Tumgik
#criterion on demand
toomuchlovereviews · 8 months
Text
Rabid (2019)
⭐️⭐️⭐️⭐️⭐️
Tumblr media
Basically a parasitic Devil Wears Prada.
This movie was insane because of all the things they wanted to comment on and critique. Capitalism, Canada’s medical system, eugenics, the foster care system, PTSD, vegetarianism, cult-like followers, self-confidence, the list continues. But the things is - it was all done really well. No stone left unturned sort of a thing.
Something worth mentioning, the team that made the prosthetics for this film deserve a raise. So well done. And the writers that worked on the medical/science aspects made sure the script was compelling and not boring. I kiss you all on the forehead. Muah.
Canada can’t do every piece of media well, but I luckily had two good horror movies in a row.
OH MY GOD. I am going to need pre-2020 films to stop mirroring the pandemic. It’s alarming.
You should watch this if you:
are looking for some good ol’ Canadian horror
(you know it, you love it) medical malpractice!!!!
Similar titles:
Ginger Snaps trilogy (hot girl eats boys)
Jennifer’s Body (2008) (hot girl eats boys)
9 notes · View notes
fiercynn · 6 months
Text
queer palestinian short film: "polygraph"
queer short cuts is a biweekly newsletter where i share queer & trans short film recommendations. i’m featuring some of my favorite films on tumblr because why not
Tumblr media
israel | 21 minutes | 2020 | narrative short film audio in hebrew & arabic; subtitles available in english & german
polygraph | بوليجراف, written and directed by samira saraya, never lets you forget about the inherently unequal power dynamic between yasmine (played by saraya herself), a palestinian arab nurse living in tel aviv, and her israeli lover or (hadas yaron), who is an intelligence officer in the israeli army – nor about the way that yasmine’s life is surrounded by israeli occupation and suppression, even just when driving her girlfriend to work. when yasmine’s sister jehan (fidaa zidan) comes to visit from the occupied west bank, the dinner yasmine hosts to introduce them becomes a site of tension around or’s participation in upholding israeli apartheid. - deepa's full review, including content notes at the end
watch as part of the collection upon her lips: butterflies at vimeo on demand or several other platforms, or with a subscription on the criterion channel
114 notes · View notes
Photo
Tumblr media
You’ve got to love something enough to kill it.
- Martin Scorsese on directing Goncharov (1973)
Scorsese’s little seen mafia movie, Goncharov, was by all accounts a troubling film shoot on location in Naples. Studio interference and edit demands in post-production meant the film didn’t receive the public acclaim that Scorsese’s other mafia themed movies have had. Yet many critics agree that Goncharov laid the filmic foundation for those films that came after in Scorsese’s great body of work. Recently, Criterion Collection released a re-mastered director’s cut of the film.
Photo: Martin Scorsese on the Naples film set of Goncharov contemplating the response to yet another studio note to change his script. 
181 notes · View notes
wildwoodgoddess · 1 year
Text
For everyone who wanted a female Sherlock Holmes, A Study In Garnet is now available!
Tumblr media
I spent last year serializing A Study In Garnet for my Patreon supporters, and now, as promised, the book is available for purchase in ebook and hardcover for everyone!
I'm so excited, especially about the hardback version. Y'all, it's SO PRETTY! I found a fabulous print-on-demand printer that has made my hardcover dreams come true.
Anyway, before I geek out too much about the print version, I just want to thank everyone who has liked and shared my posts about this book and the research I did for it. I appreciate the support!
Here's the blurb for the book:
January 29, 1881:  Afghanistan ruined her body, but London has broken her heart.
Dr. Siân Watson longs to shed the male disguise she used to join the British Army, but when you look like a bloke, it’s easier to amputate a man’s leg on a battlefield than buy a dress in London. Undaunted, she heads to the Criterion Hotel to find help. But when a chance encounter with an old friend leads to meeting the mesmerizing Sherlyn Holmes, Dr. Watson’s plans are upended—faster than you can say “the game is afoot.” 
Now, instead of going home to Wales, she’s moving into 221B Baker Street with Miss Holmes, whose piercing deductions are as thrilling as they are unsettling. Life with the world’s only consulting detective is powerful medicine, but as they hunt for whoever is murdering cab drivers across London, Watson fears her growing affection for Holmes might injure her more deeply than any bullet. As Holmes’s obsession with the case pushes Watson into risks she swore never to take again, she must choose: whatever respectability a woman doctor can earn—or Sherlyn Holmes. Both is not an option. 
