Imagine the puppy. He’s on a field of some kind, or maybe a hill it’s sort of a rolling hill maybe, the kind that’s both. The grass is long and mature and waving in the wind, but somehow short enough that the puppy is always fully in view, except when he’s not, because sometimes it’s joyous to have something adorable depart from you. And he’s green. He’s grey with spots. He’s a brown hound with darker coloration on the back and mouth. He’s white with black to hide in the snow. But he’s not hiding now. Maybe the field is amber, or gold, or sapphire blue and shining. Maybe the puppy is laughing. Not really laughing but giving the sense of laughter in the air. The puppy is rolling around, flopping really. His little front legs splay as he walks. His eyes close often and lazily, and he covers him with his too-small arms and little mitten paws. He tumbles down the hill, side to side like tensil on a tree. He runs after a butterfly, he snaps inadequately at a bee, he sneezes oh-too seriously.
Imagine the puppy. Not a puppy, but the puppy. The anim of puppy, all rolled up into one, sifted, left in a fine salt of a soul.
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The Holy War (Part II) | John Bunyan | Christian Audiobook
~ Audiobook Description ~
What if you were able to see your life from a spiritual perspective and see the actual reality of the verse above? How does our enemy, Diabolus, plan and carry out his attacks? How do his demons help, and what are their objectives? Why and how must we petition Emmanuel to get His attention and help in this great, holy war?
Written four years after The Pilgrim’s Progress,…
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can we talk about how much queer and trans joy was this season? maggie and nina. they/them muriel, saraquel, beelzebub, even GOD. "you're a good lad" "im not actually, either". that one shopkeeper and his non binary spouse, played by a non binary actor. beelzebub and gabriel. shax, nina and maggie all thinking azi and crowley were together. also yes i'm gonna mention: crowley and aziraphale's kiss. it's just, i get that everyone's hurt and so am i but can we please focus on how beautiful this season was to us? we got so much and i'm so happy, despite the ending.
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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every year people get angry when ao3 requests donations but honestly in a world where almost all spaces online are slowly being eaten by corporations which censor the content on those sites, having a fan-run fan-sponsored place where people can create gay art without fear is great
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HOT TAKE
But I like the idea of the phantom world being reincarnated into very unexpected people.
Like I still love the idea of Danny being Martha or Thomas.
Or Dani being another clone, or her being Damian, and Sam being Poison Ivy and or Martha, etc.
But I also like the unhinged nonsense of Sam being a clone in the dc world — ideally Kon, and Dani (or Dan) being Bruce, while Vlad is gasp Thomas Wayne.
HEAR ME OUT
JUST HEAR ME OUT
I just think the idea of Danny finding out that in an alternate world he married a nicer and age appropriate Vlad and had the son the guy has been demanding for so long in their world is hilarious.
The absolute mental breakdown that boy will go through: this is my son, and I love him, look at him go being a hero and kicking ass, but holy fucking Ancients above I fucked VLAD —
And on the other hand, can you imagine Bruce’s reaction? To his alternate mom being a sassy teenage boy, his alternate dad being an older guy ‘preying’ on this kid that absolutely HATES the guy, and being an absolute creep while his alt self **gestures to your choosing** is either a tiny girl menace or the biggest and meanest growling ghost that is BARELY tolerating being in the same space as the living.
But they also hate his alternate dad and would punch him into next week with Mom! Danny.
This man will being going THROUGH IT.
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cheers to the future of humanity (and the future of us)
[ID: Digital illustration in color of Vash and Wolfwood from Trigun. The illustration takes place during the ship/home arc, specifically chapter 21. At the center, Vash is grabbing Wolfwood by the collar and pulls him into a kiss in the middle of a celebration. The pair is colored in vibrant warm hues while their surroundings are colored in cooler colors like green and teals. Luida, Brad, Meryl, and Milly are shown amongst the crowd, occupied in the celebrations as Vash and Wolfwood share a moment by themselves at the center. END ID]
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that’s the thing about ned stark to me is that he loves his family so much. and fighting a whole war in their memory and then failing to save his sister created this trauma that is so central to his character that he simply cannot heal from it. and yet he so wholly and unquestioningly trusts the evil systems of his evil society to work that if everything HAD gone to plan and Lyanna had married Robert and gotten stuck in a tower in Storm’s End dying in childbirth against her will. WOULD it even have occurred to Ned to intervene.
