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eff-plays · 8 months

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Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

#bg3 #baldur's gate 3 #astarion #anyway ... after dragon age it feels so mindblowing to have writers who aren't apologists for their characters

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art · 10 days

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Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series! Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro!

#creator spotlight #artists on tumblr #themetalhiro

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slasher-male-wife · 7 months

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Horror characters seeing their s/o covered in blood

Happy Halloween everyone. I did a poll awhile ago on what I should post for Halloween and this won. So I'm here to deliver what y'all voted on. I included a lot of characters in this just for fun. Disclaimer I haven't written for some of these characters in awhile or that much at all, so sorry if some of these are ooc.

Includes: Amanda Young, Michael Myers, Otis Driftwood, The Lost Boys, Candyman, Doomhead, Patrick Bateman, Severen Van Sickle, Pyramid Head, and The Sinclair brothers

Warnings: Mentions of real and fake blood, slightly suggestive content, gn reader, talk of drinking blood in The Lost Boys and Severen's section, violence, murder

Amanda Young

You weren't supposed to find out about what Amanda did. She wanted to keep you separate from the gore of her apprentice work. But accidents happen and somehow you get to where a trap had happened.

You were in the where-house when you slipped on a puddle of blood and got your entire front half covered in it. You screamed out and Amanda quickly came rushing in.

You standing there covered in blood made something tick inside of Amanda. Something she knows she shouldn't feel seeing you covered in blood.

But she pushes this aside and quickly assures you it's fake blood that happened to spill all over the ground. She can't stop herself from giving you a quick kiss before helping you leave.

She'll get you all cleaned up back at home but she won't be able to stop thinking about seeing you covered in blood.

Michael Myers

Michael was out while you were getting ready for a Halloween party. A part of your costume involved you getting drenched in fake blood. After pouring the fake blood all over yourself in your bathtub you let it dry and step out.

You're downstairs, gathering up your things for the party when you notice the feeling that you're being watched. You turn around and spot Michael watching you.

Michael knows what real blood looks like and considering you're pretty calm he knows this is for your costume. But something inside of him is yelling at him. Not in the usual 'kill someone' way, but in a 'get them and try not to hurt them' way.

You're going to be late to that Halloween party. Michael is going to stand there and make you spin around for him so he can watch you move while you're covered in blood. You know he's getting some kind of kick out of this, so who are you to stop his fun.

After this Michael will try to hint at you to get covered in blood more often. He'll even offer to get the blood this time, but it wouldn't be fake if he got it. He'll keep thinking about you covered in blood and won't be forgetting how it made him feel anytime soon.

Otis Driftwood

You walked in on him at a bad time. While you've grown to accept what your boyfriend does, you don't like partaking in his torture of other people. But when you walked into the wrong room at the wrong time you got sprayed all over with blood.

It coats your face, hair and chest. You thankfully didn't get any in your eyes or mouth. You do let out a scream of surprise but you're not too grossed out by the blood, living with the Firefly family for as long as you have will do that.

Otis takes a good long few moments to just stare at you. You're hot enough as it is, but seeing you all covered in blood like this? Otis is going to have to go take a long cold shower.

"Well isn't this my lucky day." He'll say before walking over to you, completely ignoring the victim now. He'll take all of you in and won't let you wash it off so quickly.

"I just wanna take a couple pictures of ya darlin'." He'll quickly get his camera out and have you pose for him while you're still covered in blood. This will come in handy when he's having art block or he just needs to have some 'personal time'.

The Lost boys

It's your first time feeding and it ended up getting really messy for you, considering you've never done it before. So you got just as much blood all over yourself as you did in your mouth.

Dwayne is the first to notice and he's smirking a little to himself as he watches your blood covered body move. He's committing this sight to memory and he'll probably find a way to get you covered in blood again.

David is the next to notice. He'll smile wider than Dwayne and make some comments about how messy eating can get at times. But he'll also talk about how hot you look covered in blood.

Marko doesn't even make a comment, he just straight up lunges and kisses you right then and there, fangs still out and everything. Seeing you all vamped out and covered in blood really got to him, making him loose all self composer that he has.

Paul also joins in on kissing you, but he'll opt for your neck since your mouth is taken. I can see him licking some blood off of you, but not too much because he loves the sight of you drenched in blood. But the boys will agree to try and get you that messy again the next time you feed.

Candyman

You didn't want to go with him. You summoned him and when he showed you how devoted he is to you, you didn't want to go. So he had no other option than to make you go by force.

You're entering your apartment after going to a Halloween party. Your costume was something you put together quickly and involved you pouring fake blood all over your front half. As you walk further into your apartment you get a strange feeling.

You try to ignore it as you walk to your bathroom to wash off the fake blood. Before you can do that you hear something moving in your medicine cabinet. You open it and after a few moments a hook jumps through it. You obviously scream and run out of your bathroom.

You're in your kitchen, picking up your phone when you see him again. He's looking at you with that same adoration in his eye from the first time you met him. He's looking you up and down. You're frozen again as he watches you.

"You're even more desirable covered in blood," He says in his sultry voice. You shed a couple tears as you try to move, but you're unable to. "I'll have to remember this the next time I see you my love. I'll never be able to forget this."

Doomhead

He knew you were going to a Halloween party, but what he didn't know was that you were going to be covered in blood when you came home. He knows real blood from fake blood and when he sees you he can't help but chuckle.

31 is coming up and he's always tried to keep you separate from it. Seeing you covered in blood is a bit of a double edged sword for him. On one hand he loves seeing you covered in blood, but he also can't stop thinking about 31, and what would happen if you got caught in it.

"Ok so I got a little too close to one of the decorations and I accidentally got covered in fake blood." You explain, taking off your shoes, "I should probably shower all of this off."

"Well I was hoping to get a better look at you like this." He says with a Cheshire grin. You roll your eyes but smile and walk over to him. He spins you around a bit, taking a good look at all of the blood on you.

He knows he'll have to tell you about 31 eventually, and that he'll always keep you away from it. But for right now he can enjoy watching his s/o look stunning while covered in blood.

Patrick Bateman

He got a little too careless and right as he was killing someone you walked in, getting covered in blood from the victim. You of course start to scream and he quickly covers your mouth.

He's so angry with you for interrupting this, but something about seeing your face and body covered with blood, excites him. "I can explain this. Calm down and listen to me." He says, trying to keep his voice calm. His anger starts to mix with arousal as he slowly slides his hand away from your mouth.

"Oh my god Patrick what happened? Who is this?" You ask, holding back tears. His attraction to you is starting to get a bit too much for him. He'll find a way to explain this murder, just like he'll find a way to explain why he wants to do it while you're covered in blood.

"He broke in and attacked me. I had to fight him off and I went a bit too hard I think. We can't tell anyone about this alright?" He says, trying his best to keep a calm, in control voice, "But right now we need to get to the bedroom.

Murder's don't get him as excited as seeing you covered in blood got him. He'll have to go out and buy some fake blood and recreate this with you again. He's glad he has such an understanding s/o.

Severen Van Sickle

It's been awhile since your last feed and when you finally got someone you could barely hold back from drinking as quickly as possible. Because you were so worried about eating as much as you could as quickly as possible you got yourself covered in blood.

After you pushed the body away Severen took notice of your blood soaked clothes. He couldn't stop himself from smiling and taking a good long look at you. He knows you'll be too full to do anything after feeding that much so he'll have to commit this sight to memory, just for some fun activities later.

You wipe your mouth and smear more blood over your face and Severen can barely contain himself at this point. He'll have to quickly ask you if you're up to help him, or if he should do it alone.

Either way he doesn't want you cleaning yourself up anytime soon. Even after his issue is taken care of he just wants to see you covered in blood. He loves how it looks in general but also aesthetically. If he has a camera on hand he's taking a picture of you.

He will try to recreate this later. Next time you're feeding he'll try to get blood all over you. I can see him filling up his mouth with blood and just spitting it on you because let's be honest, he's very dirty and probably has as many diseases as a stray cat.

Pyramid Head

You're walking around Silent Hill, trying to find some more food to stock up on when you come across one of Pyramid Head's recent kills. You don't notice and you slip on the puddle of blood.

You're used to the blood and gore of living with Pyramid Head in Silent Hill so slipping on blood and getting it all over your clothes is more of an inconvenience than scary. You groan and stand up, looking at blood slightly dripping off your clothes.

You turn around and find him standing near you. "I just slipped on some blood. It's not mine and I'm not hurt." You say. You can never really tell what he's feeling or his emotions but you can sense he's feeling a certain way about you being covered in blood.

You two just stand there while Pyramid Head is thinking about smearing more blood all over you. Seeing you covered in blood is doing something to him. So he walks over, get's blood on his hands and rubs it over your face and clothes.

He'll follow you around and just keep watching you while you're covered in blood. He'll be thinking about this for awhile, and he'll try to recreate it whenever there's free time or he just needs to see you covered in blood.

Bo Sinclair

You were busy going after a victim and it got a bit messy. You got yourself covered in blood. By the time you get the body back to the House of Wax the blood that's on your hair and face has dripped down to soak your clothes even more.

You hand it off to Vincent and when Bo sees you he pauses for a moment before he chuckles. "I like yer new look darlin'." He says teasingly. But he's using that teasing to mask how damn hot you are covered in blood.

You're able to pick up on this and you know a great way to get him back for making you chase down someone and kill them.

"Oh I know. I love this look too." You say teasingly back to him, moving your hands up and rubbing your hand over your face and neck, getting a good amount of blood on it. You walk over to Bo and smear the blood on his shirt before you step back.

"Too bad I'm about to wash it off." You say before you dodge Bo trying to grab you, "If you catch me before we get to the house I'll let you wash it off." You say before running out of the house, Bo follows behind quickly.

Lester Sinclair

You're helping Lester out by picking up a deer from the road. You're in the middle of lifting it into the truck when something happens and you get covered in deer blood.

Lester quickly rushes over to you and lifts the deer into the back of the truck. He's looking you over and making sure that you're ok. You'll have to assure him at least ten times that you're perfectly ok and that the deer just got blood all over you.

Now knowing that you're ok he does kind of realize that, you look good covered in blood. Lester loves when you get a bit dirty in general, but blood has him feeling a bit more excited than normal.

He'll zone out a bit for awhile until you bring him back and he acts like everything is good and he's totally not obsessing over the look of you covered in blood.

He'll keep this to himself until it starts to boil over and he admits to you that he hasn't stopped thinking about you being covered in blood. If you suggest the idea of getting covered in blood again he'll be all over that idea.

Vincent Sinclair

When you offered to model for Vincent's study you didn't expect to get covered in fake blood. But Vincent wanted you covered in blood and you didn't really mind so that's what the two of you do.

You stay still the entire time but you notice Vincent staring more than he is drawing. But once he notices you noticing him he gets back to drawing you.

He takes his damn well time to draw you and at one point he stands up and walks over to you. He starts to pose you in a different way and it's totally not an excuse to touch you and see you covered in blood up close.