When their quest for justice lands them in trouble with the law, Watson fears she has survived one war only to fall in a different kind of battle—one that may destroy what’s left of her heart.
*******************************
I also wanted to share this endorsement from my author friend, Gabrielle Harbowy, because I really loved it:
"If you think you're done with Sherlock Holmes retellings, think again. Meredith Rose has written an excellently researched and executed period mystery with a deeply compelling queer and genderswapped Holmes and Watson. The subtle, masterful brush with which she portrays the queerness of the time, and the intensely caring yet neurodivergent Holmes, carries just the right touch. It's everything I didn't realize I needed from a Sherlock Holmes book." —Gabrielle Harbowy, author of Aether's Pawn
You can get the book in either hardcover or ebook on my shop page. I offer shipping for the print version worldwide, and I'm offering a 15% discount on all my books, using the discount code BOOK15 at checkout.
Thanks for supporting my creative efforts, and I hope you will enjoy the book. If you know anyone who would enjoy it, please forward this info to them. I'm going to be hard at work on book 2, so stay tuned!
Take a look at A Study In Garnet in my shop
98 notes · View notes
holdoncallfailed · 6 months
Text
Tumblr media
should i go to this event so i can accost todd haynes in person and demand an explanation as to why velvet goldmine still isn't in the criterion collection
22 notes · View notes
Text
A watchdog nonprofit seeking to protect the separation of church and state is demanding the Bible be banned from a Florida school district after the superintendent banned five other books due to “sexually explicit content.”
Christopher Line, a staff attorney for the Freedom From Religion Foundation (FFRF), sent an email to Leon County Schools superintendent Rocky Hanna requesting that “the District either ban the bible based on the criterion of ‘sexually explicit content’ it has used to ban these books, or cease banning books and return the banned books to school shelves.”
The five banned books were removed from Leon County high school libraries after Hanna personally reviewed them and, as reported by the Tallahassee Democrat, decided they were “black-and-white, cut-and-dray, need-to-be removed.” There was no formal hearing. The books: Dead End by Jason Myer; Me, Earl and the Dying Girl by Jesse Andrews; Lucky by Alice Sebold; Doomed by Chuck Palahniuk; and Push by Sapphire.
“The District cannot ban books because it disagrees with the viewpoint expressed while allowing other sexually explicit books, like The Bible, because it supports their viewpoint,” Line wrote. “In The Bible, rape is not only described, but the victims are forced to marry their rapists.” He went on to describe moments in The Bible that talk about sex toys, prostitutes, incest, bestiality, homosexuality, and nudity.
Line said the organization has published a brochure called An X-Rated Book: Sex & Obscenity In the Bible that is available for free on FFRF’s website.
The email also emphasized that banning The Bible would not be religious discrimination. “It is important to note that the removal of the bible would not constitute hostility toward Christianity or religion. The District must hold religious texts to the same standards it holds all other library books, review them, and, if they contain the same sexually explicit content as The Bible, must also remove them under the District’s pattern and practice. Removing The Bible for its obscenity or graphic sexual content based on neutral criteria is not religious discrimination.”
It also acknowledged that the best solution would be to leave the other books on the shelves and “trust students to explore complex topics themselves.”
The books were removed from Leon County high schools at the request of anti-LGBTQ+ hate group Moms for Liberty with help from a 2022 law signed by Gov. Ron DeSantis (R) that says parents can contest academic materials and requires books made available through school and classroom libraries be selected by a certified media specialist.
Priscilla West, chair of the county’s Moms for Liberty chapter, told the Tallahassee Democrat the request from FFRF is not a surprise to the group.
“Those who would prematurely sexualize other people’s children in schools, also do not want children exposed to The Bible. I don’t foresee LCS Board members taking a stand to remove The Bible from school libraries, but even if they did, would it make any difference in the children’s daily educational experience? Happily, in this country The Bible would still be widely available outside of schools to all who choose to enrich themselves with its wisdom.”
Leon County has been making headlines all month for its conservative parents’ efforts to ban books.
Today, the school board will hold a book challenge hearing over I Am Billie Jean King, a children’s biography of the out tennis legend, after a parent filed a complaint objecting to its LGBTQ+ content.
In her formal complaint, filed on April 25 to Leon County Schools, Katie Leon — a parent of a child who attended Hawks Rise Elementary School in Tallahassee, Florida — wrote that she objects “to material that discusses being gay and what it means to be gay” and that she did not think the material was “suitable for elementary students.”
