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endeaavorr · 3 years

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PAPA!ENJI AU CHARACTER BREAKDOWN

hello ! this is some new content idea that i thought would help everyone understand their dynamic better, and if this turns out well i’d turn this into an event too, i hope you enjoy. with love, moon. cw : mentions of death, violence, suicide, slight yandere tendencies.

“if you (have to) choose between the fate of your partner or the fate of the world, what will you choose ?”

y/n’s answer : them

y/n is very selfish when it comes to her relationship with enji. there’s something with the way she thinks, that’s just different and not even i, her creator can fathom or tell if it’s good or not. she’s so emotionally intelligent it boosts her and even enji’s publicity. but at the same time, to her nothing matters other than enji and her brothers. she would gladly knock on devil’s door and put a bargain on things no one wants to know what is just to get her way.

enji’s answer : the world

this is pretty obvious. enji is officially japan’s number one hero, with a successful agency to lead aside from it. it naturally makes him a leader that will have no choice but to put others first, it’s his responsibility, it’s his fate.

“will you sacrifice yourself for the other person ?”

y/n’s answer : will

after all the todoroki discourse, y/n considers enji her life and death. she vowed to herself to do everything in her power and beyond to make sure enji can be happy with her. to her, death is painless. it is life that brings misery.

enji’s answer : will

this is self explanatory. even if their relationship remained platonic, enji’s parental love would still let him give up his life for her.

“can you kill your partner if they become a monster ?”

y/n’s answer : can not

as i stated previously, y/n is selfish when it comes to enji. she would rather sit back and watch the world gets consumed by hellfire if it means she can be with enji.

enji’s answer : can

he has his responsibilities as a hero, and sacrificing personal matters is at the top of the list. he knew what it’s like to lose a child, so he can have a better judgement of what he would do. it’d crush him though. he’d be on distraught for a long time.

“will you take revenge if your partner is killed ?”

y/n’s answer : will

enji is a hard man to kill, if he somehow got killed it would be because he was distracted like when dabi revealed himself as touya, or it would be because reinforcement came late. the latter would be worse though, there’s no limit to how far she would go.

enji’s answer : will

unlike y/n’s egocentric temper, enji wouldn’t blame it on reinforcement or other survivors. he’d use all his connections and power as the number one to find whoever’s responsible. i haven’t thought this enough but it’s possible that the grief gets too much for enji to handle, it completely dulls his hero tendencies. he not only will let your killer die a slow and painful death, but also their kid too. an eye for an eye.

“will you follow your partner to death ?”

y/n’s answer : will

there are two scenarios where i thought about this possibility may occur. scenario one would be if enji’s sacrificing himself to save everyone like fighting a villain or gets trapped etc, if that’s the case she’ll stay and let life play whatever joke it has on them, as long as she has him, it doesn’t matter. scenario two would be if enji died without her like for example in a hospital or a battleground where she’s not present, if that’s the case she wouldn’t straight up kill herself, she’ll see what happens after like if it was accidental or planned or anything, but im not disclosing anything though, she can be unpredictable when it comes to enji.

enji’s answer : will not

if the conditions are like as i stated with y/n, on scenario one enji would sacrifice himself with y/n so ‘she at least won’t be alone in her last moments’. meanwhile on scenario two, he’s gonna prompt for revenge, and maybe find a way to bring her back.

“possibility of marriage ?”

y/n’s answer : there is not

enji’s answer : there is not

enji is legally still married to rei in this au. even if their marriage wasn’t built on love and it’s practically ended, a divorce will stain his and his family’s name. they had a talk about this about two years after both of them became a thing, and there’s a mutual agreement on this matter. the todoroki legacy that has been built is way too valuable to taint. enji feels bad though, y/n has sacrificed way too much, even more than rei did. so enji did give her a promise ring, making it clear that he’s not messing with her feelings or taking her for granted. he wears that ring in place of his first one that he got with rei. on a more simple answer, i’m sure incest marriage is illegal. (too bad)

“at the end of the world will you be with your partner ?”

y/n’s answer : will

enji’s answer : will

there’s no need to elaborate further on y/n’s answer. however enji’s a bit tricky since he should be trying to save people, right ? but no. he’s still a person with his own desires before he is a hero. it’s not like the world ever sacrificed its life for him anyways. enji would stop by rei’s place where natsuo and shoto lives to give a last apology, then go somewhere nice with y/n to watch the skies darken for the last time.

“will you tell lies to your partner ?”

y/n’s answer : will

enji’s answer : will

both of them are similar in this. i guess this is where the todoroki genes take place. she would only do harmless lies like birthday surprises and when she’s hiding her struggles or something because really there’s nothing for her to lie about, while enji would lie to protect her from the harsh knowledge of the grown up’s world. he thinks you’re still too innocent for the world, and he’d like to keep it that way.

“your partner has been killed to end their hellish suffering, will you revive them ?”

y/n’s answer : will

by now, it’s clearing up that she has some yandere tendencies. it’s not to the extent that she beheads any woman breathing the same air as enji, but it’s enough to be delusional at times. in this case, if enji was killed then she’d go into a craze frenzy. it’s even worse because people will come up to her and say shit like “he’s happy now.” she’d think “he was happy with me too” and mutter it lots of times. kinda scary to the people around her, and if given the chance to revive him, she’d take it in a heartbeat. she’s sure she can make him happy.

enji’s answer : will not

well, how do i say it. enji do loves her, but the years difference in life experience between him and y/n makes all the difference. he thinks rationally, like a normal person do. he’s not that confident in making y/n happy in the first place either, it’s not like she was free from his shitty jerk behaviour back then, if not she even sometimes took the hit for his brothers too. he’s not sure if he ever really made you happy despite trying his best. thus if given such situation, his insecure ass would consider it best if he lets what has happened, happened.

“can you live your position and responsibility for your partner ?”

y/n’s answer : can

y/n’s still quite young, only a few years in her hero career. she doesn’t really have a lot to stake on to be frank. especially with her pesonality, it won’t be a hard choice. hell if enji asks her to be a homemaker she’d be delighted to resign.

enji’s answer : can not

he has too much responsibility, having achieved that much in such a young age means he has a lot in stake. it’s unprofessional too, it irks him to be anything other than that.

“what are the last words you will say to your partner before you part ways forever ?”

y/n’s answer : i will care for you always, that was my part of the deal.

enji’s answer : i’m sorry.

in my au, i only consider this possible to happen if rei wanted to get back together and enji had no choice but to agree. it would be a long shot though, it’s canon in my au that y/n despises her mother, she’d be on her neck the moment she got off the hospital, keeping her away from enji as much as possible. but if this scenario did somehow happen, i think y/n would give in. he’d do anything for enji at the end of the day. (as long as they still fuck regularly tho)

“would they want to meet each other again if they were reborn ?”

y/n’s answer : i want to

enji’s answer : i want to

maybe this time, he won’t be so insecure and flawed. maybe this time, she would fight harder for him.

“finally, one word to describe their relationship ?”

moon’s answer : romantic.

maybe they were doomed from the very start, but they loved each other with all they had. maybe it was wrong, and ugly at times, but still they were two romantics yearning for each other.

this is the end of the character breakdown, thank you so much for making it this far and enjoying my papa!enji au. i appreciate all of you so much.

#papa!enji #endeavor x reader smut #endeavor x reader fluff #enji todoroki #enji todoroki x reader #enji todoroki x reader fluff #endeavor headcanons #enji todoroki headcanons #mha headcanons #bnha headcanons

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nightshade-minho · 3 years

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MOONSTORM [ iii ]

You know that feeling when you know you’ve made a terrible mistake?

Yes. That feeling.

It’s a feeling that never really goes away. You had to learn that the hard way.

Irrevocable actions, stupid mistakes. You were heart-wrenchingly familiar with all of it.

To err was human apparently. You...weren’t human, though.

It seems like being superhuman was insignificant, after all. At the end of the day, nothing mattered. None of your powers did.

Despite it all, you still lost him.

warnings: depressing shit (it gets better though dw) mentions of death, violence, sexual content, future smut

wc: 2.8k

moonstorm masterlist

It felt like the world had lost all color.

It had happened so many months ago, and yet it still felt like it happened just yesterday. The memories of stumbling out of his lair, covered in his blood and your tears, still fresh in your mind.

The image of his face, betrayed and yet so calm as he uttered those last words to you...it haunted you constantly.

You found yourself looking at the moon every night, dreaming about what could have been. The nightmares endlessly plagued your sleep as well, causing you to fear even your own bed.

No...even after Hyunjin's effects on you wore off, your own brain took on the responsibility of torturing you by conjuring up more heartbreaking dreams. Dreams which made you long for something you knew you’d lost forever- never to be yours again.

You never truly realized how much you’d gotten used to having him around. Life was so glaringly empty and meaningless without him. It was a complicated relationship…and yet it still left a giant hole in you. An all-encompassing despair that threatened to swallow you up.

With him gone, it just didn’t feel right to be a superhero anymore. How could you be the strong role model for everyone in the city to rely on when you knew just how weak you’d become? Even when the newspapers were covered with your heroics, even as the mayor addressed the city and expressed his desire to give you a medal for stopping yet another supervillain from roaming the streets- you stubbornly refused to don that costume ever again.

You stayed hidden through it all. You just couldn’t bring yourself to go out in public anymore. Your vigilante costume lay forgotten in the back of your closet- crumpled and sad.

It just...felt wrong. At the moment you felt nothing but pathetic. You didn’t have time to waste saving a snotty kitten stuck on a tree or stop a petty criminal from robbing a bank- all you were fit to do was eat ice cream straight from the can, and watch a soulless movie. The same routine, day in and day out. You hadn’t left your apartment in nearly a month, not even to buy groceries. Every second was spent wrapped up in blankets, pondering what you’d done.

Was that selfish of you? Probably. You were discovering new flaws by the second.

Sighing, you sat up a little, your ass almost numb from how long you’d spent lying down. Glancing up, you saw your father’s portrait looking down at you. You swallowed and slowly stood up from your bed, groaning to yourself. Why did he suddenly seem so disappointed?

Maybe a little bit of fresh air is what you needed, considering you were starting to believe the paintings were changing expressions. After all, you had work to do anyway- might as well take advantage of the nearby café’s free WiFi.

***

Here at last.

You sat down in the corner of the café, so tired you could barely move a muscle. But you had to get a move on with your life- the recovery should have happened by now.

And yet here you were, months later. Nothing seemed to be able to fill the hole he left behind, and even now you wished you could go back home as soon as possible.

Had it...had it been a mistake?

Of course it had. Your misery was evidence, and you weren’t sure how much longer you could convince yourself that you’d done it for the good of the city.

The truth was... Hwang Hyunjin scared you.

He made you feel things, made you want to be someone else entirely. Every ounce of rigidity and austerity you’d imposed in yourself disappeared every time you were with him. He made you want to give everything up- give up all the responsibilities and burdens you carried on your shoulders to be with him. To be like him- free.

It wasn’t Hyunjin who was a threat to the city. No, not directly.

It was you- or rather the lack of you.

This city needed you to survive, and if Hyunjin managed to change you...it surely wouldn’t have lasted long without your help. Hyunjin had never really been the city’s biggest threat- there were far worse villains and it was them who you really fought against.

He was more of just an inconvenience, someone you had to deal with from time to time. And then he’d struck that deal- after which the nature of your relationship had turned into something entirely different.

Every time he acted up, it was usually just a ploy to get your attention. And attention was exactly what he got. You’d reinforced his behavior like an idiot.

You told yourself it was a chore, but it wasn’t all that convincing. You’d loved spending those nights in his bed, loved the way he was an expert at making you come undone with his body and his words.

It really had seemed like a good idea at the time. The right thing to do. However, it was quickly starting to seem like anything but.

You sighed as your mind tried its best not to travel back all those months. Dipping a teabag into the liquid, you mindlessly observed the customers in the cafe. Many of them were young, teenagers who were heading out before class.

You sighed as you recalled your own high school days, the times Hyunjin and you had hung out in a cafe much like this one.

“You don’t have to help me with this project, you know.”

“Ah, shush. It’s our final year. I’m not going to leave you alone.” He smiled as he flipped through his books, taking a sip of his coffee occasionally.

“You act like you’re not sticking to me like white on rice the rest of the year.” You roll your eyes, chuckling to yourself.

“Don’t get snippy with me, missy.” He smirked, still thumbing the pages nonchalantly. “Or I’ll have to punish you.”

“You- I- what?” You wouldn’t admit it, but the thought caused a fluttering sensation in more than one place. It was a little bit of a shock, considering the two of you had done nothing more than make out and flirt, until now.

“Chill. I’m kidding.” He shook his head, looking up at you. “Unless…” He wiggled his eyebrows.

“Stop it! I’m supposed to be working right now.” You whined, swatting him with a rolled up paper.

“I don’t care.” He tapped his fingers on the table. “Hm...do you know what I’m thinking of right now, Y/n?”

“W-what?”

“Thinking about how easy it would be to slip my fingers under your skirt and play with that pretty pussy of yours. I’m pretty sure it’s soaked your underwear through by now.”

Fuck.

Your cheeks flushed as you stared at your plate. You couldn’t find it in yourself to respond properly- his mere words had already turned you to a mess.

“S-shut up.” You mumbled, reading out formulas aloud as you tried to divert your attention from it. Hyunjin let out a teasing chuckle at your lame attempt to change the topic, shaking his head as he stared at his book again, unaware you were looking over your own at him, pressing your thighs together subtly.

God, he was so...so annoying.

You snapped out of it, sighing as you looked around at the much less crowded cafe. Had it always looked so dull? So lifeless?

The thought of him was hurtful- it felt like a dull knife, screwing itself into you. Reminding you what you’d done.

You’d killed the love of your life.

And now? There was no way to bring him back.

***

“Murder is never something a superhero should resort to. A good hero always stays true to themselves- they only kill if it’s absolutely necessary.”

A cough.

“But of course...villains are exempt from that rule. Killing one villain’s life could save countless others.”

Hm. You weren’t exactly sure if your father was right. Although you were just a child, you still had some knowledge of morality.

Was he? Killing just...seemed wrong. You didn’t know if you could bring yourself to do it, no matter how evil the person was.

“Surely there are other ways to neutralize someone evil, Father?”

He narrowed his eyes at you, before shaking his head coldly. “Untrue.”

“The truth is, some lives are expendable, my dear Y/n…” Another cough, before he cleared his throat and fixed his gaze back on you.

“You must always look for the greater good.”

***

You still remembered the day you first met Hyunjin.

He was 13, and you were just a little younger. Your families were good comrades and allies, so your eventual meeting had already been planned.

The two of you were in the living room with everyone else as they talked to each other, mingling and chattering like adults usually did. Hyunjin and you made an unanimous decision to sneak out to the rooftop, and get to know each other better.

“So...our parents are allies now, hm? This means we’re going to see each other a lot more.”

“Of course we are! We’re both prodigies, like my dad and your mom...we inherited their powers, so they’re obviously going to want to cultivate those.”

“You speak pretty fancy for a 12 year old.”

“Hey, so do you! Besides, we’re gifted, aren’t we?”

“Hm.” He sighed, swinging his legs and inhaling. After a few seconds of silence, he spoke up again.

“Do you actually like having these powers?”

“Oh? Well, yeah...I do...my father tells me stories of his days as a superhero. I want to help people, just like him.”

He shrugged. “I don’t know. I’d much rather live a normal life. Get a normal job, find someone to love, and have a normal marriage in a normal town.”

You pressed your lips together. “To each their own, I guess. Personally, I just want to get rid of all the evil in the world and make my father proud.”

“Really?”

“Yep.”

“Evil…” He tapped his chin. “How does one even know the difference between good and evil?”

You raised an eyebrow. “What do you mean? I’m pretty sure it would be obvious in every situation.”

“I disagree. The distinction is blurry. No one knows for sure, and definitely not at first glance.” He sighed. “I would know.”

You brought your knees to your chest as you observed the city below. “Well, I guess you’re right…” you paused, your heart feeling a little heavy for some reason.

“Do you know?”

“The line between good and evil is thin, Y/n. I can’t say I know for sure. But do you know what will always help you remember?”

“What?”

“Your heart.” He said softly, glancing at you and offering you a small smile.

“Just do whatever feels right...trust yourself.”

***

You sighed and shut your laptop.

Home. You needed to go home, cause your heart ached too much. You definitely weren’t ready to go back to work yet. You hadn’t done anything productive today really, just drink coffee and reflect on your actions. Regretting....regretting it all.

It’d been wrong. The wrong choice, the wrong decision.

You knew that, now. There could have been another way. You shouldn’t have rushed into it like that...how could you?

You felt a surge of hatred towards yourself engulf you. It was all your fault, this pain you were feeling. You didn’t have anyone to direct this immense anger towards except yourself. You realized this little fact in horror, your heart clenching as you wished things could have been different.

Finishing off your coffee, you placed a few bills on the table as you left the café, heading home. Ready to burrow under the blankets again, wallow in your self pity and pain. There wasn’t much else to do except succumb to acceptance.

You made your way down the street, humming the saddest song you knew under your breath.

All of a sudden, you felt eyes burning into your back. Your own eyes widening slightly, you turned around quickly-

But there was no one there.

Weird. Sighing, you decided to go back to going over your plans for tonight in your mind.

Maybe watch a movie in hopes of triggering some sort of emotion in you...or maybe take a bath, light some candles and listen to depressing music- shit.

It happened again. Someone was following you- you could feel it. Uncomfortable, your breathing slowly started getting heavier as you tried to formulate some kind of plan in your head-

The next thing that happened was so sudden you barely registered it for a second.

Your hand was gripped, so tightly you felt it would bruise. Aggressive, shocking and swift as lightning- it took several seconds before you realized someone was trying to kidnap you.

“Stop! Leave me alone!”

Struggling against the person holding you, you caught a glimpse of the masked man and decided to scream, hoping to gain some attention from somebody, anybody. There was no way this was happening, not right now. Your day had already been bad enough, why was the universe so intent on rubbing salt in your wounds?!

The urge to fight had never been stronger. Yet there was no strength left in your body. You couldn’t fight back against this man- he was taller than you and somehow even matched you in strength. Unless you exposed your powers, there was no way you would get yourself out of this predicament. Somehow you managed to smack him with your arm weakly, making him hiss.

“Let me go, please!”

The coffee cup fell out of your hand, brown liquid spilling all over the ground as you were pulled into the dark alley so quickly, no one would notice. Your eyes darted about in panic, trying to work out a possible escape route when the masked man caged you in, his arms on either side of you.

A horrible sense of déjà vu enveloped you. It’s all you can do to not scream, trying to keep yourself calm so that you could escape.

It’s ok, breathe in...and concentrate.

The heat within you started to crackle, your palms beginning to burn up gradually.

Your eyes blinked as you decided to try and take a good look at the person holding you. Their head was covered with a black mask, their finger held over their mouth as they ran their eyes over your distressed expression.

Inhale. Exhale.

“What the fuck are you doing?” You hissed, staying still and pretending to give up the struggle. “Unhand me now, or you’ll regret it, trust me-“

“Shh! Y/n, please…” He shushed you, his voice shaky.

You stopped in your tracks.

Huh?

That voice…

“I’ll explain... but first we need to get out of here, fuck-” He looked from side to side quickly, scanning his surroundings.

Shit. Why does that voice sound so familiar?

“Who- who are you?!” You managed to get out, the heat fading away as deep, panicked confusion took over you instead.

There was a small sigh as your assailant stood up a little straighter, groaning. And then, his fingers deftly pulled the mask off, clutching it in his hands tightly.

Golden locks spilled out, a handsome visage coming into view. Plump lips and beautiful eyes, looking oh so familiar.

No.

It couldn’t be. This wasn’t happening. What the fuck, what the fuck, what the actual fuck was going on?

It’s him.

But it can’t be.