He'll put you in so many different positions and will keep pouring blood on you. He's honestly memorized by you standing there covered in blood. At one point he'll bust out the camera and ask if he can film.

He sees you being covered in blood in a more romantic, artistic way that makes his heart beat faster. He'll have to get you covered in blood more often so he can draw, paint, photograph, etc you.

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controld3vil · 1 month

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atreides and bene gesserit

pairing(s): dune 2 cast x actor!reader (platonic), austin butler x actor!reader

synopsis: requested by this ask!

⤷ alt: as clueless as you were about your sister's role, it brought you much surprise and joy to see her on the same carpet as you.

notes: reader uses fem pronouns as she's playing a role as a bene gesserit. reader is also described as wearing a sleeveless jumpsuit. and i really enjoyed lea seydoux's performance and hope to see more of it !! this is also COMPLETELY separate from the first two posts ive made since the readers r playing different characters yeah?

When Denise Villeneuve asked you about the role of Lady Margot Fenring, you were genuinely shocked about his decision. You appreciated his works but have never gotten close to any of his sets before. You have worked with directors who've admired Villeneuve for his imaginative mind. And now, you witnessed his creativity in person for the first time.

The role was small and not as significant as the other main leads. Regardless, your character was just as enigmatic and complex as any other in the Dune franchise. Even though your time was short, it was a fun experience to learn and observe from. You weren't able to meet the entire cast after production, but with the NYC premiere, you were able to link up again.

You heard your name being called out. "Hello! How are you?" The well-known comedian and presenter by the name of Amelia Dimonberg was now beside you. In her jet-black corset dress, her style is chic and elegant. She hands you a microphone with the film's title plastered on it. "You look beautiful!"

"Thank you!" you sweetly recuperate, diverting your shoulders to the sight, cutely. You give a little pose before complimenting her own outfit. "You as well!"

"Do you have a memorable day on set that sticks out to you?" Amelia questions, subtly leaning toward your direction. And now you noticed her detailed eye makeup which enhances her outfit altogether.

"Well- I've had, like, only a few days," You let out a quick sigh. Truly it was nothing to be embarrassed about but you could not help but feel shy about it.

"Mmhmm! So all of them?"

"Yeah, all of them!" With ease, your shyness turns into giddy laughter as all you remember from your times on set. Recalling those tiny moments brought a small smile to your face. "Every day counted for me and that was enough."

"Oh absolutely!" Amelia chides, nodding in agreement. She quickly then moves onto the next question, "How long do you think you could last in the actual desert?"

"Oo that's a tough question," Lifting your fingers to rest on your chin as you try to contemplate an answer. "Ideally no- I feel like I could never recover from the heat."

"Yes yes, the heat's very intense,"

"Yeah- no I don't think I'd ever leave my house for that-" You shake your head nonchalantly, acknowledging how most of your scenes already were indoors. You could imagine how you would do in the desert of Abu Dhabi. It makes you appreciate the cast and crew even more for their effort to make filming more comforting and tolerable.

"Where would be your dream location to hang out? I'm assuming your home then since you prefer to say inside?" The blonde interviewer quickly catches on, eyebrows raising intrigued by your response.

Instead, you hummed bashfully, "Actually I think an oasis would be nice." The camera catches onto Amelia's face, fully fixated on you. "Which fits perfectly if I were to live in the desert actually!"

"Mm yeah, smart choice!" She responds more cheerily. "You can maybe go for a swim, you know-"

"Right right," You give her an playful look, "And you don't have to go thirsty!"'

"Absolutely, the best of both worlds," Amelia chirps, doing the same expression. "So this film centers a lot around dreams. Do you have vivid dreams of yourself?"

"Yes! I've uh- I've had many dreams of myself. I mean, this one, for example-" You turn to the camera, waving with the most adorable smile on your face. "'I'm living my dream right now!"

"You're living your dream right now!"

In another section of the premiere, you were walking down the carpet for press interviews and photography. The set where the premiere was taking place was gorgeously made in the shades of black and orange, the perfect theme of the film. The entire venue was outdoors, allowing you to feel the cold air and be more at ease in the crowded space. There were more paparazzi than you had expected, and you suddenly became aware that you were alone. Without any friend or acquaintance to accompany by, you searched aimlessly for a familiar face.

Then there was a holler. And then multiple more came after, it made you confused really. Your head swerves to the sound of the person you so try to look for and immediately you're struck in awe.

"Anya?!" In an instant, you're seen running towards your sister in the far back of the premiere wall. People were reluctantly used to fast-paced relocations around the carpet. Therefore most did not mind your hasty stumbles through the crowd. It was almost comical how apparent your demeanor changed when you heard her, in fact, videos and pictures caught all of it.

"Hi!" She beams in her white dress robe. Her makeup was glowing, making her skin seem angelic, and sheer without impurities. Her outfit covers her like a nun, covering her head and body in almost transparent cloth. Yet it flows around her so elegantly, almost like she was an angel from the stars. She squeezes your figure firmly, only after releasing to gush about your appearance.

You adored a beige sleeveless jumpsuit. The color is complimented with tiny designs of sparkle. Its seams captured your figure perfectly, as you also wore a gold chain and bulky rings. From the lighting, it looks as though your outfit is shining. And to be completely honest, you prefer comfort over the judging looks of fashion critics. Therefore you wanted to wear something that you could still move comfortably in. Thus you were able to run over to your sister with ease.

Through the other lens and camera, they could pick up some of her words after. "You look so gorgeous! How are you here?!" Anya's expression changes into a perplexed one as she gets a hold of your shoulders, shaking them back and forth.

"I was invited obviously, "You said, mimicking her voice while holding onto her arms on yours. "You didn't tell me you were a part of Dune!" Viewers from afar could tell you were pushing an act, reacting as though you were petrified about how Anya managed to be here in the first place.

"I didn't know you were either!" She giggled, closing in on your right ear. Your sister whispers to you slowly, trying to withdraw from the camera and recordings. "Villeneuve had mentioned something but honestly I just thought it was a joke."

It was your turn to guff. Your mouth opens wide flabbergasted, looking sarcastically offended. "Why would you think he's joking?!"

Anya scoffs lightly, wanting to go further with the joke. "I don't know- I just didn't take his word seriously,"

"Why? Because you didn't think I'd make it into the film?" You accused, eyes widening with a hand over your heart. "You're so cruel."

"So cruel," She smirks up at you, then moves back to be by your side. You see her face forward the flashing cameras, as you do the same. "Come! Let's take some pictures!"

"Your outfit looks beautiful by the way!" Anya Taylor muses, eyeing down at the fine details on your jumpsuit. "It's very... you!"

You give her a nod, before flattening some of the creases, "I thought this color was so exquisite, so I thought it would be perfect for the premiere." You lift your head to look at your sister, before realizing behind her, the upcoming stars of the film were getting ready to take cast photos. "Oh Anya- I think you should go!"

Your sister turns and then gazes back at you with a soft smile. "You should come with me!"

The thunder of cameramen and journalist blurred your focus for a moment. "Are you sure-"

Again the sound of your name is hurdled but this time from someone you haven't seen in a long time. Jessica Ferguson, who too wears a black body suit with veils and bold makeup. She waves her hand almost too eagerly to have you come closer alongside your sister. "Come, join us!"

Videos were filmed of the people gesturing to the cast of Dune in a line. Little by little, the row of people is filled and organized to be in the center of the camera's focus. Some actors had to move spots, due to lack of space or better color semblance on the other side of the row. You stood next to Jessica and Florence Pugh was beside your right, as you tried to stand closer for the picture.

Anya Taylor was on the opposite side, with Austin Butler and beside him, Timothee Chalamet. A noticeable clip taken all over was when the French actor went to greet the English actress, warmly, clasping her hand with both hands as a proper salute as on-screen siblings.

You did not mind the lack of attention. You were happy for Anya for achieving a great role. One with a welcoming cast and crew. It was then your eyes scanned down the row, from Zendaya to Stellan Skarsgard. Then to Austin, whom you've been familiar with since day one. Only him to find your gaze seconds later. You give a little nod and smile before averting your direction to Anya who is already staring at you with gleaming eyes.

You were going back and forth with Jessica and Florence on your travels for a while. From plans reception to favorite desserts, all you three wanted to talk about was food. Paparazzi caught onto your banter quickly and snapped a few photos. You even went out of your way to do silly poses. Followed by Jessica and Florence, then did the same, sticking their tongues out in a rock star kind of fashion. You throw out piece signs, giving a dramatic frown as another flash happens.

Catch-ups were definitely refreshing and fun. Thus why you nearly jump when Austin appeared behind you.

"Oh my gosh, hey!" You stuttered, giving him a quick hug to calm your nerves. "You scared me!"

"Sorry sorry! I just wanted to surprise you!" He leans his head slightly, allowing better eye contact. You felt a few taps on your shoulder and noticed Jessica and Florence scurrying away, with their thumbs up, all goofy and excited.

Your eyes make it back to his. "I would've said hi back at the cast photo, but you were so far away," Shrugging you dismiss your failure as a mild missed opportunity.

But Austin shakes his head in an averted manner. "No- Don't worry about it." You could already sense interviewers and others with microphones closing on you two. You were out in the open, and it's bound to happen. "I wanted to- you know, say hi to you in a less chaotic place."

"I tried looking for you but there's just so many people," You give your costar an exhausted look. It was then a keen young man approached the pair of you. It was the People magazine, as you became aware of the logo alongside their camera and microphone.

"Hey, would you two mind a short interview for People's magazine?"

Truly, this was what premieres were about. The cast and crew meet with fans to show what they have worked so hard for. You brought you no better satisfaction than to praise everyone's efforts. The interviewer then proceeded to have a quick introduction of you and Austin beside you. You both had separate microphones in each hand. Once the video started rolling, you peered at the camera and gave the audience a grin.

"So how are you guys doing? Met all of your lovely cast members yet?"

"Oh absolutely," You emphasized every syllable, nodding. Austin only glances at you in amusement. "It's crazy how many people are here I was so overwhelmed!"

"Yeah, it was pretty crowded," The male actor adds, lowering his microphone slightly.

"Hopefully it will die down!" The interviewer beams. "So what was it like getting to know each other in this film? How was the first day on set like?"

"Oh, well it went very smoothly," You start, staring up at Austin in approval. "Even though my time was short on set, I feel like we had a pretty good rhythm starting out."

"I was about to say! The scenes with Feyd and Lady Margot were really something!"

"Why thank you, we appreciate it," Austin nervously laughs, scratching his ear.

The interviewer takes the lead to discuss your preparation for the role and how it was working with Villeneuve. As new characters, you and Austin both talked about your views on both of your characters. Both are very different yet mysterious to the viewers. Additionally, you two were introduced in a similar scene of the pit fight. The People's Magazine interviewer was compelled to compliment Austin on his opening scene. You knew he had practiced the choreographed fights vigorously. And of which you were lucky to witness on the days that you were present.