Leon took issue with a single page of the 40-page illustrated book, which describes King realizing she was gay. “Being gay means that if you’re a girl, you love and have romantic feelings for other girls — and if you’re a boy, you love and have romantic feelings for other boys,” the page reads in part.
Leon believes this violates Florida’s Don’t Say Gay law. But at a meeting earlier this month, Leon County Schools assistant superintendent of academic services Shane Syfrett noted that the Florida Department of Education issued a clarification to the Parental Rights in Education Act, stating that “incidental references in literature to gay and transgender persons are not prohibited.”
35 notes · View notes
sysmedsaresexist · 8 months
Text
News Flash ⚡
The epistemological significance of possession entering the DSM
An absolutely incredible deep dive into the history of possession and DID-- covering patients, topics, philosophers, and clinicians from the 1600s to 2015.
It also explains how and why the cultural exclusion came to be added to the DSM 5, and what it means.
Important quotes below the cuts
The criteria would distinguish sharply between culturally sanctioned alterations of consciousness, which are a form of religious transcendence and/or a therapeutic technique, and peripheral pathological alterations of consciousness, which cause maladjustment and distress because they occur outside of ritual containment and are spontaneous, beyond the conscious control of the person. The criteria would also differentiate between the chronic course of Multiple Personality Disorder/Dissociative Identity Disorder, associated with reports of early physical and sexual abuse, and the typically acute course of pathological possession. The criteria would differentiate as well between the delusions of possession experienced by psychotic patients and the delusions of possession disorder; accordingly, Schizophrenia, Mood Disorder with Psychotic Features, and Brief Psychotic Disorder were listed as differential diagnoses, although no help was offered for making such differentiation.
Criterion B set up an impossible task for the diagnostician: how to differentiate between possession trance authorized as a normal part of a collective cultural or religious practice and spontaneous pathological possession trance, which, the criteria suggested, occurs outside normal cultural practice. Antze opposed the wording of Criterion B because, ‘[t]o the extent that any form of trance is recognized as such by members of a culture and therefore given meaning, it is culturally “authorized”, even if only as a form of illness’.
Janice Boddy (1992) pointed out that, while introducing possession as a disorder into the DSM-IV appeared to validate people’s distressful experiences by inclusion, it misleadingly suggested that culturally normative possession states are not distressing. Boddy insisted that distress is a regular component of most reported experiences of possession in ethnographic literature. More importantly, she argued that designating possession as a disorder reinforced (if unwittingly) the tendency of those in power to ignore the social and political contexts that precipitate the pheno-mena of possession. I understand this argument to mean that, for example, the suffering of a Sudanese woman possessed by a zar spirit carries potential meaning, not only for herself as an individual sufferer, but also for her marriage, her family and her community; the husband, the family and the patriarchal cultural collective need not engage with this suffering if they classify the behaviour as a psychogenic disorder. Anthropologists such as Boddy have demonstrated how so-called dysfunctional distressing possession is often a highly creative, politically informed response to intolerable collective situations. Boddy (1992) asked, ‘in whose interest would it be, then, to define possession cases as “disorders”?’
As Littlewood and Boddy emphasize, most so-called ‘normal’ experiences of possession manifest as conflictual, as demanding redress between the individual and the surrounding family or social milieu and, to the extent that these experiences partake of liminoid as well as liminal elements, they paradoxically affirm and subvert the norms of the culture or religion in which they are imbedded.
25 notes · View notes
snakeskinass · 9 days
Text
Random psychology disorder (somewhat) explained #2 (Borderline personality disorder)
Diagnostic Criteria
A pervasive pattern of instability of interpersonal relationships, self-image, and affects, and marked impulsivity, beginning by early adulthood and present in a variety of contexts, as indicated by five (or more) of the following:
1. Frantic efforts to avoid real or imagined abandonment. (Note: Do not include suicidal or self-mutilating behavior covered in Criterion 5.)
2. A pattern of unstable and intense interpersonal relationships characterized by alternating between extremes of idealization and devastation.
3. Identity disturbance: markedly and persistently unstable self-image or sense of self.
4. Impulsivity in at least two areas that are potentially self-damaging (e.g., spending, sex, substance abuse, reckless driving, binge eating). (Note: Do not include suicidal or self-mutilating behavior covered in Criterion 5.)
5. Recurrent suicidal behavior, gestures, or threats, or self-mutilating behavior.
6. Affective instability due to a marked reactivity of mood (e.g., intense episodic dysphoria, irritability, or anxiety usually lasting a few hours and only rarely more than a few days).
