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#dungeon cross section
oldschoolfrp · 3 months
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Yaztromo's Tower, in Darkwood Forest (Russ Nicholson, Titan: The Fighting Fantasy World, by Steve Jackson and Ian Livingstone, Puffin Books, 1986)
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dunmeshistash · 6 days
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Dungeon Meshi Adventurer's Bible - Dungeon cross section
Details under the cut
Details cropped from this reddit post
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strangersmunsons · 9 months
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read 'em and weep
you and Eddie meet at the library. he’s smitten.
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Contains: Eddie x Reader, bookworm!reader, lovesick!Eddie, reader gives Eddie book recommendations. No mention of reader’s physical appearance, no use of y/n. Warnings: brief mention of loneliness & negligence in Eddie’s childhood. Word Count: ~2.2k it's my hope to make this a little series! i think eddie is def a bookish guy - no lord of the rings quoting, metal head dungeon master hates reading. he would certainly be open to any fantasy/horror recs you had for him! <3
Indiana. 1989.
Hawkins Library sees a lot of action in the summer.
They offer a wide variety of youth programs to keep the local kids busy and the parents sane while school is out. One of the main events is Saturday Story Time, a beloved weekly staple that you have recently been tasked with putting on.
It’s simple. You gather a number of books, usually with a common theme, and then read a select few to the children who had signed up for the day. Most of the kids in attendance are no older than six or so, with some parents even pulling up chairs to the back so they can sit with infants cradled in their arms. The older ones sit criss-cross-applesauce on carpet squares in front of you, their chubby faces alight with giggles as you recount each silly, fantastical story with all the spirit you can muster.
And then there’s always an accompanying arts and crafts project, of course. If you read The Very Hungry Caterpillar then, naturally, you have to make little googly-eyed caterpillars out of popsicle sticks and colorful pom-poms. You don’t make the rules.
If trouble occurs during Story Time, it’s usually in this phase. (Giving paste to toddlers is always a gamble – you never know what they’re gonna do with that.)
And on this particular morning, it’s been chaos from start to finish. A whopping eighteen kids had signed up, and you stretched yourself pretty thin trying to attend to everyone.
One of the babies spit up directly onto the little girl sitting in front of him and his mother. Someone slipped on their carpet square and fell harshly to the floor, earning a bruised elbow that you gently fussed over. You wrangled a pair of twins who fought bitterly over a bottle of Elmer’s glue. There were three individual running-with-scissors-scares and, finally, you spent a good ten minutes soothing one sobbing child with whom there was nothing apparently wrong with, and that you suspected was just in need of a good cry.
So yeah, it was basically pandemonium.
But eventually, to your great relief, things wound down. The audience dispersed, with their handmade goods clutched in sticky fists, and went to peruse the glossy line of picture books you put out for display. Within the next hour or two, everyone traded the cool darkness of the library for buttery sunshine, and all was quiet again. You waved cheerfully to the last parent-child duo as they made their exit, promising them that there’d be a fun activity next weekend too.
You love these storytime sessions, you really do, but sheesh. Sometimes they run you ragged. With the havoc of the morning finally over, and the promise of lunch in your near future, you try to shake off the weariness, and instead take it upon yourself to clean up the disorganized mess someone’s made of the horror section.
You’re going about your work, tongue poking out in concentration as you strain to reach the really high shelves, when you notice someone standing in your peripheral vision. You turn and glance at him, or at least, what you can see of him. He’s half-hidden by the shelf behind you, but you catch sight of brown hair and denim.
A pale face appears on a craned neck from around the corner. His dark eyes meet yours, widen slightly when he sees that you’ve caught him lurking, and he abruptly disappears again.
You purse your lips to hide your smile. This isn’t uncommon; such moments often occur when you’re cleaning up a section of books someone is hoping to sift through. In a small act of kindness, you move over to the neighboring shelf and look for something to busy yourself with; trying to give the guy a chance to browse without having to ask you to step aside.
He doesn’t emerge. You wait, expecting to sense him passing by you, but no dice. It’s amusing to think that someone might be frightened to approach you (You? Really?) but you can’t help feeling sorry that you were in his way.
The rest of your shift is rather uneventful. At the end of the day, you punch out and head home, the stranger behind the shelf forgotten. 
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When you come back to work on Monday, it’s much quieter than the last morning you’d been in. You greet your coworkers and set up shop at the front desk, opening up a book of your own to pass the time until someone needed assistance.
You’ve been reading for about half an hour when the big double doors open up for the day’s first visitor, the sound echoing loudly in the silent, spacious room. You look up in interest, ready to greet the person with a warm smile.
“Good morning!” you softly call out as he comes into view. He walks slowly towards you, shoes scuffing the checkered tile with each step. As he comes nearer, you can see that he’s biting his lip, one hand rubbing the back of his neck, the gesture oozing self-consciousness. He only makes eye contact with you for a second before his gaze flits away again.
He’s pretty conspicuous-looking to be approaching the desk with such hesitance, you think. He has dark hair that hangs in slightly-scraggly curls down to his chest, and huge dark eyes. The pale skin of his arms, sticking out from within a denim vest/Judas Priest t-shirt combo, are littered with tattoos.
He pauses a few feet away from you, like he’s debating whether he wants to stop and chat, or to simply veer off towards the bookshelves and start browsing. Ultimately he decides to shuffle forward, closing the distance between the two of you.
“Hi there. What can I do for you?” you ask, voice gentle but encouraging.
He looks down and rests a hand on the desk, absentmindedly tracing the wood pattern with his thumb. “Um, yes.” He doesn’t offer anything else.
There’s a pregnant pause, both of you digesting the fact that what you had asked was not a yes or no question.
He tries again. “I…am in need…of some new reading material.”
You nod gravely, expression serious. “Well, you’ve come to the right place. Did you have anything specific in mind?”
He begins to rock lightly back and forth on his feet, contemplating. “I like fantasy, especially Tolkien. I read a lot of horror, too, and sometimes sci-fi. If you had any suggestions for me, that’d be great.”
“Oh, we can certainly find you something,” you reassure him, already flipping through a mental rolodex of your favorite books in those genres. “Here, come with me.”
You stand and move around the desk to meet him, beckoning for him to follow.
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Eddie watches you run a delicate hand over the spines of the books, keenly aware of the clammy sweat that’s flooding his own palms. Be cool, Munson. 
“So,” you begin, a gleam of excitement in your eyes, “you like fantasy. Do you read Le Guin?”
Eddie nods eagerly, hair bouncing slightly with the movement. “Oh yeah, I’ve read the Earthsea trilogy.”
“Have you read any of The Hainish Cycle books?”
“I haven’t read those ones, no.”
You pull out two slim paperbacks from the row, holding each one out for him so he can study the covers. “These ones are science fiction, and they’re pretty good. You might like Rocannon’s World since it’s similar to a fantasy novel, but personally I think Left Hand of Darkness is the best.” You suddenly pause, and look around furtively, like you were checking to make sure that you two are really alone. You even put a hand up to the side of your mouth, as though shielding the conversation from eavesdroppers.
“Honestly,” you lower your voice like you’re admitting something scandalous, “I even liked it better than Earthsea.”
“No!” Eddie immediately matches your whispered, gossipy tone and lets his jaw drop, pretending to be aghast.
“Yes!” you insist, seemingly delighted by his willingness to play along. Eddie’s heart soars.
“I guess I can’t refute that until I read it, huh? What’s it about?” he asked, taking it from your hand.
“An envoy is visiting this frozen alien planet, and he’s trying to convince them to join this intergalactic coalition that he represents, but they’re making it like, really difficult for him. Also, gender doesn’t exist, and there’s political turmoil stemming from border disputes.”
“...oh. Cool.”
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The next half-hour passes in this fashion. Your soft, mild demeanor is aglow with enthusiasm as you pull out book after book, giving him an off-the-cuff elevator pitch for each. Eddie can practically feel the cartoon hearts swirling around his head, bright pink and red bubbles that are almost certainly going to appear out of thin air and give him away.
He can’t put his finger on what it is, precisely, that’s pulling him in so deeply, drawing him towards you like a magnet with an opposite pole. Maybe it’s the tender way you talk about each book, the love and care that’s so tangible in your sweet voice, the way you speak about them as though they’re your old friends. Perhaps they are.
It’s not an unfamiliar concept to Eddie. A childhood steeped in loneliness and poverty, instability and dysfunction, neglect from his volatile and unreliable parents…yeah, he gets it. The wanting, the longing, the dire need to escape to someplace that doesn’t exist, some place where things were better and didn’t hurt, a dreamworld that would be kinder to a scrawny little boy with unwashed hair and a mean father.
The closest he ever came to it was when he lost himself between the yellowed and dog-eared pages of the few, precious books he owned.
So he listens to you chatter away with chest-aching tenderness, already thinking that he could listen to you like this for hours and be glad for it.
“You love fantasy, but you’ve never read The Last Unicorn?” 
Eddie gives you an apologetic half-shrug, no longer able to keep the goofy, besotted grin from unfurling across his face. “Never got around to it, I guess.”
“It makes me cry. You have to take it,” you tell him with pleading eyes, adding it to the top of the growing pile in his arms before he can refuse. Not that he ever would. How could he, when you look at him like that?
“You cry at this one, really?” He looks curiously at the artwork on the front, an innocent picture of the pale horned creature. “But it’s so unassuming…”
“Don’t be fooled, it’ll get you. Take it,” you repeat.
Eddie shifts the stack of books to cradle it in one arm, so he can raise the other at you in a salute. “Yes, ma’am. And when I’m finished with it, I’ll give you a full report on the emotional damage it caused me.”
This makes you giggle, lips turned up in a gorgeous smile, and Eddie knows he’s a goner.
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Back at the front, you resume your previous positions at the desk. Him in front and you behind, this time separated by a short pile of books.
You hold your hand out. “Card, please, sir.” Polite and professional, but with a little sparkle in your eye that lets Eddie hope for a moment that his time with you this morning was more pleasure than business.
He fumbles with his wallet, slipping out his library card and slotting it between his index and middle fingers, extending it for you to take. His chunky silver rings catch the light.
You accept the offering. “Thank you” – you quickly read the messy signature at the bottom – “Edward.” You look back at him with a grin.
He cringes, face scrunching in embarrassment. “Oh God. Call me Eddie, please.”
The scanner gives a little chirp! as you begin the checkout process, nodding. “Will do, Eddie.” His name sounds like a song when you say it, one he never wants to stop listening to.
You finish scanning his books, and slide a receipt into the jacket of the novel on top (which just so happens to be Katherine Dunn’s Geek Love). Instead of sliding the stack towards him, you keep both hands clasped on the cover, hesitating. You bite your lip, an unconscious imitation of himself earlier. “Listen….”
Eddie straightens up a little, stomach flipping like a coin. “Yeah?”
You bow your head. “I’m sorry if I talked too much. It’s just – most people who come in don’t actually ask me for recommendations, and I got excited,” you admit quietly, looking sheepish.
“Don’t apologize,” Eddie says without missing a beat. “I appreciate it. I really enjoyed it, actually,” he adds, eager to quell your anxiety. “I liked talking with you.” More than you know.
“O-oh,” you stutter, taken aback. “I liked talking with you, too.”
Eddie nods, smiling slightly. “Would you like to…talk again?” He flushes scarlet and coughs. Smooth. “I just mean, when I finish these” – he motions towards the day’s finds – “we have to discuss them, right? You helped me pick ‘em out, after all.”
“Of course. You have to let me know what you think.”
His smile gets bigger. “So we’ll reconvene?”
“We’ll reconvene,” you chuckle.
“Awesome. Looking forward to it.” He sweeps up his books, and gives you a little wave. “Thanks again, sweetheart. I’ll see you soon.”
And he can hardly wait. It looks like he’s got a lot of reading to do…
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thanks for reading!!! <3 edit: this is now a series! Read Ch. 2-> Here!
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vintagerpg · 24 days
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So, my pal Clay sent me a box of books. They weren’t a gift, they we more like an extended loan and they amount to perhaps the most direct “please post about these books” I’ve gotten since the feed started. I’ve taken care of a few at this point, but now, well. Ptolus. How the hell do I tackle Ptolus in 300 words?!
Ptolus (2006) is a massive all-in-one setting book for D20 designed by Monte Cook. It consists of a city and two dungeons, one above — the Spire — and a megadungeon below. The book runs 670 pages and features a density of information — maps, cross-sections, various type sizes, sidebars, tabs, cross-references — that I am not sure has ever been achieved before or since. It is truly a monument to a particular moment of BIG DESIGN in RPGs that was fueled by the near universal adaptation of D20. Unlike a lot of other similar projects (World’s Largest Dungeon comes to mind) there is a ton of deep thought and care on display in nearly every design decision I’ve read.