How? It’s not possible-

You’re definitely losing your mind.

The man’s breathing got quicker as he watched your expression morph from fear into one of pure, electric shock.

“I know you’re shocked, Y/n, but please listen to-“

Your chest started heaving, quickly rising and falling as your heart pounded against your rib cage.

This...could not be happening. What was this? Was this a nightmare? Yet another sick, twisted dream? He couldn’t be standing right in front of you...it was impossible. No. No no no no no no no.

It was all too overwhelming, and your brain and body seemed to agree on that. Your mind swam, your thoughts all over the place as you felt yourself sway on your feet.

“This- I-“ You stumbled over your words, tears slipping past quickly as you tried to form words to express what you felt.

Pain. Searing pain, taking over, spreading from head to toe.

Your breathing slowed as the world suddenly went black, Hyunjin’s shouts in the background fading away...until there was nothing but silence.

Pure, unadulterated silence.

#hyunjin smut #hyunjin angst #skz smut #skz angst #hwang hyunjin smut #stray kids smut #stray kids angst #hyunjin x reader #hyunjin scenarios #hyunjin imagines

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kittyprincessofcats · 3 years

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I finished RWBY Volume 5!!

Loved it!! After volume 4 was (understandably) a bit slower-paced, I didn’t expect things to get intense and serious this quickly, but I’m glad they did! I have so many thoughts I wanted to write down, so here we go:

[There will be spoilers for RWBY up to Volume 5 in this post (duh). Please don’t leave spoilers for anything after Volume 5 on this post, otherwise I will block you.]

- I have to say, I definitely liked Cinder more when she wasn’t talking. During Volume 4, I kind of started feeling bad for her on some level, but then she got better and started being her old condescending, power-hungry self and I was like… nevermind, I hate you again.

- Qrow being super drunk when he first brings Oscar home was absolutely hilarious.

- Yang is SO COOL. Have I mentioned that she’s so cool? Like wow, I wish I was that cool! The bike, the new (amazing) outfit, the way she just punched that creepy guy and walked right up to her mom’s bandit camp making demands of her – she’s so cool and I’m here for it.

- Yang and Weiss’ reunion was so sweet! 😭 I was waiting for literally any of Team RWBY’s members to reunite and that got me right in the feels! (Also, I loved the whole “Wait, your mom kidnapped me?” “Wait, you kidnapped her?” exchange - brilliant 😂.)

- Ruby’s reunion with Yang and Weiss was so sweet, too! 😭 Tears were definitely shed over reunions in this volume! And it was so nice to finally have most of Team RWBY and what’s left of Team JNPR back together and see them bond and catch up with each other 😭. Found family back together! It’s what they deserve!

- Yang being so angry at Blake for leaving makes perfect sense, imo, especially considering her own abandonment issues. And even more so considering that she lost that arm while protecting Blake. Also, I don’t think it’s reading too much into it to say that Yang and Blake’s interactions and their storyline together have had romantic undertones since volume 2. (And no, I’m not just saying that because I ship Bumbleby; it’s the other way around – I ship Bumbleby because those romantic undertones were there in the first place.) So yeah, Yang always tried to help and support Blake, lost an arm protecting her from her abusive ex, and then Blake just left – I get why Yang’s hurt and angry. And that moment where she goes from complaining about how she just wants to be there for Blake, before finally admitting “What if I needed her there for me?” - that’s a really good moment for Yang, even beyond the romantic subtext. It’s nice to see Yang admit that she also wants someone else to be there for her, that she wants to receive that same love and care in return.

- I also want to point out that it’s nice to see how far Weiss has come since volume one. She really took a level in kindness and became a lot more mature, to the point where she’s now giving Yang relationship advice. It’s really nice to see.

- Ruby’s talk with Oscar about Penny and Pyrrha really got me teary eyed.

- I wasn’t that fond of Sun at first, but he had some really great moments in this volume, so he’s starting to grow on me now. I still don’t ship him with Blake, but their friendship is sweet.

- And now, let’s talk about THE standout character of the whole volume for me: ILIA!! Holy hell, I love everything about her! You know how some characters grow on you over time, and then there are those characters that you see one episode with and they just become instant favourites? That second one was Ilia for me. I watched Blake’s character short before Volume 5 and the moment I heard her backstory she jumped right to the top of my favourite character list without question AND I started shipping her and Blake right away. (Yes, I love Bumbleby and all, but I’m a multishipper. I’m perfectly capable of equally loving two ships that contradict each other.)

- It’s just – Ilia and Blake’s dynamic got me hooked! Not to compare everything to my OTP (Catra and Adora from She-Ra and the Princesses of Power), but let me quickly make this comparison: Two girls who grew up together, were both members of a certain evil organization until one of them left it and the other didn’t, now they’re on opposing sides and have to fight each other, but they still clearly care about each other. Plus, there are confirmed romantic feelings from at least one side there. I know many people (including myself) have compared Bumbleby to Catradora before – because you’ve got one blonde jock and one catgirl – but when it comes to the dynamic and the backstory, Blake and Ilia (what’s that ship called? Catmeleon, I think?) resemble Catradora even more. And it’s just the kind of dynamic I’m weak for.

(Honestly, it’s kind of funny how predictable I am both when it comes to favourite characters and favourite ships. My sister, who got me into both She-Ra and RWBY, took one look at Catra years ago and immediately predicted that I would love her. And when she first saw Ilia, she also immediately knew she’d be one of my favourites. Basically, my sister once described my “type” of favourite characters as “troubled, cute and gay” and that pretty much sums it up.)

- Speaking of troubled, cute, and gay: I’m glad RWBY finally has some CANON LGBT representation! Hell yes for that! Honestly, I interpreted Ilia’s feelings for Blake as romantic right away, but I wondered if it was just bait or my usual tendency to see romantic undertones in any interaction between two girls. But then that “I wanted you to look at me that way” line happened and… WOW. Yes. Amazing, talented, brilliant, never been done before, showstopping, incredible. I’m 100% sold on both the ship and Ilia as a character.

(One more thing before I change topics: I try to keep these posts positive and not get into discourse too much (since I’ve heard there was (is?) a lot of discourse in the RWBY fandom – but I took just one look into the tag for Volume 5 and immediately saw people arguing that Ilia’s not good representation because she’s a villain. And I just want to quickly address why that’s nonsense, in my opinion (and before you ask, yes I am a lesbian myself): First of all, she’s not even a full-blown villain. She’s clearly shown as confused and misguided from the beginning. And her feelings for Blake are never portrayed as a negative thing. She also has a redemption literally two episodes after being revealed to be queer. And in general, I don’t think queer villains are necessarily a bad thing and I’m tired of queer characters not being allowed to be flawed. How come straight characters get to just exist, but any queer character better be a shining beacon of morality or else they’re bad representation? I agree that RWBY should introduce more queer characters to balance things out a bit, but I wouldn’t say Ilia was bad representation by herself, since she’s a character I think we’re meant to have sympathy for.

- Now I just hope that future volumes of RWBY don’t pull a Bury Your Gays and kill Ilia off... I’d really hate that. (No spoilers on this post, please!)

- The entire fight at the Belladonnas’ house had me so on edge the whole time. I thought someone (most likely one or both of Blake’s parents) was going to die any second. Basically, the ending of volume 3 burned me and now I constantly expect characters to die. I’m glad it all (mostly) turned out well!

- Blake’s speech to the Faunus might have made me a bit emotional. That was a really great moment for her.

- And then there were those final episodes… WOW. Like I said, I really didn’t expect everything to go down so quickly (or for the ending to be that happy – like I said, volume 3 burned me.)

- Jaune unlocking his semblance was nice! And I’m proud of myself for having correctly predicted that he’d have some sort of healing powers. (I was waiting for him to unlock some healing semblance back when Qrow got injured in Volume 4 – I’m glad it finally happened!)

- I was worried about Weiss for a second, then I realized there’s no way she can die since I’ve already seen pictures of her outfit in later volumes. (Plus, I’m pretty sure if a main character had died, I’d have been unable to completely avoid spoilers about it. So those 4 are pretty much the only ones I’m not that worried about.)

- Raven is a really cool and interesting character, but an awful person. (I got so angry at her when she blasted Ruby after Ruby was just so nice to her*. How dare you, lady?) I love her design, though!

[*EDIT: I just rewatched it and realized that it was Cinder who blasted Ruby, Raven just created the portal. Point still stands, tough.]

- The plot twist of who the Spring Maiden really is was EPIC. Really loved that reveal! (And I honestly didn’t see it coming.) Though I have to say, I feel really bad for Vernal, and for the previous Spring Maiden.

- The Cinder VS Raven fight was absolutely epic and just stunning to watch visually. I was wondering if we’d ever get a maiden vs maiden battle, and that scene more than delivered! And while I don’t particularly like either of them, I was definitely rooting for Raven in that fight.

- I’m not sure if Cinder really died there. If so, I’m honestly not too sad about it, but I would be disappointed because I kind of expected her to become a more interesting character later on. After Volume 4, I expected at least a bit of growth there or something that would make her more interesting. And I’m not talking about a redemption, just to be clear! I just think the potential to make her more interesting as a villain was there, and if they just killed her off it’s kind of wasted now and she stayed a very flat character until the end. But I guess we’ll see.

- Raven and Yang’s confrontation was pretty intense. I liked that Raven finally had to admit that she’s afraid and doing all of this just to protect herself, and the contrast to Yang, who is also scared but still does what she thinks is right. And the fact that Raven was willing to let Yang have the relic despite the danger that would put her in – mom of the year indeed 🙄.

- Blake and the other Faunus are the real MVPs of the battle, tbh. The fact that they just completely stopped Adam and the White Fang by sheer numbers and didn’t even give them the chance to attack anyone? God tier stuff. And when Blake’s mom came in with the police? 10/10, we stan.

- Also, Blake telling Adam she’s not there for him? Hell yes, girl! I love how she’s taking power away from her abuser by showing she isn’t doing any of this for him. Really nice.

- Yang and Blake’s reunion in the last episode was super nice. I like how there was so much attention on that reunion in particular. And while I’m glad Yang wasn’t too angry at Blake and it makes for a nice happy ending, I still hope there’s a scene next volume where Blake properly apologizes to Yang for leaving and explains her side of things. And then, they should get together and live happily ever after and have lots of kittens. I mean, what?

- And finally, all of Team RWBY is back together! And they’ll have a lot to catch each other up on. Blake doesn’t even know about the maidens, the relics and Salem yet, while the rest didn’t even know about the White Fang attack. Also, I want Blake to introduce the others to Ilia and to her parents.

I really loved this volume. Lots of action, lots of really sweet moments, lots of epic fights and cool plot twists. I find it hard to rank them, but this might have been my favourite volume yet (volume 3 was also really good, though).

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myersesque · 3 years

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Tell me about how telltale batman has the most in character bruce despite being divergent to a lot of established lore - more so than a lot of the comics themselves imo

YES YES EXACTLY YOU GET IT

quick disclaimer that my comic knowledge will obviously be limited to the comics i've personally read. comic writers love to take characters and do their own thing with them, so i know for a fact there are probably a million comics that contradict this post, but that's not the point.

even the telltale side of things in this are gonna be a little biased and full of personal interpretation, because telltale's game format means that everybody's bruce wayne is gonna look a little different. but, i mean, i guess the way i play bruce is the way i see him anyway, so whatever.

ANYWAY! i hope you wanted an essay because oh boy did i get carried away:

one aspect of bruce's character i think is important is his motivations. he didn't just wake up one day and decide to be batman - he made that decision for a reason, and i think that reason is inherently important to his character, because having a different idea on his origins can give you a completely different idea of how his character should act, if that makes sense?

in my personal opinion, bruce wayne should always be motivated by love. he's motivated to fight crime by his love for his parents, and his love for gotham city, and his love for innocent people who don't deserve his parents' fate. my favourite comic panels are always the ones where bruce lets his scary persona slip a little, where he cradles a child against his chest to comfort them; batman was created to be scary, yes, but he's intended to scare criminals, not innocents. whilst bruce's parents' deaths definitely jumpstart his vigilantism, they are not the centrepiece of his entire morality - he doesn't care about gotham's citizens because he's imagining his parents in their place, he cares about them because he genuinely loves his city.

i think a lot of comics i've read have sorta forgotten that aspect of his character. white knight's entire plot revolves around the idea that bruce, blinded by his own anger, has become just as brutal and careless as the criminals he fights, and has ended up causing harm to innocent civilians because of it - whilst i think that's certainly interesting, and i am a sucker for a good "heroes aren't always good people" storyline... it feels icky. i struggle to reconnect that bruce, snarling and chained and unable to sympathise with the innocent people he's hurting, with the bruce who held children to his chest and promised they'd be okay. a lot of comics don't consider bruce's motivation to be his love, they consider his motivation to be his hatred, which leads to characterisations of bruce that are cruel and uncaring and, in some instances, outright abusive. it's like they frame his entire morality as "getting revenge for his parents' deaths" - which is funny, because i think it's pretty commonly agreed upon that bruce wayne shows his parents' murderer mercy. i think a lot of the issue is that people dehumanise batman, and bruce in turn; he's not a man, he's a monster.

which brings me to telltale bruce!

i think what makes telltale bruce work so well is the way they instantly humanise him. the opening scene of season 1 flickers between batman's fearless crime-fighting and bruce wayne gritting his teeth through an injury and getting ready for a gala. his relationships with the other characters - harvey, selina, john, tiffany, everybody - are shown in halves; you see just as much of bruce as you do batman. you'll see batman shielding harvey from attacks followed by bruce sitting by his side in his hospital room; batman repressing fond smiles behind his cowl as he talks with john; bruce at lucius' funeral, filled with despair, knowing that batman is to blame. it is incredibly, painfully clear that batman is not a myth or a monster - he's bruce wayne, the same bruce wayne who flirts with reporters and makes bad puns and goes on fake-dates with his friends to help them learn how to talk to girls. he's human, in a way that comics often seem to forget he's meant to be.

(part of the draw of batman, to me, is that he's human. he's got fancy gadgets and a cool suit but underneath it all he's just a man, just a human being driven by emotion like the rest of us. he feels real, in a way. i used to look out of my bedroom window and imagine batman coming to save me from my problems; i could never quite do that with superman, or wonder-woman, or any of the others.)

not only that, but thomas and martha wayne are removed from bruce's motivations pretty effectively - they're outed as awful people, the kind of people bruce fights against. they did to oswald what joe chill did to him. so rather than falling into blind rage, rather than the unfortunate "batman fights for revenge", you get a bit of nuance - bruce has to come to terms with being wrong, and learn where he stands, torn between awful people who he loves and good people who hate him. he's fighting not to avenge his or oz's parents, but to prevent any innocents from meeting the same unfortunate fate, and to redeem himself.

they let him be wrong without totally becoming a villain: they let him punch out oswald cobblepot on live TV and deal with the consequences; they let him instigate riots for his own benefit; they show him crouching in the back of a truck, surrounded by criminals he's been willingly helping, staring guiltily at a bat-signal he's ignoring; they let him feel guilt for all the friends he couldn't save.

he doesn't beat his friends-turned-enemies with glee. he doesn't take joy in putting them away. he doesn't use them as punching bags for his own anger and trauma.

he keeps harvey from committing suicide and tells him, earnestly, that there's still hope for him. he sits across from john and admits, hoarse and teary-eyed, that he truly did consider them friends. he gives up being batman for alfred's sake. he visits john in arkham, with an honest smile, despite all they went through. these choices may be optional, yes, but with the way telltale writes their characters, every one of these options is perfectly in-character for their bruce. you may play him a little angrier, a little more vengeful, a little less sympathetic - but at his core, he's the same. at his core, he still looks at gotham city, and the villains he goes up against, and says "i'm sorry this happened to you, i wish i knew how to make it better". he cradles them against his chest.

i don't know if any of this made sense, but tl;dr: telltale writes bruce as a flawed person, yes, but at his core he is loving and charismatic and bittersweet, and that's who i've always thought he should be.

(this kinda turned into bruce loveposting halfway through, but hopefully i still got the point across.)

#ask #fav #and for attention:#telltale's batman #bruce wayne

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amazingphilza · 3 years

Text

DSMP!OC HEADCANNONS

i dunno if ppl on here make dsmp!ocs for themselves outside art but here’s my long list of headcannons?? idk what to call this, but assume all names have c! before it ofc :]

,, this is kinda messy & probably has a lot of plot holes but i just needed a space to write out all my thoughts LOL

also cw / ment of manipulation & ib: dsmp wiki <3

character origin :

previous life was the l’mantree :D

allegedly planted by schlatt, we will never know who’s my canonical parent(s)

reborn as a dryad after niki burns the l’mantree

i think being a dryad would fit especially since they’re typically nymphs of oak trees :]

appearance :

my character’s mc skin has long light brown hair & is seen wearing a flower crown with petals that are around the color of a pale violet and navy blue

clothing would consist of black shoes & a long light grey sweater that falls down to the legs and covers most of the hands which adorned with 2 black stripes on the upper arms

lore / history :

since my past life was the l’mantree, i would’ve known the ins and outs of the history when l’manburg was still standing, up until niki burned the tree

after witnessing everything, i’d hold a grudge on niki (+ allies?) and loyal to wilbur since he’s the whole person that made a meaning of the land of l’manburg

however i’d still be on edge w any side because i could sympathize with everyone to some extent after seeing some sort of distress from everyone at some point

i think seeing both sides of the spectrum when l’manburg/manburg still stood could change my perspective of some other characters

but at the same time, not everything was completely centered in l’manburg so i wouldn’t know the whole story of everyone’s character

i’m currently writing this just after tommy has left the prison & mostly everyone is treating him differently, so i’d try to befriend him by not showing that i dont care about his past & trauma but also not being fully faithful about our friendship ahaha,,,

he seems like the type that needs someone to see through his past history but tommy would definitely disapprove of my character visiting dream at the prison (i would do it anyway :))

vowing my current life to wilbur, i would help dream escape to revive wilbur & follow along with their plans of chaos

i don’t fully support dream but he is the only way to wilbur, making me comply with dream’s decisions

“growing up” in my past life and witnessing endless conflict, it is the only thing i know and understand; chaos

but i think during the process of helping dream & wilbur i’d keep my connection with them secret, being the person to obtain all the inside information they need

i could see myself as a type of equilibrium like ranboo but in a bad way, i don’t know how to explain it

but i would try befriending ranboo since he seems like he is involved in many things and would know a lot, despite his short term memory

unfortunately i’m not sure how much his character actually knows since i haven’t been able to watch his pov that much but i’m sure there’s a lot in his memory book...

to blend in as a normal person within the rest of the characters, i’d surround myself with connor a lot

not only because he needs more lore, connor is one of the “normal” citizens of the smp so i believe being with him doesn’t bring as much attention to myself, unlike people that’s related to the egg and their noticeable features after associating themselves with the egg

he is currently only on bad terms with techno which is rly good when comparing that to other characters and their relationships with other people

connor could probably sense my real intentions eventually & tell everyone else that i’m not who i say i am but if that’s my flaw & my downfall is caused by connor, so be it! sorry dream & wilbur

i feel like for being a young dryad, i’d still fool around with dream/wilbur & help give tommy an small “advantage” to defeating the two ?

like yes i’m supposed to be on your side but where’s the fun if tommy can’t do anything to begin with?