7. Chronic feelings of emptiness.
8. Inappropriate, intense anger or difficulty controlling anger (e.g., frequent displays of temper, constant anger, recurrent physical fights).
9. Transient, stress-related paranoia ideation or severe dissociative symptoms.
Diagnostic Features
The essential feature of borderline personality disorder is a pervasive pattern of instability of interpersonal relationships, self-image, and affects, and marked impulsivity that begins by early adulthood and is present in a variety of contexts.
Individuals with borderline personality disorder make frantic efforts to avoid real or imagined abandonment (Criterion 1).
The perception of impending separation or rejection, or the loss of external structure, can lead to profound changes in self-image, affect, cognition, and behavior.
These individuals are very sensitive to environmental circumstances.
They experience intense abandonment fears and inappropriate anger even when faced with a realistic time-limited separation or when there are unavoidable changes in plans (e.g., sudden despair in reaction to a clinician's announcing the end of the hour; panic or fury when someone important to them is just a few minutes late or must cancel an appointment).
They may believe that this "abandonment" implies they are "bad."
These abandonment fears are related to an intolerance of being alone and a need to have other people with them.
Their frantic efforts to avoid abandonment may include impulsive actions such as self-mutilating or suicidal behaviors, which are described separately in Criterion 5 (see also "Association With Suicidal Thoughts or Behavior").
Individuals with borderline personality disorder have a pattern of unstable and intense relationships (Criterion 2).
They may idealize potential caregivers or lovers at the first or second meeting, demand to spend a lot of time together, and share the most intimate details early in a relationship.
However, they may switch quickly from idealizing other people to devaluing them, feeling that the other person does not care enough, does not give enough, or is not "there" enough.
These individuals can empathize with and nurture other people, but only with the expectation that the other person will "be there" in return to meet their own needs on demand.
These individuals are prone to sudden and dramatic shifts in their view of others, who may alternatively be seen as beneficent supports or as cruelly punitive.
Such shifts often reflect disillusionment with a caregiver whose nurturing qualities had been idealized or whose rejection or abandonment is expected.
There may be an identity disturbance characterized by markedly and persistently unstable self-image or sense of self (Criterion 3).
There are sudden and dramatic shifts in self-image (e.g., suddenly changing from the role of a needy supplicant for help to that of a righteous avenger of past mistreatment).
Although they usually have a self-image that is based on the feeling of being bad or evil, individuals with this disorder may at times have feelings that they do not exist at all.
This can be both painful and frightening to those with this disorder.
Such experiences usually occur in situations in which the individual feels a lack of a meaningful relationship, nurturing, and support.
These individuals may show worse performance in unstructured work or school situations.
This lack of a full and enduring identity makes it difficult for the individual with borderline personality disorder to identify maladaptive patterns of behavior and can lead to repetitive patterns of troubled relationships.
Individuals with borderline personality disorder display impulsivity in at least two areas are potentially self-damaging (Criterion 4).
They may gamble, spend money irresponsibly, binge eat, abuse substances, engage in unsafe sex, or drive recklessly.
Individuals with this disorder display recurrent suicidal behavior, gestures, or threats, or self-mutilating behavior (Criterion 5).
Recurrent suicidal thoughts or behavior are often the reason that these individuals present for help.
These self-destructive acts are usually precipitated by threats of separation or rejection or by expectations that the individual assume increased responsibility.
Self-mutilative acts (e.g., cutting or burning) are very common and may occur during periods in which the individual is experiencing dissociative symptoms.
These acts often bring relief by reaffirming the individual's ability to feel or by expiating the individual's sense of being evil.
Individuals with borderline personality disorder may display affective instability that is due to a marked reactivity of mood (e.g., intense episodic dysphoria, irritability, or anxiety usually lasting a few hours and only rarely more than a few days) (Criterion 6).
The basic dysphoric mood of those with borderline personality disorder is often disrupted by periods of anger, panic, or despair and is rarely relieved by periods of well-being or satisfaction.
These episodes may reflect the individual's extreme reactivity to interpersonal stresses.
Individuals with borderline personality disorder may be troubled by chronic feelings of emptiness, which can co-occur with painful feelings of aloneness (Criterion 7).
Easily bored, they may frequently seek excitement to avoid their feelings of emptiness.
Individuals with this disorder frequently express inappropriate, intense anger or have difficulty controlling their anger (Criterion 8).
They may display extreme sarcasm, enduring bitterness, or verbal outbursts.
The anger is often elicited when a caregiver or lover is seen as neglectful, withholding, uncaring, or abandoning.
Such expressions of anger are often followed by shame and guilt and contribute to the feeling they have of being evil.