I wanted this book real bad when I learned about it a couple years after release, but it was already scarce. If I had gotten copy back then, it might very well have become my favorite RPG book ever. I’d probably still be playing in it. Because you totally could, there are decades of adventures here. Reading it cover to cove now in 2023 just feels like an impossibility. It’s too big! It works really well as a book to dip into a read a box or two to think about, for inspiration or rumination, but I wouldn’t know where to begin in putting together a cohesive campaign here. I don’t think my brain can fit it all in! I appreciate the painstaking detail, don’t get me wrong, but I would much rather this thing be carved up into a bunch of small books. That’s the main reason I didn’t back the recent re-release on Kickstarter; I knew before Clay ever sent this to me that this book was going to defeat me.
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al-911 · 5 months
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This post is an idea I've had floating around for a while. Those that know me know I'm into the idea of dungeons and torture chambers, the kind full of different devices. So I thought why not collate all my devilish device designs in one place, a bit like my quite popular immobility post.
I'll add to this post as ideas pop into my head, or I improve an existing one. One day with enough money, I'll even build them (a guy can dream).
A word on atmosphere: the room should be dimly lit, with spot lighting to reveal and emphasise each torture device. Lees should only enter the room bound and stripped, to enforce a feeling of captivity. An ideal entry would be strapped horizontal to a gurney, limiting their initial ability to see the devices as they can only turn their head so far, or see suspension devices on the ceiling.
1) The Tough Girl: Picture yourself kneeling. Now imagine leaning forward onto a massage table at about 45 degrees from horizontal. Now imagine your feet brought up to a similar angle behind you, resting on a padded part so your body forms a shape like a tick ✅️
This foot rest will be contoured to accept the Lee's feet to present their soles at a relaxed enough angle that their toes can be pulled back and restrained quite tightly. Ankles will be restrained in a small custom restraint resembling stocks, but again contoured to hold their feet from almost the very start of the heel end of their soles, up to the start of their calves.
Working upwards, with the option of mummifying the lee (for reasons which will become apparent as we fully explain the device), there will be combination strap-cuffs to hold together and pull down the legs above and below the knees, and at the thighs.
We move now to the upper body. The angled massage table will extend from just above the hips, to the face (the kind with a hole for your face). The torso will be strapped down securely, with the Lee's genitals exposed below the padded section. Their arms can be positioned in multiple places: at their sides, behind their back connected to a winch, for cranking their wrists higher behind them, or crossed just ahead of their forehead, restrained at the wrists and biceps. The multiple positions allow for changing positions as the lee tires, particularly from the hands-behind position.
The head will be tightly restrained in the "viewport", forcing them to stare at the screen in front of them which can be made to show either intense tickle videos or a live feed of their own torment (I'd favour a top down view of their soles). The view could also be swapped to a physical view of another lee in a duplicate of the device, so that they can watch some soles being tortured before their turn... or have soles forced into their face, if we're being even kinkier.
This device exposes almost all of a naked Lee: soles skyward, the backs and sides of the legs open to torment, and with variation of the arm positions, their back and sides. There could also be cutouts to access the belly and nipples, and of course their head is firmly restrained for precise, intense ear neck and scalp tortures.
There is full access for forced orgasms and edging, and the lee being literally on their knees may have a psychological effect on their submission. The device elicits simultaneous feelings of hogties, face down tortures, and when the arms are elevated behind by the winch, a little suspension.
2) The Arch: Quite simple really. A gently arched bench lined with straps (imagine more. No, a lot more!). A naked Lee is draped over it, wrists and ankles bound and linked to winches. Gently stretch them, strap down the wrists and ankles, and then the many other straps until satisfied, head to toe. With a mirror above, the taut and exposed lee is now ready for their torture, hips pushed forward to accept any orgasms you wish to impose upon them with a dangling Hitachi.
3) The Shower: There are in fact, two showers. One for Lees to be cleaned in, and one for the ler to use. The Lee gets to lie fave down or face up on a bench, strapped down ready to be washed and scrubbed (torturously). Their feet are locked in stocks in the wall between the showers.
While cooling down between sessions, and after scrubbing the lee clean, the ler can take a refreshing shower, with some feet to enjoy as they go. Myself, I'd have the lee face down so I can enjoy their sole bowl, using the soapy lather for a foot job as I relax in the luxury shower...
The Super Deluxe edition of the shower would have stocks for many Lees, so I can worship a set of soles while I tickle another and have fun with a third...
4) The Pit: A dark pit, which you are lowered into while strapped to a frame. So dark you aren't sure your eyes are open. A door closes over you once you're inside.
Time passes. Your eyes do not adjust, it is total darkness... except for me. With night vision goggles (with an infrared light source, yes I know they don't work without some form of light) I can see you perfectly. And torture you from the shadows you are surrounded by.
Another variant would be to be lowered, legs wide, directly onto a feather wheel, only knowing it is there at the bottom when it touches between your legs. The echoing laughter and moans can echo back up form the pit to psychologically torture the other prisoners.
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blueskittlesart · 8 days
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I've heard that while most people really really love BotW and TotK, some people hate those two for going open-world, and some people hate TotK specifically for something about the story. As the resident Zelda expert I know of, what do you think of those takes?
"something about the story" is a bit too vague for me to answer--if you look at my totk liveblog tag from back when the game was newly released or my general zelda analysis tag you may be able to find some of my in-depth thoughts about the story of totk, but in general i liked it.
the open world thing though is something i can and will talk about for hours. (I am obsessed with loz and game design and this is an essay now <3) breath of the wild is a game that was so well-received that a lot of the criticism from older fans who were expecting something closer to the classic zelda formula was just kind of immediately drowned out and ignored, and while i don't think it's a valid criticism to suggest that botw strayed too far from its origins in going open-world, i am more than willing to look into those criticisms, why they exist, and why i think going open-world was ultimately the best decision botw devs could have made. (totk is a slightly different story, we'll cross that bridge when we come to it.)
Loz is a franchise with a ton of history and a ton of really, REALLY dedicated fans. it's probably second only to mario in terms of recognizability and impact in nintendo's catalog. To us younger fans, the older games can sometimes seem, like, prehistoric when compared to what we're used to nowadays, but it's important to remember just how YOUNG the gaming industry is and how rapidly it's changed and grown. the first zelda game was released in 1986, which was 31 years before botw came out in 2017. What this means for nintendo and its developers is that they have to walk a very fine line between catering to older fans in their 30s and 40s now who would have been in nintendo's prime demographic when the first few games in the franchise were coming out AND making a game that's engaging to their MODERN target demographic and that age group's expectations for what a gaming experience should look like.
LOZ is in kind of a tough spot when it comes to modernizing, because a lot of its core gameplay elements are very much staples of early RPGs, and a lot of those gameplay elements have been phased out of modern RPGs for one reason or another. gathering collectibles, fighting one's way through multilevel, mapless dungeons, and especially classic zelda's relative lack of guidance through the story are all things that date games and which modern audiences tend to get frustrated with. for the last few releases before botw, the devs had kind of been playing with this -- skyward sword in particular is what i consider their big experiment and what (i think) became the driving force behind a lot of what happened with botw. Skyward sword attempted to solve the issues I listed by, basically, making the map small and the story much, much more blatantly linear. Skyward sword feels much more like other modern rpgs to me than most zelda games in terms of its playstyle, because the game is constantly pushing you to do specific things. this is a common storytelling style in modern RPGs--obviously, the player usually needs to take specific actions in order to progress the story, and so when there's downtime between story sections the supporting characters push the player towards the next goal. but this actually isn't what loz games usually do. in the standard loz formula, you as the player are generally directly given at most 4 objectives. these objectives will (roughly) be as follows: 1. go through some dungeons and defeat their bosses, 2. claim the master sword, 3. go through another set of dungeons and defeat their bosses, 4. defeat the final boss of the game. (not necessarily in that order, although that order is the standard formula.) the ONLY time the player will be expressly pushed by supporting characters towards a certain action (excluding guide characters) is when the game is first presenting them with those objectives. in-between dungeons and other gameplay segments, there's no sense of urgency, no one pushing you onto the next task. this method of storytelling encourages players to take their time and explore the world they're in, which in turn helps them find the collectibles and puzzles traditionally hidden around the map that will make it easier for them to continue on. Skyward sword, as previously mentioned, experimented with breaking this formula a bit--its overworld was small and unlocked sequentially, so you couldn't explore it fully without progressing the narrative, and it gave players a "home base" to return to in skyloft which housed many of the puzzles and collectibles rather than scattering them throughout the overworld. This method worked... to an extent, but it also meant that skyward sword felt drastically different in its storytelling and how its narrative was presented to the player than its predecessors. this isn't necessarily a BAD thing, but i am of the opinion that one of zelda's strongest elements has always been the level of immersion and relatability its stories have, and the constant push to continue the narrative has the potential to pull players out of your story a bit, making skyward sword slightly less engaging to the viewer than other games in the franchise. (to address the elephant in the room, there were also obviously some other major issues with the design of sksw that messed with player immersion, but imo even if the control scheme had been perfect on the first try, the hyperlinear method would STILL have been less engaging to a player than the standard exploration-based zeldas.)
So when people say that botw was the first open-world zelda, I'm not actually sure how true I personally believe that is. I think a lot of the initial hype surrounding botw's open map were tainted by what came before it--compared to the truly linear, intensely restricted map of skyward sword, botw's map feels INSANE. but strictly speaking, botw actually sticks pretty closely to the standard zelda gameplay experience, at least as far as the overworld map is concerned. from the beginning, one of the draws of loz is that there's a large, populated map that you as the player can explore (relatively) freely. it was UNUSUAL for the player to not have access to almost the entire map either immediately or very quickly after beginning a new zelda game. (the size and population of these maps was restricted by software and storage capabilities in earlier games, but pretty muhc every zelda game has what would have been considered a large & well populated map at the time of its release.) what truly made botw different was two things; the first being the sheer SIZE of the map and the second being the lack of dungeons and collectibles in a traditional sense. Everything that needs to be said about the size of the map already has been said: it's huge and it's crazy and it's executed PERFECTLY and it's never been done before and every game since has been trying to replicate it. nothing much else to say there. but I do want to talk about the percieved difference in gameplay as it relates to the open-world collectibles and dungeons, because, again, i don't think it's actually as big of a difference as people seem to think it is.
Once again, let's look at the classic formula. I'm going to start with the collectibles and lead into the dungeons. The main classic collectible that's a staple of every zelda game pre-botw is the heart piece. This is a quarter of a heart that will usually be sitting out somewhere in the open world or in a dungeon, and will require the player to either solve a puzzle or perform a specific action to get. botw is the first game to not include heart pieces... TECHNICALLY. but in practice, they're still there, just renamed. they're spirit orbs now, and rather than being hidden in puzzles within the overworld (with no explanation as to how or why they ended up there, mind you) they're hidden within shrines, and they're given a clear purpose for existing throughout hyrule and for requiring puzzle-solving skills to access. Functionally, these two items are exactly the same--it's an object that gives you an extra heart container once you collect four of them. no major difference beyond a reskin and renaming to make the object make sense within the greater world instead of just having a little ❤️ floating randomly in the middle of their otherwise hyperrealistic scenery. the heart piece vs spirit orb i think is a good microcosm of the "it's too different" criticisms of botw as a whole--is it ACTUALLY that different, or is it just repackaged in a way that doesn't make it immediately obvious what you're looking at anymore? I think it's worth noting that botw gives a narrative reason for that visual/linguistic disconnect from other games, too--it's set at minimum TEN THOUSAND YEARS after any other given game. while we don't have any concrete information about how much time passes between new-incarnation games, it's safe to assume that botw is significantly further removed from other incarnations of hyrule/link/zelda/etc than any other game on the timeline. It's not at all inconceivable within the context of the game that heart pieces may have changed form or come to be known by a different name. most of the changes between botw and other games can be reasoned away this way, because most of them have SOME obvious origins in a previous game mechanic, it's just been updated for botw's specific setting and narrative.
The dungeons ARE an actual departure from the classic formula, i will grant you. the usual way a zelda dungeon works is that link enters the dungeon, solves a few puzzles, fights a mini boss at about the halfway point, and after defeating the mini boss he gets a dungeon item which makes the second half of the dungeon accessible. He then uses that item in the dungeon's final boss fight, which is specifically engineered with that item in mind as the catalyst to win it. Botw's dungeons are the divine beasts. we've removed the presence of mini-bosses entirely, because the 'dungeon items' aren't something link needs to get within the dungeon itself--he alredy has them. they're the sheikah slate runes: magnesis, cryonis, stasis, and remote bombs. Each of the divine beast blight battles is actually built around using one of these runes to win it--cryonis to break waterblight's ice projectiles, magnesis to strike down thunderblight with its own lightning rods, remote bombs to take out fireblight's shield. (i ASSUME there's some way to use stasis effectively against windblight, mostly because it's obvious to me that that's how all the other fights were designed, but in practice it's the best strategy for that fight is to just slow down time via aerial archery, so i've never tried to win that way lol.) So even though we've removed traditional dungeon items and mini-boss fights, the bones of the franchise remain unchanged underneath. this is what makes botw such an ingenious move for this franchise imo; the fact that it manages to update itself into such a beautiful, engaging, MODERN game while still retaining the underlying structure that defines its franchise and the games that came before it. botw is an effective modern installment to this 30-year-old franchise because it takes what made the old games great and updates it in a way that still stays true to the core of the franchise.
