The Devil Demon Wears Prada

no anne hathaway film is safe

to any americans who feel "paralyzed" and "dont know what to do" to help with gaza:

reading a fucking book. i beg of you.

in a time of knowledge suppression is it your duty to arm yourself with knowledge.

read about americas occupations in the middle east.

read about 9/11 from outside of america and see how they inflicted senseless harm and violence to countless amounts of people and have been suppressing your rights for the past 2 fucking decades.

read about any of the countless wars from the past 30 years. especially from a civilian's. and the victims and survivors' perspective. listen to the horror stories and do not plug your fucking ears as to what your country is doing.

and read about fucking gaza and palestine and keep up with what is happening no matter how "sad" or "uncountable" you might get.

dont look away from this.

you dont have the right to be comfortable during countless active genocides.

if you're knowledgeable, you're powerful, and our current state doesnt fucking want that.

you have the power to change things if you open your eyes and scream to the world.

wake the fuck up.

Edit: please check the reblogs there are readings and ways to help

got him off-balance!

love when you can ask the Narrator why the Princess is a Princess and he's like 'well i uhhhh YOU did that. maybe it's because uh... something something about her being above you... but still approachable... look i don't want to analyze or anthropomorphize your--' my guy. i am a primal being of Order and Eternity and Shaping. You're the one who convinced me I was some dude and were quite willing to take credit for shaping my view on the world through narration five seconds ago. Are you gonna look me in the eye and tell me the desire to interpret something worthy of adoration and more powerful than me as a dommy princess is written in the very nature of the universe or are you going to show me your browser history like a man

so the good place is widely lauded on this site for its takes on morality and capitalism, which i totally agree with

but i think it should get more recognition for the line "all humans are aware of death. so we're all a little bit sad all the time. that's just the deal. we don't get offered any better ones. and if you try and ignore your sadness, it just ends up leaking out of you anyway. i've been there, and everybody's been there. so don't fight it. in the words of a very wise bed bath and beyond employee i once knew - go ahead and cry all you want. but you're gonna have to pay for that toilet plunger."

Prompt 89

 The young justice team is in a bit of a pickle. It had been a usual mission, Klarion causing mischief again, before someone had mentioned the date. 

 The literal chaos lord had shrieked, stopping his attack, and asked for clarification. Maybe that wasn’t a good idea because one moment they were in Happy Harbour, and the next they’re somewhere else with green everywhere and floating islands. 

 And Klarion doesn’t explain- not that they were expecting him to- and just bolts into a… wow that is a very big and scary looking castle. Keep? Honestly it’s if someone combined a gothic citadel with a clocktower of some sort. 

 Not important, because they had chased after Klarion who uh… Oh no, that is a Very big entity, that is two Very Big entities that could crush them in their fingers. And they are now stuck in this place seeing as the portal closed behind them. 

 Honestly Klarion is happy he made it home before curfew! Even if he had to bring his sort-of-friends with him to make it in time. It’s not his fault, he’s not used to having a guardian, nevermind two! Not to mention siblings, which he’s now the oldest of too, so he has to be a positive influence. Like teaching them how to properly do chaos without destroying a world. 

 Oh, but this is perfect anyway, one of his dads has been wanting to talk to the speedsters anyway, and his other dad is still under house arrest for the whole, trying to take over the living realm thing. But that’s not important, he has little siblings to introduce! 

“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”

Katsuki Bakugou, my friends.

His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.

I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.

Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all

Danny slowly lowered himself down onto Luther's newest death machine thanks to his bat themed grappling hook. Making special care not to let his heart beat or his lungs take in breath lest Superman hear him and intervene, he used his intangibility to sink into the machine itself to steal its parts.

Yeah, so a full white outfit wasn't the best choice for stealth, but it was better than dressing like a traffic light. Plus the black gloves and boots made him feel nostalgic. It had been only seven months since the accident that took his life, so much has happened since then.

Biting his lip as he smiled as he began gathering up parts and wires with his intangibility and placing them into his bag. Lastly he grabbed the power source, which-surprise, surprise, is kryptonite.

After he grabbed what he wanted he quickly stuck a note on the maintenance panel of the machine for when someone opened it and discovered it now had a large hollow space, then simply sank down through the floor and flew to freedom.

Danny sighed once he was clear. Or, at least he thought he was.

"Young man." Crud. Danny turned around to see big blue floating behind him in all his red underwear glory. Great. "I believe you have something that doesn't belong to you." The Kryptonian said, looking pointedly at the large chunk of kryptonite Danny held under his arm.

Instead of an excuse, Danny got an idea. "Uh, hello? Recognize the mask?" He said, gesturing to his face.

Superman narrowed his eyes, staring at his face for a few very long seconds and just as Danny was about to cut his losses and book it out of there, a look of recognition graced the heros face. Sweet. "Thats Nightwings mask."

"Yeah. Just smaller."

Superman nodded, then asked, "Why aren't you wearing a bat symbol? I wouldn't have thought you were a thief if I knew you were working with Batman." Danny had to fight to keep his face neutral.

"I haven't decided what symbol I want on my suit yet." And that was true. Danny wasn't sure he wanted any symbol at all. The mark of the bat would mean that he belonged in the batclan, and Danny was a lone ghost. A wandering spirit if you will. He didn't belong anywhere.

Some small part of his mind that sounded suspiciously like Jazz said that might be one of the reasons he's been behaving so poorly lately, but he brushed it off. Superman just nodded sagely. Danny doubted he actually knew how Danny felt and was just nodding along to appear sympathetic. Adults lie, and they lie often. Danny kinda hated them for it.