During periods of extreme stress, transient paranoid ideation or dissociative symptoms (e.g., depersonalization) may occur (Criterion 9), but these are generally of insufficient severity or duration to warrant an additional diagnosis.
These episodes occur most frequently in response to a real or imagined abandonment.
Symptoms tend to be transient, lasting minutes or hours.
The real or perceived return of the caregiver's nurturance may result in a remission of symptoms.
Associated Features
Individuals with borderline personality disorder may have a pattern of undermining themselves at the moment a goal is about to be realized (e.g, dropping out of school just before graduation; regressing severely after a discussion of how well therapy is going; destroying a good relationship just when it is clear that the relationship could last).
Some individuals develop psychotic-like symptoms (e.g., hallucinations, body-image distortions, ideas of reference, hypnagogic phenomena) during times of stress.
Individuals with this disorder may feel more secure with transitional objects (i.e., a pet or inanimate possession) than in interpersonal relationships.
Premature death from suicide may occur in individuals with borderline personality disorder, especially in those with co-occurring depressive disorders or substance use disorders.
However, deaths from other causes. such as accidents or illness, are more than twice as common as deaths by suicide in individuals with borderline personality disorder.
Physical handicaps may result from self-inflicted abuse behaviors or failed suicide attempts.
Recurrent job losses, interrupted education, and separation or divorce are common.
Physical and sexual abuse, neglect, hostile conflict, and early parental loss are more common in the childhood histories of those with borderline personality disorder.
Differential Diagnosis
Depressive and bipolar disorders. Borderline personality disorder often co-occurs with depressive or bipolar disorders, and when criteria for both are met, both should be diagnosed.
Because the cross-sectional presentation of borderline personality disorder can be mimicked by an episode of depressive or bipolar disorder, the clinician should avoid giving an additional diagnosis of borderline personality disorder based only on cross-sectional presentation without having documented that the pattern of behavior had an early onset and a long-standing course.
Separation anxiety disorder in adults. Separation anxiety disorder and borderline personality disorder are characterized by fear of abandonment by loved ones, but problems in identity, self-direction, interpersonal functioning, and impulsivity are additionally central to borderline personality disorder.
Other personality disorders. Other personality disorders may be confused with borderline personality disorder because they have certain features in common.
It is therefore important to distinguish among these disorders based on differences in their characteristic features.
However, if an individual has personality features that meet criteria for one or more personality disorders in addition to borderline personality disorder, all can be diagnosed.
Although histrionic personality disorder can also be characterized by attention seeking, manipulative behavior, and rapidly shifting emotions, borderline personality disorder is distinguished by self-destructiveness, angry disruptions in close relationships, and chronic feelings of deep emptiness and loneliness.
Paranoid ideas or illusions may be present in both borderline personality disorder and schizotypal personality disorder, but these symptoms are more transient, interpersonally reactive, and responsive to external structuring in borderline personality disorder.
Although paranoid personality disorder and narcissistic personality disorder may also be characterized by an angry reaction to minor stimuli, the relative stability of self-image, as well as the relative lack of physical self-destructiveness, repetitive impulsivity, and profound abandonment concerns, distinguishes these disorders from borderline personality disorder.
Although antisocial personality disorder and borderline personality disorder are both characterized by manipulative behavior, individuals with antisocial personality disorder are manipulative to gain profit, power, or some other material gratification, whereas the goal in borderline personality disorder is directed more toward gaining the concern of caretakers.
Both dependent personality disorder and borderline personality disorder are characterized by fear of abandonment; however, the individual with borderline personality disorder reacts to abandonment with feelings of emotional emptiness, rage, and demands, whereas the individual with dependent personality disorder reacts with increasing appeasement and submissiveness and urgently seeks a replacement relationship to provide caregiving and support.
Borderline personality disorder can farther be distinguished from dependent personality disorder by the typical pattern of unstable and intense relationships.
Personality change due to another medical condition. Borderline personality disorder must be distinguished from personality change due to another medical condition, in which the traits that emerge are a direct physiological consequence of another medical condition.
Substance use disorders. Borderline personality disorder must also be distinguished from symptoms that may develop in association with persistent substance use.
Identity problems. Borderline personality disorder should be distinguished from an identity problem, which is reserved for identity concerns related to a developmental phase (e.g., adolescence) and does not qualify as a mental disorder.
Adolescents and young adults with identity problems (especially when accompanied by substance use) may transiently display behaviors that misleadingly give the impression of borderline personality disorder.