i honestly don’t know if wilbur was revived he’d actually be his vassal but let’s assume that happens, but either way i’m with wilbur on his decisions

but ya dream seems like the type to punish me for helping tommy and send me to the afterlife to learn & become smarter like wilbur had done or smth

in the end, i just want to give tommy bits and pieces that tease him from ending all the wars and problems he has been faced with

like here’s some info about dream and wilbur but it won’t be no where close to enough

but who knows, ghostbur said ‘villains are just heroes that aren’t convinced yet’ & maybe tommy could eventually grow on me & change my ways,,

maybe me fooling around & teasing tommy with answers he’s been searching for is a way to mask that i want to be a good person

ok but imagine after knowing so much about dream/wilbur, the revive book, & the afterlife & then i switch sides,,,

surely if tommy can’t put and end to them, dream would make sure i’m gone for good instead

but also if me & connor are in good terms & he’s canonically a necromancer & can bring ppl back to life,,,,

personality :

to all besides dream & wilbur, i’d try to act passive and friendly on the outside to get on everyone’s good side

however under the mask i am more mischievous & strive to cause more problems for everyone on the server from the inside out

in a way, i’ve taken up some of dream’s manipulative personality but still very understanding

i’d like to think of my character as a good listener,, trying to do less talking than others so i do not open up about my true self and intentions

i’ve seen rumors about schlatt & mexican dream also being revived along with wilbur & i feel like i’d have some soft spot for schlatt & pick up a few things from his own character, not sure what though

schlatt planted l’mantree theory, dad!schlatt au part 2 !! /j

because of my character’s closed off and quiet personality, i feel like i’d be pretty analytical

i would know how to slip between the cracks with some characters & notice the smallest things to make them question themselves

maybe my character is good at holding their composure, and not that susceptible to being “emotional” in a way so it’s easier to face people

like i understand when a situation is sad, etc but i can’t show emotion towards how i feel about it (i don’t know if that makes sense but ya!)

i wanna try to elaborate more,, like imagine my character before tommy visits the prison, i would be unfazed from when i found out he died to the point he’s released and we find out he’s been revived

everything is a constant blur hehe

i just can’t fully process everything i guess? i dunno if that’s helpful but yeah!

in the end though, my moral compass has been very tainted; despite wanting to show my loyalty, it can be slightly easy to sway me, making me internally feel guilty to other people

but me trying to get on everyone’s good side to impress wilbur/dream to seem useful to them would ruin me before i would even realize that i’m another “pawn”

we know damn well dream is faking it till he “makes it” but yk,,

but i’d be stuck in this kind of dilemma of not knowing what thoughts are my own or just something trickled down from wilbur or dream

there’s like maybe something that clicks in my head like “maybe i wanna think for myself for once” or smth

like who am i really?

powers , bonuses , etc :

since dryads can technically manipulate plants in some ways, theoretically i could control the blood vines to some extent ???

i’m pretty sure dryads can communicate with plants so i could understand what the blood vines are saying as well

maybe i could get a good sense of what the egg is all about and stuff

assuming that i understood anything that was happening with the egg in the first place but anyway—

i guess similar to ranboo like how he can’t really be around water without some type of amour or something, it would make sense for me to primarily reside in a type a forest or be near one ?? who knows

seems a bit morbid in a way because of the whole history but if i can somehow easily get rid of the blood vines without it affecting me (if there is still some there) i think it would be kinda pretty to build a tree base in the middle of the l’manburg crator (iskall tease)

like it can show a sign of some rebirth, not the same government repeated once again but a new era in general

you know how you see like destruction years after it the disaster or smth happened and it gets all overgrown with plants and stuff? ya that’s what i’m going for in my head (mumbo jumbo s7 tease)

i know it’s covered in glass already but i dunno, some broken glass and a giant tree emerging from the whole thing and all the rubble seems cool

i’m not a good builder but i have the vision LMAO

omg puffy is like a sheep human hybrid im pretty sure & like there’s a specific type of dryad that are a protector of sheep & other animals?? i’m not exactly sure but that seems like an interesting element to incorporate somehow

also glatt randomly planting a oak sapling in quackity’s lore stream yes pls feed my nonexistent dsmp character lore /j

i honestly dunno how to incorporate the fact dryads can turn shapeshift into trees when trying to escape something but i read something that if a dryad stays in a tree form for too long they’ll forget who they are and stay stuck as a tree?? which like woah that’s cool & some material but at the same time what—

since everyone’s backstory is kinda a mess, mr beast parent tease bc he planted a bunch of trees /hj

i have realized wilbur saying like “the whole reason i built this nation is gone” & blowing up everything or whatever is kinda a plot hole in like ‘why would i follow wilbur if/when he’s revived when he said this?’ but i’d like to think he was the one that made some meaning of the area lmanburg was on, which includes the lmantree

like he was the one that started everything and created that sentiment of that land, and however he views it now is how i would see it now

he gave meaning to my past life and now in my current life, i feel this obligation to repay him for it

not really lore bc i think it was cc!tommy talking to cc!ranboo about his height & age when he first joined but yk it would funny to make my dsmp character than his just to slightly spite him anyway

canonically 6’4 dryad yes . /hj

also i have no idea anything about hannah and her lore but we do be flower buddies :D

also omg like this isn’t at all important but the way ranboo can pick up grass blocks will just have me at awe, i dunno seems in theme with the forest/plant stuff

and i remember reading like there was something about dryads and apples but i can’t remember but i’d give tommy a bunch of apples /hj

apples am i right chat,,,,,

i’ll just have infinite apples in my inventory, like kill me in game, not like losing lives kinda deal but just in general and boom stacks of apples

“bee i get you’re half tree but do you just poop apples out like they’re nothing??” “girls don’t poop” /j

ok but like no matter how many streams i watch i cant grasp where everything is but omg but no if i was new to the server & stuff, canonically & not, i would feel my character to be the curious kind to explore everywhere

like besides a mini tour from some other person in the server, since my character only knows things in the bounds of lmanburg, i’d go off exploring different places like pogtopia, the sewers, showchester, etc

i feel like my character would be really into history, like they would have questions about what happened to lmanburg after the last war? what was life like before wilbur? what was the whole history about the antarctic empire? i dunno but reading a bunch of books from a library seems really interesting

oh but in theory, me and tubbo are loosely related if you wanna count schlatt as my “dad” because he supposedly planted the lmantree ???

i mean could make sense but it seems like a stretch

also if my character ever got close to schlatt, i’m not sure if this is canon, but i swear one time he mentioned how the whole dsmp sever is just a game/server in a game & he’s the only one that knows that ??? but like imagine if i found that out canonically,,,,,

big existential crisis pls

and i’m not 100% sure how dryad shifting works with like going from female to tree form and stuff but if i’m able to morph into different girls on the server & act as them,,,, the about of problems that can cause in the lore omg

lemme frame niki real quick and get inside information /j

oh ya and like hey bee do you support the government then? yes but no. whatever my “fav” person is canonically (assuming this is based in the beginning of this whole hc) whatever wilbur thinks, i think. head empty. but subject to change as the dsmp storyline progresses and stuff :]

ngl i wanna throw in some like random lore that doesn’t make sense to throw people off but i can’t think of anything

not actually really lore related but my choice of stream music like how ranboo has his undertale stuff that makes everyone cry, i will have in love with a ghost

yup i like in love with a ghost sm & i’m pretty sure their music is like not dmca too which yay but yk theoretically never gonna stream on the dsmp but still a fun aspect to think of bc i love listening to music & it’s very impactful to a story & associating something to it makes it more meaningful :D

like i could imagine the chill pop lofi piano stuff fits witha few lore streams of like exploring the whole smp before my character would really go out with being this lost villain in a way?

tubbo’s gangnam style who?

like i feel like i made my character bad/evil so they could have potential to get better in the future

on one hand, i’ll end up w dream and/or wilbur for the rest of my life, which is okay but i could also switch to be with tommy or even disregard all of them and be with techno/phil or quackity & potentially schlatt even who knows

also i cant wait for more connor lore tho, like as much as i tried to make my character give him more content i wanna see how everything goes with him having connections to schlatt & stuff

anyway i would’ve made concept art for my character but i honestly don’t rly like my art currently but who knows LMAO

and lastly if u read all of this ily /p

i might update this later when there’s more lore but ya

#bee for dream smp 2021 /j #dsmp headcanon #dream smp oc #dreamsmp headcanon #dsmp hc #mcyt x oc #dsmp x oc

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shotofire · 3 years

Text

Scars

•SHOTO TODOROKI x READER

•Overview: two people with scars find peace in one another

•Warnings: sadness, tears, cursing, a lot of talk of abuse, mentions of anxiety.

•Season: not specified

It’s weird to think something as simple as a scar is what drew Todoroki in the first place. But it was more complex to him, he knew marks like his and yours had stories behind them. They had meaning even if it was horrible story. Even if it pains each of you to talk about, you both still found peace knowing someone else felt the pain.

You were extremely hard to talk to at first. Many of your classmates tried to befriend you but it became hopeless. You were a loner and always had been, people didn’t appeal to you much. People have hurt you more than anything else, and a person is who put this permanent mark on your body.

Todoroki could understand you without having to hear you say a word. The power you had without your quirk involved was insane and never failed to shock the class. A quiet girl like you could have Bakugou slamming on the ground. Pain makes you stronger and you’d had plenty of it.

As the months of the school year went by you grew closer to Todoroki. You may not have talked much compared to him but his company was something you never knew you needed. He made you feel wanted and safe, something you hadn’t felt in awhile.

It was currently Friday night and you didn’t have much to do. It felt weird having this kind of free time, it had been weeks since you’ve been able to just chill like this. But yet you wanted something to do.

Sitting around like this didn’t feel right, you did want to be a working hero and they’re always on the go. You found yourself sitting on the balcony connected to your dorm room looking up at the stars that filled the night sky.

The building was quiet, many of your classmates had already gone to sleep. It was peaceful and you felt at such ease. You couldn’t remember the last time life felt this carefree.

Thoughts of Todoroki slipped into your mind as always. You really liked him, you couldn’t even deny it. He’d made his way into your life and you got attached. That had always been your fatal flaw, you become attached to others way too easily. That’s why you try to avoid others, becoming close always ended up with you getting hurt.

Your spinning thoughts are disrupted when your phone buzzes in your lap. The light your device gave up was blinding in the dark, making your eyes squint as you read the text. It was from Todoroki.

Can I come see you?

The heartbeat in your chest increases at an alarming speed as you take in the words across your screen. He wanted to come see you and that made you all types of happy.

You contemplated if it was a good choice considering the time. Sure it wasn’t even ten o’clock yet but Mr. Aizawa would have a cow if he knew. But then again, how would he find out?

Yeah, i’m on my balcony.

You texted him back with shaky fingers and the feeling of your heartbeat in your toes. It was nerve racking for many reasons. Todoroki had never asked to come see you at this time of night if everyone was already in their own space. If he did ask to see you he’d tell you to come to the common area where everyone else was, not alone in your room.

As much as you denied it to yourself, Todoroki adored you. He knew how much you’d been hurt in your short life and the way you continued to hold yourself up was admiring. He’d told you what caused the burn on his face but you’d never built the courage to do so yourself.

He completely respected that and didn’t want to push you in anyway. Yours looked more painful than his and more spread out. Early on he noticed you didn’t like talking about it at all. You’d even become visibly uncomfortable when someone looked at it.

Long sleeves were your best friends and turtle necks were your signature mark. You didn’t like it to be pointed out or drawn attention to in any way, shape or form. Most of your classmates hadn’t noticed until you and the other girls were tricked into wearing a cheerleading uniform.

It was absolutely dreadful, and you’ll never forget the looks on everyone’s faces as they took in the bright red marks scattered on you body. That day was the first time Todoroki really talked to you. You’d ran to one of the waiting rooms crying your eyes out from embarrassment and shame, and he was who comforted you through it all.

He kept telling you it was nothing to be embarrassed or ashamed of.

“They made you stronger in the long run, you’ll see that one day,” he had said to you.

His words really stuck with you and you began to hate them less. Everytime you’re with him he says something to boost your self confidence. At this point, without Todoroki, you would’ve hated yourself too much to become a hero.

You truly believed that Todoroki was your person, that you two were meant to meet. He was always there for you and you were in return. Your friendship flourished everyday in so many ways. It had gotten so loving and so deep that the feelings developed into more. You wanted to be more for him, not just a friend.

Sadly your confidence hadn’t built up enough to confess your inner feelings about him. Even someone who loved themselves struggles to do things like that, rejection is way too scary.

“What are you thinking about?”

The deep voice knocks you out of your thoughts and makes you jump a little bit. You’d gotten so carried away thinking about him that’d you’d forgotten he was even coming.

“Too much stuff,” you groaned.

It was true, your mind had been racing way too much lately. The stress of school and your feelings for Todoroki were extremely overwhelming.

“Oh yeah?” He sits down in the chair next to you, “Tell me about it?”

You can’t. There’s no way he feels the same way about you, he had to see you as just a friend. He was so cute and you believed there was nothing special about you.

You look up at the sky taking in the beautiful sight once again. Sometimes you wished you could fly up there and shine the way the stars do without a care in the world. Your gaze looked back at him and he was staring at you in awe, but that wasn’t the way you saw it.

“I want to be a star,” you whispered.

He smiled at your words, “don’t we all?”

It stayed silent for a bit. You each looked up at the sky with heavy eyes. It was getting late and he knew he needed to get back to his room, but he really didn’t want to. All he wanted was to be with you and bask in your presence.

You had built up a lot of courage for a moment like this, when you two were truly alone. There was never time to tell him what had happened to you. And even if there was time in the past it didn’t feel right, and in this moment it did feel right. You felt calm, collected, and safe.

“I think i’m ready,” you said.

Todoroki looked at you a bit confused but it immediately started to make sense. He knew this day would come, maybe not this soon but he always knew. He’d never asked you to talk about it or pushed you. He wanted it to be on your own time, for it to be your choice.

“Make sure you know you’re ready,” he says with soft eyes.

The sparkle in his eyes made your knees weak. This boy had the biggest effect on you without a single clue. All he had to do was look at you with sweet eyes and a small smile and you were a mess, his mess.

“i’m sure,” you say followed by a deep breath.

You turn your body to face his wanting this to be intimate. You were about to tell him a horrible part of your life that no one knows the details of besides yourself and who did this to you. You felt anxiety spreading through your body and you began to tremble a bit.

Todoroki immediately noticed and grabbed both of your hands. He was warm to the touch and it calmed you some but not completely. It was enough to remind you that you were safe and he’d never judge you about anything.

“I’m not sure how to start this because I didn’t put much thought into it,” you begin, “but I knew if I thought about it too much i’d never reach this point.”

He nods at your words before squeezing your hands. You knew why he wasn’t saying anything, this was your time to talk. He didn’t want to say anything that would increase your nerves, he knew how sensitive you were getting by the minute.

“My parents d-died when I was young,” your voice began to tremble but you stayed strong, “but I can remember t-them, certain small memories. I-I know they were good parents and loved me very much. They took me new places all the time, I think they wanted m-me to see the world.”

You smile a bit as you go on, it’s been awhile since you’ve let yourself think about them.

“But then a s-stupid villain decided that their l-lives meant n-nothing,” you choked up on that sentence, “that’s when my whole life c-changed. I was sent to live with my u-uncle who I had never met before, I didn’t even know w-why he agreed to take me in. He was basically a stranger to me and I was to h-him.”

Todoroki hadn’t moved his eyes from you. He wanted to make sure he was hearing every word. This story was already breaking his heart and he wanted to hug you so bad, but he needed to let you keep going. A disruption may cause you to second guess yourself and that’s the last thing he wanted.

You took a deep breath trying to control your stuttering. The shaking your body was giving off was beginning to increase as the story got worse. You closed your eyes and tried to calm down. The warmth in Todoroki’s hands increased, he was trying to remind you he was there and that it was going to be okay.

“It started to makes sense as time went on living with him,” you picked back up, “he basically wanted a maid to do everything for him. I brought him his beers when ever he wanted, cleaned his house, fed his animals, went to the store for him, just about every basic thing he was supposed to do for himself was thrown onto me. And even if i’d do one little thing the way he didn’t like,” you’d stopped.

Tears began to fill your eyes and looked down. You didn’t want Todoroki to see you so broken, so vulnerable.

He put his finger under your chin and lifted your head up. Your eyes met his, he was looking at you with such love and you could feel it. It was practically radiating off of him.

“breath,” he whispered as he wiped your tears with his thump, “he isn’t here. It’s me, i’m not going to hurt you.”

His kind words were the best thing you’ve ever heard. He always knew what to say and when to say it.

“Thank you Todoroki,” you sniffle, “It’s just hard to talk about, but i’m doing better than I thought I would.”

He smiles at your words, “You’re doing amazing,” and pushes your hair behind your ears.

You grabbed his hands wanting to feel the warmth of them again. They made you feel so safe and you couldn’t get enough of them. His eyes looked at you, but they didn’t seemed annoyed or bored. He was completely patient and willing to wait hours for you to take your time.

“He had different ways of punishing me,” you continued and kept your eyes locked with Todoroki’s, “It could range from cigarette burns to just slapping me across the face. One day, after about a year of living with him, I couldn’t hear him yelling from my room. I usually always kept my door open so I could hear him, but I had so much homework and his television was so loud,” you let out a small cry that you couldn’t hold back anymore.

The memories were so tragic and overwhelming, but you needed to keep going. You could let a man who wasn’t even in your life anymore control you like this.

“He came in my room so angry. He swung the door so hard that the whole doorknob slammed into the wall,” you said before Todoroki could wipe your tears again, “He started yelling and grabbing at me and I couldn’t even make out what he was saying. He drug me to the kitchen and started demanding I make him food. I did as he asked and I remember crying the whole time.”

You took a well needed deep breath, “He came back in after awhile to see what I was making. And it only exculated from there. You wouldn’t think a grown man would get so upset over a simple dinner, but he did. He started throwing the pots I had out across the room. I remember the panic I felt when he picked up the tea pot. I tried to tell him there was stuff in it, but now that I think about it it probably wouldn’t have made a difference.”

Reliving this moment was odd because you hadn’t done it in so long. You started to remember the color of the kitchen, the rotten way it smelled, you even rememberd the yellow tea pot that he hurled at you.

“The boiling tea splattered all over my neck, chest, and some of it went down my arm. It was horrible and the pain was the worst thing I had ever felt. To this day I don’t think i’ve felt anything as bad or even close to it. And i’ve been slammed into walls, punched by pros, and knocked out by villains. My burns were too bad to not be treated and I ended up in a hospital. The story came loose and I was thankfully taken away from my uncle.”

Todoroki felt happy for you that you didn’t have to stay with him after that, the pain he’d inflicted on you was too much. He knew your story had to be bad if it took you this long to talk about it, but he had no idea it’d be to this extent.

“I had other family that lived on the other side of Japan, and that’s how I ended up here. Well, not here, but near here. They treated me so kindly and life started to get better. I was still afraid and hadn’t reached my full potential, and I still fear that all the mean things he said to me will continue to weigh me down. But you’ve really helped me Todoroki,” your eyes were filled with tears again.

He couldn’t stop himself from beginning to cry too. Your story was so moving and he felt so deeply for you.

“I will never let anyone hurt you like that again,” he said as his body trembled like yours, “I love you so much and i’d do nothing to keep you safe.”

Your breath hitched at his words, “You love me?”

His eyes widen realizing what he had just said. He didn’t really know if you felt the same way back, the act of bringing up something like that was too much for him to handle.

“I m-mean,” he stutters

He clears his head and tries to think straight. He basically just admitted his love for you and was freaking out on the inside. He may be a smooth dude who concealed his feelings well but he definitely just slipped up big time.

“I love you,” you say before he can try and cover his tracks. He almost chokes at your words as soon as they come out.

“Todoroki you’re the best person that i’ve ever met. You’ve filled my head with positivity and cleared the clouds of doubt and self loathing that had filled it before. My uncle constantly called me hurtful names and took advantage of me. I’d grown to believe everything he said was true and that I meant nothing. Then I met you, and everything changed.”

His cheeks heat up at your words, he had no idea this is how you felt. He didn’t know the impact he has had on your life.

Before he can even think, he’s leaning forward and attaching his lips to yours. Goosebumps rise on both of your body’s and he squeezes your hands once again.