I did mention totk in my opening paragraph and you mention it in your ask so i have to come back to it somehow. Do i think that totk did the gigantic-open-world thing as well as botw did? no. But i also don't really think there was any other direction to go with that game specifically. botw literally changed the landscape of game development when it was released. I KNOW you all remember how for a good year or two after botw's release, EVERY SINGLE GAME that came out HAD to have a massive open-world map, regardless of whether or not that actually made sense for that game. (pokemon is still suffering from the effects of that botw-driven open world craze to this day. rip scarlet/violet your gameplay was SUCH dogshit) I'm not sure to what degree nintendo and the botw devs anticipated that success, (I remember the open world and the versatility in terms of problem-solving being the two main advertising angles pre-release, but it's been 7 years. oh jesus christ it's been SEVEN YEARS. anyways) but in any case, there's basically NO WAY that they anticipated their specific gameplay style taking off to that degree. That's not something you can predict. When creating totk, they were once again walking that line between old and new, but because they were only 3ish years out from botw when totk went into development, they were REALLY under pressure to stay true to what it was that had made botw such an insane success. I think that's probably what led to the expanded map in the sky and depths as well as the fuse/build mechanics--they basically took their two big draws from botw, big map and versatility, and said ok BIGGER MAP and MORE VERSATILITY. Was this effective? yeah. do i think they maybe could have made a more engaging and well-rounded game if they'd been willing to diverge a little more from botw? also yeah. I won't say that I wanted totk to be skyward sword-style linear, because literally no one wanted that, but I do think that because of the insane wave of success that botw's huge open world brought in the developers were under pressure to stay very true to botw in their designing the gameplay of totk, and I think that both the gameplay and story might have been a bit more engaging if they had been allowed to experiment a little more in their delivery of the material.
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yeoosaangg · 7 months
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Three || Kinktober - Day 14
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pairing ▸ hwang hyunjin × lee felix × f!reader
now playing ▸ 3 - britney spears
⤷ ❝three is a charm, two is not the same. i don't see the harm, so are you game?❞
genre ▸ non-idol au, bfs!hyunlix, smut
warnings ▸ threesome, double penetration, throat fucking, gagging, drooling, dumbification, multiple orgasms, overstimulation
--------
You stare at the couple in front of you in disbelief. They weren't serious were they?
Y/n: Sorry, what?
Hyunjin: We want to have a threesome.
They're deadass serious.
Y/n: Why me?
Hyunjin: You're the only switch we know that's single. And we trust you a lot.
You sigh, running a hand over your face. This was a lot to process in the last fifteen minutes they've been at your place.
Felix wasn't even focused on your conversation. His attention was drawn to the way you were spreading your legs, thighs looking so tempting.
He wants to ride them.
Y/n: Fine. Let's do it.
They widen their eyes.
Hyunjin: You're agreeing?
Y/n: Obviously. It's been awhile since I've had sex, anyway.
Felix: Thank you, Y/n.
Hyunjin: What he said.
You chuckle, asking them to wait while you grab a couple contracts. They look at the documents like they've been served.
Hyunjin: What's this for?
Y/n: Tells me your kinks, limits, and gives me proof of your consent for what'll happen in my bedroom tonight. It's also a waiver about safety and potential injuries.
They admire your organized arrangement skills. This gives them an insight to how much you've prepared for your nightly meetings.
Felix: Um... Anal fisting?
Y/n: If it's not for you, cross it out.
You hand them pens and they get to work. They double check just to make sure they didn't miss anything and handed you the signed forms.
You look them over and highlight their similar choices. You smile and add them to the file cabinet in your study - you'll just organize it later.
Y/n: Great! Follow me.
They follow behind you and get confused when you pass your bedroom. You chuckle, opening the forbidden door with the key around your neck.
They gawk at the decorated guest room - no, sex dungeon - you have in your apartment. How the hell did you manage to build it?
Y/n: Ta-da! Welcome to The Devil's Pit where all your disgusting fantasies come to life. Look around and see if there's anything you like.
Felix's mouth waters at the sight. He rubs at his nipples through his shirt while looking at a wall of toys.
Hyunjin palms himself at the sight of some floggers near the back of the room.
Y/n: Don't worry about the toys, by the way. I gift the used ones to everyone I sleep with and replace them with newly bought ones.
You smirk when Felix eyes the pet play section.
Y/n: Like what you see, kitten?
He involuntarily mewls at your petname, covering his mouth in embarrassment.
Y/n: How cute.
Hyunjin: That's fucking hot.
Felix: Can I try them on?
Y/n: Be specific.
He points to the ears and tail combo - excellent choice.
Y/n: You need to be prepped first.
He clears his throat, rosy cheeks burning even more than earlier.
Hyunjin: He's already prepped. Wanted to be prepared just in case.
You smile and gesture to the bed. Felix does not waste time and sits on the edge of the sheet covered mattress.
Hyunjin grabs the ears and tail, walking over to you.
Y/n: Get naked.
Felix quickly strips himself of his clothing and let's you perch him on his lap.
Hyunjin: This is making my cock hurt, but in a good way.
Y/n: First threesome?
He nods, watching you carefully take the small plug out of his boyfriend's ass. He gasps when you stretch Felix's hole open with your fingers, grabbing the tail from him.
Hyunjin: Lix and I've been together since high school. Only just recently have we talked about exploring our kinks. Then we talked about threesomes, leading us to today.
You hum, nodding as you focus on the blond on your lap.
Felix arches his back and moans when you slowly insert the cold plug inside of him. He calms down when you massage the meat of his ass so he can get used to the bigger size.
Hyunjin: I might just cum watching this.
Y/n: That happens.
Hyunjin: You've done this before?
Y/n: Mhm. Threesomes, orgy parties, sexual massages. Though, that was mostly in the beginning stages of exploring my sexual likes and dislikes.
Felix yelps when Hyunjin smacks his ass.
Hyunjin: So pretty, baby. All worked up over someone else ruining your innocence.
Felix: Ears please.
The older boy chuckles and clips the ears onto a few strands of hair on his boyfriend's head.
Y/n: Have you ever bought yourself these, kitten?
He shakes his head, loving the way you knead his body with your soft fingers.
Y/n: They're all yours now, cutie.
Hyunjin can't take it anymore and gets naked himself. His red tip was leaking so much at the sight of his boyfriend looking so obedient.
Usually he's a bratty sub.
Felix: Can I have him in my mouth?
Y/n: Of course.
Hyunjin shoves his cock down his pretty boy's throat. The fact that he's taking it like a good boy has him spilling down his throat quicker than anticipated.
Y/n: You must have an amazing mouth on you, kitten. Want to show me just how good you can make me feel?
Felix nods when he slides off his boyfriend's cock with a pop. He crawls off and helps you out of your clothes - with permission of course.
Y/n: And you-
Hyunjin tilts his head and listens to you attentively. It's interesting to see since he's stated in the contract that he's a hard dom.
Y/n: If you want to take control over me, you're gonna have to do a lot better than that. I don't submit to just anyone.
It's almost like you just helped flip a switch in him as his cock hardens once again. He grabs your hair and forces your mouth onto his throbbing dick.
You moan, Felix starting to suck on your clit. He rolls his tongue around and slides up and down your folds. He wants to make you cum.
Hyunjin abuses your mouth and grins when you relax for him. He got you to submit, with help from his boyfriend whose face is buried in your cunt.
Felix's small fingers work you open, his knuckles disappearing into your gummy walls with determination to make you squirt.
Your moan is muffled when you cum all over Felix's face and fingers. He cleans everything up, loving the way you taste.
He's never been with a girl before, let alone sexually. He's always known he was bisexual but never got the chance to explore that.
But he does, in fact, love Hyunjin more than anything in this world.
Hyunjin: I'm gonna cum again, fucking hell.
He shoots another load, but down your throat this time. He moans when you swallow each spurt while his cock is still in your mouth.
Felix: Did I do a good job, Y/n?
You pull away from Hyunjin and nod down at the pretty boy.
Y/n: You did so good, kitten.
He smiles and preens at your touch. He kisses your palm when you caress his cheek.
Y/n: So, how are we fucking?
They look at each other, not knowing what you mean. You chuckle, pulling Felix up and onto our thigh.
He unconsciously starts to rock his hips back and forth, making his earlier fanstasies come to life. Your thighs are so warm and big, he's a whining mess.
Hyunjin: Maybe I'm doing something wrong. He's usually a bratty kitten.
Felix gasps and moans, not used to Hyunjin calling him that. They're still getting used to adding more to their sex life.
But he fucking loves it.
Y/n: I have something you don't - experience. The more you guys get used to your dynamic, the easier it'll be for Felix to become an obedient little pet.
He whines at your filthy words, humping your thighs even harder. He's about to cum.
Felix: I wanna cum. Please let me cum.
You coo, smacking his ass cheek and massaging the sting away.
Y/n: Beg Hyunjin for it.
He pouts but turns to his boyfriend who raises a teasing eyebrow. He's going to love this.
Felix: Don't wanna. He's a big meanie.
Y/n: Is that so? Then I guess you can't cum.
You stop his hips from moving and he whines, throwing a little tantrum. He's only ever a brat with Hyunjin because he doesn't give in right away to his wants.
Felix: Daddy, can I please cum? Want to feel so good on Mistress' thigh. Feels so good. Please, please, please!
Hyunjin chokes at being called Daddy. His boyfriend has never called them that since they started having sex.
Y/n: Look at that, kitten. His cock loved the sound of that. Call out to him again.
Felix: Daddy, please! It hurts so much.
Hyunjin: Fuck, baby. Go ahead. Ride her thigh and cum for Daddy.
You remove your hands so he can move again. Felix grabs onto your shoulders and roughly humps your thigh until he's a babbling mess.
You grab his cock and use his momentum to help him cum all over your bodies. You lick your hand and they both moan while looking at you.
Y/n: Again, how are we going to fuck?
They forgot about your earlier question. They truly don't know how to go about this.
Y/n: Do you guys trust me?
They both agree with you immediately, making you smile. You'll make sure their first threesome is one they'll never forget.
Y/n: Lay down on the bed, kitten.
He does as told, silk sheets engulfing his frame.
You climb over him, aligning the tip of his cock near your pussy. You sink down, taking all of him in. He has such a big dick for a sub, it's surprising.
He was gasping at the new and unfamiliar feeling of your gummy walls swallowing his cock whole. He's never had such an overwhelming sensation around his cock.
He's practically a virgin with how he's never fucked anyone. Hyunjin's the one that he's been with.
Y/n: You've really never had sex like this, kitten?
He shakes his head, tears streaming down his face. This was exceeding his expectations more than he'd thought. He never knew someone could get so pussy drunk.
Hyunjin: You take him in so well, Y/n. Makes me a little jealous it ain't my cock inside you.
Y/n: Which reminds me. Get the lube in that dresser over there.
He does as told and watches you lean over Felix, asshole on display for him.
Y/n: Open me up and fuck me. You can control our pace with your thrusts.
His jaw was basically on the floor right now. He can be inside you at the same time as Felix and have complete control over both of you?
Sounds like heaven.
You kiss all over Felix's face, hoping to distract him from the overstimulation. He's never felt so good and you're not even moving.
He can't wait until Hyunjin mounts you.
You roll your eyes to the back of your head when Hyunjin shoves a finger into your asshole. He works you open until three fingers are stretching you to perfection.
Y/n: Add more lube and shove your cock into me, please. Felix is getting impatient.
He removes his fingers and cimbs over you. You arch your back a little more as he slowly sticks his throbbing dick inside you.
You scream at being so full and double stretched out. Hyunjin waits a few after bottoming out.
Felix: Daddy, please move. Want to cum inside Mistress so bad.
Hyunjin: Me too, kitten. But she'll be in pain if I don't wait a bit.
Y/n: I'm a sado-masochist, Hyunjin. I'll be fine.
That makes both of them feel some type of way, but they push it aside and focus on the moment.
Hyunjin starts to set a pace, watching both of you squirm underneath him.
Y/n: Oh, fuck! Faster, please.
Felix: Yeah, Daddy. Please move faster.
And who is he to deny both of you?
He snaps his hips at an insanely quick pace, it has both you and Felix seeing stars.
Felix was lying on his back, no energy to even move anymore while you try your best not to collapse on top of him from being fucked so good.
Hyunjin: Look at you two, such pathetic little sluts. Is my pace too much for you both?
Y/n: So much. But so good.
Felix can't even talk anymore, drool pooling down the side of his face. He was officially deep in a new head space, one you're all too familiar with.
Y/n: Aww, look at your boyfriend. Think he'll meow for us?
An immediate response to your words makes Hyunjin cum deep into your ass. Felix keeps purring when you rub your nose against his pulse.
You feel him twitch inside you, cumming deep into your warm cunt. Hyunjin doesn't let up until after you squirt all over them.
He carefully pulls out from you, grabbing two plugs. He shoves one in your hole; he wants to keep their cum inside you for as long as possible.