"It was completely freeing and different than what I was used to doing," Austin probes, leaning toward your direction. "Were you there for the pit fight?"

"I think I was," You turn, similarly. "I remember watching from afar and thinking wow." Immediately you could sense him eagerly looking down at you with a sly smile. "He was- Austin did amazing with the fight choreography, I was impressed!"

"Was this the first time seeing him in full costume too?"

"Oh yes!" You bonked your hand on your forehead, "He was and I just- couldn't believe it was him!"

Suddenly Austin jumps in, "She was startled when I first came up to her in full costume."

"You came out of nowhere, by the way!" You rebutted, giving him a side glance.

"I didn't mean to," As he tries to reassure his actions, "I wanted to give a good first impression!" It was humorous how playful you two were together despite having dissimilar filming schedules. Though most of your scenes involved Butler, your friendship only became more apparent weeks after working together. It was off and on for months at a time due to being busy in other countries simultaneously.

Eventually, you were able to link up again weeks before the premiere. After waiting a long time to meet up, you almost felt relieved that you hadn't seen your costar in a while.

"And Austin, how was filming with her?! From a character's standpoint, what kind of dynamic do you see playing out?" The People's Magazine interviewer perks up, having the camera transition from his face to Austin's.

"Well I'd say, she's great. You know I've got to meet a lot of amazing people in this film. And," He says your name sincerely, "She's- she's one of those people. I can't say much for Lady Margot and Feyd's relationship- you know there's a lot of that's still not uncovered. We don't really know what's happening but kind of have an idea of something. And to have such a great actress like her, it makes everything feel authentic and- feel the tension." It felt as if you were in a daze, eyes completely focused on his words with such admiration and grace. Before you knew it, you were smiling as if you had won the best possible prize in the world. His compliments to you meant more than you had anticipated really.

Unbeknownst to you, the cameraman had caught your lovestruck expression before directing attention back to the interviewer. "And how about you, Miss Margot?"

"I'd say it's the same," Now looking at the interviewer, only momentarily back at your costar. "Austin's- he's great at all the stunts and acting like a scary dude. Every scene with him was fun to do. Like he's all serious in character but once they yell cut! he's so nice and funny!" Your bubbly laugh breaks as you can feel your face growing hot.

"Well I appreciate you liking my humor," Austin pokes fun at you, fanning a little air towards you.

You mutter a soft thank you! before continuing, "And he's dedicated you know? I remember one scene, a little spoiler, where Feyd is about to be tested by Lady Margot, and I just couldn't do it! I couldn't keep a straight face!"

"Really?!"

"She just kept breaking, I don't know why," The actor shrugs, his attention closely drawn to you. "We had a few takes on a few days."

"We did! We did!" You gave a big frown, "You just have a really distracting face."

"Do I?" Austin asks, between the lines of teasing and coolly.

By the time, other premieres had occurred, people were still focused on your interactions with Austin Butler. Your chemistry on and off screen on the carpet was hilarious. And with how polarizing your characters were, it made many clips of your shared encounters gain attention.

A few short videos were recorded after the People Magazine interview of you and Austin, bashfully talking behind the stage. The two of you went back and forth whispering in each other's ears about what was unknown to the viewer. Through a bird's eye view, the video also catches you hugging your arms before zooming in on Austin's placing an arm around your figure.

Another clip that had been reposted many times was when you both took duo pictures together. As you comfortably shift your weight on one leg, as you turn to have your side face the flashing paparazzi. Whilst the Elvis actor stands beside you at a pleasant distance, doing the same pose to the other side. There was one instance where you lifted your head to make eye contact with your eyes instantly brightening. As Austin's smile widened, only to blow air in your face.

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ineffable-suffering · 6 months

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Re: "You go too fast for me, Crowley", because I think I finally figured out the real meaning behind that line

Naturally, this line of all lines, the most line of them all, is constantly circling around my rotten brain like a moth around a flame.

In addition, though, there's always been another Good Omen's line/exchange that has kept bothering me again lately. And literally until just about five minutes ago, I had never thought of relating them back to each other.

Now, five minutes later, I have and I think I just ... figured it out.

In case you were wondering: The second line that wouldn't leave my head is what Aziraphale says to Crowley during their clandestine meeting at St. James' Park in 1862 when Crowley asks him for Holy Water:

A: "I'm not bringing you a suicide pill, Crowley!"

And here's what bugs me about this: Why did Aziraphale, without a breath of hesitation, immediately assume Crowley wanted the Holy Water to commit suicide if things ever went wrong?

That's ... such a dark assumption to make. Especially because that is absolutely not what Crowley wanted it for, as he literally says himself:

C: "That's not what I want it for, just insurance."

And what does Aziraphale reply?

A: "I'm not an idiot, Crowley!"

Because he firmly, firmly believes that Crowley is asking him to bring him the Holy Water as a foolproof method of taking his own life in case Heaven and Hell ever find out about them.

To this day, that conversation gives me chills whenever I think about it. We so rarely get see what genuine emotions and thoughts for and about Crowley Aziraphale keeps neatly tucked away behind that tightly buttoned waistcoat of his. This moment in 1862 is one of the very rare ones where his façade slips a little – and the peak we get isn't a fun one. It's a very dark, scared and vulnerable one.

What am I on about and how does this all relate to the infamous "You go too fast for me, Crowley"-line? Let's look at it under the cut.

(Word count: 2560 | Reading time: ~10 min. | TW: mentions of suicide)

Like I mentioned up above, it always struck me to my core that Aziraphale very clearly immediately assumes Crowley wants the Holy Water for possible suicide. Not only is that a very dark and upsetting thought, it also poses the question: Why? Why is that the first place Aziraphale's mind goes to?

Crowley says at the very beginning of their conversation:

C: "We have a lot in common, you and me."

He's definitely referring to their (very mutual) relationship Arrangement and the fact that they both find themselves kept apart and watched by their respective head offices, not allowing them to ever misstep and give themselves away.

After bickering around a little like they do, Crowley asks his favour – and he makes it very clear in a quiet and serious voice that:

C: "This is something else. [...] For if it all goes wrong."

He's not just talking about Heaven or Hell finding out about some silly frivolous miracles, no. He's talking about them finding out about their Arrangement, their relationship. The worst of all worst case scenarios.

So bad, in fact, that he doesn't even ask his favour out loud but instead decided to write it down.

Aziraphale's reaction is ... severe.

We immediately see his face drop as, he too, realizes that this is all of a sudden a very serious conversation indeed. And he immediately and vigorously denies Crowley's request because he thinks it to be one for a suicide pill.

To understand how he could arrive at that lightning-quick (and also wrong) conclusion, we have to try and understand how Aziraphale sees Crowley and the threat that the angel himself as well as their relationship poses to Crowley.

Crowley can, at times, be a very self-deprecating and cynical character. He's without a doubt carrying a lot of trauma and unspoken fears and emotions with him at all times. Aziraphale at this point in their relationship probably has a good notion of what those are – but he doesn't know the whole depth of it because they've never been able to speak freely enough and Crowley has seemingly decided to keep many-a things to himself, still. They both tread the waters of plausible deniability very well.

So, to jump to the conclusion of Crowley entertaining suicidal thoughts in the face of unavoidable danger is ... quite a violent jump. And remember: "[...] underneath it all, Crowley was an optimist. If there was one rock-hard certainty that had sustained him through the bad times then it was utter surety that the universe would look after him."

So, what is it that Aziraphale does know that would drive him to such a drastic conclusion when, in reality, secret optimist Crowley only ever wanted the Holy Water to protect himself against Hell to come out safe on the other end of things?

2500 BC, Land of Uz: A: "That [going along with Heaven/Hell as far as you can] sounds, um ..." C: "Lonely? Yeah." A: "But you said it wasn‘t." C: "I‘m a demon. I lied."

After Crowley helps Aziraphale out in Edinburgh in 1827, Crowley is immediately sucked back down to Hell We don't know what exactly happened after that or just how long Crowley was gone. We also don't know if Crowley ever told Aziraphale what happened, once he returned. What we and Aziraphale do know, is that Crowley ends up asking him for Holy Water, out of the blue, only a couple of decades later.

1601, The Globe: A: "But if Hell finds out [about the Arrangement], they won't just be angry. They'll destroy you." (additionally, later in time, C: "My lot does not send rude notes.")

Ergo: It's very clear that Aziraphale seems to have put two and two together with his own angel math by what he has a) witnessed himself and b) what Crowley has said himself which equals: In going against Hell, Crowley has felt incredibly lonely before he had Aziraphale by his side and if Heaven and Hell were to ever find out about them, Hell's punishment would be a whole lot worse than Heaven's.

He thinks Hell would destroy Crowley.

So when Crowley, who so rarely says how he really feels and one of the few times he did, told Aziraphale he was lonely, says he wants the Holy Water, the immediate conclusion Aziraphale comes to is: He wants it as an emergency exit. In case things go pear-shaped. He wants it to escape whatever dreadful punishment Hell would have in stock for such a lonely traitor. He wants it as a suicide pill.

For Aziraphale to not even entertain the thought or believe that Crowley does indeed only want the Holy Water as a means of self-defense is, again, absolutely heartbreaking. Because it tells us a thing or two just how scared and desperate Aziraphale thinks Crowley to be. Something along the lines of: "If I myself am already so immensely terrified of Hell's punishment for Crowley, how terrified must Crowley be."

I think a whole lot of this is also very, very strong projection and shows us how Aziraphale himself feels about all of it. How scared he is for himself and Crowley. Of what would be done to them.

A: „Out of the question! Do you know what trouble I'd be in if they knew I‘d been ... fraternizing?“

He knows they would both suffer immense consequences and that Crowley‘s still would be worse. If anything, in a dark and twisted way, it shows that Aziraphale himself has definitely entertained the idea of suicide as a concept, at least. Maybe not for himself or Crowley, yet, but remember, he‘s awfully fond of Shakespeare‘s Hamlet.

A: „To be or not to be? Buck up, Hamlet!“

Yeah, buck up indeed. (By the way, there's a great meta by @greenthena on why Aziraphale likes Hamlet so much that kind of plays into my point a little. You can read it here).

And again, who knows what Aziraphale might have actually witnessed of Hell's cruel ways already in the past (Edinburgh of 1827, or at other times) that made him arrive at the conclusion that, ultimately, suicide would be the less painful choice for Crowley when faced with Hell's consequence for their relationship.

I told you this was gonna take a bit of a darker turn. So, here we are. At the turn. It doesn't get much lighter from here on out, I'm afraid.

Because all of this gives "You go too fast for me, Crowley" a whole new devastating meaning.

Personally, I always found it a teensy bit difficult to relate that line back to Aziraphale implying that Crowley was trying to push their relationship a little too fast for him.

Deducing that as the meaning of "You goo to fast for me" after we were shown in the montage of S1E3 that Aziraphale, from circa 1941 on, was undoubtedly fully aware of just how madly in love he was with Crowley, has always felt odd to me. And it continued to feel even odder after we got the whole story of 1941 in S2.