“You’re the best thing that has happened to me too,” he says after pulling away.

Your head felt like it was spinning and your stomach was filled to the brim with butterflies. This couldn’t be happening, you were totally dreaming. You pinched your thigh and jumped a bit at the action. Todoroki giggled at you, knowing exactly why you did it. He felt like he was dreaming too, as if he was floating.

He attaches his lips back to yours and you’ve never felt so loved.

72 notes · View notes

imnotcameraready · 3 years

Text

more than beliefs (5: mother knows best)

A/N: still trying at this ! i still don't own any tables so honestly, writing has been kinda hard :') but i'm still up to a polished chapter 7 and know VERY well what is happening in chapter 8, so we're looking pretty good. i wrote all of chivalry chapter by chapter so.....hoping this goes well :'D

WARNINGS: manipulation, plotting a murder, paranoia description, blunt force trauma, assault, amnesia, blood, graphic description of violence — this chapter’s the first doozy! if i missed anything, please let me know!

Words: 4378

AO3 link!

enjoy!! <3

“Now, this might be a controversial opinion, but the second Little Mermaid movie is a top-tier Disney sequel,” the Director said, idly mixing a teaspoon around in his hot chocolate.

Roman scoffed. He was sitting on the Director’s couch, wrapped in a blanket while they watched 2005’s Just Like Heaven starring Mark Ruffalo and Reese Witherspoon. The Director had suggested they watch something from Disney, but while Roman loved the whole library of Disney movies lining his shelf, he couldn’t choose which one he wanted. To his surprise, the Director didn’t have a favorite, either. He’d said he was fond of the cookie-cutter damsel in distress narrative of older Disney stories, which Roman tried (and failed) to take offense to, but did agree that many modern movies like Big Hero 6 had interestingly complex and developed stories.

“I just prefer the expansion on oceanic lore. And I’m a sucker for a good parental storyline, when the former protag takes on the motherly role.” The Director took a sip of his coffee.

“And here I thought you weren’t one of my creative advisors,” Roman said with a smirk, crossing his arms upon his pillowy throne.

The Director scoffed, and as he rolled his eyes Roman could have sworn that he was blushing. Maybe he was embarrassed. “Just because I’m not David doesn’t mean I can’t have opinions on works of art,” he sounded dejected—Roman guessed that was fair. The Dragon and Damsel and Child, most obviously, had strong opinions on art yet no artistic inclinations.

It was still up in the air if the Thief did. It didn’t seem like he had many opinions on things that weren’t consequential to Roman’s direct safety, but he was very quiet. Roman didn’t rule out the possibility of the Thief just not wanting to share that information with him, which was….well. Unfortunate.

Roman wished he got to know his advisors better. Ever since they were separated from him, Roman feels like he’s been at the grinding stone with them all. The Thief had spent the whole wedding either swearing or screaming suggestions angrily, and when he wasn’t, he was comforting an incredibly distraught Bard. The Damsel and Playwright tried to help the most but... He had barely even seen the Artist outside of their creative sessions. He had barely seen the Dragon or Child, period.

The Director was an interesting one. Roman had everyone’s phone numbers, because, well, he wasn’t about to use carrier pigeons. Though that might be super cool to try one day. But the Director was just about the only advisor to casually reach out to him. He would send Roman memes. How did he even get memes? Roman and Remus had created an Imagination-version of the internet, so it was likely from their co-sponsored Imagination Tumblr or something. The Director putting in the effort and time to think of Roman during such small instances was what made Roman feel more comfortable here, though. That’s what made him trust the Director with these sorts of situations. Almost made them closer...

Was that selfish? To favor one part of oneself over others? Surely not. It was similar to recognizing flaws, or pimples and blemishes. Not to say any of the others were blemishes. Drats, even Roman’s internal monologue was demeaning to himself.

“Do you want any more coffee? I’m going to go refill,” the Director’s voice jolted Roman out of his stupor, and he looked up with wide eyes.

“No, I’m okay,” and after a small beat, he added, “Thank you again for housing me. I can’t imagine what Phillip would want to say after yesterday’s debacle.”

The Director scoffed. Roman snuggled into his blanket more, listening to the Director pour himself another mug and reply. “Anytime, Roman,” he chuckled, then put on one of the most outlandishly fake accents Roman’s ever heard. “I live to serve~”

“Sto-op,” Roman groaned, throwing his head back and shooting the Director a glare—well, glaring at the kitchen door. There were walls around all of the rooms here, unlike the Mind Palace.

The Director laughed even more when he returned, sitting on the couch with his legs crossed on the cushion. He held his mug in his hands for a few seconds before talking, tone much more sober.

“I do have to say. I’m surprised I was the one you came to.” The Director’s voice is a little more quiet. “I thought for sure you would have sought comfort with Cadence or Gavin before me.”

Roman blinks. “I guess….I didn’t want to be judged again.” He looked back down at his lap, at the blankets piled up there and his own coziness. “Every time I come back after an argument, or after making a fool of myself, it seems everyone has an opinion on how poorly I handled a situation. None of them really acknowledge….It must have been….”

He’d been a little confused about it, too. The trust issue.

“Janus has strung my emotions along enough for it to be fair that I don’t trust him,” Roman said, voice soft as he tried to put how he’d been feeling into words. “Right?”

That was as close an explanation as he could get to. Because it all boiled down to the trust issue, in his understanding of the situation. As much as Patton wanted him to let go of the situation, Patton was focusing on the mustache quip rather than the whole trust thing. Janus knew Roman had wanted to go to the callback. But Roman also wanted to be a good person, if that’s what Thomas wanted. Thomas wanted to be a good person so Roman also wanted to be a good person.

But when being a good person directly went against Thomas’ dreams, Janus stepped in. And sure, he argued that they weren’t supposed to be self-sacrificial, but wasn’t that a hero’s job? When did a hero ever get to keep anything before sacrificing everything? Isn’t that what made sense?

Janus didn’t even do a good job at explaining it, not until all the damage had already been done. This was different from just giving Roman the perfect set up for a theater display, this was Janus pretending that he wanted what Roman wanted. This was Janus pretending to be his friend but wanting Thomas to...be a bad person?

He didn’t understand. Maybe Patton was right. Maybe Roman just didn’t understand. And that’s what made his disgruntlement so confusing, because in his heart, Roman knew Janus was trying to help, he knew that, he understood. But then why did it hurt so much?

“Oh, honey, he’s gone way past that. Don’t gaslight yourself into thinking he’s been helpful,” Macbeth’s icy voice cut through the thoughts wrangling Roman’s mind.

The Director was so self-assured. It was comforting. He was sitting on the couch, arms crossed as he explained.

“And Patton, Logan, turning around just to say you should let it go and listen to him after he’s lied nine times out of ten?” the Director threw his head back and let out a sharp “Hah! No, your anger is rational. And defensible.”

“Why won’t any of the others agree with that?”

The Director starred at Roman for a minute. Just a little too long. His eyes seemed to press Roman into a corner, under a box. Scrutinized.

They both knew that “others” wasn’t a reference to the other Sides. The Director kept his distance from Roman’s other advisors, he knew that, but Roman didn’t know how far. The Director wasn’t the kind to just watch them, was he?

“They all have their opinions. About Disney and otherwise.” He took another drink of his coffee then shook his head, standing up, motioning for Roman to follow, “May I show you….something. Without you thinking I’m crazy?”

Now, that’s always a fairly worrying question to hear. “No, no, I trust you,” Roman said with a slight grin.

The Director must have been able to see how it waned, because he chuckled, smiled back. “I think we’re all a little zany. But that’s the charm. Phillip is undoubtedly the scariest, as much as Draco tries. The Prince, Damsel, whichever you want, has a noticeable villain complex.”

Wait, what?

The Director raised his hands in mock defeat. Showing his hands, like he were trying to assure Roman that he wasn’t being suspicious. But the hairs on Roman’s neck rose. He led Roman to the door just besides Roman’s room. When he first started visiting the Director, he explained that this was his study. Roman had never gone in. Because, you know, when you respect someone you also respect their privacy.

“I’ve only ever spoken to Marlowe, but, you know. I’m the Director of players I can never meet. I had to take notes,” he added the final part quietly.

He glanced over the combination button pad on the door. Roman hadn’t noticed that. What room would require a combination lock? And who would be….Was it to keep him out? Or someone else? Maybe the Playwright, the Director mentioned he’d been over before. Keep anyone out, it seemed.

“I….notes?” he was flabbergasted. What the fuck was happening?

“Yeah.” The Director opened the door slowly and motioned for Roman to follow.

Inside were papers. One wall was a large tackboard, photos and sticky notes and papers pinned up, connected with lines of colored yarn. Roman felt his mouth fall open as he inspected it. There were notes on all of his advisors, all seven of the others, even some of people Roman didn’t know. There was someone with four eyes. Someone with antlers. Who were they? How did this all fit together?

Why in Athena’s name did the Director have corkboard notes on the other advisors? That was a lot more than a little weird.

“I...You’re wonderful, Roman. So productive and pristine and princely, as you deserve to be. But there are some areas where you can stand to improve.” Roman was probably only processing some of the Director’s words as he rolled up his sleeves and pulled out a metal stick, one that looked oddly like a wand.

He held it in one hand, and suddenly it extended, until it was a pointer. The Director held both ends of it and watched Roman for a reaction, a response, something.

“I would have to agree,” Roman stumbled over his words a little, eyes still glued to the notes—there were some by the Child that read ‘Naive/Trusting/Problem?’—before he slowly turned back to the Director with a weak grin once again. “I mean, I might be pristinely princely, but those P alliterations don’t include perfect. No one’s perfect.”

“It may be an unattainable dream, but we’re well familiar with those. We can only strive for improvement! And when improving you and yourself, that means making changes to them,” the Director gestured up at the wall of photos, of the parts of Roman’s self, and smacked the Child’s photo with his pointer. “I actually only thought I would be reading these notes, so forgive me for any, er. Sharp language.”

Roman knew that self-improvement meant adopting new mindsets, but he had no idea that putting parts of himself into characters involved changing them as well, though it did make sense. Self-insert characters had to change if you were changing the self that was being inserted. Right?

If he wanted to improve….it made sense. He had to change himself, including the facets of himself.

“That’s fair,” Roman murmured, “Okay. These….You could take these notes to the other advisors. Surely they’d accept it?”

“At this point, I don’t know who would kill me faster,” the Director scoffed, then gestured at the Damsel’s notes, a cluster of sticky notes and drawings and photos of the Damsel at a well enough distance that it was closer to stalker-ish. “Phillip wouldn’t want competition. Marlowe agrees that he can be quite standoffish when threatened, and a newcomer claiming to be one of Roman’s advisors? Someone who doesn’t have his respect in a royal manner?”

The Director pointed to the Thief now, a even more grave expression adorning his face. “And Eric. Tell me you think he would accept a newcomer of any kind. Just tell me. Especially near Gavin. And the Child himself probably wouldn’t like me.”

Well, that sounded off. Roman leaned on the wall besides the door, back against his hands as he continued to inspect the wall. There were notes on the other advisors’ behaviors, their antics.

For some reason, Roman could almost imagine Janus or Logan doing this. It was something close to weird and something else close to endearing. Was that weird?

“Why not? Gavin’s pretty trusting.” Roman didn’t look away from the wall as he replied.

“In fairness, he might like me, but I don’t know if I could ever come around to liking him. He’s the root source of all our issues, especially our present issue with Janus, Patton, Logan. Even past issues with Remus, if I’m remembering them properly. What Gavin represents allows us to be easily swayed.”

That got Roman to look away, look down at the Director. He was glaring up at the Child’s photo with something fierce, which startled Roman enough. I mean, that was a whole child there. What would inspire this much hatred?

“Really now?” Roman wanted to know.

“He gets us to let our guard down. It’s at Gavin’s behest we take chances, but it’s that same honesty that leads us to broken promises, taking in lies like they’re candy. I don’t know what I would do with him,” the Director sounded disappointed.

That was a fair analysis. All of the advisors—the Playwright, the Thief, the Child, Bard, Artist, Dragon, Damsel, Director—they all represented different parts of Roman, similar to how the Sides represented parts of Thomas. In theory, they worked together. In practice, that was far from the truth, but Roman knew for his sake that they were trying their best.

They all oversaw different parts of Roman’s psyche, too. The Playwright, for example, was most similar to Logan in that he represented Roman’s research and organization, on a creative and egotistical level. The Playwright—Marlowe—could be trusted with knowing how many liters of blood were in the human body as well as every one of the Sides’ favorite karaoke songs, even the exact time and date they met Nico.

The Child was Roman’s belief, his ability to dream. It was fair to assume that that made him the most naïve part. Perhaps it was even a fair conclusion that the debacles with Janus were caused by what the Child represented.

Roman hadn’t thought of it like that. The last time he’d talked to the Child, Gavin, about the situation, he had seem incredibly disappointed.

He’d never stopped to ask what the Child was disappointed in, though. Was he disappointed in Roman? Or in himself? Did the Child know he was the one who had pushed Roman to trust Janus? Did….There was no way that this was….the Child’s fault. Was it?

“Huh.” Roman’s voice echoed emptily to himself. A pit opened in his stomach, something difficult to grasp. The root cause of his burdens couldn’t be his ability to dream. His dreams themselves, his hopes, his beliefs. He….he was the daydreamer, the creator. That couldn’t be a flaw, could it?

The Director watched him, but Roman hardly noticed. It was only for a few seconds, too, of stoic silence before the Director interrupted his thoughts with a huff, looked across the board. “This is quite a bit of insight at once. Maybe we should finish the movie.”

“Director?”

Roman and the Director both turned to the open doorway, the later slapping a hand over his own mouth immediately. With a flick of his wrist, the door closed quietly, clicking just loud enough for the both of them to hear. They also heard the Playwright in the living room, footsteps echoing faintly on the stone floor.

“Director?” the Playwright called out again.

“Fuck,” the Director whispered. This must have been an unplanned visit.

“What? We can just go out and say hello,” Roman said back, though his demeanor and body language spoke of worry, almost fear.

The Playwright was well known to be a pacifist. And the Playwright knew about the Director, knew about Roman knowing the Director. He was a little surprised to find that the Playwright didn’t know the Director’s name was Macbeth, but Roman knew the Director to be a man of secrets.

“He doesn’t know I….He doesn’t know you’re here. He barely knows we talk,” the Director looked around the room and pressed a hand to one of the walls, “Fuck. How are we going to get him out?”

The rock beneath the Director’s hand morphs into a doorway and he opens it. The Playwright was standing in the living room, close to the front door to the home. He looked up at them both, eyes widening when he met Roman’s. Before Roman could say anything, even think of something to say, the Playwright spoke with ease.

“Roman’s here? Thank goodness. Virgil’s come looking for him,” he gave Roman a small smile, strained but caring all the same.

“Ah.” Roman stiffened. Virgil came looking for him? In the Imagination? Why? How? He didn’t have his own passage into this space yet, how’d he get here?

He didn’t want to talk to Virgil. As supportive as he’d been, especially when it came to taking care of Thomas, there were still some areas where Roman wanted to be alone, wanted to process his thoughts alone. Virgil was...vindictive. Which was a strong word to use, but an apt one. Virgil’s distaste in Janus made it hard for Roman to form his own thoughts, which was why he often tried away from Virgil as much as Patton.

He wasn’t ready for that kind of confrontation, and the Director must have been able to tell, because he physically looked like he didn’t want Roman to go.

“I actually didn’t expect to find you here, though I’m not entirely surprised,” the Playwright must not have been privy to these feelings, glancing between the Director and Roman, shock still gracing his features.

“Really now,” the Director said, tilting his head, “Why not?”

“I just didn’t know Roman had met you, but of course, even I’m not as omniscient as Creativity himself,” the Playwright stepped closer, reaching toward Roman. “You have to come up, though. Virgil said everyone’s worried.”

Roman starred at the Playwright’s hand, unsure of what to do with the gesture. He knew everyone would be worried, on a baseline. Closed doors didn’t do well around the Mind Palace, especially his, especially after his splitting incident, but that didn’t mean he had to cater to everyone else’s worry. He was allowed privacy.

Before he formulated a response, though, the Director placed a hand in front of Roman. His smile toward the Playwright turned sour, lips pursed in a mix of thought and anger.

“He doesn’t have to go see Virgil if he doesn’t want to.” Roman felt some of the tension in his shoulder alleviate at the Director’s statement, as basic as it was.

The Playwright, on the other hand, didn’t seem to understand. He looked between Roman and the Director again, surprised even further by how familiar they seemed. There had been a fair amount of transparency in Roman’s relationships with all of the other advisors that there must be some dissonance to see him be so familiar with someone he hadn’t even expected Roman to know. Something about that surprise, the bait and switch, the lie, felt fulfilling.

“It wouldn’t be difficult to alleviate Virgil’s worried and tell him to leave again,” the Playwright explained slowly. “I’m sure, if Roman told him he wanted privacy, he would understand.”

“I’m sure, if Virgil could understand that, then he wouldn’t have tread where he shouldn’t. You can’t make him do anything.” The Director’s voice grew darker, hand unwavering.

“Make him?” the Playwright sounded so confused.

Roman was also confused where the Director’s notion came from, but it was validating to hear reminders that Roman’s decisions were his to make. But nothing in the Playwright’s tone was forceful.

For a moment, it seemed as though the Playwright would drop his confusion.

Until he took a step forward, toward the Director and Roman, with one hand outstretched. Roman didn’t know what he’d been planning, but he knew the Playwright wasn’t a sporadic man. He hated adding physicality to situations where debate and discussion could suffice. So, in hindsight, it was likely the Playwright was reaching out to make peace.

The moment passed in mere seconds.

He was taller than the Director by a noticeable few inches, so the Director bent his knees. He pushed Roman behind him with his outstretched arm, acting faster than either Roman or the Playwright could react to. The Director stuck his leg out and grabbed the Playwright by the fabric of his shirt, behind his neck. The Playwright, surprised by the sudden movements, tripped on his leg and let out a sharp gasp of surprise.

Besides them was the living room coffee table. As the Playwright fell, the Director redirected his head toward the table, shoving him away from Roman.

It felt very spur of the moment, and it happened in a true moment. The Playwright let out a scream, sharp and fearful, before his forehead collided with the edge of the metal table. He fell beneath it unconscious. Blood pooled at the Director’s feet as he stood back up.

Roman’s hands shot to his face immediately, as soon as the Playwright started falling, and he could only stare in horror at the scene. The Director, too, seemed shocked at his own reaction. He starred at his blood-stained socks for a little while, breathing heavy enough for Roman to hear. It must be the adrenaline.

“I,” the Director’s voice caught in his throat.

Roman watched. Just watched. The Director swallowed, turning around to face Roman with a mirroring horrified expression, eyes wide with surprise. “You have to make him forget.”

“What?” Roman’s voice was strained, almost a whisper, and he cleared his throat to repeat. “Excuse me?”

What kind of request….?

“If Marlowe remembers this, we’re fucked. He knows you’re here. He’s going to think I attacked him. I-I did attack him,” The Director took a slow breath, turning to look at the body on the ground before shaking his head—unable to look. “David is going to kill me.

“Make him forget. He can stay here. For a bit. We can figure this out,” he put his hands up towards Roman. “We-The other Sides’re gonna follow Virgil. We both know that. And, uh. Only Marlowe knew I was here. So we’ve got time to figure out how to, uh. Play this off.”

Roman starred at him with wide eyes. The past two days had been such a long mess, he didn’t know what to do. Physically, he could remove the Playwright memories. He’d be a blank slate of a character, only backstory. What would that do? The Playwright’s backstory was that he was the Playwright. He didn’t have some elaborate parent-death or chosen-one-esque story that he could fall back on. Poor bastard wasn’t even the one who had Roman’s memories prior.

