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kkoehn17 · 2 years
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A Golden Gate Birthday (Part 2)
A Golden Gate Birthday (Part 2)
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wandasfifthwife · 1 month
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(2) the curse of living in a small town | I got a bad idea series
—> masterlist
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southern!wandanat x fem!city-girl reader
tw: allusions to sex (didn’t happen, r just misunderstands), discussion of w&n undressing r while she was drunk bc r threw up on them, slight angst, two separate minor injuries (r), blood mention, mentions to past drunkenness (r), incorrect scared horse description?
a/n: in true me fashion this is published without being proofread. so excuse my choppy ass writing lmao
The sheets wrapped around you were too warm, and it often pulled you back to sleep. Any time you begin to stir, all you had to do was twist your body and you were falling asleep again. The sun was high in the sky by the time you actually opened your eyes.
The curtains were closed, but the air conditioning would push the corners so they’d flip up and let the light in. It didn’t take long to recognize that the room you were in was not a room you recognized.
You froze, dread piling within you as you took in each individual difference between the room you were in versus the one back at your grandparents. The coats hung behind the door, pictures laid on the vanity in front of you, a hand-made blanket thrown across the edge of the bed frame. Not to mention the smell—though pleasant—it was unrecognizable.
It took looking down at your current sleep wear to make you freak out. It wasn’t yours.
Everything on top and underneath wasn’t yours. Your heart rate seems faster than normal when you crack the door open. It’s quiet, and a sign for you to run out the door.
Your feet are bare, so the sound of the bottom of your foot sticking when it picks off the floor is embarrassingly loud. You’ve almost reached the first floor, feet about to meet the halfway mark on the stairs when you hear a voice beside you.
No rational thought came to mind as you rush down the stairs. Your left foot slips and you miscalculate the distance between the last step and the bench sitting across from you. It collided into the bench’s leg with a solid thud.
The wind gets knocked out of you, forcing you to hunch over and wait for the sting to leave. You don’t want to see who’s greeted you, ignoring it even as you miserably make it to the front door.
Across from you in the middle of their yard is Natasha. Though with how fuzzy last night was, she’s become a stranger to you. You turn to the left and book it towards the one thing you recognize at the moment, your grandparents home. You hear her call out to you, but you don’t waste any time running through the warm grass. All emotions related to embarrassment, regret, and shame fill you and force your adrenaline to kick it into overdrive.
Your grandma’s having a field day, laughing as she sees you through the kitchen window. She calls her husband over, the sight of you in almost nothing cracking him up hit he attempts to save your dignity.
He opens the door for you, not saying anything because he knew you’d rush past him and shut yourself in a room. Which is exactly what you did.
“That’s pretty early for a night owl like her,” your grandma laughs, looking to your grandpa. He has a sympathetic look on his face, still looking off where you ran up the stairs.
“I feel bad, honey.“
“It’s not that I don’t feel bad, I just think she’s a grown adult. She choose to get drunk, I’m sure she’s just embarrassed to find out she drunkenly cried over someone congratulating her for graduating college.”
That’s not the reason why you felt embarrassed. You had zero chance of knowing what happened last night until you talked to one of them. Confrontation wasn’t your strength, avoidance was. That’s why you’re caught up in this mess with your boss at work, you can’t tell him to give you a raise because you’re afraid of getting fired.
That’s how you feel now. You’re afraid of asking what happened last night because you’re scared of the possible situation. There’s no obvious physical signs of anything happening other than your clothes being changed. That being said, you still left your clothes over there. At this point, they can keep them.
The picture frames that covered the walls were photos from their marriage. Them smiling, a few of them kissing. It was beautiful and you were terrified you were to ruin it, what they have, after last night. Your home was even quieter than theirs, that was until your mother had begun to bang against your door.
“Get dressed, you’re coming with me into town.”
You realize then that all of your sudden movement from earlier catches up to you. Your mother realizes it too and thankfully allows you to sleep in more. After a few home remedies you’re feeling better, but not fully healed. When she finds you in bed at 3PM, she’s hurrying into your bedroom and pushing you to get out
“Tomorrow?”
“No,” she pulls the sheets off the bed, “fall for stupid tricks get stupid consequences, come on.“
You shy away from the laughs coming from your brother and grandparents when you make it downstairs. There was a small tray in the kitchen with a varying fruits. A small sticky note beside it with a personalized message towards you, telling you to take whatever’s left.
“Want to visit the diner in town? I’d like to visit my friend for a minute, you can get lunch?”
Your mom navigates the plans, pushing beside you. You make a small plate and grab more meds from the pharmacy tray in the furthest cabinet to the left.
“I don’t care, mom.”
She grabs the keys off a small hook and wonders off outside. Her actions telling you get yourself in the car within the next few minutes. You bother finds himself stumbling into the kitchen, “to set the record straight, I won.”
“Fuck off,” you mumble, grabbing your phone and tumbling out the door. Your mom pulled the car out front with the window’s down.
“Buckle your seatbelt.”
“We’re going down St Peters?”
“You’re still sobering. I’m scared you’ll pull the door open and fly out.”
“Mom,” you point towards where the city is, “the streets are 25, it’s slow. Just go.”
She still replayed her comeback to you, going on about how over drinking is terrible for you. Meanwhile her yapping was making everything hurt worse. You rest your head against the window as best as you can, trying to be mindful of the constant bumps due to the rock road.
“—you had cried like a baby.”
“I did what?”
“Cried last night.”
You groan, “I can’t believe I did that.”
“You did a lot of things,” she says eventually once you’ve gotten onto the road. Her sentence doesn’t help the downfall of emotions you’ve been experiencing since this morning.
“Have anybody in your sights lately?”
“Nope, still single.”
She prods further, asking, “are you going to get married? I don’t care how or when, just sometime before I die so I can have grandchildren.”
“I understand. You’ll be the first to know if I find someone.”
She turns down the street, onto where the most amount of buildings lie unless you want to drive for hours. It’s a thirty minute drive, decent enough to get what you’re needing. Food, supplies, send mail, or to set up market. There was a spot in front of the town’s diner, the one your mom chose and the one right by where a certain someone’s car was parked as well.
You climb out of the car, unsuspecting and following your mom into the diner. She pulls away from you almost immediately to talk to her friend who’s sat at a booth towards the back. You thought to introduce yourself, include yourself in the conversation between an old acquaintance. The both just behind her was where Natasha was, your eyes finding hers. You grew defensive, turning on your heel to sit at the bar instead.
The lady behind the counter takes your brisk order. The look on her face is also wondering why you’re this bothered by her presence. If it were a one night stand, it’s fine, they happen. Usually they don’t and with one running out into the field barefoot though.
She hands you the tea you ordered. You’re sure your expression is still tense judging by the fact her eyes never leave you until she’s rounded the corner. Whether she’s concerned, or noisy, it doesn’t matter. If she could tell you’re tense, you’re sure Natasha can tell if she so much looks your way.
You’re unsure about why, but you look over your shoulder. It was with a purpose to look at your mother, but you glued onto her again and freaked when you saw her get closer. Hands growing sweaty around the cold drink in your hands when she sits beside you. She wastes no time getting straight to the point, narrowing you with a stare.
“Why’d you run off this morning?”
The conversation you’ve been dreading was unraveling. You keep your eyes on the old tv, not sparing her a glance. She doesn’t budge. You finally turn towards her, meeting her stare, “do I know you?”
It was a complete lie that she seemed to beleive for a split second. She backed up, giving you enough space and time for your mother to come back. You were gone by the time she put the pieces together. The way you looked back at her, nervously swallowed when she got close, and sat still when she spoke to you. You definitely recognized her.
You ran into them again at the market a day later. Whoever they went, you copied, hiding behind anything you could to avoid being seen.
You ran into them again when Natasha was getting gas at the station you liked off Westview. You went above and beyond to push your seat back, putting yourself out of the span of her line of sight.
You ran into them everywhere. The only place they had yet to wonder into was your grandparents land. It felt like your safe zone, the area where they couldn’t roam.
That proved to be wrong when you crept into the stable at sundown, visiting the newer addition to the stable. You met him a day ago when your grandfather took you out to see him for the first time.
You sat in the corner of his pen on a stool, watching as he ate the feed you poured into his food mound into. Your grandfather mentioned needing him to get used to new people as they wanted to train and sell him eventually to a rider.
“Why’re you up so late?” wanda had asked almost as if she came out of nowhere. It startled you and the sound your hand made when it hit his feeder had him freaking out as well. Wanda’s quick to unlatch the door, pulling you into her. The wooden edge caught onto your skin, dragging and pulling it until it bled.
“Thank yo—“
“No need, my apologies for scaring you,” she looks towards the terrified horse, “and him”
“Ah no worries, he gets scared often,” you brush the hay off of your jeans, “why’re you in here?”
“We bought half the stable two years ago.”
Of course they did.
“Oh.”
“Guessing your ma didn’t tell you?”
You shook your head, reaching an arm out to slide it down the side of his snout, bringing him to eventually stand still. She waits patiently beside you, looking between you and the horse.
“Got yourself cut there?”
“I did?“
Her fingers weave under your arm, pulling it up and showing you the slice your arm took a minute ago. She looks saddened, “I’m sorry, angel, I didn’t mean for you to get hurt.”
“It’s just a small cut. I barely even knew it was there I’m so immune to them.”
She doesn’t look pleased. She invites you to her house, and you want her to leave. It’s not her, it’s you. You can still feel your nerves spike after all these days when you see them time after time again. Going back to their house would mean you’d have to see how the two of them are doing, and lately, they haven’t been in the same room.
If there’s one thing you remember from last night, was that they came together and were almost wrapped in each other’s arms.
“At least let me cleanse it before anything tries to infect it.”
You agree and she sits you down on the chair in the tack room, coming back a second later with a small bag. The cut did not draw any attention to you when it happened, but you’re thankful she noticed or else the blood could’ve spread onto your clothes or anything else you touched.
Neither one says anything while she rubs disinfectant on the gash. The horses in their stalls were making much more noise in how they huff and walk around. Being cooped up in a little cell would drive you crazy. Like being cooped up in this room with Wanda was suffocating.
“Have you had any meds since last night?”
“Yes,” you rush to look away when she glances at you, “ma has a supply in her cabinets.”
“Good.”
Oh my gosh you want to run back into the house and stay in there until you fly back to New York. She’s entirely calm and her fingers are steady, something you’re trying to copy.
“If you need anything, come visit.”
It was the undertone of her statement that confused you. It was inviting. She put the cotton pad into the trash, coming back to sit beside you. Her fingers were so gentle, hovering over your skin and unintentionally giving you chills.
“Thank you.”
Her smile so soft. She finishes putting the small bandage over your arm and walks back out to put it away. You don’t want to run now, partially because you’re with the one who’ll lay the truth down in a kinder way.
“What happened last night.”
You know she heard you when she laughs out loud, the sound light and airy. It confused you, bringing you to ask more questions. She motions for you to leave the room, the key going into the lock after.
“You got drunk and cried if Natasha or I tried to leave. We all decided it would be best if we just brought you to our house for the night. You fell asleep the second your head hit the pillow. Natasha heard you being sick late into the night, I believe it was 3AM? She left to help you—“
“That’s a wonderful story,” you cut her off in hopes to not hear the rest, but you’re incredibly relieved to find you hadn’t slept with them that night, “I am so terribly sorry you had to deal with that.”
“If you’d like your clothes from last night back they’re folded in our laundry room.”
“You didn’t have to do that.”
“We wanted to.”
You walk past the first few stables to grab your phone off the table you had set it on when you walked in. You flit it into your back pocket, “would you be alright if I stopped by to grab my clothes tonight?”
“Not at all.”
The front gate to the stable shuts. Wanda pulls a small flashlight, shining the light to help you both walk back towards their house. Her eyes were focused ahead, shorter hair covering half of her side profile.
“When I first met you, how long had you been married?”
“About three years,” she explains, “we got married in the summer.”
“The pictures in your home are beautiful.”
She thanks you, walking ahead to open the door to her estate for the both of you. The moon’s full, providing enough light that almost puts the flashlight to shame. It shows the shorter path ahead of you, marked by dried dirt and stones.
The door to their home opens and Natasha walks to stand in the doorway. The two greet each other with a kiss, whispering small pleasantries. It’s only for a second, but it singles you out and makes you feel you’re imposing. Natasha holds the door for you to enter, letting the screen door swing shut once you’ve all entered.
Wanda walks you through their house towards the laundry room, indirectly giving you a tour of everything you ran past in a blur that morning. The emerald green backsplash in their kitchen and wooden cabinets. Little miscellaneous items thrown about like a stack of papers and a random hair clip.
“Here,” she peeks into the laundry room, setting the clothes onto your open arms, “sorry they’re all cold, I promise they were warm this morning.”
You laugh awkwardly, the shy sound getting cut off from Natasha calling for Wanda from another room. You two found Natasha standing in the living room, holding an opened envelope. Shreds of paper were on the floor, results of her careless attempts of opening the letter.
“Why are we still getting mail from the Parsons? We finished their payment last week.”
Wanda takes it from her hands, scanning over the letter for only a second, “it’s possible they’ve forgotten, they’re entirely too old.”
Natasha mumbles under her breath and goes to place it with the other thrown about papers on their dining room table.
“I’m probably going to head out now,” you look behind yourself, ensuring that you’re actually walking backwards towards the door, “thank you for everything.”
“Course, angel. Have a good night.”
You smile, feeling like you’re being drowned underwater as you step down the porch. Their conversation can be heard even as you’re halfway down their driveway, the screen door doing nothing to separate building from the rest of the world.
You grow cold as you walk back home, the light and warmth their home brought escaping you with each step you took walking away from them. It’s loud back at your grandparent’s home, most everyone is situated in the backyard, but a few remain in the living room.
Your aunt greets you first, asking where you were before asking if you could help your brother with the dessert since apparently he’s “still recovering from last night.” You doubt that but you’re in no mood to fight.
Your grandparents are sitting on a one person couch. Legs are intertwined and hands held and it brings back a memory from last night in their home when you were laid over Natasha’s waist in a similar position. You leave the room with an aching feeling in your chest.
There’s times when you were unsure of how you were feeling. The reason why you felt off sometimes never making itself known. You were home with family, a plate with crumbs laid on the table between you all. It was fine, you were safe and in a warm building with food and water and everything necessary.
When the lights turned off in the house and everyone had gone to bed, you still felt a tight squeeze in your chest. You labeled it as a combination of so much happening the past couple of days, and the fact you drank more than usual just the night before. When you climbed in bed, you fell asleep looking at the little lit-up house down the road.
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florencemtrash · 4 months
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The Shadowsinger & The Inkbird: Chapter Two
Azriel x Day Court Librarian Reader
Summary: Y/n's clairvoyance is a gift from the Mother, but it feels more like a curse. With the power to gain knowledge through touch alone, Y/n holes herself up in The Alcove and hopes her powers and parentage will remain a secret. But things will change after the Summer Solstice ball and a chance encounter with a certain Shadowsinger.
Warning: None :)
The Shadowsinger & The Inkbird: Masterlist
Masterlist of Masterlists
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“The sun’s barely gone down!” Cassian grumbled, following behind Helion, Rhysand, and Feyre as they walked the cobblestone streets of the Day Court. Every block of the small city contained at least two local bookstores, one cafe that also sold books, one flower shop that also sold books, and/or a small glass box filled with - as anyone could have guessed - more books to be given away for free. 
Helion chuckled, “You’re not in the Night Court any more. My people are early to bed, early to rise. Unless of course you spend a night with me.” He winked at Cassian, who had the sense to blush. Indeed the Night Court members had been shocked when the party cleared out not even two hours after the sun had slipped beneath the ground. 
Aside from the small scale bookstores which housed the most popular and recently published novels, every sector of the Day Court also had between one to three athenaeum’s - elaborate buildings of ivory stone laced with filigree and windows that lit up like the glowing eyes of an ancient beast. They were the pride and joy of all Day Court members. The windows flickered and shone with the magic used to protect the volumes from the sun. Even as the neighborhood lights slowly winked out, Azriel could track the diligent minds scouring the brightly lit shelves. There was a loving madness in their hunched backs, craned necks, and squinting eyes. 
As their troupe reached The Alcove, one of the smaller and cozier athenaeum’s, Azriel couldn’t help but imagine you in a similar display of passionate madness, when you forgot about the world around you and could actually relax.
The Alcove specialized in housing diaries and novels of everyday comforts - quiet, unassuming stories that could steal your heart as swiftly as the grandest tales of war and romance, but with much more discretion. Here, the knowledge pressed between pages with ink was full of warmth and subtlety. The others in your cohort had scorned you for your choice in The Alcove. Why would anyone choose such a dull place to live and work? Why not be surrounded by books on war tactics or history or religion or biology? Someplace useful and worthy of a Librarian’s gifts. But The Alcove had offered you something you’d missed since your mother’s death - a sense of home. 
You sat by the bay windows overlooking the darkened street below, breathing in the crisp and cool air that snuck in through the glass. On the other side of your apartment, a similar window overlooked The Alcove’s interior. Hundreds of mahogany shelves lined the high walls of the octagonal building with its signature domed roof. Grand staircases of gold twisted their way up from the ground, connecting to walkways that gave easier access to the volumes housed higher up the walls. 
It was a blessing in disguise that you’d chosen to sit on this side of your apartment. Otherwise you would have never seen the Shadowsinger watching you with careful consideration, his eyes faintly glowing like the eyes of a cat. He raised one gloved hand up at you in a wave, a solitary gesture as the rest of his companions and Helion walked towards the stairs that led up to your apartment entrance. 
He saw your mouth open in a shocked oh and couldn’t help the faintest smile gracing his lips as you disappeared from view.
“Oh shit.” You sprang up from your seat, eyes madly racing over the contents of your apartment. You were in the middle of a research project on magical signatures and your living space reflected the madness in your mind. Books lay open on the floor, on the desk, on the coffee table surrounded by carefully documented notes and half-scribbled ideas in equal measure. You wouldn’t be able to clean it up in time and, quite frankly, you had no interest in disrupting the chaotic organization. Did you really care about impressing the Night Court and Helion? 
The terrifying answer was, yes.
The dining room. 
It rarely saw use since you were disinclined to receive guests, and had more recently been repurposed to house stacks of romance novels… best not to let anyone see those… 
In the five minutes it took for Helion and the members of the Inner Circle to climb up the dozen flights of stairs, and knock on your door, you’d successfully managed to hide all the smutty romance books in your bedroom, throw a table cloth and candle on top of the dining table, put away the dried dishes that had been displaced on the kitchen countertops, and set a kettle on the stove. Was there anything more that could be done? 
Helion smiled brightly when you made your appearance, keeping the door slightly ajar to keep the worst of the living room out of sight. Perhaps this would be a short visit and they wouldn’t even ask to come inside.
“Y/n!” Helion said with a grin, “I present to you the Inner Circle of the Night Court.” He gestured with a grand flourish to some of the most beautiful fae you’d ever had the honor of witnessing.
“Some of us at least.” The High Lord’s voice was liquid honey and filled with enough charisma to seduce a nun.
“The most important ones.” The Lord of Bloodshed said with a boyish grin. The faint scar on his cheek pulled back with his smile.
“I’ll let Nesta know you said that.” The High Lady had swapped out her dress for a more simple pair of black slacks and a billowing shirt that cinched in at the waist, flowing over her body like smoke on water. 
“Wait, no. Feyre, I was only joking. Feyre-” 
She laughed, tipping her head back while her husband and mate looked on with a tenderness in his eyes you hadn’t expected to see. It wasn’t the love that shocked you so much as the casualness of it. High Lords and Lady’s - from the limited experience you had reading about them in books - were either unreadable or such outrageous flirts they looked ready to jump into the bones of anything that could stand upright or lay down for long enough. Both methods were appropriate to hide their true feelings, but Rhysand and Feyre seemed to take another approach entirely. 
Helion coughed when you made no move to introduce yourself, still shell-shocked at the caliber of guests currently at your door, “And to the Inner Circle of the Night Court, I present Y/n Y/l/n. My dear friend and one of the most talented researchers I’ve ever had the pleasure of working with.” 
“We’ve heard so much about you.” Feyre said, moving forward on instinct to embrace you. She stopped immediately when she saw you flinch back, but recovered quickly, smiling brightly, “My name is Feyre, and this is my mate Rhysand,” The High Lord tipped an imaginary hat, “And his brothers, Cassian and Azriel.” 
“It’s an honor to meet you.” You said politely.
“The honor is all ours.” Rhysand said. He held Feyre closer to his side, one hand ghosting close to her stomach in memory of the child that had grown there not even two years ago. “Helion told us everything you did. Our daughter is alive and well thanks to you, as is my mate.” 
You blinked in surprise. You didn’t know Helion had told them about that. 
“Oh um, it was a joint effort. My High Lord is too kind.” You said with a respectful dip of your head and all at once your manners flooded into your brain again, “Please, come in.” 
You sheepishly opened the door further, allowing the two High Lords and High Lady to grace your apartment. The Illyrians crossed the threshold last. Muscular, leathery wings rippled with power and prestige and it was incredible they managed to stay upright, let alone keep them from dragging on the floor. 
You made a mental note to revisit some old anatomy texts on winged fae. 
“I um,” You hurried to the kitchen, hearing the kettle start to screech, “I apologize. I wasn’t prepared for guests.” The screaming stopped and you remembered that you didn’t have any matching tea sets. 