Felix whines when you lift yourself off and lay down next to him. You flinch when Hyunjin shoves another plug into your leaking cunt.
Hyunjin: My bad.
Y/n: S'okay. Come lay down.
He gets on the other side of Felix, kissing all over his fucked out face.
Hyunjin: Is he okay? Did we do too much?
You shake your head and rub soothing circles on Felix's pelvic area.
Y/n: He's in what we call sub space, or in his case, kitty space. He'll be fine, but I'm guessing it's his first time?
Hyunjin nods and coos at Felix's cute noises.
Y/n: He might be like this for a while. So it's best to take care of him until he comes back from it. What about you, are you okay?
He hums, looking at you with a happy smile.
Hyunjin: Yeah. Thank you for this, Y/n.
Y/n: No problem. Though, you did a horrible job in keeping me submitted to you.
Hyunjin: Cut me some slack, I'm new to this.
You laugh, running your fingers through Felix's hair. He purrs again, closing his eyes so he can sleep. His heart feels warm and content.
---
a/n: yall ain't gonna believe when i say i wrote all these fics in the last fifteen minutes... we'll see how far i get before sleep eats me alive. thanks for reading ‹𝟹
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abeinginsand · 8 months
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Dndads Color Wheel Challenge (A summarized description is in alt and detailed one is below)
[id: A colored digital drawing of a completed color wheel art challenge using dungeons and daddies podcast characters. There are two to three characters assigned to each of the eight color zones and colored in the selected colors hues. Taylor and older demon Glenn are in the red zone on the the top left with their swords. Nicky is reaching out of the orange area on the top right of the circle to ruffle his child's hair and Taylor's tail is wrapped affectionately around his arm. Paeden is behind Nicky while jumping up in the air. Scary is sitting down with arms crossed in the pink zone with Erica twirls a horse shoe behind her. Hero is riding her pizza delivery scooter in the purple area while Terry Junior holds out a lunch bag off to the side. Scam is a dark silhouette on the other side of Hero. Two phones surround him with the curling phone cords bordering each side of the purple area. In the dark blue section is Stud Stampler with his back facing the viewer. A film reel is curled around him and Jodie the hell king. The flames around Jodie are burning the film. Normal is hanging off the intact middle of the film reel and grinning with the Teeny mascot head beside him in the light blue zone. Mae Hailes is sitting with her phone in the same area. Erin and Sparrow are in the green area with leaves, flowers, and grass surrounding them. Lincoln has one foot in the green area and the rest of him is running in yellow. He breaks the film reel that is partly curled around Hildy. She is looking back down the film reel trail over to her friend Stud and her descendent Normal. End id]
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txttletale · 10 months
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Could you try to explain what you mean by your post about only engaging with one specific cross section of a medium in a bit more detail? It sounds interesting but I'm not sure I quite understand what precisely you mean by it. Only if you want to and have enough time of course <3
the archetypal example is fanfic writers who only read other fanfiction (specifically a certain milleu of shippy, fannish fanfiction) -- but i don't like using that example in isolation because it's usually accompanied by a load of silliness about how That Damn Ao3 Is Rotting Kid's Brains or whatever. and it's not a phenomenon unique to fanfiction, which is why i was so broad in my original post -- off the top of my head some prevalent examples are shonen anime made by people who only watch shonen anime, or prestige iowa-workshop literary fiction made by people who only read contemporary literary fiction, or tabletop RPG stuff made by people who have only played dungeons & dragons.
& again because these kinds of statements are often included with this sort of judgemetnal moralizing tone i want to be clear that i don't think that these type of media engagement habits are moral failings or intellectually degenerative or whatever. but nihil sub sole novum--all art is recombination. i am a strict materialist--i do not believe that 'ideas' can come from anywhere but your influences--i do not think there is such a thing as autocthonous self-generated 'originality'. and the more ideas and influences and concepts you have in your mental and artistic toolbox to recombine, the easier it is to create something good and interesting and powerful. and if you have a very narrow and blinkered field of media interest, that toolbox is going to just be dozens upon dozens of the same tools combined in the same way--often producing copies of copies of copies of an idea that have lost any impact or intent the original idea had.
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afewproblems · 1 year
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Part Four: Final Part Four Mean!Eddie Misunderstandings Au
Part One, Part Two, Part Three, Read in full on Ao3
Thank you to everyone that cheered me on @samcoxramblings for your kind words on every post! @flowercrowngods and @barbariansteves for your helpful advice and @zerokrox-blog for your original prompt waaaaay back in February, I'm sorry this took so long but I hope you finally get the comfort you wished for!
***
The kids demand two weeks to prepare for their Hellfire session, insisting that they need this time to debrief Eddie and come up with their game plan, which is fine by Steve.
It also gives him two weeks to decompress from his last interaction with the kid's Dungeon Master, and time to try and untangle exactly how he feels about the whole situation. 
It was nice for things to start moving back towards something resembling normal. The kids seemed happier, even going so far as to begin splitting their time between Eddie and Steve once again. Asking for rides to the hobby shop in Indi from their resident metal-head rather than Steve. It was nice to finally have a little bit more time to himself again.
Even Robin, who had previously been steadfast in her Anti-Eddie stance, had suddenly grown rather tight-lipped about the whole thing.
She had even offered to accompany Steve on his errands for the day they scheduled their Hellfire meeting, citing that she was always up for a grocery run and he may need help bringing everything in.
Which, in hindsight, should have been Steve’s first clue that something strange was going on. 
“So, you ready?” Robin hums as they walk up and down the canned food aisle of Marsh Market, “you can still back out you know?”
Steve smiles and grabs a box of onion soup mix, he’s fairly certain he has some sour cream at home to make a dip of some sort, much easier than the last snack he tried to prepare for the group. 
“Yeah, Robs, I know, I think it should be fine,” he crosses off the soup mix on his list and turns the cart around the empty aisle to head towards the produce section, “the kids are already setting up now so the only thing I need to do is be there,” he shrugs and stops in front of the humming displays. 
Steve waits until the misting stops before reaching for a bag of mini carrots and tossing them into the cart. 
“Can’t believe you trust Henderson to have a key, I can’t believe you hold us at the same level of trust!” Robin grumbles under her breath as she picks up a granny smith from one of the bins and rubs it on the rolled up sleeves of her navy blazer; it’s just slightly too big for her, most likely stolen from her dad’s closet. 
Steve rolls his eyes and continues pushing the cart around the produce area, "careful Birdy, you roll those up anymore you're actually going to turn into Don Johnson". 
"I should be so lucky," she snarks back as she catches up to him by the celery.
She tosses the apple back and forth between her hands, nearly dropping it twice before placing the produce into the cart under Steve’s unimpressed gaze. 
She starts snapping her fingers and shuffling her feet as they continue walking up and down the aisles, going through their list bit by bit. Steve finds himself watching his friend’s nervous fidgeting with curious eyes, it was just a grocery trip, there shouldn’t be anything to really make her act like this, right?
He takes a quick glance around at some of the employees stocking the aisles, in case Vickie or some other pretty classmate of Robin’s is wandering around. 
But, they’re alone.
“Are you sure you don’t need anything else?” Robin asks, as Steve folds up the list and turns the cart towards the check out tills.  
She tips the small watch she’s wearing up to her face, her eyes flit back and forth between Steve and the watch as she chews on her bottom lip, which is more than a little odd.
The kids are already at the house and Eddie and the rest of the Hellfire gang won’t be arriving for at least another hour, they have plenty of time?
Robin steps away from the cart and throws her thumb over her shoulder at the chip aisle, “you do realize that you’re going to have like ten teenagers at your house right? You think veggies and dip is enough?”
“I’m ordering pizza later, I think this is fine?” Steve says slowly, gesturing at the cart, confusion and suspicion saturate his words as his eyes narrow at his friend. 
“Robin,” Steve murmurs, walking the cart closer towards her, “what's going on?”
“Nothing, why would you --nothing!” She stutters as her freckled face pales slightly. 
Steve smirks, Robin is probably the worst liar he’s ever met, and it's always endearing whenever she tries. 
The last time she had lied to Steve, it had been about the mascara wand she had dropped onto the passenger seat, staining the leather just slightly, and smearing the black makeup all over the floor covers. 
Robin had panicked and insisted that had been there before she had sat down.
Steve had been sitting in the car with her at the time.
He knew a Robin lie when he saw it, but he also knew it wouldn’t take long for her to crack. 
“Okay!”
There it is.
“Listen,” Robin hisses sharply, she steps closer until she’s nearly whispering in his ear in the empty chip aisle, “I’m stalling you okay?”
“Probably not something you should be telling the person you’re stalling but okay?” Steve snorts as he leans onto the cart handle, “also, this was the worst place to go to stall us, it's two in the afternoon on a Wednesday, no one else is here”.
“I know!” Robin groans, letting her face fall into her open hands, she slowly lifts her face once more and lets her fingers drag across her forehead and cheeks, pulling at the skin, “I should have said no, I wanted to say no, but they used Will--”
Steve nods, “and you can’t say no to Will, yeah I gotcha”.
The words register after a beat.
“Wait, backup, the kids put you up to this? The unsupervised shitheads in my house right now?”
Robin nods, her blue eyes wide and the barest of smirks still covered by her hands.
“Oh christ,” Steve mutters under his breath, “do I even want to know?”
Robin drops her hands away from her face and scowls for a second before sighing, “I would absolutely love to tell you,” she shakes her head and looks up at the ceiling, “better yet, I’d love to just take you to Indi for the day, forget about this completely, but those God Damn kids know exactly what to say,” she looks at him once more in barely concealed exasperation, “how do they always know what to say?”
“How angry do I need to be, on a scale of like one to ten?” 
Robin stares at him consideringly, her eyes scanning his face, “I mean, if I were you, it would be at like, a hundred,” she says eventually, “but since it’s you?”
“Maybe a four”.
Steve nods and drums his hands on the cart handles, blowing out a long slow breath as he makes his decision, “how much more time do they need?”
Robin looks at her watch again and smiles this time, “Well this bought them another five-ish minutes, so maybe another half hour?”
She reaches into her pocket and pulls out a crumpled five dollar bill, “come on, I’ll getcha a coffee or something?”
“Wait, do I even need these snacks? Robin?”
Robin was wrong, this at least warranted a five for the groceries alone. 
***
The drive back is uneventful, Steve did end up going though check out, rationalizing that, no matter what, he needed some veggies for the rest of the week so there were worse things he could have spent the money on. 
Robin had bought him a coffee from the gas station down the road. There wasn't enough creamer in the world to make that palatable so he leaves it in the cup holder while driving back. Even with a hot chocolate Robin hasn't fared much better. 
"Okay, well that's the worst five dollars ever spent," she groans after taking a sip. Robin wrinkles her nose and sets the cup in the other empty holder beside Steve’s before sneaking a quick look at her watch once more, “worth it though,” she says with a small smile.
It slides off her face after a moment when she realizes that they’ve turned down her street, “Steve?”
He looks between her and the road, tilting his head as she touches his elbow gently. 
“You can just come over you know, you don’t have to do anything you don’t want to and that includes letting people force you to--” Robin snaps her mouth shut with an audible click of her teeth. 
She shakes her head and takes her hand back, “sorry, I promised not to say anything”.
Steve pulls over onto the Buckley’s driveway and finally turns to face Robin as much as the driver's seat will allow. 
“Still sure about this whole thing only warranting a four?” he asks softly as a bubble of anxiety begins to expand from his stomach and into his chest, as though he’s absorbed her nervous energy over the course of the afternoon.
Robin shrugs, “I don’t know, but,” her blue eyes bounce back and forth between his own, “just don’t let them make you make a decision you’re not ready for,” she chews her lip again, “no one gets to push you around but me”.
Steve laughs as Robin leans out of her seat to give him a quick, but firm, hug before she opens the door and steps outside. As soon as she’s out of the car, Steve wishes he had asked her to stay, to come with him and hold his hand through the unknown. The bereft, hollow feeling from before returns in full force as she walks up to her front door. 
She turns around and holds up her thumb and pinky as she lifts her hands to her face, mouthing, ‘Call me later,’ as she waves with her other hand. 
She stays outside as Steve slowly reverses, hesitating on the street for just a moment as Robin walks backwards the rest of the way to her door, she moves her hands, motioning for him to get going. 
Steve nods once and takes a deep breath as he shifts into drive and heads down the street.
It’s just the kids, he tells himself, how bad can it be?
***
By the time Steve pulls into his driveway, he’s nearly turned around to retrieve Robin and insist that she come with him at least five times. Even now as he pulls the emergency brake for the slight incline of the Harrington driveway, he considers starting the car again and leaving. 
The last time he felt this anxious to be home was after graduation, after he’d been rejected from every school he’d applied to and knew there was no getting around that conversation with his dad. 
That conversation had ended with the crack in the table, a hastily completed Scoops application, and his parents leaving for three months. 
If it hadn’t happened he wouldn’t have met Robin, so at least there had been a silver lining on that occasion. 
He’s not sure if there will be one this time.