But the Director was right, in a way. If they wanted more time to think about everything—the other Sides were looking for him? How did Virgil get in here? Why would he be looking for Roman, it wasn’t uncommon for him to stomp away from a verbal duel, why now?—then they couldn’t have the Playwright ratting them out.

When he manipulated the Imagination directly, his powers were red. Remus’ were green. It was distinctive. So when Roman sank down, put a hand on the back of the Playwright’s head, his hand turned red.

It blended in with the blood.

Roman felt vile. He had to do this, or else the others would find him. A quiet, dull part of his mind told him that didn’t matter but….he didn’t want to be found. He didn’t.

He pulled gently, as though tugging the thoughts out, and something glistened red and gold as he did. Then, Roman let it go, and it disappeared. It reminded him a little of Dumbledore pulling his own memories out in Harry Potter. Roman didn’t feel much the chosen one, either, though.

“There,” he said quietly.

The Director let out a soft breath. It didn’t sound like either of them knew what to do, to be fair. Maybe the Director hadn’t even expected this.

“I’ll….here.” The Director looked up and pointed at the wall behind the couch.

The couch scooted forward a little, enough for there to be a walkway behind it, and the room simultaneously pulled away from the couch. Then, a door formed on the wall. It clicked once, then swung open. Another room.

Roman stood still, staring at his hands—was that magic or blood?—while the Director leaned down to pick the Playwright up. The man hadn’t moved since being bludgeoned by the table.

“Under the sink in the bathroom is a first aid kit,” the Director said, voice stoic, taking the reins on the situation, “I’ll make him a bedroom and bandage his head. Then he can stay for a day or two. We must figure out what to do, about the other Sides and about Marlowe.”

That was fair. He’d only stay a little.

Dimly, Roman remembered that this was the Imagination, he mastered this world, so he could technically get rid of the Playwright’s wound. He could get rid of his memory and the wound and send him right back to his home, right back to the Artist, good as normal and none the wiser.

But….something in the back of his head stopped him. And the Director pulled him into the other room faster than Roman could overcome whatever clouded thoughts were plaguing him.

#chivalry au #roman #roman sanders #ts roman #sanders sides fic #clap clap clap clap #tw blood #tw violence #tw assault #tw blunt force trauma #tw amnesia #AND WE HIT ONE OF THE BIGGEST ISSUES IN THIS FIC #LMAOOOOOOOOOOOOOOO THIS WAS THE FIRST CHAPTER I WROTE LKGJKHJGKJGH #marlowe goes through it #its okay he needed a cognitive recalibration

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rachelbethhines · 4 years

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Tangled Salt Marathon - Freebird

This is a fairly decisive episode in the series. I personally like it, but I can’t act like I don’t understand when others say they have problems with it. Because it is very flawed.

Summary: When their caravan breaks down, Rapunzel and Cassandra wander off, where they eventually meet a couple only known as the Mother and Father, who trick them into drinking a tea that turns them into birds. Though assured that they could use magical eggs to return to normal before they lose their intelligence within an hour, the group finds out that the Mother and Father have been tricking and imprisoning innocent people as birds.

Why Don’t You Have Time Cass?

So the conflict of this episode is that Cass wants to get their quest over and done with while Raps wants to treat this journey as a fun vacation. While Rapunzel has been lollygagging up till this point, and with a good reason as we’ll find out this episode, there’s no given reason why Cass is in such a hurry herself.

There’s no overarching threat in season two, no motivating reason why Rapunzel needs to go on this quest, nor even a basic ‘ticking clock’ that the heroes have to beat. The lack of an external conflict undermines the internal conflicts that the writers want to push.

These Villains are Such Outliers in the Show That They Make the Episode Feel Misplaced

I don’t mind the central conceit of Mother’s and Father’s presence here. They are a standard fairytale trope and this is meant to be a fairytale after all. However, up till now the more the fairy tale aspects of the series was kept to a minimal. There’s zero explanation why the wider world would be full of magic and mythical creatures if someone as well traveled as Eugene was oblivious to their presence before now.

My guess is that since Rapunzel herself is magic she naturally attracts other magical things to her that normal people don’t usually experience. But that’s just a guess, it’s never explained in the show and it needed to be since beforehand magic wasn’t considered common.

Mother and Father are also out of place here because they’re played fairly straight. Other mythical and magical beings are played with a twist or are tongue in cheek about their existence. Plus, as pure villains with simple goals, they contrast too starkly with the more complex villains the show was pushing both before and after this.

There Needed to be More of This in the Show

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I couldn’t find a single image that broke down my thoughts about this scene so here, have the whole song. In my opinion it’s the best one out of season two and you could spend a lot of time breaking down an analysis of Cass and Raps characters and their relationship dynamic from it.

Or at least what their relationship dynamic should have been.

For you see, this is the only point in the series where Cass and Raps actually feel like friends. You get an understanding of why they would hang out together despite their differences. Yet this one episode isn’t enough to sell their ‘unbreakable bond’ by itself. We needed more scenes like this, more episodes that focused on them actually being friends and enjoying each other’s company, and more conflicts that that didn’t just boil down to petty jealousy in order to make their later breakup work.

Behold the One and Only Time Rapunzel Actually Admits Fault and Means It

This is why I like the episode. It’s the only one where the premise of the series works.

Cass and Raps have a genuine and understandable conflict, they feel like real friends here, and more importantly we get to the heart of Rapunzel’s issues and have her acknowledge what she’s doing wrong. It’s scenes like this why I had hope she would learn and grow and eventually come to realize how her treatment of Varian and others were wrong.

Even after this point, while she still is selfish, Rapunzel at least stops purposefully dillidalying. Oh there’s still plenty of filler to come, but from here on out it’s typically either something external holding them up or they’re on the go throughout the episode. So it does feel like she has learned something here.

Sadly this is damning with faint praise as that’s the only thing she seems to have learned.

There’s Still Holes in the Girls’ Motivations Though, Because of the Lack of Set Up

What did you drop Cass? What on earth did you actually give up for Rapunzel? You achieved your goal of being a guard and now are the personal bodyguard to the crown princess. That’s a high honor and what you’ve been wanting.

Also it’s not like there’s anything back in Corona waiting for you except for your dad, which, given that you’re now 23, it’s kind of expected to move away from him at some point regardless. I mean, if you have a close relationship with your parents into adulthood, great, but you’re typically not reliant upon them for your whole life and there’s nothing wrong with going off on your own to purse your interests and goals.

Even then, Cass winds up throwing her relationship with her dad away the same as she throws her relationship with Rapunzel away, so it’s not like he was that important to her either. There’s also no other friends nor romantic partners in Cass’s life according to season three, so, once again, what was she giving up here in season two?

This goes back to what I was talking about throughout season one, how Cass’s goals and motivations are just shifted around to suit the plot rather than having any follow through or internal consistency.

We Still Don’t Know What ‘Destiny’ Means

‘Destiny’ isn’t a reason in of itself to do something. Rapunzel being scared because she doesn’t know where her future will lead is understandable, but that then begs the question of why is she even bothering with this quest. There still needs to be an external threat to motivate her into doing what she’s doing. Either keep the rocks active, have another villain racing her to the end, or a ‘ticking-clock’ prophecy that she either can’t avoid no matter what she does or that has a consequence if she doesn’t succeed.

So Hookfoot, Why are You Just Standing There Doing Nothing?

There’s no reason why Rapunzel had to be the one breaking the eggs to free everybody. Especially since she doesn’t have hands right now and all the guys do. Even if Raps just wanted to make sure everyone else was freed before her, there’s still no reason why the other characters had to stand around doing nothing.

Also, hi Faith. What are you doing here?

So Are We Just Going to Ignore the Fact that Eugene Is Literally Right There?

Like I’m sure the idea is that, in the confusion and with helping everyone else, Eugene just wasn’t made aware of what was happening with Rapunzel, until after the conflict had been resolved anyways, but that’s not made clear and it highlights one of the core fundamental problems with the show.

Characters’ previous relationships and dynamics are ignored into order to push the focus back on Rapunzel and Cassandra and that’s poor writing. If you can’t get the audience to care about the relationship you’re writing without undermining other relationships that the characters have, than you haven’t a compelling relationship. Just an annoying one that’s going to piss off most of the audience save for the most hard core of shippers.

And keep in mind, a romantic ship isn’t even what the creators were shooting for here. They fully intended for Rapunzel and Cassandra to be viewed as sisters. If you ship Caspunzel, that’s fine, but just know and recognize that there was a lot of gay baiting in the series. Some done on accident by the storyboard artists because Chris didn’t inform them of the sister plot twist, and some put in there by Chris himself to string along Caspunzel shippers into sticking around since they were the only part of the fan base left who weren’t pissed off after the events of seasons two.

Yeah, This is a Lie

Look, I don’t mind the Cass is a villain twist in theory, there were indeed things to work off of to justify it, but it’s wasn’t built up to well enough and there wasn’t enough motivation for it on Cass’s end. I’ll get more into it as we go along, but the lack of a clear underlying goal during the conflict here undermines that other conflict later in the series.

Conclusion

I still like this episode, but I get it when others say they don’t. It doesn’t work in the context of the wider story because it’s ironically the only episode that does present the Raps and Cass conflict right. It can be frustrating to come back to this episode and see all of the wasted potential. Just like how it’s frustrating to go back to Varian’s arc in season one and realize how much was wasted there as well. The show had a lot of interesting ideas and setups that were let down by later creative decisions.

#tangled #anti-tangled #Rapunzel #cassandra #tangled the series #rapunzel's tangled adventure

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callioope · 3 years

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Okay, well, apparently now I have to START OVER from scratch because the tumblr new post option doesn’t remember the text you already entered when you RESIZE YOUR BROWSER

*insert Zuko tantrum here*

ANYWAYS let me try to remember what I was saying before I lost like five or six paragraphs of thoughts.

Thoughts on Avatar: The Last Airbender

Overall, I really enjoyed the show. The main characters were interesting and well-written, including most of the villains, and it always felt like their actions and feelings were understandable, even when they were very obviously doing something that wasn’t good for them or those around them. (Which is not to say they were justified — just that you could understand why they felt, thought, or did something.)

On that note, it also felt like their choices and actions drove the plot, and that’s generally something I’m trying to integrate more into my own writing. It’s easy to plan a story by saying the plot is a list of things that happen, but what I want is characters to shape the plot.

What do they want? What are they able to achieve in the direction of that want? How might their flaws get in the way? How might the wants and actions of other characters get in their way? Etc.

I mean, now that I’m writing it here, it seems pretty basic and obvious as far as storytelling goes, but I don’t think it always is to some writers and there’s something about writing it out and framing it in a particular way that helps me.

While we’re on the subject of character, I think most of the main characters had really satisfying arcs. Aang is very silly in the beginning of the show (and he’s a kid, of course he is), and he grows up a lot over the series (which is actually kind of sad, but apparently his burden. I was going to say the burden of the Avatar, but I don’t think that’s even true, especially considering they don’t usually reveal who the Avatar is until they reach 16 — Aang being an exception). Obviously Zuko’s arc is the most dramatic, and I’ll get to that later, but I knew where that was going and I loved every moment of it.

Speaking of knowing Zuko’s arc ahead of time — I should disclaim that I very rarely shied away from spoilers when they showed up on my dash, so I had a pretty good idea of the main plot points of the show even if I didn’t know every detail. And while I may not have been able to state a lot of what I’d read off the top of my head, very frequently as I was watching, I’d go “Oh YEAH, I remember reading about this.”

One final preliminary thought before we dive into things, but also, I had no idea how to pronounce many of the characters’ names! I’d only ever read them before. Particular ones I got wrong: Sokka (thought it rhymes with Ahsoka), Toph (thought it rhymes with loaf), and Mai (thought it rhymes with pie). Not important but just something I found strangely jarring. Toph was weird in particular because it sounded like her parents called her “Tough” but then everyone else said her name as though it rhymes with “off”.

OKAY BUT ONWARDS

INITIAL IMPRESSIONS: Book 1

Sokka

Sokka became a fast favorite! Despite his major misogyny issues, which were quickly addressed and something he grew past, I really sympathized with him early on. He has to put up with a lot! I mean, Aang is really silly and playful in the beginning and Katara often joins in. I don’t remember specific examples but if I recall, in the beginning (and actually even towards the end), he’s incredibly goal-focused and Aang keeps diverting their plans.

I’ve been told that the overall fandom of Sokka is that he’s a big dummy, and I find this baffling. Yes, he often has goofy ideas, but then often his creativity becomes incredibly helpful! He reminds me of Ron Weasley. He may not be booksmart, but he’s creative and strategic. And if you know me at all you know I love Ron Weasley. #WeasleyIsOurKing #RonWeasleyProtectionSquad

Some favorite Sokka quotes from early on:

“Oh, what, I’m not good enough to kidnap?”

“our friend is the avatar and i bet he'll fetch more on the black market”

Man, Sokka ended up having two love interests in this season! First Suki, and by the way, I was always confused about whether or not Suki was officially “part” of the crew based on the gifs and posts I saw. Sometimes seemed like she wasn’t, sometimes not. Obviously I understand why that is now, but anyways. Also I think for some reason I thought it was Toph who became the moon rather than Princess Yue. LOL! Toph/Sokka isn’t even canon but I guess I’ve seen that ship around enough I thought it was. More on Toph/Sokka later, since Toph isn’t in Book 1.

Aang

Aang is a Lot. I’ve already touched on how he’s incredibly silly and playful and the tone of the show initially is pretty goofy. It’s a kid’s show! That’s to be expected. But I really felt overly conscious of the fact that it was a kid’s show and I don’t think I would have kept watching if so many people hadn’t already raved about the show.

On the other hand, any character who decided to yell at a literal kid for “turning his back on the world” infuriated me. Like, yes, okay, that is how Aang feels already and perhaps arguably what happened, but he’s still a child, and that’s not fair to put that burden on him. I mean considering that it’s eventually revealed that the monks told Aang he was the Avatar four years earlier than usual, why would they even assume that he knew the consequences?

Katara

I did like the plot with Katara being frustrated at how quickly Aang picks up waterbending. I’ve been on both sides of that situation, and it sucks for both people. I appreciated them spending some time exploring it.

I hated Master Pakku. He only agreed to teach Katara after he saw she was his former fiance’s granddaughter, not because he had any kind of revelation that he was Wrong in his thinking. At least, that was my interpretation of that moment. Are there any other girls in his class after he agrees to teach Katara? I don’t remember seeing any.

Should I talk about shipping yet? I’m under the impression that can be a very touchy subject! Well, all I’ll say is this: seemed pretty heavy-handed in this season that Aang/Katara was the intended final ship.

I don’t have another subsection so we’ll just toss this in under Katara cuz why not: Jet is something else. SMH. I appreciate them including a character like that here, but man was he annoying. (And I know he’s supposed to be, so congratulations, effect achieved.)

Zuko!!! & Iroh

Uncle Iroh is amazing. He diverts their journey to buy a new lotus piece for his game, only to find it had been in his sleeve all along! And I really just adore how much Iroh cares about his nephew. From the beginning it’s clear that Iroh is a better father to Zuko.

This ended up continuing through the show, but I appreciated how Zuko’s story tended to parallel the story of another character (usually Aang although not always). Specifically how we learn Aang and Zuko’s backstory in the same episode.

Speaking of Zuko’s backstory, this is something I appreciate as a Well Done Redemption arc, and I know for a fact that I’ve already read posts about this but I just want to express my own appreciation for it. His redemption arc works because they show the seeds of good that always existed within him. We, as the audience, see that very early on. We see him stand up to his father’s war council and stand up for the troops they were going to sacrifice. This is *integral* to his redemption working. It’s not the only part of his story that makes it work, but that redemption arc wouldn’t have worked as well without it.

Finally on that subject, my reaction to his Agni Kai with his father: “I knew Zuko’s father was Awful, and I think I even knew he was the one who burned him, but this? This is crazy. PS: pretty sure we just saw a cameo of Azula smirking in the background!”

This was getting long, so I decided to break it into parts for each book/season.

#avatar the last airbender #avatar: the last airbender #a:tla #atla #clearly you can see i have not settled on which tag i prefer yet

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theadorablespderman · 5 years

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Everything to love about Far From Home not in this order:

Literally seeing that opening with all our loved avengers that are no more.

Whitney Houston “I will always love you” made me cry because damnit Tony’s face was right THERE! NOT OK!

The blip footage was pretty damn funny not gonna lie.

Peter’s cute ass plan to tell MJ how he feels.

MJ’s favorite flower being a Black Dalia because of the murder. Literally a girl I can relate too. Murderinos for life sister. Idk but it just made her sooo relatable!

The fact that Brad is a kid grown up from the blip and that made him seem all the weirder for MJ.

Jealous Peter was so freaking amazing! Oh my gosh! That face he’d get. I’m a sucker for jealousy and they did it so good.

Making MJ this awesome character she was before but also obviously has this softer layer where she does have flaws and insecurities and she’s really sweet but also so badass. That was amazing.

The starting relationship between Peter and Beck. It was cute and so I was sad knowing that Beck was somehow going to be the villain.

Also let’s talk about how Beck is basically Syndrom from the incredibles.

That scene with Peter and Brad....the pure terror when he snapped that picture

Also seeing how big of a dick Brad is and how unhealthy jealous he was.

“Nick Fury” getting ghosted, showing up in Venice, tranquilising Ned (don’t touch him you monster) and then promptly highjacking Peters Summer trip.

Showing the emotional trama Peter is going through. The anxiety, the greiving. It was very reminiscent of Iron Man 3 when Tony suffers from PTSD after the battle of New York. I loved that they showed Peter reacting as any kid would, many adults too, which is to just try and forget anything happened but being faced with the reality every day. So well done.

Happy and May’s relationship. Enough said 😂😂

I feel cheated we didn’t see Mr delmore again.

Addressing all the problems the Blip/Snap created. High school aging, school, drinking ages, homelessness and housing issues. That’s just the start of it I’m sure but they covered those pretty well and I love that.

The technology that made Beck into Misterio was so well done. Instead of some frankly, kinda far fetched story that he came from an alternate earth (which I was willing to believe but felt it was a cop out in terms of plot and character) they showed the real world issues that superhero’s can create. The Enemies that have a real deep rooted hatred for hero because they’ve personally been betrayed or wronged by them. Because marvel has always made clear, everyone is not on the hero’s side.

Steeping Misterio’s powers in tech which is classing marvel but again, so brilliantly done in this movie. I loved the development. Because at first glance, half way through, I was thinking “wow this is really kinda weird and unexplained and too witchcraft for what marvel usually brings to the superpower backstory” I know it’s weird to say after everything marvel has done. But it seemed just a tad out there without being too hard to grasp. Which again was brilliantly done because that was the whole point.

The nod to Misterio’s helmet even when Beck was in the hologram suit watching everything play out. I guess it was his screen? But I loved the staple of even without his big over the top suit he still had the trademark helmet. Great costume design.

Peter’s soft gazes towards MJ. Nearly gave me a cavity they were so sweet! Ahhh sooo cute

Mr. Harrington’s marital problems nearly made me pee my pants....we all knew here in the fandom that shit like that would half to happen but my god lol

The opera scene was sooo freakin cute and that one step Peter took when he saw Brad move in was so freaking cute and hot!

MJ running after him and finding the critical peice of information to crack the case wide open. Loved it.

Betty and Ned’s Sicily sweet romance that you knew couldn’t possibly last. They really nailed the realistic high school romance. But I still ship it.

The bus scene was epic. And when Peter knocked Flash out...god it was amazing.

Mj obviously having love eyes towards Peter same as he does for her.

THE FACT THAT HE ACTUALLY BOUGHT THAT NECKLACE FOR HER OH MY GOD! I CANT GET A GUY TO TEXT ME BACJ LET ALONE BUY A NECKLACE LIKE THAT WHICH PROBABALY COST A GOOD CHUNK OF CHANGE IT WAS SO FREAKING AMAZING AND CUTE AND TOUCHING.