You reached into the cupboards, face blushing at the assortment of novelty mugs you’d acquired over the years. Hardly fit for a children’s tea party let alone some of the most powerful fae to have ever existed. 
“There will be no apologies from you, tonight, my dear.” Helion said with a charming smile, “Not after we’ve barged into your home uninvited and taken over your dining table.”
From over the island you saw that Helion had already settled down at the table, the others following suit. Everyone except for the Shadowsinger. 
He lingered by the kitchen archway, keeping a respectful distance as you poured boiling water into the teapot over a mixture of chrysanthemum and rosehip. 
“Would you like any help?” He gestured to the tray now loaded with the teapot, cups, and a platter of biscuits that shook in your hands. 
“Oh,” You stared at his outstretched hand, soft black leather molded over graceful fingers. “No, that’s alright. I can do it. But thank you for offering.” You stood face to face with him, silently begging him with your eyes to move to the table with the others so you wouldn’t have to suffer the consequences of touching him.
His hand quickly dropped to his side, then slid behind his back. You caught the flash of hurt in his eyes before he masked it. 
“There are some cookies in the living room!” You said a little too loudly, “On top of the coffee table. If-if you wouldn’t mind bringing those-” The Shadowsinger was already gone on his mission and you breathed a sigh of relief. 
There were more books on the floor than swords on a battlefield. Azriel stepped over them gently, careful not to disturb the precarious arrangement. Books on anatomy, microbiology, human medicine, and magical theory flared outward, tracing the path of Y/n’s mind. Azriel walked it with wonder at the brilliance hidden within the midnight thoughts that had been spilled on paper, before being organized later on with a loving hand. Because that’s what this all spelled out to him - some chaotic, maddening love. He was almost jealous not to be on the receiving end of it… almost.
He saw the platter on the table, but ignored it for the pile of books by the windowsill. These ones were different from the rest. Older and more worn. The bindings were cracked and flexible after being read hundreds of times. He could even trace the faint outlines of your fingers on the leather bindings where natural oils had eaten away at the dye. 
He read over the titles and committed them to memory for no other reason than the fact that he liked things that had been well loved. 
“I made a mistake don’t-” 
Azriel straightened up, color washing over his cheeks as he turned to face you in a sea of paper and leather. 
Without thinking, he’d fallen into old habits of poking through people’s belongings. There was a reason Rhysand had made him Spymaster of the Night Court after all. 
“I’m sorry, I didn’t mean to-” 
“Did you eat a cookie?” You blurted out in a panic. 
“No, no I didn’t.” 
Your shoulders dropped in relief, one hand brushing back your hair. Azriel caught sight of your ink stained fingertips, and the faint mark they left on your temple. 
“Oh thank the Mother.” You muttered under your breath, stealing a glance over your shoulder to the dining room where Helion was playing host in your stead and doing a far better job than you would have been capable of.
“Are they poisoned?” Azriel asked, but the joke fell flat upon seeing the horror in your face.
“No! No, that's not why-I should explain myself better. I would never dare try and poison you. Or anyone for that matter!” You scrunched your eyes shut, face burning brighter than the sun at noon.
I’m a fool. I’m making a fool of myself. He’s going to think I’m an absolute idiot. And right after Helion called me a gifted researcher. What a fucking lie.
Azriel, the blessing in disguise that he was, gave you a moment to collect yourself, pretending to find more interest in a volume on snake venom that was laid open on the ottoman. 
“A friend baked those for me.” You finally said. 
Azriel nodded, a faint smile gracing his face and it caught you off guard. He was beautiful, there was no doubting it so long as you had eyes. What had surprised you was the faint slivers of warmth behind the facade of the cold, brooding Shadowsinger. It was… surprisingly comforting to be standing in a room with him, just the two of you. It was certainly better than the party you’d unceremoniously winnowed out of earlier that day.
“I would never hold it against you if you wanted to save those for yourself.”
Your lips twisted in disgust, “Oh gods no, Cherp is a terrible cook.”
“Cherp?”
“He’s another Librarian I know.” Probably the closest thing to a friend I have. But you weren’t about to tell the Shadowsinger that. “He specializes in chemistry and food history.”
“He’s a food historian?”
“Yes.”
“And yet he’s a terrible cook?” The Shadowsinger tilted his head to the side. 
The corner of your mouth tipped up, “The worst.”
“How is that possible?”
You gave it a thought, eyes darting around the walls like the answer was hidden behind paint, “Do you know how many different types of eggs there are, um,” You weren’t sure what to call him.
“Azriel. Call me, Azriel.”
“Azriel.” You said, testing out the shape of his name. You liked it.
“Do you know how many different types of eggs there are, Azriel?”
He cocked his head to the side, “I do not.”
“Thousands, Azriel. Thousands. If I told you to bake a cake with an egg, would you know I meant a chicken egg?” This time you didn’t wait for an answer, “Because you’d be surprised how quickly facts we consider ‘common knowledge’ disappear. Will people know we meant chicken eggs 1 million years from now? Perhaps not! All this to say that when Cherp follows recipes, he usually doesn’t have the knowledge to make it correctly and they turn out bland at best, inedible and poisonous at worst.” 
Azriel tipped his head back and laughed, prompting you to explain further, “He once spent ten years researching the evolution of average spoon sizes because so many of his recipes were measured in spoonfuls.”
Azriel smirked, “Is this what you academics get yourselves so worried about?”
You couldn’t tell if he was ridiculing you or not, but the sincerity in his hazel eyes said he wasn’t. “Well we...among other things, yes, I suppose that is something we concern ourselves with…” 
“Y/n!” Helion called from the other room, “Stop romancing the Shadowsinger and join us at the table. It’s a futile effort. I’ve been trying for centuries.” 
Your face turned a brighter shade of red as you watched Azriel pick his way through the empty spots on the floor. You pressed yourself against the wall to let him pass, a fact that didn’t escape his notice. And when he took a seat at the table, you ignored the unoccupied seat next to him, preferring to stand behind the island like a woodland creature ready to dive into their den at a moment’s notice. 
His lips flattened. He’d hoped to make you more comfortable around him after the disastrous events at the party, going so far as to hide the shadows that were clamoring for release. He should’ve known better than to assume one conversation about the historical accuracy of egg recipes would make that discomfort go away.  
From your island you tossed pleasantries back and forth like it was a game. But you couldn’t help the stiffness in your posture, the hesitation in your voice when they asked you about your life.
“I’m a Librarian.” You’d first answered, as if it were all that needed to be said. But they pressed onwards, tried to make you laugh. Cassian, especially, liked to poke fun, and despite your best efforts, you laughed. 
“All these libraries would make Nesta go feral. She wouldn’t know what to do with herself.”
“What kind of books does she like to read?” You asked, refilling the kettle as the cloudy sky outside darkened into a rich purple-black.
Cassian coughed, face turning red, “Romance.” He answered simply.
“Smutty romance.” The High Lord said, punching Cassian in the arm. His face turned redder.
“Lucky you,” Helion said with a wink that had Feyre bursting out into laughter. It was no secret that Helion had added Nesta onto his list of fae he’d one day like to have in his bed.
“There is an athenaeum that specializes in romance, and there’s no shortage of those sorts of novels… if you’re interested.” You said, hiding your face behind a sip of tea. 
“And how would you know about that?” Feyre asked teasingly. 
“I… am a Librarian. I know-I know things.” You sputtered unconvincingly. “I went once. Purely for research purposes.” 
Azriel gave her a look, a look that said he somehow knew of the eight raunchy books that graced your bedside table and had been well-read indeed.
As the conversation evolved to less embarrassing topics, you were struck by the fact that you were actually enjoying yourself. It was a far cry from the parties that you’d previously been invited to. There was an ease to the Inner Circle. A familial love that flowed off them as easy as water off a whetstone. It was something you hadn’t experienced in quite some time.
Azriel noticed when you fell silent, your mind carried away to more sobering thoughts than Cassian’s most recent travels to the Human Lands. Feyre noticed as well and made her surprise at the time look natural and unscripted.
“Day Court members are early to bed and early to rise aren’t you? I’m sorry we’ve taken up so much of your time.” She said, gently pulling Rhysand up with her as she stood. 
“No, not at all. Thank you for coming. I-I hope your daughter is doing well.” Was that an appropriate thing to say? Perhaps it was too threatening to comment on the wellbeing of a High Lord and High Lady’s child. But Feyre didn’t find any fault with that, a glassy look sliding over her eyes as Mor let Feyre into her mind so she could look at little Velaria dozing away in her aunt’s arms back home.
“She’s getting to be more and more of a handful everyday.”
“I wonder where she gets that from?” Cassian chimed in, throwing Rhysand a look as they collected their coats and slowly made their way over to the front door.
Rhysand threw his hand to his chest in indignation, “I was practically an angel.” 
Cassian snorted, “More like the devil.” 
Feyre rolled her eyes, shuffling the pair out the door into the still night. 
Azriel once again lingered behind, the last to leave behind Helion. He stepped out into the night-chilled air, the edges of him disappearing like the darkness had come to reclaim him. 
“It was lovely to meet you, Y/n, the Librarian.” He said, dipping into a shallow bow.
“It was lovely to meet you, Azriel…the Shadowsinger.” 
He smiled shyly, then froze, the smile slipping off his face into a look of shock. You glanced over your shoulder, missing the explosion of shadows that spilled out from him. 
You leapt back upon feeling their cool touch wrapping around you. There was a curiosity to the way they wound themselves through your hair and got tangled up in the folds of your dress. But thankfully, they carried no memories with them. No feelings but a faint relief and comfort that washed over you and gave you back your breath. For the first time in years you were experiencing a touch that you could handle. A touch that was stillness and peace.
“Is everything alright?” You finally looked back at Azriel, his eyes blown open and panicked.
He was not a man of many words. Never had been, never would be. But he wished he could speak everything on his mind. 
You’re my mate. You’re my mate. You’re my mate. You’re the one I’ve been waiting over 500 hundred years for. 
But when he saw the concern in your eyes, the gentle tilt of your head that exposed the curve of your neck, he knew it wasn’t the time.
“I-I have to go.” 
This time it was his turn to disappear. He swallowed his words, forced down the bond that now burned in his chest with the light of a thousand suns, and fled past the shocked faces of his family members before shooting off into the night sky.
<- Previous Chapter Next Chapter ->
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Author's Note:
Does this batboy deserve a nerdy mate to tease and have fun with? Yes. I will take no criticism (just kidding if you have thoughts about how my writing is, let me know, just be kind and respectful about it).
Love,
Florence B.
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lunargrapejuice · 1 year
Text
husband tax
alhaitham x fem!reader
whipped & teasing ‘haitham<3
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sleepiness clung to your bones like dew on blades of grass in the warming morning sun, crystalline drops once frozen in the quiet night though unlike those droplets last night, and now as you waited to the side of the coffee stand for your drink to be made, you were warmed by your husband at your side and the way he kept you tucked in close to his chest, his heart beat steady in your ears.
with one arm around you, his thumb rubbed back and forth in slow motions on your waist that was not helping you shake that last bit of tiredness but that you didn’t want to stop all the same. you wanted to melt into alhaithams touch. it was quiet between you as he finishes the last few pages of the chapter he was on before you both headed out the door for work and after little convincing, though you did bat your lashes sweetly once or twice just for good measure, he indulged in your request to stop for coffee, even though he had already had a cup at home, and was far less bothered than you when you showed up and had to stand in a long line. he just pulled you close, got out his book and told you it’d be fine. and you found it hard to disagree when it dawned on you it meant you’d get to be with him a little longer before you parted for the day.
it seemed to end all too quickly too when they called your name and tore you from your beloved's embrace, reminding you there was more to do today than just lay against alhaithams chest and relax, even though it's what you’d both rather be doing.
“i’ll get it, stay here,” he says, his fingers running across your lower back as he closes his book and slips it back into his bag, stepping away from you with long strides.
you grumble as he leaves, just like you had this morning when your alarm went off and took you from your dreams. your ears fill with the noises of the waking city, his warmth lingers on your skin but his scent quickly dissipates, replaced with the strong smell of coffee. your eyes follow after him, watching the sway of his cloak, the bounce of his ahoge. you smile as he thanks the stand owner and heads back your way, looking not nearly tired as you even though he’s harder to get out of bed.
he stops in front of you, his tall frame lingering over you as he grabs for your outstretched hand that was meant for your coffee but was still happy to be met with his skin, the softness of his gloves. he laces your fingers together and brings them between you while he takes a sip of your drink, a smirk pulling at his lips at the way you look at him quizzically. 
“husband tax,” he says in answer and you don’t miss the teasing lilt in his tone. falling into step side by side, headed towards your work, he hands you your drink and feels his chest swirling at the pleased look on your face at your first sip of your drink and the smile you give him after.
“it’s gonna be a good day ‘haitham,” you beam, your smile growing brighter and he can’t help the way his own lips twitch upwards, though he hides it well by pulling you closer, leaning down and placing a soft kiss to the crown of your head.
“yes, it will.” 
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cuddled up in the little nook inside alhaithams home office, afternoon light spilling through the stained glass windows, your favorite blanket layed over your legs and a book in your hand, your eyes drank in the images being painted with words on the bound pages in front of you. the story had you captivated, your gaze not breaking from the pages even when you reached to grab a chocolate covered biscuit, a sweet treat imported from inazuma to go with your book from yae publishing house. 
you were so sucked into the world laid out by the author you hadn’t even heard the opening of the front door or the clicking of alhaithams shoes against the hardwood making their way towards you. you were right where he left you an hour ago, having only slightly shifted into a more comfortable position and now with many more pages finished. 
had you been able to look up from the pages you would have seen an image of alhaitham not many would ever see or even believe the stoic scribe was capable of; a smitten man taking in the joy and comfort of his beloved as he leans against the door frame with his arms folded. the warmth of the afternoon sun clung to his dark clothes but his chest was filling with another kind of heat and another emotion he found himself so weak to when it came to you, need. the need to have your attention, to kiss your lips, have you welcome him home, to tease you for making him feel this way because only you could make him feel so.
it’s only when long fingers come into view at the top of the page, the book leaving your grasp for the first time since you picked it up, do you finally realize alhaitham is home. he’s caught you at the perfect moment, a chocolate covered stick poking out of your mouth that’s now curling into a smile, matching the light in your eyes, when you see who it is.
��welcome ho- oh~”
he doesn’t give you a moment to speak before he’s closing the distance between you, the hand not holding your book keeping you caged between his large muscular frame and the back of your chair. the scent of rosewater and hibiscus envelopes you and his proximity sets your heart to an unsteady beat. it grows more erratic when you can feel the warmth of his breath on your face, the tickle of his hair on your forehead and find your eyes unable to leave the image of his pink lips parting before he breaks your treat in half, little crumbs clinging to his lips as he takes a bite and swallows, still so close but never touching your lips with his own. 
“husband tax,” he says with a smirk that told you all too well he was enjoying the way he felt your skin burning up, like he might have heard the thump of your heart in the quiet room.
all too casually he slips the book back into your hands and takes a step back, ready to head to his own corner of the office to read but letting his eyes linger on your adorably flustered face and the way you try to hide it behind your book.
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“habibti, dinner’s ready,” you hear your husband's voice call from the kitchen followed by the soft clank of plates being pulled from the cabinets. 
“coming!” you call back, quickly slipping on your sweater, well alhaithams sweater, before emerging from the bedroom feeling much better than you had when you first arrived home with heavy eyes and a pout on your lips. 
it wasn’t usual that either of you worked overtime but lately you didn’t have a choice if you wanted to get your work done by its deadline so you had arrived home much later than your lover, much later than you would have liked to. upon seeing your exhausted state, he pulled you into his arms, your face buried into his chest, kissed your lips tenderly and easily coaxed you into a hot shower while he promised to prepare dinner.
you could smell the food he had been cooking the moment you stepped into the hallway and felt your feet practically float into the kitchen after it. your stomach grumbled upon seeing the food laid out on the counter and your whole body filled with love that melted the entries days stresses away when seeing alhaitham untying his apron as he turned to meet you.
he was always so handsome but there was something about seeing him like this, in comfortable clothes without his headphones and a messy apron after making you dinner, soft eyes to match his loving tone as he spoke to you, makes you ever weaker to the beauty that was the scribe.
“feeling a little better?”
“mhmm,” you hum as you wrap your arms around his middle and bury your face into his chest. he responds in kind, one hand cradling the back of your head, the other at your lower back. “much better now.”
“good,” he replies with a chuckle that makes you feel even lighter as you nizzle into him. “go sit down, i’ll get your plate ready.”
“thank you ‘haitham,” you whisper over his clothed heart, earnest and honey sweet, before reluctantly pulling yourself away from him and going to take your seat at the table.
with a tired smile and your head resting in your propped up hand you watch as he plates your favorite foods of this dish first and in the portion you like, followed by the things you liked less but were just as full of nutrition to help you through your long nights and hard work. your heart skips a beat seeing a bit of sauce dripping from the spoon and clinging to the edge of the plate before he wipes it off with his finger and licks it off, his eyes flashing up to yours just to see if you were indeed staring. 
quickly you look away, clearing your throat like you weren’t just caught with shameless hearts in your eyes. you half expect him to tease you, to at least point it out like a smart aleck but he doesn’t say anything as he makes his way over to you and places your food in front of you. it's only when he grabs you a fork, not yet handing it to you and the action causes you to look at him in question, that he speaks. 
“husband tax,” he says, taking a piece of your food for himself, ensuring that you’re watching as he takes a bite and licks his lips before handing you the fork with a knowing look in his eyes but acting all innocent just the same.
“you know if you want to share all you have to do is ask,” you coo sweetly at him, your cheeks warm, your heart full knowing just how much you love when he does this.
“i know,” he replies. but whether it be to tease you, to see if your drink is cool enough, to ensure your food is to your liking or any other reason he could think of, he’ll always be happy to see you smile, make you blush and hold your attention, your love. “but this is more fun.”
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monster-disaster · 7 months
Text
[elf] Everen
elf!Everen x human!Reader Good to know: smut
Summary: Your boss demands you to go after him into the woods.
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For long seconds, the ringing of your phone seems unreal and far away. It needs time to break through your dreams, and when it does, you can't help but groan into the darkness of your room. You are disoriented and confused. Your phone doesn't stop vibrating on the nightstand next to you. The bluish light of the screen illuminates the ceiling. It blinds you for a second as you turn on your back and grab the small device. You have to force yourself to stay awake even though tears gather and escape from the corner of your eyes because of the sudden light. You can barely see the picture of your boss with his name at the bottom. You groan again.
"Mad?" His voice breaks the silence of your room. You can see him frowning on the screen. His thick, almost white brows cause a deep wrinkle between them. "It's me," you croak out. You don't even have enough energy to react to the stupid nickname he gave you years ago. Reaching out for the small lamp, you turn it on. "Did I wake you?" You glance up at the clock in the corner of your phone. It's almost one o'clock. "What do you think?" "You look like shit." "What do you want, Everen?" You ask him impatiently. Your voice is still hoarse with sleep but more steady and strict. "I need you to come here." Long seconds pass in silence before you snap. "What do you want now?" "I'm going crazy here," he says, looking around wherever he is. The only thing you can see behind him is a window with curtains. "You can't be serious," you breathe out your frustration. "You are barely there for twelve hours." "So?" You groan. "Then come home!" "I can't," he argues. "I need this." "Then why do you want me there?" You snap at him again. "You are my personal assistant, no?" He asks. "You have to do what I say." Your resignation is at the tip of your tongue, but you gulp it down at the last moment. "You are five hours away, Everen. You can't be serious." "Do I look like I'm joking?" He asks back. You don't even have to look at him to know he is not joking. You are not even sure if he can do that. "You can be here by the morning." You have to close your eyes to keep your calm. "I arrive when I arrive!" "Fine," he grunts, and you end the call.
Fucking unbelievable!
You met Everen when you finished college. He needed someone he could order around, and you needed a job to keep a roof over your head. It was a match made in hell.
The elf writes fantasy. And he is good at them. Really good. He is popular, and his books are bestsellers. Everen is lucky his personality doesn't show on the pages. He is headstrong, mean, and spoiled. Most of the time, you feel like a babysitter.
At first, he only used you to get him coffee, do his shopping, and keep in contact with his publisher, so he didn't have to. As the years went by, he asked for, or demanded, help with his stories. Read them and give them your honest opinion. Point out the mistakes and drag down his ego. Well, he didn't ask for the latter, but you like to do it nonetheless. Besides the salary, this is the only perk of your job.
After sleeping for a few hours more, you pack your things and begin your journey to Ironridge.
Everen decided to turn his back on the city when two months passed without him writing anything. The elf is sure he only needs some solitude and nature to clear his head and finish his book in time. There are two problems, though: he hates being alone, and he has no survival skills in nature, even though you know there is a town just a ride away, and he has a perfectly good cabin in the woods.
"What?" You ask him when you get out of the car, and Everen just stares at you without a word. He sits on the porch with a mug in his hands. "You are here," he states, and you freeze. "You asked me to come, remember?" Gods, if he says he wasn't serious you will kill him. Nobody knows you are here, and the forest is big enough to hide his body. Everen scoffs. "Of course, I remember!" "Good," you nod, grabbing your things to take them into the house. As you stop next to him in front of the entrance of the cabin, you notice what he wears. His boots are too new and useless for the woods, and his jeans are too tight to be comfortable. The red flannel shirt is something you never thought you would see on him. "You look ridiculous," you tell him before disappearing into the house.