Such situations are characterized by emotional instability, existential dilemmas, uncertainty, anxiety-provoking choices, conflicts about sexual orientation, and competing social pressures to decide on careers.
Comorbidity
Common co-occurring disorders include depressive and bipolar disorders, substance use disorders, anxiety disorders (particularly panic disorder and social anxiety disorder), eating disorders (notably bulimia nervosa and binge-eating disorder), post-traumatic stress disorder, and attention-deficit/hyperactivity disorder.
Borderline personality disorder also frequently co-occurs with the other personality disorders.
5 notes · View notes
transpondster · 11 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Criterion Channel app just introduced the "24/7" 'channel' which is just non-stop classic films, without ads, streaming start-to-finish. When you click on the 'Start Watching' button, you drop into the middle of Buñuel's 'Belle du Jour' or Brian DePalma's 'Sisters' or Wim Wenders's remake of 'Ripley's Game', retitled as 'The American Friend'. You can't rewind or FF, and you never know what's going to be showing.
The CC app also has on-demand films that are almost all classics, but the new 24/7 feature is a brilliant idea.
4 notes · View notes
toomuchlovereviews · 9 months
Text
Final Destination 2 (2003)
⭐️⭐️⭐️ .5
Tumblr media
I’m aware I am watching these films out of order, I still can’t find the first one on Criterion on Demand, but c’est la vie.
Maybe it’s because I always believe my friends, but I would never have let my friend drive onto the highway after hearing her vision. Wack. Her friends were not there for her.
I can’t help but feel like this whole series is like that text post about Apollo gifting people with Sight.
(Edit: THIS ONE!)
Tumblr media
Also very wild to say “have you noticed anything ironic?” to a person that believes they’re going to die. That’s pretty twisted.
Also, sometimes, it’s not fate coming to get you, it’s a lack of kitchen safety and WHIMS knowledge. It all gets us in the end. Regardless, the tension in each death scene is so worth it.
I think that this twist on the original narrative was compelling but sometimes the actors couldn’t sell it. See: “See what? 😐 Pigeons? 🤨” and “😃 Tim! 😐” Other actors were putting their whole pussy into their performance to the point of near camp. But I think that horror movies like this make a person like myself easier to digest the horror.
You should watch this film for:
The yearly reminder that WHIMIS safety is indeed important
Edging. You get it if you have seen a single movie in this franchise.
The mid 00s dialogue, with gems like “Suck my junk, biatch!”
Similar titles:
The rest of the Final Destination Franchise (ig)
Escape Room (2019) (deals with a lot of planned horror, and asks the question ‘who will make it out alive?’)
8 notes · View notes
warningsine · 2 months
Text
Relatability—a logism so neo that it’s not even recognized by the 2008 iteration of Microsoft Word with which these words are being written—has become widely and unthinkingly accepted as a criterion of value, even by people who might be expected to have more sophisticated critical tools at their disposal. 
[...]
Whence comes relatability? A hundred years ago, if someone said something was “relatable,” she meant that it could be told—the Shakespearean sense of “relate”—or that it could be connected to some other thing. As recently as a decade ago, even as “relatable” began to accrue its current meaning, the word remained uncommon. The contemporary meaning of “relatable”—to describe a character or a situation in which an ordinary person might see himself reflected—first was popularized by the television industry. 
[...]
What are the qualities that make a work “relatable,” and why have these qualities come to be so highly valued? To seek to see oneself in a work of art is nothing new, nor is it new to enjoy the sensation. Since Freud theorized the process of identification—as a means whereby an individual develops his or her personality through idealizing and imitating a parent or other figure—the concept has fruitfully been applied to the appreciation of the arts. Identification with a character is one of the pleasures of reading, or of watching movies, or of seeing plays, though if it is where one’s engagement with the work begins, it should not be where critical thought ends. The concept of identification implies that the reader or viewer is, to some degree at least, actively engaged with the work in question: she is thinking herself into the experience of the characters on the page or screen or stage.
But to demand that a work be “relatable” expresses a different expectation: that the work itself be somehow accommodating to, or reflective of, the experience of the reader or viewer. The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her. If the concept of identification suggested that an individual experiences a work as a mirror in which he might recognize himself, the notion of relatability implies that the work in question serves like a selfie: a flattering confirmation of an individual’s solipsism.