Steve gets out of the car before opening the back door to grab the paper grocery bag from the store, he leaves the full coffee and hot chocolate cups with a grimace and makes a mental note to throw them out later before locking the car door. 
Steve slowly makes his way to the steps, balancing the bag on his hip as he rifles through his pants pocket for his house key. 
He looks around the street and spots Eddie’s van parked a few houses down. Great.
Steve knew that Eddie and the others would be showing up around now, even before Robin went ahead and spilled the beans about whatever it was the kids were secretly doing, but he had still hoped for a moment to just breathe before he had to face the inevitable.
Steve takes a deep breath and grabs the door handle, scoffing as it opens immediately. He makes a second mental note to scold Dustin for leaving the door unlocked for just anyone to come in --especially since the rest of Hellfire was already here apparently.
“Hey assholes, the snacks are here,” Steve calls out as he steps over the threshold, tossing his own keys into the dish on the side table. 
He kicks the door closed and locks the deadbolt with a roll of his eyes, “and I do include myself with that statement,” he adds under his breath with a smirk.
Steve slides off his shoes and pauses, looking around the foyer.
It’s quiet.
Where there is normally an abundance of yelling and laughter, of the kids arguing amongst themselves, or Eddie’s usual dramatic storytelling, there’s nothing. 
Steve walks into the kitchen and puts the bag onto the counter, “guys?” he calls out again, only to be met with silence. 
Steve makes his way into the dining room through the swing door and stops in his tracks.
The table is gone. 
“What the fuck?” he hears himself whisper as he walks into the middle of the space, nearly into the hanging light in the center of the room --he’d never noticed just how low it was, what with the table that was normally there to stop him from walking directly into it.
“What the fuck?” Steve hisses again, his heart starts to race as he steps around the light and spots the open sliding door to the backyard. 
“If you little fuckers decided to move my grandmother’s table when there is a perfectly good patio table out there, I swear to Christ--” 
But the kids aren’t outside either. 
Eddie freezes as Steve walks around the corner of the house, he’s standing next to the dining table with a piece of sandpaper in his hands.
“Steve,” Eddie squawks in surprise, quickly hiding the sandpaper behind his back, “hey!”
Steve’s not entirely sure just what he’s looking at as he takes another step further into the yard. Eddie’s normally black ripped jeans are covered in a fine layer of dust, his wild curls have been pulled back into a messy ponytail away from his face, and an open container of wood filler sits beside him on the concrete patio.
Steve takes another four steps until he’s close enough to touch the wooden surface, his mouth hanging open as he takes it all in. 
The surface of the table has been sanded down in its entirety, removing the beautiful deep cherry varnish, but the crack in the center has been mended, some kind of slightly darker putty has sealed the gaping wound that had marred the surface. 
“Can you,” Eddie’s voice shakes, drawing Steve’s attention once more, “can you please say something, I can’t tell if you’re mad or what?”
“You fixed it,” Steve whispers, his eyes fixed on the table, he reaches to run a shaking hand over the surface.
“Careful,” Eddie says softly, grabbing Steve’s hand before it can touch the center with long sure fingers, “that still needs about an hour or so to cure”.
Steve looks from the table to his hand, still cradled in Eddie’s own, before looking up to see two big brown eyes staring into his own. 
“I don’t understand,” the words come out in a whisper as Steve swallows around the sudden lump in his throat, “why?”
“Well,” Eddie murmurs as he squeezes Steve’s hand once before threading their fingers together and dragging Steve towards one of the pool loungers in the grass.
Eddie sits down and pulls Steve with him to sit, he feels a deep flush begin to wash over his neck and the tips of his ears, it's impossible to hide in the bright sunlight this time --not that he’d even be able to with Eddie’s firm grip on Steve’s hand.
“Those kids of yours are pretty genius,” Eddie says slowly, deliberately, his gaze never wavering from Steve’s face, “and they love you so fucking much man”.
Eddie clears his throat and rubs his thumb over Steve’s knuckles, “and there seems to be some confusion about how I actually feel about you, so allow me to uh, lay it all on the,” he gestures with his free hand towards the dining table and smirks, “well you know”.
Steve feels his heart leaping out of his chest, he can’t sit here, listen to this, he’s heard it before, it isn’t real.
Steve moves to stand up from the lounger but Eddie is faster as he manages to grab Steve’s other hand, holding him in place.
“Eddie--”
“You said no one had ever bothered before,” Eddie barrels on, speaking so quickly that Steve hardly understands at first. He squeezes Steve’s hands lightly again, the skin warmed metal from Eddie’s rings press into the palms of Steve’s hands.
“No one’s ever tried to fix it, have they?” Eddie breathes out as his eyes flit back and forth, searching Steve’s own, “would you let me try?”
For a moment, Steve lets himself just sit with the words. 
Lets himself indulge in the soft, almost reverent way that Eddie asks. He lets the warmth of Eddie’s hands tether him to something resembling hope.
Before he shakes his head.
“You don’t know what you’re saying Eddie,” Steve growls, but the words lack any true bite.
“I know exactly what I’m saying,” Eddie insists, he gets up from beside Steve and kneels in the grass in front of him, “but I don’t think you do, I think we’ve been talking past each recently Steve, and it took speaking to a bunch of people --way smarter than me, to realize it. So here it is--”
“Don’t,” Steve shouts at the same time that Eddie whispers, “I like you,” and for a moment neither moves. 
Steve slowly takes his hands out of Eddie's now slack grip. 
He lowers one hand down to the edge of the pool lounger, gripping it so harshly that his knuckles slowly fade to white, while the other he brings up to cover Eddie’s mouth.
“Don’t say something you can’t take back,” Steve says softly. 
Eddie just stares for a beat, his forehead pinched in a terrible frown, before he reaches up to cup Steve’s cheek and gently removes the hand covering his mouth. He smiles softly and lets his thumb gently run over the crest of Steve’s cheekbone.
“Good thing I don’t want to take it back,” Eddie insists, he slides the hand on Steve’s cheek down to hold his chin firmly between two fingers.
“Steve,” Eddie lifts himself up so he’s balancing on the balls of his feet, just high enough that they are at eye level now, “I spent a very long time holding onto things that weren’t even remotely true, and they made me act like an asshole, I can’t tell you how sorry I am for that sweetheart”.
“What if you change your mind, what if I--”
“Steve, what the fuck could you do at this point that would shock me?" Eddie says with a derisive laugh, he lets go of Steve's face to press his hand briefly to his own chest. 
"I’m a drug dealing, satan worshiping, murderer who almost ate it in another dimension from killer demon bats".
Eddie grins as he peppers his speech with air quotes but the edges of it are jagged, and the good humour doesn't quite reach his eyes.
Steve breathes out sharply through his nose and shakes his head, “I get angry sometimes, I say things I don't mean, I…" 
He sees himself surrounded by ceramic shards again, crying as he sweeps up his own mess, and shudders.
It's enough for Eddie to nod, and shuffle closer still.
"Pot," Eddie says softly as he pokes Steve in the sternum with this pointer finger and then brings it around to point at his own face, "kettle". 
Steve chews his bottom lip as his thoughts swirl together and fly apart, disjointed and frenetic, "I just," he swallows around a harsh lump that begins to form in his throat, "I don't want you to think that I'm something that I'm not”.
Steve closes his eyes, missing the way that Eddie freezes at the words, but he can’t stop now --he has to get this all out or he’ll never be able to.
"That I've changed, that I'm this thing you've built up, for your sake, because let me tell you, it's pretty heartbreaking when everything you hoped was real turns out to be all in your head".
Steve opens his eyes as Eddie makes a sound like he’s been punched in the gut. 
He’s still kneeling in front of Steve, even closer now, almost close enough that Steve can count the light dusting of freckles on his nose, and it feels like his heart will burst at any moment. 
Fuck it.
"I've been halfway in love with you since you woke up from the hospital," Steve blurts out, “only to find out that you didn't feel even remotely the same about me, this whole time,” he breathes in shallowly as Eddie pales.
"I don't think I could take it if that happened again Eds,” Steve continues as he drops his gaze to his knees, “I think it would crush me".
"That's why I don't want you to say something you can't take--"
The words die on his lips as Eddie grabs his face and kisses him.
It’s harsh and clumsy, their teeth clack as Eddie loses his balance, pushing himself into Steve. They fall over the lounger, Steve’s shoulders and lower back hit the metal  frame hard, forcing a muffled groan out as Eddie falls on top of him with his own faint, ‘oof’.
Eddie tries to raise himself up by his hands before falling even further as one of his hands slips through the rubber slats of the chair and he crashes into Steve's stomach.
Eddie babbles a string of incomprehensible apologies as he frees his trapped hand and manages to gently straddle Steve. Eddie hovers over him and lifts his hands to cup Steve's face.
“Shit baby, are you okay? Fuck, that’s not how I wanted that to go at all, I’m so shit at this”. 
“Can we, can you get off and then we can get off the stupid chair?” Steve wheezes as he tries to catch his breath and shift his weight away from the metal still pressed into his back, “lets go inside, we can..talk about this”.
Eddie curses under his breath, his expression nervous, and moves his legs off of Steve and the chair before holding a hand out to help Steve to his feet.
Steve rubs his back as he leads the pair back inside through the sliding glass door, not daring to turn around and face Eddie. 
He feels his own mortified flush spread across his chest and neck and winces; this is probably the most he’s blushed in years all in the span of a single afternoon.
He kissed me, he kissed me, he kissed me, plays on a seemingly endless loop in Steve’s head as he walks into the house, he can’t help the wide smile that blooms over his face --despite the other, darker thought that whispers in his ear, be careful, be careful, be careful.
Steve takes them through the empty dining room and into the living room before dropping onto the couch with another low groan. He looks up as he realizes that Eddie is no longer beside him.
Eddie stands in the entryway to the living room, he’s holding a thick handful of hair over his mouth and watching Steve carefully.
“Can’t talk with you all the way over there,” Steve huffs. 
He tries for a smile but the effect is lost as Eddie continues to stand and stare at him, looking as though he could bolt from the house at any moment.
“Please come here Eds,” Steve tries again, his voice small. He takes a deep breath, if Eddie can be brave so can you, he thinks as he holds out his hand.
Eddie hesitates for just a moment more, his eyes flick beyond Steve to the hallway linked to the foyer and back, it’s so quick Steve nearly misses it. 
Still, he keeps his hand steady, holding it aloft.
Eventually Eddie takes a tentative step, then another, slowly moving forward until his fingers brush Steve’s own. He takes a seat next to Steve on the plush gray couch but doesn’t relax as Steve turns his body to face him. Eddie tenses even further as Steve gives his hand a gentle squeeze.
He opens his mouth to start but Eddie beats him to it.
“I’m so sorry Steve,” Eddie whispers, his voice strained and thin as he takes his hand back, “I just fucking attacked you? Jesus, I," he cuts himself off, whatever he had been about to say trapped behind the teeth that dig into his bottom lip.
"I mean," Steve mumbles, hating the hunched line of Eddie's shoulders, "I tell you I've been in love with you for months and you kiss me, that makes sense to me?"
"Stop doing that," Eddie bites out as he stands up, slapping his hands on his knees to launch himself away from the couch.
He paces the living room, not looking at Steve and getting progressively more agitated as he walks.
"I apologize and then you turn it around on yourself, why do you do that? Just let me apologize!"
Eddie halts suddenly as he straightens and faces Steve, it's as though a lightbulb has blinked on in the ether as Eddie speaks his next words slowly and carefully, "stop letting me off the hook Steve, be honest with me".
"I have been honest with you," Steve tries but Eddie shakes his head.
"Nope, you've told me some of your stuff today, but not why you keep downplaying everything, why you're not just telling me you're upset, it's like you're censoring the stuff you think I don't want to hear, come on”.
"My stuff," Steve mutters under his breath as a hot flicker of irritation licks at his ribcage.
"Yes," Eddie says, throwing his hands into his hair in frustration.
"Everybody censors themselves Eddie, you think I tell the kids everything? That I've told Robin everything?"
At this Eddie blanches, surprise etched over his forehead as his eyebrows climb into his wispy bangs.
"But Robin--"
"Knows enough, but not everything,"Steve scoffs as he crosses his arms over his stomach, "and she doesn't need to".
Robin may know his parents are hardly around, she may have formed her own opinions, assumptions about what she thinks is going on; but Steve has gotten very good at hiding these things -especially over the years. 
Pulling out the King Steve persona, make them laugh, make them mad, watch this hand while the other pulls the wool over their eyes. 
"Then tell me," Eddie says softly, but there is a challenge to his words. 
He shifts his stance slightly, putting more weight on his left leg as he cocks his hip out to the side, "shock me Harrington". 
Steve shifts on the couch, feeling pinned under Eddie's gaze, before swiping a tired hand over his face and dropping it into his lap.
"That crack in the table happened just before I graduated," Steve says softly, his head tipped down so the words tumble into his knees. 
He ignores the sharp intake of breath from Eddie, not daring to look up as he continues,  "my uh, my dad opened the rejection letter from Vincennes, that one had just been delivered that morning I think". 