Because if that minisode showed us anything, it's that if you let Aziraphale take over the metaphorical wheel for about five minutes, "too fast" doesn't even match the astronomical speed with which he crashes head first into 15th base. Forget the hand holding and kissing, let's go straight to you shooting me on the first date I planned for us!

And they say romance is dead.

Now look, of course, Aziraphale is still keeping most of his romantic feelings and longing bottled up out of fear that Heaven and Hell could find out about them and have Crowley destroyed. We've established that this very big fear of his is the driving factor behind him never trying to overstep that invisible line.

But still, those feelings? They're there. Oh, Hell, they are t-h-e-r-e.

Our angel is a master of self-delusion but not even he is holy enough to deny the fact that, if he could, he'd want nothing more than to lock that demon down and elope together into their happily-ever-after.

So, when Aziraphale finally budges and hands over the Holy Water to Crowley in 1967, I've always had a hard time believing that that line coming from Mr. "I guess there's something to be said for shades of grey" himself actually meant: "I'm not ready yet, you want to go faster than I do."

Because really, apart from trying to convince Aziraphale of the Arrangement and rescuing him from every silly, coincidental predicament the angel has gotten himself into over the millennia, what exactly is it that Crowley did here to "go too fast"? Hell, he's been at it at the pace of a snail ever since, very well knowing that Aziraphale would take a lot of gentle nudging and lunch temptations invitations to agree with the Arrangement.

All Crowley does in that moment in the car is offer Aziraphale a lift, anywhere he wants to go. And yes, that is code their little dance, that is how he shows his love for Aziraphale. But Aziraphale has never before deemed that an issue or seen it as a too-fast progression of their relationship. He even suggests another date himself two seconds later, saying:

A: "Perhaps we could go for a picknick one day. Dine at the Ritz."

So, what, one sentence later he suddenly wants to hit the breaks again? After he literally looked like this the last time Crowley drove (literally way too fast) through burning London?

Nah, I'm not buying it.

Instead, here's what I think Aziraphale really means with this line that changed us all (and I'm sorry, but I'm about to one-up the sadness of the 1862 meeting):

I think Aziraphale is referring to what he thinks is the reason Crowley wants the Holy Water for.

Suicide.

And boy-fucking-howdy, does that change the game.

Because if we assume that Aziraphale, all throughout the one-century-long Holy Water standoff, thought Crowley wanted it as a quick, ahem, Escape From Everything, what I think Aziraphale really means with "You go too fast for me" is this:

To him, Crowley is asking the most cruel deed of him to bring him the one thing that could take Crowley away from Aziraphale for good. For ever. In case things go pear shaped. In case Hell finds out about them and comes after Crowley.

To Aziraphale, Crowley is asking him to load the bullet into his gun for the time it won't be a trick. So he can escape before Hell gets to him.

More devestatingly, I think Aziraphale even understands where that notion comes from. Aziraphale knows how dangerous their relationship is. And Hell does not send rude notes. So, I think after pondering on it for a good millennia, part of him has come to understand why Crowley would want an emergency exit.

Which is absolutely fucking heartbreaking.

Especially because that's not even what Crowley was thinking when he made his request. He truly only wanted it as a defense. But Aziraphale doesn't believe or fully realize that. Aziraphale believes the Holy Water is a suicide pill and to some extent even understands why Crowley might want that.

And yet, despite (wrongly, but well) understanding Crowley's intentions, Aziraphale is still deeply upset and terrified at the thought of Crowley taking his own life should they ever get caught. Which explains his extreme reaction all the way back at their clandestine meeting at St. James' Park.

Aziraphale assuming Crowley's way out of the most pear-shaped situation of them all would be suicide also means that Aziraphale would be the one who'd be ... well, left behind.

He recognises that choosing death over possible eternal punishment is maybe somewhat of an understandable choice. And yet, it's a choice that, to him, Crowley has made without him. Seemingly way before their first talk about it.

Aziraphale thinks Crowley seems to have made up his mind about his escape plan without him in it.

He thinks that if they were caught, Crowley would want some Holy Water around to quickly chug before he would be at Hell's mercy and that would be it.

Crowley would, for the first time ever, really leave. Not just for Alpha Centauri. But actually leave. Escape and run away to a point of no return. For good. Without Aziraphale. To a place where Aziraphale couldn't follow him, no matter how fast he tried to run himself.

It goes a little something like:

"If they found out about us, you would choose to go where I couldn't follow. And you're asking me to pave the road for you to walk there. Without me ever being able to get a say in walking alongside you. You want to go to places where I could never join you. You'd run away without me and I understand why but you didn't even give me a chance to catch up. You go too fast for me, Crowley."

F*ck, man. I think I need to lie down.

Y'know what else that gives new meaning to?

Alright, that's it, I'm out. Enough sad meta-ing for the day. See you all around once I've stopped slipping further into the void, folks. :')

#good omens #good omens meta #my own meta #good omens season 2 #good omens 2 #gos2 #go2 #good omens s2 #crowley #aziraphale #ineffable husbands #you goo too fast for me crowley #aziraphale is master of projection #i made myself sad with this #The Arrangement #holy water #im gonna go read fluff now bye

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mauesartetc · 5 months

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A while back I got a comment that demonstrated a misconception as to what the character design process actually entails, and I thought it had real "teachable moment" potential. So let me make this perfectly clear:

Drawing a character is NOT the same as designing one.

Let's say I wanted to draw a guy. No backstory, no defined personality traits or preferences, no details about his current life, just doodling some random, generic guy who popped into my head.

That's just a drawing.

But what if I decided to flesh him out more? What if I wanted his appearance to reflect his lifestyle and inner life as well? Here's where the note-taking comes in.

And now for the visual research:

I thought the bodybuilding angle would provide a fun contrast with this guy's profession. The mental image of a huge, burly dude working on a clock or watch with tiny, precise movements just makes me smile. Perhaps I could give him small, nimble hands that would suit his line of work.

Now that I have a better idea of how Mikhail's face and body will look, it's time to establish a pose.

Of course, I never expected to employ all the personality traits I started out with inside this single pose; those were just a jumping-off point. No one drawing will ever be able to encapsulate every single facet of a character, unless they're extraordinarily flat and generic (see also: random guy I doodled at the start of this post). If I wanted to write a story with this guy, I'd have to figure out how all the traits play off each other and how they'd cause him to react to different situations. There would be a lot more note-taking and development involved, but for the sake of keeping this post (somewhat) brief, let's just focus on visuals for now.

On to color!

I decided to give Mikhail a carnation in his pocket (for its round shape), specifically a red one, which represents deep love and an aching heart. Thus, the flower needed to maintain its red color for the symbolism to come through.

For some reason I initially pictured this guy wearing a pink shirt (perhaps as an offshoot of the "romantic" angle), but I wanted to try some different colors inspired by the 70s catalog pages I found. I ended up really liking the contrast of the cool blue shirt with the warm red pants, and that option made it into my top three as a result. I lined them up next to each other to compare them, and in the end, blue won out over pink. I think it also reflects the "colder", more cerebral, less-emotional parts of his personality well (namely "systematic", "stern", and "callous"- one from each column!). Just goes to show that you shouldn't get too attached to your first draft, as better ideas are just around the corner.

I then lightened the blue of the shirt so it wouldn't compete so much with the rest of the outfit, and wouldn't be quite as loud and "in your face". Mikhail strikes me as a bit of an introvert, so the calmer, quieter blue is a better fit. I added a darker belt and watchband and de-saturated the flower just a bit to make the values feel more balanced, and I think we've got it!

Let's see the final result!

Y'all, I was not expecting this process to make me emotional, but there's something special about fully realizing a little guy you've spent hours working on. All of a sudden you look at him and go, "Oh my god, there he is. That's him." This man wasn't even a twinkle in my eye a couple weeks ago and now I'd protect him with my life.

And the thing is, the only reason I'm calling this design "done" for now is that I basically just brought it into existence to make a point. But if this dude were attached to a larger story, he'd be nowhere near finished. I'd have to make a ton more iterations and go a lot more in depth with my research than I did (especially with the Armenian cultural stuff). Overall, though, I hope this quick project properly highlighted the difference between a single drawing and a more fleshed-out character.

Later!

#character design #art tips #art advice #art help #concept art #long post

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yurinaa-world · 9 months

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Characters: Trey, Cater, Ace, and Deuce x Gender Neutral Reader

Synopsis: Boyfriend Headcanons

Warnings: fluff and spelling mistakes

𝒯𝓇𝑒𝓎 𝒞𝓁𝑜𝓋𝑒𝓇

Oh, he loves to gift a piece of the dessert he makes or make a whole cake just for you because he is so smitten over you, but how can he not be so cute when your face lights up whenever you try the cakes he makes for you?

He finds it cute whenever you take his glasses off to try them on, asking if you look good with his glasses with a grin on your face, or even better when you mirror the club on his cheek and put on yours, so now you two match with each other.

Just like he did with his younger siblings, he is going to remind you to brush your teeth every day since he doesn't want you to have any cavities since he spoils you a lot. This man cares about dental hygiene.

He is not going to karaoke if life depends on it. He says that he’s a terrible singer, but it’s not like you listen to him; you just love to drag him along and sing a duet together. He wasn’t wrong; he doesn’t really have a good singing voice, but you had fun, so it’s not a big deal.

You’ll bake with him; even if you're bad at baking, he’ll teach you. He tells you that you can’t just get better overnight; it takes time and patience to master something, so don’t think you're lost. If you just want to watch him, that's fine, but you’ll have to grab ingredients for whatever he might be baking.

I can tell he’s just good at cooking in general, so if you don’t have anything to eat or any ingredients to make something when you come back from your class, you can just shoot him a text to help you out. There's nothing to be ashamed of when you ask him.

He doesn’t mind PDA that much, like kissing him on the cheek as you leave or holding his hand, but it does make him blush a little when done in front of other people, especially in front of Cater or Riddle (Riddle just clears his throat to get back on topic).

𝒞𝒶𝓉𝑒𝓇 𝒟𝒾𝒶𝓂𝑜𝓃𝒹

Cater is basically your boyfriend and best friend at the same time.

He’s always taking photos of you and him doing those cringy couple poses where you kiss him on the cheek. Post that on Magicam because why not show you off? If you don’t have a Magicam account, he’s going to make you one, of course. you're following each other.

You guys probably dress up matching with each other and then do a magicam photoshoot.

He makes doubles of himself just to mess with you, like asking which one is the real him: the one in the Drom uniform or the NRC uniform; if you get it right, you’ll get a kiss, and if you don't, he’ll pout about how he could not know. But don’t worry, he’ll forgive you if you give him a kiss.

Cater doesn’t like sweets that much, but the exception is you, since your lips are so sweet that he just loves them, so don’t mind him stealing kisses from you throughout the day.