To appreciate “King Lear”—or even “The Catcher in the Rye” or “The Fault in Our Stars”—only to the extent that the work functions as one’s mirror would make for a hopelessly reductive experience. But to reject any work because we feel that it does not reflect us in a shape that we can easily recognize—because it does not exempt us from the active exercise of imagination or the effortful summoning of empathy—is our own failure. It’s a failure that has been dispiritingly sanctioned by the rise of “relatable.” In creating a new word and embracing its self-involved implications, we have circumscribed our own critical capacities. That’s what sucks, not Shakespeare.
5 notes · View notes
alrightsnaps · 10 months
Note
The beef you have with Anthony on twitter is very pathetic and also the fact that you PRETEND Violet has haters when all that happened is that maybe a couple of kanthony shippers have said she was a bit too harsh with him cause god forbids audience members feel more connected with the protagonist and not his mom. Also the fact you want Kate to share screentime with Mary and Edwina again when she was treated like crap by them is not it for someone who claims to love Kate. But I guess it's not surprising when you're buddy buddy with that selcouth account who not so secretly hates Kanthony and Kate and has polite convo with the bloggers who call Kate a homewrecking whore. You know your friend writes fic in which Anthony is beaten up and Kate continues to be miserable post wedding for the sake of poor innocent Edwina?And thinks Anthony should give a fuck about Edwina doesn't let him call her by her first name? Tell your friend he eyefucked Kate at the altar in front of her, let me assure you edwina lovers he doesn't give a fuck about her brattiness the majesty. Leave Kate and Kanthony out of your mouth.
aww how sweet of you that you think y'all are the first people to dickride for anthony at the expense of female characters! i can assure you that i've been beefing with his stans since before kate's casting announcement. kathonies are not the first to drag violet to defend him, or even the first stans to demonise their male fave's mother while excusing his own behaviour. sienna/anthony shippers did the exact same thing long ago painting violet as the evil hag who wouldn't let poor little anthony run off into the sunset with sienna in s1.
also why the fuck wouldn't i want kate to fix her relationships with edwina and mary? i've criticised edwina repeatedly for never apologising to kate since day 1. that's something we never saw in s2 so yeah, i definitely want to see that and i consider necessary for them to rebuild their relationship on better terms after the wedding fiasco.
what i consider hypocritical as fuck is being totally ok with kate forgiving anthony when he hardly did enough to deserve her forgiveness after all the pain he put her through, but drawing the line at her stepmother and sister.
anthony literally ruined kate in 2x04 and not only didn't assume his responsibilities as he forced simon to do with daphne in s1, but had the nerve to propose to her sister the very next morning. so yeah, if i can support kate being with anthony in the s2 finale when he was calling her "the thorn easily removed" from his and edwina's lives just two episodes back, because that makes her happy, i can sure as hell root for her making up with the women that have been her entire world for the past 26 years as well.
as far as i'm concerned neither anthony nor edwina did right by kate in s2. edwina because she blamed her for anthony's actions and was ungrateful, when all kate had done was sacrifice after sacrifice for her to be happy. and anthony because he never showed kate the respect he demanded men to show to his sisters and chose to go after her baby sister only to publicly humiliate both sharma girls in front of anyone when they were at the altar.
i'm old enought to be able to form my own opinion about characters instead of joining fandom groupthink or liking/disliking them based on how their fanbase behaves. if that was my criterion i don't think there's a single ship i'd support in the bridgerton fandom, considering that i disagree with most kathony and benophie stans on twitter for always coddling anthony and benedict and excusing their misogyny.
and frankly, i'm extremely uncomfortable with the way you and many kathony stans talk about edwina. y'all are literally victim blaming an 18yo child for falling for a grownass man who went after her and ruined her in the eyes of society. you constanly infantilise anthony when he has more privilege than 99% of men in england, while spending your time talking shit about a teenage girl.
that's not holding edwina responsible for her behaviour towards kate, it's misogyny, plain and simple. she has every right to treat anthony like filth for the rest of her life after what he did to her and be protective of kate, like kate was of edwina when anthony was courting her, after his abhorrent treatment of both sisters.
a 30yo man not giving a fuck about a teenager he strung along and ruined isn't the gotcha that you think it is. except you clearly have such a sexist worldview that you consider him to be the "prize" edwina lost and kate won, rather than a man who hurt them both deeply and took advantage of his privilege over them.
if i should keep kate out of my mouth for wanting to see her have a healthy and wholesome relationship with her family, so should you people for being ok with anthony doing the bare minimum to win her after the hell he put her through.