The place is small. There is barely enough space for a kitchen and a living room with a couch and fireplace. The bathroom and the bedroom are next to each other at the back.
Oh, right, where are you going to sleep?
"The couch is comfortable," Everen says from behind you.
Right. Of course.
"Always a gentleman."
After putting down your things and grabbing a mug to pour yourself some coffee, you turn your attention back to the elf. "So, what did you do yesterday?" You ask him. "Did you write something or go for a walk?" He looks at you like you are crazy. "For a walk? Outside?" "Yes," you nod, and when the expression on his chiseled face doesn't change, you groan. "Why are we even here if you don't go out?" "To be close to nature." You will kill him. Nobody will know. "Next time just by a fucking plant!" "You are not really nice," he states. "Did you sleep enough?" For seconds, you just stare at him without blinking. "I wrote a few pages yesterday," he adds when he decides to change the topic for safety reasons. "Do you want to read it?" "Do you want to show them to me?" There are times when Everet is really cautious with his work, and despite your odd relationship with him, you don't want to make him do things he doesn't want to. His books and his career are really important to him, and you respect them.
Without saying anything, the elf nods at the laptop on the couch, and you sit down to read it. Long minutes pass by while you focus on the screen, and Everen walks back and forth behind you. His platinum-blonde hair is tied back with a leather stripe. The long, straight locks almost reach his slim waist.
"Holyshit," you break the silence. The elf stops and leans over the back of the couch to see the screen in your lap. The pillow behind your back sinks under his weight. "So?" He asks urgently. "What do you think?" "Since when do you write erotica?" "The publisher told me to spice things up," he explains. "He says it's popular." You frown. "Your books are popular." Everen shrugs. "Is it really that bad?" "It's so dry," you tell him. You can see he doesn't like the publisher's instructions, either, so you try to be nicer than usual. Now you understand why he got stuck with his book. "And you used "member" at least twenty times. It's not a rock band, Everen, it's a dick." You don't even have to look back at him to know he is offended. You just notice it from the way his breathing changes. "Can you do better?" "I mean…" you shrug. "I could give it a try." You are not a writer and don't want to be one, but you can clearly see what's wrong with his work. "Then be my guest," he says. "Do your best."
You spend the next few hours on the couch, adjusting and changing things you don't like in the scene. The only noise in the small cabin is the keyboard's clattering as you write. Sometimes you hear Everen do something in the house, mostly making coffee after coffee. He is lucky elves don't tend to get heart attacks.
"Are you writing a whole book?" He asks impatiently. "I didn't ask you to change the whole book." Rolling your eyes, you push the laptop onto the couch from your lap to stand up. "I'm done," you tell him. "Read it if you want."
While your boss busies himself with the book, you go out with another drink to enjoy some peace and fresh air. You feel even more tired than you arrived. You settle into the rocking chair Everen used when you arrived. The wooden floorboards feel solid beneath your feet as you rock back and forth ever so slowly. As you sip your coffee, your gaze wanders into the woods. Towering trees sway gently in the gentle summer breeze. The sunlight filters through the canopy above, casting a dappled pattern of light and shadow on the lush greenery. The air smells like pine, damp earth, and wildflowers, mixing with the coffee in your hands. Birdsong fills the quietness, a symphony of chirps and trills.
Usually, you prefer the loud business of the city, but if you have to be honest, this is good too. Your only problem is…
Everen almost bursts out of the house. His handsome face is cold and strict. Something burns in his eyes, but you don't recognize what.
"How did you do this?" He demands for an answer. You shrug, sipping from your coffee. "I have a soul." Everen's frown deepens. "I have that too!" "I don't know what to say," you reply. "Did you do that before?" "You mean writing a sex scene?" You ask. "No." "No," he shakes his head. "The scene itself." You almost laugh. "Of course I did." A light blush spreads across his cheeks, and a nagging feeling starts to eat the back of your mind. "You didn't?" His blush deepens. "Does it matter?" "I mean, no," you reply. "But it's really… vanilla." "For who?" "For me? And for a bunch of other people?" "Well," he grunts. "I want it too." You freeze. The swaying of the chair under you stops. "I'm not sure what you want me to do," you break the momentary silence after a while. The words leave your lips slowly and carefully. "I want you to sit on my face," he says. "How hard can it be?" At the word hard, your gaze falls down on the obvious bulge between his thighs. Seeing his erection trapped in his jeans, the new shine in his dark eyes suddenly makes sense. "You got horny because of…-" you point back at the cabin. Surprise shows on your face as your brows draw up in shock. "So what?" He acts like an upset kid. "I'm just surprised you feel anything besides anger," you tell him. Everen just grimaces. "You are funny." His snarky comment makes you think of his request again. Or demand. "So?" He asks impatiently. "Are you coming?" "You mean, right now?" "What do you want me to do? Take you out to pick berries?" He waves at the forest surrounding you. How many times did you imagine shutting him up since your work for him? You can't even count it. "Fine," you grunt, standing up from your seat. The chair creaks at your sudden movement.
Anything to shut him up finally.
"So, what do you want me to do?" He asks when you lead him to the bedroom. It's a mess. His clothes are all over the place, poured out of his bags, and the blanket is halfway down on the ground. "Well," you grunt, looking around. "You could clean up." He stares at you. "You are really wild in bed." "Just shut up!" "Make me!"
Fine!
"Then take off your clothes," you tell him. "Will you do it too?" He asks, staring to unbutton his shirt. You feel glad when the flannel falls off his shoulders. It really did look horrible on him. "Do you want me?" You ask him. "Naked, I mean." "How will I eat your pussy otherwise?"
Maybe this is a good step. Both of you get over the awkwardness first, so you can move on and enjoy whatever happens next. And still. You feel nothing but impatience and excitement. Your gaze rakes over Everen's naked body. Over the line of his shoulders, the light muscles on his chest and abdomen, and the V line that leads you to his cock between his thighs. He is tall and lean. His posture is confident as he stands beside the bed, watching you. His eyes burn your skin as he looks over you. Your nipples harden into small peaks under his heavy stare. "Are you still angry because you had to come here?" He breaks the silence. The elf doesn't even try to hide the fact that he can't tear his eyes away from your breasts. "Just lay down."
When he does as you say, for once, you are ready to climb up on him when a question stops you. "How do you want me?" You eye his erection. "Do you want me to suck you?" A pained grunt escapes the back of his throat. His cock jerks under your gaze. "I take it as a yes," you grin, getting into position with his hands on your thighs. Everen's long fingers squeeze your flesh, urging you to hurry up. You hover just beyond his reach. His warm breath fans over your wet center. "What did you not understand?" He asks after a few seconds. "I said, sit!" And with that, he pushes you down on his face. You don't even have a chance to keep your balance under his tight hold.
Your moans mix in the quiet room as his tongue licks over your pussy. Everen nibs and sucks on you, exploring your aching wetness. His fingers dig into your thighs, pushing you down even more. "Everen!" You cry out his name in shock. His tongue slides through your pussy, lapping at your juices. His face is already soaked. His senses are filled with your taste and scent. He breathes you in, driving himself to delirium. Your thighs shake at the sides of his head. You try to keep your balance, rocking into him and grinding your pussy against his face. You aren't even sure if the elf under you can breathe, but at this point, you don't even care. Your chase your own pleasure, and the only thing that can keep you afloat is his cock not far from you. It twitches every now and again, and pre-cum runs down on his shaft and a bluish vein under the soft, pale skin. Licking your lips, you lean over his chest. Your nipples graze his upper body.
A dissatisfied grunt vibrates over your pussy, sending shivers up your spine when you lift yourself up from his face. "I didn't tell you to move," he grunts. A breathless grin spreads across your face. "Are you sure?" Your fingers curl around his cock, smoothing up and down on his length. "Fuck!" Everen growls, pulling your back onto his lips. His hips thrust up to fuck your fist. "If I had known I could shut you up like this, I would have done it sooner," you tell him, still grinning. Your words are airy, but the snarkiness still rings clearly. Everen says something you don't understand, and the next moment, a startled cry escapes your lips as your world spins with you in the middle. He finds your entrance. He laps at the juices flowing from your pussy before his tongue plunges into your hole. Your legs quiver at the new feeling. Your muscles twitch and flex as your boss pushes you higher and higher. Your hand around his cock is sloppy. You can barely focus on anything besides his tongue in you. Your walls flutter and pulse around him as he fucks you. Both of you are soaked with your wetness and his saliva. "I'm going to cum," you cry out when you feel the first spasms in your lower abdomen. It strikes through your body, sending stars behind your eyelids as you press yourself even more firmly against his face.
You cum, and he licks up everything you have to offer. And he doesn't stop even when you try to get up. "Oh, no," he growls with a deep laugh. The rumbles shake through your sensitive, throbbing cunt. "I'm not done with this pussy yet." He doesn't let you move. He doesn't let you escape. "Oh, fuck! Everen!" You are so busy with your own body you don't even notice your grip on his cock tightening until you feel him jerk and cum in your hand. His hips push up even more, and his moans and groans shake your body. His tongue strokes into you, licking deep. He devours you with a newfound elan, and you can do nothing but grind against him until you feel your orgasm approaching again. Your breathing gets ragged, mixing with cries and screams. Your over-sensitive pussy sends you over the edge within a few minutes.
When your mind clears a bit, you are already on the bed next to Everen. His hand shamelessly gropes your tits, and his hard cock nudges your thigh. His breath is warm on the curve of your neck. "Have any other ideas for the book?"
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bby-bo · 1 year
Text
When The Boss Comes Knocking
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the following is a CEO!Sakusa fic that landed somewhere between sfw and sorta nsfw, but its kiyoomi and he just makes my brain go buzz in every situation so i just couldn’t help it 
Part 2
Summary: You dated Sakusa in high school but went your separate ways after graduation. Turns out he missed you much more than he let on. 
Warnings: none, just kiyoomi being hot. use of “sweetheart” and “baby”
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Sakusa Kiyoomi always has been and will always be the man of your dreams. Tall and broad shouldered, even in his high school years he was the pinnacle of your existence, and all you wanted was to be near him. Your wishes were granted for only a brief period of time when you finally dated in your junior year, but your Kiyoomi was ripped away from you when his family decided he needed to start preparing to take over the business.
The Sakusa Group was well known and respected for their acquisition of many successful start-ups, but details of their business dealings were always very secretive. And the company had only grown and expanded since Kiyoomi became CEO at just a mere 25 years old- not that you were stalking the Sakusa Group’s movements in your free time or anything.
When the two of you broke up he had encouraged you to “follow your own dreams”, and made sure to mention he would be extremely busy in the years after graduating high school.  You had received the underlying message loud and clear. He wanted to be left alone and didn’t want a girl from a regular family ruining his image when he entered the executive world. Your heart was shattered, but that didn’t stop you from missing Kiyoomi dearly even years later. The hugs that completely enveloped your frame and the scent of his light cologne, the one he brought you to pick out for him on his birthday. The rasp of his deep voice and how its sound had burrowed into the back of your brain, the memories of random things he once said to you popping to the forefront of your mind haphazardly throughout your days.
You had done as he said, and moved to the city to become an author as you always dreamed. Actually, you were pretty successful in the romance industry and even though you only had a handful of books published, your fanbase was so dedicated and charismatic. In your single year of dating Kiyoomi you had amassed a lifetime’s worth of romantic material, and between your real life experiences with him and the melancholy fantasies that kept you up at night nowadays, you had lots of inspiration. Although, even you were prone to the classically dreaded writer’s block.
Today was just a regular Tuesday morning in the office, where you preferred to write when you were stuck in a rut. Unfortunately, the coffee mug on your desk was not bringing the inspiration that you wanted and you glared at the last sip, willing some piece of creativity to be hiding inside as you downed it. Nothing. Loosening a sigh, you dropped your head into your hands just as a knock rapped on the door. Without lifting your head you greeted the visitor, already knowing who was on the other side.
“Come in!”
“How’s it coming? Anything I can get you right now?” It was the sweet front desk girl, Josie, checking in on you. Again. 
“Unless you can write in my place, there’s not much you can do for me i'm afraid” Josie meant well, but her insistent interruptions certainly were not helping your workflow, and this was the third time within 30 minutes she’s asked if you needed anything.
“Okie dokie, I’ll check back later then! Keep at it! ” 
“Oh, you don’t have to-” She was off with a wave without hearing your response, the door slamming behind her. With another sigh, your head dropped back into your hands, frustration building. 
Not 5 minutes later, there was another knock at the door. But this time the door opened before you could respond.
“Holy shit, Josie i’m really fine I swear- K-Kiyoomi???” You burst from your seat in surprise, your eyes all but popping out of your head.
And there he was, like a fever dream come to life, standing in the doorframe. His handsome face tilted to the side slightly, a smirk pulling across his lips.
“There you are, I’ve been looking for you” His voice had gotten deeper since the last time you spoke. His hair a little longer, his chest a bit stronger. But his eyes remained the same, that dark gaze enticing you and melting you down with just a look.
“W-what are you doing here? How did you-? What is this??” 
As much as you wanted to cave and run straight into his arms, you vividly recalled your last conversation with Sakusa. Not Kiyoomi. He had corrected you so coldly before parting, saying “you should call me by last name from now on, otherwise people may get confused”. As if it would be bad if people mistakenly thought you were still dating. As if to push you that much further away. Your confusion only grew as you looked at him now, unsure of his motives for being here. 
“Came to scope out a new prospect. I sent an executive to meet with your publishing house’s CEO last week” His smirk widened as he took deliberately slow steps into the room, sleek confidence dripping from him. 
That's right, your boss had mentioned that your little publishing house had been recently approached by a huge parent company with an amazing offer, but as far as you knew nothing had been made official. And you certainly had no clue that said parent company was the Sakusa Group. The realization settled in, and the frustration you felt earlier was starting to bubble up again. 
All of a sudden he was in your space, sleek black button-up shirt in your direct line of sight. What was his goal here? Certainly this has nothing to do with you? Right. Exactly. He claimed he was here for business. Then why..??
Long fingers gripped your chin, thumb tugging your bottom lip from between your teeth where you nervously chewed it. 
“Where did you pick up this bad habit? And when are you planning on acknowledging me properly?” Your heart dropped to your stomach. His firm grip brought your face to look up at his, a little too close for comfort. Kiyoomi’s smirk tilted into a small frown, an admonishing look starting to grow.
“Of course sir, I apologize. Good morning Mr. Sakusa.” Backing out of his hold, you bowed in respect. Of course he was here for just business. 
This only seemed to irritate him further though, and when you rose from your greeting he took another step closer. You may as well have been toe to toe now. 
“Since when do you address me that way?” His eyes were too intense, and you could feel the memories of your past relationship coming up in your mind, emotion nearly overwhelming you before you swallowed it down.
“I’m not sure what you mean sir, it would be improper for me to address you otherwise” 
If he was irritated before, then he was surely pissed off now. 
His hands gripped your shoulders, roughly pushing you back against your desk before planting his palms on either side, caging you in. 
“Why won’t you look at me, hm? It’s disrespectful to ignore your superior sweetheart” Shit. That voice had you in a vice grip and he knew it. He was using it to his advantage. 
“I was unaware you would be my business superior until a minute ago, forgive me sir” How long will your legs hold up before melting completely?
“Seems like something is bothering you. You don’t like the idea of working with me? Or maybe you don’t like the idea of me being your boss? Sweetheart, I hope you realize I know you’ve been writing about me.” 
“No! No thats not-!” Your head shot up in a rush to disagree, or maybe to explain. Either way, you immediately realized your mistake and you were silenced once more. The tip of your nose brushed his, and his breath brushed your lips in an intimate greeting, as if to say “hey, i missed you”. 
His mock irritation melted away, the smirk returning once more. You fell into the trap too easily.
Most people knew Sakusa to be the cool and straightforward man he showed to the world, but when you dated in high school he quickly shattered this image. Though he certainly preferred to stay away from crowds and strangers, he was still human after all, and loved to be in your personal space whenever he got you alone. He had always enjoyed making you blush and stutter, thriving off the knowledge that he could affect you so deeply. Clearly, he still enjoyed that feeling. 
But you were not a toy, and he was interrupting your work day. And how dare he just come back into your life after throwing you aside for so many years?! Absolutely not, you refused to be disrespected this way. Your hands came to his chest, giving him a solid (and completely ineffective) shove.
“No. This is not professional Mr. Sakusa-!” 
Sakusa didn’t back up a single inch. Instead he gripped your face, long fingers pinching into your cheeks slightly. Your breath caught in your throat, previous arguments completely obliterated.
“Stop. Saying. No. Now answer me. Since when do you call me by my last name? You’re purposely not answering my question” 
When you took a breath in you caught the scent of his cologne, and it was the same one you picked out for him in high school. He still wore it. Every single thought emptied out of your head, except for the recognition of how close he was to you, and where he was touching you. 
“Say it.”
“K-Kiyoomi...”
“Say it like you mean it, baby.”
“Kiyoomi.” A smile broke out as his name fell from your mouth a second time.
“That’s my girl, just as pretty as ever. I missed you so bad sweetheart, I’ve been looking for you in the city for some time now. And don't worry, I’ll make up for lost time, so don’t push me away.” 
His second hand came up to the back of your head, tugging you back by your hair and bringing your mouth to his. But he didn’t kiss you, he denied you the pleasure, only speaking against your lips. You let him do as he pleased, no longer able to deny how much you missed him. Missed this. 
“Look at you with your hair so grown out now.”
“Do you like it?”
“I love everything about you.” He moved to plant a firm kiss to both of your cheeks, and to your disappointment he slowly released his hands from your face and hair. 
“The Sakusa Group will officially be in ownership of your publisher by the end of the week. You’ll be seeing a lot more of me, so get used to it sweetheart.” He offered no further explanations or goodbyes, and he left your office with only your disheveled and flustered state to prove that he had really been there at all. 
You made absolutely zero progress on your writing the rest of the morning and afternoon, but when you returned the next day ready for another day of failure, you opened the door to see your office transformed into a florist. 
There were flowers on every single surface, completely covering your desk and the floor. There were roses of every shade, along with tulips, orchids, and other kinds of flowers you had never even seen before. Each bouquet was bursting with color and life, wrapped in silk ribbons and set in gorgeous porcelain vases that looked absolutely priceless.  There was only a small path left open for you to walk to your desk seat, and on your keyboard was a note. 
“A flower for every occasion I missed. And more just because.” 
Your hand came up to your mouth, tears already welling up in your eyes. You looked to the bottom, and saw he signed the note,
“Always Yours, Kiyoomi”
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Text
My Blessing
Back when Eddie was still human, he used to think it would be incredibly cool to be a vampire. Child of the night, Nosferatu, all that stuff from his beloved books. He would be untouchable and the people who wanted to hurt him just for being different would wither away and die of old age while he'd still be the same. Maybe he'd visit them in their dying hour and sneer at them, taunt them as they were about to see what awaits beyond. All of that used to sound so good.
As he's learned during last 80-ish years, being a vampire sucks (no pun intended).
He sees it all. World wars. AIDS epidemic. Satanic panic. More and more pain, people wasting away before his eyes. The music is cool, but he wonders if he'll grow tired of it all. Eddie is still young, he doesn't want to believe that this is all there is. But each year, each decade makes him more and more hopeless.
And he's so, so lonely. He still has Wayne, his vampire uncle (he categorically denies the term "father" or "maker"), but he sometimes too resigned, too used to all the pain and violence. He doesn't know many other vampires and making any sort of a connection with a human is painful to think about. People are so fragile.
He's always loved turning into a bat and just flying around the city, avoiding the curious eyes of humans and finding lone vantage points, observing the night life on the streets. One of his favorite spots is on top of the Harrington bank, a building from the 1920s with old bronze statues and old, tall windows. He started visiting the ledge in late 1980s, sometimes spending the entire night there. He'd land on the ledge and turn back to his real form, plopping down next to a statue of a young man. It's so human-like, Eddie forgets it's just an object, a piece of art, and talks to it. He tells it about the stuff that has been happening in the world, all that's fucked up but also the good things, how he saw a group of girls chasing away a stalker of a random lady, a homeless guy giving his last few bites to a stray dog. How a kid he used to know in the 80s is now all grown up and has children of his own. He sometimes wonders who made the statue, but there is no signature, no mark, just that pretty face looking down at the street, lost in thought.
It's on a stormy night in 2022 that it happens. Eddie lands in his favorite spot, lights up a cigarette (immortal lungs are a great thing to have) and talks to the statue, as always. Tells it how he actually wrote a novel and got it published, summers are long and the daylight doesn't kill him but it sure hurts, rambles about how he got Wayne his first flannel shirt and it was love at the first sight. The rain is thick, heavy, but Eddie likes it, it makes him feel a bit more alive. He hears thunder, closer and closer, but the lightning is probably somewhere behind him, he doesn't see it.
That is, until it hits the statue, and Eddie panics because sure, it was just an object, but it was like his friend, it was a constant in his life, what is he going to do-
And then the statue straightens its spine and groans.