"Well, I'm kinda on a deadline, so I should get going. Crime to fight, goth furry to annoy, you know how it is." Danny said, waving the arm that wasn't carrying the kryptonite around in the air before using it to readjust the bags strap on his shoulder.

"Alright," superdude smiled warmly, "Tell Batman I said hi." Danny grinned back at him as he jogged away, "Will do!"

That went better than expected. Thank you, Nightwing~! The boy thought to himself as he ran off into a secluded area and turned invisible and flying away.

Just imagining Supermans face if- no- when Batman finally breaks and tells the Justice League about the little menace thats been stealing all his and his sidekicks stuff for the last few weeks nearly sends Danny into hysterics.

Danny still has Robins sword mounted above the fireplace in his favorite safe house in Costa del Sol. Red Hoods "favorite" motorcycle was in its garage and Red Robins wrist computer and chest harness thing were mounded in a glass case next to the first thing he stole from them:

Batmans utility belt.

Sure, its a pain to remove all the tracking stuff from them, but man is he proud of those accomplishments.

Still. Its better to leave Metropolis after he got caught by Superman. Its only a mater of time before someone finds out about the old switcheroo he pulled at the last museum robbery and that combined with the bodies of those creepy rich guys he had killed (human trafficer buyers) well, surely Batman has noticed he had been gone for a while and would pick up on the matching M.O. in Metropolis.

Time to bounce.

pest control.

bonus:

*UPDATE: i made a sequel

Familar Stranger

DP x DC au with a dash of dimensional travel where Danny, due to his ghostly nature, looks slightly different depending on how others perceive him. 

Warning: OP has no knowledge of space other than Google and is also a non-native English speaker; proceed with caution.

Same startup kits; Danny becomes the successor to the Infinity Realm (he's a baby by both ghost and human standards, so there's a temporary council for now). Anyway, he still has some power over the ghosts, so he asks them to lessen the amount of fighting to focus on schoolwork and "princely education." 

Now here's where my brainrot begins.

The Lazarus Pits, necromantic rituals, or portals of any kind that have "death" or "soul" in them tend to be connected to the Ghost Zone. However, the zone has its own defensive mechanism, so unless someone *Fentons* actively makes a gateway or has "experienced" death, it's nearly impossible to come upon the zone. A certain furry bridage in Gotham has unknowingly ticked all the checkboxes.

During a misson, one of the bats got caught in a magic situation and got transported to the Infinity Realms. They wandered around, dogding ghosts, slowly getting insane from all these damn corridors and living paintings, before they stumbled upon a seemingly random door (CW is involved; he's having a great time testing the poor bat).

Opening the door leads them to the universe. They closed the door, then opened it again. Yep, that's an entire universe complete with its own planetary systems and, oh, so pretty stars growing and dying in a blink of an eye. Another check around shows them that this is the only door so far in the endlessly long hallway. They look down (if there's even a down, for there's only infinity) and take an experimental step. The Milky Way lit up under their feet, with stars gathering around to form a twisting path to nowhere. 

For the next couple of hours, days, or minutes, they made their way through the galaxies. Just when they were about to spiral into a midlife crisis, they heard... humming? 

Did they finally lose it? They asked themselves before noticing a glowing figure sitting on an asteroid nearby.

"Hello?"

The figure flinched, and life paused. The blackhole by their left stopped spinning, the stars weren't twinkling, and the figure turned their head. Now it's their blood that runs cold.

"You're not supposed to be here."

Lazarus-colored orbs stared back at them with a familiar face but an unfamiliar voice. Damian tilted his head, looking at them in confusion (there's something wrong, wrong, wrong-). They blinked because, what the hell, seeing something other than a scowl on the boy's face is WeirdTM. Suddenly, that's a teenaged Jason staring at them, much closer than he(?) was before.

At this point, they realized— eyes moving over the entire regalia and the glowing crown that just appeared—they're probably in deep sh*t.

I hate to say it but I might have to admit that Redditors can be pretty based sometimes

I feel bad for the folks that aren't listening to the fireside chats, cuz this is a completely different podcast without the insight into the characters' thought process

How far did you get? (Patreon)

Another random pencil sketchdump while I wait for my laptop to charge.

Oval-shaped faces are personally tricky to do digitally compared on paper. And guess who has an oval-shaped face??

On the third pic's bottom left, I tested giving Connie a little heart-shape to see how it looks because heart-shapes are relatively the easiest to me digitally; maybe I can cheat a bit there, you know? (And it works great for others.) And to be honest.. I'm really not sure about it. :/ I definitely like the one on the right more. But how the heck is it so hard to do on the tabbbbb?

Oh! Also skitched @pogostikk's short-haired Connie and clown boi Steven. I love them. 🥺💕

Mirá. Mirá allá. ¿Ves estos dos picos? Ahí no hay nieve. ¿Lo ves? Ahí está Chile. ¿Lo ves?

Lo veo.

[Nando] "Look. Look there. See those peaks? There's no snow there. See it? That there's Chile. See it?" [Roberto] "I see it." -La Sociedad de la Nieva

Those two peaks were 130 km away from them. And over the course of 10 days, with only a week supply of food, Nando Parrado and Roberto Canessa had trekked over 60 km of uncharted, unforgiving high Andes terrain until they found help for their 14 friends back at the crash site across the Argentinian border.

"I told Roberto; "Look, Roberto there's no way we can go back, the only way is forward. We'll die but we'll die trying," And you know, he looked at me and said; "Okay. We have done so many things together, let's do one more; let's die together." -Nando Parrado, 2010.

Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.

My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?

Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.

I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!

I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.

I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.

So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.

Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.

Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.