Steve breathes out slowly and picks at a hangnail on his left thumb, he hasn't ever spoken about this to anyone, he's never really managed to talk about his home life growing up without side stepping things. 
There had been moments where Steve thinks Tommy and Carol might have had their suspicions, but they never asked and Steve wasn't in a position to talk about it.
"I think that was at the beginning of June, so, so his logical conclusion was to uh, go looking for the other letters, the ones I must have received already". 
Steve barks out a laugh, but the sound rings out hollow in the large living room, he startles slightly as the couch dips down next to him as Eddie sits, close enough that his knees are brushing Steve's own.
He doesn't say anything, but it's enough for Steve to breathe out and keep going.
"And he found them, my dad, in the shoebox I kept in the back of my closet". 
"I don't know why I had even kept them," Steve shakes his head, "I should have thrown them away".
Steve absently traces a faint white line across his temple, staring past his knees into the patterns of the ornate area rug, "I got home from school and he had the letters waiting for me". 
"He laid them all out on the dining table," Steve sweeps his hands out, setting the scene in his head, "like you see in those detective movies right? He just needed some string to connect them all to me". 
Steve shivers and closes his eyes, the words still echoing fresh in his mind, the hot spittle that hit his face as his father cornered him against the wall still makes him flinch if he thinks about it too hard.
"He asked when I was planning to tell him about the rejections, and I couldn't give him an answer," he reaches up and pinches his nose, just once, blinking a few times as he wills away the gathering moisture.
"I didn't raise you to be this way Steven, like some fucking ungrateful coward --look at me when I'm God Damn talking to you!" Richard seethes as he slams the flat of his palm into the center of the table, his Harvard class ring splitting the wood as it connects with a loud crack.
Richard doesn't look down, his hand slides to one of the letters, snatching it from the surface as he steps around the table, towards Steve, in three sure strides. He backs his son towards the wall, looming over Steve as he shoves the paper into his face in one hand while the other grips the collar of Steve's T-Shirt.
"What will people think, huh, our only son didn't get into college, Hagan got in for chrissakes," his dad shakes him once, forcing Steve's head to connect with the wall, "what am I supposed to tell people Steven, what are we going to tell your poor mother?" 
"I thought that Wheeler girl was supposed to be smart, tutor you or something," Richard scoffs as he finally lets go of Steve's shirt collar, "or did she finally come to her senses?"
Steve sneers before he can stop himself, "I didn't think you were even around enough to see that dad--"
The blow comes swiftly, catching him across the temple, his father's class ring comes out to play once again as a hot burst of pain blooms across the entire left side of his face from the backhand. 
"Don't you ever speak to me that way again, you want to be a big man Steven? Just see what happens". 
Steve blinks once, coming back to himself, "my dad, um, he has a problem with anger, with uh, expressing it I guess".
"But that isn't what this is about," Steve whispers, and this time he can't keep the wobble from his voice as he speaks.
"I'm afraid, I'm just like him, that I could do what he did if I got upset enough, and you," he breathes out sharply but the sounds more like a sob than anything else, "you want me to be honest?"
Steve finally lifts his eyes up to meet Eddie's own. Eddie, who looks as though he wants to melt into the floor, his shoulders tense and his own eyes seem suspiciously shiny as they stare back at Steve.
"Why couldn't you be honest with me, huh?" Steve whispers, "from the beginning?" 
A tear breaks the surface, tracing down Steve's cheek. He manages to catch it roughly with the back of his hand before reaching up to press the heels of both his hands into his eyes --as though the pressure could stop the building deluge he knows is inevitable.
"I was so angry with you when you told me that you hadn't meant what you said in the Upside Down," Steve manages to speak through the tightening of his throat as he drops his hands back down into his lap, "that I smashed a plate in my kitchen after you left, I don't, I don't know what happened". 
His breath quickens suddenly and every other word comes out as a gasp, "but it's like my worst fucking fears h-have come true and I don't, I don't know what to do, I don't, I--" 
"Oh sweetheart," Eddie says softly as he reaches for Steve, pulling him into his arms with gentle fingers, "oh, I gotcha".
Steve lets himself be moved, for his head to be tipped into the crook of Eddie's neck and his body tucked into Eddie's chest. 
Steve tries to slow down his breathing, to stop the shuddering of his chest as he fights the tears. 
"It's okay," Eddie tries but Steve shakes his head.
"It's not," he bites out, the words taper off into a whine, "it's not--"
"Okay, you're right, it's not," Eddie says so softly Steve nearly misses it.
"I'm so, so, sorry Steve," Eddie murmurs into Steve's hair, holding him tighter as Steve finally gives in and lets himself cry. 
He's not sure how long they sit for, eventually Steve feels a steady hand card through his hair while the other strokes down his arms, he feels the tension in his shoulders begin to melt away and the tears slow to a gentle trickle.
"I'm an idiot," Eddie huffs out, the breath flutters Steve's hair, making him twitch at the sensation.
Steve reaches up and wipes at his face with tired hands. The skin feels warm to the touch and puffy around his eyes and his nose which refuses to stop running, he must look like an absolute sight right now, he thinks to himself with a grimace.
"You're not an idiot," he manages to croak, but Eddie's already shaking his head sharply, turning himself to look at Steve.
"Oh believe me, I've fucked up before, pretty spectacularly, but this takes the goddamn cake sweetheart". 
"And you're right," Eddie says slowly, carefully, "I shouldn't be harping on about you hiding how you feel when I'm the reason why we're in this mess".
Eddie chews his bottom lip, worrying it between his teeth before pulling away from Steve entirely as he reaches up to cup Steve's face between his hands.
"I'm sorry for not being honest with you Stevie, and I will spend every day trying to make it up to you if you let me?"
Steve looks at Eddie, really looks at him.
He takes in the drooped curve of his shoulders, the subtle pink of the tip of his nose and the glassy sheen in his brown eyes. The way his chest has stopped rising and he drops his hands away from Steve the longer he openly stares at the metal-head, the way Eddie anxiously spins and spins and spins the rings on his hands the longer he waits. 
It’s an easy decision to reach out and place his own hand on Eddies own, to halt the frantic movements with a gentle squeeze.
“So,” Steve says, grinning as Eddie finally looks up at him once more, "on a scale of helping to chauffeur the kids to finishing fixing the table, what kind of making it up to me are we talking about?"
The smile Eddie gives him is nearly blinding as he launches himself at Steve, gathering him up in his arms. His hair smells like sawdust and there's the barest hint of some kind of cologne that Steve can't place.
Eddie leans back into the couch cushions, laughingly wetly and taking Steve with him. The sound makes his chest ache as Steve realizes just how much he’s missed Eddie’s laughter. He buries his face in Eddie's neck as they cuddle into one another, letting themselves sit with nothing but the sound of the occasional car driving down the street outside or the humming of grasshoppers through the screen door to the backyard.
"For what it's worth," Eddie huffs, breaking the quiet, a hint of dimples revealing themselves as he smiles, "I've never met the guy, but from the sounds of it, you are the farthest thing from being like 'Ol Dick Harrington".
Steve says nothing but feels something in his chest finally unclench for the first time in weeks.
"Besides, there's nothing like a good plate smash every now and again Stevie," Eddie hums as he runs his thumb over the crest of Steve's cheekbone again.
"That's what Robin said," Steve mumbles, as he leans further into Eddie with a smile, "she came over that night, after". 
"A wise and terrifying woman," Eddie says sagely, "who I hope to never piss off again".
He stops suddenly and looks up at Steve, a nervous pinch to his brow as he plays with a loose curl hanging in front of his face, "I'm glad you guys have each other," Eddie says slowly, letting his thumb stroke Steve's hand absently, "that you have people in your corner and--”
Eddie swallows, his eyes darting back and forth between Steve's eyes as he finally seems to steel himself.
"I hope you'll let me be one of those people".
This nervous, quiet Eddie, is so strange to take in, but then again Steve's also never been on the receiving end of so many apologies all at once, it's just shy of being overwhelming at this point.
"Oh come off it Eddie," Steve huffs with a roll of his eyes, "you had me the moment I saw that fucking table outside and you tried to hide the sandpaper behind your back --real smooth by the way".
The way Eddie stares at him in surprise and that same look of awe from before, tells Steve that was the right thing to say.
Eddie barks out a wet laugh and squeezes him tighter, tipping his face to nuzzle Steve's ear, "I missed you teasing me".
"That was the worst part about all of this," he shudders once and drops his head to Steve's shoulder, "I thought I lost my friend, but I have you back".
"Yeah, you have me Eds," Steve says softly.
Steve rests against Eddie, uncaring that the position is growing more uncomfortable as the arm tucked closest to the metal-head falls asleep. Eddie holds him with such gentle reverence that Steve feels as though he may just burst from happiness at any moment. 
Everything he's wanted for months, has finally fallen into place.
It's quiet for another moment. Steve plays with one of Eddie's hands, running his fingers over the calluses from playing guitar and the eclectic rings decorating his knuckles.
Eddie clears his throat after a beat, swallowing once, “so uh, earlier….that wasn’t exactly how I pictured our first kiss you know?"
Steve feels a small grin slowly bloom, he's not quite facing Eddie the way they're sitting, so he can play coy a little longer.
 “You’ve pictured it huh?” 
Eddie snorts “Oh yeah, you have no idea, there’s usually more tongue involved and less chipped teeth”.
Steve nods, letting them sit for a moment longer, letting himself be chased for once.
Eddie pulls back slightly, leaving his arms loosely wrapped around Steve, “think we could uh, try again?”
“Will you mean it as much as you did the first time?” Steve says with a smile as he rubs his lip with his thumb and flushed cheeks.
“You liked that huh, always knew you were a freak like me Harrington,” Eddie barks out, his eyes shining with mirth as he leans closer to run the tip of his nose down Steve's before nuzzling them together, "wanna make some good memories in this house Stevie?"
“Only if you’re with me Eds,” Steve whispers against Eddie’s lips as he slowly leans in. 
Steve’s heart races, anticipation flooding his veins and filling his chest with a giddy realization that he finally, finally, gets to have this. 
That he knows Eddie finally, finally, feels the same way.
He’ll call Robin later, let her know about Hellfire’s plan, the apology, and maybe even the truth about everything he’d kept hidden away for so long. The old hurts soothed and the lid of the box in his mind permanently open now, the lid wrenched off its hinges so as to never close again. Maybe he could let people in, to let them know him. 
For now, Steve lets himself be lowered onto the couch, lets Eddie's hands roam freely, over Steve's shoulders, his neck --letting his fingers gently brush the long scar from the Demobat tail, before lifting one hand to cup his cheek while the other climbs into Steve hair, threading his fingers through it and giving the locks an experimental tug.
Steve's hands make their way up Eddie's back, under his shirt, tracing over the raised scars on his sides. Eddie shoots Steve a wicked grin, his eyes crinkle at the sides as he lets his weight gently fall over Steve, catching himself with his hands on the couch cushions on either side of Steve's face, effectively caging him in. 
Eddie moves slowly, deliberately, it's not nearly as brutal as the first time but Eddie kisses like a wildman starved, licking into Steve's mouth and grazing his bottom lip with harsh teeth. 
It feels like Steve is being consumed, slowly, carefully.
It's overwhelming in the best way. The feeling of his soft lips against Steve’s own, the harsh stubble that rubs against Steve’s chin. The smell of weed, and sawdust, and cologne invades his nose.
Eddie pulls back briefly before leaning down again to place a soft kiss against Steve’s lips.
“How's that for a second kiss?” he asks with a raised eyebrow and a wide smirk pulling at his slightly puffy lips.
Steve scoffs and tugs at Eddie’s shirt collar, “I dunno, maybe we need to check again?”
Eddie’s laughter rings out loud and long in the Harrington living room, as he leans down again and hugs Steve tightly.
For the first time in a long time, Steve feels himself relax. 
He lets the weight of Eddie press him into the cushions and releases a long contented breath, the Harrington house, finally feeling warmer than it has in a long time.
I hope you all enjoyed this as much as I enjoyed working on it! This was the first fic of this length that I was still actively writing as I was updating that I've actually completed and I'm pretty damn happy about that! I was so worried about abandoning this guy and I'm glad I was able to finish it, hopefully it has come to a satisfying conclusion <3
Taglist: @zerokrox-blog @samcoxramblings @thosemessyvibes @liketheocean @vampireinthesun @themostunoriginalpersonever @merricatty @hyperfixationgoddess @hippieg1rl420 @mysticcrownshipper @estrellami-1 @clumsiluni @messrs-weasley @the-obsessed-nerdist
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pissheartmybeloved · 11 months
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final thoughts on the omo dungeon: that was AWESOME. would recommend having a YouTube video you can put on during the sections where you have to wait 15 minutes or whatever, but it was fun! I modified some of the challenges to suit myself bc I'm disabled, but still felt v included in the experience.
not to mention - I actually had a genuine accident, which is rare for me. like, apart from the very first leak, which (spoiler) was because to defeat the final boss you have to make a lil wet patch, everything else was completely genuine because I really, truly, could not hold it all in. I was literally squirming and whining and crossing my legs and holding myself with both hands and STILL couldn't hold it. fucking AWESOME
anyway dungeon is here if anyone wants to try it, please tell me how it goes!