Eddie's cigarette falls somewhere into the streets and burns a hole in the umbrella of a lady bitching about the undeserved help provided to the poor. Not that he notices. His eyes are glued to the statue that stretches its arms and runs its fingers through the thick hair that suddenly has color, a sun-kissed brown, and then it turns to Eddie and smiles.
"Oh finally, I was waiting for ages to introduce myself. Hi. Thanks for keeping me company all those years. I'm Steve. Steve Harrington."
Eddie shakes the offered hand in daze and mutters "Eddie, Eddie Munson" before promptly turning into a bat and...what? Does he want to run away? Does he want to shriek his little heart out and never come back? Probably not. Not with Steve smiling at him like he's the best thing in the whole world. So he just lands on Steve's outstretched hand and squeaks "Still Eddie Munson, only pocket size."
And Steve, bless his heart - does he have one? Do statues have hearts? - just laughs and tucks Eddie under his old-fashioned jacket to protect him from the rain. "Oh, I know. The first time you landed here and turned back, I thought I'd finally gone crazy."
He opens a window behind them and climbs inside with Eddie, a window that's always been dark, the only dark room in the whole building. And then they talk. Well, Steve does.
That's when Eddie learns the room is Steve's, preserved, stocked and cleaned throughout the decades. That he's the only son of the founder of the bank, Richard Harrington, now fortunately long dead and burning in hell. That even before the Great Depression hit, the bank was facing difficulties and Richard Harrington decided to make a deal with...something. Something ancient and lurking in New York, something feeding off the misery of people living there.
That's when Eddie learns that Richard Harrington offered his only son to preserve his fortune.
He just stares as Steve shrugs, retelling his story as if it was no big deal, finding a change of clothes for both of them in a huge closet full of things both old and new, a strange blend of fashion spanning last century. "It was a deal for one hundred years. One hundred years of prosperity for one hundred years of...that. I guess my father felt a little bit guilty afterwards because he included in his will that I'd always have a place to come back to. This room. And some financial security too, that's what he'd said before he passed away. He used to talk to me through that window sometimes, after my mother drank herself to death."
"Uhhh." Edward Munson, ever the eloquent fantasy book author, has nothing better to say.
He turns back to Eddie, smiling at him and offering a black t-shirt. "I don't think he knew I could hear him, that I heard and saw everything. Still, nice to know he cared...as much as he was humanly able to." The smile doesn't falter as he adds: "I don't want to sound pushy, but maybe you should turn back to change clothes? You're still wet."
And oh, Eddie is still a bat. Yep. With a sound that sounds like a plop, he transforms back and takes the t-shirt. "Thank you. Steve. Uh. That's  fucked up, man," he offers lamely.
"Oh yeah, it sucked. Well, used to," he nudges Eddie, tossing him a towel when he sees his hair dripping on the floor. "But then you started showing up. Talking to me." Now his smile is slightly smaller, sad, and Eddie wants to visit Richard Harrington's grave and punch his remains, build them into a bird feeder, revive the asshole and kill him again. "It was just...so lonely. I had no way of telling you, but when you started visiting and just, kept showing up, almost every day, it felt like a blessing."
Eddie swallows, his throat suddenly dry. "A blessing?"
"Yeah." Steve turns to him and the sincerity in his eyes is so intense Eddie feels like turning into a bat again and flying in circles, shrieking into the night. "You were my blessing, Eddie," he says as he squeezes his hand.
And Eddie just stares, his undead heart breaking for this boy, cursed just as horribly if not worse than he is. "You know I'm not...not human, right?" he whispers but his hand doesn't leave Steve's. "I guess you can probably tell from the bat thing, or that I'm literally the room temperature-"
"-or the fact that you once told me that it's a shame I'm not alive because I look delicious and you're sure my blood would be too," add Steve with a mischievous smirk.
"Uh. Shit, yeah. That too," Eddie stutters, trying to recall all the embarrassing stuff he told Steve during the last thirty or so years. "That...doesn't bother you?"
Steve snorts in laughter and shakes his head. "You literally thought I was a piece of bronze an hour ago, man. Does that bother you? Did you prefer me when I didn't talk?"
Eddie scoffs at that, offended. "Hell no. You were just a pretty face, but now you're a pretty face with a ton of personality. I...you know, you were my blessing too, I think. Even if you couldn't answer, I didn't feel as much alone next to you. Is that weird to say?" 
The squeeze of Steve's fingers gives him the answer he needs, but he still melts inside when he hears "not at all. I just hope you won't get bored of me now that I'm...different," he whispers, staring at their joined fingers. "You'll probably find me boring. I don't know much about what's going on outside. I could watch and you told me a lot, but...uh. The world seems so hectic and fast-paced, it will probably take me a while to catch up."
And Eddie has to laugh because that worry is so strange to hear voiced out loud, as if Steve being alive, breathing and next to him, as if that made him something less. "Oh just you wait, Steve. You spent over thirty years listening to me ramble, now I'm expecting at least thirty years of your monologues so we can be even. You know my dirtiest secrets now and I'm a man with a thirst for knowledge. Really," he adds because the young man next to him is still silent, "you have nothing to worry about. I've kept you company and you have done the same for me...and it works for us. So what's a little confusion about these modern days? Come on pretty boy. I will be your guide."
Steve gives him a smile that is so radiant Eddie thinks it should hurt, it should burn him like a torch, but it's just warm. Kind. "I can work with that."
Steve is the only human Eddie ever turns. He expects to agonize over it for much longer, to feel guilty, but Steve has already lived longer than he has and he still has thirst for life that is infectious, something that drives Eddie to join him, try new things, not mourn what is lost to time but be thankful that he has the chance to see it all. He finally wants to participate, to join the world again, not just observe it.
The first time Steve turns to a bat, he ends up flying in circles in absolute ecstasy, laughing and making the weirdest somersaults and loops. Eddie could watch him forever and the best part is - he can. And he does.
But before all that, Eddie brings Steve to see Wayne, to introduce him to his only family. Wayne shakes his hand and gruffly laughs: "Well, look at that. My boy has finally moved on from that statue."
Without missing a beat, Steve smiles at him and announces "oh not at all, sir. I'm the statue."
Eddie has some explaining to do, but for now, he just laughs.
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allysunny · 8 months
Note
Hi! I saw that your Miguel requests were open so I was wondering if it was possible to do a mig x f!reader where the reader is a civilian who's a photographer? She's always catching Miguel in action as Spiderman, not so much action shots but more movement inclined artwork. She goes to alchemax to take a professional portrait of their head biologist, Miguel, unaware that he's her not so friendly neighborhood spiderman and he's aware of her work.
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Picture Perfect | Miguel O'Hara x Fem!Reader
Words: 4.8k
Warnings: None, i would say! Reader is a photographer and Miguel is kinda grumpy, but that's about it!
A/N: Aaaa my first request! I'm so excited! I actually finished a book about a photographer the other day, so it was super interesting to write this. Unfortunately, I don't know much about photography itself. I have a camera, but I'm no pro! Nevertheless, I tried to do my best! I hope this is to your liking!!
I'm also trying something new with my themes haha, goodbye to that big red header in between paragraphs! </3
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To say Spiderman was majestic was an understatement.
The way he swinged around the city, effortlessly spinning and turning and moving as if he was one with the air – it was breathtaking. Not only did he seem amazing at what he did, he always seemed to look great doing it.
And it was a cold, hard truth that the camera loved him.
Particularly, yours.
Being Nueva York’s most famous photographer hadn’t been an easy feat to achieve. Your job had consisted of carrying cameras and tripods and objects for many years until you finally managed to publish your own work; work that had gotten you recognised and plastered in every big magazine’s cover.
Now, instead of begging and pleading for work, the work came to you. Your rep would text you and call you at the weirdest hours, claiming to have found your next great gig.
But no matter how amazing, how well-paying, how dynamic these gigs were, nothing truly compared to photographing Spiderman in action. You had some amazing shots of him – fighting villains, saving your city, and some of him just being.
Those were your most prized possessions, the shots of him overlooking the city, as if monitoring it from above. He was Nueva York’s guardian angel, and your photos captured it perfectly.
One day, you’d been photographing a famous singer who requested your services (and your services only) at the top of the highest building in Nueva York. Once you were done, the singer thanked you profusely, everyone packed, and you were left alone to overlook the place you called home.
And that’s when you saw him.
You weren’t sure if it was just a coincidence. But from all the buildings Spiderman could’ve landed on to watch Nueva York, he had landed on top of the one in front of you.
It felt almost rude to stare. He hadn’t noticed your presence yet, and as much as your conscience tried to bite at you, telling you it was rude to just take his picture without asking for permission, the other part of your brain that yelled This is your job! won, and you found yourself bringing your beloved camera to your face.
Right when you were about to snap a picture, he turned to you.
Shivers ran down your spine.
I’m screwed, you thought, repeatedly. I’m screwed. I’m screwed. I’m screwed.
You waited for any kind of reaction from his part but got none.
Surely, he must see me. He’s Spiderman. He has to know I’m here.
Oh.
Maybe he did.
Maybe he was doing it on purpose.
Was this his way of giving you consent?
You brought the camera to your face once again and waited. He kept staring at you, and then simply turned away from you, gazing at the city.
A wave of excitement rushed through your bones, lighting the tips of your fingers ablaze.
You smiled and took his picture.
And another.
And another.
Those shots had earned you the cover of the Bugle Diario’s newest edition, and even an interview on the news, where two smiling anchors questioned you about your passion for photography, and the amazing images of Spiderman.
Sometimes you wondered why no one else seemed to get pictures like yours. Other photographers had tried, but their shots were void of passion, were bland. The masked hero would be too blurry, or perhaps facing the other way. There were times when you even humoured the possibility of him doing it on purpose – turning his face away because he refused to be photographed by someone other than you.
It gave you butterflies, this silly little thought of yours. Needless to say, though, whenever you found yourself considering it, you’d chastise yourself over it immediately. Why would he even do that? He’s a super-hero. He has no time to pick a favourite photographer. I’m just lucky, is all. And yet, you wished it was something more than just luck.
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“Have you opened them yet?” Your rep asked excitedly over the phone.
The new shots of Spiderman had just arrived. You’d taken them last week, and the prints had just arrived. Excited was an understatement. You were dying to see how these looked.
“’m doing it now, give me a sec,” You responded, voice laced in enthusiasm. With a pair of scissors, you were able to make quick work of the cardboard box and dug into the contents inside.
And what you saw took your breath away.
Your (quite possibly) best work so far.
The first shot was of Spiderman on his back, body completely bent as he threw a web at (seemingly) your camera’s direction. You could see it clearly – the shape of his body, twisted in the middle of the air, the light that illuminated his figure, even the material of his webs were easy to make out if you looked closely enough. It was dynamic, the way his body contorted easily to aid him in whatever task he did. To the average person, it might even be painful, but it seemed such a natural thing for him to do, a natural pose for him to be in. A remarkable pose for a remarkable superhero.
“Holy shit…” You mumbled, to what your rep could only laugh in amusement.
“Keep going!” She encouraged, “You haven’t even seen the best one yet!”
So you kept looking through the picture, each better than the last one.
There was one of him with his back turned to you, body contorted as he webbed a building. His broad back was visible, as well as his muscular arms. You particularly remember almost getting hit by a flying car when you tried to snap that picture – it had been very well worth it. The building behind him provided the best background, since it allowed the viewer to realise how far up he was.
“[Y/N], this is great stuff. Have you seen them all?”
“No, just give me a second!” Just like your rep, you were unable to contain your enthusiasm. Each picture had so much personality to it, so much care and effort. This was not only your job,  but also your passion, and it clearly showed.
“You need to see the last one, it’s amazing. Remember that day when – “ The disembodied voice on the other line kept talking, but you weren’t listening anymore. You’d reached the very last picture, and your breath had been stolen.
Spiderman stood right in front of you, hanging upside down by a web. His legs were crossed, his figure somewhat relaxed as he looked down. It seemed almost… playful. It had been snowing that day – small clusters of snowflakes fell around his figure, its pale colour contrasting against the deep blue and violent red of his suit. The sun threatened to peek out from behind his arm, creating a magnificent scene.
The otherwise chaotic moment seemed to be frozen, as Spiderman elegantly crossed his legs at the ankles, balancing casually in mid-air. The details of his suit were easy to spot, thanks to the fantastic lighting and the proximity of the photo. With this shot, you had managed to capture the essence of a hero caught between earth and sky, somewhat relaxed, but also ready to jump into action at any given moment.
Your rep must’ve noticed your silence because her voice got, somehow, even higher.
“You’ve seen it, haven’t you? It’s glorious, I tell you! Honey, this is your best work so far, congratulations. How you manage to get these sorts of pictures is beyond me, you have a gift.”
A gift. It wasn’t the first time you were told you had a natural talent, a gift for photography, but for the first time in ages, you were able to accept the compliment with no complaints.
“This… this is…” Words did not seem enough to express the wonder you felt towards the glorious work in front of you.
“Want some even better news?” You eagerly giggled a “uh-uh” and let the woman on the phone do the talking, “The Bugle Diario is doing a segment on Alchemax. You know, the company. They’re focusing specifically on the head biologist, a man called Miguel O’Hara. Apparently, he’s had some breakthrough discovery on DNA studies – you know me, I’m not very inclined towards science, but the point is, they want you to take his portrait!”
Alchemax was a big company. Hell, it was probably the biggest company in the city. You couldn’t quite figure out how this news were even better than the prints you’d just received, but were happy, nevertheless. A gig was a gig was a gig, and you liked portraits. Sure, this Miguel man might not be as interesting a subject as Spiderman, but it was Alchemax! It was still the opportunity of a lifetime, and there was no way you’d miss it.
“Count me in!”
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Alchemax was huge.
Not only did the outside building appear enormous from the outside, but it also seemed to expand and grow once you walked inside.
All sorts of employees cover the building from head to toe – men clad in professional suits, women wearing white lab coats and safety glasses, teenagers carrying stacks of papers and boxes everywhere. You didn’t expect the megacorporation to be so… mega.
A kind receptionist took you to the floor where you were supposed to meet Miguel O’Hara, and while you two waited in the elevator, was sure to tell you how much she admired your work. You smiled and thanked her politely, before you arrived at your floor and waited.
The woman asked you to wait for a few seconds while she fetched the man you were supposed to photograph, and you did so, taking the space around you in.
It was… dark, to say the least.
Not to say that was a bad thing – you’d taken pictures at night, with barely any light other than the moon’s, but some indoor illumination would be nice. People in white coats ran around the floor, shouting words you understood, but couldn’t string in a sentence together. Talks about molecules, DNA, photosynthesis, splicing? filled the whole area, and you admired how focused every scientist seemed to be.
There were machines you could only imagine the purpose of everywhere, some large and scary, some so small, the workers carried them in their hands. Vials of strange, coloured liquids filled glass cabinets, which were occasionally opened and closed right away by working scientists. It smelled of sterilisation and focus. This was where the magic happened, you thought.
“Excuse me?” Suddenly, a rich, deep voice pulled you from your thoughts. You turned around, and holy shit –
“Are you [Y/N]? I’m Miguel O’Hara.”
You stared at Miguel for what seemed like an eternity.
Were biologists supposed to be this handsome?
He was positively charming.
He could best be described as big. Very big. This man was tall – incredibly so – with large shoulders and muscular arms nearly hidden by the lab coat he has on, but you can’t help noticing. You could tell by his piercing gaze and sculpted frame that his presence commanded attention. In fact, everyone around you stopped to stare at man for a few seconds, before hurriedly returning to their tasks. He must be a strict boss.
He narrowed his eyes (were they red?) and crossed his arms in front of his chest, eyeing you up and down with a look you couldn’t decipher, but had your cheeks and ears heat up just by its intensity. And yet, you were unable to form a coherent sentence, still staring at this man, whose cheekbones were so sharp, you were afraid they’d cut you anything they touched. Upon a closer inspection, you realised that the planes of his face looked extremely tired. When was the last time he’d slept?
By the state of the floor and the workers in it, you figured long, long ago.
“Is that how you do it?” He asked, raising an eyebrow at you.
“Do what?” You managed to blurt out, holding onto your equipment tightly.
“Take pictures. Is that how you do it? With your eyes?”
If it was supposed to be a joke, you didn’t get it. From the way he said it, you figured it was more of a sarcastic statement. Of course. You were standing in the middle of his laboratory, shamelessly eyeing him up and down and wasting his time.
“N-No. My apologies, I…” You struggled to find the right words. They never came, so you shook your head and tried offering him your politest smile. “Yes, I’m [Y/N]. I’m here to take your portrait.”
Miguel eyed you up and down once again. You looked away, flustered. Could his gaze be any more intimidating?
“Is that all your equipment? Are you alone?” He asked you.
“Yeah, this is it.” You weren’t carrying much, just your usual stuff. A tripod, some lenses, a small reflector, and a light stand. Your beloved camera was inside it’s back, safely secured around your neck. Other photographers lectured you on not using nearly enough equipment as they would, but you prided yourself on your ability to use natural light and shadows to your advantage without a lot of instruments. “Are you busy? I mean, I was told to come now, but…”
“No, it’s fine. Where do you want me?”
Preferably on my bed, on top of me, while I hold onto those large shoulders and –
You chastised yourself for even having such thoughts. Not even the male models and actors that were photographed by you elicited such a response.
Control yourself.
“Oh, um… Do you have a lab of your own? I would like to take your picture in your element if you know what I mean.” Was the reply you gave him instead of the nasty thoughts you had conjured.
The scientist nodded and urged you to follow him.
You walked by his employees, all focused on experimenting with liquids, materials, concoctions you’d never seen before in your life.
With just a few words, Miguel had cleared what you assumed was the lab he worked on. Just like the rest of the floor, it was shrouded in in shadows. You wondered how anyone managed to work in here. Rows of instruments stood sentinel; their surfaces being bathed by the small amounts of natural flasks.
Things like vials and flasks decorated with labels of multiple colours stood on top of shelves, a reminder of the countless experiments this man and his team had conducted. He wasn’t Alchemax’s head biologist for no reason.
While you figured out the best place for him to sit, Miguel eyed you curiously.
You.
He knew you, of course.
You were the pretty photographer he’d seen capturing his fights and patrols and endeavours around Nueva York. He’d seen you risk your health countless of times, putting your own safety at risk just for a picture of him.
Miguel had to say he was flattered.
And not to mention your work always came out great. In fact, he had some of your best pictures safely tucked inside an envelop on his bedroom nightstand. A silent reminder that no matter where he went, you were sure to follow. And he liked it when you followed him.
That night when he was looking over his city and caught you staring, his enhanced vision had allowed him to get a proper look at you. At the natural sparkle of your eyes and how they widened when you two locked gazes. At the plush skin of your lips that parted when he looked at you. He could see you clearly, your gentle figure and graceful movements. So he looked away, allowing you to take his portrait.
It was the best thing he’d ever done.
“I think this would be a nice spot.” You told him, pointing to a nearby bench. “Would you please sit here?”
He happily obliged, sitting down and facing you. You looked even more beautiful up close, brows furrowing ever-so-softly in confusion as you worked your way around him, probably to figure how to best accommodate his hulking figure.
“Do you mind…?” You gave him a careful looking, pointing towards the vials and flasks and instruments cluttering the bench.
“Not at all. Just don’t break anything.”
He didn’t mean to sound as menacing he did – but Miguel was a professional, and he knew you would understand how to be careful around his objects. After all, your profession also demanded it.
You nodded and carefully got to work.
You took him in.
He was still massive, even when sitting down.
Careful as to not break anything, you sorted the objects around, arranging them in the best way possible as not to hide Miguel.
“So, tell me., Miguel,” Conversation was the easiest way to put your subjects at ease. Usually, conversation about their craft. “Did you always know you wanted to be a scientist?”
“Is this what you to do get your clients to relax?” Miguel inquired in a rather challenging tone.
“Yes.” You refused to look up, intent on making the ambient look as natural as possible without drawing the attention away from your subject. Once you were satisfied with the result, you removed your camera from its bag and pointed it at Miguel. “This is just a test shot.” And snapped a picture with the flash on.
He seemed to flinch at the bright light, and made a sound closest to a hiss, covering his face with his hands.
“Mierda – can’t you turn that off?” He grumbled.
“Sure. Can I turn on the light?”
“Absolutely not.”
You stared at him in confusion. So, he didn’t want you to turn the lights on, but you also weren’t allowed to use your camera’s flash? Who did this guy think he was?
“I’m sensitive to light – please, don’t point that at me.” This time when he spoke, his voice was softer, almost as if he regretted hissing at you – which in truth, he did.
“I can’t use my flash and I can’t turn on the lights. Am I supposed to photograph you in total darkness?
“You’re the photographer. Figure it out.”
There was a hint of what you thought was a smirk creeping up on his lips, and what you surely imagined to be a very long canine poking out, but you brushed it away as just the light (or the lack of thereof) playing tricks on you.
But he was right, you were the photographer.
You walked over to the window and closed the blinds until the natural light was almost gone.
You were a professional, and a damn good one at that, and you wouldn’t let something as basic as darkness ruin your shoot. Low light photography was a thing. You looked around, scanning your surroundings.
Miguel watched you as you walked around the lab, tinkering with vials, observing the light the windows provided, setting up the tripod in a billion different places. He had to say, he was impressed. You were every bit as competent as you appeared. The beauty was just a bonus.