He’ll also put a diamond mark on your face just like his, even if you're not in Heartslabyul. You just look cute with his mark on your face (and he’s going to take 100 photos of you with that diamond mark).

His hobby is visiting cafes, and I bet you're going with him. You go to the whole bench together, from maid cafes to cat cafes and even the weird ones, and he doesn’t care unless you're having fun with him, because what's the point if he’s the only one having fun and not you always?

And to add to the cafe, you’ll definitely go to ramen restaurants. He’s going to order the most spicy ramen and then just add more hot sauce, which surprises you, but if you're not a big fan of spicy ramen, it’s fine; you can just order mild ramen.

𝒜𝒸𝑒 𝒯𝓇𝒶𝓅𝓅𝑜𝓁𝒶

He loves to tease and pull little pranks on you because you're just easy to mess with (and he loves you). If you try to tease him back and succeed, he’ll deny it all with a flustered face; if you point out his red cheeks and ears, he’ll go quiet in embarrassment.

He loves to impress you with his magic tricks; he’ll even learn new ones so he can keep on seeing your expression filled with amazement by him and only him. It feeds his ego so much.

He’ll invite you to watch him practice basketball after school; he would probably be like "This shot is for you" and then completely miss the hoop while you just start laughing at him. He gets it after the 4th time while he blushes, saying "I got it in, so stop laughing!".

Once you want to surprise him with a cherry pie that you made with your own two hands, he’s going to be ecstatic and tell you that he loves you.

He’ll show you off to everyone like it must suck for them to still be single while he’s in a relationship with the most beautiful person ever; deuce wants to punch him in the face for how annoying ace is being.

Deuce, Jack, and Epel ask if Ace bribed you or if he’s forcing you to be in a relationship with him and are shocked to find you want to be with him.

𝒟𝑒𝓊𝒸𝑒 𝓈𝓅𝒶𝒹𝑒

The boy is nervous at the beginning of your relationship since he’s never been with anyone before (he probably gets embarrassed seeing a kiss scene in a movie and closes his eyes).

Ace makes fun of Deuce since he can’t look him in the eye with his brain going blank and not know what to say, but he gets over it after a while.

Whenever you two are alone together and Deuce ends up in a dispute with some passersby who said he was rude when he bumped their shoulder by accident, he tries to calm the other party down and himself since he doesn’t want to show his delinquent side in front of you, especially since who knows what you might think about him?

But it fails and turns bad, but in the end, the other people run away, and he apologizes to you, saying that he didn’t want you to see that side of him, his face full of shame, but you don’t blame him at all, nor do you see him any different; he’s happy that you don’t.

Back to Deuce being embarrassed, he was freaking out when you first held hands with each other; he was screaming in his head about how lucky he was, and even more when you had your first kiss together like he was on cloud 9, you saw how red his face was.

He would take you blastcycling to the beach to look at the sunset together.

You and Deuce always study together, so you both can be honor students together.

if you liked this, consider tipping me on ko-fi! it'd mean a lot!

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dokidokitsuna · 4 months

Text

RWBY: Next Steps

This is just a design collection (remember when I used to do those? 'Winter Mission', 'Summer Tour'?? Fun times~)...and it may be my last. Its only real purpose is to give me something fun to draw for the NeverFell Projects wrap-up series. The recent Adam and Cinder designs are technically part of this collection, too. ^^

These were much harder to do than those two, though...I've spent ~2 months chipping away at this set, trying and retrying to address several different RWBY design criticisms while still making the girls look good. ಥ_ಥ I've finally begun approaching success, though, so I wanted to talk a bit about these ideas.

Ruby The only one I managed to design in one try. ^^; This was my answer to the question I felt was posed by Ruby's Vol. 7 design: i.e. "how do we do a new Ruby design that feels more 'mature'??" Because I never liked how the V7 design attempted to do that. :/

Between the new hairstyle and the new 'generic adventurer' clothes, it felt less like they were trying to evolve Ruby Rose and more like they didn't like her original design and wanted to get as far away from it as possible. V1-Ruby was such an iconic look (and STILL IS), and yet there's no trace of it in V7-Ruby. None of the goth-lolita style or playful edge that even V4-Ruby managed to preserve...instead they just scrubbed everything out to start from scratch, with a new design that's honestly 'meh' at best.

So what I did was stick closely to V1-Ruby, while adding just a few big changes to make the look distinct. You say a 'combat skirt' is too childish for an older Ruby? Well then we'll make it shorts...but shorts that are just as frilly and cute as the original skirt, with a similar overall shape. You say her original hairstyle is too boring and 'safe'? Well, then we'll change it...by simply shaving half of it off. It's a much edgier look that simultaneously preserves the original shape of her hair: from every angle except front and back, her silhouette will remain the same.

You say you want to give her new shoes, but don't want the fandom to make fun of you for covering them in dozens of belts again? Here's a wild idea: cowboy boots. ^^ A totally unexpected, unique item that still fits in with the antique-ish vibe of her goth clothes.

Basically, I just wanted to prove that you can do something dramatically different with Ruby without completely abandoning her fashion sense.

Criticisms: The details are still lacking; I think I should work some red accents into her corset and boots. Also, I originally designed this outfit with a white shirt, and I kinda want it back (she had the team colors! R, W, B, and Y! ;_;)...the problem is that it clashes with the sheer thigh-highs. One must go...I'm sure I'll figure it out

Weiss The toughest of the bunch: I did three different Weiss designs before landing on this one. ^^;;; The big epiphany came when I realized that Weiss looks her best when she mirrors Ruby. The girls' original design concepts share a lot of features; I feel like the characters were designed to look like they belong together, and figured I might as well honor that.

ALSO-- and this was the biggest priority for Weiss' design-- I firmly believe that she should not look like a princess anymore. From a character designers' perspective, it is ludicrous that they gave her the giant Disney ballgown in the same volume where they put classism at the center of the plot and have her send her bourgeoisie father to jail. That right there is the definition of mixed messages...

I thought the whole point of Weiss' character arc was to distance herself from the uber-rich parasites of her family and fellow 'Atlas elites'. I thought we cemented that when she officially lost her "heiress" title in V4. o_O I expected her next look to ditch the crown and visually show that she's past the point of 'rebelling'-- there's no more authority in her life for her to rebel against; she's free now! But alas...

So as usual, I had to do it myself. This Weiss outfit is definitely still fancy, with the coattailed vest and ruffled sleeves, but there's a lot less 'decoration'; fewer jewels, fewer details. The construction is straightforward and simple. And of course, no more tiara. Instead I decided to give her a li'l snow pea flower and ribbon, which ended up inspiring her new periwinkle purple-y color scheme. Like her original design, it's actually fairly colorful, but does its job and puts the emphasis on the white elements.

Criticisms: ...Not many, this came out pretty good. ^^ I might reconsider the black coattails, but if I do I'll probably just switch it out with the indigo inner vest. I like the idea of her outfit construction mirroring Ruby's, but her color scheme mirroring Blake's, since they have a closer bond in NeverFell.

Blake Blake designs are notoriously difficult; if you wanna hear some great reasons why, I suggest you check out this old Twiins iink RWBY design ranking video, which always helps guide me when I do redesigns for the main 4. Anyway, this phenomenon makes it hard to describe what I did...I guess you could say I tried to combine all the best elements of all her outfits, while clinging to the 'fancy action girl' vibe of her original design.

I'm most proud of her new hairstyle-- I dunno why, I just enjoyed working on it and making those decisions. ^^ It's hard to tell, but it IS shorter; now shoulder-length instead of back-length. We make up for this with additional volume, emphasizing the waves in her hair texture by pushing them outward. And most notably: she keeps the ribbon. She just wears it differently, using it to accentuate her ears instead of hiding them. This way, we keep the point of interest on her head while still showing her character growth.

Criticisms: Infinite, countless. This is a good look, but something is definitely still off. ^^;;; I think some additional detail in certain places (not sure where yet...) might help 'finish' it, so to speak. Maybe some extra yellow accents...? Also, the bow obviously gets lost in her hair this way. I've tried several color changes and don't like any of them; I think I may just have to texture it differently in the final product. Fingers crossed...

Yang Another tough one...I only made 2 design drawings, but the colors took several rounds of trial and error. I think my excitement over finally arriving at a good color scheme TODAY was what spurred me to make this post. ^^;

Anyway...there is a specific piece of Yang design criticism I hear fairly often that drives me up the wall: people commonly complain that she doesn't wear enough yellow; that she doesn't represent her character color well because all she wears is a yellow shirt. And the character designer in me wants to rip my teeth out whenever I hear this, because it blindly ignores the giant fairy-tale-inspired mass of yellow that is her hair, and the purposely attention-grabbing pops of yellow that make up Ember Celica. They're not "clothes", technically, but they're still part of the design! It's like saying a character with green skin can't represent the color green if all their clothes are black...without realizing that maybe their clothes are black BECAUSE they have green skin, in order to draw your attention to it...!! (╬▔皿▔)╯I just jifjkdsnfksahujknsjnfufh

...Anyway, anyway...the point is, it's difficult to take a character design with so much natural yellow in it and add yellow clothes and still have it read well. But because I like a challenge, I decided to take it on. I think the difference between the mustard leather and neon yellow hair is large enough to make it work, while still feeling casual enough for everyday wear. The champagne off-white she wears in her 'Hunter' outfit (which heavily inspired this) looks great, but it feels too 'classy' to me; like something specifically meant to dazzle the audience with her beauty for one special adventure, not for her to wear often.

On that note, my secondary mission with this design was just to make Yang look cute again, by following the structure of her V1 look, and even adding a little skirt on top of her battle shorts, which looks surprisingly natural considering she almost never wears one.

I don't know what happened in the canon to make the character designer forget the 'Yellow Beauty' part of her character concept; tbh even if her gender presentation gets more masculine she can still look pretty. Designs like Ozma, V7 Qrow and V4 Ren show that they understand this, but choose to cover Yang up in flavorless sheets of beige anyway. :T Making sure she always has a boob window isn't enough; the clothes themselves need to say something too.

Criticisms: ...Honestly, none? I think this might be solid. :> We'll see what happens when I draw it properly. I hope the white socks work out, because then she'll successfully be wearing the RWBY color scheme, which fits her (former, implied...) role as the glue holding the team together.

#rwby #yang xiao long #ruby rose #weiss schnee #blake belladonna #character design

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burst-of-iridescent · 6 months

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Why do you think people fight do much over these ships?

A. certain people are always going to be incapable of behaving reasonably online, especially when it comes to which of their blorbos they want to kiss each other.

B. many zutara shippers point out that, if the narrative had led to its natural ending, zutara should have been canon. compared to fanon ships in other fandoms where most shippers are content to just let the ship be fanon (dramione comes to mind) this poses a greater "threat" to canon shippers.