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oldschoolfrp · 2 years
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Ravenscrag Castle cross section, revealing the hidden dungeon levels deep below (Ravenscrag, “Universal Fantasy Supplement” for D&D or other systems, Judges Guild, 1981; “cartography and drafting by Derek Watson, art and design by Ken Simpson”)
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warriorstale001 · 1 year
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Greetings!!! So... A thought... you know the OSD Stone Sleep au...
OSDiff Stone Sleep.
Dream in a weakened state in an au seeped in negitivity last time that happened he turned to stone. And this time... well he might not fight it. He can feel it and just lets it happen he's sick, scared and in pain... maybe being a statue isn't so bad after all.
Someone coming in to check on him. One of the boys for guard duty or Nightmare himself only to find Dream laying there nothing more then a statue... he looks... peaceful...
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Well uh... Congratulations on finding what must be the one of the most depressing endings that OSDiff could possibly have... Because wow that is a sad idea you have come up with, my friend.
Of course I am very aware of the OSD Stone!Sleep AU by @calcium-cat but an OSDiff version?!
Where to begin...
First off... THE FACT DREAM JUST LETS IT HAPPEN??? Like WHOA that is so angsty and so dang sad... The idea Dream has just completely given up after what Nightmare has done so decides he's better off as a stone statue... YIKES!!! I will say tho that while OSDiff Dream is in a pretty poor state right now in the fanfic, I don't believe he has quite gotten to THIS level of despondence... He has some hope still (believe it or not) it's just buried underneath all the pain of what Nightmare just put him through. But for the sake of this AU, yes I am willing to accept that Dream is at the absolute lowest point he can go and thus decides he's better off as a statue.... The poor thing :/.
I still can't decide whether I'd prefer if its one of the boys who discovers Dream's statue or Nightmare himself. Because the boys discovering it first could lead to a scene where Nightmare is contemplating his actions from the Prologue in his office (think start of Chapter 1) and instead of Cross telling Nightmare he's sick, Dream is already a statue and Nightmare can do nothing but rush down to the dungeon to see for himself. So many emotions go through Nightmare's mind as he sees his statue there, confusion at first, denial and of course anger. This wasn't supposed to happen like this. He wasn't finished with Dream yet! He was still meant to be suffering, but instead he had chosen to turn back into a statue to avoid his wrath?! No... That wasn't fair to him! He had been planning this for so long, yet Dream had to go and ruin it just like that?! How could he do that to him?! Why did nothing ever work out the way he intended it too?! Now he'll never get his revenge on Dream... He'll never find peace or happiness. He stares at the statue for a while, lost in his own spiralling thoughts before he finally moves it to one of his tower rooms, locking the door behind him.
The most important thing to remember about this particular OSDiff Nightmare (and probably one of his most tragic traits) is that in this timeline, Dream's sudden change into a statue doesn't allow him to go through the character growth he would have gone through in the normal OSDiff timeline, meaning he is not yet at the point where he would want to mourn Dream or regret his actions despite what's happened. There is no connection, bonding or talking between brothers in this timeline, which leads this Nightmare to shove Dream to an almost untouched section of the hideout where Nightmare can simply attempt to forget about him. He's buried but still there, shoved to a section of the castle, just like the grief and loss shoved to the corner of his mind. Dream turning to stone is definitely a tragic aspect of this AU, but I also find Nightmare's lack of character growth and the fact he's never able to regret his actions just as tragic. He'd be lucky to ever feel true happiness again after Dream turns to stone in that timeline...
I swear I have so many ideas for this AU, especially because it has so much potential, but I just have no time to write them ugh :'(. If any of you wanna write your take on this scenario, though please feel free I would absolutely love to see that.
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THEME: System-Neutral Settings (Fantasy Edition)
Sometimes what you need, rather than a new ruleset, is a setting that makes your system sing. These are a series of system-neutral settings that you can pick up, borrow from, or use wholesale in a game of your choice! 
All of these settings would work very well in fantasy or fantasy-like games.
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Into the Riverlands, by Ostrichmonkey Games.
The Riverlands rests at the heart of the world. A great current of life and movement that winds and weaves its way through the mountains and valleys of the central continent. The Riverlands stretch from the south to the far north, acting as the lifeblood of continental travel and trade.
The Riverlands are a region of vibrancy and mystery. A colorful mosaic of peoples that call it home, and the strange twilight forest that surrounds it. Explore the bustling and vibrant City of Bridges, the mysterious and primeval Forest, the distant and crumbling Empire, and even further afield.
The backgrounds of The Riverlands have interesting themes, from the mercurial Trickster-Poet to the strange Forest Dweller, to the patient Marsh Apiarist. Picking up a game that is very light on rules, such as Tunnel Goons or Into the Odd, would allow you to slot in a character that fits inside the Riverlands without having to carry as much of the dungeon-delving as traditional OSR games. 
Ultraviolet Grasslands and the Black City, by WTF Studio.
The Ultraviolet Grasslands and the Black City is a tabletop role-playing game book, half setting, half adventure, and half epic trip; inspired by psychedelic heavy metal, the Dying Earth genre, and classic Oregon Trail games. It leads a group of ‘heroes’ into the depths of a vast and mythic steppe filled with the detritus of time and space and fuzzy riffs.
This game is designed with a d20 game in mind but much of the setting feels very fitting for an OSR-style regardless of the dice you use. There are 200 pages of interesting locations with encounter tables and plot seeds. Some of the locations in this city include The Porcelain Citadel, The Steppe of the Lime Nomads, The Glass Bridge and The Forest of Meat. The world is weird and resists the tones of high fantasy by populating the world with insectoids, fungal colonies, strange drugs and ancient machines. If you want acid fantasy that mixes the in a bit of weird science or post-apocalypse, this is the setting for you. The designer of this setting also has a free player guide, as well as a creature generator supplement. 
Into the Wyrd and Wild, by Feral Indie Studio.
Beyond the reach of roads, past the scope of mortals there is a darkened place. A shadowed tree-line where no-one dares cross and whose boundaries go undisturbed.
This is not the woods of peaceful fey and beast, but the dark and twisted children’s tale that kept you full of terror. It is a world of fear, madness, and bloodshed; ruled over by the uncaring watch of ancient trees. There is no bargaining with the primal forces that rule the uncivilized world, as you have nothing they could ever want.
The woods do not care for you. Never forget that.
Another dark fantasy setting, Into the Wyrd and Wild includes more than a list of beasts and NPCs for the characters to encounter. It includes a way to think about money in the setting, how to emphasize exhaustion, and various other rules that demonstrate the danger and violence to be found inside the Wilds. One of my favourite sections of the book is about the Court of Broken Branches, a faction built out of abandoned children, stitched up with silver stitches and led by a magical Queen. An incredibly evocative setting and a top-tier piece of work in terms of design.
Guidebook to the Viridian Maw, by Orbis Tertius Press.
This 24-page PDF of the digest-sized zine contains fodder for a wilderness sandbox campaign in the Viridian Maw: an overgrown meteor crater, mutated and reshaped by fungal influence. To get a sense of it, check out the free download for the one-page version of the setting.
Everything is system neutral & stats agnostic, though the material is written with genre assumptions leaning toward D&D/OSR games (but usable for games like Apocalypse World or Dungeon World, too).
If you want a game that sinks your players deep into a thick, dangerous forest, this is a great option for you. There are tons of great descriptions of beasts and plants that your characters can encounter, including Driftnettle, a floating kelp-like creature that prey on the unaware and asleep, and the Sporehorn elk, a symbiotic partnership between an elk and a colony of fungi. Much of the encounters you’ll find in this zine will prompt changes to characters that make them weirder, so it might be a good idea to let your players know about that before playing in this setting.
This game works for dark fantasy, but I’ve also used it as inspiration for a Changeling: the Lost game as well!
Into the Sea Woods, by Diwata Ng Manila. 
The Sea-Woods is the way it has always been: just beyond the village, across a wall that bars the rest of the roots from coming forward. No one ever knew why that wall was built. Was it meant to keep the Woods out or keep the Village in? One thing's for sure, things changed when a tree stood up from its spot and punched a part of the wall until it collapsed. It then promptly walked deeper into the woods, clearing through a small path.
Never heard of a tree walking before? Ah, then you really must be new here, aren't you?
This is a small collection of micro-settings that are whimsical and evocative. This is more of a friendly forest than a scary one - great for setting a Studio-Ghibli kind of tone. There’s a bit of a formatting issue with the current version, but the ideas present in each setting give a great amount of inspiration for making locations that feel safe and yet unique for your play group. My favourite is the Cabin, a house that always has a warm cup of tea and a freshly made bed, despite having no visible caretaker. Rumour has it the Keeper only appears at night, and if she does, she’ll bet her heart on a game of poker. I've also used inspiration from this setting in a Changeling game before, to great success!
The Gardens of Ynn, by Dying Stylishly Games.
The Gardens of Ynn is a point-crawl adventure set in an ever-shifting extradimensional garden. Each expodition generates its route as it explores, resulting in new vistas being unlocked with every visit. It's a big garden full of whimsy and delight and surreal perils. 
The Gardens of Ynn are a constantly re-arranging set of gardens that act as a magical maze. As a point-crawl adventure, this is a great option for a point-crawl game, but it might also be an interesting piece of inspiration for a horror game of some kind. This book begins with some basic lore about the Gardens themselves, followed by a d20 table that adds how deep you are in the Gardens to determine which area you happen upon next. Each area has a description, and many areas have additional roll tables to determine what can be found, or what kinds of encounters you might find within.
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Febuwhump 2024 Day 1 — Helplessness
Time wished he’d listened to his gut.
A portal had dropped them off in Hyrule’s Hyrule that afternoon. It was a blighted land—wilted grass and trees, a dark sky, riverbeds empty of both fish and water. There wasn’t any civilization nearby, at least none that Hyrule disclosed, so the rest of the boys grumbled underneath the baking heat of the sun and slapped at mosquitos—the only thing that seemed to live in this particular section of the wasteland that was Hyrule—as Hyrule led them on towards “somewhere they could find some shelter until they figured out where they were going.” Time looked over them all, counting heads: one, two, three, four, five, six, seven, eight, himself making nine.
It had been a hard day—a hard week. Running from hordes too large and too dangerous to fight, little injuries and little arguments that piled on and on until all of the boys seemed like they’d shatter underneath them. Wild and Twilight walked apart, some spat about dinner the night before driving them away from one another. Legend hung at the back of the group, brooding over something Hyrule had said when they’d been first dropped into this world. Four seemed lost inside his head, so much so that Time had to occasionally prod at his back to keep him from going off of the trail or falling behind. Each time he just mumbled, swiped at his eyes, and corrected his course until he went off it once again. Sky’s near-permanent smile was absent from his face, and his expression was twisted into a tight frown. Even Wind and Warrior were silent, their usual banter absent from the air that seemed to drone and drone in a high-pitched whine. They'd all had a fight earlier that day, one that Time had stepped out just in time to miss, but it left the atmosphere tense and bitter.
As they walked, they were given a reprieve from the sun by dark clouds that rolled in from the south. Some of them seemed relieved; others, Legend particularly, flinched at the first frigid raindrops and the rumble of thunder in the distance. Time noted it.
“We’re close,” Hyrule promised. “Just a few more minutes out, and we can all take it easy for the night.”
“Where are we going, anyways?” Legend snapped from the back of the group. “We’ve been walking forever, and there’s still not a building in sight. Gonna park us under a tree or something? Got nothing better out here?”
“No, no.” Hyrule let out a little strained chuckle, like he was trying to play it off like a joke, but it was clear that the jab had cut him deeply. Time shot a disapproving glare at Legend, but he just rolled his eyes and looked away, crossing his arms over his chest. “There’s a cave ahead we can stay in while we wait for the storm to pass.”
“Cave?” some of the travelers sounded dubious.
“Yeah, just a cave, not some dungeon. I’ve stayed there many times—it’s perfectly safe, unless we run into some rogue Keese.”
Even that sounded like too much to deal with. But the rest of the boys’ protests petered off under the strengthening rain, and they trudged in miserable silence, scarves and sailcloths and cloaks held over their heads, until they reached the cave—a dark opening in a cliffside. As predicted, a few keese flew out to confront them, hissing and flapping their wings so loudly there seemed to be millions of them instead of just a few in an enclosed area. The boys dealt with them, then ducked into the dry cavern, complaining of aching joints and wet clothes as they started a fire and set down their equipment.
It was a convenient cave. Almost too convenient.
“When were you here, Hyrule?” Time asked, standing in the mouth of the cave as he did another headcount. One, two, three, four, five, six, seven, eight, nine. Good. “You know this place well?”
“Oh, just here and there,” Hyrule answered, looking up from setting out his bedroll. Time couldn’t help but notice that he and Legend had set up on opposite sides of the cave, as had Twilight and Wild, as had Warrior and Wind. Time would have to talk to each pair. But tomorrow. “It’s perfectly safe. There’s even an air draft up that a way, so if something did happen to block the opening, we can all still get out.”