“Am I giving you too much trouble?” He asked, somewhat concerned. He worried this whole shenanigan was going to give you too much work, but on the other hand, he’d seen you in action. Watched as you dodged stones and ran through cars to get the perfect photo, observed as you contorted yourself into the weirdest poses just to make your photos more dynamic. Miguel knew you could do this, he had witnessed it first hand over and over again.
“Not really, no. I like a challenge.” He grinned smugly at your response. You cross your arms, investigating the room once more. Surely a biologist’s lab had to be more interesting that that, right?
That’s when it came into view.
A huge machine, something straight out of a science fiction movie, as tall as the ceiling. You didn’t know how to describe it – there were cables all around it and a screen surrounded by keys. Definitely the kind of machine you would never approach, in fear of messing it up. Although it was turned off, the lights on its side were glowing bright red and blue, granting the lab a peculiar atmosphere.
What in the world could this possibly do?
“That’s a DNA splicing machine.” Miguel told you, almost as if reading your thoughts.
“Is this part of your research?” You were fascinated by the machine before you. How come you hadn’t noticed when you first walked in? It was creepy, surreal, but also mysterious and intriguing. All traits you could also assign to the man in the room with you.
He nodded and walked up to it, giving the structure a few pats.
“Unfortunately, I cannot tell you much about it. It’s Alchemax protocol. But it is part of my research, and I’m extremely proud of it.”
It was the first time Miguel had opened up about his job, and you decided to pry a bit more. You had an overall idea of what you wanted to do, now all you needed was a subject as ease, willing to relax.
“Don’t worry, I understand. It must be rewarding to know your work has helped so many people.” You smile and nudge him towards the machine. “Wait here.”
Miguel did as you were told, standing next to the enormous machine as you made your way to each window and closed the binders completely. What were you up to now? He decided to keep speaking anyway. This was your job, and you were doing your best. If he couldn’t talk to you as Spiderman, the least he could do was help you out right now. And the way to do that was to talk.
“Indeed. My research has advanced the realms of science and medicine in a truly remarkable way. I am quite proud of the progress I have made.” Miguel leaned into his machine absentmindedly, its red and blue glow illuminating his figure.
How ironic.
“And while I feel a great satisfaction in my work, I’ve also made some rather grave errors in the past.” Miguel doesn’t know why he’s telling you this. He doesn’t know you; he knows there’s a pretty woman who takes his pictures, but that’s about it. Should he be confiding in you? Would you even care?
“Errors?” You returned to his side, setting up your tripod a few feet away from him and toying with its angles. This man was huge – how were you going to fit him inside the frame of your camera?
“When I first started out at Alchemax, I was young and inexperienced. I graduated from Alchemax’s School for Gifted Youngsters and had big aspirations.” He took a big sigh, shaking his head. His dark locks fell in front of his forehead, and he was just about to adjust them, when you took a step towards him and caught his wrist just before he did.
“Don’t – just let me try something.” Miguel considered this, and mumbled a soft “alright” before you adjusted his hair slightly, tugging a rebellious strand right in front of his eyes. There wasn’t much light already, so hiding his face wasn’t ideal – but you had something in mind. “Surely, those aspirations paid out.” You decided to continue talking. It wasn’t even to get him to relax anymore, you were invested in his story, and wondered what could possibly haunt this mountain of a man.
“Only after a few years. Once I started working here, it wasn’t long before I found myself in over my head. I bit more than I could chew, and it caused me problems.” Miguel crossed his arms once more and stared into the distance. There was something laced in his gaze. Longing? Hurt? Regret?
“I’m sure you learned from them.” You angled your camera towards his face again. You’d been snapping pictures of him this whole time, though you weren’t quite sure if he had noticed it. Your camera was very silent, a feature that came in handy when you did not want to be disturbed or interrupted. Or when you did not want a scene to be ruined. “Look at me,” You mumbled, and he faced you again.
You snapped another picture.
“Still. It’s hard to live with the knowledge that you’ve done something so terrible.” You wondered what could possibly be so terrible for him to speak of it like this. One thing at the time.
“C’mere,” Miguel felt your hand on his arm, and he was suddenly being coaxed into a different position. You tilted his head towards the glass, his whole face now covered in red and blue light, forcing him to look away. It looked magnificent up close, beautiful yet harsh eyes looking at you, its irises of a colour you hadn’t figured out yet.
Your gaze trailed down over from his eyes to his strong nose and rested on his full lips. You wondered how they would feel on you – Focus! You came here to work, so work. Do not fantasize about your photo subject.
But it was so hard.
Unbeknownst to you, Miguel was having the exact same thoughts.
He wondered how you’d feel on his arms. Would you cling to him? He wondered how you’d look under him, caged under his arms and legs. Now that he wasn’t in imminent danger, Miguel allowed himself to look at you all he wanted.
Was it just you, or was the room hotter?
Quickly, you scurried away, returning to your camera.
“I’m sure all of the good things you’ve done in the name of science have made up for those past mistakes.” You tell him, snapping a few more shots. He looked majestic. The camera certainly loved him; no matter the angle, he always looked good.
“You think so?” Miguel fixated his gaze on yours once again, and precisely on that moment, you snapped a picture.
Oh.
Oh.
You looked at your camera’s screen and smiled.
Now this was a photograph worthy of a cover.
You looked at the man in front of you, smile still gracing your lips.
“I do.”
You examined the pictures you’d taken. They all looked great – save for that very last photo.
That one looked incredible. Magnificent.
“I think we’re done here!” You chirped, turning it off and putting it away.
Miguel raised an eyebrow.
“Already?”
“Mhm! I got it. Believe me, these look incredible.” He kept staring at you while you packed your things, unsure of what to say. He was aware he might have come across as rude or cold, but that’s just who he was. And truth be told, he was enjoying this. The company. Your company. Being able to finally share his burdens – even if for a few seconds, and not entirely. It was nice.
He followed you, suddenly appearing nervous.
“So, I usually send my subjects a copy of their prints. I know the Bugle’s my client, but I think you’re entitled to a few copies, don’t you?” There was that dazzling smile once again. Fuck. Miguel ought to make you smile more often – you’re a vision.
“I do,” he said, before shrugging. “You know… You could give me those in person.”
You stopped dead in your tracks, his words eliciting a mix of shock, surprise, and eagerness within you.
“In person?”
“In person. Maybe over some coffee?” He scratched the back of his neck, suddenly self-conscious. What if you said no? Miguel didn’t know you. What if you had a boyfriend? What if you weren’t interested in men? What if he had just made a big fool of himself?
He expected anything. For you to laugh, to walk away, to slap him.
He didn’t expect you to turn away from him, a flustered look adorning your features.
This was the part where you let him down slowly, where you told him you didn’t date your subjects, where –
“Coffee sounds great. I would love some coffee.” And then you quickly retrieved something from your bag – was that a piece of paper? Bending over a nearby bench, you grabbed a pen and scribbled something on it before handing it to him. “That’s my number. Not my rep’s – mine. You can… You can call me if you want to.”
Miguel smiled for the first time in the entire afternoon. And if his chiselled, stoic face was gorgeous, you had no way to describe his smile. It looked so natural, like it suited him. Like he should be always smiling. “I will.” He spoke gently.
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A few weeks later, Miguel opened the door to his house to find a big envelope box addressed to him.
After taking it inside and swiftly opening it with his talons, he was met with a pastel coloured post-it that read “Thought you deserved the first edition” and a doddle of a small heart for a signature.
Carefully placing the note on his table, he removed the contents from the envelope.
It was an edition of the Bugle Diario, with his photo plastered on the cover. Specifically, the last one you took, the one you’d gushed about over a cup of coffee and a small cake.
The Mind of the Master: In-depth Interview with Alchemax’s Head Biologist Miguel O’Hara.
Miguel smiled.
His favourite photographer had done it once again.
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A/N: I hope you liked it! I really did try my best! :) I'm not quite sure how I feel about this layout, but I like experimenting!
Have an amazing day everyone! <3
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manicpixiefelix · 3 months
Text
head, heart, hand. {Felix Catton/Reader/Oliver Quick}
Part 11.
Summary: It's good to finally getting back home to Saltburn. There's just a few things to work out, such as where Oliver's staying, and why.
{ masterpost }
Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.
Warnings: implications of child neglect
A/N: 3989 words. I think about Jacob Elordi saying that Felix would have Artic Monkeys on his personal playlist, about once a day. um okay so not only is this uneditd, but i definitely got very drunk halfway through it, so that's.... that. (im drunk as i publish this) BUT WE'RE AT SALTBURN AND OLLIE GETS HERE TOMORROW!! (which means the next chapter, which dw will be tomorrow irl) ((is this anything?? im worried its ooc please feedback??))
TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)
----
There is no reverence in you anymore for the castle in the countryside that is Saltburn.
Once it had towered before you, trembling, a child alone in every way that mattered until the doors opened before you. Saltburn was a haven away from the bitter hypocrisy of both expectations and apathy, though it took you quite some time to learn as much. At first, there was reverence; Saltburn was the place where every script you'd learned to smile through, every societal expectation you'd been trained to uphold, would be put to the test.
And if you couldn't keep up, if you messed up in this holy house in the face of their kind smiles, you were sure their gazes would turn blank with inevitable disappointment.
But that was years ago.
And mistakes made you interesting, your quirks made them laugh, and Saltburn became less holy each Summer as you found it to be far more human.
It's what occupies your mind for the entire trip back to Saltburn, with you and Felix sharing an earbud each from his iPod, and Farleigh reading - pointedly not not ignoring Felix after he'd found out the news.
You wonder what Oliver will see in the house; the sum of it's parts, or each room and inch of the grounds as their own storage space for memories worth so much more.
Felix hums along under his breath like nothing in the world could ever worry him. Farleigh licks the tip of his finger, glancing with ire at his cousin for just a moment before turning the page of his book. Play. You squint at the cover; Richard the Third. Shakespeare. Farleigh holds the play up further to hide the rest of his face from you both.
You'll get to the station before midday, and a town car will be waiting for you all. Most of your things from Oxford are on their way to a storage facility in the city for the Summer, but you've still got a few precious things you're bringing back to the estate in a suitcase a the front of the carriage, and a bag overhead.
Felix has been trying to look nonchalant and look out the window for a good part of the trip now, but he keeps glancing at you with a strange look.
"Does this change us?"
This time, you make sure to catch his gaze before you reach for the iPod. Most of the ride has been on shuffle, quiet otherwise between you two, if not for his humming, or yours. Flipping through the few albums he had saved, you clicked through to the one you had been looking for. The sunshine is beating down on him just outside the window, almost directly overhead, shining on him and everyone in behind him in the window seats, painting them in sharp relief if they had their curtains open.
You pressed play on You Probably Couldn’t See for the Lights But You Were Staring Straight at Me by the Artic Monkeys.
Felix, who knows and loves the song, can't look at you. Actually, properly can't look at you, hiding his embarrassed smile behind his hand as he forced himself to look out the window.
And you hum along, grinning, leaning just past him to also focus your gaze out the window.
"Stop that," he mumbles under his breath from behind his hand, clearly still smiling. All you do is continue to hum along as the band thrashes along in your heads. After a moment, you slide the iPod towards him, as if taunting him, daring him to change the song himself.
"- they're not half as bad as me," you sing under your breath. Felix is turning pink around the ears, but flips the iPod over onto it's face, letting the rest of the song play out, "say anything and I'll agree -" your smile grows wider and you sit back, but continue to hum.
If Farleigh's judging either of you, he doesn't lower his book enough to indicate as much.
The town car ride back to the estate was far more eventful, as the three of you began to properly discuss Oliver's impending arrival. Apparently he hadn't thought much about packing up his room at Oxford, what little there apparently was to pack up, so he was taking the extra day students were allotted to gather himself together for the Summer. That meant one night at Saltburn before he'd be there.
"I actually, genuine can't believe you sometimes," Farleigh had started two separate tirades in the past twelve hours exactly like this, and both about Oliver. It was no secret what this third was going to be about, "you honestly couldn't give me six weeks of peace? Six weeks?"
"You'll have plenty of peace, mate," Felix had insisted, eyes wide and pleading with his irate cousin, "and honestly, I think you'll really start to warm up to him."
"I appreciate that your optimism springs fucking eternal, Felix, but -"
"No, seriously, give him a chance outside of all the academics and what everyone else thinks," Felix was beginning to plead for a moment, all big brown eyes and imploring tone of voice. Farleigh, however, was not as well swayed as the rest of the world would be by his theatrics.
"I'm not going to play nice with your little -"
"Hey, he might be into that," you cut Farleigh off before he could say something too incendiary, but Felix still cast his frown between you both.
"Not helping, Y/N," he admonished, turning back on Farleigh who was suddenly overcome with mild revulsion at your implications. When Felix wasn't looking, you wiggled your eyebrows at him suggestively, teasingly adding to the bit. He fake-gagged, much to Felix's disappointment.
It wasn't a long journey, however, and soon enough the three of you were pulling into Saltburn, and there was something amusing about the collective sigh of relief you all shared once the door opened.
"Feels like ages since we've been back," Felix stretches, leaving his bags for the chauffer and doormen, as did you. Farleigh made a start towards the trunk of the car before the chauffer climbed out, giving him a confused look and he thought better of it.
"Christmas, right?" Farleigh stuck his hands into his pockets, sauntering up the steps beside you all, gazing up at the large, blue doors.
"Duncan taking his time," Felix muttered under his breath after a moment, to which you grinned.
"Probably wants to keep them closed on us as long as possible," though just as you say that, as Farleigh and Felix snicker, the doors creak open, and there, gaunt as you've ever seen him, Duncan somehow manages to loom impressively large, even as you've grown into an adult.
"Master Felix," he nods to each of you with the same stern civility he's always carried, "Master Farleigh, Captain Y/N." You nod in turn, voice turning cordial as you greet him warmly, despite your two companions barging through ahead of you.
"Duncan, always lovely to see you," you incline your head towards him the way you always have, and for a brief moment he allows himself a faint, but genuine smile.
"God, you're so fucking weird sometimes!" Farleigh calls over his shoulder at you. You roll your eyes, but Duncan is stone-walling again, so you slip past him to catch up. In time to hear Farleigh's voice lower and ask, "have you told your mother yet?" Felix makes a face.
"I texted her before we got on the train," it sounds uncomfortable, "she sent me an incomprehensibly long text back which I only got when we had service again. I think she's fine with it."
Farleigh hangs his head, his last defence against Oliver's impending arrival foiled. After a beat, he forced a smile, sliding up to get in step beside you and wrapping an arm around your shoulders.
"Oh, we're gonna be best friends this summer," he tells you, as if you have no say in it, "you, me, and my fucking weed guy -"
"Say it fucking louder why don't you," Felix rolled his eyes, but you simply shook your head at the altercation, wrapping your arm around Farleigh's middle and giving him a squeeze.
"You're impossible, Farleigh," you told him, "and so lucky I love you."
Farleigh quietly cheers for what small triumph he had won, before both you and him look to Felix's vaguely sceptical expression, taking in the both of you.
"It's a fair trade," Farleigh told him easily, "you get your new best friend Oliver -" still yet to say the name without disdain, you note, "- I get Y/N."
"I did also promise Venetia I'd spend some time with her," you chime in, but Farleigh can't help himself but snort.
"You sure she won't pick a fancy for Oliver too?" You can hear his lip curl, but Felix pulls ahead where he's been casually leading you all through the house to his room. You can't see his expression.
"Fuck off, Farleigh -" you start, coldly pulling away from him, but Felix's tone is light, almost forcibly casual as he cuts you off.
"Ollie's lovely but I don't think he's much of her type."
"Everyone's Venetia's type," Farleigh spits, unable to stop himself from putting his foot in his mouth. The implication hangs in the air for a long few seconds before Farleigh catches himself. The unneeded reminder. The real reason for the sudden coldness. Felix turns, smiling bright with nothing behind his eyes as he cheerfully tells Farleigh -
"You know where your room is, right?" And says he's going to rest before hunting down the rest of the family amongst the estate. Farleigh meekly nods, and departs from you both. Both you and Felix follow him with your eyes; Felix's smile doesn't drop before the door closes behind him, and it's the two of you in the blue room, alone.
And you know he's thinking about Eddie.
You wish Farleigh knew how to keep his mouth closed, how to stop pressing buttons when he always knew what they did.
"Where's Ollie going to be staying?"
Felix's eyes flash to you, and you wonder if it were the right or wrong question. Is there a question in this moment that isn't loaded? Is there a question you could ask that wouldn't make him think of Eddie right now?
Eddie had stayed in Felix's room. In Felix's bed. At least he was supposed to. But Oliver wasn't Eddie, so he needed his own space.
Oliver was different to Eddie, you reminded yourself, and hoped that Felix was thinking it too. That was good. That was good.
"Dunno," Felix finally admitted with a sigh, draping himself over the cream sofa, looking up at the ornate ceiling. You sat on the stool for the broken piano, lifted the lid and idly played a few notes, listening to the little hammers in the instrument tap uselessly against broken strings.
"Vennie wouldn't do that again, would she?" Felix muttered so quietly you almost miss it. He doesn't call his sister Vennie often; you know he's dwelling, he's hurting the way he tries to pretend like he doesn't.
"Farleigh's talking shit because it's his job at this point," you tell Felix flatly, and he angles his head towards you, even if it looks like it hurts, so you see him contemplating, "but Ollie isn't Eddie."
Something lights up in the back of your mind as you read faint disappointment on Felix's face as he processes your words. Nodding, he sighs again, looking up at the ceiling.
"Last night was fucking beautiful," Felix's tone turns wistful; he hasn't told you properly about what happened between him and Oliver, but clearly it went well, "I hope Ollie likes it here." Then, closing his eyes, he takes a deep breath before offering, "I've been meaning to thank you, actually," he admits. You shift from the piano stool to sit on the arm of the sofa he was laying across, "for giving me space to spend those moments with Ollie last night."
His face scrunches up a little, then, as if sensing you by his head, he cracks an eye open. Slowly, almost embarrassed, he starts to smile.
"He's like you, you know?" He says gently, before he really considers what he means, and his face falls; you watch, you wait patiently, "can't go home ever again," apology in his eyes, "that's what he said to me."
There's that love, that desire to do good, to be good, that Felix has always craved. He's in his own head, all kinds of thoughtful and melancholy that he often isn't around the rest of the world. Felix shuffles himself over on the plush, wide sofa, making himself as small as possible, and you know it's an invitation. One that you take. It's awkward, but he holds you tightly so you won't fall off.
You wonder if he even realises that you're there, that you're in his arms and listening to the way his thoughts spill out of him from a moment of connection he craves but doesn't often get. If you're so much of his mental wallpaper that holding you like this, the way you listen, the way you are so gentle in these moments, if you're more like a simple diary, an easy, comfortable way to get these thoughts out of his head without the fear of his secrets being spilled upon someone who might use them against him.
"I don't think I'll ever understand not being able to come home," Felix admits softly, "I can't even wrap my head around how Ollie became the man he is with parents like that; and after all he's gone through, for this to be straw, the thing that means he'd rather live in a world alone than be around the people - person - who was mean to love and protect him and yet failed him over, and over, and over again? He's so bloody strong for how long he's gone through it all."
Swallowing hard, you're surprised by the way your eyes are clouding over. Trying not to break the moment, you press your face against his chest; Felix doesn't seem to notice, still trapped in his own thoughts, but he instinctively holds you a little tighter.
"'Home' doesn't mean the same for you as it does for me," Felix whispers softly, almost to himself, and it hits you square in the chest. The tears start to come, and you can feel them dampening his shirt, "that's what he'd said to me," oh, Felix hadn't even realised you were crying.
It takes another half a minute before he even seems to realise something is wrong, but you assured him you were fine, that you were just very glad that Oliver would be staying here instead for the Summer. He'd almost connected the dots at the start of the conversation, but now he couldn't seem to see them.
Still, you knew Felix, and you weren't sure if his heart could handle making you cry twice in two days. So you lie, and he lets it go.
Felix is sitting up and stretching, his mood having improved for having voiced his thoughts it seems, and you're drying your eyes when the door to the Blue Room opens.
"Darlings, Duncan just let me know you'd arrived and were on your way to freshen up before the afternoon," Elspeth was as bright and flighty as always, looking between you both, "so glad I caught you both." Felix is the first on his feet, warmly greeting his mother with a hug and a kiss on the cheek, which she returned in kind. Seeing your red-rimmed eyes, she's immediately concerned, but you brush it off quickly, telling her that you and Felix were simply discussing Oliver's situation and that you were incredibly excited to have him joining you all. She, of course, lit up at that.
"It will be such a treat, if I'm to believe my darling son," and of course she is to believe darling Felix, everyone at Saltburn always did. His admiration was worth it's weight in gold to the people who loved him, Elspeth especially. She latches onto the elbow he doesn't offer and you're left to catch up to them as they make their way through the familiar rooms to Felix's, her voice filling the space all the while.
"You must tell me all about dear Oliver," Elspeth insists; she, like her son, was made for Saltburn. She catches the light, beautiful and timeless and made to live amongst its timeless walls. Your face still feels hot; you don't know why but you feel out of place - home doesn't mean the same thing for you as it does for me - Felix pet's his mother's hand on his arm and assures him that she'll love Oliver. He's thoughtful. He's gentle. He's beautiful. Her eyes shine; even his mother is not immune to his light.