All the iron man images got me feeling depressed as hell

“are you being serious because I was only like 67% sure?” That was amazing. Seeing MJ get so excited and trying to keep that hidden was awesome

The fact that she was so pleased with herself but also played it hella cool when Ned walked in and she said she figured it out. Literally that is me.

The shirtless Peter trope that we all wanted and freaking got! So freaking cute how she tried to peak at his abs. Like understandable girl.

The fucking illusions. Turning our sweet trusting Peter into a ball of mess. I was too.

God when he had to tell himself it wasn’t real but it still totally feels like it is.

Him trying to save MJ when she’s “thrown off the Eiffel Tower”

Every traumatizing thing Beck shows and tells him during the illusion. So shitty.

Seeing Tony’s grave, seeing iron man come out. That was awful and we all felt it in the movie because we’ve lost him too. We could FEEL that slap same as Peter.

Beck telling Peter that Tony’s death was his fault. I was abouta hurl myself at the movie screen.

Every illusion done in a way that just when you think it’s over, it’s never stopped. You forget what’s real and you feel trapped in it same as Peter does.

WHEN HE GETS HIT BY THE TRAIN!!!!!!!!!! Nearly had a damn heart attack!!!! My mom had to look over and ask if I was ok because I literally stopped breathing for a solid 30 seconds.

Showing gradually just how insane and evil Misterio was.

HAPPY BEING CONCERNED FOR PETER! LIKE SINCERELY AND HONESTLY CONCERNED! It’s good to know he’s got Happy to take care of him and May but that Peter still has a father type figure he can count on after Tony. Because you know Tony wouldn’t have put up with any of that getting hit by a train shit.

Also where the hell was Karen? We missed her. We got Edith but Karen wouldn’t have let Misterio take her over. WHERE WAS KAREN!!

Peter crying and needing to know Happy was real. Broke me heart

That hug between them was so sweet and you can see the concern on Happy’s face

Happy and Peter opening up to each other was so awesome considering their relationship in Homecoming.

ALL THE TONY and PETER PARRELLS! All of them!!!!!!!!! Not the people saying “Spider-Man’s the next Ironman” no the actual hints and glimpses at how similar him and tony actually are. The hologram gauntlet shot, a straight parallel to Iron Man when Tony is building his first real suit. Obviously “Back in Black” by Led Zeplen (formally known as AC/DC) playing. Another obvious hint toward Tony. The Stark sunglasses. Peter falling with the parachute and it literally looks like Ironman with his jet stream behind him from a distance. There’s so much more I’ll do a whole other post on.

Of course: “I love Led Zeplin!” Hahaha it’s such a kid thing to say! I’ve said it before I knew the big differences between AC/DC and Led Zeplin. It was so freaking perfect.

Peter making his suit and Happy’s face. Bittersweet and I live for the affection he holds for Peter now.

The Netherlands Holding cell...must I say more?

Brad’s downfall and MJs amazing comment about him taking pictures of people in the bathroom. Ep-ic. Even flash was like “bro that’s so weird”

Mr. witchcraft was hilarious and I loved his aside with Brad “I’m gonna be the cool teacher and tell you you can’t do that anymore.”

Flash is definately Gay or Bi and I’m so here for it. That wink he makes to Peter proves it.

All the near death truths in the vault of the tower.

MJ BADDASS COMES SWINGING WITH THE MACE AND IT WAS LEGINDARY OH MY GOD! YES GIRL! She’s my idol I love her so much.

Peter and his “Peter Tingle” And while we’re on the subject the banana he gets to the face while packing.

Important. His amazing skills at the end trusting his instincts (which is great because May says in regards to MJ, but it applies to this too) May tells Peter to trust his instincts and don’t think too much. And that’s what he does when he defeats Beck.

The bad ass “you can’t fool me anymore” after redirecting the gun away from his head at the end. Literally was so intense and well done.

Peter and MJ’s kisses! I loved how awkward it was at first and the slightly less awkward one. They really accurately captured the awkwardness of teenagers in love. Like that’s what it’s like guys.

Show me MJ’s parents you cowards, or show me something. Anything. I just want to know the nature of the situation.

Ned and Betty’s breakup. So funny and honestly not surprising at all. But still I ship them.

The hand hold. So cute.

May and Peter still being the cutest aunt and nephew duo there ever was.

I totally thought Peter was going to end with telling the world he was spiderman....BUT SOME OTHER ASSHOLES DID IT FOR HIM AND MADE HIM INTO A VILLAN AND IM PISSED. LOOKING AT YOU MR JAMESON YOU PEICE OF SHIT.

The movie ended and I have no idea what’s next.

Mid credit of MJ swinging through New York. Home girl doesn’t like and neither do I. Looks full on terrifying we don’t blame you hun.

After credit where the skrulls have been playing Maria and Nick fury for the whole movie. Honestly it made more sense because Nick fury seemed just a bit off. ALSO WHERE IS THE REAL NICK FURY at and I’m so psyched to see where this new movies are gonna go!

Alright that all for now folks!!!! Everything about the movie was great!!! I will have to watch again ad see if anything more pops up. Sorry for any spelling errors I’m on my phone.

#peter parker #marvel #spiderman #mcu #michelle jones #spideychelle #spider-man #spider-man: homecoming #avengers #tony stark #ned leeds #spiderman far from home #spider man: far from home #far from home spoilers #spoilers

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ariainstars · 4 years

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Rey Palpatine, Kylo Ren or Ben Solo: Who’s Got the Button?

Warning: longer post.

Who Is Rey?

Sigh. I can’t believe I was this naïve. Really, I can’t.

There are narrative parallels between The Force Awakens and A New Hope, of course. But apart from desert planet and droid, the parallels between Rey and Luke, which many fans took for a sign that she might be a secret daughter of his, are few.

Rey is a slave on a desert planet who collects and repairs spare parts. Her parents were nobodies. She doesn’t want to leave because it would make her lose the tenuous link she has with her family.

She saves someone she just met in a brave, crazy stunt where she proves that she is a very good pilot even with hardly any training.

She meets a kind elderly man who tells her about the Force. He is a father figure for her because she doesn’t have one, but he gets killed about a day after she met him.

She had barely known about the Jedi but finds out she has talent in the Force, so instead of going home she is sent to train with someone whom she doesn’t know and who is not very willing to do so, and not capable of being a father figure for her either.

This is Anakin to a T! And Anakin ended up being the bad guy in the end. I’m sure that watching the PT, no one who was unfamiliar with the saga would have believed he would be.

It is not a coincidence that Ben’s light sabre looked like a cross and Rey’s like a fork: that was another dead giveaway announcing that he would be the victim in this story, and she the perpetrator.

„Show me again the power of the darkness, and I will let nothing stand in our way. Show me, grandfather, and I will finish what you started.” Kylo Ren in The Force Awakens

Ben and Rey are a dyad, meaning that in one way or another, their destinies parallel one another. It was he who wanted to “finish what his grandfather started”: but it was she who actually finished what her grandfather had started. Jedi and Skywalker family are extinct; Finn may or may not be Force-sensitive, but he’s not trained. All of this leaves Rey solely in charge. And everybody cheers her, the way Palpatine was cheered when he ended the clone wars. But the dirty work had been done by Anakin; same goes for his grandson.

It all fits together too well: Rey was always meant to turn out evil, while the “bad guy” in truth was the hero all along. If you watch the Sequel Trilogy again and feel annoyed by their development, try to look at it from this perspective.

“Now, fulfill your destiny and take your father’s place at my side!” Palpatine in Return of the Jedi

Palpatine always needed someone young and fresh by his side to give him strength; which could be explained by the fact, finally addressed in The Rise of Skywalker, that he is some kind of clone. Not being capable of living on his own, he wanted Rey to kill him so that all of the darkness inside him would possess her, and he managed. Now he is reborn, and the young woman stepping into his shoes believes that the worst is behind her. The truth is that the Enemy is now an inherent part of her.

The good news is that by this time, Rey has also made the experience of unconditional love: Kylo / Ben saw her at her worst, but he still cared about her. Some viewers thought that Rey would be the key to Ben’s redemption, but honestly: that story had already been told with Luke and his father. The alleged bad guy saving the alleged heroine from herself is a new message in Star Wars; a message so powerful that I still didn’t get over it.

The Heir of Sheev Palpatine

Palpatine’s role in the saga tends to be downplayed although he is the mastermind behind it all: in the PT he is literally one of the first characters we see. It is easy to say that he was the devil incarnate who wanted absolute power - he also was a sly and influential politician, and after the clone wars he did bring peace to the galaxy reuniting the Republic and the separatists under the roof of the Empire. Anakin and his heirs could not make up for his sins because they were busy with their own and the Jedi’s.

As the audience, we want to see our heroes happy; yet their failures and unhappiness are often necessary.

Anakin and Padmé had to die so their children could grow up the way they did, two idealistic souls untainted by the Jedi’s sins.

Leia had to lose Alderaan, else the princess would hardly have had a chance to marry the scoundrel.

Luke had to lose his home with his uncle and aunt, else he wouldn’t have agreed to come with Obi-Wan in the first place; and he had to go through the trauma with his father’s revelation to become the wise and strong hero of Return of the Jedi.

And sad as it is, Ben had to spend almost all of his life in a dark place. The few moments of understanding he had with Rey in TLJ were probably the few rays of lights in his whole adult life; no wonder he fell so deeply for her that he would literally have done anything for her; he had to become a besotted idiot who saved the girl he loved although she had literally killed him and usurped his whole heritage.

Meaning: Rey was always meant to take over.

This is not only the story of the Skywalker family, it’s also the story of a galaxy in desperate want of balance and peace. And if you want to tell how that is accomplished, you can’t erase Palpatine from the equation. Palpatine is a “clone”, i.e. he is not wholly human; which makes him a parallel to Anakin who ostensibly had been generated without a father. Rey, flawed as she is, is a young woman of flesh and blood.

The Prequel Trilogy humanized Darth Vader; the Sequel Trilogy did the same with Palpatine. Few viewers expected this because one hardly gets interested in the villain’s bloodline. Vader’s portrayal as Anakin Skywalker in the prequels was also largely disliked because the young man was everything but cold and sardonic like the villain he became later. And as many viewers did not like to see “their” Darth Vader humanized (portrayed as a good little boy and then an ardent, stormy young man), now we don’t like Palpatine coming back in form of a young woman, who for sure is deeply flawed but not by far the monster he was. Palpatine always wanted to use Anakin’s, the Chosen One’s, power for himself; and with his final plan he managed to blend his heritage with the soul of the last Skywalker scion.

The Heir of Anakin Skywalker

Vader had to become Palpatine’s ally and to serve him loyally to make the old devil let his guard down enough for him to kill him at last, just like Kylo had to fool Snoke that he was still on his side while in the Throne Room he was silently plotting his demise. Anakin always was the hero of the Skywalker saga, a fact that is largely overlooked. His son pushed him to do the right thing, but the decision was his own, and he paid with his life.

Many fans of the Original Trilogy and also of the prequels dislike the sequels heartily because to them it “retconned” or “cancelled” what had happened before. Which is not quite true; the original heroes did find their happy ending. We witnessed what came after that, which irritates us because it’s something we usually never face once the credits roll or the book covers are closed. That does not mean that the heroes’ accomplishments are obliterated.

My guess: these fans might be right and the Skywalker saga is indeed at its end with Return of the Jedi. The saga was Anakin Skywalker’s story, and he died.

What did not die was his heritage - his sins, his excruciating pain, but also his heroism, and his prophecy as the one who would “bring Balance to the Force.” The mistake of his heirs was having wanted to go back to what once had been. Their links to the past were tenuous, e.g. we never learn how Luke came to know what had made the Jedi fail (the content of his second lesson to Rey); in any case, he must have learned it only after the fall of his own temple, in order to explain why he wanted to give up on the Jedi. Obi-Wan never told about his own faults, the clone wars, the Republic, the creation of Darth Vader; most importantly, he never mentioned to Luke that his father actually was the Chosen One, and that the Force wants Balance. It is not surprising that Luke and his friends could not build lasting peace, not knowing what had caused the conflicts. They had to fail; “failure is the greatest teacher” means that only from understanding and moving away from those failures the galaxy will (hopefully) finally learn to avoid repeating the Empire, the First Order, the Final Order etc. over and over again.

I also did not like very much what the sequels did to the heroes of the original trilogy, honestly. But had they survived, found together again, and or proven more heroic and less flawed than they were this time around, the general audience would never have stopped pestering the studios with wanting more of Han, Luke and Leia. And that’s not how it’s supposed to be. They’ve done their time; they had their happy ending. They had their hero’s journey. They ended the Empire the way they wanted, their achievements were completed. It is up to the next generation to learn from the past and build something new and better. We, in our everyday life, also have to bring the people we once looked up to (parents, teachers, mentors etc.) down from their pedestal and to acknowledge the good they did but also see their failures and limitations, if we ever want to get on with our own lives.

In this light, the Sequel Trilogy is indeed not part of Anakin Skywalker’ story. If Ben is brought back and stands good on his promise of finishing the Chosen One’s work, then it will be a new saga - his. Not his grandfather’s any more.

Though a Palpatine, I believe Rey does have the potential for finding balance and unite the galaxy. If Ben, her dyad, comes back to do his part, the galaxy will be again under the rule of two powerful Force users the way it was when the OT begin; but this time they need a chance on something united and positive.

Balance At Last?

The authors repeatedly stated that the sequels would be “very much like the prequels”: not incidentally. The prequels also were the story of a usurpation, where at the end everything that was good seemed forgotten or turned into the hand of the wrong person.

This sheds an interesting light on the next trilogy: by this logic, it ought to mirror the original trilogy.

Whatever you can say about the Star Wars saga, it never repeated itself. It has recurring themes, which do not run in circles but in spirals; like in any family, or political system, the lessons not learned always demand their price.

All of this is not to say that I like this ending. The Rise of Skywalker mostly is so dissatisfying because being Episode IX it ought to have been a definite ending, but it does not feel like an end. It feels more like a new beginning, or an interruption of a story that was largely not yet explored. The new heroes have wrapped up the past, but what about the galaxy’s future? A future that has maybe already begun with the Mandalorian’s mysterious adopted Child, who symbolizes faith where Yoda was all about (avoiding) fear?

Rey and Baby Yoda both are two younger and more innocent versions of someone we are very familiar with; and they are both paired off with someone who becomes a redeemed version of a familiar villain - Rey with Kylo Ren / Ben Solo, who is reminiscent of Darth Vader, and the Child with the Mandalorian, reminiscent of Boba Fett. Also, the Child knows Force healing, the way Rey does.

It seems to me that this must be announcing a continuation that fits to it all and brings the loose strands together. If the Force is at work, then it knows what it’s doing.

Luke was always one to give people a second chance: in A New Hope, we see him befriend literally anyone who is willing to go along. Star Wars is all about getting another chance. Are we really supposed to believe that Ben Solo is gone forever, and worse, that he deserved no better than dying after sacrificing himself for the girl he loved? Did Luke Skywalker in person come to Crait, sacrificing his life in the process, to give his nephew a second chance only for him to disappear never to be seen again?

Ben and Rey being a dyad means that they mirror one another, in every way: what happened to one will happen to the other too, eventually. The iconic “You’re not alone” is so powerful because it comes from a person who knows damn well what loneliness means. If Rey finished what her grandfather started, then so must he. When the Republic fell everybody also believed Anakin to be dead; he wasn’t. and when Han left Luke and Leia towards the end of A New Hope, they did not count on him coming back; but he did.

The next trilogy is not yet announced but it has been known for years that it’s in the cards; thankfully it’s in the hands of Rian Johnson, who already proved that he can tell a masterful Star Wars story; and who reintroduced the subject of Balance again. I still hope that this image was a foreshadowing, not an empty promise.

The ST doesn’t really make sense - not yet. That doesn’t mean it won’t make sense when the rest of Rian’s story is told.

“Hope is like the sun… If you only believe in it when you see it, you will never make it through the night”. Let’s keep our hopes up, fellow Reylos and ST fans. 😉

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calliecat93 · 3 years

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Top 15 Star Trek TOS Episodes (Part Two)

(Part One)

Continuing from the last post, here are the remaining seven episodes~! Also picking Number One was SUPER hard. I was stuck between it and two for a long while. But I finally picked, so here we go!

#7. The Trouble With Tribbles

Up to this point, I hadn’t been crazy over some of the goofier episodes of Star Trek. Shore Leave was a mindscrew that left me uncertain about what was even happening by the end, though my opinion has lightened up upon looking back. The Squire of Gothos had a villain that I found far more annoying than entertaining and it remains one of my least favorite episodes. The only more silly one I did like was I, Mudd which remains an utter laugh riot once everyone acts as illogical as possible, including Spock. But then this episode came along, and Dear Lord it is hilarious. Our heroes stop at a space station, but it’s also occupied by Klingons. But wait, it gets better! A sleezy guy convinces Uhura to buy a Tribble, these little puff ball things that are kind of cute... until they begin to reproduce so rapidly that they infest the ship and base. To put it simply, it’s not a good time for Kirk. Honestly Kirk is the best part just because of how much he LOATHES every single thing about this episode. The scene where a whole bunch of Tribbles just topple over him and he just resigns himself to his fate and later his epic death glare at Bones when he orders him to figure out what killed the things. And then there’s what makes him come aorund to them, their shared hatred of Klingons. Seriosuly, Kirk is just So Done in this episode and it is amazing~

But seriously, it’s a very entertianing episode. Far more than I thought it was going to be when I read the description. It’s not an episode taken seriosuly, but not in the ‘they just gave up’ kind of way like in certain S3 episodes. The cast seem to be legit having a fun time with this one. The brawl between Scotty, Chekov, and a few other guys against the Klingons was super fun as was Kirk sulking when Scotty revelas that he got provoked over the Enteprise being insulted and not the captain. Poor Jim XD Cyrano Jones was also just a fun delight with how scummy yet amusing he is. The scene with him and the drinks during the brawl had me laughing so much XD Seriosuly there’s just so many good moments. Spock not being immune to the Tribble’s comforting effect and being embarassed at this revelaiton, Spock and McCoy’s snark, the Klingons utter horror at the tiny little furballs, it’s just an entertaining ride from beginning to end.

Not anything to really note flaws wise to justify the ranking. It doesn’t have that emotional or philosophical umph that I normally seek out in shows like this, so it’s here at seven. But that ain’t a bad thing at all. Not every episode has to have deep meanings or complex stories. Sometimes it can just be something fun and amusing, and the effort was still there to make it entertaining. It’s one of those episodes that I would watch above the others on a bad day just so I can laugh. Probably the most fun episode I have on this list, and that’s nothing to snuff at~!

#6. The Doomsday Machine

Our heroes find a Starship where the only survivor is Commadore Decker, his crew having all been killed when he beamed them to a planet that a planet destroyer... well, destroyed shortly after. The destroyer is still active and now the Enterprise is in danger. As Kirk remains on that ship, Decker is determined to destroyt he doomsday machine once and for all, including taking command of the Enteprrise and risking their lives to do so. Yeah, this is a pretty intense one. Decker, while his sucicdal actions were wrong, is VERY sympathetic. His crew was killed through no fault of his own, the machine that did it is still loose, and the losses have left him utterly broken. He’s very much traumatized but as he is the highest ranking officer and they can’t officially prove that he’s too mentlaly unfit to be relieved (which imo is idiotic cause even someone who isn’t a psycologist can tell he’s mentally unfit, but whatever), they can’t do much to stop him. Spock DOES finally manage to do so, and it leads to Decker’s ultimate choice that leads to his tragic end.