C. bryke.

and no, that's not an exaggeration. creators have a lot of influence in shaping fandom behaviour, and bry.ke taking every opportunity to publicly shit on zutara and mock zutara shippers even up to this year has no doubt made canon shippers think they're justified in doing the same.

their gross lack of professionalism is the main reason i will never respect them as creators because part of the responsibility of being a storyteller is knowing that the story ceases to belong solely to you once it's out in the world. you will never be able to control how people interpret the story you wanted to tell, and they're not always going to interpret it the way you want them to. sometimes, those perspectives will be wrong. they'll be the complete opposite of what you were trying to say. they may even make you uncomfortable.

but if it's not hurting any real individual, you have no right to publicly disparage, mock, or judge them for those interpretations. especially by doing things like taking fanart they sent you out of love for the story you created and using it to make fun of them in front of an entire audience at comic con.

storytelling is a two-way street, and if you can't treat the people on the other end with respect and dignity just because you don't agree with their takes on fictional characters, then you have no business being a creator in the first place.

#zutara #anti bryke

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jangofettjamz · 6 months

Text

Overwhelming

Jenna Ortega x Autistic!Male!Reader

Summary: Your were nervous about going to the Scream 6 premiere, but it turned out to be a lot of fun... until it wasn't.

Words: 1993

3rd Person POV

The premiere for scream 6 was but a few hours away. Tensions rose as Y/N tried to prepare himself for the event, despite being an actor he has very secluded and did not enjoy the limelight as much as his fellow peers.

He had been trying to muster up the courage to become more socially involved in his work such as: going to interviews, late night shows, going to dinner with directors etc. Unfortunately, It just seemed for too difficult.

However, this time was different. He was going to try this time; to attend a premiere. He knew this would be no easy feat, the camera flashes alone would overstimulate him into madness but he was determined, scared but determined nonetheless.

His girlfriend and co-star, Jenna Ortega has been helping him to confront his fear of social interaction through love and support. She had studied his language and helped him navigate in a world that didn't understand him.

Y/N has also made a life long friend in Mikey Madison, who also happened to be close with Jenna. Though she never was on the set of scream 6 due to her character dying in the previous film, she remained close with the cast and crew and treated him as an equal.

Y/N, although adamant in his choice to attend the premiere, was still absolutely terrified at the thought of hundreds of people in one space wanting him to sign autographs, take photos and pose on the red carpet. It made him feel ill.

Jenna was his shield from everything. She promised to protect him from the cameras, should he not want his photo taken. She promised to protect him from the hyper fans who have little regard for personal space.

"Alright sweetie, I've got all your stuff in my bag: stim toys, plushie and snacks if you need one. If you need a break or want to leave just tell me, your comfort is my number one priority."

One problem; Jenna didn't pack the headphones and Y/N was too stressed to even remember them aswell. The noise would likely send Y/N spiralling.

"Jenna how many people are gonna be there?"

"Atleast a thousand people honey" she says sadly knowing that this was going to be tough for Y/N.

"We don't have to go you know, we can just chill here for the night." She suggests not really thinking of the consequences that could have on her career.

"Wouldn't you get in trouble?" Y/N asks but imm receives an answer.

"I don't care, as long as your comfortable it's worth it" she states making Y/N feels warm inside, like a scarf wrapping him up in the cold winter but on the inside.

"It'll be fine Jen', we're all ready to go now anyway so there's no point in backing out now." He reassures making her form a toothy smile.

"Besides I know how much this movie means to you and I wanna make you happy aswell." She approached him with loving intent.

She placed a hand on his cheek. "Can i kiss you?" She asked, knowing he doesn't like spontaneous kisses without permission. He nods and she kisses him lovingly which he reciprocates, light pink blush painting his cheeks.

Their private car soon arrived and they made their way to premiere. Y/N was on edge, he wasn't as excited so much as he was nervous.

Jenna held his hand rubbing soothing circles with her thumb and he put his head on her shoulder as she held him tight around his waist for the rest of the car journey.

The premiere was more packed than usual, containing around 2230 people; far more than they anticipated. The movie drew more hype than Y/N and Jenna thought possible, some just there to see Jenna.

This troubled Y/N, yes he had prepared to undertake an entire crowd but not to this extent. Jenna could sense his fear as if she was some sort of telepath and held his hand tight.

He started to stim by clicking him fingers and tapping him knees, though seemed futile as the feeling of overstimulation didn't seem to falter.

"Y/N/N, do you need your stim toys?" He nodded violently, starting to sweat as the noises from outside became more irritable.

She grabbed a fidget cube for him to play with for as long as he needed until they had to walk onto the red carpet. He slowly leaned back into her shoulder and she held him tightly again, placing feather light kisses on his scalp.

"Remember, we can always leave if you want." She reminded him wanting to make feel as safe as possible.

"I'm gonna be with you the entire time okay, Mikey's gonna be there too and she'll protect you aswell; we both will I promise." He nodded and took deep breaths while Jenna rubbed soothing circles on his back.

He took one final deep breaths before opening the door of the car and out into wilderness of: fans, paparazzi, reporters and fellow actors. He was gonna hate this.

He instantly grabbed a hold of Jenna's hand and she squeezed tightly letting him know that she's there. Fans wanted to Jenna to sign stuff for them, but she made it a point that she's putting his comfort first, much to their dismay.

"Let's go find the others okay, I heard Jack's here aswell and I know how much you two get along." Jack Quaid visited set often in vancouver when he wasn't Filming for The Boys and the two of them clicked because of their shared nerdiness.

Jenna and Y/N made their way up the red carpet and were called for an interview by Vanity Fair. Y/N considered his options, he could either do this interview with Jenna by his side and be extremely uncomfortable or walk away and still be extremely uncomfortable. The choices were negligible so he figured he'd do the interview.

They walked hand in hand over to the interviewer for Vanity Fair. "Well hello you two, how are feeling about tonight's premiere." She started

Jenna was the first to respond. "I'm so excited, I can't wait for everyone to see this film we worked so hard on it and I think fans are gonna be very satisfied with what we've created." She says smiling.

"Y/N L/N so lovely to see you at the premiere, how was filming with veteran talent like Courtney Cox and Hayden Panettiere?"

He answers "They're very lovely people and easy to work with too. This film project is probably my favourite one I've done thus far." The interviewer asked more questions before promptly ending the interview.

"It was very lovely speaking to you two, congratulations on the movie." Jenna looks at Y/N with a proud look on her face which made Y/N's heart do cartwheels.

She cups his face making eye contact with him. "You did so well Y/N, I'm so proud of you for getting through that interview. You should be proud of yourself too."

Y/N kisses her on the cheek thankful for her words of encouragement, he felt elated on this new found confidence, he wanted to do more and that's exactly what he did.

"Y/N/N!!!" He heard and he saw Mikey and immediately tackled her into a hug. She had become a very good friend to him.

"I'm so glad you came, you having fun?" She asked and he was indeed having a good time.

"Yeah you know what, I think I am having fun." He said with a wide grin.

Everything went great, he did more interviews, conversed with his co-stars and even took a few pictures with fans. He was having a good time... until he wasn't.

The next interview he did was with Fox News and they did not hold back on their questions. He and Jenna both went up to talk with them.

"Hello Miss Ortega and Mr L/N, how's you're evening?" she starts "It's going great, we're having a wonderful night" Y/N answers with tremendous enthusiasm, which will be snuffed out soon.

"Y/N is it true you have spaz attacks when people are screaming on set?" He was confused, Jenna was pissed.

"I'm sorry?" He says politely but still confused. "We heard that you have spaz attacks on set, it would be really unprofessional if you did you know." Now he was annoyed "spaz attacks" who does she think she is?

"I don't have meltdowns on set, or "spaz attacks" as you call them when people scream on set. The screaming is on script so why would I complain? Has anyone ever told you you're extremely unprofessional and terrible at your job?" He says, his voiced laced with venom.

Jenna snickered, she was proud of him for taking a stand for himself, plus she thought is was hot. But that confidence soon faded.

The interviewer says under her breath "Yeah well atleast I'm not a retarded spaz like you" just low enough for the camera's not to pick up but Y/N and Jenna heard it well. Jenna was PISSED.

Suddenly Y/N felt his confidence diminish, the voices around him became louder, the camera flashes became more irritable, creating spots in his vision. He could practically hear all the clicks and cracks coming from each of the cameras as they snap photos.

The colors around him became more and more irritable to look at; too bright so he clamped his eyes shut. The voices and music hammered his ears drums, he held his hands to his ears and started to hyperventilate, thoat closing up in the process. He was having a meltdown.

Jenna saw this and instantly whisked him away from the crowd and into the theatre, they found a quiet corner and begun their techniques. She searched through her bags only to find that his headphones weren't there, he started to panic.

He babbled uncontrollably, he needed his headphones to block the noise. She pulled out her headphones that she carried with her 24/7 and moved his hands and put them over his head; noise cancelling too so that helped.

Once she put her headphones on his head she began to speak. "Honey, can I hold you?" She says, her voice quiet and muffled due to the headphones but he nodded nonetheless.

"We're gonna rock okay?" She says and he nods they begin to sway side to side. His head was in her chest and her head on the top of his, she was his safe space and he was so thankful.

After a few minutes he took the headphones off, but was still feeling non-verbal. Jenna continued her rocking as she began to speak.

"What she said was bullshit, you know that don't you?" He shrugged in response. "Sweetie, you're not a spaz or retarded or whatever horrible words she called you, she's just a bitch and she will be dealt with, believe me."

He nodded against her chest. "I'm so sorry you had to go through that, buddy. I hope you didn't regret coming here." He shook his head, he didn't regret it and he had fun.

She pulled something out of her bag. "Here, I've got your ghostface plush. You wanna take him with you while we watch the film?" He nodded and they made their way into the screening.

They sat down and Y/N put his head on her shoulder as she stroked his hair to keep him regulated, keeping a vice grip around his body as they watched their new movie.

In moments like these he felt safest, like no could hurt him as his girlfriend shields him from all the bad things in the world. It felt like home. She felt like home.

Despite everything that just happened, he was very happy.

#jenna ortega x y/n #jenna ortega x you #jenna ortega x reader #jenna ortega #jenna marie ortega #scream 6 #autism #male reader

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ikkosu · 2 months

Note

Earthspark bumblebee is currently rotting my brain from the inside out so could I ask for so fluffy fem shyer human and bumblebee who are crushing hard for each other but keep both of them keep prolonging confessing to the other the terrans realize what's going on and take it upon themselves try to get them to confess their feelings to each other

SUNSHINE

bumblebee x shy!fem!reader

a/n: tfe bee is so big brother energy 😭 he reminds a lot of what rid bee could be. I had a lot of fun writing this ! totally didn't rewatch all the bee scenes to get his character right,,,,,totally didn't. (I don’t write fluff often so i treid my best I swear)

[i]

"When are you gonna suck it up like a man and confess?"

Twitch startled you from above as the whirs of her fan hummed gently, hovering around you in her alt-mode.

"C'mon! What're you gonna say, huh? Turn away from the problem like you always do?"