"Now, I hope you don't mind," Elspeth begins when the three of you get to the long gallery before Felix's room, "but it was rather last minute, so it's been something of a rush to get everything ready -"
"Get what ready?" Felix asks, and you watch them like a play, like a film, like a third party without any kind of say.
"I thought it would be best if Oliver stayed in the room attached to yours," Elspeth said, and it takes a moment, but you feel your stomach drop. This was worse than last Summer; at least then you had your own room.
"Y/N's room?" There's some victory to be taken in the way Felix seems ready to fight for you in this matter.
"Oliver is a guest, dear," Elspeth didn't even look at you in this moment, "we didn't want to have him set up, all alone, on the other side of the house." She smiles, and gives a fond, if condescending look over her shoulder to you, "you'll be alright, won't you sweetheart? It's just a bedroom, it's not a big deal." You try and smile, and nod, and be placating -
"They can stay with me," Felix insisted, "sleep over, like when we were kids." For a moment, he looks to you. The nod he gives is solid, is reassuring; it eases your heart.
"I don't know if that'd be appropriate."
Elspeth knows. Everyone fucking knows. No-one will say it, but it effects every damn thing they do. How they treat you. You know this, but no-one talks about it out loud.
Saltburn thrives on the unspoken.
"Why not?" Felix forces his mother's hand, "Y/N's my best mate, has been for years, we share a bed all the time." And Elspeth is too polite to do anything but concede, and lets you both know with a faint, awkward smile that your things will be moved to Felix's room before the day is out.
"And Y/N, darling," she does finally, properly acknowledge you, taking both your hands in hers, kissing you on both cheeks, "it's wonderful to see you, of course, so glad to have you home."
Home.
You smile warmly at her. After a beat, however, she casts a faint frown to the window.
"And I feel I'd be remis not to tell you that Venetia is refusing to get out of the pool until you go down and join her."
"Oh," there's an amused kind of warmth that blooms in your chest at that, at being sought after and missed; Felix rolls his eyes but it's fond, "how long has she been there?"
"Not long before you arrived," Elspeth gives a genuine, warm smile, clearly either wilfully or genuinely ignorant about the nature of your relationship with her daughter, "please just take it as a sign that we have all missed you dearly."
She leaves you both to it, reminding you of when supper was to be held, as if the time ever changed, and you and Felix quietly made your way into his room. Your room.
You watch from the doorway as your best friend breathes in familiarity of it all. His childhood bedroom, always left immaculate and untouched, a museum to him whenever he was away from the house. A place of so many of your firsts, yet never a place you'd really called your own. Felix falls onto the bed, face-first, swearing muffled by his expensive duvet.
"Every bloody person's determined to get on my nerves today," Felix sighed, flipping himself over, legs hanging off the end of the bed. "Not you, you don't count," he adds idly, flicking his wrist in your general direction, but still managing to warm your heart, "I'm glad Ollie's staying close by, but can you believe she thought you'd stay anywhere but here?" He sounded genuinely miffed, finally turning to look at you. When he sees the abashed way you're smiling at him, his frustration drops, "what?" He can't help but match your softness in this moment, and you shake your head, trying to tell him it's nothing. "It's not nothing, look at you," he insisted brightly; your smile widened, as if on cue, "you were getting teary thinking about Ollie just minutes ago; go on, what's on your mind now. Is it Venetia?"
"'s not Venetia," you insisted, finally joining him in the room, sitting yourself on the edge of the bed looking around.
Your room; the room you share with Felix, and so close to Oliver too.
"It's our room, isn't it?" It's like he can read your damn mind, practically giggling like a high schooler at the mere thoughts of what the two of you were bound to get up to.
"You were so insistent," you finally teased, grinning wide and leaning back against him, "it's almost like you like me or something."
"That's fucking lies and slander!" Felix crows, your head on his chest, "I'll sue you for that -" but you're already moving, straddling him, pinning his hands to the bed either side of his head as you grin down at him.
"Felix Catton's sharing his bed, call the tabloids!" You teased, leaning in, and when he captures your lips in a kiss, it's like he wants you to taste how sharp his amusement is. He bites and teases and frees his hands to pull you in. Quickly everything shifts and moves and there's something possessive about the way he kisses you, holds you, has you under him and pinned and breathless before you realise what had happened.
"You think I'd let mum kick you out like that?" His pupils are blown so wide with want you think they could swallow you whole in this moment; "never want you that far away if I can help it," it comes out as a breathless admission, almost like it escaped him, like he's caught up in the moment, and you never want him to stop talking to you like this, "can't say that at Oxford - fuck Oxford," he mumbles, his lips on your neck in the next instance. His teeth sting without breaking the skin, sucking with intent to leave an ache that would remind you of him every time you touched it for the next few days.
"Us and Ollie," his lips are gentle when he kisses across your chest, your collar bones, "I'm sure between the three of us we'll end up getting into proper tabloid trouble," you can feel his smirk, and there's something electrifying about the possibilities you find yourself considering.
"Us and Ollie," you agree with a roughish grin. Felix captures your mouth once more in a kiss, matching your energy, your enthusiasm, but adds, "Ollie tomorrow."
And at that, you remember; giddy laughter escapes you.
"Our room," you can't help but remind him, and Felix's grin stretches wider.
"Venetia can wait for you a little longer."
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sheep-from-rad · 1 year
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Spicy Imagines (ft. Alhaitham and Kaveh) Genshin x Reader 
Note: I had these ideas as separate fanfics but it was too short so I just made them into one. I would have published it earlier this week but I have fallen down the Alhaitham/Kaveh angst rabbit hole and wasn’t able to get up from it until this afternoon. Anyway, enjoy!~ Extra note (please read): I will be entering the big city soon meaning I will be leaving some of things here at home. I might not be able to go publish a fanfic for weeks and weeks because it will be a clinical internship. Still, I will try my hardest to make content!~ Warnings: spicy, mentions of bondage and toys XD <Masterlist 1> ------- <Masterlist 2>
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Kaveh 
Being an architect and being named as the Light of Kshahrewar, being meticulous and having an eye for detail is something that Kaveh is very talented with. 
Whenever Alhaitham is out, he makes his merry way to make the shared house more ‘homey’. He’ll decorate it with paintings, with flowers, and with furniture, which sometimes lead to petty fights whenever the scribe is home. 
Having an eye for detail is probably one of the things why after one magnum opus, he found himself down in debt and still drowning in it. Well, it’s not like he can just make a building and that’s it right? 
He takes the habits of looking out for detail everywhere especially inside his room once the doors have closed and his roommate is out. 
Kaveh will take his time typing you up with the ribbons that he soaked in warm water beforehand, making sure that it won’t leave a mark on your skin. That after all is his job to do and not the ribbon’s job. 
He’ll fix the lights inside his room, making sure that it will show the awaiting flower fastened with ribbons on his bed. 
Kaveh is taking longer than usual. His eyes already darkened by the dim lit room looked like predatory glances at the corner of the room. His hands skillfully erased and redraw the lines in his sketchbook, taking notes of every detail present in front of him. It’s fascinating how he never seemed to miss any detail at all. From the ribbons that tie your thighs apart, to the sweat that drips from your neck down to your chest, to the way your eyes roll from every thrust the hand operated toy gives you, and to the wetness that pools and is slowly staining the sheets beneath you. 
It’s a shame that the paper and charcoal can’t capture your whines and pitiful whimpers but that’s for him to savor once he puts his sketchbook down. 
Alhaitham 
Theoretical and then practical. It is one unwritten law that every scholar learns once they enter the Akademiya. A lesson that became a practice to Alhaitham even after his days as a scholar. 
While it is a standard, it is not really something that should be done in everything. If it wasn’t for Kaveh noticing his attempts for courting and then for sure Alhaitham would still be spending his nights wide awake reading books about courting and planning the best possible scenario to make you say yes. 
Alhaitham was very vanilla behind closed doors. He’ll make sure that both of you are satisfied and properly cleaned every night you lay together. If he makes a mark that sure will bruise, he’ll look at the ice crates and make sure you’re treated properly before he can go to sleep so you won’t worry about covering anything when morning comes. 
It all comes to a stop when a tired student accidentally passes a folder with an erotic book instead of his thesis proposal. This man hates novels, he just reads them for the sake of reading and then forgets they exist afterwards. 
He’ll rather stick with boring and nonsensical drafts made by students than read a romance book but here he is spending his whole night trying to make sense of the book and a mind full of thoughts on how he could make use of the book. 
You wondered what happened. The best guess that he’s stressed out from the ‘junk’ that the scholars are passing on his desk. There was never a time where his office was clean and lucky for him the ceilings are high or else the room will really be flooded with papers by now. One particular harsh thrust pulled you out of your head evoking  a loud moan at the same time and knocking you off your hands and knees. 
“Oh god !” 
The said man only let out a miniscule smile as he continued the rough pace. “There is no god here darling, you’re calling the wrong being”, he said, emphasizing each word with a thrust. HE snaked his hands underneath your form, scooping you up from the sheets, before resting it on your throat. 
“You know my name right? Why don’t you call it that?” As he felt your heartbeat tripled in pace, Alhaitham mentally thanked the student that accidentally passed the book. Maybe he should consider their thesis proposal.
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Taglist: @uchihaeirin @eccedentesiast-sapphic @tinandabin @chihawari
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kitchen-light · 5 months
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Mosab Abu Toha, from an interview with Ammiel Alcalay, published in "Things You May Find Hidden In My Ear", City Light Books, 2022
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fitz-higgins · 7 months
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LGBT literature of the 1860s–1910s. Part 5
After a long pause, the list is back! Here we have a couple of plays, accounts by two trans women, lesbian poetry, and more.
1. Despised and Rejected, by A.T. Fitzroy (Rose Allatini; 1918). A pacifist novel published during World War One? With gay and lesbian characters? Yes, that was sure to get people in trouble. Its publisher was fined and the judge called it “morally unhealthy and most pernicious”. So, Dennis is a young composer who hates violence and therefore refuses to go to war. He also suffers because he is a “musical man”, that is, gay, and loves Alan, art-loving son of a wealthy businessman. His friend Antoinette, meanwhile, is “strangely attracted” to a woman. Nevertheless, the two attempt to love each other. When the war begins, Alan appears in Dennis’ life again, and they try to avoid being sent to the front together. Alan also persuades Dennis to accept who he is. Edward Carpenter himself defended the novel, saying that “the book is also a plea for toleration of a very much misunderstood section of humanity”. Read online
2. Autobiography of an Androgyne, by Ralph Werther (1918). Ralph Werther, also known as Jennie June, wrote this autobiography for doctors, and it is very revealing. Being a New York fairy (male prostitute) and possibly a trans woman, they tell frankly about the city’s gay underworld of the early 20th century and their personal experience, which is sometimes too frank and dark perhaps, but all the more interesting. Read online 
3. Poems by Mikhail Kuzmin. Kuzmin was not just the author of Russia’s first gay novel, but also a poet. Many of his works were dedicated to or mentioned his lovers. I’d recommend Where Will I Find Words (in English and Russian), Night Was Done (both in English and Russian), from the 1906-1907 collection Love of This Summer (available fully in Russian), mostly based on his love affair with Pavel Maslov in 1906. And also If They Say (in English and Russian), which is a great statement.
4. The Loom of Youth, by Alec Waugh (1917). A semi-biographical novel based on Evelyn Waugh’s older brother’s experience at Sherborne School in Dorset. It is a story of Gordon Caruthers’ school years, from the age of 13 to 19, and it is full of different stories typical for public schools, be it pranks and cheating exams or dorm life and sports. Although the homosexual subject was quite understated, the author implied that it was a tradition and open secret in public schools. The book became popular and soon caused a great scandal. Worth noting that before that Alec was expelled for flirting with a boy.  Read online 
5. Two Speak Together, by Amy Lowell (1919). Lowell was a famous American poet and lesbian. Many of her poems were dedicated to her lover, actress Ada Dwyer Russell, specifically the section Two Speak Together from Pictures of the Floating World. These poems are infused with flower imagery, which wasn’t uncommon for lesbian poetry of the time. Read online
6. De berg van licht/The Mountain of Light, by Louis Couperus (1905-1906). Couperus is called the Dutch Oscar Wilde for a reason: this is one of the first decadent novels in Dutch literature. It is also a historical one, telling about a young androgynous Syrian priest Heliogabalus who then becomes a Roman Emperor. Homoerotism, hedonism, aestheticism: Couperus creates a very vivid world of Ancient Rome. He also covered the topic of androgyny in his novel Noodlot, which was mentioned in Part 3 of this list. Read online in Dutch 
7. Frühlings Erwachen/Spring Awakening/The Awakening of Spring, by Frank Wedekind (1891, first performed in 1906). This play criticized the sexually oppressive culture prevalent in Europe at the time through a collection of monologues and short scenes about several troubled teens. Each one of them struggles with their puberty, which often leads to a tragic end. Like in The Loom of Youth, homosexuality is not the central focus of the play, but one character, Hänschen, is homosexual and explores his sexuality through Shakespear and paintings. The play was later turned into a famous musical. Read online in German or in English
8. Twixt Earth and Stars, by Radclyffe Hall (1906). Though it wasn’t known to many at the time, these poems were dedicated to women, some to Hall’s actual lovers. Read online
9. The Secret Confessions of a Parisian: The Countess, 1850-1871, by Arthur Berloget (published in 1895). This account is similar to the Autobiography of an Androgyne, albeit shorter. The author nowadays is thought to be a trans woman. They describe their love for women’s dresses, the euphoria from wearing dresses, makeup and wigs, the life as a “female impersonator” in Parisian cafe-concerts, and their love affair with a fellow prisoner. The autobiography is not available online, but you can read it in Queer Lives: Men’s Autobiographies from Nineteenth-Century France by William Peniston and Nancy Erber.
10. At Saint Judas’s, by Henry Blake Fuller (1896). This is possibly the first American play about homosexuality. It is very short. An excited groom is waiting for his wedding ceremony in the company of his gloomy best man. They are former lovers, and this short scene is not going to end well… Read online
Previous part is here
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I'VE BEEN WAITING FOR THIS
Full HC: MC becomes an author and starts writing memoirs detailing their adventures with their beloved; how do the M6 react? How do they try to help?
The Arcana HCs: When MC writes their love story
Julian
Waaay too invested. Come on. You're writing memoirs about the dramatic, life-changing, whirlwind saving-the-world story that's been your romance? Be still his theatre kid heart
Will ask regularly if you've written anything more and set time aside to read whatever you share with him. Often does so out loud, to whichever patient/clinic assistant/bar patron is nearby
Cannot handle how fondly you describe him
People regularly ask to hear him read the latest installment, just for the sight of the infamous Dr Devorak blushing and stumbling over his words, voice cracking at your loving view of him
This does not stop him from suggesting changes. Specifically, suggesting embellishments. What do you mean the Devil wasn't twenty feet tall? Surely you're misremembering how big he was
Doesn't pressure you to rush your work at all, but is living in perpetual (self-inflicted) purgatory waiting for the story to be finished and to see the book published
Has a spot preemptively saved for it on his library shelf
Coincidentally, half the city plans to preorder it as well
Asra
Their curiosity is killing them, but they value your privacy and creative freedom way too much to ask to see what you're writing
The most he does is offer encouragement, compliments, and help
What you don't see is the sheer level of loving gratitude that they feel about what you're doing. They've accepted your previous memory loss, and have been happy to hold your memories for you
But the fact that you treasure the memories you share with him now so much that you're putting in the hours and effort it takes to preserve them for the future ...
It's enough to overwhelm them, sometimes, which can make them seem distant about the project (though you know them well enough at this point to see that this means they're emotional)
Very good at giving you the emotional support you need for a project like this, especially when you have to relive some of the harder parts of your shared history
Always happy to help you remember the details of how something went. He started remembering things for both of you after you came back, and it makes for some tender conversations
Nadia
Honored. That's mostly what she feels - deeply honored
And a little unsure of how best to support you while you go about your endeavor. Her instinct is to get as involved with it as possible, making sure you have all the resources for success you could need
But she's also aware that this is a very personal thing for you to do, and that the point of it is to write things down from your point of view. This is your project, so she should probably stay out of it ...
Well, offering you her help and "casually" bringing by new supplies every couple days shouldn't hurt
If you didn't have it already, you've got a writing room, strong boundaries around your creative time, only the best ink and parchment, and access to dictionaries and thesauruses galore
Will light up and drop everything if you give her some of what you've written to read over. She's fascinated by your perception of the world (and her) and enjoys learning more about it
She's also extremely knowledgeable about spelling, grammar, and sentence structure, so unless you clarify that you're not asking for feedback you'll get plenty of suggested corrections
Muriel
He's a little ... embarrassed
Don't get him wrong. He loves that you're doing what you're doing, and deep down he'd fight the world to let you keep doing it
But half the time he catches a glimpse of the page you're writing he can see his own name spelled out multiple times in there and it makes him feel much more perceived than he is used to
He feels like what you're doing is almost holy, though
So much of his life was defined by losing his history, his connections, his chance to share memories with a family
And now here you are, putting hours upon hours into documenting the history and family you've built together and found in each other, until your story no longer depends on being alive to tell it
Which is why he'll dote on you while you work, bringing you water and snacks, ink refills and spare pages, making sure your workspace is well-lit and the temperature is comfortable
He wants to honor what you're doing
He's also very interested in reading it, but he's not going to ask. He'll just linger nearby in case you have a question or something ...
Portia
Her first thought is to offer to co-author it
Think about it - you two could write alternating chapters, with the story line switching between your two perspectives!
She's completely understanding if you say no, but she might try to use that to get you to agree to letting her read it as you write it. This is the coolest romance adventure story ever!
Amazing for helping you with the pre-writing creative process. Need someone to bounce ideas off of? Need help structuring your outline or blocking out how much space to give different things?
She's got you. She's quick to notice what boosts your creative flow and will help you get into that groove, whether it's chatting about what you're going to write next or giving you tea and snacks
Her only criticism is that you don't give yourself enough credit in your writing. Otherwise, she loves every word
And by love, that means obsesses. She devours every page you show her and could spend hours telling you why she loves it
It's also a massive boost to her to be reminded that you see her as a main character in your story. It makes her happy cry regularly
Lucio
On the outside, he's playing it cool
Of course you're writing about the adventures you've had together! You two are the best of the best and you've done some seriously awesome things, writing a killer novel about it makes total sense
On the inside, he's scared
He's not an introspective guy. He spends most of his time in the moment, but on the occasions that he has to stop and contemplate himself, he gets insecure a lot faster than he'd like to
And now you - the person who knows him even better than he does - are writing about him. About who he is to you. About what he means to you. About ... who he used to be to you
That's terrifying
He puts off reading anything you offer to show him, and distracts himself from thinking about it when you sit down to write. He's curious to see what you have to say and anxious at the same time
What if you think he hasn't changed that much? What if writing down what he used to be like makes you admire him less?
When he does read it, he almost cries at how loving it is
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sixth-light · 8 months
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ok ok slightly feral post as promised.
first, some context setting: I think it's really interesting to analyse texts in terms of both what the author was trying to do (and whether they succeeded) and what they ended up doing (intentionally or not) and I think their cultural/historical context is vital if you want to do this. I'm not interested in whether Robert Jordan or the Wheel of Time are, like, morally correct in their politics or whatever. I'm interested in what the art is trying to do.
and the thing about Jordan, see, is that he projected this image during his lifetime of a Genial Older Man (see: beard and pipe) but he...wasn't actually that old! He was 42 when EoTW was published. He died at 58. He was a Baby Boomer publishing books at a time when Baby Boomers were the hip young generation taking over from stodgy WWII veterans (Gen Z: It Will Happen To You Too).
What this means is that he was a child and adolescent during the Civil Rights movement, in a then-majority Black city in the Jim Crow South*. He would have gone to segregated schools. The tertiary institutions he attended had only started to desegregate a year or two before he attended each of them. I think his war trauma in Vietnam gets a lot of attention because he did talk about it and also because that's a narrative we understand for white men, but I think we...skim over the impact on white men of growing up at this time because? Civil Rights only happened to Black Americans I guess? but it's his context too. Similarly, he was an adolescent and young man at the time the (white) feminist movement was really kicking off in the US. he was in his mid-20s when banks were first legally *required* to allow women to open accounts and have credit cards in their own names. he went on to marry a woman a decade older than him, who had left her husband to raise her son as a single mother while continuing a professional career in the early 70s; these were issues that must have been incredibly relevant for her.
and what we see in his writing is attempts to grapple with gender and race that are self-evidently of mixed success, but I think have to be contextualised in light of this period of immense change he grew up in. Think about the predominance of women as merchants and bankers in WoT, in the context of how recent their rights to even control their own money were in the US. The...everything...he was trying to do with the Seanchan, making them extra-canonically Southern American-coded. The Whitecloaks as the KKK (among other things, of course).
As an example, I think there's also something probably unintentional but fascinating in the way he presents the pre-Breaking Aiel: bluntly, they are a distinct ethnic group in hereditary servitude (always thinking about how that ancestor of Rand's in the Rhuidean sequence had to get permission from Mierin Sedai to switch to someone else's service so he could marry his girlfriend, this is...uh...super cognate to issues enslaved Black people faced). They're associated with agriculture through the Song sequence. And they're pretty much the ideal of what slave-owning Southern American culture WANTED enslaved Black people to be: completely happy to serve. Then, as the post-breaking Aiel, they become feared as a source of violence, which resonates with the way that enslaved people were feared by their slavers.