This one really gripped me. There’s this tension throughout. We have an unstable, suicidal man taking control of the Enterprise and willing to get them all killed to stop the doomsday machine. It’s scary to see how broken the man is. Again, he’s wrong to be willing to sacrifice everyone on The Enterprise to destroy the thing even though none of them want to die, but you understand why. I mean imagine if that happened to Kirk, he’d probably snap too if his actions in Obsession is any indication of how he handles major losses like that. Then we have Decker’s final act. Once relieved of command, he steals a shuttle and goes at the machine himself. He knows that he’s going to die and accepts that fact if it means some chance, any chance of destroying the machine once and for all. While he fails to destory it, he DOES give Kirk the opprotunity needed to do so with the ruined ship. A move that almost gets Kirk killed, but still Decker’s act was not in vain. It’s a very interesting character study with themes of guilt, trauma, and desperation. Kind of like in Obsession in a way, only Kirk manages to survive and pull himself together before it was too late. Decker’s only goal was to take down the machine that took his crew’s lives, even if that meant losing his own.

As I said, these are the kinds of episodes I live for. I guess self-sacrifice is also genetic consideirng what happened with his son in The Motion Picture, haha. Flaws... ugh... I guess McCoy disappeairng after the first half sucked? But that’s a me thing that doesn’t affect anything. I just remember watching it wide-eyed despite fully well knowing that everyone I cared about were going to be perfectly fine. It really gripped me! A great episode with great character exploration and themes which for a one off character, is pretty dang impressive!

#5. Journey to Babel

Meet the parents epidsode! Yay! The Enteprise is transporting various ambassadors of various planets to the Babel Conference. This includes the Vulcan Ambassador Sarek and his human wife Amanda, aka Spock’s parents. Yep, it’s time for some good ol’ fashioned family issues! Sarek wasn’t exactly happy with Spock choosing Starfleet and their relationship has been strained ever since. But when Sarek has severe heart problems, the only way to save him is via blood transfusion with Spock the only one compatible. But to make it worse, Kirk gets stabbed and put out of comission, forcing Spock to take command... at the same time that his father needs the surgery. Yeah... it sucks to be Spock in this episode. I know that Sarek is a bit divisive, but I like Spock’s parents. Sarek comes off as good at his job, but not great as a parent. He’s far fromt he worst and we do see that he does seem to still care about his son, he’s just God awful at admitting it and his previous mistakes. Like father, like son I guess. Amanda was a delight, especially when she tells McCoy about the sehlat aka giant teddy bear. Anyone who can make Bones smile that big deserves our thanks. Spock trying to make it less embarassing only made it funnier XD But back on topic, they come off as interesitng characters. They ain’t ideal, but they seem to genuinely be in love, which is nice.

Spock was just great here as we see him in one of the roughest spots he’s been in. He’s naturally not happy about being around the father that cast him aside again, though after his heart issues it’s clear that he IS concerned. Leonard Nimoy once again does such a fantastic job at having Spock express so much but without breaking character. It’s all in the eyes and the strained tone of voice. Then when Spock is more than willing to go through with the tranfusion, Kirk is injured. He has no choice but to take command, knowing that in doing so his father will die. While he COULD give command to Scotty, with the VERY intense circumstances of an assaliant on board and a ship ready to attack wit a number of ambassadors on board, he’s the best bet in handling it. Amanda is of course upset and even smacks him which IS overly harsh, but she’s about to lose her husband and her son, despite clealry hating the fact, has to place his duty above all else. Sarek dying is the least worst outcome to everyone else being killed. It’s the most logical route. Fortunately Kirk is able to pull himself together long enough to take over and the transfusion goes through perfectly despite the fight making it more difficult. Which again, McCoy is the true MVP here for managing to pull that off successfully under those conditions and Thank God that the episode rewarded him by letting him finally get the last word. He earned that one!

It’s such a great episode for me. Family drama, Spock conflict, political tensions, and just some relaly fun bits. Seriosuly, the teddy bear bit will NEVER stop being funny. Hoenstly these last five were all pretty tight and this ende dup here cause the other four had just a little bit mroe to keep me invested for reasons. Spock and Sarek don’t really reach a resolution but we do see that it has the chance to improve, and the movies do show that Sarek DOES truly care about his son and even admits that he had been wrong. It takes a lot for a man, even a Vulcan man, to do that. Although I DID double take when I realized that Sarek is played by the same guy who did the Romulan Captain in Balance of Terror. Guess he was that good XD. But yeah, a really great episode and very much my favorite Spock-centric episode.

#4. The Empath

TRIUMVIRATE FEELS BABY~! Our heroes end up trapped by a duo of aliens and encounter a mute empath woman that McCoy names Gem. They try to figure out how to escape as the aliens known as Vians plan to use them for an experiment as they have others. Shenanigains happen while elad to Kirk getting totured p, and then given the ultimate sadistic choice in having to decide if either Spock or McCoy get tortured to the point of either death (McCoy) or permenant brain damage (Spock). Now the episode has it’s issues, like why the Vians needed to do this to decide that Gem’s people were worth saivng is..l really baffling. But I’m also not a Vian so what do I know anout their mindset? But due to those kinds of plot holes, it landed here at four. It also kind of reads like a hurt/comfort fanfic, which isn’t a surprise when you find out that this was written and submitted by a fan. Which is freakin’ awesome and I can’t complain tbh cause it’s a good hurt/comfort fic. What it fails in some plot tightning it succeeds at in emphasizing the relationship between the main trio and it’s themes of emotion and self-sacrifice. Because OF COURSE that would be relevant for these three numbskulls at some point!

The second half is really what sells it. Kirk of course can’t make a choice like that, so Bones hypos him so that he’ll be spared of it. But that means that Spock is in command and he fully intends to hand himself over to the Vians to spare the two. Just the scene where he looks at Kirk, knowing that it’ll likely be the last time he sees him and Gem touching him to feel his emotions. Her smile sums it sll up. Which sidenote, the actress for Gem was freakin’ fantastic in how she displayed so much emotion and character without saying one word. Excellent acting. Anyways, Spock’s plan seems full-proof... except that he forgot that he’s dealing with McCoy, who promptly hypos him as well and sacrifices himself to the Vians. That was when McCoy became my favorite character, the moment he chose to be tortured to near death to save his two best friends and an innocent woman and even took the time to try and comfort her before being taken away. When we see the ifnal result and are greeted to DeForest Kelley looking at the camera with the most dead expression that he can muster... yeah the image STILL haunts me. Then Bones is dying with the two unable to do anything but try to give him some comfort and Gem is just so distraught and... heah this episode mad eit this high simply because it hit the emotional beats perfectly. That’s not even going into Gem trying to heal him to drive home the themes of the episode, also done VERY well.

This episode really shows how much the three care for one another. They’re all willing to be tortured and die to spare the other two. Ultimately McCoy gets the ‘honor’, but Kirk and Spock were absolutely ready to throw themselves to the fire. The characterization, interactions, and dynamic are just done so well that it’s why I can forgive the plot issues. I’m a sucker for feelings okay?! So yeah it’s not perfect but what it got right it got right. As such, it managed to land here at Number Four with only those plot holes keeping it from Number One. And trust me, I was tempted.

#3. The Tholian Web

Season 3 hadn’t been doing it for me with only one or two episodes really getitng my attention up to that point. This one though? This was the best episode in the seaosn bar none. Our heroes end up in a subspace where they find a starship and it’s crew all dead. Whien they teleport back to The Enterprise, it disappears... and takes Kirk with it. Okay, doesn’t sound liek anythignt hat new right? Kirk goes missing, the crew have to deal without him and find him as quickly as posisble. But this one has a bit of a twist... they cut Kirk out completely. Yeah, from the moment he vanishes in the first act to the very end he is out of the episode. Not only does the crew not know what happened to him, but neither does the audience, this ramps up the fear and emotional weight big time as the longer the crew is int hat space, the influence of it drives them to insanity. Bones wants to get out because of this, while Spock is unwilling to leave Kirk if he is alive. Needles to say, things go off the rails quickly.

With Kirk out of the equation, we keep our focus on Spock and McCoy. Their arguing is probably at the most personal it’s ever been with Kirk seming dead, the crew losing their minds, and it looking more and more uncertain that they can both treat the crew and ge tout alive. While one can say that McCoy may be too harsh here, I think along with the space affecting him in a less intense way, he’s also stressed from all the patients as well as his grief about Jim. Spock is the only one that he can take it out on, especially since his chocie to not leave is why they’re now int he mess that they’re in. Spock is trying to perform his duties despite the hostilities and his own grief that he’s trying to keep a grip on with all the responsibility of the crew and whatever happens due to his choice firmly sititng on his shoulders. What finally starts to get them to resolve this? A tape that Kirk made for them in the event of his death. He gives them his confidence that they can perform their duties withiut him, but that they need to lsiten to and support each other. They CAN go on without him. It’ll hurt but they’re now all that they each have and they need to work together now more than ever. It’s a sobering moment for both with McCoy realizng how ovelry harsh he had been and Spock expressing genuine grief. They do still bicke rone more time, but McCoy catches himself before it goes too far, apologizes, and Spock simply says what Jim would: “Forget it, Bones”. Cue Bones fainting like the Southern Bell that he is, haha!

Now of course Kirk is alive and they manage to save him and get out of the situation fine. But I just loved this because of the focus on Spock and McCoy without Kirk. Why? Because Kirk is the one thing that can unite them. It’s not the only thing, but if anything can make them get over their disagreements quickly, it’s Kirk. So what happens when it looks like he’s gone and never coming back? How will the two deal with it now that that balance is gone? They don’t deal with it well, being at each other’s throats until they see that tape. But it DOES show that if they did lose Kirk, they CAN work together and go on. Like I said, I adore these two’s relationship and while not as slashy as All Our Yesterdays, this is such an excellent one for that relationship as we see that yes, they will bicker but they will also be there for each other when it all comes down to it. It’s such a great episode for that reason and the plot was just well done. Like I said, casitng out Jim and leaving us unsure of what happened to him was an excellent move for this one and I enjoyed the exploration that it allowed.

#2. The Immunity Syndrome

Out heroes are scent to investigate what caused a whole solar system to disappear just as they also receive a message from a Vulcan science vessel. Unfortunately, Spock senses he vessel’s destruction and the Enterprise finds itself against a giant space amoeba that will devour everything unless stopped. That may not sound like much, but it leads into what I think was the most intense situation that the Enterprise has been in. Everything, and I mean everything, is pushed to their limits here. This amoeba can outright destroy galaxies and utterly mindless, so there’s no reasoning with it. But it gets especially tense when, in order to understand exactly what’s going on, Kirk has to send someone in the space shuttle to observe, but in doing so, he’s sending someone to most likely die. And his choices? Either Spock or Bones... yeah.

This is what makes this episode great. Spock and Bones are already on rockier than usual terms due to McCoy treating the Vulcan deaths more like a statistic while Spock sensed all of it outright. That itself is an interesting observation on how we treat these kinds of things, not really understanding how horrific it is unless we’re involved in it outright, otherwise it’s sad and unfortunate but just another number. But then we have the suicide mission. Bones originally volunteers himself, after all he’s a doctor and would have the knowledge to make the necessary observaitons and likely the most fit for it. But Spock is not only also perfectly capable even if not specialized in medical science, but he’s also more fit physically and emotionally to undergo the risk and come out alive. In the end, Kirk picks Spock and McCoy ain’t happy about it. The scene with Spock about ready to go with McCoy still unhappy even when Spock asks him to wish him luck. He does... once the doors have shut and Spock can’t hear him anymore. It’s a very strong scene and it only gets more painful when it looks like Spock is truly going to die and his final words are that McCoy should have wished him luck. Bones’ face says everything.

The episode is just excellent. Great character moments. Great emotional weight. Great stakes that keep going up and up and it truly feels like the darkest hour for the crew. Kirk and Spock outright begin to record their respective final words. Even they’re convinced that this is most likely the end, which is just... dang man. I couldn’t look away during this one. They hit everything perfectly with pretty much everything. If I have any issues, none of them come to mind. It’s just an excellent episode and the best of Season 2. I had a REALLY hard time picking between this and my Number One for the top slot. The top one just had a little bit more emotional impact to get it, but it just barely topped this one. Regardless, it is still an excellent episode and one of the best by far. But what is Number One? Well...

#1. The City on the Edge of Forever

Yeah, yeah, obvious pick I know. I normally don’t go wth popular opinion... but sometimes it’s that way for a reason, and this one I can’t argue about. When McCoy gets badly drugged on accident, he goes into a derranged state and beams onto a planet. The crew is unable to stop him from entering a portal known as the Guardian of Forever that sends him into the distant past where he does something to change histry. In order to figure out what changed and to stop McCoy, Kirk and Spock travel into the 1930’s a few days earlier to cut him off and must now navigate their way though the time period where they end up at a soup kitchen run by a woman named Edith Keller. Which Edith is an excellent character. She’s kind, optimistic, charming, hard-working, ad caring towards those who need it. Kirk ends up falling for her, and... it’s legit really cute. Kirk isn’t being forced to make out with a woman or doing so for information. We see how Kirk is when he genunely likes someone, having been drawn to Edith’s optimism and hopes for a better future. A future that he is from and knows will be reality. He’s really sweet and it’s just cute... which makes what happens at the end all the more tragic.

The 1930’s were fun with Kirk trying to come up with an excuse for Spock’s ears having me dying from laughter. The acting was excellent with DeForest Kelley as drugged!Bones especially being both crazy and scary. I quit doubting that he played villains in Westerns after this episode, haha. But of course Spock soon discovers that the change that McCoy is to make is saving Edith form death, and in doing so she leads a pacifist campaign that delays America’s entry into World War II and... well, things go badly. They are in a time where sadly optimism and peace are simply not options, which is even crueler. In order for time to be restored, they have to let Edith die. Kirk is horrified by this and when the time comes (sidenote, the Triumvirate reunion is utterly adorable), he just grabs Bones, keeps his back turned, and can only listen as Edith screams and is killed via car colission. Whatever grievances I have about William Shatner, he absoluteley nailed Kirk’s utter heartbreak and pain as Kirk just looks utterly boken. His final wordds after they return to the 23rd Century simply being a bitter “Let’s get the Hell out of here” sums it all up perfectly. Bones’ horror at it, especially since he DID have to watch it and him being upset at Kirk is also heartbreaking as he asks him if he knows what he just did. Spock can only somberly inform him that yes, he does.

It’s one of those cases where I wish serialization was more of a thign cause DAMN this is some major emotional baggage for everyone but as per usual. It happens and they go on from there with no lingering development. I guess if I had to complain, that would be it but that’s jut the nature of these shows at the time. Kind of feel like Bones getting as bady overdosed as he did pretty much got forgotten after they enter the 1930’s, but I also know nothing about 23rd Century drugs so... ah well. But the rest of the episode is so good that I can forgive those issues and they clealry did nothing to impact the placing. It had a storgn story, great emotion, great acting, great pacing, and a heartbreaking but fitting ending. The episode has a LOT of history behind it’s making that could be a post all it’s own, but no mater how this episode came to be, it is very much the best of Star Trek TOS. It was fun yet sad and had me gripped form beginning to ed and just htinkign about it now still makes me sad. Thus, it earns it’s place as my favorite episode of Star Trek TOS.

And we are done! There were a lot of really good episodes and some i REALLY did consider. A Piece of the Action, The Enemy Within (that was skipped for... certian reasons), Is There in Truth No Beauty?, This Side of Paradise, and plenty of others that I enjoyed. There were others I.. well, didn’t, but I can’t recall outright hating anything. Regardless I came in apathetic at best, and I left a fan for it’s characters, interesting ideas, and I just had a lot of fun. It’s outdated in many ways, but still relevant in others. Overall, I’m glad to have finally watched it, and I hope that I enjoy TNG just as much. But if not, I’ll always have this~!

(Image Source: TrekCore TOS Gallery)

#star trek tos #callie reviews

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queen-of-the-avengers · 4 years

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For Better or Worse

Characters: Vampire hunter!Peter Parker x Vampire!Reader

Word Count: 2,024

Warnings: kind of fluff? but mostly angst, vampire shit

Summary: There are vampires and vampire hunters. Vampires fear the Parker and your families. They’ve taught you everything you need to know. But there is one thing they don’t tell you... what happens when one of you turn into one?

Squares Filled: vampire au for @marvelredteambingo // “i don’t believe you” for @spider-man-bingo // gods and villains for my first card of avengersbingo // hero complex for my second card for @avengersbingo

Author’s Note: If you have any requests, please send them in! This is unbeta’d and any and all mistakes are all on me.

Feedback the glue that holds my writing together

Tags at the bottom

The world is a dangerous place. There are creatures that run amok that only cause death and destruction. Yes, you're talking about vampires. They are creatures of the night with a thirst for blood. Your family has been hunting them for centuries. What you know, you've learned from them. You've killed approximately ten vampires in your life, all of them bloody and violent. You've never met one who was actually nice or wasn't thinking about blood.

You know everything there is to know about vampires. Your family taught you how to kill them, but your best friend taught you how to understand them. Peter has been there for you ever since you could remember. His family and yours are notorious vampire hunters. Even non-vampires fear you.

It was hard growing up and transferring to different Schools. People were scared to make friends with you because they knew what your last name meant. Teachers wouldn't fail you in fear of getting fired, lunch lady's gave you the best food because they knew what kind of weapons your parents had. The principal let you get away with almost anything. Everyone treated you like you were the monster; All except Peter. He treated you like an equal.

Both your families moved around together so you and Peter were always together. He made life bearable. He's the one to show up on your dates when you got stood up. He’s the one to go shopping with you when the other girls wouldn't. He was even your Prom date when no one asked you. He's the best thing to ever happen to you, and you don't know what you'll do if you ever lost him.

Speaking of, you're on your way to his house right now to binge-watch whatever's new on Netflix. It's dark and late, but you're only a few blocks from his house. This is the perfect time for vampires to strike, but you're not worried one bit. Your mom would kill you if she knew you left the house without any protection. but vampires knew better to stay away from the town where the Y/LIN and the Parker clan live. Your families pretty much ran the vampires out of town and scared the remaining ones in to not coming in. Plus, you're two minutes away, and then you'll be safe in the arms of Peter.

The alley you're in is dark and gloomy, but you see the light at the end of the tunnel. Once you pass through that, Peter's house is only a block away. You're halfway through the alley when you hear someone scratching their nails against the dumpsters. You look back only to see no one there. You just want to get the hell out of here, so you turn to run, only to smack right into another person--man.

"Where are you going?" he sneers.

Years of kicking vampire ass and long-ass training sessions with your family made you prepared so that you can kick anyone's ass, including this "tough" man. However, when he smiled, you can see the moonlight shimmer off his newly cleared fangs.

Shit.

"What? No witty comeback about how I need to savor this moment because you're going to kill me?" he laughs. "What about you telling me that your hunter friend lives right around the corner so he's going to come save you? Hmm?"

"You must not know who I am. I'm part of the YI LIN family. And that "friend" you mentioned is part of the Parker family."

You didn't know what to do since you have no weapons on you. You just hope he's dumb--or smart-- enough to run away.

"I know," he laughs. "I watched you leave your house... weaponless. Your friend, well, one of my friends is making sure he's distracted enough. Don't worry, she won't hurt him too much. Now, It wouldn't be fair to kill you without giving you some kind of edge. I'm a vampire, not a monster. So, I'll give you to the count of ten before I sink my fangs into your neck," he lets go of you. "One, two, three..."

It takes you three seconds to realize he's not joking. You take off running as fast as you can. All those training hours at the track better not fail you now. You're not sure how much distance you've made, but you're not about to look back now.

"Seven, eight, nine, ten," the vampire grins.

He's on your ass in a second, and he drags you back into the alley. You scream for help, but he's clasped his hand over your mouth. His chest is pressed to your back, and that gives him perfect access to your neck. Curse you for putting your hair up. He leans down really close to your ear and speaks with hatred.