16 notes · View notes
brazenautomaton · 14 days
Note
Genuinely curious: if "both parties voluntarily agreed to this and are technically better off" is your moral criterion, do you bite the bullet on 1)Bosses demanding sex for promotions/Harvey Weinstein stuff 2)War/disaster profiteering 3)Corporate centralization, artificial monopolies/scarcity, and other market restriction strategies 4)*Gestures vaguely at social media*
1: not the case since the boss always has the threat of firing you. this is coercion, "if you don't do what I want you'll be worse off than before I made this offer." if it wasn't coercion it would just be prostitution, having sex and renumerating someone for it, which is fine. but this setup always includes coercion.
2: I don't think I've ever heard a definition of "profiteering" that did not amount to "I am upset at the concept of money." profit is how we incentivise people to do useful things and insisting people only do useful things for morally pure reasons is how we get a lot less useful things. completely for "disaster profiteering" and withhold on "war profiteering" because that's even more underspecified.
3: extremely underspecified. if you are taking actions to prevent other people from participating in the market or providing competition, then you're doing something bad. if you merely remind people that are upset about the concept of money that money exists, you're fine.
4: it's wishful thinking to pretend social media is awful because of corporate will, and not because people are awful and turn everything into cruelty games. anything involving lying to the users is wrong, which encompasses all malfeasance from social media companies; giving people a platform that they want upon which they will play cruelty games is not because people want to play cruelty games more than anything else in the world.
lying is wrong, taking away other options is wrong, offering a service other people want to pay for is never wrong unless that service is like directly murder-for-hire.
5 notes · View notes
lesbiancolumbo · 2 months
Note
Thank you for the book recommendations! They are very helpful. Like you said, it’s such an enormous field that I was having trouble finding a way to break in, given I don’t have a favorite era or something to branch from. Follow up: other than free library services, do you have a favorite streaming service (or similar) to start watching these films?
subscribe to the criterion channel. their programming is top notch and they’re showing films that you can’t always catch elsewhere. they have done a lot for platforming women filmmakers especially, but they have a lot of the old hollywood period as well!! MUBI is another good one but they tend to skew more towards contemporary film… your best bet is to befriend someone with a cable subscription and use that to log into TCM on demand. they’re not as accessible since it’s not a pay-to-watch streamer and you need to beg borrow and steal a bit, but it’s worth it. they are regularly showing silents, international cinema, and their themed programming is so great. plus you get to hang with my bestie eddie muller on saturday nights and sunday mornings. that’s my recommendation! i will also say TUBI (or, as my friend likes to call them, The People’s Streamer) is a great resource as well.
if you ever need help locating a film or curating a rec list based on your journey, you can always send an ask or DM me. i got you!
4 notes · View notes
hyperions-fate · 3 months
Text
What I demand in all things is - life, full scope for existence, nothing else really matters; we then have no need to ask whether something is ugly or beautiful, both are overridden by the conviction that 'Everything created possesses life', which is the sole criterion in matters of art. All the same, we meet it only rarely; we find it in Shakespeare, it speaks to us full-throated in folksongs, fitfully in Goethe. Everything else can be thrown in the fire.
Georg Büchner, Lenz
4 notes · View notes
lifeofresulullah · 1 month
Text
The Life of The Prophet Muhammad(pbuh): The Battle of Tabuk and Afterwards
Delegation of Sons of Hilal
Among the delegations that came to Madinah in order to pay allegiance to the Messenger of God was the delegation of Sons of Hilal. The delegation consisted of two people: Abdi Awf b. Asram and Qa­bisa b. Mukhariq.
When Abdi Awf came to the presence of the Prophet and became a Muslim, the Prophet asked him, “What is your name?”
He said, “Abdi Awf.”
The Prophet said, “You are Abdullah,” and changed his name.
Is it Permissible to Ask Help from People?
Qa­bisa b. Mukhariq, one of the delegates of Sons of Hilal, said to the Prophet, “O Messenger of God! I stood security for somebody from my tribe; now, I am in debt. Will you help me about it?”
The Messenger of God said to Qa­bias, “All right! Wait a bit. When zakah goods come from somewhere, I will pay your debt.” Then, he said, “O Qabisa! Know it very well that it is not appropriate to ask something from people except for the following three situations: 1) a person who becomes indebted in order to mediate between two people (or two tribes and clans), 2) a person who loses all of his property due to a disaster, 3) a person who is definitely poor by the witnessing of three sane people from his tribe. O Qabisa! It is haram to beg for the other people.”
Thus, this demand of Qabisa became a means for the determination of an important criterion in the social life.
In Islam, begging, asking something from somebody though one is not in need is regarded as a bad characteristic. There are several hadiths of the Messenger of God regarding the issue.
2 notes · View notes