petals brushing against your ribcage, you give in. opting to bask in the moment, in his presence.
”yeah,” you puff out a chuckle, head slumping against satoru’s shoulder. he makes a little noise of approval, and your grin grows. ”it does.”
he doesn’t say anything. smiling, wordlessly, admiring the way the sun kisses up your collarbone. lighting up your face. and you bask in his warmth, how right it feels to be tucked into his side. how safe he feels, even now. how safe you make him feel.
you look at the man to your left, and he looks back at you, and that wonderful unnamed something unfurls inside your chest again. and, without having to speak it aloud, you know it will continue to do so.
many, many years later, he’ll still be satoru, and you’ll still be you. the distance between you will be what it always was; breachable.
and that will be enough.
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irisbaggins · 6 months
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In rewatching the season, I'm noticing how clever Aabria and Brennan were in crafting Tula's story. How well thought out everything was.
Specifically, the bear. It's been mentioned so many times before, but with the context of the completed season, I cannot help but be in awe at the skilful storytelling at display here. The way in which the Blue is described to appear wrong only in reference to Tula and her heart, the way in which Tula talks about curiosity and and having experienced knowing someone who died because of it. Of how Aabria describes to Izzy how Tula looks when she heals the bear, of how Aabria specifically points out that Tula recognises the commonalities between herself and the bear. These breadcrumbs that mean little in the beginning, that tell everything at the end. It's amazing, stunning, masterful storytelling. I am in awe.
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zephyrchama · 6 days
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Water Wrinkles
Seven demon brothers sat solemnly in a circle around you. You did your best to ignore them. It wasn't often that you got to spend time at the human world villa, and you were intent on soaking up as much sun as you could before returning to the Devildom.
You reclined your beach chair back, crossing your arms under your still-wet hair. It was a gorgeous day. Perfect for being at the pool.
Leviathan let out a muffled sob. As the demon with the highest affinity for water, he blamed himself.
"Let us take you to a hospital," Satan insisted for the tenth time.
"They're going to laugh us out of the ER," you nonchalantly repeated.
Satan lowered his eyes and muttered, "I couldn't find any traces of a curse in the water... So how...?"
Asmodeus had his head in his hands, unresponsive. Sometimes his fingers curled around the ends of his hair. You briefly glanced over to make sure he didn't pull his hair out - that would be grounds for a real emergency.
"I can't bear to watch. Lucifer, do somethin'," Mammon whined. He was fidgeting all over the place and winced whenever he looked at your feet.
The oldest glared at you. You knew it was out of concern, but his fears were unfounded. Even Lucifer refused to listen to reason when he thought you were in danger.
"Actually, yeah. Lucifer, can you pass me a towel?" you asked. It was embarrassing having seven shirtless demons intensely staring at you. If they wouldn't let you go back in the water, maybe covering up would make you feel less self-conscious.
Lucifer didn't move. It was Beelzebub who plucked a spare towel off his younger twin and handed it to you with a shaking arm. He looked like a wet puppy, having been the one who first discovered your "condition" and swept you out of the pool.
Belphegor hadn't gone in the water that day. He only hogged the plush towels because of how comfortable they were and, following Beelzebub's lead, dumped them all onto your chair. Now he sat, wide awake. He was anxiously squeezing a loose chunk of concrete but at some point, without realizing, it got crushed to powder in his hand.
You had more than enough towels now.
"In half an hour you're going to forget this all even happened," you said to reassure the worry warts.
"In half an hour, you might be gone!" Mammon snapped back.
"You're going to be a wrinkled mess of skin and bones," Asmodeus weeped quietly.
Leviathan pressed his hands over his ears. Though, with nothing to cover his eyes he was forced to look at your wrinkled hands again. Based on the noises he was making, you'd think someone was torturing him.
"As I've said!" you reiterated. "All humans get wrinkly in water. Look, now that I'm drying off it's going back to normal."
Beelzebub grabbed your ankle, raising it for the brothers to observe at eye level. "I don't see a difference."
You didn't expect the sudden manhandling and slunk several inches down the lounge chair while the demons stared at your foot. Kicking and twisting your leg was futile. You modestly crossed your free leg.
"I think it's getting worse," Satan said.
"We need to take action," Lucifer decided.
Asmodeus was actively quivering now. Belphegor and Leviathan had crept behind you and started picking at your wrinkly fingers. You tried to swat them away to no avail.
"Give me 25 minutes! Literally! Probably even less, this will go away on its own! I just need to dry off."
"We need a solution now," Mammon asserted. The cogs in his brain were turning. "We need fire."