"I was going to kill you, but your family has put mine through so much pain. You think you know what a vampire is? Reading all those books has got you prepared, huh? Think again. I'm not going to kill you. I'm just going to turn you."

He sinks his fangs into the side of your neck. Pain flourishes from the initial site and spreads a burn throughout your body. You squirm and thrash in his arms, but he's got you pretty locked up. He takes enough blood from you to keep you calm and still, then he shoots his poison into your body. Each vampire stores enough poison in their fangs to turn one person each. Turning humans into vampires is so uncommon because vampires save their poison for people they love and want it. Turning someone out of spite is n't unheard of, but it’s unlikely. You guess you're just one of the unlucky ones.

The vampire pulls away when he's finished, and your blood drips down his chin deliciously. You drop to the ground with a loud thump, but the vampire just stares at you. He smirks and takes out a white handkerchief to wipe away the red crimson. Only until there is no more white left to be seen on the small cloth does he drop it next to your body.

"Let's see how well you do as a vampire. You think you know us, but you don't. None of you do. Now, you're going to see what it's truly like to be one of us," he finishes and walks away.

The alley is quiet, no one is coming to save you now; not like they could if they wanted to. The damage is already been done. What little blood you have left seeps onto the ground in a pool next to your head. All is quiet until a few seconds pass. The wound on your neck starts to heal itself as the poison works its way through your body. Every imperfection you thought you had goes away as the poison tries to correct what's been flawed. Your hair becomes fuller and shiner, your body becomes thinner and toner, your eyes become a shade brighter, and your blood becomes that of a vampire's.

You take your first breath in ten minutes. The world is different than what you knew. Everything Is brighter and clearer. You can hear things from miles away. You can smell things that have been buried deep within the earth. Everything is changing for you, especially your bloodlust. You turn and go back the way you came. There has to be something you can eat. The good thing about being a hunter is knowing where and how vampires get their blood. The bad thing is you're no longer a hunter.

You never made it to Peter's house.

Being a vampire isn't what you were expecting. Everyone has always said vampires are ruthless monsters, but you don't feel ruthless or monstrous. In fact, you feel like yourself only with heightened senses. While you do have a craving for blood, the people you've been staying wins have shown you ways to drink blood without hurting anyone.

You were kind of nervous to talk to other vampires because of who your family was, but they were all so welcoming. There is a rule that it doesn't matter where you come from, you'll always be accepted. You didn't know this was a rule. There's a lot of things you didn't know. The vampire who turned you is n't speaking to you, but it's a good thing. You don't know whether you'll thank him for turning you or strangle him.

While you're still getting used to drinking blood now, your life isn't all that different. In fact, you're a better person than you were before. Vampires have all these amazing powers and abilities that you use them to help. For example, you volunteer at the hospital now since your blood can heal others. It can 't heal major diseases like cancer, but you do what you can.

Being a vampire isn't all that bad. They aren't monsters, just misunderstood.

Now all you have to do is tell Peter and you're good. Fuck telling your parents. They've been lying to you ever since you could comprehend what the word "vampire" meant. You can 't keep this a secret for much longer, so you’re on your way over to his house right now.

"Oh my God, you're alive," Peter says when he lets you in.

"What does that mean?" you ask nervously.

Did he somehow find out about the attack?

"You've been MIA for a couple of weeks. I finally see you only when you want to talk. Is everything okay?"

"Yes and no. look, there is something you should know. I'm not sure how you're going to take it, but please don't hate me."

"YIN you're scaring me. What is it?"

"A few weeks ago when I was supposed to come over for Netflix night, I was attacked. By a vampire."

"What the fuck? Are you okay? Why didn’t you tell me?" he exclaims.

"I want you to know that I'm okay. Nothing about who I am has changed," you beg him to listen.

"YIN, what happened?" he asks slowly.

"Maybe we were wrong about vampires. They're not monsters. We only thought that because that's what our parents taught us. We don’t know them."

"You were turned, weren't you? I don’t believe you," he voices his fear.

Instead of telling him, you show him. You open your mouth and slide your fangs down. As soon as he sees this, his whole demeanor changes. Gone is the playful adventurous guy you knew only to be replaced with the hard and scary version he only presents in front of vampires.

"Get out," he says with a stone-cold look.

"Peter, it's still me. I'm still your best friend. I haven't changed. I'm not dangerous; I never was," you beg.

“You don’t understand vampires like I do,” Peter says calmly. “They’re vile, evil creatures. If uncontained they spread like a disease.”

“You do know I’m standing right here, right?”

Peter looks at you with an expression almost unrecognizable. This isn’t your best friend, and you’re not so sure you’ll ever get him back.

“Are you?”

”I’m still me! I haven’t hurt anyone. I’m volunteering at the hospital. My blood heals people, Peter. Does that sound like a monster to you?”

“If not now, you will hurt. Vampires are natural predators. It’s in your nature to hunt and kill. Now, you’re lucky I haven’t put a stake into your heart and I will if you don’t leave within the next five seconds. One...”

You don't give him another second before you're speeding out of there. You only went to him because you thought he would be understanding. You two have been together since you were in diapers. How can he not see that the person you are now is the person you once were? You guess whatever his parents taught him is stuck deep within himself.

Whatever the case may be, you lost your best friend.

You got new ones, but they'll never be him. If he can't accept you for who you are, then you guess you didn't know him at all.

If you want to be tagged, add yourself to this document! If your tag doesn’t work, find out why!

@awkwardfangirl2014 @kendall-michele @gh0stgurl @miraclesoflove @sammypotato67 @justalonely-nerd

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pure-bakusass · 5 years

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My adult kiribaku headcanons! 💥💪

Warning, this is a long ass post where I decided to write some of my favourite headcanons down. Mostly Bakugou but Kirishima is involved more or less. I love my adult pro hero husbands. I hope you enjoy!

1. The hero agency!

The formidable duo of Pro Heroes Ground Zero and Red Riot is known by public to be happily married and leading their own hero agency together. Their agency has quite a reputation and is one of the best in Japan. Being offered an internship there is considered quite a big deal. Your career as a future hero might really blossom there, if only you can handle the well known explosive temper of Ground Zero. But despite Ground Zero's lack of any actual patience for work with kids and often ending up scaring them, Red Riot does his best calming Bakugou down if needed and being the most warm and understanding teacher you could possibly have. Red Riot is just great with kids and with his husband. I'd say with people in general. His gentle approach softens the impact of Bakugou's behavior to the point people often end up forgiving and forgetting Bakugou's flaws.

2. Bakugou's tattoos!

Bakugou has some piercings and tattoo sleeves, not only because they look dope and he has always wanted them, but also to make a clear stand against the harmful cultural taboo there is in Japan. Tattoos, being strongly associated with criminal underworld, especially the gangsters, are now all over a pro hero's skin whether the public likes it or not. Bakugou himself takes pride in inspiring people not to give a single fuck about the opinion of others and encouraging them to do whatever makes them feel happy.

Ground Zero's tattoos were actually a very controvertial issue for some time on the media around the whole country, practically resulting in a revolution in that matter and causing a lot of discussions, mostly about whether it is appropriate for a pro hero to have tattoos or not. Specifically tattoos holding a vulgar or violent meaning like "shit happens", "sex bomb", "die", "fuck you" and so on. Ground Zero himself refused to take interviews and cut himself off the whole issue with making a public statement that he "doesn't give a fuck".

Without any interest from the subject of the issue himself, it wasn't long till the topic was worn off and the controversy faded away eventually. Still, it is pretty common for comments of strong disagreement to occur, for example:

"He looks more like a villain than a hero."

"Tattoos are not heroic, he should be ashamed of himself."

"He's clearly doing it for the controversy around himself so that he's in the spotlight. What a shallow attention seeker."

"Pro heroes should set a good example for our children, and so called Ground Zero is the exact opposite of what a pro hero should represent."

"Someone who wants to look like a criminal shouldn't be given a hero license because there is clearly something wrong going on inside his mind."

Bakugou, however, snaps back at those comments with more or less the same words.

"You want to know what's heroic? Minding your own fucking business."

Kirishima tried to persuade Bakugou into being a little more subtle with the public, however Bakugou said that "he didn't carry the bitch out of the collapsing building with those fucking hands so that she could disrecpect him like this" and he stands by it with every fiber of his tattooed being.

3. Bakugou and kids!

Despite Bakugou claiming he strongly dislikes children and can't handle them, Ground Zero is voted the most popular pro hero among teenagers. It's probably because of his rebellious, fierce attitude and his will to say and do anything he wants no matter what might others think, which is by teens considered very cool and brave, but by the parents of those teens - rude and inappropriate. A lot of adults don't think that Ground Zero is the best role model for their children, however nobody can deny his dedication, courage, skills and all the good he does for the society in general.

Once when a group of teens heard Bakugou throwing a sharp, savage comeback at someone who got on his nerves nearby, they high fived and yelled "Fucking roasted! Nobody messes with Ground Zero! He's the best!" Bakugou snapped at them to mind their fucking businesses. He wouldn't ever admit it but he was flattered and happy to hear them say it.

Despite saying it's useless and stupid over and over again, Bakugou never refuses to give autographs to any kid that asks. He knows what it feels like to admire someone to an extreme level, after all.

Once when he was asked for an autograph by this visibly shy and intimidated boy, he asked him what the fuck would he even need it for and got an answer:

"You see, I'm being bullied in my school, so I thought maybe if I let them know I met someone as awesome as Ground Zero, like, in person, they'd leave me alone. But without an autograph nobody will believe me."

Bakugou smirked in response.

"You think that's gonna work? Pathetic. Like anyone would pay any respect to a piece of shitty paper. Tell you what, I'll pay a little visit to your school myself and make the bastards shit their pants, how about that?"

Needless to say the kid wouldn't belive what he had just heard and looked at Bakugou in pure bliss. Long story short, Bakugou stormed the school and yelled at everyone. Not just the bullies but the teachers who ignored the case too, calling them out as "fucking idiots doing shitty job" and threatening the whole school community in general. The media basically ate him alive because of that incident but it's not like he cares anyway. Ground Zero the chaotic good hero regrets nothing.

I think he may be willing to go this extra in the matter of bullying as a pro hero because of what he used to do in the past himself (to Izuku) and feeling ashamed of this whenether it gets back to him.

4. Kirishima's looks! (aka krbk being adorably domestic)

At some point of their adult life together Kirishima decided to grow a beard. Bakugou said that he didn't think anything could look more shitty on Kirishima than his dumb hair, and yet there goes his husband proving him wrong. Despite having a new topic for many mean jokes Bakugou doesn't really mind the beard, just like he doesn't really mind Kirishima's unbreakable crocs he wears around the house (and occasionally not only the house) pretty much all the time. He just can't really do anything about that and it's not like he cares enough to try.

What Bakugou likes especially about Kirishima's new pro hero look is his hair he decided to grow to quite an impressive lenght. It somehow resembles a lion's mane and looks intimidating and very manly, but still being soft and nice to touch and run fingers through.

Bakugou's morning routine includes helping Kirishima with brushing his hair. He complains about it every time but there wasn’t a single day he didn’t do it. He still stubbornly calls the hair shitty and will rather die than say he adores it out loud. Kirishima knows.

Bonus:

Kirishima buys all kinds of Ground Zero merchandise there is because he thinks it's cute. Bakugou gets mad at him for spending money on that useless bullshit when he has the original Ground Zero in his presence pretty much whenether he wants. Kirishima likes to remind Bakugou every single day that he's his biggest fan and he loves him very much. He usually gets an irritated but equally adorable “I love you too you damn nerd” back.

***

For those of you who were determined enough to reach the very end, thank you sincerely for spending your time reading this. I was meaning to include an art piece for each one of the headcanons but I was too lazy to do art AND the post is already long enough I guess. You can expect my adult krbk artwork to appear in other posts though! They most certainly will appear.

#tldr #im sorry it was so long #kiribaku #bnha headcanons #adult bnha characters #tattooed bakugou katsuki #long haired kirishima eijirou #pro hero kiribaku #Ground Zero #Red Riot #domestic kiribaku #bakugou dealing with kids #there will be art to this just you wait #maybe even a spicy sexy art you never know

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amandaklwrites · 4 years

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Movie Review: Pirates of the Caribbean: Dead Men Tell No Tales (POTC #5) (2017)

Genre: Action/Adventure/Fantasy

Rating: 10/10

Movie Review:

And here we are, at the end of this series (so far!). I hadn’t seen this movie since theaters as well, and let me tell you, I didn’t remember much other than specific moments.

But I loved this damn movie.

We have time jumped yet again (I heard a line from Barbossa about the time with the Fountain of Youth being 5 winters ago).

The opening scene was beautiful, guys, I swear to god. A young boy letting himself sink to the bottom of the sea to see his cursed father. And Will!! It had been too long. I had missed our Will Turner.

Henry Turner and Carina Smith were wonderful new additions to this series. Henry seemed like a great combination of his parents-- brave and strong and caring like his mother, fierce and willing to die for the people he loved like his father. Carina was bright and smart, a woman with her own mind and already outside of the realms of society, which was interesting to see. Remember what I said about Philip and Syrena in POTC 4 and how they felt lacking to the drive/point of the story? Compare them to these two. That is what I meant! Carina has the key to something, Henry is literally driving the story. They were specific to the storyline, they were the reason everything was happening. They felt important. They were so integrated to the story that it wouldn’t make sense without them. And they were delightful and fresh. I like to think that this movie, specifically, shows that important idea that the new generation will always make changes. The original trilogy was Will and Elizabeth, and this one is now Carina and Henry. They are trying to change everything.

Salazar is just such a good villain. THE EFFECTS! The idea that they looked like men underwater, even as ghosts, is so damn cool. I loved how there were missing pieces of them, that Salazar’s hair floating like in the midst of water. He was a good villain, to me (which is rare, people who know me will understand that), because of the simpleness of his drive. Think of Beckett-- he was a villain by manipulating, controlling, and just wiping out people because he could. But Salazar simply hated pirates, and it was all about revenge. He hated what Jack Sparrow had done to him (the slight backstory for Jack was so fresh and interesting, by the way!!!) and just wanted to eradicate them all because he was pissed at this curse. Javier Bardem was so incredible and he’s my mom’s favorite villain of the series (fun fact: Javier Bardem is married to Penelope Cruz in real life, and she played Angelica in POTC #4-- so they have both been in the POTC world!).

And we have our favorites back: Jack Sparrow and Hector Barbossa. We see Jack as a drunk after all this time, aging and in a rut. His entrance into this movie was hilarious (my mom always says that Jack Sparrow has the best entrances in any film ever), and it was a delight to see him as something he’d never been-- lost, not the best, and completely wasted. But at the heart, he was the same, and we watched him come back to life when there was a new adventure. He was returning to his old self with the help of these two young kids (who, we have to admit, probably reminds him of Elizabeth and Will, which makes him feel young again), and we saw him bloom back into the man we know and love. His humor is still there-- the best being when Carina undresses to swim away, and he tells Henry he could have seen a lot more than her ankles if he had kept his mouth shut-- and he’s still Jack Sparrow deep down. He’s just a little lost and has to find himself.

Barbossa’s arc finally came and blew me away. We see him at his prime as a pirate-- with a fleet!-- with so much gold and riches. He’s willing to cross a ghost pirate who can kill them all, he just wants power. Until he discovers that Carina, yes, is his daughter-- I remember guessing it at the very beginning of the movie when I saw it in theaters-- and suddenly, he’s changed for her. He sacrifices himself to save her, and finally completes an arc. I cried when I watched that scene, because it was beautiful. It is what (at least, to me) we had been wanting from Barbossa, to see him have something more important than power and wealth. Remember what I sad before about how love is the central storylines of these films?

The mythology of Poseidon’s trident is interesting and fresh, and its idea to end all curses was so cool to me. That whole scene “underwater” was fantastic and I remember that rather clearly in my mind. Thank god for the technology we have nowadays. My only question is: where is Poseidon? Why would his trident exist, but he would just leave it lying there? I believe there was a quick mention about it being left behind or something (does anyone remember a line?), but it still doesn't make sense to me. We brought in Calypso, why can’t we have Posiedon appear too??

I do have to say. That witch that Barbossa spoke with was really cool, but why was she there? To me, she had little part of the story, other than to offer some advice. Maybe they wanted to make her more important if there were movies?

The action was exciting (that whole execution scene is hilarious and the stealing of the bank was probably one of the biggest action sets I have ever seen performed), the humor was dark and witty and what we love about the movies, and it was bright and colorful (my theory about it being this way because it’s more about Jack than anyone else). This movie continues every aspect of what we love about these movies.

Now, let me talk about the ending. Will is no longer cursed. I started to cry when you see him walking on land. And I cried more when you see Elizabeth come over the hill and running to Will. How amazing, we ended with Will and Elizabeth once again!!!! Which just shows, this series was always theirs, from the very beginning to the end. They can be together after so long, they can love each other until it ends. I love that it wrapped up with them. We needed them.

And now, how about that very last ending scene after the credits? Davy Jones???!?!?! Now, hear me out. I have a theory: It’s actually Barbossa. Because honestly, they’ve brought him back to life before, and he’s such a fan favorite, that I don’t think they would let him go. So why not make him the new Davy Jones (though the curse is supposed to be over-- unless, you know, like Barbossa is, wants to live forever and still have some power)? Think about it. When Davy Jones walks in, the banging sounds like Barbossa’s wooden leg that he got in POTC #4. And another thing to further my theory-- I read online that Bill Nighy (who played Davy Jones) was never told that his character would make an appearance in that movie. So.......? What if?

Now that I am at the end, let me leave some final thoughts about the movies as a whole.

I know only one writer from the original movie was a part of ALL five movies. But I have to say-- these writers are masters as creating intriguing humans. Every single character is a specific person, with flaws and good things about them, with drives, with hopes and dreams. They suffer heartbreak, they win, they lose, they do it all. Now, as someone who writes, I know how hard it is to create a visual, intricate plot while also creating these vivid characters-- most writers say whether they are more plot driven or character driven (I myself am the latter). But these guys did both. They made fantastic plots and storylines for us to follow with layers of themes and things to think about. But they also created strong characters that we love and love to hate. Even though POTC #4 is a least favorite amongst most fans, I think the plot is still fun and the characters are the strongest part-- think of the stuff with Angelica and Blackbeard and such. The writers does an incredible job of making complicated characters and making them interesting so we find ourselves drawn to them.

And while these stories feature pirates (that we possibly glorify, when in real life, they were way worse) and action and fantasy and many great characters, I think at the very heart of these stories are love. We see it a common B-story that seems to me, turns into A-stories. Elizabeth and Will only join the world of pirates to protect each other, because they love one another. Jack saves Angelica because he actually loves her (though its complicated). Davy Jones became the monster we love because he had his heart broken and he ripped out his own heart. Henry went in search for Jack, Carina along the way, and the trident of Poseidon to break the curse on his father because he loves him. These stories are about people who love each other, or have love and lost, and it turns them into different sides, into different versions of people and pirates. Because honestly, love helps us decide how and who we are going to be, what we want to do. Love or lack of love makes and shapes us, and these stories represent that. There are so many layers of love (Jack for Will and Elizabeth, Barbossa for his daughter, Philip and Syrena, Blackbeard and Angelica, Gibbs for his captain, etc) that trickle into the stories. Love is what makes us bleed, and that’s what make these characters bleed as well. Yes, it’s about characters finding themselves, and discovering the truth about the world, but at the very root, at the heart, it’s about love. And no one can convince me otherwise.

These movies are about love, amongst people and pirates and fantasy and sea battles, and I think, at least for me, that’s why we love them. Because we understand, and we feel and love. That’s what it’s all about, isn't it?

#pirates of the caribbean #pirates of the caribbean dead men tell no tales #dead men tell no tales #movie reviews

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