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desperately need to do a presentation on why the Twelfth Doctors journey perfectly represents the transfem experience
their previous eleventh incarnation being suave and hypersexual (i know moffat is mostly to blame but!) is reminiscent of attempts to fit into heteronormative ideals of masculinity. whilst it is not completely insincere, there are obvious signs this does not fit you as a person, it is acted out of desperate need to being seen. as Vastra put it, eleven wore that face, and subsequently that form of masculinity, to be accepted. on becoming twelve, realising even an "idealised" masculinity does not inherently serve them, they retreated into themselves as a person for self-reflection and trying to understand why they feel so detached from who they are.
the "am i a good man" arc mirrors being closeted and having to present as something not inherently tied to your sense of self, but still wanting to be the best of your perceived gender as any failure could leave you spiralling into self-doubt about simply being like any other "man". you ignore your gender dysphoria/questioning by trying to claim a moralistic view of gendered expression. made even more clear by Twelve rejecting Clara's heroic view of them, establishing that even though they have made efforts to be a "good man", that is just a placeholder for their loss of identity.
Missy appearing as she does, who as a character serves as a parallel to The Doctor on what they could become, and her eventual arc in trying to become good is symbolic of the fear around transition regret that internalised transphobia can create when you are closeted. Missy never gives importance to their fem existence other than nonchalant jokes, rather showing a more free and expressive personality devoid of any frustration. this immediately dismisses the transphobic assumption that trans people are only focused on their gender. also, Missy representing trans femininity is inherently tied to chaos and upsetting the status quo, she is the embodiment of what society considers accepting your womanhood as someone previously labelled masculine. what many others, and The Doctor themselves, saw as a need for attention and senseless disruption is Missy not needing to serve a false version of who they are, that they can now focus on becoming whoever they want to be now without losing energy to performing a gender that society has imposed on you. Missy could never have made the decision to stand with The Doctor if she had not given importance to her own queerness.
it wasn't coincidence with meeting Bill, she was the perfect foil for The Doctor to finally let go of their anxious attachment to masculinity. i would even argue for the majority of s10, The Doctor is largely ambiguous in their gender identity and does not fit into any construction of masculinity or femininity. whilst they still present as something socially labelled as masculine, they do not internalise that gender expression. they are uncaring about and not needing the validity that comes with heteronormativity, and thus is free to finally accept the decision they have to make. as Bill says, it is so hard to let go of The Doctor, and that rings true for twelve themselves. but they begin to realise The Doctor can be anyone. yes, they are tired, it would be so easy to simply rest and not give value to who you can become. but choosing to let go of everything you once were to survive is better than oblivion. it is better to let go, to choose another lifetime where the only person that dies is your falsity, to finally get it right and choose kindness. for yourself and for those who you love. they regenerate, not just into another person, but into someone who (if only tv scripts...) can now move forward.
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a villain’s journey
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I think if you were to put one of those sensory videos on for ybc!patrick he would sit there and Watch like how a cat stares at a television
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"The only person who can save you is yourself, don't rely on anybody else!"
Actually, what has saved me is books and my favourite video game and my cats and my friends who I've shared late nights and too-early mornings with and the dew-covered grass I walked on on the way to a competition bus in ninth grade band and the sunburn that kept me out of school for days the month prior.
I understand the viewpoint of how you are ultimately the person who can save you, but don't discount that you aren't an island. You aren't meant to be your sole savior. Let others save you, too. You are worth the care and love the universe has for you.
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your blood like wine
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