I don't think for a second that the intention here was to depict the AoL as a Secret Slavery Dystopia, I think we're meant to take the Rhuidean flashback sections pretty much as they read on the page. But I also think putting Jordan in his historical and cultural context does pose the comparison. Similarly, I find it really interesting that he positions Seanchan as riven by constant revolts and uprisings (because it's a fascist slaver regime) but he never ever goes so far as to link enslaved people in Seanchan (damane and da'covale) to those revolts and uprisings, even though that is fundamentally the deep fear *for real and obvious reasons* of all slavery-based societies.
Or then there's the changes to the Two Rivers in the books - like, both then and now I think it's actually pretty radical to present an influx of Muslim-coded refugees of colour as a thing that enriches the Two Rivers both socially and economically. Various characters are wistful that it's changed, but they don't think it's bad. The text here is really clear that welcoming the Domani and Almoth Plain refugees is both morally right and beneficial. And this is in a book being written and published shortly after the first Gulf War.
There's so many more things like this where I just have no real idea what he was trying to do on purpose and what was accidental and what was fun for him in fiction but did not necessarily link at all to his real-world political beliefs. but gosh it's interesting to turn over and poke at.
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holybibly · 6 months
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Divine Rosa  ❢ot8xreader❣ 
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❣ Pairing: yandere!otx8 x reader ❣ Genre: Dark Romance, vampire au, angst, horror, yandere au, smut ❣ Summary: The moth always pours itself into the flame; what a pity that in the end it burns out. After the tragic death of her sister, MС tries to find answers to the questions she left behind. This leads her to a gated cottage town known for its luxurious rose gardens. In addition, there are also these mysterious men who manage all the affairs in the city. Too sweet, too helpful, too intrusive, and too in love. ❣ WARNING: only!18+ Themes of death, suicide, severe depression, stalking, blood, yandere behavior. ❣ Disclaimer: I don't support yandere behavior, stalking, or religious imposition. Themes include violence, obsession, possessiveness, and emotional or psychological manipulation. This book is intended solely for entertainment purposes.
English is not my native language, so if you see any mistakes, please let me know.
Published on AO3 like FleurRi
❣ Prologue: Roses scarlet like blood ❣
 Every story has a beginning: a magical, inexplicable moment—an elusive contact between reality and dreams. When thoughts emerge from the edge of consciousness, a stream of colorless letters appears on the parchment of our fate, eventually becoming an event. Life's intersections, fragments of various plots, are continuously repeated, lost, or deliberately forgotten. They are like unwritten melodies; the echo of their angelic voices follows us through life, like the bright tent of a wandering circus that incessantly makes noise. is full of tinsel, and raves with dreams.
  There are millions of them. No. Billions, like the sleeping stars, sway peacefully on the sky-blue wire; their scattered light tells the wayward souls the way in the velvet folds of the night's darkness. These are our memories. Some are dazzlingly bright, as fresh as summer breezes, while others are barely flickering, covered in the marble ashes of time and a diamond crumb of emotion. And they all live so far away and at the same time prohibitively close together, there, in the labyrinth of the underground sky and on the endless roads of the blood rivers, where it is impossible to find them: in our memory.
  Just as a pebble thrown into the ocean sinks into the murky depths, so does memory. Drowning into the viscous muddy depths without a bottom, in that rich and uncharted area that we call “oblivion,” it sinks in time. And few of us have been given the opportunity to preserve living images of memories of the feelings we have ever experienced: to drown in the bittersweet water of sorrow and joy; to fill our consciousness to the brim, like a vessel with golden honey, with the feelings of pain and keen passion, and to die. Die happy. The greatest privilege of all.
  Seconds, minutes, days, and years—colorful fragments of time; sharp crumbs scattered under our feet. Unlike us, those who plunge into eternal sleep, our memories that have insidiously dissolved in ink in our blood will not disappear. They fear death, flee from it, and hide in the thick of the earth that blossoms with fluttering glass, forget-me-nots and drunken petunias that, in their intoxicating happiness, kiss the eyelashes of the blind God. You hear them whisper, “I’ll never forget you…”
  My story begins with an innocent question that I’m sure you’ve heard more than once: “Do you like roses?”
  Once upon a time, I would have answered, "Yes, I love roses." But, as it turns out, all our words are followed by consequences, and small rosy spikes can be much more dangerous than they seem at first glance, just like in the fairy tales that we were told in childhood.   You know, there are things that we might call fatal: people who decide other people’s lives as long as they reach out to them like they're God. And then there are the flowers, which keep the mysteries tenebrous and ancient.   I'm almost a hundred years old, maybe more. I should start my story right now; this is the perfect moment.
  I will tell you about who I once was and who I am now. I will tell you about love, which is akin to obsession, and the death of her faithful friend. I will also tell you about the people, ghosts, or maybe illusions that were around me. They were with me once…   Now, there are others, but they’ll be in my story later. They will come into my life with a chorus of angelic voices; the sound of a heavy autumn downpour, and the pretentious solemnity of death. Yeah, they’ll be there, though, if you think about it, they were always there, from my first breath to my last breath, by my side.   But I’m forgetting what’s important.   I have to tell you about the roses, and only about them.
· · • • • ✤ • • • · ·
Mina's long hair shimmered like luxurious silk under the early morning light. Bloody strands fell in curled doll curls onto her bare shoulders, as if in Baroque paintings. The lush blossoms of white roses woven together in her hair made her look like the ancient Greek goddess of spring.   Her appearance has always been astonishing, blatantly perfect rather than real, but that was sometime in the past. Now she was like a pale ghost of herself, a blurry reflection on a black surface of water on a moonlit night. The only thing that reminded her of her former beauty was her hair, which remained perfectly groomed and scarlet, like blood. Oh yeah, there are still roses.  These flowers… there was something unnatural about them, something otherworldly. Each petal was painfully perfect, as if made of satin. But the flowers were real; they were alive and breathing and too demanding. It seemed that just because they wanted this, Mina could wear them in her hair. It was their choice, not hers.  “Do you like roses, Rosa?” · · • • • ✤ • • • · ·
This is the moment when my life changed forever. If I had known that this innocent question would be the beginning of my end, but can this be called the end? Would my answer have been different?
  I’ve thought about it a thousand times. Over and over again, I played this scene like a broken record, crossed my answer out of the script, wrote a new one, and made comments and footnotes, but…   But the answer was the same. I couldn’t change anything; it was destined. Much later, when I fall asleep in a warm bed, I will feel a gentle kiss on my closed eyelids and hear San’s angelic voice whisper in my ear that fate is never wrong. That they would find me or that I would come to them does not matter; in the end, we would still be together in life and in death. In eternity.
  I’ll come back to that later, I promise. In the meantime, I’ll continue. · · • • • ✤ • • • · ·
“They’re beautiful, Mina, but I don’t like them anymore.”  I sounded terribly rude from the outside, and I could see Mina’s eyes filled with tears, as if I had slapped her.
 “But Rosa!” Mina reached out her pale arms to me. “Look how perfect they are; don’t you care about their beauty? Doesn’t your heart beat faster when you look at them? O Rosa, these flowers are special; they never wilt.” She shook her head, as if confirming her words. “Yeosang gave them to me before I left” Her long, thin fingers reaching for the white rosebuds in her hair. “I want to give you one.” Hooking the flower, Mina gently pulled it out of her curls and stretched it towards me. I didn't have the desire to accept her gift; something in her behavior and her voice caused me anxiety. And there was this name: Yeosang. It wasn’t the first time I heard it, but it was a long time ago, and I still remember that Mina mentioned others with that name: Hongjoong, San, and Mingi. They sounded familiar to me as a song once learned by heart. She pronounced them in a special way: with a gentle intonation and an exciting euphoria. As if it had been repeated countless times at the same completely new to her.  All I could hear was the echo of that song, which came along with those names in the conversation. It was an ominous echo, like an impending, inevitable storm. Mina was still holding out a rose, and I looked at her hands. Arms with a faint web of blue veins that looked like dried stems of faint flowers. For some reason, I came up with the idea of sirens holding out their hands to pirates while their voices led them into the welcome embrace of death. Did they look like Mina’s hands now?
I remember these hands weaving long pearl threads into my hair during festivals. I remember the feeling of intertwined fingers as Mina led me down the dark corridors of my grandmother's old house. I remember them gently wiping my tears when I was rubbing my feet until I bled in ballet class.
I remember the touch of those hands… I know him. These cold fingers that so carefully hold the snow-white flower no longer belong to my sister. Their touch changed, becoming foreign and distant, as did the mysterious land where these perfect, never-fading roses grew.
Didn’t that sound like a fairy tale? Just in our history, there has been no magic mirror, no Queen-Witch whose crown shines like a star, and no apple full of poison, but there is a coffin of shimmering crystal, and a prince that sleeps in it. Of course, there are also roses—thousands of roses.
“Rosa” Mina turned to me again. “Please take them; you will surely love them. Just try to feel them…”
She put a flower in my hands. The drops of nectar froze on the wax petals, and the first rays of the dawn sun made them sparkle like diamonds. “This variety is special.” Her voice sounded soft. “It's called the Deva-Rosa. I want to show you where they grow. It’s so beautiful. I want you to come with me, Rosa. We’ll be there together, you and me.” Mina smiled dazzlingly, but something was wrong with that smile. The once-sensual kiss lips were painfully curved, the corners awfully lifted, like the forever-frozen smile of a Venetian mask, and the warm pink shade was gone.
I was always jealous of her lips. They were so tender, plump, and enticing. All her features attracted attention, but it was her lips that made Mina's beauty unique.
She shone like the sun, easily becoming the center of everyone's attention—a beautiful white swan. The main heroine of the story. 
Then there was me, only a shadow of her perfection—gloomy and pale as the moon, the complete opposite of the burning heat and the sexuality of my sister. Unlike Mina's, my features were not sensual and breathtaking; no, they were old-fashioned, like those of a porcelain doll. I didn’t find myself ugly or unattractive; just ordinary. One of a hundred million. The classic tragic heroine of a Gothic novel, someone like me, doesn’t make it to the finale.
Now looking at Mina, I can no longer see her life; her fire has almost been extinguished, leaving embers smoldering. And only her hair, like a burning sunset, was the only bright spot in her appearance. They crimson her white dress like blood rivers in the snow. 
 “Rosa, come with me.” The touch of her hands was icy and gave me a nasty shiver. It wasn’t Mina anymore. “Let's go, please. We can admire roses together. We can be together, Rosa. Remember what we promised each other when we were kids? Forever.”   Mina leaned towards me with her whole body, completely trespassing into my space, and with her intimacy came the suffocating, sugary smell of roses. It was a thick, enveloping aroma that instantly sat in the lungs. I thought that if I breathed it in deeper, these strange, unnatural flowers would sprout in my veins, intertwine with my bones, and create a new home for themselves in my body.
 “No!” I exclaimed, pushing Mina away from me. “I don’t want that, Mina. I don’t want you or those freaking roses in my life.”
  Suddenly on my feet, I took a few steps away from the pale Mina, who was staring at a rose that had fallen to the ground. Her posture was as vulnerable as that of a wounded animal, and her limp arms reached for the flower, which, surprisingly, began to darken and fade, touching the ground.   In her eyes, once radiant with happiness and dreaming, stood tears, and her lips began to tremble. It was as if a child whose beloved toy had been mercilessly abused had fallen to her knees, picked up a dying bud, and, in despair, pinned it to her lips.
“How can you be so cruel, Rosa?” Mina whispered, her lips gently touching the petals. “You hurt them; it breaks their heart. Can’t you just accept their love? Accept the roses?” She continued to kiss the petals.
 “What are you talking about, Mina? Whose love should I accept?” I asked cautiously. Her behavior began to frighten me.
 “You must give yourself to them, Rosa; I must give you to them.” Mina ignored my question, methodically kissing a faded flower. His dead petals began to fall away, slowly, baring his heart. “O Rosa, the rose is a rose; the rose is a deva; the deva is a rose; is a rose.”
 “Mina!” I called her by her name in an alarm. The entire situation had me in a state of primitive terror.   Mina began slowly swaying from side to side in time to your words, all the while continuing to say, “Rose is a rose, the rose is a deva.” It was meaningless, like the ravings of a madman.  The words were repeated in an endless circle, like a prayer or a ritual chant. Mina’s voice grew louder, higher, and higher until it broke, and abruptly she stopped all movement, standing there like a graceful statue.
  Once I admired her every move; now I want to cover my eyes so I never have to see her again.   What happened after became the most traumatic thing in my life. I can never forget it, no matter how much I want it. It seemed to be imprinted on my eyelids, and even after closing my eyes in my sleep, I couldn’t get rid of those memories.
  Her movements were fleeting, like the wings of a butterfly. Here she is before me, tense and waiting, and then her throat crosses a ragged line, and blood rushes through her body like a waterfall.
  Eyes shining from tears are wide open and so resemble smooth black pearls, and lips are opened as if waiting for a kiss.   For a second, Mina's body stretched like a thin string and then softened, falling on the grass.   I heard someone start screaming; the sound was so deafening and heartbreaking that I wanted to curl up in a ball and cover my ears with my hands, so I couldn’t hear.
  I found myself screaming. I needed to call for help; I had to call an ambulance, and I had to try to help her. Put my arms around her neck and cover her gaping red velvet wound.
  But I was yelling about something else instead.   My name is not Rosa; you hear me, Mina!   I am not her. · · • • • ✤ • • • · ·
I awoke in a frenzy, sweating profusely and with a wildly pounding heart from an endlessly recurring nightmare.
 This dream has haunted me for months since Mina’s funeral. Night after night, I have lived this sunrise over and over again. I didn’t like morning anymore; I started avoiding sunlight and hiding in the velvet folds of the night, sharing my loneliness with the darkness. I made the moon my friend, and the stars my silent witnesses.
  My memory is folded paper, folded a thousand times. Sometimes, I want to unwrap it, but not completely: open the brittle edges of the fragile sashes, smooth out the folds and creases with my fingers, spread out the time sequence. Unwrap it just a little, and then fold again, mixing letters and days, reality and dreams. I never want to open the pages where the memories of that morning are stored. Every time I get almost to the end, moments before the final, I run away to the safety of happy days.
  I try to come up with a new ending to this story, a different ending, but the dream comes to me like a cat, gently calling me into its embrace, and I find myself again in a place I don’t want to be.
  It’s early in the morning, and the sun is just rising above the horizon, shimmering like a limitless purple-pink ocean.
 In Mina’s crimson hair are snow-white roses, and her dress looks like an intricately woven ruffle and lace. Her pale hands holding flowers, her puffy lips in a painful smile, and her bare feet—the ground must be cold since it was the middle of October.  Her blood… and the roses.   And if it were possible to personify hatred and death, then for me, it would be roses.
  I hated and despised these flowers with all my heart. They brought only sorrow and gloominess into my life. The beautiful symbol of mourning solemnity.   They started it. They ended it all.
· · • • • ✤ • • • · ·
I was sixteen when Mina first called me Rosa. One January afternoon, she came home with a basket of the most gorgeous flowers I’ve ever seen in my life. Scarlet like the blood of a rose, they were magnificent and perfect. From that day on, I became Rosa. Why did Mina start calling me that? She never spoke.   But she completely forgot my real name. For the whole world, I was now Rosa.   After this case, every day in our small apartment, the roses became more and more numerous, until every inch of free space was filled with scarlet buds. Their smell was suffocating, thick, and sticky like honey. It is absorbed into the skin, hair, and dissolved in the blood. It made me dizzy and nauseous, and I could taste it on my tongue with every breath.   But it wasn’t just a smell. It was a color that screamed “red,” like blood itself. It poured over our house, coloring the entire apartment in a disturbing shade.
  After that, every day in our house, the roses became more and more numerous until they filled all the surrounding space.
  Soon, they became so numerous that our house looked like a tomb filled with scarlet petals hanging from the ceiling. We've been arranging here with all honors, breathing in a haze as imperceptible as rose-scented mist. 
  In all the time I lived there, not a single flower withered. It was frightening and exciting at the same time. Day followed night, and night gave way to day; but no petal lost its pristine beauty, and no bud bowed its heavy head in sorrow. There was not a single bouquet that would dilute this velvet sea with its mourning black.
  And if that did happen, Mina cried long and hard over these flowers and blamed herself for not saving them. At night, I heard the sound of her apologies and her fanatical prayers. 
  Whether she prayed to God or to the Devil, I couldn't tell. I'll find out for whom these prayers were intended many years later.
  Roses were always sent with a postcard and a box of expensive chocolates with some intricate filling. The box was necessarily in the form of a heart. The signature was also one; once the unchanged calligraphic handwriting deduced only one phrase, “For you,”
  Mina never told me who gave her these magic flowers or why the roses didn’t wither.
  I tried to ask her these questions several times, but she only brushed them off, throwing her long hair from one shoulder to the other and angrily declaring, “You must love them; you don't need to know more.”
 Mina also dyed her hair scarlet, like roses.
  I couldn’t take it anymore. Constantly surrounded by these flowers was unbearable, and one day I packed up all my things and moved in with a friend, leaving Mina alone in her regal rosary.
  My first night away from home, away from the roses and Mina, I couldn’t sleep. I tossed and turned anxiously in bed hour after hour; but the dream never came, and then the phone rang. Mina called. Crying, she begged to come home, and when I asked her why, she barely whispered, “The roses are wilted.”
  I hung up, and Mina never called me again. Two years had passed. My life had changed, and I think my luck had smiled. I found wonderful friends who were eccentric and bright. I had a great and caring boyfriend, and the internship at ballet school was promising. Everything worked out perfectly, and there were no more roses.
 Until my twentieth birthday, a huge bleeding bouquet of scarlet roses tied with topaz-embroidered ribbon appeared in my new apartment. The candy box was heart-shaped, and the caption read, “For You.”
  I burned the bouquet, threw out the chocolate, and tore the note apart, and blew it to the wind.
  No one was supposed to see or know.   Even me.    Exactly eight days after these flowers appeared, I got a call from former neighbors in the apartment complex Mina was still living in.   I was urged to come and deal with the situation; the smell of rot and death was unbearable, and Mina didn't open the doors or answer the phone.   I opened the door with my key. Opening it wide, I crossed the threshold and could not contain a short scream. All the once-luxurious roses had rotted, dripping thick, stinking jugs on the floor and accumulating in gleaming poisonous lakes. Every corner of the space was occupied by large vases with black velvet buds and tall candles. After my move, Mina got rid of all the furniture, leaving only the big bed, which was now covered with dried stems strewn with thorns.
 This place was like a grave — cold and dark — where my sister was supposed to rest.   Going deeper, I found no hint of Mina's presence. Absolutely nothing.     Only putrid roses and an empty heart-shaped box.
  Mina was gone. For a whole year, I tried to find her without success. Old friends, distant relatives, acquaintances, and any other connections she might have ever had—I checked everything, but there was nothing to help me find her. It’s like she never existed.
 In the two years we’ve been apart, I didn’t know anything about her. Mina didn’t call, and when I tried to contact her, she would reply with a short message, always the same: "Roses have wilted; come back." just like the night I left her.
  All Mina had ever thought about since that unfortunate January day were these sinister roses.
  The police began an investigation. Two years after her disappearance, Mina became officially missing.
  And a year after that, she showed up at my door in the twilight of the fall morning, barefoot, in a sophisticated lace dress with a rose crown on her head. From the Mina that I knew, all that remained was her hair—long, silky, and crimson like blood and roses.
  She still kept calling me Rosa, calling me out, and promising that we’d be happy together. That it will be only us, forever. She promised to show me where these strange flowers bloom, which she called the Deva-Rose, although these were not her words, but those of someone distant and unfamiliar to me, Hongjoong.
  And then...then Mina died. The dawn painted her body in pink shades, flooded the grass with sparkling gold, and dyed the white roses of her crown scarlet. She slit her throat. Ragged a sharp spike into it. As it turned out, even the tiniest rose spikes were deadly.   It was a nightmarish and, at the same time, majestic end to her story.   The image of Mina haunts me in dreams even now—this distant gaze in her pearly eyes and a complete absence of fear of death. No, Mina wasn't afraid. She welcomed death as an old friend, graciously opening her arms.
  It was her exodus.   I remember screaming loudly. Blood thundered in my ears, and tears flowed in an endless crystal stream. I screamed that my name wasn’t Rosa; that I wasn’t her, and never would be.
  Her funeral was truly a royal one. Rain and thunder rattle in the sky, as if raising a toast in her honor. The flat haloes of the black umbrellas swayed peacefully as the guests made their sorrowful speeches.
  Mina seemed to fall asleep, dressed in an old-fashioned wedding dress, lying there like a princess, drowning in thousands of roses.   The flowers were brought at dawn. Their color was deep and dark, as if every petal was filled with the gloaming of the night. They mourned with me.   But I knew better. It wasn’t the end; it was the beginning.  Death follows life in an endless cycle of rebirth. When one flower fades, plant a new one.  Back home that night, I found a black envelope at my door, sealed with a monogram wax seal.
  It lacked an address and the sender's signature. The message was clear and concise. "I live for you, my Rosa."
· · • • • ✤ • • • · ·   I went to the window and opened the curtains with my newfound determination. It’s time to stop being afraid and run away. Whatever it is, I’ll find out what happened to Mina. Let her start it all, but I’ll be the one to finish the story.   The last surviving girl.