You tried to sit up, to jump up and stop Mammon before he burned the whole villa down in an attempt to dry you off, but Beelzebub had not let go and you stumbled. You grazed your knee on the concrete and winced.
A second round of panic overcame the demon brothers. Beelzebub let go, Lucifer picked you up, and Belphegor wrapped your knee with every available towel he could lay his hands on. Asmodeus and Leviathan were crying on each other's shoulders. Mammon came running back, oblivious to the second disaster that just occurred, with a flaming stick in his hand that Satan tried to keep at bay. If you got burnt on top of everything else, they'd probably go insane and destroy the human world.
In the midst of the chaos you caught a glimpse of your hand. It was practically dry. You couldn't even see the wrinkles anymore. You angrily wiggled in Lucifer's grasp as various hands fussed over you.
"Stay!!" you shouted over the clamor.
The brothers went tumbling to the ground, save for Lucifer who fought to stay rooted in place. You could finally hear yourself think again. There was primarily one thought on your mind.
"I just want to go swimming."
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raviollies · 8 days
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I know it's been said but the changes to Maria really grate on me because....this doesn't even read as the same character anymore. Maria's design was purposeful, a very clear specific concept of a 'cool sexy girl who wears leopard print and crop tops, and have a belly button piercing and a tattoo' - it combines to a stand out character portrait of not just Maria but of James, because THATS what he finds sexy and was a stark contrast to modest, sickly Mary. The new design literally just looks like a teacher or a manager now, what the hell is that supposed to tell me about either of their sexualities.
And no this isn't a case of 'tHe cEnSorINg' - this is just misunderstanding the themes. Maria wasn't needlessly sexy, objectified for the viewer; her sex appeal was referenced in the story, and was an important part of it, one of the MAJOR themes.
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vampykween · 7 months
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love the idea of ghost watching you hehe, as always nsfw mdni thank u
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Simon comes home and is surprised when you don’t greet him at the door like you normally do. He figures you’re probably sleeping – always one to nap when you get the chance. The sight he was met with is not remotely what he expected.
You’re spread out in the middle of the bed – looking effortlessly angelic – eyes closed and the sound of your breathy moans permeating the air. You’re fucking yourself relentlessly with your fingers clearly on the precipice of an orgasm, and Simon is quickly debating on pulling his cock out and just watching you get yourself or if he should hold off and join you on the bed.
It’s decided for him when he lets out a deep groan at the sound of you moaning his name – your movements halt immediately and you sit up in surprise.
“Oh my god, how long have you been standing there,” you ask your boyfriend a blush creeping over your face. It was one thing for him to see you like this when the two of you are having sex, but somehow it feels so embarrassing to have him catch you pleasuring yourself.
“Long enough to know you think about me when you’re stuffing your little pussy full.” He’s walking towards the bed now, and he pulls at your ankle dragging you to the end. Your chest is heaving now, he was reigniting the fire that was burning in you shortly before he caught you. His large hand covers the expanse of your throat and slowly treks down the length of your body, stopping momentarily to tweak at each of your nipples. When he reaches the softness of your stomach he stops, leans down merely inches from your face and whispers, “Beg me to fuck you pet, tell me you want me to fuck you far better than your little fingers ever could.”
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lucky-fy · 2 months
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For the Laicion nation (aka, me and three other people)
I had this illustration commissioned (a big thank you to @lunehowls) for my werewolf AU Laicion fic (still a WIP).
The general pitch is as follows :
AU in which Laios never got to meet his sister again, putting his life on a whole other path, a more desperate one. A military deserter with barely a coin to his name, Laios hitches a ride on a boat to one of the elven continents, where he learns about magical tattoos that binds one’s soul to a wolf’s, effectively making them artificial werewolves. Illegal magic be damned, this feels like the answer to… everything.
In the process, he learns about the existence of an illegal fighting ring in one of the elven cities, where beastmen gladiators gather. Freshly tattooed and without anywhere else to go to, Laios decides to head there, where he meets Lycion, an elf and artificial werewolf gladiator. If they first bond over a simple shared meal, by spending time together (sharing the same room in the barracks, maybe the same bed? gasp) they find that they have a lot in common, notably a shared distaste for the body they were born in, a dysphoria partially remedied by becoming a werewolf.
They bond :)
NB: I commissioned another piece, go take a look :D
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jacqcrisis · 2 months
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I can't stop thinking about the rings on Hermes' fingers. I can't. Whats the story behind those? Did he start wearing them because Charon gave them to him as a job well done? The weirdest gift imaginable to your professional associate?