Gloved hands, scathed with dirt, halted in the midst of pulling out a persistent weed. You feel your temple burn, a nervous laugh bubbled from your throat as your fingers plunged into the soil once more, pawing around to find the root of the problem.

"Hey! Don't ignore me!".

"I don't know what you mean."

When you did find the source, delicately you curled your fingers into the crevices, balling the soil then, with a huff, yanked the roots out. You're careful not to damage the nearby flowers.

When confronted at the baselines of your problems, you often churn into a sputtering mess. Sometimes, you have to clarify that no, you’re not angry, or no you’re not daunting — that’s your facial expressions constricting. Because if you don't. You're going to cry. And you're going to cry lots over matters daintier than an atom.

"Wuss."

"Twitch. Really you are trying." You sigh when the drone nudged your back.

A quick zip-zap of metallic whirs and she’s in her usual form, yellow eyes ablaze, arms crossed, leaning over with a scowl. Her hips jutted out, sassed-esque — a pose Dorothy used often when she's mad.

"I appreciate your concern but—"

“Dont even try to push it away. I'm not stupid." She prods, getting up to your face. Really, this adorable thing is half a step away from making you ostrich-dunk your head into the soil. "Oh, let me guess : tongue, tied? Busy thinking about a certain someone? Someone, or a bot so yellow like the sun, it’s blinding your eyes?”

You don’t even know where to begin. So, you look into the soil really hard, like you’re trying to find something worth focusing on. Oh, look. A worm. Bingo.

"I'm going to eat that worm if you're not going to look at me."

"Twitch—" You began.

Then, she’s shoved away.

"Sorry, you see. Wh-what she's saying is that, well, you know—" Thrash nudged his head into view, twiddling his thumbs as a demure, placating smile eased on his soft face. "...it's high time you...tell 'im how you feel?"

This time you want to plunge your head into the soil. It’s not a want, it’s a need. The scent of earth was purging strong, beckoning you with it's heed, as you, yet again, choke back another sound. You laugh, nervous. God, this earthworm! So, interesting. Haha. So...so...er. Hm.

"Pshh. How I feel? I feel fine."

"I mean...about your, uh, crush on bee."

"I don't know what you're talking about."

Twitched groaned, rolling around the grass all the way from the stack of hays to the tip of your boots. Then, she repeated the motion, each rant about your supposed love life —also, none-existent, if you will— becoming more fervent. That is, until Thrash had plucked her up by the arm pits and she fell limp like a doll in his hold.

" You said you’d be nice about it."

"What’s there to be nice about?! They’re being so smushy mushy , oh darling so lovely, it's giving me the critters!” She growled, clawing the air

You stood up with an uncertain hunch in your shoulder. You’re still holding the clump of soil in your rubber gloves, back taut and jaws slacked. The earthworm was gone, buried in the soil somewhere. You hoped it had a a nice stay unsurfaced for once — and you really should keep twitch away from Wheeljack. She's even swearing, now. She swears!

“Come on, now Twitch. It isn’t so bad.” You say quietly, not trusting yourself to yell at the skies in full volume. Really, you’ll disentigrate.

“You don’t get to talk, wuss.”

“Twitch!’’

“What?”

“Mom said be nice. A person’s word is like a kni—“

"Yeah, well she's a liar!" You shrunk asher digit juts your way. "That's gotta breach the fifteenth rule, right? A whole machete stab?"

Thrash seemed surpise. "You actually remember the rules."

You're exasperated. "What rules? And, what on earth are you both talking about?"

"Don't play dumb with me!"

"Really, I'm not." Oh my god, are you really having a verbal spar with a — with a child of all bots that's half your size?!

"Oh, yeah? Then why you're nervous, huh? If you're not nervous then you've got nothing to hide."

"I'm not nervous." You said, blinking profusely.

Twitch made a face. "You're gardening."

"The grass looked bad."

"You garden when you're nervous."

You feel your lungs gave out. Your inner you's are bouncing around in your skull, panicking and screaming in disbelief. Alarm signals, blaring inside. How did she know?!

"N..no? I garden when I'm....happy." You kick the ground sheepishly. Bad call. The soil tipped over a your hold, little dots of brown mingled with the grass. Oh, dear.

"Happy? Please. You're nervous because big 'ol bee didn't have the spark to confess to missy sweet spark with barely any roots to hold herself." Twitch huffs. She's getting to sassy for her own good — "And so are you, wuss."

"We're friends!" You said, though the term was lacking. "Normal friends. Buddy, even. Buddy friends...haha...."

Thrash stiffens.

Twitch deadpans.

Both at the same time uttered : "Really?"

[ii]

They're hiding in a bush. A bush of all places. No, not the tree, obscured by the leaves and a leverage with the branches. Or, whatever hiding place is deemed suitable for this operation. A bush. Can you believe that?

Fluffy Ears nestled herself on the grass, curious eyes skimming over the several Terrans peeking over the bush. Thrash brought it upon himself to hide in the barn because, as per his words, a good spy needs a good hiding place.

The only good thing about his 'prowling' tendencies is the fact he falls asleep during these so-called covert operations. Which is why he gets most of the ranks during training. What a scammer.

Jawbreaker was too large to hide behind a,ugh, bush so he was demoted to simply standing a few meters back, loitering by the fence.

Twitch feels something poking her rib plate. Can't the spot get any more cramped? "Nightshade, I swear to Primus—"

"Hush! There he is! The first move. Hashtag, commence operation : video!"

"That's not even—"

"On it!" Hashtag wrangled out the most, honest to Unicron, humongous camera in existence.

Silence veiled the three Terrans as they spot the yellow black approaching their resident gardener-who-normally-comes-at-the-weekends-and-bee-is-distraught-over-that-fact, tending the newly planted flowers by the hedge.

"So, I was wondering..." He's stretching on his toes, not exactly looking at you.

How could he? Everytime he so much as to catch a glimpse of your face, he feels like tripping over his own pedes and burrowing himself into the ground until comets rain, the world in flames — and god knows when would Primus let him out again.

"You need something, bee?" You swivel up, pawing your apron to get off the dirt from your gloves.

But he looks confused, optics lowered downwards, brows furrowed. You look as well, then up.

"Yellow, huh." He looks away, pointing to your torso.

You look down again then realized what he meant. Your face burns with a vengeance.

"My other apron broke." You try not to stammer but it's proven futile as an amused smile eased over his face. "A-alex decided to give me his, well, you know one of his precious merch which...is typically your...um face on it. If it makes you uncomfortable—"

"No! Gosh, no. You can wear it all you want. I'm just surprised, that's all. You never really... Besides, it's nice...." He looks down and kicks the grass a little, servos behind his back. "It...suits you well."

At the compliment you look up, hoping not to make eye contact, but he does as well and you're both held at a stalemate. His round almond optics droop. For a moment, his lips part, then it shuts. He looks down, avoiding your gaze.

Is he... flustered? At that thought, you fisted the apron, bunching it a little. You look away, hiding the way you smiled a little. " ...It's a pretty color. Yellow, I mean. Honeybee. I love bees."

He looks back up, blue optics flared, and into your eyes. His chassis did those little backward flips and, he swears to Primus, he'll simply disintegrate. You're a lovely color too.

Bee flinched the moment you turn to him at break neck speed, sputtering, eyes wide and face, all the more flustered.

"What?"

"What?" He said that out loud. He said it. Out. Loud. He held up his servos. "I-i meant it's a lovely color. As in, you know, you're a lovely color so like when you said yellow was a lovely color. I thought— What I mean by that is— Oh, forget it." He lets out a deep vent. "It's been a long day. Sorry."

"You're fine. It's fine, I mean." You said. When silence veils over you both (Twitch really wants to strangle you, right now) you speak up again, quietly. "You were going to ask something...?"

His door wings pike up in surprise, much to his chagrin.

"Oh, right. Forgot about that." He coughed and cleared his throat. " I was wondering If you were...you know..." Gosh, what's that word. "Freethisweekend?"

It was so quick and quiet, you didn't really grasp much of what he uttered. “I got free— what's the next—"

"This weekend." He said, then trailed off. "Free... this weekend."

"Oh..." You look to the ground, hands primly folded behind your back.

"To... ah,” Just ask her out. Just ask her out. Worse she can say is no and no. No is fine! If you don't ask, you'll never know. That's what Elita said, right? Right? He sags. She said a lot of things.

He decides to go in for the kill but the moment he met your eyes, your pretty eyes, your temple grew warm, like really warm. He feels his own face burning and he starts stumbling over his words. “Free to. To go. To, um, a, well, a...d—dah, dah, duh, die, no! A, ah, diversion! Yes! Right. Diversion."

A domino effect of forehead slapping commenced. Bee, you fool! Twitch was wrangled back by Hashtag from leaping over the bush.

"Diversion?" Your face furrowed.

"With the....Terrans!" He snapped his servos. " Right, the Terrans. You know, a new lesson I made. Figured you'd be there for support. It's all about the essence of....diversion."

You stand there, mouth opening then closing. "...Sure, I guess. What time?"

"Anytime you're free." He says it, almost breathlessly.

You blink. "I thought it was a scheduled lesson."

His door wings pike up again. He groaned internally. "Oh, yeah. Yeah, uh. Yeah. Right. Schedule….schedule…So, how's ten tommorow? I'll round up the kids by then."

"Sounds good."

"Good. Good. See you....later."

You wave, then turned around, rounding the corner of the house. The moment you did, your face crumbled and you hid your face into your palms, a whine seethed inside your throat. Bee, however, pressed his helm against his servo, sighing.

How did I messed that up so badly?

Meanwhile, in the bush.

"Cut the film, Hash." Twitch resigned.

"But he could push on!"

"I highly doubt that." Nightshade was already crawling away.

Jawbreaker clicked thought the comms. "I saw yellow leaving. Is everything alright?"

"Nothing. Is Thrash dead? Thought so. Saw his head peeking out from the barn. Someone get him, please."

And, while they're all about to regroup. Twitch just had the perfect idea. It's about time she takes matters into her own hands.

[v]

Night plunged the skies, freckled with stars reflecting off his windshield as he rolled underneath the veil of darkness.

"Bee quick! Come to the barn! A problem just came up!"

"Twitch?" He was about to scale another ramp when he halted midway, changing course immediately. "C'mon talk to me. What's the problem?"

"Just come! It's urgent!"

Seeds of inky doubts blotched into his mind. The little runt had a lot of tricks up her sleeves. Sure, she's a heavy hitter but also a decent liar. Last time she pulled off the same shtick he was pushed into a hole....filled to the brim with mud. He walked around the vicinity and stank like cow feces for days.

He really should stop letting twitch mingle with Wheeljack.

His wheels rolled up to a stop in front of the barn. The trees, inky black, loomed around the farm, towering above him. He felt a shudder up his spine. Leaves rustled. Crickets chirp. All was quiet. Too quiet.