If only that had been true.
That night, they all settled down to sleep, and it was peaceful for the first time in days. Unnaturally so. Time took first watch, and he sat facing the opening of the cave as his boys snored. Some of them, at least. Legend’s eyes shone from the opposite side of the cavern, and he seemed to get smaller with each concurrent flash of lighting, followed by an earth shattering peal of thunder. It was getting rough out there.
With the next rumble of thunder, Time stood and crossed to Legend’s side of the cave. The boy didn’t look up at him, so Time didn’t say anything as he lowered himself down next to him with a groan. Wind or Wild or Hyrule he could’ve broken with a simple “are you all right?” Sky or Warrior or Twilight or Four would’ve cracked under whatever horrible pun he managed to come up with in the moment. But this was Legend, so Time sat, and he waited for him to be the first to speak.
“They’re all just a bunch of kids, you know?” Legend mumbled into his knees at last.
“I know,” Time answered, because there was nothing else to say. They were, to Hylian standards, all still children.
“And I know that, and I still get surprised when they act like it. Wild was picking at Hyrule for not knowing how to read, and Wind joined in, and I just lost it on them. If you want to know what happened earlier,” Legend offered up. “Pissed Twilight off for yelling at his kid, and Warrior scolded the rest, and now everybody is mad at each other, apparently.” He buried his face into his knees, hugging his arms around his shins. “How do you do it? I just seem to treat them like they’re fully functioning human beings when they’re just little shits.”
“It’s an art.” Time said, “Doubt I would have found that balance without Malon. You know you aren’t much older than them yourself, you don’t have to be a leader.”
Legend looked like he was going to scoff and launch into some tirade about responsibility and the number of his quests, but a peal of thunder that seemed to shake the whole world cut him off. Instead he chuckled drily, dragging a hand up through his bangs. “Yeah, I guess… I just... this world and all... I'm supposed to be the hero before Hyrule... but..;”
The thunder was still rumbling, growing louder and louder, shaking the walls and the very air itself. Time and Legend looked at one another with wide eyes, realizing what was happening at the same time—an earthquake.
“Boys, get up!” Time shot to his feet, clapping his hands. Heads raised blearily, some of the travelers reached for their weapons. “We’ve gotta get out of—”
The ceiling exploded. Rocks fell down onto their fire, dust clouded the air, and everything was cast into darkness.
Screams followed Time into the darkness.
When he woke up sometime later, it was quiet, so quiet.
It was dark. For a moment, Time couldn’t tell if he’d opened his eye or not, met with such an inky blackness as he was. He blinked a few times, then, groaning, tried to raise a hand to wipe at his eyes. He couldn’t—it was stuck firmly at his side, weighed down by something pressing against his back.
Time furrowed his brow, closing his eye to think. His thoughts felt sluggish, dragging through molasses to reach him. There had been… a cave in? The boys had been situated towards the center of the cavern, sleeping soundly through even the largest peals of thunder outside. They hadn’t even been able to stand before the ceiling caved in. Legend… Legend had been just to his right, hadn’t he?
Time tried to draw a breath to call out to him, but something in his chest caught painfully, and he choked. He tried to move, but found that he couldn’t—his left side seemed to be pinned down to the floor of the cavern, and he realized then that he could feel nothing, nothing at all, on that side of his body. Not pain, not cold, not even pins and needles. The absence of half of his body unnerved him. He still had feeling in his right arm, though, and he could move it. Gasping shallowly for air, he grasped blindly with it, feeling around his surroundings blindly. Rock below him, rock to his left—had he been hit by a falling boulder? He’d still been wearing his armor, when the cave-in occurred. Had his armor protected him, and he was merely pinned? Or had the weight turned the metal of it into a weapon against him, which was why he couldn’t feel his own body? Finally, his fingers hit the soft texture fabric.
“Legend?” Time managed to draw enough breath to wheeze. There was no response. He gripped onto the fabric and pulled. “Legend!”
A hacking cough—the most blessed sound Time thought he’d ever heard—filled the air, and then that fabric pulled out of his grasp.
“Time?” Legend’s voice asked. “Time, where are you? What happened?”
“Down here.” Time shifted with a breathless groan, testing how trapped he was. Little bits of debris spilled down onto his head, clattering against the stone floor. He stopped moving before he brought whatever was holding up the rest of the cave. “I’m a bit… indisposed, at the moment.”
Legend gave a little inhale. It seemed so loud in the small place they were trapped in. “Is everyone else okay?”
Time… didn’t know. He went back in his mind to where everyone had been positioned, before the ceiling fell. Wild and Wind had been on the far side of the cave, sulking after their respective scoldings, apparently. Hyrule had been curled up near the back of the cave, his back turned to the fire. Twilight and Warrior and Sky each had been around the fire, dealing with their armor and swords. Four… he didn’t remember where Four had been. Why couldn’t he remember where Four had been.
One, two, three, four, five, six, seven, eight, nine with himself sitting with Legend on the near side of the cave. Now reduced to two.
“GUYS!” Legend called. The sound reverberated around the tiny space they were in, making Time’s ears ring. “GUYS! Rulie? Warrior! Can anyone hear us? Are you guys okay?”
In the wake of his shout, stifling silence fell. No one called back.
“They… maybe they… got out,” Time managed to gasp out, though he didn’t believe it. It was getting harder to breath, and his side was starting to hurt now, with pins and needles so fierce that they made his teeth chatter. “Do you… do you have… have anything? A light… or… or something.”
“No, no, I don’t.” Legend sounded so small. “It was all on the other side of the cave, with the rest of my stuff. D-do you?”
“Same… same situation here… I’m afraid.” Time swallowed with difficulty. “I think… I think we’re going… going to have to wait for rescue.” The sentence left him completely out of breath, and he struggled to regain it. His own breathing seemed so loud in the small area they were trapped in.
“No, no no no no.” Time heard Legend’s breath speed up as he started to hyperventilate. “We can’t be trapped here, there must be something we can do, we have to make sure that the others are okay, if we just…”
He heard fabric shift as Legend stood, then a curse as he apparently hit the ceiling of their stone prison. Time just focused on nothing other than breathing. He could feel some sort of metallic liquid pooling in the back of his throat, and he determinedly swallowed it back down without giving it another thought.
“What if the others aren’t okay? What if they’re trapped too. What if some of them were killed? Time, we’ve gotta get out of here.” Legend paced and paced around their stone prison, growing more and more frantic. But eventually, he ran out of energy, and he collapsed back down to his starting position by Time’s head. “Are you okay? I-I can't see you.”
“I’m fine, don’t—” a wet cough interrupted him, and his mouth suddenly tasted coppery. He spat out the taste. “Don’t worry about me,” Time finished vaguely. It was a lie, they both knew it. “Just… just pinned.”
“O–okay. Time, I don’t know what to do. There has to be something that we can do, isn’t there?”
Time didn’t answer, and they didn’t speak to one another again. The silence was deafening, the air thin, the darkness all-consuming. Time was suddenly overcome with a feeling of helplessness to help his boys he knew must also be trapped. So he laid his head down, listening for any sign of life, and he prayed they were all right.
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wellpresseddaisy · 5 months
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The Head of House Therapy Circle and Needlework Club
Severus slipped into the staff room after dinner. He clutched his work bag in cold hands—would he be welcome? He’d refused the invitation for years, preferring to spend the evening with Charity or with his Slytherins. He should make an effort to integrate with the other house heads, he supposed.
But…
Steeling himself, he crossed the room to the circle of chairs around the fire. No matter how strange it felt walking into the Senior Staff Lounge, he had as much a right to be there as anyone else.
“Oh, Severus, you joined us!” Pomona exclaimed, setting down her embroidery and bustling to him. “Come, come and sit. We have a place right be the fire for you—those dungeons are so perishingly cold these days. And Minerva even braved…er, what was it again?”
“Tesco.” McGonagall replied so drily that Severus had to bite his lip.
“Oh yes, such names they have in the non-magical world. Well, she brought several packets of the most interesting biscuits and we have some lovely hot tea. Filius was just telling us about some horrendous editor he’s been forced to work with on his latest monograph.” Pomona prattled him to a comfortable chair.
McGonagall, who sat just across from him, gave him an incredibly droll look from behind Pomona at the ‘most interesting biscuits’ remark. He forgot, sometimes, that she’d lived in the non-magical world. He never wanted to be the sort who forgot where he came from.
He let their conversation wash over him as he sorted out his projects. Da’s would be easy—he could do that kind of cable work in his sleep. Likewise the scarf Da asked him to make for his mate Tom. He’d been a good friend to the family since they met so many years ago. Severus pulled that one out, thick and warm as anything in burgundy wool. It wasn’t a difficult pattern as knitting went.
Nan’s Christmas jumper would have to wait until he returned to his rooms. He’d finally found a pattern for a copy of that ‘I’m a luxury few can afford’ jumper that Nan loved so much on Princess Diana.
“Editors,” Pomona picked up the conversation as if it hadn’t been interrupted. “Are perfect ghouls. Did I tell you about the one that wanted the entire section on the propagation of the Bounding Spike Shrub gone? Said it would only encourage people to try. They should try. The bloody thing is about to disappear from our moors.”
“Er, yes, Pomona. I believe we heard about it at the time,” Filius replied gently. “Mine feels that an entire monograph on Cheering Charms is too limited in scope. They simply won’t understand that that’s the whole point. No one has done work just on Cheering Charms in nearly two hundred years! We’re woefully out of date.”
“Are these freelance editors or with particular houses?” Severus ventured, never looking up from his stitching.
“Mine’s a submissions editor with Draycott House. A shame, really, as they’re so well-regarded in academic publishing and Oxford and Cambridge won’t touch a ‘schoolteacher’s manuscript’,” Filius sighed over the last.
“I was with Halston’s. They do the Herbology journals,” Pomona added.
“Have we ever looked at setting up a publishing house out of Hogwarts?” he asked hesitantly.
“A…Severus, that’s a brilliant idea!” Filius nearly jabbed himself with a tapestry needle.
“It would be doable, I suppose.” McGonagall spoke slowly. “If we work with freelance editors and go about it carefully.”
“There are quite a few researchers I know who haven’t the full credentials who are doing really interesting work. And it might be a good way to introduce that sort of academic work to our NEWT students. A student journal would be just the thing!” Pomona set her embroidery down carefully.
“I thought…” Severus trailed off when he realized everyone had stopped to look at him.
“Yes?” McGonagall prompted.
“It’s something I’ve been thinking about for a while now. We could even publish our own teaching materials. I know most of us set a text and use it mostly as reference.”
“That has long been my own experience,” McGonagall agreed. “The Transfiguration books on the market are useful guides, but they haven’t been updated or weren’t really meant as textbooks. Foundational learning as scattered notes from lectures is not the same as an authoritative text one can reference.”
“It would be lovely to have properly illustrated texts for Herbology. Filius, would you be able to see how much a binding press might cost? I saw one of them at work on holiday last year. We needn’t get a very large one yet. Freelance editing is really quite affordable.” Pomona produced a notebook and scribbled something down. “One of my former Hufflepuffs runs a paper mill. I’ve made a note to inquire about appropriate paper and potential costs.”
Severus stared at the ruthless efficiency of Pomona Sprout.
“I’ll write for a catalog,” Filius promised. “I think I know of a manufacturer. A Ravenclaw with a real passion for mechanical things.”
McGonagall caught Severus’ eye and smiled thinly.
“You get used to them,” she promised, sotto voce. “Organizing everything is how they have fun. Biscuit? I got the chocolate caramel digestives and Hob Nobs.”
Severus took a Hob Nob, still feeling a bit unsettled at how quickly that went.
“Now, we’re all dying to know what Mayhew is after with those pamphlets he’s spreading everywhere.”
Severus pinched the bridge of his nose and sighed. “He’s trying to bring back the Protectorate and Puritan rule. It has caused no end of disruption in the SCR since he refuses to room with ‘filthy papists’ and ‘heathens’. I’ve had to give him his own room lest he comes to a sticky end. He’s managed to alienate every other student in the House.”
The other three stared at him.
“And here I thought my Ravenclaws’ experiments were difficult to handle!” Filius chuckled.
“At least he has a purpose in life,” McGonagall laughed. “Have another biscuit, Severus. I think you need them more than we do.”
McGonagall, Severus thought, wasn’t so terrible when you were her colleague. He took another biscuit.
“This is why we shouldn’t go about naming children Redemption-in-His-Name. What on earth is the matter with John or Charles or Vikram or something normal?” Pomona shook her head and took up her embroidery again. “You’ll have to keep us updated on his progress.”
“I…er, yes,” Severus answered.
“Who has a galleon on Moore—the Ravenclaw one in fifth year—making it to the end of the year without having a breakdown and who has a galleon on a breakdown?” Pomona asked cheerfully.
Severus looked to his knitting and willed his heart to stop pounding so. He’d done it. He’d had an actually pleasant conversation with the other house heads and no one disagreed with him or behaved rudely.
Perhaps he really could make a place for himself here.
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