Did Hermes steal them to be a cheeky bastard and got them fitted and put them on for the jokes? Did he start wearing them apropos of nothing? Just happen to start accessorizing like his professional associate? Is it part of a shared uniform? Can we see the employee handbook?
Did Charon go out and get rings commissioned to look exactly like his for not one, but two of his partner in crimes' fingers, slide each lovingly onto Hermes' corresponding digits, and then gently hold his now bejeweled hands in his own to see how they match, knowing Hermes will now carry something of Charon with him when he leaves him for his dangerous work?
I'm just. Asking. Questions. But I swear to God, if we get Charon's portrait and he has a feather or an orange ribbon somewhere on his person, I will be inconsolable for days.
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crybaby-bkg · 1 year
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Bakugou is willing to eat it in any position. You’ve learned this as time went on in your relationship, that no matter the place, time, or circumstance, he’d eat it anyway he could.
In some fancy bathroom at a hero gala, with you bent over the sink, your dress hiked up high on your thighs. Your face is this close to being smushed if not for the hand you have to throw up to keep from smearing your makeup. You pant against the glass, angling your body to watch how his blond tuft of hair moves rhythmically in the mirror when he licks you from clit to taint. You moan quietly when he leans back to spit on your hole, not realizing how disheveled he looks all the while. His hands are gripped tightly on the globes of your ass, spreading you, as he watches his spit dribble before he dives back in to lick it up.
On your kitchen counter, with your toes curled into the edge of the marble, your hands holding onto his hair for dear life. Bakugou holds you by the hip and tit as he works his mouth over your clit, sucking and licking at the swelling nub as he stares up at you from under thick blond lashes. He likes this angle where he can watch the pretty faces you make whenever his tongue lashes on your clit, and how your eyes always roll back when you realize he’s been looking at you the entire time.
On your side while you lay in bed on a hot day, forgoing any clothes due to the sticky heat. You’re tempting him, he tells you as he kneels on the floor beside the bed where your ass sticks up, right in his damn face—how could he resist? You’re not complaining though, as you hold one cheek open for him to lash his tongue against both holes, gasping in surprise when he groans against you, and dips his tongue inside of you as far as it can go. He pulls back with a smack of his lips and a bite at your pert little cheek, before he wiggles his tongue back inside of you once more.
Up against the wall after a night out, all sweaty and inebriated and drunk on the love you have for each other. He doesn’t even let you take your shoes off, just hikes your skirt up and places your thigh over his shoulder. He cranes his neck to slurp at your cunt, grunting when you pull his hair, licking at you with desperation to taste your cum flooding on his tongue as soon as he possibly can.
He loves it especially, when you sit on his face. With your thighs caging his head in as you ride his tongue and use him like the toy he is for you. Or when you turn around and really sit on his face, lightly playing with his neglected cock because the both of you know that right now, this is for him, and all he wants is for you to ride his face until he can’t breathe. He likes when you rub your scent all over his skin, rub your entire pussy from top to bottom, his nose bumping your clit all the while, his tongue out to catch whatever he can.
he’s just a feen for you and eating you every way he can basically.
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hedgehog-moss · 9 months
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One mistake I made a lot when I started learning English was writing both the auxiliary and the main verb in past tense—as in, "Did the rain stopped?" My English teacher had to really drill this grammar point into my head, she was like "the point of 'did' here is to indicate past tense, there's no need for another time marker." Me, genuinely baffled: "Why not?" Teacher: "Think of the 'ed' in 'stopped' as having migrated to the beginning of the sentence and become 'did'. So it's no longer in 'stopped'." Well I was sad to see it go. I pointed out that in French you'd say "The rain (itself) has it stopped?" and 'the rain' feels welcome to stay even though the whole point of the pronoun 'it' should be to replace it in a quicker way. But it would be sad if the noun & its pronoun never got to hang out together so we keep both <3
My teacher had a British look on her face that made my middle-school self wonder if maybe she thought my language wasn't optimally designed, and then she said that in English it would feel clunky to give the same piece of grammatical information twice, and "if you use 'did' then the -ed in 'stopped' doesn't add anything." That just sounded offensive, I mean since when do letters need to add something to a sentence? isn't it enough that they adorn the end of words & frolic with the others in friendship. If it bothers you so much just don't pronounce them. Idk, "did the rain stopped" felt so right to me. In the end my teacher said that "The rain has it stopped?" with the redundant pronoun is the more formal French phrasing anyway, and I was like yeah true we'd rather say "is it that it (itself) has stopped to rain?" and I felt like this really proved my point and I think she felt the same way
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