"Twitch? Kids?" He slid the barn door aside, joints whirring with every step. Hay crunched under his pedes. " Ugh, not this again. Guys, seriously. If, if this, Primus who littered this place? If this is one of your jokes I swear to— huh?"

The basement door was open. A gaping hole, black and swarthy greeted his eyes. Who left that open? He took a step closer. "Guys? Are you in there? What's going on?"

Another step. Then another.

"Look, you can come out now. This isn't funny."

The hole grew bigger, bigger and— Footsteps pattered behind him. It was gentle but it drew alarm as Bumblebee whirled around. And, there she was. Twitch stood before him, a wide, chesire grin on her face. The moonlight illuminated her from behind, casting an ominous shadow that loomed In front of her figure.

"Adios!"

He sputtered in confusion and felt two pedes connecting with his chest and he's sent stumbling back down the steps of Nightshade's underground lab. His shout of surprise was quickly drowned out when Twitch pulled the door shut.

"There! That'll do it." She grinned, fists on her hips. “You got that hash?”

“All on tape. Even his face too! Did you see how he looked like?” Hash stepped out of her hiding place, literally behind the hay. The original culprit of hay litter-er. "They're gonna be there for hours! Trapped in each other's embrace! Oohhhh this is so rad. You've seen those rom-coms, right? It's going be so funny when they come back out.”

"With result." Nightshade chirped, coming up beside them. "It's been awhile something has transpired. A change of the usual routine. Oh, the bore of waiting so long. As a scientist myself. I admit — it can get a little bothersome. Let's only hope the heat from the generator can keep them warm."

Silence. Hashtag feels two optics on her.

"Generator, what generator?"

"....Hashtag." They begin slowly. Twitch looks mortified.. "....Please tell me you didn't cut off the generator when I said only to cut off the vault."

Confusion furrowed her brows. "How else would the door be locked if I didn't?"

Twitch groaned, head into her palms.

Nightshade stares at the closed vault. "....Oh, dear."

[vi]

"Unnfh!" His helm collided against the floor. Great. That’s just great. Mentor student. Mentor student! You don’t do this to your mentors! Annoyance bubbled inside his chassis and he grits his teeth. That is it. That is it. He’s had enough of her tomfoolery, her jokes, her tricks! Tommorow, he’s going to put her through hell and back—

“Bee?” He feels something warm touching his shoulder.

His helm swivels up, then his optics widens in surpise when your nose is inches away from his own. You make a flustered sound, suddenly falling back on your ass to put space between you both, embarrassed. “Sorry. I didn’t think you’d uh be that close.” Was a soft mumble. “The fall looked like it hurt. You okay?”

“Yeah, fine. I’m fine.” He breaths out, scrambling up to sit properly. He’s not sure what position, so he curled up his knee plates to his chassis. Your eyes are too…impossible to look at. “Think I broke a joint there.”

“You break joints too?”

He huffs a laugh, “You don’t think we do?” “I mean as in,” You gesture to his body, “ You know, cracking joints. Is it equivalent to me popping my knuckles? I saw you did it this morning when you stretch.” You trailed off, then shake your head. “Sorry, it’s a stupid question.”

“It’s fine. It’s not stupid. You’re not….stupid.” He clears his throat, “We also experience cramps. Tension in the joints when, well, like how a rusty hinged door won’t open up all the way.”

“Oh, that’s one way to put it.” You scoot a bit closer, pressing up against his leg. Bumblebee stiffens, servos moving over to stiffly cup your back to keep on you warm. The air was unusually chilly today. His quick scans showed the generator wasn’t working. Did the lights went out? His servos graze over your shoulders, massaging it a little, then behind your neck.

“And, and that one time. I don’t think you know him yet, he’s an old friend back during the war," He starts rambling for something to say anything to keep the conversation going, “His name’s Ratchet. Old bot forgot to oil up his pistons and couldn’t move for an entire day! Can you believe that? We had to carry him everywhere we went. Once, I was caught in the crossfire. Bullets were raining. Full on barrage. Nonstop. And he’s just like that, a plank of wood in my arms as I ran. You should’ve seen the look in his face!

“I can imagine he’s not happy,” A giggle bubbled in your throat. His audials perk up. “Yeah, I can tell. He’s a lot less crass in his manners when he dealt with me,” Bee leans a bit close, the servo skims down to your torso. “After all the bedgruding looks I’ve gotten from him — he’s got no choice but to give me special treatment of letting me off a few scolding.” “Oh? Why’s that,”

“I’m not exactly the prim and proper type.”

“My, my is bee the rebellious type?”

He lowers his voice into a playful whisper. “I had a phase, okay? Everyone does. Mine, though, it’s just worse than Arcee’s. She’s unhinged too but waaaay less moody. But don’t tell the kids that. I’m not going to have my name sullied, you hear?”

“Noted, officer. But I really can’t promised I’ll keep my mouth shut.”

He groans then a digit nudges your ribs. “No, really I’m serious. They’re going to kill me with that. I don’t want another incident to tarnish my reputation. Ive got Jawbreaker pestering me about how I made a mistake choosing my first alt-mode, I don’t need another slander. My feelings,” he says with a servo over his chassis, “they’re fragile.”

“Come on,” you leaned forward, cheek against his leg plate. Bee looks away, holding himself back from, well, squishing that…squishy part of your face. “It’s not so bad. The beetle looked adorable.”

“Beetle. Really? Beetle?” He looked almost offended you termed it that way.

“Isn’t that what it’s called?” He leans over and flicks your head. “I’d prefer it if you called it something else.”

You laugh. “I’ll bite, then. The Beatles?”

“No,” He said the words too fast, “Honey.”

You freeze. He freezes.

He did not just say that. Oh, no. He did not. He did not. When you look away that’s when he panicked. No! He’s not going to let the past few minutes go to waste! “As in yellow! Honey as in yellow!” He backpedaled, raising up his servos. “You know when I— when you said that, I was—" What’s up with him today? Then, he sags, muttering defeatedly. “It’s not what you think I meant to say.”

He’s blown it. Thrown it all down the drain. All his hard work now crumbled at the mere touch of his fingertips. You speak up after a moment, “What if…I wanted it to be what I think you meant?”

He looks at you again, surprise. He felt his spark clenching. This time you held firm eye contact despite your hands that were shaking. Think about gardening. Think about gardening. This is like that! Like he’s a flower. Gentle to hold. You steeled yourself and stood up on your toes, palms on his knee plates as you leaned in close.

“What did you meant?” You said softly.

His servos reached out to cup your cheek, curling his digits around the back of your hair. You leaned against his touch, closing your eyes. It was warm. His touch was warm. Pulsing and thrumming against your face.

“What I meant is that you’re someone important to me.” Then, he pulls you close, his optics flickering back and forth nervously. “So important I….think about you a lot. Like, a lot. I can’t….really stop. Even when I want to….its hard.”

Your face burns but you’re not letting that deter you. If god decided to kill you today, you’d steel on, wading through his comets. Think about the garden! You close the distance and your lips find the crook of his nose, pressing a gentle kiss to it, then his cheek. Your palms rested on his shoulder. Bee blinks, choking back a surpised sound at the touch but his servos manage to find your waist, curling his digits around the fabric of your shirt and pulls you close. He tilts his head so his lips would find yours.

“I think about you too.” You mumble against his lips.

#tf earthspark #tfe bumblebee #tfe bumblebee x reader #Tfe bee x reader #Bumblebee x reader #Twitch malto #hashtag malto #thrash malto #jawbreaker malto #transformers #maccadam #transformers x reader

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shewreckz · 3 months

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Hey your art is pretty whimsical and radical my gender non specific broseph, per chance would thou be able to enlighten us on how you draw such bodacious fine art? Like how you draw bodies and fave and what have thee. (Fr tho your art really cool and I'd like to see how you make it)

okay i have whipped up a quick little visual of my thought process while drawing!! it might not be the best cause im not the greatest at teaching but if anyones curious ^_^

first lets start with how i draw bodies

a lot of people like to do the "skeleton" method which is where you draw lines and circles to plan out where the limbs should be. honestly i really dislike doing that because i like to always have volume and shape in mind when drawing bodies, but if it works for you thats great.

instead i separate the body into different pieces, kinda like an articulated doll. i think it helps visualize all the moving parts in a 3d space and makes posing and perspective a lot easier. i can also always add the detailed anatomy on top of this basic model like you see on the left. its always important to work from simple -> complex. drawing a pose while being too worried on anatomy will really hinder your drawing process.

to improve doing this it really just takes practice and observation. i could be here all day talking about proportions, and how many heads high a person is, and each specific muscle group, but i reccomend you go and watch videos and study professional artists on your own. as someone who has been drawing and studying these things for so long, i barely think about how many heads high a person is when im drawing a body. its kind of like learning how to play and instrument or driving a car. it becomes second nature eventually, but you have to apply those skills and work through that period of time where youre still trying to program it into your brain.

after you get a hang of the basics you can take this basic model and draw all types of body shapes with it. i say its always important to play around with making your body types diverse. its not only fun to do but helps make all the characters you draw unique and recognizable. (dont be like vivziepop).

dynamic posing can be the hardest thing to master for a lot of people. the best way to learn how to pose is to not think about it too much and just doing it. for example in my figure drawing class we had to sketch out gesture drawings from a picture in 15 seconds. excercises like that help a ton in making you feel more comfortable when drawing from a reference. you should definitely reference a LOT when it comes to poses, it helps build this visual database so that eventually you can get to the point where you can just draw accurate and dynamic poses from memory. after getting to this point eventually you kind of start thinking of your canvas as this tangible 3d space and considering your characters in 3d space helps make the poses feel a lot more realistic and interesting.

ok now a quick little tour into how i draw different faces yaaaayy!!!1!1!1

main thing with my art is that i LOVEEE drawing dynamic face shapes i think its so important to avoid drawing the same slim faces over and over. shape language plays a big role into this. like for example the face on the middle is more square, the one on the left is more oval and the one on the right is more circle. shape language helps communicate so much about your character without even saying a word about them and just helps differentiate people from a glance.

facial features also play a huge role into making your faces different. these are all drawn from the same exact face shape but look like entirely different characters by adding variety in the features. different noses, eye shapes, lips, etc. can make such a huge difference

i think before any of that its important to learn the anatomy of the face though. again im not gonna go into how many eyes wide a face it or how far the nose is from the mouth but like its always important to learn the fundamentals before stylizing stuff. again the face is a 3d space and if you dont consider your face a 3d plane the features will kind of just look like theyre floating on your characters face like soup...theres a lot of great resources and tutorials online take advantage of those!!! and reference from artists you like too it helps a ton.

and then you mix that all together and Boom you have cool and interesting faces. you will best that same face syndrome in no time if you take my advice Trust...

anyways yeah thats the soda design philosophy hit that like button if you liked it or douse me with tomatoes and kick me off the stage if you think i give bad advice ill leave the decision up to you

#soda's art #art tutorial #errmmm yeah idk how to be a teacher im sorry

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