· · • • • ✤ • • • · ·   How naive I was then, how stupid. The moth always flies to the flame, attracted by the warm fluttering light; he himself goes to his death.
I was that moth. Without realizing it, I came to my inevitable fate, which has been waiting for me for centuries, maybe longer. Their hands have stretched out since the darkest times, when the light didn't exist, and the Devil was as real as you and I. At that time, everyone knew his face, felt his hot breath on his skin.   The story I’m going to tell you isn't going to be bright and sweet; we’re going to go down to hell and come back. I'll take you through the dark woods to the horrors of uncharted lands where barefoot priestesses rock their sharp teeth in alluring smiles. I will take you to the castle where the prince rests in a crystal coffin and make you drink wine that tastes like blood.
  Now I have to ask you, "Are you afraid of the dark and what’s hidden in it?"   But my question is, "Love, do you like roses?"
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molly-ghuleh · 8 months
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Camellia: Copia x f!reader - Chapter 1
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Camellia: n. - A flower which symbolizes a deep desire or longing.
Summary: You are a translator for the Ministry. You receive a letter summoning you to the Abbey for a project involving an ancient diary with a mysterious author, but you find yourself wishing you were back home. That is, until you meet the charming Papa Emeritus the Fourth.
Word count: 4.4k
A/N: Hi all!! This is the first long-form fic I've ever written and decided to publish, so I hope you all enjoy!! The first chapter is mostly setup and scene building, so not a lot of interaction with our beloved Copia. But there will be more, I promise!!
Warnings: none for now but there will be some in later chapters.
AO3 Link
Prologue
“Will you help me move this box?” the Brother of Sin says. 
Wordlessly, the Sister of Sin stops what she’s doing and maneuvers through the crowded, dusty basement room to help the Brother. The two crouch down, bracing their hands against the box of books. It leaves behind a path carved into the layers of dust as it slides across the wooden floor. 
Once the box is pushed a few feet out of the way, the Sister lets go and, losing her balance, falls to her hands and knees from the crouching position. She cries out in surprise when her hand sinks through the floorboards as one of the slats gives way. The hole is only a few inches deep and filled with dirt and cobwebs, but the Sister’s hand falls onto something softer than wood. 
She lifts her hand to find that there’s a small leather-bound volume hidden face-down in the small crevice. The Sister can hardly imagine how long it has been there, with how thick the grime lies on the back cover. 
This room of the Abbey’s basement had been long forgotten, until Sister Imperator tasked these Siblings of Sin to clear out the room to make way for new storage. They had half expected to find a ruby-encrusted sarcophagus in the room, with how ancient and opulent the Abbey is. So far the only things of interest they have found are books—it seems that the only items stored in the room are books. 
The Sister gently removes the book from the hole in the floor and replaces the wooden slat. Even through her gloves she can tell that it is close to disintegrating. The distinct orange of rotten leather lines the edges of its binding and a few corners of pages fall to the ground. 
“What’s that?” The Brother asks. 
The Sister carefully turns the volume over so that she can read the front cover. It, too, is covered in dust, so she gently brushes it with her hand in order to read the embossed leather cover. Having been face-down in the crevice, the gold leaf illuminating the embossment is preserved and it shines in the low light of the basement. 
“It says…” the Sister squints to read the small letters, “...Elizabeth.” 
“Elizabeth? Who’s Elizabeth?” 
The Sister turns over the book once more. “I don’t know, just… Elizabeth.”
Chapter 1
The ride from the airport to the Abbey is a long one. The car you had been picked up in took you through the city and the suburbs, to the rural outskirts of civilization where the coniferous trees block much of the sunlight. The winding roads, dotted in late-afternoon sunbeams, feel endless as the car climbs into the hills. It’s been a silent ride, and rather awkward (at least, you feel that it’s been awkward) because the helmeted ghoul who drives the sleek black sedan has not said a word. 
You knew that the Abbey has ghouls. A few abbeys do, as they are big enough to warrant summoning help, but your home chapter is not. This is the first time you’ve met one. 
You wonder if they’re all so stoic, or if the driver simply doesn’t have anything to say. He isn’t impolite, but you wish he would say something, anything to make the drive a little more bearable. You want to ask him about the Abbey–what the Siblings are like, what Papa is like. How many Siblings live there full time? How big is the library? You’ve heard that the ghost of a former Papa haunts the corridors, is that true? Hundreds of questions brew in your mind, but the ghoul remains silent and you’re left feeling like an unwelcome guest in a strange country.
You already miss home. 
The Marseille abbey, your home for the better part of your adult life, is a medieval stone structure built on a hilltop south of the Marseille city proper. The ornate, stained-glass windows of its chapel face west over the Mediterranean so that the sunset streams into the room during Black Mass. The walls are old and drafty, and keep faded tapestries in a constant state of fluttering. The linens line the walls of the refectory in between tall, narrow windows which also overlook the sea. If it were not for the inverted crosses and scenes of the unjust fall of Lucifer, one might think the atmosphere in the chapel—and the rest of the small abbey—is almost holy.
The windows in the Sibling dormitories are small and south-facing, with deep stone sills and wood frames that have somehow managed to survive the ages (although they hardly open without a fight.) Your own dormitory windowsill is lined with personal prayer books. Each has about a hundred loose papers sticking out. They are your translation practice, your way of staying versed in every language you know, because you know the prayers by heart at this point. The papers are experiments: which language makes the prayer sound better, sound prettier? Which language makes the most sense? Which language makes the prayers the shortest, the longest? 
No matter which language you use, to you the prayers sound the most beautiful in your mother tongue. That is how you’d memorized them, after all. Yet… you wish there had been room in your single suitcase to take your prayer books with you. 
“We’re almost there,” the ghoul says, snapping you out of your homesick reverie. His voice is deep and softer than you’d expected. There’s no spurt of hellfire from his mouth as you’d half-thought there would be, and no low rumble in his words that might signify he’s more beast than man. The ghoul, despite his bug-eyed mask, seems shockingly human. 
He steers the car through tall wrought-iron gates which seem to open automatically. You can see the tall peak of the Abbey’s bell tower peeking through the trees, and suddenly the reality that you’re very, very far from home hits you. 
You unfold the crinkled envelope in your hands and reread the letter for the hundredth time that day. 
Dear Sister, 
I hope this letter finds you well. 
We at the Abbey have recently uncovered a very important document which we require your expertise to translate. However, this document is extremely fragile and cannot be transported in the post. Papa Emeritus IV and the rest of the Clergy request your presence at the Abbey as soon as possible. 
We expect this project to take several months. Enclosed is a one-way ticket for you to travel to the airport closest to us, from which a car will transport you to the Abbey. We will discuss plans for your return to Marseille when you are nearing the end of your work here.
We anxiously await your arrival. 
Sincerely, 
Sister Imperator
The letter itself is quite presumptuous. Sister Imperator had assumed you were not busy, and assumed that you would be able to drop everything and travel halfway across the world for a months-long project. And then to use Papa’s name to exaggerate the importance of this mysterious document which she hadn’t even disclosed the nature of? 
Well… you can’t exactly say no to the woman who practically runs the Ministry’s affairs. 
The car takes a bend in the Abbey’s endless driveway and emerges into a clearing. Sitting far back on a sprawling lawn is a massive, imposing stone structure. The rows of trimmed hedges and flower bushes do little to soften the gothic hardness of it. Two pointed bell towers loom over the steep roof of what must be the chapel, with stained glass windows stretching up at least two storeys. The central image is of Baphomet, in his iconographic pose. The setting sun glints off of his golden halo. Sweet Satan, you think, your eyes tracking the window as the car rounds the drive. Baphomet alone must be taller than the entire height of Marseille. 
The ghoul pulls the car to a stop in front of the wide steps leading up to wooden double doors. A woman stands there, her hands clasped in front of her and her back straight, like the matron of this grand palace. You suppose she is–the severity of her expression alone leads you to believe that it’s Sister Imperator who waits for you.
You step out into the chilly air and shut the car door behind yourself. The ghoul already has your suitcase in hand and gestures for you to walk up the stairs before him. You wish he’d let you carry your own suitcase, if only to give your hands something to do, but you are far too stunned to ask. Climbing the shallow stone steps feels like stepping into another world. A world in which you feel far too plain to exist. 
“Sister,” The woman greets with a smile. It doesn’t quite reach her eyes, which squint at you beneath slightly furrowed, well-groomed brows. She strikes you as someone who is all business, all the time. “How was your journey?” 
You return her smile as best you can. She speaks to you like you don’t understand English. “It went well, your dark eminence.” 
She seems a little surprised that you respond so fluently, but she quickly fixes her face into another warm grin. “I am glad to hear it,” she says. “Thank you for coming on such short notice. I’m sure you must understand that this document is very important, and quite fragile. We would not risk losing it in the post.” “Of course,” you nod. “If I may ask, Sister Imperator, what is this document? You did not disclose it in your letter.” You gesture to the envelope safely stored in your jacket pocket. 
Sister Imperator turns to step inside the slightly ajar wooden door and you assume she wants you to follow. The ghoul accompanies you over the threshold, but at the wave of a hand from Sister Imperator, he turns down a narrow corridor with your suitcase and disappears around a corner. 
You are still a bit too overwhelmed to thank him. Instead, you look at the woman beside you. “The ghoul will bring your luggage to a room we have prepared for your stay,” she explains at your silent question.
She continues down the main hall, deeper into the Abbey. Your footsteps echo through the atrium, bouncing up to the high, painted ceilings and off the stone walls. There are a few wooden benches pushed back against the wall, with pots of surprisingly lush houseplants on either side. Framed oil paintings line the walls: some depicting biblical scenes, some of landscapes, and a few large, dignified portraits. You can tell by the distinct Papal paints in each portrait that the subject is a Papa, and you wonder which one depicts Papa Emeritus IV. You’ve never seen an image of His Unholiness before. 
After a few moments of silence, Sister Imperator speaks again. “We found the document last month, in one of the storage rooms in the Abbey’s basement.” She likes to use the royal ‘we’ a lot, you think. 
She continues. “One of our archivists believes that it is at least five hundred years old. It is very fragile, you see, and so we ask that you handle it with the utmost care as you work with it. We would prefer it if you used gloves. And frankly, Sister, I believe that you would want to. The leather is fairly rotten.” You stay silent as you follow slightly behind her. You’ve worked with old, rotten books before. The pages nearly crumble apart in your hands and the leather splits easily, but it’s nothing you can’t handle. 
“We believe it is a journal—a diary, rather, of someone very important in the Ministry’s history.” You find it strange that she doesn’t immediately disclose whose diary it might be. “Who, if I may ask?” “Elizabeth.” Sister Imperator’s voice is clipped as she answers you. She gives no further explanation. Just Elizabeth. 
There are millions of women named Elizabeth in the world. It is very likely that there is more than one important Elizabeth in the Ministry’s history as well. It’s a fairly common name, especially five hundred years ago (if the archivist is correct). For all you know, this document could be some random Sister’s sexual logbook, and documenting her sinful indulgences was her way of praying to the Lord Below. 
You break out of your ponderance over possibilities when Sister Imperator turns a corner to walk down another, slightly narrower (but still wide) corridor. She speaks again. “The book is to be kept in a lockbox at all times when you are not working with it. Under no circumstances is it to be removed from the Abbey library without my express permission, or the permission of Papa. Is that understood?” 
“Yes, Sister,” you answer hastily. Her tone of voice as she lays down the law makes you feel as though you’ve already made a mistake. 
“Now. The reason we need you, Sister, is because none of our own archivists or translators can figure out what language the journal is written in.” 
This piques your interest, and also slightly flatters you. “What do you mean?” you ask.
She releases a long-suffering sigh. “The writing is jumbled. It is a mess of letters and sometimes numbers, with no spaces whatsoever.” 
The possibilities immediately start to stack in your mind. Latin from the Roman era tended not to use spaces, a practice called ‘scriptio continua’. Ancient Greek also did this… but wouldn’t the in-house translators be able to read it? 
“I cannot explain it well enough,” Sister Imperator says. “You will have to see, Sister.” 
The two of you come to another set of large double doors. Sister Imperator pushes one open and steps inside, holding it open for you. You slip past her into a huge, bright room, filled with hundreds and hundreds of bookshelves. Immediately you are hit with the scent of old books and parchment paper, and the gentle sounds of turning pages. To your left sits an ornate wooden desk with one Sibling standing behind it. They are sorting books onto a three-tiered cart, presumably to put them away in the correct order. You accidentally make eye contact, but they smile politely and you respond in kind with a little wave. 
You avert your gaze upward towards the open second floor, which wraps around the large atrium and is protected by a dark oak bannister. A few Siblings linger on the catwalk, carrying books or making their way towards the wide staircase that opens to your right. The bottom floor of the atrium houses several wooden tables where another smattering of Siblings sit. Most other tables are empty save for an abandoned book or two. 
The late evening glow shines down into the room from a large, circular skylight in the middle of the ceiling. There are desk lamps and overhead lights scattered about but none have been turned on yet. 
It reminds you of the University library.
“Come,” Sister Imperator says after allowing you to gaze around the massive library for a moment. “The lockbox is in the restricted section. You will receive your own key while you are here but you are required to return it, directly to myself or the Head Librarian, before you leave.”
She leads you up the carpeted staircase and deep into the bowels of the second floor. Towards the back corner, where the shelves are labeled ‘Fiction - Romance’, there is a wooden door tucked against the wall. A sign beneath its small glass window reads ‘RESTRICTED’. Sister Imperator fishes a rather noisy set of keys from her pocket and finds the correct one to unlock the door. She pushes it open with a squeak that feels loud in the quiet of the library. When both of you are in the room and the door is shut behind you, she removes an identical key from her keyring and hands it to you. “Your copy,” she says. “Do not lose it.” 
The room isn’t cramped, but it is small compared to the atrium. A few single-person desks sit along the back wall, while the walls on either side of you are lined with glass boxes. Each box is shaped similarly to a narrow cubby, and houses a single book. Printed labels on the front face of each box display a box number and the name of the volume stored inside. 
“Your key allows you to access any of these boxes,” Sister Imperator explains to you, “but I do not expect you to require any of them, except for the diary you’ll be working with. It is kept in box number seven, which is here,” she points to a box about halfway up the rightmost column of cubbies. Using her key (still attached to the incredibly jingly keyring), she gently unlocks the box and it glides out like a drawer. 
You step beside her to look down into the glass drawer. The diary is wrapped in white linen, but you can see the faint brown color of the leather through the cloth. “The archivist requests that you keep the white cloth under the book at all times,” Sister Imperator says. She reaches down into the box and gently retrieves the diary, careful not to jostle the cloth too much. “It will protect the leather from further decay.” You don’t need her to explain how preservation works, but you appreciate it anyway. It saves you from having to ask, or endure another awkward silence. 
She places the book down on a nearby table and slowly unwraps the cloth. Already you can see small flecks of brown and orange sticking to it where the leather has rotted, but it seems to be fairly well preserved in light of its age. On the front cover in small, embossed gold letters is the name Elizabeth. 
“Elizabeth,” you say, understanding. 
“Elizabeth,” Sister Imperator replies. “That is the only word we have managed to decipher. Hopefully you will be able to help us with the rest.”
You nod. “I believe I can.” 
She wraps the cloth loosely around the book once more, and returns it to its box. “I do not expect you to start tonight, Sister. We will give you time to settle, and have something to eat. But from tomorrow morning until you are done, this is your sole responsibility. Do you understand?” 
Her sudden, almost intimidating tone surprises you. You bite the inside of your cheek–a nasty habit you’ve had since you were a child. “I understand, your Dark Eminence,” you say with another nod. 
Her face softens, as does her stare. “Please, just Sister is fine,” she says. You follow her again as she begins to lead you out of the Restricted room. “I believe the dinner hour is to start soon. I will show you to your dormitory, and then leave you to get settled.” 
She brings you back through the library and the main hall towards where you’d seen the ghoul disappear with your luggage. The dormitory hall is a long, narrow corridor with windows on one side and doors on the other. Each door is marked with a number and a nameplate, and in between each door are wall sconces lit by incandescent bulbs. Halfway down the hall there is an opening to a stairwell which, you assume, leads up to the second floor of the dormitories. You walk past many, many doors, some of which have two nameplates, until you reach the very end of the hall where there are unmarked doors. Sister finds her keyring again and unlocks one, then removes the key and hands it to you. 
“These rooms here are the guest quarters. They are typically not suited for long-term stays but we have prepared yours to have everything you will need. If you need anything, ask Sibling Superior and they will make sure that you receive it.”
Sister Imperator turns to leave, but then turns around. “You know, Sister,” she says, with a curious look. “For someone of your expertise, I thought you would have been… older.” You can’t tell if it’s praise or suspicion in her voice. “Yes, well,” you stall. How are you supposed to explain that language just comes naturally to you and that it’s not your fault you’re not old and wrinkly? “I suppose once you learn one language, all the rest come easy. Especially romance languages.” 
“Hm,” Sister Imperator hums, sizing you up for a moment. “Find me at the end of the week and we will talk about your progress. I’m sure you will know your way around by then.” 
It seems her well of kindness has run dry.  
~~~
If the loud ringing of the bell didn’t tell you that the dinner hour had started, then the steadily rising sounds of a crowd did. You can hear the murmurs of conversation even through your closed door. A few Siblings emerge from the dormitory next to yours, their chatting and laughing growing quieter as they walk down the corridor towards the refectory. The old wood floorboards creak above you from the movement of Siblings who occupy the second floor. All around you there is an excited bustle, and yet you don’t feel like joining it. 
You have never liked crowds. Especially crowds of strangers. And these strangers all seem to know each other, if the echoes of loud conversations tell you anything. 
But your stomach does rumble, and you feel rather weak from a day of travel, so you decide that it’s best to eat something before you go to bed. Once the corridor seems clear again, you quietly slip out your door (patting your pocket to make sure you remembered your key) and make your way to the refectory. Sister Imperator hadn’t shown it to you but you can make an educated guess as to where it is. 
When you emerge into the main hall, you see a few Siblings occupying the wood benches that had been previously empty. They all hold trays or to-go boxes on their laps. Some speak animatedly, enthralling their friends with stories from their eventful day, while others sit quietly beside each other and eat. You think that it might be nice to sit somewhere to eat so that you feel a bit more connected to the Abbey, but all of the benches are occupied. The ever-growing roar from the refectory does not seem too appealing, either. 
The large room is across the main hall from the library. When you turn the corner you see that it’s not as grand as the atrium, and that it only occupies one level. There are sheer curtains hung over the windows, which allow the sunlight to illuminate the room but keeps it from growing too warm. Siblings, Clergy members, and ghouls alike sit at long wooden tables not unlike those of your home Abbey. But these tables alone are longer than the entire length of the Marseille refectory, and once again you’re reminded that you’re quite far from home. 
No, you can’t eat here. Not tonight. 
There is a long counter stretching nearly wall-to-wall to the left of the door, where a dwindling line of Siblings make their dinner selections. Whatever meal the kitchens had prepared smells delicious but you find that you don’t have the appetite for it. However, close to where you stand in the doorway and nestled in the space between the wall and the counter, are a few baskets of fruit arranged on a small table. The baskets are nearly empty, with the only indication of their contents being the small pops of color peeking through gaps in the woven pattern. 
Despite not wanting a hot meal, you are hungry, and so you enter the refectory and move towards the baskets. You opt for two good-sized oranges–although the bananas do look perfectly ripe–and turn to leave as quickly as you came. Your eyes briefly sweep over the crowd and land on a long table, perpendicular to all the others, situated on a platform at the opposite end of the refectory. The platform isn’t tall, but it is just enough to raise the table’s occupants slightly above the Siblings. The table is entirely composed of men, save for Sister Imperator, who seems to be talking to an older man with Papal paints and long blonde hair–is that Papa?
You look at the others occupying the table, and find that no less than three are also wearing Papal paints. 
Marseille is a tiny Abbey. At any given time, only about ten Siblings reside there at once. And so there is no need for an upper Clergyman to be stationed there. Instead, the Chapter is run by Bishop Beaumont, who (until now) is the highest ranking member of the Satanic Ministry you have ever met, let alone seen. 
So, to be faced with not one, but four Papas, all in the same room, makes your heart thump with nerves. You recognize them all from the portraits in the main hall, but in person they are all so much more… just more. And yet you still don’t know who is who. 
Of course, you know that all four of the most recent reigning Papas are brothers, the order of which was determined by age. The man who Sister Imperator is talking to must be Papa Emeritus I, or Papa Primo, as you’ve heard him called by Bishop Beaumont. The other three look relatively close in age, and so you truly have no idea which man currently holds the helm and steers the ship. 
You realize you’re staring when you make eye contact with one of the Papas. You nearly gasp in surprise, as if you shouldn’t even be on the same plane of existence as him… and yet your eyes met. Of course one of them would have caught you eventually, you think. You were practically ogling them from across the room. 
Hastily, you turn and make your way back out of the refectory and into the main hall. Your eyes fall on the nearest portrait. The Papal paints of the subject match the ones of the man you’d just been caught staring at. You blush as if his portrait could think, and had just caught you a second time. Your eyes flick down to the gold plate affixed to the frame, and read the words. 
PAPA EMERITUS IV.
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